janet.

Track Listings

1. Morning

2. That's the Way Love Goes

3. You Know...

4. You Want This

5. Be a Good Boy...

6. If

7. Back

8. This Time

9. Go on Miss Janet

10. Throb

11. What'll I Do

12. Lounge

13. Funky Big Band

14. Racism

15. New Agenda

16. Love, Pt. 2

17. Because of Love

18. Wind

19. Again

20. Another Lover

See all 27 tracks on this disc

Editorial Reviews
Amazon.com essential recording
Why is Janet Jackson's Janet the best Michael Jackson album since Thriller and the best Madonna album since..., well, since ever? Perhaps it's because Michael's kid sister is the only one of these three aerobic video stars with enough smarts to realize that sex, hooks, and beats are all that matter in this field of lightweight dance pop. Or perhaps it's because the sexuality Janet radiates through her sweet melodies and hip-tugging grooves is so much more credible than Michael's arrested prepubescence or Madonna's nothing-personal-just-business comeons. After her embarrassing posture as a sociocultural analyst on 1989's Rhythm Nation 1814, Janet has returned to her strength--using her odd mix of girlishness and maturity to make dance numbers about personal relationships ring exceptionally true. Even so, the 75-minute, 27-track Janet doesn't really work as an album; there's too much filler and the between-song transitions quickly grow tiresome. The album is full of killer singles, though, starting with such proven cuts as the extremely slinky "That's the Way Love Goes" and rock-guitar-driven "If," and featuring such future hits as the Prince-like "This Time," the Motown-like "Because of Love," the breathy ballad "Where Are You Now" and the inspired Stax cover, "What'll I Do. --Geoffrey Himes

janet.,Janet Jackson,Virgin Records,Adult Contemporary,Dance-Pop,Pop,R&B,Soul/Reggae/Rhythm & Blues,Urban

janet.

Tracks:

O vis aeternitatis - Sequentia
Nunc aperuit nobis
Quia ergo femina mortem instruxit
Cum processit factura digiti Dei
Alma Redemptoris Mater
Ave Maria, O auctrix vite
Spiritus Sanctus vivificans vite
O ignis spiritus Paracliti
Caritas habundat in omnia
O virgia mediatrix
O virdissima virga, Ave
Instrumental
O Pastor Animarum
O tu suavissima virga
O choruscans stellarum
O nobilissima viriditas

Amazon.com

Although Hildegard von Bingen's music has been around for 900 years--and recordings of her music for decades--it seems that only now, as we approach the turn of another millennium, the time is right for the world to pay attention. In this first-rate traversal of her music--the most popular of several volumes released by the early-music ensemble Sequentia--we hear music that resulted from Hildegard's legendary visions, which often included song texts that she subsequently collected and dispensed to her religious community of women. As rendered here by the voices and instruments of Sequentia, her music invokes an unobscured sense of mystery, conforming to Hildegard's belief that music was our bridge to the harmonies of the heavens. Whether or not we're experiencing that "heavenly harmony" here, the simple, direct, beautifully turned melodies, sung by pure, finely tuned, warm-colored women's voices, often eerily accompanied by an instrumental drone, is heavenly enough. --David Vernier

Customer Reviews:

Different -- delightfully so.......2007-08-03

I didn't get a chance to read all the reviews posted for this album, so if someone already said this I apologize for the repetition. Are you aware that this is the de facto first opera ever written in Europe? Hildegard was a visionary in so many ways! Her music is very different and unique when compared to other operas. I highly recommend it.

Simply awe inspiring and amazing.......2007-05-20

One would have to listen to this music to understand the power it will hold over you. Ethereal and almost eery, yet full of power, grace and triumph, this will be a mainstay in your collection. The only thing resembling it that the mass public would be aware of is Gregorian Chant, although this is it's own beast and so much more. It's not expensive, buy it and see for yourself.

Ecstatic Music, Ecstatically Performed........2007-05-13

I had first heard this performance of St. Hildegard of Bingen's "Canticles of Ecstasy" on sound cassette and loved it.

The music is sublime. The female voices are heavenly, without a hint of sentimentality.

When you listen to "Canticles of Ecstasy" you will know how this medieval nun and composer felt about things.

Caution. They could make a believer of you.

canticles of Ecstay.......2007-03-23

This is a very good CD I highly recomend it if you love chant. I am glad to have it in my collection.

Hildegard von Bingen: Canticles of Ecstacy.......2006-07-25

This CD will transport you to another space and truly put you in touch with the sublime! If you are a massage therapist,I recommend it for use during your sessions. Anyone can use it as part of his or her meditative spiritual practice regardless of your particular faith.

Average customer rating:

Pure Janet Perfection
Great compliation of Janet Jackson's hits
THE TALENTED JACKSON
design of a wonderful career
Janet is a legend!

Design of a Decade 1986/1996
Janet Jackson
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD

Contemporary Blues | Blues | Styles | Music

General | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

General | R&B | Styles | Music

General | Soul | R&B | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

General | Adult Contemporary | Pop | Styles | Music

$9.99 and Under | Blowout Music | Stores | Music

Pop | Styles | Blowout Music | Stores | Music

Rock | Styles | Blowout Music | Stores | Music

R&B | Styles | Blowout Music | Stores | Music

Dance & DJ | Styles | Blowout Music | Stores | Music

All Blowout Music | Blowout Music | Stores | Music

$9.99 and Under | Prices | Blowout Music | Stores | Music

More Titles at Least 25% Off | Blowout Music | Stores | Music
Similar Items:

janet.
Rhythm Nation 1814
Control
The Velvet Rope
The Immaculate Collection

ASIN: B000002G43
Release Date: 1995-10-10

Tracks:

Runaway
What Have You Done For Me Lately
Nasty
When I Think Of You
Escapade
Miss You Much
Love Will Never Do (Without You)
Alright
Control
The Pleasure Principal
Black Cat
Rhythm Nation
That's The Way Love Goes
Come Back To Me
Let's Wait Awhile
Twenty Foreplay

Amazon.com

This decade-spanning compilation charts the singer-dancer-actress's transformation from rebellious teenager to sexy diva, along the way check-listing major hits like "Nasty," "Miss You Much," "What Have You Done for Me Lately?" and "Rhythm Nation." Two new tracks bookend the set, but even the older material--most of it helmed by writer-producers Jimmy Jam and Terry Lewis--holds up remarkably well. --Courtney Kemp

Customer Reviews:

Pure Janet Perfection.......2007-07-30

This stellar collection of Janet's earliest hits is jam packed from start to finish. Having "That's The Way Love Goes" included was an added bonus!!

Great compliation of Janet Jackson's hits.......2007-05-15

Great CD, as contains all of Janet's best known hits.

THE TALENTED JACKSON.......2007-02-10

Janet once again shows that she is the talented one in her family by blasting out some amazing dance tunes along with a few slower ballads.

design of a wonderful career.......2007-02-02

This was the first janet album I ever bought and from then on I became a fan for life. This album is full of her hits from control and RN in addition to a hit from the janet. album and 2 new tracks. I love to play this album when I don't feel like switching to different janet CD's for hearing different songs. I don't think anyone's r&b/pop collection is complete without this compilation of some of the greatest pop music of our time.

Janet is a legend!.......2007-01-27

This CD is abslutely incredible. The one and only reason that I took one star off is because of the weird concept. It inclues all her hits from A&M records, as well as two new songs and "That's the Way Love Goes". I understand the reasoning, butit is still a bit akward.

Regardless, that doesn't take away from the fantastic music. It starts off with "Runaway" which is a classic Janet 'holiday' song in the vein of 'Escapade". The camera'click sound on each beat is very catchy and unique.

The next few tracks are from Janet's 1986 breakthrough "Control": "What Have you Done for me Lately", "Nasty" and "When I Think Of You". All classic singles that have the most seductive dance beats and attitude that makes Janet who she is.

It continues with four tracks from "Rhythm Nation 1814": "Escapade", "Miss You Much", "Love Will Never Do...", and "Alright" They all have futuristic, yet 80's pop beat to them which is the tone for the RN1814 album. Of course, they'll all extremely catchy. "Alight" appears in it's radio remix form, which is a nice little treat.

The album continues with two more "Control" tracks: The amazing "Control", and "The Pleasure Principle". Jimmy, Terry and Janet did great job on these. They are R&B classics that sound even better today. Next are "Black Cat" and "Rhythm Nation. The former is also in radio remix form which is a nice luxury. "Rhythm Nation" is basically the same as it's album verison, with the excusion of Janet's 'pledge speech' at the beginning.

The last four songs are slow jams, each from a different album. "That's the Way Lvoe Goes" from 'janet.' is J's biggest hit, and with good reason. The beat is so sexy, as are Janet's vocals. The groove is absolutely blissful. Next is "Come Back to Me" (RN1814), a fantastic soothing R&B ballad that sounds ahead of it's time. "Let's Wait A while" is Janet's first hit ballad (from "Control"), and it's a very sweet song about waiting to have sex. Last but not least is anoher new track "Twenty Foreplay" which starts off as a sweet slow ballad, and then changes it's tone to a straight-up funky, love-making jam.

All-in-all,this CD demonstrates what an amazing talent Janet Jackson is, and what pleasure it is to have her as part of he music industry.

