Stay with Me

Track Listings
1. Baby Come to Me
2. When Will You Be Mine
3. Dream Lover
4. What Goes Around
5. Make It Like It Was
6. Good Lovin'
7. It Doesn't Hurt Anymore
8. This Is Love
9. It's Gonna Take All Our Love
10. Someday We'll All Be Free/Save the Children
11. All I Want Is Forever - Regina Belle, James "J.T." Taylor

Stay with Me,Regina Belle,Sony,Adult Contemporary,Contemporary R&B,Pop,R&B,Soul,Soul/Reggae/Rhythm & Blues,Urban

Stay with Me

Stay with Me
Stay with Me
Average customer rating: 4 out of 5 stars
  • Vintage Norman
  • More Cool Licks
  • Rivals his best work
  • Missed opportunity
  • sounds like RAP
 Stay with Me
Norman Brown
Manufacturer: Peak Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
Smooth JazzSmooth Jazz | Jazz | Styles | Music
GeneralGeneral | Soul | R&B | Styles | Music
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ASIN: B000NJL4WG
Release Date: 2007-04-24

Tracks:

  1. Let's Take A RideYou
  2. You Keep Lifting Me Higher
  3. Pop's Cool Groove
  4. It ain't Over BWB
  5. So In Love
  6. Stay With Me
  7. Soul Dance
  8. Every Little Thing
  9. A Quiet Place
  10. I Need You

Customer Reviews:

3 out of 5 stars Vintage Norman.......2007-07-08

This is Norman Brown in all phases. I have to admit the songs are original. However, I thought that his previous album,"West Coast Cooling" was one of his better album's. It had an upper-tempo, and a relaxing laid-back feeling of smooth jazz. Some cuts on this album has a little bit of Wes Montgomery and Lee Ritenour. I can say this because, I have all of Norman Brown's CD's.

4 out of 5 stars More Cool Licks .......2007-06-27

and catchy musical phrases. I continue to love his guitarwork, if your a Norman Brown fan you'll like this CD. The only caveat is I'm not a big fan of the singing (2 or 3 songs). It's not bad, just not what I buy a Norman Brown CD for...

5 out of 5 stars Rivals his best work.......2007-06-16

I guess it all depends on how you measure an album. Here's I how see this effort:

2 Lame Tracks (6,10)- kind of lame, the vocals ruined any chance of these being good songs.

4 Good Tracks (4,5,7,8) - the kind that fill out a really good smooth jazz outing

3 Excellent Track (2,3,9) - tracks you'll love to hear for the next month and will have trouble choosing whether or not to include on your own "Best of Norman Brown" mix CD.

1 Best NB Track Ever (1) - "Let's Take a Ride" is my favorite NB track ever, at least for now. It has that feel-good groove and great melodic guitar strokes. You know you shouldn't, but there is a lot of tempatation to listen to it over and over.

While this has more "lame" tracks than "After the Storm" or "Celebration" (my two fave NB discs) its "best 4" are all as good as any tracks on those discs, so I give this one 5 stars!

2 out of 5 stars Missed opportunity.......2007-06-11

I've been reading all these comments and it's hard to believe that so many people (Including a smooth jazz webradio owner) praise this new Norman Brown's album like his best album to date. Arguably Norman Brown is one of the most gifted smooth jazz artist you can find. His MoJazz recordings will remain for many years to come as an absolute reference point for the genre. Said that and after carefully listened "Stay with me" quite a few times I can't find a genuine explanation why so many people agree on this new album as his best work. Surrounded by an amazing crew (including his partners with B.W.B., trumpeter Rick Braun and saxman Kirk Whalum)Norman Brown is unable to ignite the fire that I personally expect from a musician of his caliber. Bland vocals (Norman definetely should stick to his guitar and ocassional scats) mixed with a set of instrumentals that won't surpass anything Norman Brown has done to the present. "Soul Dance" and "Pop's Cool Groove" (you can tell Paul Brown is behind this composition) are the only songs that vaguely reminded me "After the Storm", til this day in my humble opinion the best Norman Brown's album and without any stellar names in the personnel. I feel a great opportunity has been missed this time around considering the outstanding group of musicians available for this work. (Rick Braun, Kirk Whalum, Paul Brown, Sam Riney, Brian McKnight, Paulinho Da Costa and the list goes on). Even so,I still remain loyal to Norman Brown as one of my favorite smooth jazz artist and given time, he once again will amaze me with his unique talent and versatility.

1 out of 5 stars sounds like RAP.......2007-06-02

I really like Norman Brown. He reminds me of the late great Wes Montgomery, and Mr Brown was inspired by his music. However, this CD has only one good cut, mixed with what sounds like Rap music. I think his title begs the question, "Stay with Me". I don't think so, smooth jazz, please on your next CD.
Free
Average customer rating: 5 out of 5 stars
  • HEAVENLY
  • Sweetest voices ever!
  • Awesome
  • Soothing and thought provoking
  • Pure Crystal
 Free
Chris Dodd , Fiona Pears , Anthony Chadney , Ben Crawley , Christopher Robson , and Raoul Platt
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | New Age | Styles | Music
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  1. Luminosa
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ASIN: B0002RUAAQ
Release Date: 2004-10-05

Tracks:

  1. I Am The Day
  2. Stay With Me
  3. Voca Me
  4. A Song Of Enchantment
  5. Ave Verum
  6. Do Not Stand At My Grave
  7. When A Knight
  8. A New Heaven
  9. I Vow To Thee My Country
  10. Lament
  11. Twilight
  12. Be Still My Soul
  13. Adoramus

