True Love Always
Track Listings
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1. Because of You
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2. Tearin' Up My Heart
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3. She's All I Ever Had
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4. I Do [Cherish You]
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5. Angel of Mine
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6. I Drive Myself Crazy
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7. All I Have to Give
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8. I Will Remember You
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9. Iris
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10. From This Moment On
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True Love Always,Various Artists,Turn Up the Music,Pop,Popular Music,Soft Rock,Special Occasions
True Love Always
Average customer rating:
- Wish I had seen the actual Show!!!!
- The best and maybe the last CD of this great musical.
- Beautiful remastering of historic original cast recording
- the peerless original cast
- Who Put The Shake In Shakespeare?
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Kiss Me, Kate (1948 Original Broadway Cast)
Cole Porter , Alfred Drake , and Patricia Morison
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B000007OHT
Release Date: 1998-06-02 |
Tracks:
- Act I: Overture
- Act I: Another Op'nin', Another Show
- Act I: Why Can't You Behave?
- Act I: Wunderbar
- Act I: So In Love
- Act I: We Open In Venice
- Act I: Tom, Dick Or Harry
- Act I: I've Come To Wive It Wealthily In Padua
- Act I: I Hate Men
- Act I: Were Thine That Special Face
- Act II: Too Darn Hot
- Act II: Where Is The Life That Late I Led?
- Act II: Always True To You (In My Fashion)
- Act II: Bianca
- Act II: So In Love (Reprise)
- Act II: Brush Up Your Shakespeare
- Act II: I Am Ashamed That Women Are So Simple
- Act II: Finale: Kiss Me, Kate
- Kiss Me, Kate Overture
Amazon.com
Opening at the tail end of 1948, Kiss Me, Kate became an instant classic--and amazingly didn't receive a full-scale revival until 1999. All the more reason to revel in its original version. With its cunning play-within-a-play premise (a musical update of The Taming of the Shrew reverberates in backstage feuds), brilliant mix of high and low comedy, and of course some of Cole Porter's better-known songs--"So in Love," "I Hate Men," Too Darn Hot," "Always True to You (In My Fashion)"--Kiss Me, Kate remains a funny, zesty hall of mirrors. Hard as you may try to find a fly in the ointment, there's no fault with the cast either--Patricia Morison, for instance, is a perfectly petulant Lilli Vanessi. --Elisabeth Vincentelli
Customer Reviews:
Wish I had seen the actual Show!!!!.......2007-08-01
I wish I was about 20 when Kiss Me Kate opened so I could have witnessed this body shaking, gut bursting work of Cole Porter. This is the first time I've heard it. I can still feel the voices and music pumping through my blood stream with pleasure. You have to get it to get it so get it. You'll be more than greatful you did. Pardon me, I'm going to listen to it again!
The best and maybe the last CD of this great musical........2006-02-20
Now is the perfect time to buy the CD of this.
Sony's transfer engineers used state-of-the-art restoration software to remove the roughness and surface noise from the originals, but (thankfully) they resisted the urge to tart-up the sound with artificial reverb, faux stereo, and thundering bass. This is by far the best-sounding CD of this ever released, and it may be the last.
The age of music ownership in America could be drawing to a close. Five years from now, this music may only be available by download, you might only be "borrowing" it, and it probably won't come with the the authentic cover art or the 26-page booklet.
(See also the original broadway CD of Out of This World.)
Beautiful remastering of historic original cast recording.......2004-05-24
Recorded in January 1949, this album of KISS ME KATE has remained in print adn a steady best-seller for over 50 years now.
The sound on this newly remastered CD is crisp and clear and easily surpasses all previous issues. Sony even uses the original artwork from the very first LP release.
The performances remain as fresh as ever. Alfred Drake was Broadway's top leading man and sounds just glorious. Pat Morrison had less of a career but sounds just perfect as Lilli. Lisa Kirk is wonderful as Lois, and Harold Lang makes the most of his few moments on the record as her boyfriend, Bill. In an unusual move these peopel reunited 10 years later to re-record the score for Capitol in true stereo. They still sound great on that recording (on CD as part of the Broadway Angel series) but the performances are fresher on this recording made just 2 weeks after KIS ME KATE had opened on Broadway to rave reviews.