Little Women The Musical (2005 Original Broadway Cast)

Average customer rating:

Love It!!!
Beautiful and better than expected
Good Idea Gone Bad
What a BORE!
Foster Showcase

Little Women The Musical (2005 Original Broadway Cast)
Danny Gurwin , Janet Carroll , Jenny Powers , Jim Weitzer , John Hickok , Maureen McGovern , Meg McGinnis , Robert Stattel , Sutton Foster , and Mindi Dickstein
Manufacturer: Ghostlight Records
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

Broadway & Vocalists | Styles | Blowout Music | Stores | Music

Soundtracks | Styles | Blowout Music | Stores | Music

Classical | Styles | Blowout Music | Stores | Music

All Blowout Music | Blowout Music | Stores | Music

More Titles at Least 25% Off | Blowout Music | Stores | Music
Similar Items:

The Light in the Piazza (2005 Original Broadway Cast)
The 25th Annual Putnam County Spelling Bee (2005 Original Broadway Cast)
Dirty Rotten Scoundrels (2005 Original Broadway Cast)
The Drowsy Chaperone (2006 Original Broadway Cast)
Little Women: Vocal Selections

ASIN: B000929ABY
Release Date: 2005-05-03

Tracks:

Overture
An Operatic Tragedy
Better
Our Finest Dreams
Here Alone
Could You?
I'd Be Delighted
Take A Chance On Me
Off To Massachusetts
Five Forever
More Than I Am
Astonishing
The Weekly Volcano Press
How I Am
Some Things Are Meant TO Be
The Most Amazing Thing
Days Of Plenty
The Fire Within Me
Small Umbrella In The Rain
Sometimes When You Dream (Reprise)

Amazon.com

Louisa May Alcott's novel Little Women concerns four sisters in post-Civil War Massachusetts, but at times it feels as if its musical adaptation should have been called "Little Woman," so focused on a single sibling it is. Both Allan Knee's book and Sutton Foster's natural charisma and energy help constantly train the spotlight onto tomboy Jo. Yet it's not that much of a problem because Foster is strong enough to carry the show. She gets excellent support from the rest of the cast and especially cabaret artist Maureen McGovern, who as Marmee gets two beautiful ballads ("Here Alone" and "Days of Plenty") that are tailor-made for her imperial, burnished tone, and could well acquire a life outside the show. Composer Jason Howland worked as either musical director or musical supervisor on three period-set Frank Wildhorn musicals (Jekyll & Hyde, The Scarlet Pimpernel and The Civil War), which gives him a distinct experience in dealing with the historical setting here. Although the score oftentimes veers to the bland side, Howland also shows encouraging signs of spryness ("Five Forever") and melodic confidence that at one point slyly honors Sondheim ("Astonishing"). Old-fashioned in the best possible way, Little Women makes a good complement to Wicked for those trying to entice a younger audience to the delights of the musical theater. --Elisabeth Vincentelli

Customer Reviews:

Love It!!!.......2007-06-27

My school is going to be doing this musical next spring so I bought this CD in order to prepare for it. I fell in love with the music. Much like the book, it is personal, tender, and real. Some songs are just so heartwrenching I want to cry (but maybe I am a little bit of a drama queen). Simply gripping, I would highly recommend this CD to anyone who loves musical theater.

Beautiful and better than expected.......2007-05-15

I had heard so many mixed things about this show, and so I missed the chance to see it on Broadway. Well, now I am sure wishing I had seen it, because the story that unfolds on this CD is so beautiful and so reminiscent of the book I adored when I was a "little woman." I cannot imagine anyone not enjoying the joyous romp and sense of adventure that imbues this musical journey. Nearly every song captivated me, though I must admit it took a few passes before I finally embraced the entire score. Now I giggle with delight at the "Operatic Tragedy," "Our Finest Dreams" and "The Weekly Volcano Press." I also love "I'd Be Delighted," as Meg and Jo prep for the ball, and I adore Laurie's "Take a Chance on Me." Such passion! And the composers completely capture Jo's yearning to be something more in "Astonishing." Fantastic!

The ballads are simply gorgeous! I cannot get through Maureen McGovern's song, "Days of Plenty" without sheeding tears. And "The Fire Within Me" is likewise a heartfelt testamanet of love for one's family. So beautiful!

Open your heart, ears, and imagination to Little Women and enjoy the journey.

Good Idea Gone Bad.......2007-03-16

I loved the book Little Women, and I love musicals, but this CD did not blend the two well at all! I could barely get through the CD, there may be one or two songs I would listen to again, but not very often. It was difficult to see how these songs could do justice to the mood of the book. I feel that they hurt the story. I don't recommend buying this album.

What a BORE!.......2006-07-22

Saw the show in Washington and nearly fell asleep. Should never have been made. The score is dismall with a couple of all too brief moments of musicality, wisely given to Maureen McGovern. However, it's not enough to save this misguided mess. Skip the CD, pick up Jane Eyre, a musical version of a classic that works beautifully and deserved more success than it acheived.

Foster Showcase.......2006-05-06

Little Women is all about Sutton Foster. She does a great job, but as shown by the earily closing of the show it, one actress can't fix a flop. The songs in Little Women which tell a story or forward the plot of the show like "Weekly Volcano Press," "Astonishing," and "An Operatic Tradegy" are good and very entertaining, however a lot of the other songs in the show are stagnant. Basically any number without Foster or McGovern in it is not worth listening to. The show comes across as having good intentions. Though it has some good songs (I know people who have used some as audition pieces well), it does not seem to jump out at the audience at all.

Average customer rating:

Miss Jackson is right on the money with this album!!!
'Janet' May Well Be Ms. Jackson's Very Best. It's Definitely Her 'Sexiest'.
just janet.
Amazing CD
Flawless

janet.
Janet Jackson
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

Contemporary R&B | R&B | Styles | Music

General | R&B | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

General | Adult Contemporary | Pop | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music
Similar Items:

The Velvet Rope
Rhythm Nation 1814
Design of a Decade 1986/1996
Control
All for You [Extra Track]

ASIN: B000000WJI
Release Date: 1993-05-18

Tracks:

Morning
That's The Way Love Goes
You Know...
You Want This
Be A Good Boy
If
Back
This Time
Go On Miss Janet
Throb
What'll I Do
The Lounge
Funky Big Band
Racism
New Agenda
Love Pt. 2
Because Of Love
Wind
Again
Another Lover
Where Are You Now
Hold On Baby
The Body That Loves You
Rain
Any Time, Any Place
Are You Still Up
Sweet Dreams/Whoops Now

Amazon.com essential recording

Why is Janet Jackson's Janet the best Michael Jackson album since Thriller and the best Madonna album since..., well, since ever? Perhaps it's because Michael's kid sister is the only one of these three aerobic video stars with enough smarts to realize that sex, hooks, and beats are all that matter in this field of lightweight dance pop. Or perhaps it's because the sexuality Janet radiates through her sweet melodies and hip-tugging grooves is so much more credible than Michael's arrested prepubescence or Madonna's nothing-personal-just-business comeons. After her embarrassing posture as a sociocultural analyst on 1989's Rhythm Nation 1814, Janet has returned to her strength--using her odd mix of girlishness and maturity to make dance numbers about personal relationships ring exceptionally true. Even so, the 75-minute, 27-track Janet doesn't really work as an album; there's too much filler and the between-song transitions quickly grow tiresome. The album is full of killer singles, though, starting with such proven cuts as the extremely slinky "That's the Way Love Goes" and rock-guitar-driven "If," and featuring such future hits as the Prince-like "This Time," the Motown-like "Because of Love," the breathy ballad "Where Are You Now" and the inspired Stax cover, "What'll I Do. --Geoffrey Himes

Customer Reviews:

Miss Jackson is right on the money with this album!!!.......2007-07-24

I love this album. Janet delivers on every track. Four of my favorite songs on this album include If, Where are You Now, The Body that Loves You, and of course, Anytime, Anyplace. Janet clearly exemplifies that she is not afraid to sing about what is on her mind. A must have album. One of my favorites.

'Janet' May Well Be Ms. Jackson's Very Best. It's Definitely Her 'Sexiest'........2007-07-07

Is "Janet" her best CD? It's a tough call, but personally I would say so. Most fans would place this one among the top three of her catalog, right beside "Control" and "Rhythm Nation".

What really separates "Janet" from the other two is the maturity and plain SEXUALITY Janet exhibits here. "Janet" is SEXY without any signs of strain or pretentiousness. The entire CD just ooozes "Sex" with minimal effort. On "Control" the listener could hear and feel Janet trying hard to break free from her mold and mature into an adult. "Rhythm Nation" finds her more or less continuing that path with better results. But on "Janet" the CD just OOZES images that words like "Lust" and "Sex" can only barely hint at.

There are dance grooves to please the die-hard fan like "Throb" and "If". Of course for all you "Midnight Storm" fans who like their music soft, sexy and romantic, "Again", "The Body That Loves You" and "Anytime, Any Place" will certainly please. But my fav is still the first track released on the radio airwaves "That's The Way Love Goes". The song is perfect for "Quiet Storm" or the dance floor. The gentle groove just grows on you with repeated listens.

Some listeners HATE the 5 second to 15 second interludes between songs where Janet and her producers (Jimmy Jam and Terry Lewis) place filler and sound effects, but I LOVE those interludes, where one minute you can hear Janet moaning with pleasure or in the midst of coo talk with her lover.

This is probably Janet Jackson's most effortless CD and a joy to listen to. Released in 1993, it certainly has aged very well. It could easily be played on today's airwaves and still sound fresh and relevant. Definitely a MUST HAVE for any Janet Jackson Fan !! I hate to say it, but this release may have been Janet's last CD to keep. Starting with "Velvet Rope" you can hear the deterioration of the quality of songs, so "Janet" is definitely a keeper!

I guess the one difference is "Janet" doesn't grow on you immediately like "Control" or "Rhythm Nation" does, but it has longer lasting power. The songs just ease and ooze into your consciousness and stay there.

just janet........2007-06-11

I've loved this album. The musics "Anytime Anyplace", "That's The Way Love Goes" and "This Time" are the best of this masterpiece. Janet really created a 'smoother' style sicne this album. For R&B lovers this is an "must have" algum.

Amazing CD.......2007-05-16

This is still on of my all time favorite CDs...ever! It is a great make out CD. It is a great CD when I am feeling depressed. It is a great CD when I am happy & on top of the world. This is a perfect CD from a brilliant artist.

Flawless.......2007-04-13

Janet really rose to the top of her game with this release. From the first track to the last, it simply flows....and you just groove right along with her. Virtually every single song could have been a single.