Amazon.com

English composer Robert Prizeman has taken a conventional English boy's choir--usually a haven for sweet songs and ecclesiastical renderings--and made them contemporary without selling out any of their intrinsic charm. Their stacked choral voices and lead sopranos, dressed up with electronica rhythms, synthesizers, and strings still sound like they could be coming from the church balcony, even while they exude an Enya-like appeal. While there are adaptations of Gregorian chants and Sibelius hymns, most of the songs are Prizeman originals based on those styles, with texts often drawn from Latin Liturgy. Except for the chilled romanticism of "Stay With Me," and the rhythm driven "Adoramus," whose chorus sounds like a Harry Potter incantation, few of the songs on Free have the anthemic pop appeal of "Salva Me" or "Vespera" from previous albums. Instead, Prizeman has opted for a more serene sound on Free, even with their first video from the disc, the yearning "I Am the Day." Some of it, like Prizeman's setting of a Walter de la Mare poem on "A Song of Enchantment," gets lugubrious. But most of Free floats on gentle soprano breezes, intrinsically innocent, even if the boys might be smoking cigarettes behind the altar. --John Diliberto

Customer Reviews:

5 out of 5 stars HEAVENLY.......2007-06-19

This cd is like listening to a heavenly choir. "Free" is an awesome audio experience. It can turn a stressful day into a calm evening.

5 out of 5 stars Sweetest voices ever!.......2007-06-16

I happened across this CD at Borders and was able to listen to it! One of the sweetest and heavenly CDs ever! I bought two: one for myself and one as a gift.

4 out of 5 stars Awesome.......2007-01-04

I never knew that young boys could have such wonderful voices, almost angelic. The music is very relaxing and haunting at times, but that's what makes it a good album to hear to. The harmonies were so beautiful. To all choir fans, this is a must-have album.

5 out of 5 stars Soothing and thought provoking.......2006-02-23

Libera is an amazing group of boys and Robert Prizeman really knows how to put everything together. My favorite songs on "Free" are Voca Me, Stay With Me, Adoramus, I Am the Day and Twilight. Each time I listen to this disc, another song seems to start growing on me. This was my first Libera CD (I have since bought Luminosa, Libera and Visions) and at first I liked the faster more upbeat songs but as time went on I started to really love the softer ones like Do Not Stand at my Grave and Weep (beautifully done by Ben Crawley and Joseph Platt). The soloists are lovely with clear and pure voices, and the chorus just swells with harmonies. This is choir music for people who hate choir music.

5 out of 5 stars Pure Crystal.......2006-02-20

Like Luminosa, this is incredible. I can only compare it to the beautiful, pristine, classical pieces of antiquity, such as Vivaldi's Spring and Bach's many ethereal melodies. It's beautiful.
Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
Average customer rating: 5 out of 5 stars
  • The Best Of Gilbert And Sullivan
  • Pure delight
  • Delicious G&S samplings abound here.
  • Fine Intro to G&S
 Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
Nicholas Folwell , Arthur Sullivan , Marie McLaughlin , Rebecca Evans , Anthony Rolfe Johnson , John Mark Ainsley , Alwyn Mellor , Anne Howells , Barry Banks , Eric Garrett , Felicity Palmer , Gareth Rhys Davies , Janice Watson , Julie Gossage , Neill Archer , Pamela Helen Stephen , Peter Savidge , Richard Stuart , Richard Suart , Richard Van Allan , Sir Thomas Allen [baritone] , Sir Charles Mackerras , and Welsh National Opera
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003D1Y
Release Date: 1996-01-23

Tracks:

  1. A Wandering Minstrel I
  2. Behold The Lord High Executioner!
  3. Three Little Maids From School Are We
  4. Braid The Raven Hair
  5. The Flowers That Bloom In The Spring
  6. On A Tree By A River, A Little Tom-tit Sang, 'Willow, Tit-willow'
  7. For He's Gone And Married Yum-Yum
  8. We Sail The Ocean Blue
  9. I'm Called Little Buttercup
  10. My Gallant Crew
  11. When I Was A Lad
  12. Things Are Seldom What They Seem
  13. Never Mind The Why And Wherefore
  14. Climbing Over Rocky Mountain
  15. Poor Wand'ring One
  16. How Beautifully Blue The Sky
  17. I Am The Very Model Of A Modern Major-General
  18. When The Foeman Bares His Steel
  19. Ah, Leave Me Not To Pine
  20. With Cat-Like Tread
  21. Is Life A Boon?
  22. I Have A Song To Sing, O!
  23. Were I Thy Bride
  24. Oh, A Private Buffoon Is A Light-Hearted Loon
  25. When A Wooer Goes A-Wooing
  26. When I, Good Friends, Was Called To The Bar
  27. A Nice Dilemma We Have Here
  28. Oh, Joy Unbounded

Customer Reviews:

5 out of 5 stars The Best Of Gilbert And Sullivan.......2004-03-15

At the end of the 19th century (1870's, 80's and 90's) the compatible duo of librettist and composer Gilbert and Sullivan popularized the pre-Broadway entertainment of Savoy opera. These were light operas or operettas whose content was satire and comedy, full of bouncy melodies and beautiful singing, highly entertaining theatrical works staged at London's Savoy theatre. Gilbert and Sullivan did not always get along and in fact there was a time when they ended their professional relationship because personal conflicts surfaced. But they managed to create the world's most beloved light operas, over 40 of them. Their most famous are what I call the Big Three- The H.M.S. Pinafore, The Pirates Of Penzance and The Mikado. Other works include their first hit Trial By Jury, The Yeomen Of The Guard, Princess Ida, The Gondoliers, Patience and several others. A standard signature of Gilbert and Sullivan was in the colorful cast- a comic actor with a special kind of baritone voice, a canary-like and sweet-voiced coloratura or lyric diva, a mezzo soprano with strong chest register and a lyric tenor as the romantic hero. On this album, English conductor Sir Charles Mackerras, a popular figure in the classical music scene and opera, guides the Chorus and Orchestra Of the Welsh National Opera in generally well-delivered performances of excerpts from the operas The Mikado, The H.M.S. Pinafore, The Pirates Of Penzance, Yeomen Of The Guard and Trial By Jury. Although I feel that the recordings made by the D'Oyly Carte Opera Company, with Isodore Godfrey conducting and starring the best cast of the Gilbert and Sullivan repertoire- the singers of the 60's and 70's- tenor Phillip Potter, soprano Valerie Masterson, baritone John Reed, Donald Adams and mezzo soprano Christine Palmer. Their version of the Pirates Of Penzance and the Mikado far outshine the Welsh National Opera in technical mastery and vibrant tone color.