The CD booklet has good info about the show, though curiously, no synopsis. There are, however, a half dozen pictures of the original production. This edition featureds longer takes of "We Open in Venice", "I Hate Men" and "Too Darn Hot" though the total extra music adds but a minute to the album's running time. A bonus track of the Overture dates from a 1958 stereo recording by Lehman Engle.
KISS ME KATE was the first Tony Award winner for Best Musical (1949). The 1999 revival won a Tony for Best Revival.
the peerless original cast.......2004-03-04
KISS ME KATE is still regarded as Cole Porter's greatest musical; a charming backstage story detailing feuding ex-spouses Lilli Vanessi and Fred Graham as they star in a musical version of Shakespeare's "The Taming of the Shrew".
Very rarely has the score been bettered than the original 1949 cast album, reissued here on the Columbia Broadway Masterworks label. Patricia Morison plays Lilli, with Alfred Drake (OKLAHOMA!, KISMET, GIGI) as Fred, the feuding, ego-ridden leads. Lisa Kirk (ALLEGRO, MACK AND MABEL) is the sexy young starlet Lois, with Harold Lang (PAL JOEY) as her caddish boyfriend Bill.
KISS ME KATE opened at the New Century Theatre on Broadway in 1949, making history in its run of over 1000 performances. Patricia Morison is perfectly-suited to the role of Lilli. She offers a glowing rendition of "So in Love", whilst her duet with Alfred Drake in the tongue-in-cheek "Wunderbar" is sublime. Lisa Kirk gets three of the big showstoppers ("Why Can't You Behave?", "Tom Dick or Harry" and "Always True to You in My Fashion"), and nails each and every one. Harold Lang was a better dancer than he ever was as a singer, but is quite good on this disc.
A must-own.
Who Put The Shake In Shakespeare?.......2001-04-11
Who put the 'shake' in 'Shakespeare'? Cole Porter, of course! Kiss Me Kate is the best of his musicals, and this recording is the best of the recordings! The original Broadway cast performs with much old-style, vaudeville jazz!
The story is set in a Baltimore theatre where a divorced couple, Fred Graham and Lilli Vannessi, are in the two leading roles of a musical version of Shakespeare's Taming of the Shrew. Fred currently dates a colorful light-heart named Lois Lane, while Lilli is about to head off to get maried in the south. Lois, by the way, will 'always be true' to her boyfriend, the gambling player Bill Calhoun. The story takes off from there!
The show originaly opened on Broadway in 1948. It's timelessness has still not worn off after so many years. The classic script by Bela and Sam Spewack, and the best music of Cole Porter, we cannot fail! The show has been performed since then in many many countries, and has been performed in many languages! It has only recently been revived on Broadway.
Kiss Me Kate has become a staple of classic Broadway, and this is the cast that will not be outdone. Patricia Morrison is a perfect, operatic, Lilli Vanesi. She is strong, yet thoughtful. Her voice fills the CD with a lively 'Wunderbar' and the raging 'I Hate Men.' Alfred Drake is a manly and appealing Fred Graham who will have you laughing out loud! His 'Where Is the Live...?' is yet to be surpassed. Harold Lang is a sexy, and hypnotic Bill Calhoun. He takes the role for himself, and his 'Bianca' is done to the point of perfection! His voice is misty and self-confident, and has the qualities all Bill Calhoun's should. And of course, there will be no one as good as Lisa Kirk for the role of Lois Lane! Her tongue-in-cheek performance on this CD is flawless! She is teasing, sympathetic, funny, and has the right voice to win her part! I can't imagine anyone who can do what she has done with 'Alway True to You' and 'Why Can't You Behave.' The classic character songs are very nice! The balladic, and melodic 'So In Love' will ring in your head. 'We Open In Venice' will make you dance! And 'Brush Up Your Shakespeare'(performed with much humor by Jack Diamond and Harry Clark) will give you a laugh the next time you read 'Romeo.' You won't be disapointed!
The nostalgic quality of the 40's is alive and well in this recording. Columbia has done a great job restoring the work, and the scratching that were a part of the original releases. The sound quality is crisp and clear, and the music sounds wonderful! The magic hasn't worn out yet!
