Track Listings
| 1. Mr. Personality |
| 2. I'm on the Attack |
| 3. What'cha Gonna Do? |
| 4. Short, Short Man |
| 5. Bad Boys |
| 6. Wanna Wild Thing |
| 7. You're a Dog |
| 8. Coochie Dance |
| 9. Pay Back |
| 10. Move Too Fast |
On the Attack,Gillette,Volcano,Club/Dance,Pop,Popular Music,Rap & Hip-Hop
On the Attack [Explicit Lyrics]
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Mamma Mia! The Musical Based on the Songs of ABBA: A Decca Broadway Original Cast Recording (1999 London Cast)
Benny Andersson , Julian Poole , Jenny Galloway , Nicolas Colicos , Paul Clarkson , Bjorn Ulvaeus , Lisa Stokke , Eliza Lumley , Melissa Gibson , Siobhan McCarthy , Louise Plowright , Jenny Galloway , Bjorn Ulvaeus , and Stig Anderson Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000031WEN Release Date: 2000-10-17 |
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Authors: Alexis Roland-Manuel
Catalog: Book
Media: Poche
Release Date: 25 April, 2001
Publisher: Gallimard
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ringtone88.com Themes: Lord Of The Rings: The Fellowship Ring
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Relive you movie experiences.......2006-01-24
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The Music of John Williams: 40 Years of Film Music
Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000C6K09 Release Date: 2003-10-07 |
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Very disappointing, considering what it could have been.......2007-04-20
Always a pleaser.......2007-03-31
JOHN WILLIAMS 40 Years of Film Music.......2007-01-10
Movie Music Magic & Memorabilia.......2006-12-13
Authors: Edith Carey, Nicole Minder, Suisse) Cabinet cantonal des estampes (Vevey, Fondation Langmatt Sidney et Jenny Brown
Catalog: Book
Media: Broché
Release Date: 25 April, 2001
Publisher: Somogy
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Thèmes - Art, Musique et Cinéma - Divers
Thèmes - Art, Musique et Cinéma - Techniques de l'art - Gravure
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ringtone88.com
b>ASIN: B00020R02O
Release Date: 2004-05-25
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These are not the same arrangements as the original movie soundtracks.......2007-01-21
An outstanding compilation.......2006-08-25
The really good ones are missing........2005-07-18
"many were winners by the Academy for best scores".......2004-05-26
Released to commemorate the sixth Anniversary of D-Day, never has there ever been such a tribute compilation package from any other label and Silva comes to the forefront ~ featuring The City of Prague Philharmonic Orchestra (Paul Bateman, Nic Raine Tony Bremner and Carl Davis as conductors), The Philharmonia (Kenneth Alwyn, Jerry Goldsmith, Mario Klemens and Paul Bateman as conductors) and also the world renown Crouch End Festival Chorus (David Temple as choir master) ~ what a gathering of talented musicians and singers fill this collection supreme.
The lineup of composers is a Who's Who in the world of film music ~ John Addison, Tomaso Albinoni, Kenneth J. Alford, Paul Anka, John Barry, Arnold Bax, Elmer Bernstein, Eric Coates, Carl Davis, Klaus Doldinger, Antonin Dvorak, Benjamin Frankel, Gerald Fried, Hugo Friedhofer, Jerry Goldsmith, Ron Goodwin, Bernard Herrmann, Maurice Jarre, Michael Kamen, Jerome Moross, Alfred Newman, Clifton Parker, Alan Rawsthorne, Ryvichi Sakamoto, Lalo Schifrin, Gerard Schurmann, David Shire, Max Steiner, Dimitri Tiomkin, Ralph Vaughan Williams, John Williams, Gabriel Yared and Hans Zimmer ~ set the stage for compositional human drama while exploring the deepest troves of musical emotion ~ one masterpiece after another, each cue manages to display both a convincing authenticity of the times and places ~ experience every tracks passion and skill for striking the exotic orchestral colors, explosive power and spectacular works of full large scale orchestral arrangements previal at every turn.
We are grateful to James Fitzpatrick (producer), Reybnold da Silva (executive producer), Rick Clark (associate producer/album sequence), Marion Garden (associate producer) and the whole gang at Silva America who have resurrected many of the soundtracks for the "film-score-buffs" in all of us.