But these are fine excerpts. Especially appealing is the famous and cheerful "Three Little Maids From School Are We", a trio that imitates Japanese style melody. Most of the Mikado does this, for it was inspired by Japanisme or the new fashion in Victorian England- everything Japanese, from prints to paintings to poetry. Gilbert and Sullivan simply "Japanized" their English operettas. The Finale "For He's Gone To Marry Yum Yum" is an ebullient and pleasant finale. Not featured here is the domineering and powerful Katisha, a figure who stands out in the Mikado.

The H.M.S. Pinafore is Gilbert and Sullivan's most popular work. The sea chanty "We Sail The Ocean Blue" opens the opera with appropriate atmosphere and it seems to fit perfectly with the other scene in which the Captain greets his crew and they sing his praises "My Gallant Crew..I am the Captain Of The Pinafore". A beautiful melody that seems to come out of a romantic Offenbach tune is "I"m Called Little Buttercup". The finale, not featured here, is also very engaging "For He Is An Englishman" which can almost resemble a British national anthem. The Yeomen Of The Guard was Gilbert and Sullivan's "serious opera" eventhough it remains very Savoyard. The plot deals with Tudor England and takes place at the London Tower. "I have a song to sing" makes use of what can be taken for an English ballad of the Renaissance. Trial By Jury, about the eccentric and hilarious activity of a court trial, has a sextet that although different in composition, has the sextet "Che Mi Frena" from Donizetti's Lucia Di Lammermoor in mind. All in all, an excellent recording sure to delight young and old.

5 out of 5 stars Pure delight.......2003-08-02

--Gilbert & Sullivan--
William Gilbert and Arthur Sullivan were a match made in heaven, yet on earth their pairing seems even with hindsight a most unlikely coupling. Both were destined for other things, Gilbert in fact for decidedly non-musical careers. Introduced by a mutual friend, Fred Clay, the fledgling lyricist Gilbert met the military-band-leader's son Sullivan and together continued to conspire to inspire the delights of audiences from high Victorian times down to the present, as their work in musical theatre comedy continues to provide merriment throughout the English-speaking world and beyond.

--The Music--
This collection includes highlights from five of the most popular Gilbert & Sullivan operettas: The Mikado, HMS Pinafore, The Pirates of Penzance, The Yeoman of the Guard, and Trial by Jury. The arrangements and orchestrations are delightfully energetic and clear; the characterisation and vocal qualities of the leads are perfect for their roles. The haughty if misplaced Lord of the Admiralty has the perfect combination of insecurity and pompous officiousness. The Plaintiff and the Defendant in the Trial are perfectly cast. This is a collection of highlights - at least three but no more than seven songs each, but this gives a good flavour of the music. The recordings on this collection come from complete performances by Mackerras and the WNO.

--Sir Charles Mackerras--
Mackerras is one of the geniuses of the twentieth century musical scene. Having a conducting career that includes the Hamburg Opera, the English National Opera (formerly Sadlers Wells Opera), and the Welsh National Opera (the performers for this piece), he has also conducted major orchestras on the continent of Europe and in the United States. The holder of many major awards and honourary doctorates, he has devoted much time and energy to the preservation and performance of eighteenth and nineteenth century music, as well the restoration of historical musical venues, such as the Estates Theatre in Prague, scene of the original production of Don Giovanni (Mackerras conducted the opera there to commemorate the bicentenary of the death of Mozart).

--Welsh National Opera Orchestra and Chorus--
The seeds of the WNO were planted in Cardiff during World War II by music lovers; the first performances occurred a year after the war's end, with Cavalleria rusticana and Pagliacci on the bill, with Faust the next night. Popular appeal was so great that the WNO was established, later adding choruses in both Cardiff and Swansea. The professional chorus was established in 1973, with a strength that matches the orchestra. They continue an ambitious performance schedule for recording and live events; Mackerras remains the Conductor Emeritus, as the WNO continues under the direction of Carlo Rizzi. The list of awards the WNO has won over the years is staggering - they are a world class institution by any measure.

--Other performers--
Notable singers such as Richard Stuart, Rebecca Evans, Felicity Palmer, John Mark Ainsley and Anne Howells lead the chorus with stunning vocals and clever characterisations of the parts they play. Many (such as Stuart and Evans) play the leading roles across several of the pieces of the disc.

--Liner Notes--
The liner notes give a good introduction and biographical information about Gilbert and Sullivan, as well as synopses of the five pieces presented here. It does not, unfortunately, include any information about Mackerras, the WNO Orchestra and Chorus, or the other special performers. It also does not include the lyrics to the songs. Were the quality of the CD not so great, this might cost it a star in rating.

--Overall Impressions--
I play this CD in my car, in my home and in my office frequently. It is a great sing-along work and a great comedic relief from the stresses of the day. The music is bubbly and clear; the recording quality is excellent and crisp. I recommend this to any Gilbert & Sullivan lover, any fan of musical comedy, opera and operettas, and anyone who delights in good music.