There have been a few more recordings of the work, including a complete London recording, and the new Broadway revival cast. None can do as well as the original recording, however. In the revival recordng, however, they come close. Brian Stokes Mitchell has the voice for Fred, but runs through his lines a bit fast, and without much enthusiasm. And the orchestrations for the new recording are a bit overdone, and they sound more like PBS's Jazz, than Broadway.
Altogether, this is great recording. I was very pleased with my buy, and hope that you will add it to your collection right away! It's time to Brush Up Your Shakespeare!
Average customer rating:
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Modern Rock 1982-1983
1. Down Under -- Men At Work 2. Sweet Dreams (Are Made Of This) -- Eurythmics 3. Come On Eileen -- Dexy's Midnight Runners 4. Hungry Like The Wolf -- Duran Duran 5. Shake It Up -- The Cars various artists , 6. She Blinded Me With Science -- Thomas Dolby 7. Too Shy -- Kajagoogoo 8. (She's) Sexy + 17 -- Stray Cats 9. Steppin' Out -- Joe Jackson 10. In A Big Country -- Big Country , 11. Love My Way -- The Psychedelic Furs 12. Mexican Radio -- Wall Of Voodoo Track Title 1. True -- Spandau Ballet 2. One Thing Leads To Another -- The Fixx , 3. Back On The Chain Gang -- The Pretenders 4. Vacation -- The Go-Go's 5. Love Plus One -- Haircut 100 6. I Want Candy -- Bow Wow Wow 7. Our House -- Madness 8. Always Something There To Remind Me -- Naked Eyes , and 9. Only The Lonely -- The Motels 10. I Ran (So Far Away) -- A Flock Of Seagulls 11. Goody Two Shoes -- Adam Ant 12. I Know What Boys Like -- Waitresses
ProductGroup: Music
Binding: Audio CD
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ASIN: B000NHZHKS |
Product Description
Year: 1982
Track Title
1. Down Under -- Men At Work
2. Sweet Dreams (Are Made Of This) -- Eurythmics
3. Come On Eileen -- Dexy's Midnight Runners
4. Hungry Like The Wolf -- Duran Duran
5. Shake It Up -- The Cars
6. She Blinded Me With Science -- Thomas Dolby
7. Too Shy -- Kajagoogoo
8. (She's) Sexy + 17 -- Stray Cats
9. Steppin' Out -- Joe Jackson
10. In A Big Country -- Big Country
11. Love My Way -- The Psychedelic Furs
12. Mexican Radio -- Wall Of Voodoo
Track Title
1. True -- Spandau Ballet
2. One Thing Leads To Another -- The Fixx
3. Back On The Chain Gang -- The Pretenders
4. Vacation -- The Go-Go's
5. Love Plus One -- Haircut 100
6. I Want Candy -- Bow Wow Wow
7. Our House -- Madness
8. Always Something There To Remind Me -- Naked Eyes
9. Only The Lonely -- The Motels
10. I Ran (So Far Away) -- A Flock Of Seagulls
11. Goody Two Shoes -- Adam Ant
12. I Know What Boys Like -- Waitresses
Average customer rating:
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Overture: American Musical Theatre, Vol. 3 (1946-1952)
Manufacturer: Black Tulips
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ASIN: B000001P4N
Release Date: 1993-12-03 |
Tracks:
- There's No Business Like Show Business/The Girl That I Marry/I Got The Sun In The Morning/They...
- Almost Like Being In Love/Come Rain Or Come Shine
- How Are Things In Glocca Morra/Old Devil Moon/Look To The Rainbow
- Always Ture To You In My Fashion/Wunderbar/So In Love
- Let's Take An Old Fashioned Walk/Once In Love With Amy/Lost In The Stars
- Some Enchanted Evening/Younger Than Springtime/I'm In Love With A Wonderful Guy/Bali Ha'i
- Guys And Dolls/I've Never Been In Love Before/Fuge For Tinhorns/If I Were A Bell
- It's A Lovely Day Today/I Talk To The Trees/You're Just In Love
- The March Of Siamese Children/I Whistle A Happy Tune/Hello Young Lovers
Average customer rating:
- Conspicuous Extravagance
- A decent chance to hear the complete score
- Really helpful learning CD
- Every note exactly as it was written - Fabulous!
- I never made it past disc one.