Average customer rating:

an r&b classic
do yourself a favour kids
fabulous masterpiece
I was also down
Not her worst by a long shot, but she's starting to lose it a little here

The Velvet Rope
Janet Jackson
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

Contemporary R&B | R&B | Styles | Music

General | R&B | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

General | Adult Contemporary | Pop | Styles | Music

$9.99 and Under | Blowout Music | Stores | Music

Pop | Styles | Blowout Music | Stores | Music

Rock | Styles | Blowout Music | Stores | Music

R&B | Styles | Blowout Music | Stores | Music

Dance & DJ | Styles | Blowout Music | Stores | Music

All Blowout Music | Blowout Music | Stores | Music

$9.99 and Under | Prices | Blowout Music | Stores | Music

More Titles at Least 25% Off | Blowout Music | Stores | Music
Similar Items:

janet.
Rhythm Nation 1814
Damita Jo
All for You [Extra Track]
Control

ASIN: B000000WEX
Release Date: 1997-10-07

Tracks:

Interlude-Twisted Elegance
Velvet Rope
You
Got 'Til It's Gone
Interlude-Speaker Phone
My Need
Interlude-Fasten Your Seatbelts
Go Deep
Free Xone
Interlude-Memory
Together Again
Interlude-Online
Empty
Interlude-Full
What About
Every Time
Tonight's The Night
I Get Lonely
Rope Burn
Anything
Interlude-Sad
Special

Amazon.com

Teaming with her most accomplished collaborators, producer-songwriters Jimmy Jam and Terry Lewis, Janet Jackson delivers what is easily her finest record since Rhythm Nation--and arguably her best ever. Highlights include jams like "You" and "Got 'Til It's Gone," which recontextualizes samples from War and Joni Mitchell, respectively; the funky memorial to a dear departed, "Together Again"; and a slinky cover of Rod Stewart's "Tonight's the Night." Best of all, though, is "What About." An accusatory throwdown for a lover who beats and cheats even as he professes his love, it swings angrily between tender quiet and raging bitter funk. --David Cantwell

Customer Reviews:

an r&b classic.......2007-02-06

I love playing this back to back with mariah carey's butterfly and madonna's ray of light. All 3 albums from the biggest divas of our time showcased them at their creative peak.

do yourself a favour kids.......2007-01-22

forget about the janet that's dating jermaine dupri and posing naked in ridiculous headdresses and BUY THIS ALBUM! Her new music might be garbage but that's no reason to ignore this masterpiece of an album and whatever came before it. Hear this and you'll know who inspired ciara and the like, and did it better than her.

fabulous masterpiece.......2007-01-02

This album got a lot of good reviews when it was released and critics hailed it as janet's best work ever and hailed it a masterpiece of her career. Although the sales for this were pale in comparison to the precedor janet. , with time it has gone on to become a cult classic. Notice that people who criticize janet today are the same ones who hailed this album a classic and masterpiece. She definitely reached her creative peak on this album and it has stood the test of time. I can't believe it's been 10 years since this wonderful album was released. I think timing also had to do with slow sales from the start too. Had this album been released in 1996, it would have reached 5-6 million then instead of taking almost 10 years to reach that total, which I'm sure it has already.

I was also down.......2006-12-31

I was also down in 9th grade, when this album came out. I feel like it spoke to me and helped me get over a loss in the family. A lot of questions that were going through my mind as an adolesecent were also addressed on this album. Stuff about self-worth, sexuality, loss, ups and downs, lonliness etc. And janet had much more spice than the spice girls ever did. She was real, she was raw and she put it all out there on this CD. People at that time liked together again and i get lonely but didnt' care for the CD like they did for the janet. album. Almost 10 years later, I see people who are lovers of r&b music calling it a classic record, which it always was.

Not her worst by a long shot, but she's starting to lose it a little here.......2006-11-24

Though The Velvet Rope did spawn a couple of bona fide Janet essentials with "I Get Lonely" and "Together Again", it also marked the artistic downturn of what was once one of the hottest careers in music. The aforementioned songs and a couple of others are pretty good, but only the most astute Janet Jackson scholars should find any JJ album after this one necessary.
2004's Damita Jo is OK at best, and 2001's All For You is the most woefully mediocre thing she's done since Dream Street.

Average customer rating:

Super Good!
A sublime album
Strong rhythmic funk production and nice ballads
She's In Control!
20 Y.O. what's that?

Control
Janet Jackson
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD

Contemporary Blues | Blues | Styles | Music

General | R&B | Styles | Music

General | Soul | R&B | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

General | Adult Contemporary | Pop | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

$7.99 and Under | Blowout Music | Stores | Music

Pop | Styles | Blowout Music | Stores | Music

Rock | Styles | Blowout Music | Stores | Music

R&B | Styles | Blowout Music | Stores | Music

Dance & DJ | Styles | Blowout Music | Stores | Music

All Blowout Music | Blowout Music | Stores | Music

$7.99 and Under | Prices | Blowout Music | Stores | Music

4-for-3 Dance & DJ | 4-for-3 Music | Stores | Music

4-for-3 Pop | 4-for-3 Music | Stores | Music

4-for-3 R&B | 4-for-3 Music | Stores | Music

4-for-3 Rock | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Rhythm Nation 1814
janet.
The Velvet Rope
Design of a Decade 1986/1996
20 Y.O.

ASIN: B000002GFE
Release Date: 1990-10-25

Tracks:

Control
Nasty
What Have You Done For Me Lately
You Can Be Mine
The Pleasure Principle
When I Think Of You
He Doesn't Know I'm Alive
Let's Wait Awhile
Funny How Time Flies (When You're Having Fun)

Amazon.com essential recording

"Free at last / Out here on my own," Janet Jackson sings on the title track of her 1986 blockbuster, Control, an album about personal liberation, romantic longing, and, of all things, sexual responsibility. After two albums of middling dance-pop that were comfortably in the Jackson family mold, Janet dropped in on the burgeoning Minneapolis funk factory of producers Jimmy Jam and Terry Lewis and came up with five top 10 hits, including the opening triad of "Control," "Nasty," and "What Have You Done for Me Lately," as well as the yearning "When I Think of You" and "Let's Wait Awhile," that rare song (considering some of Janet's hits to come) about not having sex. In its own way, Control is the most convincing declaration of artistic independence since Stevie Wonder's "Music of My Mind." --Daniel Durchholz

Customer Reviews:

Super Good!.......2007-07-20

Amazing album! Cd has a little bit of something for everyone. Topical and diverse. Pop music classic.

A sublime album .......2007-03-13

Who cares what Janet Jackson did before this album, none of it was important. This was, as far as I am concerned, one of the finest non-Classical albums of the 1980s. It contains music I can still listen to and still feel excited about it. "Control", "Nasty Boys", "What have you done for me lately?" and "When I think of you" were amongst the best songs Janet Jackson and Jimmy Jam and Terry Lewis (her producers and musicians on this album) ever released. Most of what Janet Jackson has done since seems very ho-hum to me - in "Control", she was a singer fronting a group of musicians - in later albums, she was a singer first and the instrumental music was incidental.

Control has to be heard and experienced through a good sound system. It needs to be considered in relation to what was around at the time. It needs to be danced to.

This music was "cutting edge" at the time and, considering how we've retrogressed, it is even more potent now.

One of masterpieces of Jam and Lewis.

Strong rhythmic funk production and nice ballads.......2007-02-16

My friends and I loved Janet Jackson's Control album when we were in high school in 1986-87. It contained 10 songs, 7 of which ended up charting on the American pop and dance charts, and was spectacularly successful in promoting Janet into the top league of international popular music. The strengths here were the strong rhythmic funk productions from Jam & Lewis, and the forthright lyrics and independent attitude adopted by Janet on this breakthrough disc. Check it out if you like pop/dance stuff and haven't listened to Janet's older albums from the 80's

Best songs :
Control - The key song on the album, it represented Janet Jackson's emancipation from her past as a child star and set her up as an independent, confident entertainer in her own right
When I Think Of You - fun , light dance/pop workout song hit US #1
What Have You Done For Me Lately - funky song dissing someone
Let's Wait Awhile - responsible teen romance song with lovely melody
The Pleasure Principle - dance song , the 12" remix of this was really good, I remember
Funny How Time Flies - nice languid ballad shows off Janet's breathy voice well
You Can Be Mine is good too.

I'll give it 4.5 stars, though I reckon 1989's Rhythm Nation 1814 and 1993's Janet albums are both even better.

She's In Control!.......2007-01-13

"Control" is actually Janet's third album, her first two, epnymous "Janet Jackson" from 1982 and "Dream Street" from 1984 were lacklusters before she had found her personality and her music started to sound like we know it. "Control" from 1986 would be the first worthwile Janet album and she would become a superstar over a night and not just Michael's babysister. Her attitude had changed on this album, and we'll see a tougher Janet that both is capable of Dance-pop numbers and slow jamz. Another big reason is that the material is also better here, Janet never had the strongest voice but the up and coming producers Terry Lewis/Jimmy "Jam" Harris would make the best of her and write/produce some of the finest songs of the time. 20 years later they are still her main producers and when you think of them, you'll also think of Janet. Janet serves as a female counterpart to her brother, few female artists could dance as well as Janet and her attitude was tougher then any other female R&B singer in 1986 aswell. "Control" would also have loads of top singles, out of 9 songs 6 were released as singles in US, and a few reached the top 5, "When I Think Of You" would even reach the top of the Billboard charts.

Most songs here are uptempos and that's what Janet is best at. "Control" is one of her finest songs, and gives further proof to the new grown up, emancipated Janet, The video of "Control" is almost as long as Michaels's longest videos and serves as a little film where Janet wants to have the control of her own life and choises. An uptempo and choreographic masterpiece part of Jimmy Jam and Terry Lewis plans to make the best of an so far under-apreciated artist. The song reached #5 on the bilboard. On "Nasty" she sais that she don't want Nasty boys, instead she want to be treated well. This is another dance-pop song with great choreography, even Paula Abdul appears in the video. It reached #3 on the charts. Next song "What Have You Done For Me Lately" follows the same trend as the other two and was also a big hit reaching #4. It's remarkable cause it was Janet's breakthrough single. Paula also appears in the video, she would be a huge star herself 2 years later!. "You Can Be Mine" is a midtempo, and one of few songs not to be a single. However the song is good nonetheless.