5 out of 5 stars Delicious G&S samplings abound here........2003-05-06

The first thing I should be saying is "What an infectuous G&S CD." Indeed this is, with this fine sampling of the peppy and bright Mackerras series. I know I have praised its "Mercedes-Benz quality" elsewhere on these pages, but that doesn't stop me from saying that everyone is in fine voice. This generously filled CD may only focus on five operas, but at least you can savour a reasonable choice sampling of delights from each one. Of particular interest is Richard Suart's patter-baritone parts and the soaring lyric soprano of Rebecca Evans. The selection on this disc is filled with a mixture of familiar favourites and lesser-known gems such as the female choruses in Mikado and Pirates. Mackerras is a true G&S conductor, but one who always springs rhythms crisply, and adopts peppy tempo for the fast bits. The one drawback is that this selection is far too infectuous that you'll want to shell out money to buy the full 5-CD Mackerras cycle - an incredible bargain with most of the operas fitted onto one disc each. But still, this is at least a decent G&S sampling for beginners, capped with Steven Ledbetter's copious liner notes. It will leave you wanting to say "dammit I'm going to play it again."

5 out of 5 stars Fine Intro to G&S.......2000-12-30

This is the perfect CD for those who may not be familiar with G&S, or for the initiated who want a smattering but don't have the mother of all CD changers. The difficulty with any G&S Greatest Hits CD is determining which pieces to leave off; while one could easily point to any number equally good bits, it would be difficult to argue about the quality of the choices included. The only problem, such as it is, is that after listening to it I am usually induced to go back and listen to the whole opera anyway. The Mackerras recordings are uniformly excellent. I have read elsewhere the criticism that they are too 'operatic' for light opera. If by this it is meant that the singers are too good, then I leave it to the discretion of the listener when the singing becomes too good to be enjoyable.
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • The greatest songs ever?
  • A musical treasure-box
  • a beautiful journey into melancholy
 Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars The greatest songs ever?.......2007-07-26

I heard 'clear or cloudy', from this recording, on the radio recently and had to purchase it. It is strange but it is the sort of song that makes life prior to listening to it different from life after. I find it sad that so many people haven't heard it. There are also many other wonderful works in this collection. Given you get twelve well recorded CDs with top quality performances, this has to be one of the bargains of the age.

Please buy it.

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
City of Angels (1990 Original Broadway Cast)
Average customer rating: 4 out of 5 stars
  • Fun Show, Average Score
  • Cleverness personified
  • Fantastic Jazz Musical That's FUN!!!
  • Great Jazz-Oriented Score
  • I love it!
 City of Angels (1990 Original Broadway Cast)
Cy Coleman , David Zippel , James Naughton , and Randy Graff
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. City of Angels (Applause Musical Library)
  2. On The Twentieth Century (1978 Original Broadway Cast)
  3. Seesaw (1973 Original Broadway Cast)
  4. The Will Rogers Follies: A Life In Revue (1991 Original Broadway Cast)
  5. Grand Hotel: The Musical - Broadway Cast Recording

ASIN: B00000272K
Release Date: 1990-02-09

Tracks:

  1. Prologue-Theme From City Of Angels
  2. Double Talk
  3. What You Don't Know About Women
  4. You Gotta Look Out For Yourself
  5. The Buddy System
  6. With Every Breath I Take
  7. The Tennis Song
  8. Ev'rybody's Gotta Be Somewhere
  9. Lost And Found
  10. All You Have To Do Is Wait
  11. You're Nothing Without Me
  12. Stay With Me
  13. You Can Always Count On Me
  14. Alaura's Theme
  15. It Needs Work
  16. L.A. Blues
  17. With Every Breath I Take-Duet
  18. Funny
  19. I'm Nothing Without You
  20. Epilogue-Theme From City Of Angels
  21. Double Talk Walk

Amazon.com

Cy Coleman and David Zippel's City of Angels is a seductive depiction of 1940s Los Angeles, capturing swinging jazz, torchy ballads, witty lyrics, and even a Manhattan Transfer-like Greek chorus (arranged by ManTran guru Yaron Gershovsky). James Naughton and Gregg Edelman star as Stone and Stine, respectively a tough Raymond Chandleresque PI and the writer who dreams up his adventures. Randy Graff plays Stone's long-suffering secretary and Dee Hoty the requisite femme fatale. Loads of atmosphere and tasty songs such as "What You Don't Know About Women," "With Every Breath I Take," "You're Nothing Without Me," and "You Can Always Count on Me" make City of Angels a modern classic. It won 1990 Tony Awards for Best Musical, Leading Actor (Naughton), Featured Actress (Graff), Best Book (Larry Gelbart), and Best Original Score. --David Horiuchi

Customer Reviews:

3 out of 5 stars Fun Show, Average Score.......2007-02-21

Fun show, ingenuos concept, so-so score, with one exception. The ballad With Every Breath I Take is brilliant. One of Coleman's best pieces.

5 out of 5 stars Cleverness personified.......2006-10-16

A duet between an author and the character he created, each claiming "you're nothing without me," is just one example of how sharp, witty and clever show is, with an unusual score, jazzy and bluesy and very 1940s, and some of the best lyrics I know.

5 out of 5 stars Fantastic Jazz Musical That's FUN!!!.......2006-04-14

City of Angels is an incredibly fun, classy, and jazzy musical that delivers. Stellar vocal performances are provided by the entire cast, particularly the female end. The fact that Randy Graff was the only female from this cast nominated at the Tony Awards that year floors me. Kay McClelland and Rachel York deserved nods for their powerful solos, With Every Breath I Take and Lost Found, alone. These two songs are also the type of sultry, jazz solos that one would expect in the 40's, which is why the show works. The music is completely period with when the show takes place, and that's why I love it. The best tracks are:

3) What You Don't Know About Women
6) With Every Breath I Take (destined to be a classic)
9) Lost and Found (wonderful solo)
10) All You Have To Do Is Wait (FUN! FUN! FUN SONG!!! Hilarious as well)
11) You're Nothing Without Me
13) You Can Always Count On Me (Randy Graff's Tony!)