Total Time: 4-CD-Set ~ Silva America 812 ~ (5/25/2004)
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Stars & Stripes: America's Greatest Hits
Manufacturer: Compendia ProductGroup: Music Binding: Audio CD Les enfants et le jardinage
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Amazon.com In perhaps the most potent of his speeches released on CD (this one recorded in 1995 at the Massachusetts Institute of Technology), linguist and political critic Noam Chomsky frankly addresses the evident--but largely undiscussed--lines of class in American society, comparing, for example, American labor laws and practices with those of its global comrades. "The government," Chomsky says, quoting John Dewey, his favorite Democratic philosopher, "is the shadow cast by business over society." He bemoans corporate propaganda, the crushing of unions, and the "created wants" that have left us "a devastated peasant society.... People are scared, angry, and hostile." Pretty tough stuff, but Chomsky does offer one ray of hope: "If you want to change something, change the substance, not the shadow." --Michael RubyCustomer Reviews:
There is truth here that you never hear anywhere else. Even wild-eyed radicals seldom deliver hard, unpleasant facts this well. Let's face it, human rights have always been subordinant to business rights in this country. But things have gotten outrageously worse in modern times. We are a corporate tyranny far surpassing any level of totalitarianism found in the rest of the developed world. And it really started with outright criminal behavior under the "great" Ronald Reagan. I know- I saw it happen. Perhaps the most frightening thing about this speach is its talk of "anti-politics." Briefly, this is the organised campaign to blame everything on the government- even when big business is really in control. They want the people to hate and fear the government, because democratic government has a dangerous flaw- it actually has the slight chance of becoming truly democratic. You see, corporations are perfect- perfect tyrannies. The average worker, the average citizen, is never going to be able to change or control them. The government is the only thing the average citizen has the potential to control. Therefore the average citizen must be taught to hate, fear, or simply dismiss organised political action. What you get is "anti-politics" where people are totally atomised, fearful and hateful of nearly everything- and totally blind to the real problems. Even though this was recorded over a decade ago, there is nothing in it that is dated. If anything, it accurately predicts the present. I agree that Chomsky is the conscience of the nation- and I rank him with Thoreau and Emerson. Even if no one else is listening to the truth these days- God is...
We learn how since the 1970s wages have decreased in real terms even as worker productivity, overtime, and corporate profits have increased significantly. Chomsky then shows how the increasing exploitation of the American workers parallels the decline in union membership and the failure of the USA government to enforce its own laws against employers firing workers that try to organize employees into unions. Chomsky is best when he shows relationships between his subject matter and other phenomena that seem unrelated. For example, Chomsky traces the "angry American" phenomenon to the felt, but not consciously understood, decline in his standard of living. Instead, the angry American is encouraged to direct his anger at a whole host of illusory devils (e.g. immigration policy) that are not the real source of his grievance. The real source is corporate power manipulating the economic policies of the United States to benefit itself at the cost of the American worker. Chomsky also shows how the "anti-politics" animus in the USA is an attempt to direct worker frustration at the shadow (government) and not at the source of the shadow (corporate power). American workers are encouraged to distrust government because government is potentially amenable to democratic processes and, therefore Key Art Works Paris
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ringtone88.com
less'. Of course if this is all coming from a guy, then it means that he is simply a pathetic, sexist and insecure loser for putting down women. And they would be exactly right about the guy of course, but the exact same goes for Miss Gillette also, who is clearly no better.
She is declaring that women can be as aggressive, independent, judgemental, and sex-seeking as any over-eager, adolescent, overflowing-with-hormones teenage boy. More people should see her as an image of independence in a world of similarities.