"The Pleasure Principle" is another cathcy uptempo and is one of only two songs on this album that wasn't penned by Lewis/Jam (It was written by Monte Moir from The Time). It was only a top 20 song but a great song just the same, but with all big hits of this album it's easy to get a little overshadowed. "When I Think of You" reached number #1 and is another dance number, but not as rhythm driven as the others and in slower pace. "He Doesn't Know I'm Alive" a ballad written by Spencer Bernard, put not a single and not one of the best. "Let's Wait Awhile" finds Janet singing a slow jam about waiting before making love, quite strange if you listen to later albums?. The song made it to the second position on the charts. It's perhaps her best slow jam with a truly romantic message. "Funny How Time Flies (When You're Having Fun)" is the closer and is another ballad but neither one of this album's best songs.

Overall, Probably Janet's best album and the start of her long and successful career as we know it today. 6/9 songs here are famous and some are also among her best. "Control" is an excellent album and the first I would recommend if you want to take a look at older Janet albums, It also won loads of awards making it one of the years most successful albums. An 80's classic without a doubt.

20 Y.O. what's that?.......2007-01-08

THIS is what that new album was celebrating. The 20th anniversary of Control. This album is janet's landmark album that took her to great heights and made her the second biggest jackson superstar. Not only that, but it also set a blueprint for dance/r&b divas from then on: Jody Watley, Karyn White, Paula Abdul, Debbie Gibson, Mary J.Blige, TLC, SWV, Aaliyah, Mya, Britney Spears, Christina Aguilera, Pink, Beyonce, Ciara, Cassie and a list that is going to continue to get longer. As janet said at the recent Billboard Awards performance "it's all about control, and I STILL got lots of it!" damn right janet!

Average customer rating:

TRACK LIST
Really Terrific
1989 was a great year for music. "Rhythm Nation" was no exception!
JJ's Best Album
One of the Best Albums of 1989!

Rhythm Nation 1814
Janet Jackson
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD

Contemporary Blues | Blues | Styles | Music

General | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

General | R&B | Styles | Music

General | Soul | R&B | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

General | Adult Contemporary | Pop | Styles | Music

$7.99 and Under | Blowout Music | Stores | Music

Pop | Styles | Blowout Music | Stores | Music

Rock | Styles | Blowout Music | Stores | Music

R&B | Styles | Blowout Music | Stores | Music

Dance & DJ | Styles | Blowout Music | Stores | Music

All Blowout Music | Blowout Music | Stores | Music

$7.99 and Under | Prices | Blowout Music | Stores | Music

More Titles at Least 25% Off | Blowout Music | Stores | Music
Similar Items:

Control
janet.
The Velvet Rope
Design of a Decade 1986/1996
All for You [Extra Track]

ASIN: B000002GFN
Release Date: 1989-08-24

Tracks:

Interlude: Pledge
Rhythm Nation
Interlude: T.V.
State Of The World
Interlude: Race
The Knowledge
Interlude: Let's Dance
Miss You Much
Interlude: Come Back Interlude
Love Will Never Do (Without You)
Livin' in a World (They Didn't Make )
Alright
Interlude: Hey Baby
Escapade
Interlude: No Acid
Black Cat
Lonely
Come Back to Me
Someday is Tonight
Livin'... In Complete Darkness

Amazon.com essential recording

Picking up where the breakthrough funk-pop of Control left off, Janet Jackson and her production team of Jimmy Jam and Terry Lewis laced Rhythm Nation with high-minded references to societal ills--seldom the favored province of dance music, but a daring attempt nonetheless. Songs like "State of the World" and "The Knowledge" follow in the tradition of "free your mind and your ass will follow." Still, aside from the title track, it was the pure pop fare and dance music that stormed the charts: "Escapade," "Love Will Never Do (Without You)," "Alright," and "Come Back to Me" concentrate on the politics of personal relationships, not public policy, while "Black Cat" burns the place down with a fierce burst of hard rock. Rhythm Nation 1814 doesn't necessarily hang together thematically, but it's so chock full of hits, you scarcely notice. --Daniel Durchholz

Customer Reviews:

TRACK LIST.......2007-05-22

Janet Jackson / Janet Jackson's Rhythm Nation 1814
Label: A&M
Year: 1989
Track Title
1. Interlude: Pledge
2. Rhythm Nation
3. Interlude: T.V.
4. State Of The World
5. Interlude: Race
6. The Knowledge
7. Interlude: Let's Dance
8. Miss You Much
9. Interlude: Come Back Interlude
10. Love Will Never Do (Without You)
11. Livin' In A World (They Didn't Make)
12. Alright
13. Interlude: Hey Baby
14. Escapade
15. Interlude: No Acid
16. Black Cat
17. Lonely
18. Come Back To Me
19. Someday Is Tonight
20. Interlude: Livin'...In Complete Darkness

Really Terrific .......2007-02-16

This is really terrific. I listened to this album a lot in 1989-90 while all its hit singles were spinning into the charts and playing from the radio.
Janet Jackson was 23 when she made this excellent album, and it remains her best work. She had really good producers on her team, wrote strong social-comment lyrics, and made stylish videos , usually with squads of well-drilled dancers performing funk workouts in formation . The mission statement on Track 1 of Rhythm Nation is the dream of a "nation with no geographic boundaries... free from colour lines" and this admirable ideal is promoted on funky title tune. The lead single Miss You Much also funked out with a staccato beat and hit US #1 in October 1989. Further hits were also squarely in the dance/pop tradition , such as the upbeat Escapade, the happy-sounding Love Will Never Do ( Without You ) and the groovy Alright . Social injustice is highlighted on the rather-good ballad Livin' In A World ( They Didn't Make ) and the uptempo State Of The World , while the rocking number Black Cat really works very well, with its heavy rock guitar sound precisely capturing the song's raunchy sentiments. The Knowledge is an angular funk groove all about getting a good education. Janet's albums always balanced funky and smooth elements, so here we had the nice, stately love ballad Come Back To Me and the seductive bedroom tune Someday Is Tonight to represent the softer side of her music. Interspersed throughout the running order of the disc are sound snippets and fragments of commentary that help to link the songs together rather like a sound collage. A very good idea !

Every song here succeeds - that's why Rhythm Nation 1814 deserves a 5 star rating.
Highly Recommended to all music fans.

1989 was a great year for music. "Rhythm Nation" was no exception!.......2007-02-15

It takes alot for an artist to create a hit single or two, but it's quite another to create an album chock-full of hits that have endured for nearly 20 years (mind-boggling to think that much time has elapsed since this album's release!).

Just looking at the song titles, I knew just about every song without having to listen to a single note. When I played the CD, it brought me back to a time when originality was celebrated and encouraged in pop music. It also reminded me of a time when pop radio used to play these songs over and over again, yet I never seemed to mind because they just sounded better each time.

That all seems like another world today - to put it mildly!

One of the worst decades in human history was coming to a close and pop music legends were making the most of the moment by releasing great albums in 1989, alot of which had a common theme - social injustices and being on the threshold of something new (which we were): Phil Collins released "...But Seriously" that year along with Don Henley's "The End of the Innocence," Tom Petty's "Full Moon Fever," Billy Joel's "Storm Front," and The B-52's "Cosmic Thing." The Fine Young Cannibals and De La Soul, among many others, also contributed to an end-of-the-decade blitz of great music. Janet Jackson added her own dynamic contribution with "Rhythm Nation 1814."

This album deserved all the hype it got (which, along with the original "Batman," got quite alot!). I remember the futuristic video for the title track on MTV (back when the channel did something revolutionary - they actually played music videos all day). I also vividly recall the intense radio airplay the majority of this album got over time (which is how I got to know this, minus the Interludes): "State of the World," "Miss You Much," "Love Will Never Do (Without You)," "Escapade," "Black Cat," and "Come Back To Me."

Reading the reviews here on Amazon, it clicked that Janet accomplished something that's rare for dance music: She was able to include serious messages regarding social injustices (among other topics) alongside danceable tunes and the standard slow songs.

This is definitely Janet's masterpiece. It's a pleasure to finally have this in my collection. Her voice is soothing and the overall message is quite powerful. - Donna Di Giacomo

JJ's Best Album.......2007-01-24

This Album has got a bit of Every style of music on it...Rock, Dance, R'n'B, Funk and Pop. It is an awaesome album and spawned 7 Top 10 hits. It has a lot of Interludes 8 in fact, and 12 Original Tracks.
All of the songs are good, and even though I had never been a big fan of Janet Jackson, I am a fan of this Album. "Escapade" and "Love Will Never Do" were instantly reconizable once I heard them, and are Excellent Pop songs, and I remember them getting a lot of Radio play back in 89 when this album was released and also the following year. This album definetly has some of the best songs of her career.
Besides being A great Pop Mainstream Album, it is also a Concept album, that deals with the Problems of the World and Society. Many of the albums tracks deal with this. Songs such as "State Of The World" and "Livin' In A World They Didn't Make", whilst other tracks such as "Lonely" and "Come Back to Me" deal with lost love. Most of the Album deals with Poverty,Violence, Racism and the Ignorance and Perceptions that Society has.
My favourite songs on the album are "State Of The World" which deals with the homeless problem, Drugs and Violence in Society. Even though it has a dark message it is Very upbeat and a good song. "The Knowlege" preaches for you to find out about the things you don't know about and find the Truth in life so you can protect yourself and understand the world better, and is a nice little piece of Upbeat Funk.
"Love Will Never Do" was another Favourite of mine, and a big hit from this album. I love the way this Song starts with the Chimes and thumping and then it explodes into a Bombastic Pop song, with a great chorus that you'll be singing along to instantly once U recognise it. "Livin' In a World [They Didn't make]" is a Beautiful song about the Innocence of Children and how it hurts for them growing up in a Society that is corrupted by violence, and Hate, and how they could get sucked in to that and make the situation worse. It has some beautiful heartfelt and true lyrics. The song ends with a news clipping of an incident where a Gun man open fires in a California school playground killing himself and 5 children.This really makes you think about the way people act and the senseless violence that destroys lives, and how there is no need for it.
"Escapade" is another song I reconised right from the start with it's chiming bells and Pop feeling. Once again the Chorus will have you singing along with it. A totally Fun Track.
The Hard Rock of "Black Cat" is addictive and is a great reconisable song. One of the Album's Hilights. The Spanish tinged Ballads "Lonely" and "Come Back To Me" are Beautiful and Heartfelt, and some of my favourite tracks on the album. "Lonely" has a beautiful message to it and sounds very relaxing and the spanish guitars make it the perfect R'n'B Love Song. "Come Back To Me" is equally as good.
Overall I Enjoyed this Album, and Feel it is JJ'S best work. Any fan of Rock, Pop, Funk or R'n'B should have this in their music collection.