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Kiss Me, Kate (1993 London Studio Cast)
Manufacturer: Jay Records
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- Sweet Charity (1995 Studio Cast)
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ASIN: B000005BHS
Release Date: 1996-06-18 |
Tracks:
- Overture - NSO/John Owen Edwards
- Another Op'nin, Another Show - Shezwae Powell/Original Cast
- Why Can't You Behave? - Diane Langton/Graham Bickley
- Wunderbar - Diana Montague/Thomas Allen
- So In Love - Diane Montague
- Padua Street Scene/We Open In Venice - NSO/Diana Montague/Thomas Allen/Graham Bickley/Diane Langton
- Tom, Dick or Harry - Michael Bauer/Graham Bickley/Paul Manuel/Diane Langton
- Rose Dance - NSO/John Owen Edwards
- I've Come To Wive It Wealthily in Padua - Thomas Allen/Original Cast
- I Hate Men - Diana Montague
- Were Thine That Special Face - Thomas Allen
- I Sing Of Love - Diane Langton/Graham Buckley/Original Cast
- Dance/Tarantella - NSO/John Owen Edwards
- Finale Act One - Thomas Allen/Diana Montague/Brian Greene/Original Cast
Tracks:
- Entr'acte - NSO/John Owen Edwards
- Too Darn Hot - Paul Collis/Original Cast
- Where Is The Life That Late I Led ? - Thomas Allen
- Always True To You In My Fashion - Diane Langton
- Bianca - Graham Buckley/Original Cast
- So In Love Reprise - Thomas Allen
- Brush Up Your Shakespeare - Brian Greene/Matt Zimmerman
- Pavane - NSO/John Owen Edwards
- I Am Ashamed That Women Are So Simple - Diana Montague
- Shrew Finale/Grand Finale - Diana Montague/Thomas Allen/Original Cast
- Can Can Overture - NSO/John Owen Edwards
- Jubilee Overture - NSO/John Owen Edwards
- Out Of This World Overture - NSO/John Owen Edwards
Customer Reviews:
Conspicuous Extravagance.......2004-09-08
It takes much more than this generally lack-luster performance delivers to overcome the intrinsic embarrassments of 'Kiss Me Kate'. While minor misogynies were then more or less default, if not de riguer, it is doubtful even the nudge-nudge friendly audiences of the 1940's and `50's would have put up with Cole Porter's stale, striving, prep school vulgarities had he not possessed an uncommon lyric gift.
And the set is too long. No one (except, apparently, devotees unwilling to settle for less than every note) needs instrumental reprises and variation-less dance numbers--especially when no purpose is discernable beyond running up a second disc. Most CD players have a Repeat mode. (At least the McGlinn/Barstow/Hampson EMI effort offers up some interesting out-takes to pad the second side; this one kicks in 15'' of overtures.)
Barring the two leads, the cast is ho-hum, and while Thomas Allen has his moments, he will not be remembered for his Fred Graham.
Notwithstanding all of the above, one is tempted to declare it all worth putting up with just to hear Diana Montague sing 'So in Love'--possibly Porter's loveliest song. (Why has no one thought of doing the reprise as a duet?) She even renders listenable the insufferably adolescent 'I Hate Men'. There's just not enough for her to sing in this show. Unless money is no object, go--for Montague alone--for the highlights disc.
A decent chance to hear the complete score.......2003-12-11
Until you've heard the complete score to "Kiss Me, Kate" with Robert Russell Bennett's original orchestrations recorded in good, modern sound, you don't know what you've been missing. Matchless as the original Broadway leads were, neither of the recordings they made satisfy completely. Both the original Columbia and the Capitol remake are missing huge chunks of the score and neither adequately conveys the quality of the orchestrations even in the parts that are recorded.
So it is slightly frustrating that there have been two complete recordings of "Kiss Me, Kate" in modern sound featuring the original orchestrations, and both of them have significant problems. The earlier recording, an EMI release conducted by John McGlinn, is not currently available in the U.S., while this JAY release is conducted by John Owen Edwards. Even though the EMI is not available, I'm going to compare the two, for those who are interested.