4 out of 5 stars Great Jazz-Oriented Score.......2005-06-25

1990 Tony winner for Best Musical, "City Of Angels" contains a great score, filled with jazz-oriented melodies & torch songs. Not all the songs are terrific, but most of the score lends itself to repeat listenings. Best tracks include:

Double Talk
What You Don't Know About Women
With Every Breath I Take [beautiful song!]
Lost And Found
You're Nothing Without Me [the show's hit]
You Can Always Count On Me
Funny

Great cast ... great buy!

5 out of 5 stars I love it!.......2005-02-22

This is one of my favorite soundtracks ever! Since I'm going to be working on music for the show, I'm happy that this is the case. It has been in my CD player for a few weeks now, and there's enough variety for it not to get old. But having read through the script makes the lyrics infinitely wittier. Musicals are supposed to rely partially on the lyrics and partially on the script. This show does that perfectly. Without the script, the lyrics are (apparently) lacking. But without the lyrics, the script is missing something. When you put the two pieces together, however, it's really easy to see why this show won a Tony.
Stay With Me Tonight
Average customer rating: 4.5 out of 5 stars
  • GD+JO= A GREAT CD!
  • Meaningful Words!!
  • Jeffrey's all-time best
  • The best Jeffrey Osborne album!
  • Jeffrey's breakthrough solo album.
 Stay With Me Tonight
Jeffrey Osborne
Manufacturer: A&M Super Budget
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Jeffrey Osborne
  2. Emotional
  3. That's for Sure
  4. Music Is Life
  5. Ultimate Collection

ASIN: B000002GE5
Release Date: 1989-10-20

Tracks:

  1. Don't You Get So Mad
  2. We're Going All The Way
  3. Stay With Me Tonight
  4. Greatest Love Affair
  5. Plane Love
  6. Other Side Of The Coin
  7. I'll Make Believe
  8. When Are You Comin' Back?
  9. Forever Mine
  10. Two Wrongs Don't Make A Right

Customer Reviews:

5 out of 5 stars GD+JO= A GREAT CD!.......2007-06-03

Produced by George Duke, this is one of the the best albums of JO!

4 out of 5 stars Meaningful Words!!.......2007-01-09

Listening to the words in this CD and the meaning behind them brings home the reality, that love can be accomplished at almost any time. This is an outstanding piece of music and I highly recommend this CD to anyone.

5 out of 5 stars Jeffrey's all-time best.......2006-12-16

After years of listening to this album, I still have not grown tired of it. How could you? With a wonderful blend of funk-styled R&B and tender ballads, all performed with that intense, soulful R&B frontman flare that seems to have all but disappeared in the last decade or so, STAY WITH ME TONIGHT is one of the best R&B albums out there, and despite its genuine 1983 sound, it still holds up well today as an album that can get the party started, and even elevate the mood in the bedroom. With featured production from George Duke and plenty of respected L.A. session musicians at the helm, STAY WITH ME TONIGHT is a highly recommended classic.

5 out of 5 stars The best Jeffrey Osborne album! .......2005-01-30

I thought that this 1983 album was the best one of the 5 albums that Jeffrey Osborne recorded for A&M in the '80s. This is even better than the '82 album that had On The Wings of Love. There's so much an emphasis on strong song making and a live sound. I still love Don't You Get So Mad, at one point in summer '83 my favorite song in a year when Michael Jackson dominated all music charts. George Duke produced his best songs for another artist besides himself with this one. Two Wrongs Don't Make It Right, the funky Stay With Me Tonight, We're Going All the Way, Plane Love (another funky number) and many others are what make this album stand out. Sometimes the album has some shades of '70s sounds, such as with his former group LTD. This really made Osborne a well received artist and he still is loved today by many fans!

4 out of 5 stars Jeffrey's breakthrough solo album........2004-07-20

By itself, "We're Going All The Way" justifies buying this album. Why? It is quite simply Jeffrey's most beautiful ballad ever and one that will instantly put you in the mood for love and romance. Jeffrey Osborne was one of the 1980s best and most prolific male R&B singers and this was one of his strongest efforts.
Handel: The Masterworks (Box Set)
Average customer rating: Not rated
    		Handel: The Masterworks (Box Set)

    Manufacturer: Brilliant Classics
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00062FLI8
    Release Date: 2004-11-30
    Stay With Me
    Average customer rating: 4.5 out of 5 stars
    • Excellent CD
    • A nice set of songs...but
    • Stay With Me
    • SIMPLE PLEASURE!
    • A Stunning Album By A Great Saxophone Player!!!!!!!!
    		 Stay With Me
    Michael Lington
    Manufacturer: Rendezvous
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Jazz | Styles | Music
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    ASIN: B00021LPJ2
    Release Date: 2004-05-18

    Tracks:

    1. Show Me
    2. Don't Go
    3. A New Day
    4. Apasionada
    5. Pacifica
    6. Two of A Kind
    7. Call Me Late Tonight
    8. Hey You
    9. Stay With Me
    10. My Love

    Customer Reviews:

    4 out of 5 stars Excellent CD.......2006-11-03

    Michael Lington's talent spews forth in this CD. It is easy listening and mood happy music. Great originality

    3 out of 5 stars A nice set of songs...but.......2006-04-15

    I found it incredibly derivative. The only song that really turned my head was 'Pacifica', but even it sounded as though certain key parts of other songs were cut and spliced together. Overall, not very exciting.

    4 out of 5 stars Stay With Me.......2005-10-21

    I like this CD but I've seen this guy in person and I liked that much better.