One of the Best Albums of 1989!.......2007-01-14

After the breakthrough album "Control" three years prior, Janet was back with another album with simular structure, "Rhythm Nation 1814", a concept album that partly deals with social injusticies (In particular State of the World, Living in a World, The Knowledge and most of the interludes) But many other songs are just strong contemporary R&B without being political in any way. Jimmy Jam and Terry Lewis once again produce the majority of songs and make it just as well as on "Control". Perhaps this album is even more mixed, with ballads, uptempo's and even some rock. Out of 7 single releases all made the top 5! and 3 would also top the bilboard charts. 7 songs from the same album reaching the top 5 became a new record. This album got as many as 20 songs, but removing the interludes there are only 12 actual singles. This is as far as I know one of the first if not the first album with interludes, something that would be commonly used in R&B and Hip Hop later on. But on this album the interludes actually does make sense and they are not just about Janet's ego like on latter albums. Before I'll go to the songs, this is obviously Janet's best album with "Control" and there are plenty of worthwile songs to enjoy here.

The first song a dance number "Rhythm Nation" where we'll find Janet dressed in a black military uniform in the video (just like on the album cover) preaches world unity among races and nations. Although Janet's singing here is below average it's a catchy rhythmic dance anthem nonetheless and a good opener that gives a clear message on what's coming. "State of the World" is simular and deals with very disturbing issues, but this song was only released for radio airplay and not as a single, too bad. "The Knowledge" continues with simular issues until the number 1 smash "Miss You Much" arrives and deals with more lightweight issues compared to the first three songs, basically Love. Next song is a ballad and it's called "Love Will Never Do", In the video we'll see a new sexy janet dance with a guy, simular to what her brother did on "In the Closet", Janet wanted to show other sides of herself on this album and prove she was no fluke. This song also reached the top of the charts even if it's hardly one of her more famous songs.

"Livin' In A World" is yet another slow paced social conscious song but it wasn't released a single. Next single "Alright" is typical for it's time with new jack swing and it also got a memorable video in 30's style. "Escapade" another number #1 is perhaps the most pop oriented song and in my oppinion best song of this album. This portay Janet at her peak where everything she did became a hit. "Black Cat" is pop/rock and also quite unique. Janet wrote it all by herself. "Lonely" a great ballad, not to be mistaken with "I Get Lonely" from a later album is just great and should have been a single. "Come Back to Me" (#2) is very simular and so is "Someday Is Tonight". All ballads.

Overall, What more can I say, this is Janet Jackson at her best. "Rhythm Nation" is one of her best albums at the peak of her career. Critics thought she was a fluke but instead she (with help from Jimmy Jam & Terry Lewis) would record an album that was perhaps even better then "Control". The concept doesn't really work since only half of the songs are part of it, but the hits!. 7 big hits in one album is alot, and for them this is a great purchase and a classic album aswell.

Average customer rating:

Groundbreaking but partly outdated
Outstanding Mahler Compilation
Bernstein or Tennstedt: read on....
Comparing the two Bernstein Mahler cycles
Mahler complete symphonies.

Mahler: The Complete Symphonies
Dame Janet Baker , Jennie Tourel , Lili Chookasian , Martha Lipton , Israel Philharmonic Orchestra , New York Philharmonic , Hans Vollenweider , Adele Addison , Dame Gwyneth Jones , Erna Spoorenberg , Lee Venora , Lucine Amara , Reri Grist , John Mitchinson , and Richard Tucker
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Box Sets | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Mendelssohn: 5 Symphonies; 7 Overtures
Dvorák: The Symphonies
Schubert: 8 Symphonies
Bruckner: The Complete Symphonies
Johannes Brahms: The Symphonies

ASIN: B0000589BP
Release Date: 2001-01-30

Tracks:

Sym No.1 in D 'Titan': Movt I: Langsam. Schleppend. Wie Ein Naturlaut - New York Phil/Leonard Bernstein
Sym No.1 in D 'Titan': Movt I: Immer Sehr Gemachlich - New York Phil/Leonard Bernstein
Sym No.1 in D 'Titan': Movt I: Sehr Gemachlich - New York Phil/Leonard Bernstein
Sym No.1 in D 'Titan': Movt I: Vorwats Dragend - New York Phil/Leonard Bernstein
Sym No.1 in D 'Titan': Movt II: Kraftig Bewegt - New York Phil/Leonard Bernstein
Sym No.1 in D 'Titan': Movt II: Trio. Recht Gemachlich - New York Phil/Leonard Bernstein
Sym No.1 in D 'Titan': Movt II: Tempo Primo - New York Phil/Leonard Bernstein
Sym No.1 in D 'Titan': Movt III: Feierlich Und Gemessen, Ohne Zu Schleppen - New York Phil/Leonard Bernstein
Sym No.1 in D 'Titan': Movt III: A Tempo. Ziemlich Langsam - New York Phil/Leonard Bernstein
Sym No.1 in D 'Titan': Movt III: Sehr Einfach Und Schlicht Wie Eine Volksweise - New York Phil/Leonard Bernstein
Sym No.1 in D 'Titan': Movt III: Weider Etwas Bewegter, Wie Im Anfang - New York Phil/Leonard Bernstein
Sym No.1 in D 'Titan': Movt IV: Sturmisch Bewegt - New York Phil/Leonard Bernstein
Sym No.1 in D 'Titan': Movt IV: Sehr Gesangvoll - New York Phil/Leonard Bernstein
Sym No.1 in D 'Titan': Movt IV: Wieder Wie Zu Angang. Sturmisch Bewegt - New York Phil/Leonard Bernstein
Sym No.1 in D 'Titan': Movt IV: Sehr Langsam - New York Phil/Leonard Bernstein
Sym No.1 in D 'Titan': Movt IV: Wieder Vorwarts Drangend - New York Phil/Leonard Bernstein
Sym No.10, 'Adagio': Andante - New York Phil/Leonard Bernstein
Sym No.10, 'Adagio': Andante Come Prima - New York Phil/Leonard Bernstein
Sym No.10, 'Adagio': A Tempo (Fliessend) - New York Phil/Leonard Bernstein
Sym No.10, 'Adagio': Measure 104 - New York Phil/Leonard Bernstein
Sym No.10, 'Adagio': Measure 194 - New York Phil/Leonard Bernstein
Sym No.10, 'Adagio': A Tempo - New York Phil/Leonard Bernstein

Tracks:

Sym No.2 in c 'Resurrection': Movt I: Allegro Maestoso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt I: Sehr Massig Und Zuruckhaltend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt I: Schnell - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt I: Tempo I - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt I: Tempo Sostenuto - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt II: Andante Moderato - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt II: Energisch Bewegt - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt II: Wieder In's Tempo Zuruckgehen. Tempo I - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt III: In Ruhig Fliessender Bewegung - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt III: Vorwarts - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt III: Zum Tempo I. Zuruckkehren - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan

Tracks:

Sym No.2 in c 'Resurrection': Movt IV: ' Urlicht' - Sehr Feierlich, Aber Schlicht - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt IV: Etwas Bewegter - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt V: Im Tempo Des Scherzos. Wild Herausfahrend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt V: Langsam - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt V: Im Anfang Sehr Zuruckgehalten - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt V: Maestoso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt V: Wieder Zuruckhaltend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt V: Sehr Langsam Und Gedehnt - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt V: Langsam. Misterioso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt V: Etwas Bewegter 'O Glaube' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt V: Mit Aufschwung, Aber Nicht Eilen 'O Schmerz!' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.2 in c 'Resurrection': Movt V: Piu Mosso 'Sterben' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
Sym No.5 in c#: IV. Adagietto. Sehr Langsam - New York PO/Leonard Bernstein
Sym No.8 in E flat 'Sym Of A Thousand', Part One: Veni, Creator Spiritus! - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
Sym No.8 in E flat 'Sym Of A Thousand', Part One: Imple Superna Gratia - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
Sym No.8 in E flat 'Sym Of A Thousand', Part One: Infirma Nostri Corporis - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
Sym No.8 in E flat 'Sym Of A Thousand', Part One: Tempo I. (Allegro, Etwas Hastig) - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
Sym No.8 in E flat 'Sym Of A Thousand', Part One: Infirma Nostri Corporis - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
Sym No.8 in E flat 'Sym Of A Thousand', Part One: Accende Lumen Sensibus - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
Sym No.8 in E flat 'Sym Of A Thousand', Part One: Qui Paraclitus Deceris - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
Sym No.8 in E flat 'Sym Of A Thousand', Part One: Gloria Patri Domino - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...

Tracks:

Sym No.3 in d, Part One: Movt I: Kraftig. Entschieden - John Ware
Sym No.3 in d, Part One: Movt I: Langsam. Schwer - John Ware
Sym No.3 in d, Part One: Movt I: Tempo I - John Ware
Sym No.3 in d, Part One: Movt I: A Tempo - John Ware
Sym No.3 in d, Part One: Movt I: Immer Dasselbe Tempo (Marsch). Nicht Eilen - John Ware
Sym No.3 in d, Part One: Movt I: Im Alten Marschtempo (Allegro Moderato) - John Ware
Sym No.3 in d, Part One: Movt I: Tempo I - John Ware
Sym No.3 in d, Part Two: Movt II: Tempo Di Menuetto. Sehr Massig - John Ware
Sym No.3 in d, Part Two: Movt II: A Tempo - John Ware
Sym No.3 in d, Part Two: Movt II: Ganz Plotzlich Gemachlich. Tempo Di Menuetto - John Ware
Sym No.3 in d, Part Two: Movt III: Comodo. Scherzando. Ohne Hast - John Ware
Sym No.3 in d, Part Two: Movt III: Wieder Sehr Gemachlilch, Wie Zu Anfang - John Ware
Sym No.3 in d, Part Two: Movt III: Etwas Zuruckhaltend - Sehr Gemachlich - John Ware
Sym No.3 in d, Part Two: Movt III: Tempo I. Mit Geheimnisvolles Hast! - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
Sym No.3 in d, Part Two: Movt III: Wieder Sehr Gemachlich, Beinahe Langsam - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
Sym No.3 in d, Part Two: Movt IV: Sehr Langsam. Misterioso. Durchaus Ppp - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
Sym No.3 in d, Part Two: Movt IV: Piu Mosso Subito - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
Sym No.3 in d, Part Two: Movt V: Lustig Im Tempo Und Keck Im Ausdruck - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...