Both recordings are well-conducted, but I feel McGlinn gets more out of the score than does Owen Edwards. McGlinn can often be a bit stodgy, but his "Kate" is just gorgeous. He does a better job of bringing out all the neat touches in the orchestration than does Owen Edwards, and he's also better in the jazzier sections. Owen Edwards does a good job, but it's sad to hear him completely miss some moments, like when he fails to slow down sufficiently for the crucial second "And you're mine, dear" in "Wunderbar." Overall, McGlinn just points things better without getting too fussy. If only the same could be said for his cast.
But both recordings fall down in their casts. As Fred/Petruchio, McGlinn's Thomas Hampson is completely at sea. The music doesn't lie well for him, seeming to mostly sit in the least attractive part of his range. And his readings of the dialogue that is included is labored and self-conscious. Thomas Allen, on this JAY release, sounds older than Hampson, but his basic sound seems more attractive to me, the music lies better for him, and his dialogue, if not great, is at least not painful.
It must be said, though, that Hampson has been coached thoroughly in the role, and is aware of every nuance. The trouble is that he overdelivers on every nuance, whereas Allen almost sounds like he's sight-reading some of the score. Still, he's preferable to Hampson. I wish, though, that the JAY people had realized that they were using the bowdlerized British edition of the score. In "I've Come to Wive It Wealthily in Padua," Allen sings "doggone nose" instead of "goddamned nose." It's just not the same.
As Lilli/Kate, EMI's Josephine Barstow tries hard, perhaps a bit too hard, but what she does seems to me mostly suitable for the role. She does well everywhere except "I Hate Men," in which her vocal style just doesn't work, and she is further hampered by some lyrics not usually heard, and with good reason. The rest of the time, she puts out 110 percent. I suspect some may find her a bit too operatic, but I'm convinced by her. JAY's Diana Montague sings well, but is a bit pallid and humorless. She could use more of Barstow's spunk.
And so it goes. As Lois/Bianca, EMI's Kim Criswell is a bit pinched and colorless. JAY's Diane Langton sounds a bit old for the role, with some of her top notes a tad frayed, but brings more humor and brio to the role in general, especially "Always True to You in My Fashion," and this is one song on which Owen Edwards surpasses McGlinn.
As Bill/Lucentio, EMI's George Dvorsky is OK but a little staid, with "Bianca" oversung. JAY's Graham Bickley is more winning, even if his British accent shows through at moments. Without oversinging "Bianca," he still sounds like he has a voice that might have been good for Fred/Petruchio, and I suspect he would have better in the role than either Hampson (well, I'm sure of that) or Allen.
On the other hand, EMI's gangsters, Robert Nichols and David Garrison, are a hoot, surpassing JAY's pair, who are certainly good enough. And the other supporting roles tend to be a bit better on the EMI, with Davis Gaines and John Mark Ainsley particularly funny in their introductory sections to "Tom, Dick or Harry," while their counterparts on JAY don't seem to realize they could be funny. On JAY, Shezwae Powell does a good job with "Another Op'nin'," but with McGlinn's fabulous conducting, Karla Burns is even better on EMI. Similarly, Paul Collis does a nice job on "Too Darn Hot" on JAY, but Damon Evans really sizzles on EMI.
EMI also has more interesting filler, with cut songs from "Kate," although JAY's filler of the overtures to "Can Can," "Jubilee," and "Out of This World" is certainly nice to have.
So, on balance the EMI is perhaps a little bit better, if you can get past Hampson. But as long as it's not available, this JAY version will serve adequately.
Really helpful learning CD.......2003-03-11
As an MD for an amateur production of Kiss Me Kate, I found this recording useful as it contains not only every single note in the score, but also every encore as well. It was really helpful in learning the orchestration, as the score was a piano reduction. It certainly saved a lot of time in rehearsal trying to work out who has what tune etc. - I could do it from memory in that I knew the trumpet had the tune there etc. The choreographer used this recording to estimate how long each dance was - something very important as other shows I have done the Choreographer was using a different version of the show (such as the broadway revival of Kiss Me Kate).
Singers can listen to this and know exactly what they will hear from the pit - which is always a helpful thing!! And less experienced singers (or non singers!!) can learn by ear.
I agree with another review that dislikes the singing - however my use was only for learning. The voices don't seem well suited for the parts, however they are not so bad that you cringe in horror - I think stopping after the first disc is a bit excessive!