Any woman as fugly-faced as Gillette with those "ity bity tiny t*tties" (love that line man!) *SHOULD SHUT UP* and not bring more attention to her girly little pathetic frailties and the fact that she was apparently presenting herself as a female dog in heat to guys who then treated her as nothing more and for whom she them gets upset for them being the dogs they were. There are no really cool beats; at best all you can say is they are "catchy," like a a stupid commerical tune you can't quite readily get out of your head after hearing it, like that damn P.C. Richards tunes. But don't confuse "catchy" with talent. She's a dumb hack man and where is she now? Yeah, thought so. And take a look today at the stuff rap is making now; its like ten times more vulgar and now playing on the radio. Emenem is singing about backing it up and getting down on all fours and guess what, on the dance floor the stupid hos are doing it! I think Gillete singing about tiny little ding-dings and warning guys not to touch her is just an attempt to flatter herself and a classic defensive strategy to assuage the painful reality that those with a real manhood would not touch her with a proverbial ten-foot long pole. Seriously, she looks so nasty, like she could be the poster girl for Valtrex with the caption: "I was an STD victim of the 90's club scene but it's not holding me and my aging vagina and ity bity tiny t*tties back today" or "Being fugly with an STD doesn't stop me from thinking I'm still gonna me some.. Valtrex: Just in Case You Do Get Lucky, You Don't Want Them To Really Know"
a retaliation of sorts against the misogynic attitude of contemporary music -- most notably rap songs, which often degrade women. Though she knows her music will offend some, Gillette says the time is right for her type of message. "Men have been dogging out women like this for a long time, and they expect us just to take it," she says. The songs are really catchy and the lyrics are funny!! Don't listen to the reviewers below, they are just little little scared men, who got a bit defensive
"If you put your fking hands on me, you might get smoked." <---sad, she's so funny but has no right to say such things LOL since she's quite fugly herself.
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Album Description This 28-track collection highlights the astounding career as director and producer of Steven Spielberg, whose films are inexorably linked with the symphonic beauty of John Williams' scores. With five Oscar(r) wins and 41 nominations, Williams is a master of his art. The set also features other Spielberg collaborations including Quincy Jones, Jerry Goldsmith, and Billy Goldenberg. From "Duel" (a premiere recording) to "The Terminal," this release is a journey through movie magic.Customer Reviews:
That said, there is one decent -- decent, mind you -- reason to buy this CD. That's for the five-minute track of music from Spielberg's "Duel." It isn't great music, by any means, but if you're a Spielberg fanatic, this is the only release there has ever been (to my knowledge, at least) of music from that movie. To be fair, not all of the tracks here are poorly done. "Hymn to the Fallen" comes off fairly well, and so does the music from "A.I." and "The Terminal" -- and the "Minority Report" theme is actually quite good. But much of the rest just doesn't sound right, so if you're looking for a quick way to assemble a quality overview of Spielberg music, this isn't the way to go. That brings me to my final complaint, which is that "The Lost World" is omitted entirely! There were several good themes done for that movie; it was no mere rehash of "Jurassic Park." For the seriously devoted only.
Histoire de la musique II, volume 2
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ringtone88.com
Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
ASIN: B00009NJ1B Release Date: 2003-07-15 |
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Customer Reviews:
Absolutely Delightful.......2006-06-13
Thoroughly Delightful Telemann.......2003-09-10
The 'Don Quixote' suite celebrates Cervantes' novel in which 'life is a dream, and even dreams are dreams.' We have sections from the book illustrated with pointed tone-painting, e.g. Quixote's sighs after the 'lovely Dulcinea' or the somewhat lame trotting of Quixote's broken-down 'steed,' Rosinante. This is a late piece and shows a good deal of French influence, as do the two other suites included here, each opening with a French 'ouverture' with typical dotted rhythms.
The other two suites are the 'Ouverture in d minor' consisting of mostly French dances (but including a not-very-English-sounding hornpipe) and the E Flat Suite, subtitled 'La Lyra.' The word 'lyra' refers to the third movement which imitates, by means of droning fifths, the hurdy-gurdy, once known as the 'lyra mendicorum' ('beggar's lyre').
I tend to prefer baroque orchestral music played on modern instruments but with some modicum of baroque performance practice. The playing by the conductorless modern-instrument group, the Northern Chamber Orchestra, is exemplary. These Manchester musicians play with impeccable ensemble, an apt lightness of tone and striking rhythmic alertness. The recorded sound is remarkably lifelike. All in all, this is a wonderful issue. There's lots more secular Telemann to be recorded--he was an indefatigable worker--and one can hope that this group records more of it.
Recommended.
A slightly short timing at TT=57:08.
Scott Morrison
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