Tracks:

Sym No.3 in d, Part Two: Movt VI: Langsam. Ruhevoll. Empfunden - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
Sym No.3 in d, Part Two: Movt VI: Nicht Mehr So Breit - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
Sym No.3 in d, Part Two: Movt VI: Tempo I. Ruhevoll! - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
Sym No.3 in d, Part Two: Movt VI: A Tempo (Etwas Bewegter) - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
Sym No.3 in d, Part Two: Movt VI: Tempo I - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
Sym No.3 in d, Part Two: Movt VI: Langsam. Tempo I - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
Three Ruckert Songs: Ich Atmet Einen Linden Duft - Jennie Tourel
Three Ruckert Songs: Ich Bin Der Welt Abhanden Gekommen - Jennie Tourel
Three Ruckert Songs: Um Mitternacht - Jennie Tourel
Des Knaben Wunderhorn: Das Irdische Leben - Jennie Tourel
Kindertotenlieder: Nun Will Die Sonn' So Hell Aufgeh'n! - Jennie Tourel
Kindertotenlieder: Nun Seh' Ich Wohl, Warum So Dunkle Flammen - Jennie Tourel
Kindertotenlieder: Wenn Dein Mutterlein - Jennie Tourel
Kindertotenlieder: Oft Denk' Ich, Sie Sind Nur Ausgegangen - Jennie Tourel
Kindertotenlieder: In Diesem Wetter! - Jennie Tourel

Tracks:

Sym No.4 in G: Movt I: Bedachtig. Nicht Eilen - Reri Grist
Sym No.4 in G: Movt I: Tempo I - Reri Grist
Sym No.4 in G: Movt I: Wieder Wie Zu Anfang. Sehr Gemachlich, Behaglich - Reri Grist
Sym No.4 in G: Movt I: Wieder Plotzlich Langsam Und Bedachtig - Reri Grist
Sym No.4 in G: Movt II: In Gemachlicher Bewegung. Ohne Hast - Reri Grist
Sym No.4 in G: Movt II: Nicht Eilen - Reri Grist
Sym No.4 in G: Movt III: Ruhevoll - Reri Grist
Sym No.4 in G: Movt III: Viel Langsamer - Reri Grist
Sym No.4 in G: Movt III: Anmutig Bewegt - Reri Grist
Sym No.4 in G: Movt III: Andante - Reri Grist
Sym No.4 in G: Movt III: Vorwarts. Poco Piu Mosso - Reri Grist
Sym No.4 in G: Movt IV: Sehr Behaglich - Reri Grist
Sym No.4 in G: Movt IV: Wieder Lebhaft - Reri Grist
Sym No.4 in G: Movt IV: Tempo I. Sehr Zart Und Geheimnisvoll Bis Zum Schluss - Reri Grist

Tracks:

Sym No.5 in c#: Part I: I. Trauermarsch. In Gemessenem Schritt. Streng. Wie Ein Kondukt - New York Phil/Leonard Bernstein
Sym No.5 in c#: Part I: II. Sturmisch Bewegt. Mit Grosster Vehemenz - New York Phil/Leonard Bernstein
Sym No.5 in c#: Part II: III. Scherzo. Kraftig, Nicht Zu Schnell - James Chambers
Sym No.5 in c#: Part III: IV. Adagietto. Sehr Langsam - New York Phil/Leonard Bernstein
Sym No.5 in c#: Part III: V. Rondo-Finale. Allegro - New York Phil/Leonard Bernstein

Tracks:

Sym No.6 in a 'Tragic': I. Allegro Energico, Ma Non Troppo (Heftig, Aber Markig) - New York Phil/Leonard Bernstein
Sym No.6 in a 'Tragic': II. Scherzo. Wuchtig - New York Phil/Leonard Bernstein
Sym No.6 in a 'Tragic': III. Andante Moderato - New York Phil/Leonard Bernstein
Sym No.6 in a 'Tragic': IV. Finale. Allegro Moderato - Allegro Energico - New York Phil/Leonard Bernstein

Tracks:

Sym No.7 in e: Movt I: Langsam (Adagio) - Raymond Sabinsky
Sym No.7 in e: Movt I: Nicht Schleppen - Raymond Sabinsky
Sym No.7 in e: Movt I: Allegro Risoluto, Ma Non Troppo - Raymond Sabinsky
Sym No.7 in e: Movt I: A Tempo (Sempre L'istesso) - Raymond Sabinsky
Sym No.7 in e: Movt I: Subito Allegro I. Ziemlich Ruhig - Raymond Sabinsky
Sym No.7 in e: Movt I: Adagio (Tempo Der Einleitung) - Raymond Sabinsky
Sym No.7 in e: Movt I: Maestoso. Allegro Come Prima - Raymond Sabinsky
Sym No.7 in e: Movt II: Nachtmusik I. Allegro Moderato - Raymond Sabinsky
Sym No.7 in e: Movt II: Sempre L'istesso Tempo. Nicht Eilen, Sehr Gemachlich - Raymond Sabinsky
Sym No.7 in e: Movt II: Tempo - Raymond Sabinsky
Sym No.7 in e: Movt III: Scherzo. Schattenhaft, Fliessend, Aber Nicht Zu Schnell - Raymond Sabinsky
Sym No.7 in e: Movt III: Trio - Raymond Sabinsky
Sym No.7 in e: Movt III: Wieder Wie Zu Anfang (Nicht Eilen) - Raymond Sabinsky
Sym No.7 in e: Movt IV: Nachtmusik II. Andante Amoroso - Raymond Sabinsky
Sym No.7 in e: Movt IV: (Figure 197) - Raymond Sabinsky
Sym No.7 in e: Movt V: Rondo-Finale. Tempo I (Allegro Ordinario) - New York Phil/Leonard Bernstein
Sym No.7 in e: Movt V: Gemessen! Nicht Schnell! Tempo II (Allegro Moderato Ma Energico) - New York Phil/Leonard Bernstein
Sym No.7 in e: Movt V: Tempo I (Halbe Wie Die Viertel Des Tempo I) - New York Phil/Leonard Bernstein
Sym No.7 in e: Movt V: Sempre L'istesso Tempo - New York Phil/Leonard Bernstein

Tracks:

Kindertotenlieder: Nun Will Die Sonn' So Hell Aufgeh'n! - Janet Baker
Kindertotenlieder: Nun Seh' Ich Wohl, Warum So Dunkle Flammen - Janet Baker
Kindertotenlieder: Wenn Dein Mutterlein - Janet Baker
Kindertotenlieder: Oft Denk' Ich, Sie Sind Nur Ausgegangen - Janet Baker
Kindertotenlieder: In Diesem Wetter! - Janet Baker
Sym No.8 in E flat 'Sym Of A Thousand': Part I: Veni, Creator Spiritus! - LSO/Leonard Bernstein
Sym No.8 in E flat 'Sym Of A Thousand': Part I: Imple Superna Gratia - LSO/Leonard Bernstein
Sym No.8 in E flat 'Sym Of A Thousand': Part I: Infirma Nostri Corporis - LSO/Leonard Bernstein
Sym No.8 in E flat 'Sym Of A Thousand': Part I: Tempo I. (Allegro, Etwas Hastig) - LSO/Leonard Bernstein
Sym No.8 in E flat 'Sym Of A Thousand': Part I: Infirma Nostri Corporis - LSO/Leonard Bernstein
Sym No.8 in E flat 'Sym Of A Thousand': Part I: Accende Lumen Sensibus - LSO/Leonard Bernstein
Sym No.8 in E flat 'Sym Of A Thousand': Part I: Qui Paraclitus Diceris - LSO/Leonard Bernstein
Sym No.8 in E flat 'Sym Of A Thousand': Part I: Gloria Patri Domino - LSO/Leonard Bernstein

Tracks:

Sym No.8 in E flat 'Sym Of A Thousand': Part II: Poco Adagio - LSO/Leonard Bernstein
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Piu Mosso. (Allegro Moderato) - LSO/Leonard Bernstein
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Waldung, Sie Schwankt Heran - Leeds Festival Chor/London Sym Chor
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Ewiger Wonnebrand - Vladimir Ruzdjak
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Wie Felsenabgrund Mir Zu Fussen - Donald McIntyre
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Gerettet Ist Das Edle Glied - Leeds Festival Chor/London Sym Chor/Highgate School Boys Choir
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Jene Rosen, Aus Den Handen - Leeds Festival Chor/London Sym Chor
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Uns Bleibt Ein Erdenrest - Leeds Festival Chor/London Sym Chor
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Ich Spur' Soeben - Leeds Festival Chor/London Sym Chor
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Hier Ist Die Aussicht Frei/Freudig Empfangen Wir - John Mitchinson
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Hochste Herrscherin Der Welt - John Mitchinson
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Jungfrau, Rein Im Schonsten Sinne - John Mitchinson/Leeds Festival Chor/London Sym Chor
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Aussert Langsam. Adagissimo - LSO/Leonard Bernstein
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Dir, Der Uberuhrbaren/Du Schwebst Zu Hohen - Gwyneth Jones
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Bei Der Liebe, Die Den Fussen - Erna Spoorenberg
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Bei Dem Bronn, Zu Dem Schon Weiland - Anna Reynolds
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Bei Dem Hochgeweihten Orte - Norma Procter
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Die Du Grossen Sunderinnnen - Erna Spoorenberg/Anna Reynolds/Norma Procter
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Neige, Neige, Du Ohnegleiche - Gwyneth Jones
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Er Uberwachst Uns Schon - Highgate School Boys Chor
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Vom Edlen Geisterchor Umgeben - Gwyneth Jones
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Komm! Hebe Dich Zu Hohern Spharen! - Gwenyth Annear
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Blicket Auf Zum Retterblick - John Mitchinson
Sym No.8 in E flat 'Sym Of A Thousand': Part II: Alles Vergangliche - Leeds Festival Chor/London Sym Chor