    5 out of 5 stars SIMPLE PLEASURE!.......2005-07-21

    This collection of songs is so enjoyable and pleasing that I could, and often do, listen to it over and over again while at work. I would highly recommend this album and I look forward to purchasing some of his other albums.

    5 out of 5 stars A Stunning Album By A Great Saxophone Player!!!!!!!!.......2005-02-05

    What an amazing album!This is Smooth Jazz at its best!So full of life and melody!These are some of the thoughts you will be thinking after you hear this musical gem.Performed by the relatively new saxophonist Michael Lington,this album truly is a joy to hear.You can tell that Michael had a good time recording this one!This album truly deserves all the attention it has gotten on the Smooth Jazz airwaves.You may have already heard of the single from the album,the frequently played "Show Me",but there is much more musical candy on this album,from its beginning to its end.Although there's always a risk of blandness and repetitiveness when it comes to a guy playing the saxophone as the main instrument on an entire album,that certainly isn't the case here.Each of the ten compositions on this album are fresh,full of energy and vitality,and have a distinct melody to them,from happy and upbeat,to easy-going and romantic.While each of these tracks are great to listen to,the best of the best are,"Show Me","A New Day","Apasionada","Pacifica","Stay With Me",and "My Love".An easily accessible album as well as a Smooth Jazz masterpiece.Highly Recommended!
    Angelika Kirchschlager - when night falls
    Average customer rating: 5 out of 5 stars
    • Gentle crossover that gets a bit sleepy
    • An Example of When Crossover Works
    • Lullabies for All Ages
    • A Wonderful Gift for a Baby!
    • Voice of an Angel
    		 Angelika Kirchschlager - when night falls
    Wolfgang Amadeus Mozart , Marie-Joseph Canteloube , Stephen Sondheim , Franz Schubert , Gian Carlo Menotti , Franz Joseph Haydn , Johannes Brahms , Richard Rodgers , Carl Maria von Weber , Manuel de Falla , Xavier Montsalvatage , Aaron Copland , Miguel Kertsman , Alexander Zemlinsky , Angelika Kirchschlager , Roger Vignoles , Helmut Deutsch , John [guitar] Williams , Yuri Bashmet , London Metropolitan Ensemble , and Jonathan Rees
    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00002MZ4Y
    Release Date: 1999-11-02

    Tracks:

    1. 'Not While I'm Around'
    2. The Sound Of Music: 'Edelweiss'
    3. 'Wiegenlied'
    4. 'Gestilte Sehnsucht'
    5. 'Geistliches Wiegenlied'
    6. 'Wiegenlied (Wie sich der Auglein)'
    7. 'Sandmannchen'
    8. The Consul: 'Mother's Aria'
    9. 'Brezairola' (Berceuse)
    10. Chants d'Auvergue: 'Oi Ayai'
    11. 'Ar hyd y nos' (All Through The Night)
    12. 'Sehnsucht nach dem Fruhling'
    13. 'Lass mich schlummern, Herzlein, schweige'
    14. Siete Canciones populares espanolas: 'Nana' (Berceuse)
    15. 'Cancion de cuna para dormir a un negrito'
    16. 'The Little Horses' (Lullaby)
    17. 'Cantiga de Ninar' (Baby's Goodnight Song)
    18. 'Susse, susse Sommernacht'
    19. 'Wiegenlied' (Schlafe, schlafe, holder susser Knabe)
    20. Into The Woods: 'Stay With Me'

    Amazon.com

    This record is most notable for its performances. Kirchschlager's singing is ravishingly beautiful and deeply expressive; the pianists and other instrumentalists are all first rate. Its content seems designed less for consistent musical quality and a balanced program than for variety and popular appeal. Yet the predominantly slow songs induce a certain monotony, and Mozart and Menotti, Brahms and Broadway musicals make strange stylistic bedfellows. However, many gems stand out in the mix: the two Brahms songs with viola, in which the renowned Yuri Bashmet is unfortunately almost inaudible; two Schubert Cradle Songs, one famous, one unknown; several enchanting Spanish songs; a Haydn arrangement of a Welsh lullaby better known as "All through the Night"; a lovely romantic song by Zemlinsky; and a lush, soaring one by Miguel Kertsman written for Kirchschlager and just right for her expressively inflected voice. She identifies with every idiom and pours so much care and affection into each song that one can well imagine a loving mother singing to her child, and indeed the record is dedicated to her little son. --Edith Eisler

    Customer Reviews:

    4 out of 5 stars Gentle crossover that gets a bit sleepy.......2006-06-01

    When Sony's artist executives were German, they tried to promote the young Austrian mezzo Angelika Kirchschlager, but because of her difficult name (I am guessing) and the slackening classical music market, she never caught on. Today Kirchschlager is a star in Europe, and one sees her name on the Met roster. This, her second CD, is a gentle recital of lullabies, made more varied by adding Broadway tunes into the mix and bringing in star musicians like John Williams on guitar and Yuri Bashmet on viola.

    The result is winning and thoroughly professional. Kirchschlager sings especially well in English, with a hybrid British-American accent but almost no German mannerisms. The closest comparison in terms of high mezzos would be with von Otter, and Kirchschlager's voice is at least as beautiful. But she lacks von Otter's imaginaiton, and after a while everything sounds a bit too square and placid--after all, these songs may be for babies, but the intended audience is also adults who go to lieder recitals, isn't it?

    5 out of 5 stars An Example of When Crossover Works.......2006-01-09

    Angelika Kirchschlager is well known on the operatic stage and in chamber and orchestral programs where her forte is Mozart and Bach. Hers is a voice creamy rich and produced with incredible intelligence. She is also a communicator - in recital, in opera, in anything she does. It comes as no surprise then that an artist of this caliber (or her agent....!) is able to set the standard for the now ubiquitous 'crossover album' that most of the major singers find it necessary to make to gather in more admirers.