Every note exactly as it was written - Fabulous!.......2002-05-09
Great CD - Don't be fooled by other 'jazzed up' versions - this is how it was written and how you'll normally hear it performed. A very gutsy and earthy performance all round. The original Broadway album, sounds great but has alot of "enhancements" which the composer never wanted put in and disapproved of. Go for this one if you want the true Kiss Me, Kate in it's full version - NO CUTS or HIGHLGHTS!
I never made it past disc one........2000-07-04
It's a shame the John McGlinn recording on EMI is out of print, because this travesty is no compensation at all. The singers are really, really bad. And the conductor fails to capture the swing of the score, leaving it sounding dull and lifeless. Run, don't walk, away from this CD.
Average customer rating:
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When Will You Be Mine
True Love Always
Manufacturer: Teenbeat Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000008T5Z
Release Date: 1997-03-11 |
Tracks:
- Don't Take It Easy
- Yearbook
- I've Got a Crush on You
- Party Time
- All Along the Basement
- Cigarette Star
- Shame on You
- Summertime Time
- Bicycle Rider
- Everyone Knows
- Dionne
Average customer rating:
- A touching English Butterfly
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Puccini - Madam Butterfly / Cheryl Barker, PO, Yves Abel [in English]
Giacomo Puccini , Yves Abel , Cheryl Barker , Paul Charles Clarke , and Simon Birchall
Manufacturer: Chandos
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Binding: Audio CD
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- Turandot (Chandos Opera in English)
- Puccini - La bohème / Haymon · O'Neill · Opie · McLaughlin · A. Miles · Dazeley · Shore · PO · Parry
- Verdi: La Traviata
- Tchaikovsky - Eugene Onegin / Te Kanawa · Hampson · Rosenshein · Gedda · Sir Charles Mackerras [in English]
ASIN: B00005QF3K
Release Date: 2001-11-20 |
Tracks:
- Act I: Introduction - Cheryl Barker
- Act I: 'So The Walls And The Ceiling...' - Ann Taylor/Stuart Kale
- Act I: 'I Think Your Honour's Smiling' - Jean Rigby/Ann Taylor/Stuart Kale
- Act I: 'It Can't Be Much Further Now!' - Gregory Yurisich/Stuart Kale/Ann Taylor
- Act I: The Whole World Over - Ann Taylor/Gregory Yurisich
- Act I: 'Fate Can't Crush Him' - Ann Taylor/Gregory Yurisich
- Act I: 'Is The Bride Very Pretty?' - Gregory Yurisich/Stuart Kale/Ann Taylor
- Act I: 'True Love Or Fancy' - Ann Taylor/Gregory Yurisich
- Act I: 'See Them! They're Climbing The Summit Of The Hill!' - Gregory Yurisich/Cheryl Barker/Gregory Yurisich
- Act I: 'We Are Honoured' - Cheryl Barker/Ann Taylor/Gregory Yurisich/Stuart Kale
- Act I: 'The Imperial Commissioner' - Stuart Kale/Ann Taylor/Cheryl Barker/Simon Birchall
- Act I: 'Oh, Indeed, My Friend, You're Lucky!' - Gregory Yurisich/Cheryl Barker
- Act I: 'Come, My Beloved' - Ann Taylor/Cheryl Barker/Stuart Kale
- Act I: 'My Fate I Have To Follow' - Cheryl Barker
- Act I: 'Silence! Silence!' - Stuart Kale/Roland Wood/Cheryl Barker
- Act I: 'Congratulations' - Roland Wood/Ann Taylor/Gregory Yurisich/Frances Brett/Clive Bayley/Stuart Kale
- Act I: 'Dearest, My Dearest, Weep No More' - Roland Wood/Ann Taylor/Jean Rigby
- Act I: 'Evening Is Falling...' - Roland Wood/Ann Taylor/Jean Rigby
- Act I: 'Child, From Whose Eyes The Witchery Is Shining' - Ann Taylor/Cheryl Barker
- Act I: 'Ah, Love Me A Little' - Cheryl Barker/Ann Taylor
- Act II Part I: 'Izaghi Izanami' - Jean Rigby/Cheryl Barker
- Act II Part I: 'One Fine Day' - Cheryl Barker
Tracks:
- Act II Part I: 'Come, Let's Enter' - Stuart Kale/Gregory Yurisich/Cheryl Barker