Tracks:

Sym No.9 in D: Movt I: Andante Comodo - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt I: Etwas Frischer - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt I: Tempo I Subito - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt I: Mit Wut. Allegro Risoluto - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt I: Schattenhaft - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt I: Wie Von Anfang - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt I: Plotzlich Bedeutend Langsamer (Lento) Und Leise - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt I: Schon Ganz Langsam - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt II: Im Tempo Eines Gemachlichen Landlers. Etwas Tappisch Und Sehr Derb - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt II: Poco Piu Mosso Subito (Tempo II) - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt II: Tempo III - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt II: A Tempo II - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt II: Tempo I - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt II: Tempo II - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt II: Tempo I Subito - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt III: Rondo - Burleske. Allegro Assai. Sehr Trotzig - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt III: L'istesso Tempo - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt III: Sempre L'istesso Tempo - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt III: Nicht Eilen - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt III: Piu Stretto - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt IV: Adagio. Sehr Langsam Und Noch Zuruckhaltend - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt IV: Plotzlich Wieder Langsam (Wie Zu Anfang) Und Etwas Zogernd - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt IV: Molto Adagio Subito - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt IV: A Tempo (Molto Adagio) - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt IV: Stets Sehr Gehalten - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt IV: Fliessender, Doch Durchaus Nicht Eilend - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt IV: Tempo I. Molto Adagio - New York Phil/Leonard Bernstein
Sym No.9 in D: Movt IV: Adagissimo - New York Phil/Leonard Bernstein

Amazon.com

For many of us, Leonard Bernstein's first Mahler cycle for CBS (compiled here, remastered and cheaper than ever) has stood the test of time since it initially came out on LP in the late 1960s. Upon completing this traversal of nine symphonies (and the "Adagio" movement from the unfinished 10th), Lenny and the New York Philharmonic achieved something no one else had and proved that Mahler was, simply put, worth recording in the first place. It's still a marvelous set of recordings that belongs in every record collection.

Using the same budgeted design as on their (surprisingly pricey) Original Jacket series of box sets, Sony has unleashed a true bargain here: 12 CDs that average a little over five bucks a pop. Lenny's second cycle for Deutsche Grammophon may boast greater sonics, plenty of wonderful moments, and the complete song cycles, but it costs more than twice as much. Here, we get a younger Lenny, sounding fresh and expressive and delivering still-unparalleled interpretations of the First, Third, Seventh, Eighth, and Ninth, and pretty great performances of the rest. The intensity on these discs is infectious and the price can't be beat. A must-have. --Jason Verlinde

Customer Reviews:

Groundbreaking but partly outdated.......2007-03-26

Recorded 1960-67, this is the first complete cycle of Mahler's numbered symphonies (1-9 + no. 10 Adagio), and, as such, an essential purchase. Add Bernstein's 1966 classic recording of Das Lied von der Erde (Decca), and you get a piece of recording history: the development of the Mahler boom in the sixties.

How do these recordings stand today? The interpretations of the third, fourth, and seventh are very fine, even exceptional, and, despite their age, the recordings are sonically impressive as well. NYPO plays marvellously. The seventh, in particular, is a reference disc.

The remaining recordings are not really for the desert island, however. The fifth, for instance, is very unsuccessful and badly recorded too. Bernstein's later account on DG is clearly an improvement. The same holds for the second symphony, which you also find on DG in a later, much improved and moving interpretation. But here we have also a crowded field of classic performances, such as Klemperer's second (EMI) and Walter's fifth (SONY). Both are preferable to Bernstein's recordings, old or new.

The first, sixth, eight and ninth are quite good but not exceptional. No one beats Kubelik's first (DG). Mitropoulos (BMG Great Conductors) and Barbirolli (EMI) own the sixth. The eight - well, here we have Horenstein (BBC) and Mitropoulos (Orfeo) as classic, first choices. And for the ninth, Ancerl (Supraphon), Barbirolli (EMI), Klemperer (EMI) and Walter (SONY) sound far more attractive and fresh than Bernstein's mannered account.

If you're a collector this box is of course essential - regardless all critical considerations. But if you just look for an excellent and consistent Mahler box, go for Gary Bertini's cycle on EMI, which you get for a super-bargain price. It's a contemporary and future classic.

Thus I recommend a pick of individual Bernstein SONY CDs: the third, the fourth and the seventh. Add his fifth and second from his DG recordings, and his 1966 Das Lied von der Erde (Decca). These recordings are what I take to be the "essentials" of the Bernstein Mahler legacy.

Outstanding Mahler Compilation.......2007-01-29

I think is very important for a Mahler Fan to hear carefully all his work. This compilation allows you to enjoy that experience. A better sound quality for some symphonies could be a great plus, but you have to consider that this is a remasterized old record.

Leonard Bernstein just express the true passion that Mahler put on his work. It's incredible that (using the 8ve Symphony as an example) with fewer instruments than in the Abbado version, the feeling is even better. Simply outstanding.

Great price, great compilation. Lot of Mahler.

Bernstein or Tennstedt: read on...........2006-07-12

If the only way you could obtain the Mahler Symphonies was by buying a box containing them all by one conductor, then this would be my second choice, or my first!; my first (or second)would be the Tennstedt set. It's a close call thoughout - a 'swings and roundabouts' situation, but if Bernstein's was the one and only then I would be happy enough. Actually if you want a truly satisfying Mahler Symphonies collection then the two sets together sitting side by side on your CD shelf would be pretty well ideal, as I believe that the legacy of recordings by these two great men are nowhere surpassed (save Horenstein in the Fourth, Barbirolli in the Sixth and Rudolf Schwarz in the Fifth). As to comparisons between individual symphonies, the following would be my first choice:

No. 1 Bernstein. More poetic and earthy than T and my very first choice out of the dozens of others I've heard.
2 Bernstein. Simply the greatest Mahler 2; T is earthbound by comparison.
3 Tennstedt. Actually this is a tougher one to decide as B is marginally better in the first movement and he produces the best sixth movement of any version I've heard. Overall T has it, partly due to the excellent sound quality.
4 Overall B is better but there are so many points of comparison to take into consideration that it's a tough one to decide. T has the better soloist in the finale. My far-and-away first choice in the Fourth is Horenstein on EMI/CfP.
5 Tennstedt. Bernstein's CBS Fifth was the weakest link. However, Rudolf Schwarz (Everest) produces the very finest Fifth:
I always maintain that you can tell pretty much straight away when a Mahler conductor gets it right and Schwarz gets it 100%
6 Tennstedt. From the angry crunching heavy tread of the opening through to the nightmare ending, this is a very dark view of the Sixth, but it works. Barbirolli on EMI is my definite first choice in the Sixth. Bernstein's quick-march approach sounds like parody.
7 Bernstein. Nobody has produced a better Seventh and probably never will. T's version is very good though and I think he out-performs all other competition.
8 This one is the hardest of all to separate, but in the end I opt for Bernstein as his version as the feel of a live performance and the recording is almost as good as T's digital one.
9 Bernstein. Again my favourite version. T's weakest link of his whole set.
So Bernstein scores more points, but take into account the generally better sound of the Tennstedt set (especially in nos. 3,5,6) and things are evened up slightly. My advice overall? Go for both sets; at the asking prices you will have a superb Mahler Symphonies collection which will last you a lifetime. But don't forget those other versions of 4, 5 and 6. A point about sound quality: most of the above are analogue recordings, made many years ago, but across the board they are in almost every way superior to most modern digital ones (though to be fair one or two are not so great). I have a very good stereo system which reproduces very neutral sound; what goes in at the CD player end comes out unchanged at the loudspeaker end and so what I hear is the 'real thing'. For example Bernstein's 2 is stunning. One of the very best is the oldest of them all - Schwarz's Fifth, made in 1958. Maybe the art of recording has been replaced by science (and not for the better)? In the final analysis, to my mind the above versions render most of the rest of the Mahler symphonies discography redundant and surplus to requirements.

Comparing the two Bernstein Mahler cycles.......2006-06-27

Most buyers aren't in the market for a complete Mahler cycle by a single conductor, but if they were, the two from Bernstein contain many great performances. I've reviewed the contents of this Sixties cycle on Sony and the later one from the Eighties (contianing many live performances) on DG, taking them one symphony at a time. But it's worthwhile to give a sense of the strongest and weakest parts of each set.

Cycle #1:

By general consensus the performance of Sym. #3 is one of the glories of this cycle and perhaps the most inspired Mahler condcuting Bernstein did on disc. It has all the freshness of discovery--LB was new to Mahler in 1961. Sony's 20-bit remastering makes the original analog sound quite good. In fact, there's no need to fear the sound quality of these NY Phil. recordings, none of which are bad. Expect the deep sound stage and wide stereo separation that Columbia Records favored at the time.

Bernstein also put his stamp on Sym. #7 in such a way that no one would ever hear it the same again. Previously, 'The Song of the Night,' as this work was dubbed, had almost no life either on disc or the concert stage (a Mahler champion as prominent as Bruno Walter never performed it). Not only did LB prove that this was coherent music, he made an unforgettable drama out of the Seventh. This is his signature recording of the work.

Two other great performances stand out: Sym. #2 and #4, each rendered with amazing imagination and a huge range of emotions. The accusation that LB went over the top in the Second is unjustified--he is often tender and delicate--but there's no doubt that he takes an apocalyptic view of the finale. Whatever you think about his approach, he single-handedly revolutionized the way that the Resurrection Sym. was played. In Sym. #4 the classic recording was by Bruno Walter, but LB added more depth, imaginaiton, and excitement. Lyric soprano Reri Grist has come in for a good deal of criticism in the vocal finale, but I think she fits beautifully into LB's overall conception.