    Selecting a wide variety of lullabies with varying settings feels so natural in Kirchschlager's elegant mezzo-soprano voice. Other artists have produced recitals of lullabies: Dawn Upshaw and Richard Goode immediately come to mind. But in this album, though not all of the works are of genius quality, Kirchschlager gives each her considerable talent and the result is a little night music that is equally as lovely for adults as for the intended audience of children (and of course their parents...).

    With fine support from the London Metropolitan Ensemble, pianists Roger Vignoles and Helmut Deutsch, guitarist John Williams and violist Yuri Bashmet among others, Kirchschlager offers a rich variety of songs from Mozart, von Weber, Haydn, Brahms, Schubert, Canteloube, de Falla, Copeland, Sondheim, Rogers and Hammerstein and Zelimsky. And no matter the language or the setting they all work. This is an album to cherish and share and raises the respect for Angelika Kirchschlager even higher. Highly Recommended. Grady Harp, January 06

    5 out of 5 stars Lullabies for All Ages.......2005-07-13

    I bought this CD as a gift for my first grandchild to introduce her to the world of classical music. But when I played it, it enchanted me and my grandchild's parents even more than it did the baby. Angelika Kirschlager is a young Austrian mezzo-soprano who had previously been unknown to me. She sings these simple songs with a beautiful round warmth of tone.

    The twenty selections on this CD include Brahms famous lullaby together with two lesser-known songs of Brahms accompanied by piano and viola. Schubert's two lullabies are included, and they are melting. There is a Mozart song (the theme of which he used in the third movement of his final piano concerto) and a Haydn arrangement of the Welsh folk -song "All Through the Night", which features an accompanying trio of violin, cello, and piano.
    Aaron Copland's arrangement of "All the Pretty Little Horses" will delight young listeners, and there are songs by Richard Rogers, Steven Sondheim, C.M. Von Weber, and others to fill out an enchanting CD of music and dreams. Ms Kirschlager's singing is the highlight of this CD. She is accompanied well by a variety of pianists and by performers on the guitar, violin, cello, and flute. Texts and translations for the songs are included in the liner notes.

    Although I bought this CD for my granddaughter, others dear to me have expressed interest, and I will be buying another copy.

    Thanks to my Amazon friend Scott Morrison for recommending this CD and to the other perceptive reviewers of this lovely music.

    Robin Friedman

    5 out of 5 stars A Wonderful Gift for a Baby!.......2005-02-15

    Our family has just been blessed with a new grandson and one of my very thoughtful friends had the brilliant and generous idea to send the baby a copy of this wonderful collection of lullabies and nightsongs done so stunningly by the marvelous German mezzo, Angelika Kirchschlager. I am happy to report that the very first selection, Schubert's 'Wiegenlied' ('Cradle Song'), seemed to make him smile, even at his tender age. This bodes well for his developing discriminating musical taste because Ms Kirchschlager is a terrific singer. Her various accompanists provide sensitive support for her lovely and perfectly managed voice. She sings with impeccable diction in several languages and even in English I don't pick up any accent at all.

    I must point out, however, that Amazon has listed the contents of this disc in an order different from that on the CD, but the musical samples they provide do match the titles listed.

    Scott Morrison

    5 out of 5 stars Voice of an Angel.......2000-05-02

    I was first introduced to Ms. Kirchlager three years ago and was instantly impressed. Her sumptuous voice and incredible beauty make her a delight to listen to, time and time again. When Night Falls, is only the most recent of what promises to be a long and impressionable career. From the ever popular "Edelweiss" to the easily recognizable "Wiegenlied", Ms. Kirchschlager approaches each song with the same heart-felt emotion as if she were singing to her own child. I have often listened to her CD late at night to help myself fall into my own sweet dreamland of "The Little Horses".
    Authentic George Gershwin, Vol. 1-4
    Average customer rating: 5 out of 5 stars
    • Excellent performer
    • A unique project
    • Gershwin historical, manic, perfect, archival
    • Definative
    		 Authentic George Gershwin, Vol. 1-4

    Manufacturer: Asv Living Era
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0001Z2RSC
    Release Date: 2004-08-24

    Tracks:

    1. Swanee
    2. Come To the Moon
    3. I Was So Young (You Were So Beautiful)
    4. Tee-Oodle-Um-bum-Bo
    5. Nobody But You
    6. Limehouse Nights
    7. Drifting Along With The Tide
    8. Rhapsody In Blue
    9. Oh Lady Be Good!
    10. Fascinating Rhythm
    11. Hang On To Me
    12. I'd Rather Charleston
    13. The Man I Love
    14. The Half Of It, Dearie, Blues
    15. So Am I
    16. Kickin' The Clouds Away
    17. Concerto In F

    Tracks:

    1. Sweet And Low-Down (I)
    2. That Certain Feeling (I)
    3. Looking For A Boy
    4. When Do We Dance?
    5. Sweet And Low-Down (II)
    6. That Certain Feeling (II)
    7. Irish Waltz
    8. Do, Do, Do
    9. Someone To Watch Over Me
    10. Clap Yo' Hands
    11. Maybe
    12. Three Preludes: I. No.1: Allegro Ben Ritmato E Deciso / II. No.2: Andante Con Moto / III No.3: Allegro Ben Ritmato E Deciso
    13. Meadow Serenade
    14. My One And Only
    15. 'S Wonderful/Funny Face
    16. He Loves And She Loves
    17. An American In Paris
    18. Liza
    19. Strike Up The Band
    20. Embraceable You
    21. I Got Rhythm (I)
    22. I Got Rhythm (II)

    Tracks:

    1. Of Thee I Sing
    2. Jilted
    3. Second Rhapsody
    4. For You, For Me, For Evermore
    5. Cuban Overture
    6. Isn't It A Pity?
    7. Variations On 'I Got Rhythm'
    8. I. Catfish Row: Introduction - Jazzbo Brown - First Chorus, 'Summertime'
    9. II. Porgy Sings: 'I got Plenty O' Nuthin' - 'Bess, You Is My Woman Now'
    10. III. Fugue: Murder Of Crown, Act III Scene 1
    11. IV. Hurricane: Introduction, Act II Scene 3 - Hurricane, Act II Scene 3
    12. V. Good Morning, Brother: Occupational Humoresque, Act III Scene 3 - 'Good Morning, Brother' - Children's Song 'Sure To Go To Heaven' - 'I'm On My Way' (Finale)
    13. They Can't Take That Away From Me
    14. Let's Call The Whole Thing Off
    15. Our Love Is Here To Stay

    Tracks:

    1. Girl Crazy Overture
    2. French Ballet Class
    3. Dance Of The Waves
    4. Slap That Bass
    5. Walking The Dog
    6. I've Got Beginner's Luck
    7. They All Laughed
    8. They Can't Take That Away From Me
    9. Shall We Dance
    10. By Strauss
    11. I Can't Be Bothered Now
    12. The Jolly Tar And The Milkmaid (1st Version)
    13. Put Me To The Test
    14. The Jolly Tar And The Milkmaid (2nd Version)
    15. Stiff Upper Lip
    16. A Foggy day (In London Town)
    17. Nice Work If You Can Get It
    18. Things Are Looking Up
    19. I Was Doing All Right
    20. Love Walked In

    Customer Reviews:

    5 out of 5 stars Excellent performer.......2007-03-09

    This plates are wonderful. I was charmed, and when I close my eyes now, I see scenes with American in Paris or Porgy and Bess but my favorite piece of music is Rhapsody in Blue. It's more than excellent is fantastic. Jack Gibbons perfectly feels the unique tone Gershwin's music, the mixture rythms of jazz with influences of impressionists and clear and beauty melodies.
    I'm fascinating.

    5 out of 5 stars A unique project.......2006-11-23

    Gibbons' undertaking is unique: to reconstruct and then execute and record the note-for-note playing of Gershwin as documented on the composers' piano rolls, sound recordings and certain published arrangements. I agree with the reviewer who points out that the result is like a library and not a recital you sit back and listen to (or get up and dance to). In fact Gibbons does some editing of his "library" now and then, and clearly documents it in his liner notes: in some reconstructions he augments accompaniment effects and even the melodic line itself. I don't mind that at all, especially as Gibbons scrupulously accounts for such tampering in his liner notes; but it seems to me that it is in this area of "tampering" that Gibbons the artist is asserting himself...which of course undermines the "library", the "historical archive": you have to search and read a bit to find out when you're hearing only Gershwin and when you're hearing some added Gibbons. I don't mind; Gibbons is a remarkable artist in his own right, not merely an impeccable documentarian. For sheer generosity of production Gibbons' Gershwin must also be unique: 4 cd's, scholar-level liner notes (yes, you need a magnifying glass to read them), and rock-bottom bargain price.

    5 out of 5 stars Gershwin historical, manic, perfect, archival.......2006-06-12

    First: this is 4 high-end produced cd's (in low-end jewel cases) for the price of 2. The liner notes of all 4 cd's are condensed in a booklet of microscopic print, so you may need to spend the savings on a magnifying glass. MONEY WELL SPENT.
    Second: Jack Gibbons plays (and has recorded) the Alkan op 39 etudes (he probably plays a lot more Alkan than that). For those of you not in the know, this is to say he has world-class chops, indeed history-class (Liszt, who never played his friend Alkan, at least in public). But it's also to say that Gibbons knows how to interpret and personalize fantastically difficult piano music. For me, his Alkan op 39 is personal and passionate and real (contrast the facile and over-pedalled Hamelin and the just-the-notes-ma'me Ringeissen). An appreciation of Gibbons' Alkan is important here because while his Alkan is uniquely personal (as such music must be, no matter how hard it is to play) his Gershwin is deliberately impersonal...which is to say: no pianist, no singer would want to reproduce what Gibbons has given us in these 4 cd's, and in fact few listeners will be able to listen for long to these 4 cd's without a respite, a break , some silence, some minimal styling from somebody (anybody) else...which brings me to
    Third: This is an archive, not a recital. This is a library, not a program. There is no track-by-track contrast of moods here, no track-by-track concession to easy listening, varied delight, any more than a library shelf of novels is alphabetized by authors' last names as a concession to mood or fancy or taste of the searching patron. This is the documented Gershwin in his recording mode: manic, notey, clever, "on", and never, as generations of stylists found in him, ravishing, tender, longing, sweet, glad, hopeful...person-to-person, in a word. I can listen to these cd's about half an hour at a time, max. This is Gerwhsin, not Gibbons. And this is just one side of Gershwin. He died at 38, in the summer. Brain tumor. A lot of pain.
    Finally, Jack Gibbons has given the world a uniquely valuable and easily available resource. Gibbons could now do us a service by playing us some Gershwin as he feels it, as it hits him and makes him sing (as Gershwin, our American Schubert, does to all of us, and as I think Alkan has done to Gibbons). I would love to see a Gershwin stylings by Gibbons now that Gibbons himself has made sure Gershwin in his authenticity is safe and sound.

    5 out of 5 stars Definative.......2005-07-23

    Here's the whole Gershwin catalog at a great price... Five plus hours of bliss. Definately five stars!

    Gibbons, according to a family friend and biographer Edward jablonski "recreates Gershwin's style." I'll never know. I can say this is a lively recording and has the perfect balance. It's neither stuffy and plodding or cute.

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