- Act II Part I: 'Yamadori, And Has your Unrequited Love Not Yet Released You? - Cheryl Barker/D'Arcy Bleiker/Gregory Yurisich/Stuart Kale
- Act II Part I: 'Now, At Last!' - Gregory Yurisich/Cheryl Barker
- Act II Part I: 'Just Two Things I Could Do' - Cheryl Barker/Gregory Yurisich
- Act II Part I: 'This Child! This Child, Then!' - Cheryl Barker/Gregory Yurisich
- Act II Part I: 'Do You Know, My Darling' - Cheryl Barker
- Act II Part I: 'I Must Be Going' - Gregory Yurisich/Cheryl Barker/Jean Rigby
- Act II Part I: 'Ah! Ah!' - Stuart Kale/Jean Rigby/Cheryl Barker
- Act II Part I: 'Look, It's A Man-of-war!' - Jean Rigby/Cheryl Barker
- Act II Part I: Flower Duet: 'Shake The Cherry Tree' - Cheryl Barker/Jean Rigby
- Act II Part I: Humming Chorus - Geoffrey Mitchell Choir
- Act II Part 2: Prelude - Jean Rigby/Cheryl Barker
- Act II Part 2: Daybreak Over Nagasaki - Jean Rigby/Cheryl Barker
- Act II Part 2: 'It's Morning' - Jean Rigby/Cheryl Barker
- Act II Part 2: 'Who Is It?...' - Jean Rigby/Ann Taylor/Gregory Yurisich
- Act II Part 2: 'I Know For Such Misfortune There Is No Consolation' - Gregory Yurisich/Jean Rigby/Ann Taylor
- Act II Part 2: 'Farewell, Oh Happy Home!' - Ann Taylor/Gregory Yurisich
- Act II Part 2: 'Then Will You Tell Her?' - Ann Taylor/Jean Rigby
- Act II Part 2: 'Suzuki, Where Are You?' - Cheryl Barker/Jean Rigby
- Act II Part 2: 'You, Suzuki, You're Always So Faithful' - Cheryl Barker/Jean Rigby
- Act II Part 2: 'Viper! I Want You To Answer' - Cheryl Barker/Jean Rigby/Gregory Yurisich/Ann Taylor
- Act II Part 2: 'Your Little Fluttering Heart Is Beating' - Jean Rigby/Cheryl Barker
- Act II Part 2: 'Death With Honour Is Better Than Life With Dishonour' - Cheryl Barker
Amazon.com
This performance, the only one available in English, is problematic. Best is Yves Abel's leadership of the orchestra, which sounds wonderful, imbuing Puccini's lush score with just the right exoticism and emphasis. But aside from Gregory Yurisch's fine Sharpless, the singers don't please. Paul Charles Clarke as Pinkerton is lacking stylistically and vocally, and as Butterfly, Cheryl Barker sounds under strain and never pretty. While she has the power and feeling for the big second-act climax (the sighting of the ship), she never for a moment sounds fragile or girlish, not even in the all-important early scenes. English or not, this set isn't in the running. Stick with Callas or Scotto in Italian, and follow the libretto. --Robert Levine
Customer Reviews:
A touching English Butterfly.......2002-03-27
Anyone familiar with Cheryl Barker's Butterfly will be interested in hearing this recording. I have heard her in the role twice - in Auckland and London - and her voice has filled out as the years have gone on. She hasn't a large italianate soprano; the sound is too slender somehow. Yet there is the paradox - it has great carrying power and a decent cutting edge to make itself heard above the orchestral climaxes. What really impresses is the sense of vulnerability and moral strength she imparts, making sense of the big moments of the secong act. The sound in Act one is gorgeous (and a super D flat in theentrance aria) and she differentiates impressively between the child-bride and the embittered woman of the two acts.
She is surrounded by a mixed supporting cast. Jean Rigby is maternal, warm and affecting as Suzuki. Gregory Yurisich makes Sharpless' dilemma more understandable than usual, rather than being completely ineffectual. Paul Charles Clarke perhaps illustrates Pinkerton's arrogance with a degree of vocal swagger, but the sound is rough-hewn and unlovely save for some moments in the love duet. Stuart Kale's Goro is suitable ingratiating and oily.