In the middle of the pack, as it were, we get LB's readings of Sym. #1 and #9. He went on to conduct greater readings of both works, especially the Ninth. In person LB's First was a real showpiece, but somehow Sony's sonics are not up to the conductor's vision. In the cse of the Ninth, the NY version would qualify as an outstanding performance if there weren't so many truly great ones from Karajan, Bruno Walter, James Levine, and Barbirolli, among others. Bernstein himself would add two of the greatest, both on DG.

I find a few problems wiht Sym. #5, #6, and #8 in the first cycle. For many critics all three are great recordings. For some reason, I have never warmed up to either of LB's versions of Sym. #5, where for once he does manipulate and exaggerate to the point that the spirit of the work seems lost in histrionics. Sym. #6 is too brisk in the first movement to let the music expand to its visionary potential, and in the other movements Bernstein seems less expressive than he could be. The Eighth is unmathced in the excitement and joyousness of Part 1, and for some listeners the whole symphony remains on that exalted level. I find that LB is too studied in Part 2, and my attention wasn't held. He does elicit very beautiful singing and playing, however. It should be noted that this performance is with the London Sym. and a host of fine English singers.

To the end of his life Bernstein resisted Deryck Cooke's completion of the Tenth Sym., agreeing to conduct only the shattering Adagio. which Mahler had essentially finished in full score. Bernstein's reading with the NY Phil. is one of the most searing accounts this magnificent fragment has ever received, equaled by his later live reading with the incomparable Vienna Phil.

Cycle #2:

It should be said right off that DG's digital sonics are in a different league from what LB got in New York. Even though several venues were involved (Vienna, Amsterdam, New York), and many recordings were under live concert conditions, the DG engineers triumphed. They favor closer mike posiitons, solo highlighting, and a vivid sound stage compared to their predecessors in New York. As to the interprettions, with a few exceptions--the most prominent being Sym. #6--Bernstein did not drastically change his views from the first cycle, and in some cases the readings feel almost identical (Sym. #2 and #7, for example).

The most interest centers on the works where LB clearly outdoes his younger self. At the top of the list I would put Sym. #6 and #9. In the former he achieved one of the classic Mahler reacordings of the modern era. His Sixth has slowed down by 2 min. in the first movement, giving the music room to expand properly. The Andante is heartbreaking and heartwarming at the same time. The finale is an explosion of genius on Mahler's part that LB resonates with perfectly. Almost the same can be said of the Ninth, where the conducting reaches deeply moving areas of expression. The finale is drastically slow (as is Levine's, to similar devastating effect), which some critics find excessive. But it's a truism that no tempo is right or wrong; everything depends upon being drawn into the world of the music. LB achieved a great Ninth but would surpass himself with a live performance from Berlin in 1979, also on DG.

Almost as great is Sym. #1, which on DG receives a flawless performance packed with excitement. I'm not sure that LB's reading actually changed, but the superlative sonics and the spine-tingling playing of the Concertgebiuw weren't matched in New York.

The next thing to ask is where Bernstein fell short of his earlier versions. The Sym. #2, #3, and #4 from New York were one of a kind, representing LB's early and most exciting explorations of Mahler's world. Their counterparts on DG are also strong, but I don't think they rise to the heights he achieved earlier. The only sharp criticism I have is with the use of a boy soprano in the finale of the Fourth; musical as he is, a boy is too undeveloped to capture what Mahler intended. It should be said, however, that if the earlier NY versions didn't exist, these would be outstanding performances.

I feel much the same about Sym. #7, where LB's first recording set a standard that only two or three rivals have come close to, but his DG remake, which was a return to the NY Phil. in oncert from Lincoln Center(as are Sym. #2 and #3), feels fractionally less overwhelming. It's in better sound, however. The one symphony I can't compare is the Fifth, which doesn't satisfy me in either cycle. The DG version with the Vienna Phil. convinces many listeners, and some critics call in unsurpassable, but I am not on its wavelength.

That leaves Sym. #8, which Bernstein didn't live to record for commercial release. DG reached into its vaults for a live 1975 radio tape from Vienna, and although it has flaws in execution, including some rough singing in Part 2, LB's conducting is superlative, more ocmpelling than his version from London. Paired with this symphony is a 1974 reading of the Adagio from Sym. #10, also with the Vienna Phil. As you'd expect, it's an inspired, searing reading, just like the NY version.

How ot sum up? If money were no object, I'd own both cycles for the pleasure of Bernstein's unqiue inspiration. If I had to pick and choose, I'd take Sym. #2, #3, and #4 from New York, Sym. #8 from London, and the rest form the DG cycle.

Mahler complete symphonies........2006-02-24

"Mahler was an altogether great man" -One who also knows a thing or two.

Average customer rating:

So much fun!
BYE BYE BIRDIE
Bye Bye Birdie soundtrack
Love the movie...but the soundtrack?
Bye Bye Birdie was a good Buy Buy

Bye Bye Birdie (1963 Film Soundtrack)

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music
Similar Items:

Bye Bye Birdie
Bye Bye Birdie (1960 Original Broadway Cast)
Bye Bye Birdie: The New Soundtrack Recording (1995 Television Cast)
Bye Bye Birdie
The Music Man (1962 Film Soundtrack)

ASIN: B0000AQRZS
Release Date: 2003-09-09

Tracks:

Bye Bye Birdie - Ann-Margret
Opening Credits - Columbia Studio Orchestra, Johnny Green
Telephone Hour
How Lovely to Be a Woman - Ann-Margret
We Love You Conrad [Film Version][#][*]
Honestly Sincere - Jesse Pearson
Hymn for a Sunday Evening - Ann-Margret, Mary La Roche, Paul Lynde, Bryan Russell
One Boy - Ann-Margret, Janet Leigh, Bobby Rydell
Put On a Happy Face - Janet Leigh, Dick Van Dyke
Kids - Paul Lynde, Bryan Russell, Maureen Stapleton, Dick Van Dyke
One Last Kiss [Gym Rehearsal Outtake][#][*] - Jesse Pearson
Lot of Livin' to Do - Ann-Margret, Jesse Pearson, Bobby Rydell
Sultans' Ballet [Film Version][#][*] - Columbia Studio Orchestra, Johnny Green
One Last Kiss - Jesse Pearson
Rosie - Ann-Margret, Janet Leigh, Bobby Rydell, Dick Van Dyke
Bye Bye Birdie (Reprise) - Ann-Margret, Janet Leigh, Bobby Rydell, Dick Van Dyke

Customer Reviews:

So much fun!.......2007-06-13

This is still such a classic and so much fun!

BYE BYE BIRDIE.......2007-03-03

I always enjoyed the film version of "Birdie" as well as the soundtrack and now this reissue includes "The Sultans Ballet" where Janet Leigh bites off more than she can chew when she invites a group of Sultans(Shriners) to dance. There are a couple of minor inclusions including "We Love You Conrad" and the rehearsal of "One Last Kiss" My only question is why didnt they use the complete version of "A Lot of Livin To Do" Even with the additional tracks the CD clocks in at 46 minutes so space wasn't a problem. It's quite understandable why the Russian Ballet was not included since it would be out of place on an otherwise perky and bright score.

While "Bye Bye Birdie" may not be one of the best scores it is zesty and cheerful to listen to on a gloomy day and as one of the numbers suggests it helps you to "Put On A Happy Face"

Bye Bye Birdie soundtrack.......2006-07-01

The product itself is excellent, but: 1) it took about three weeks to arrive; and 2) we didn't realize the film cut out and added so music. What we needed was a soundtrack for the stage production.

Love the movie...but the soundtrack?.......2006-05-04

I am a huge fan of the movie and the soundtrack is also amazing...the only thing I'm uspet about is that "One Last Kiss" on the cd is TOTALLY different!

Bye Bye Birdie was a good Buy Buy.......2005-08-02

Solid cast recording brings back the light-hearted msuicals of the 50s and 60s. Used as the primer for an upcoming stage version of the show, we listened frequently, and haven't tired yet.

Average customer rating:

Today Will Be The Start Of Better Days...
more cheerful
Actual title should be "The Day That Harris & Lewis Got The Flu"
Feel so Right
one of janet's best cds

All for You [Extra Track]
Janet Jackson
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

Contemporary R&B | R&B | Styles | Music

General | R&B | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

General | Adult Contemporary | Pop | Styles | Music
Similar Items:

The Velvet Rope
Damita Jo
janet.
Rhythm Nation 1814
Design of a Decade 1986/1996

ASIN: B00005TRZT
Release Date: 2001-04-24

Tracks:

Intro
You Ain't Right
All For You
2wayforyou (Interlude)
Come On Get Up
When We Oooo
China Love
Love Scene
Would You Mind
Lame (Interlude)
Trust A Try
Clouds (Interlude)
Son Of A Gun
Truth
Theory (Interlude)
Someone To Call My Lover
Feels So Right
Doesn't Really Matter
Better Days
Outro
Son Of A Gun (P. Diddy remix featuring Missy Elliott and P. Diddy)

Amazon.com's Best of 2001

Unlike those other members of her family, Janet Jackson's albums are still worth waiting for. The best parts of All for You, her first disc since 1997's The Velvet Rope, continue to display the first-class pop-R&B talent who broke through decisively in the mid-'80s with "What Have You Done for Me Lately" and "Nasty." Jackson's longtime cohorts Jimmy Jam and Terry Lewis are of course on board, and the production-writing trio demonstrates its mastery of everything from dirty funk ("You Ain't Right") to peppy, radio-perfect ("

1. Morning
2. That's the Way Love Goes
3. You Know...
4. You Want This
5. Be a Good Boy...
6. If
7. Back
8. This Time
9. Go on Miss Janet
10. Throb
11. What'll I Do
12. Lounge
13. Funky Big Band
14. Racism
15. New Agenda
16. Love, Pt. 2
17. Because of Love
18. Wind
19. Again
20. Another Lover
See all 27 tracks on this disc