Abel's conducting is the other chief draw of this set. That he has experience of the score in the theatre means that his pacing is really superb, and the lush orchestration is given its due, the potent intermezzo during the overnight vigil sounding suitably ominous.
This won't replace the classic Butterfly recordings, but in the absendce of any new ones recently, and for acceptable diction in an English version, it is certainly worth the (not very high) price. Recommended.
Average customer rating:
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Song of Songs - Richard Crooks (Claremont)
Manufacturer: GSE Claremont
ProductGroup: Music
Binding: Audio CD
All Works by Arnold
| Arnold, Malcolm
| ( A )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Herbert
| Herbert, Victor
| ( H )
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General
| Lehár, Franz
| ( L )
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Romberg, Sigmund
| ( R )
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Chamber Music
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| Modern, 20th, & 21st Century
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Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
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Vocal & Song
| Romantic (c.1820-1910)
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Operettas
| Opera & Vocal
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ASIN: B0000049JN
Release Date: 1995-09-22 |
Average customer rating:
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Torch
True Love Always
Manufacturer: Teenbeat Records
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Indie Rock
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
General
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
Twee Pop
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
ASIN: B00004S7S9
Release Date: 2000-07-22 |
Tracks:
- Stream Up
- Underneath
- Sunshine
- 100 Years Of You
- In It To Win It
- Torch
- The Losing Part
- Rockers + Jets
- Furs
- Windows Fade
- Sheets
Customer Reviews:
Yeeaahh!.......2003-03-18
Wow, this rocks. When you start to listen to this cd, you're immediately wisked away to a beautiful beach on a radiant summer day. I just bought this cd from amazon today, and I've already listened to the 42 minute beauty four times. True Love Always consists of John Lindaman, Tobin Rodriguez (no longer a member), and Matt Datesman. These guys just make blissful music, plain and simple. The tunes on hear can penetrate through the hardest, darkest person and have them rocking out in a flash. Underneath, Sunshine, The Losing Part, and Rockets + Jets are the most alluring tracks on the cd, but every song is really great.
Brilliant.......2000-07-09
Absolutley brilliant album. Sunshine is one of the best songs ever written. Perfect post-Smiths indie pop written along the lines of Belle & Sebastian, Looper, and others. Can't recommend highly enough.
Average customer rating:
- Not worth it's shipping cost
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True Love Always
Various Artists
Manufacturer: Turn Up the Music
ProductGroup: Music
Binding: Audio CD
General
| Pop
| Styles
| Music
Soft Rock
| Pop
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General
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Soul
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CDs Under $7
| R&B General
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| Today's Deals in Music
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All Bargain Titles
| R&B General
| R&B
| Today's Deals in Music
| Formats
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ASIN: B00004783D
Release Date: 2000-01-25 |
Tracks:
- Because Of You
- Tearin' Up My Heart
- She's All I Ever Had
- I Do (Cherish You)
- Angel Of Mine
- I Drive Myself Crazy
- All I Have To Give
- I WIll Remember You
- Iris
- From This Moment On
Customer Reviews:
Not worth it's shipping cost.......2000-06-18
when I got this CD in the mail I was truly disapointed. Instead of hearing Nsync or Monica, I heard what sounded like Bad Kareoke! Who ever this company hired to imitate these bands really shouldnt quit their Day Job! This CD isnt even worth it's shipping costs!
Average customer rating:
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Spring Collection
True Love Always
Manufacturer: Teenbeat Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Indie Rock
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
General
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
ASIN: B00005MEUE
Release Date: 2001-07-16 |
R&B Music:
- V-103 Live [Live]
- V-103 Live [Live]
- Who Am I
- Xplicit
- 60's Soul Hits [Box set]
- All the Best [Import]
- All-Time Greatest Hits
- Another State of Mind
- BANG: The Motion Picture Soundtrack [Explicit Lyrics] [Soundtrack]
- Better Late Than Never
R&B Music
r&b music
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Awake [CD-single] [Import]
Breathe [Import]
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American Bandstand
Beyond Real Experience [Import]
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Award Winner: Stan Getz