King & Queen

Track Listings
1. Knock on Wood
2. Let Me Be Good to You
3. Tramp
4. Tell It Like It Is
5. When Something Is Wrong With My Baby
6. Lovey Dovey
7. New Year's Resolution
8. It Takes Two
9. Are You Lonely for Me, Baby?
10. Bring It on Home to Me
11. Ooh Carla, Ooh Otis

King & Queen,Otis Redding & Carla Thomas,Atlantic / Wea,Deep Soul,Memphis Soul,Pop,R&B,Soul,Soul/Reggae/Rhythm & Blues,Southern Soul

King & Queen

King & Queen
How To Save A Life
Average customer rating: 4 out of 5 stars
  • Good Pop
  • Album starts off well then fades...
  • Over and over again
  • very listenable tracks
  • excellent album
 How To Save A Life
The Fray
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. Eyes Open
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ASIN: B000AA301G
Release Date: 2005-09-13

Tracks:

  1. She Is
  2. Over My Head (Cable Car)
  3. How To Save a Life
  4. All At Once
  5. Fall Away
  6. Heaven Forbid
  7. Look After You
  8. Hundred
  9. Vienna
  10. Dead Wrong
  11. Little House
  12. Trust Me

Amazon.com

On their full-length debut, Denver quartet the Fray don't exactly reinvent the wheel, but those looking for melodic, mid-tempo pop could do far worse. That said, the 12 songs on Top 40 hit How To Save a Life are barely distinguishable from each other. If you like one, you'll probably like the rest (and you'll be in the company of thousands of other listeners.) If you don't like one, it's unlikely the others will change your mind. Formed in 2002 and signed by Epic in 2004, the band consists of Isaac Slade (vocals, piano), Joe King (guitar, vocals), Ben Wysocki (drums), and Dave Welsh (guitar). Since their formation, the Fray have elicited comparisons to British groups like Coldplay and Keane, and American ones like Counting Crows and the Wallflowers. They've also toured with Weezer and Ben Folds and had songs--like first single "Over My Head (Cable Car)"--featured on such popular programs as Grey's Anatomy. Though they incorporate guitar, unlike Keane, Slade's expert piano playing is prominent on every track. To his credit, he can also hit the high notes just as gracefully as Coldplay's Chris Martin, but therein lies the rub: As with the band as a whole, Slade hasn't quite found his own voice yet. How To Save a Life is polished and professional, bland and inoffensive. It goes down easy, but evaporates into the ether just as quickly. --Kathleen C. Fennessy

Customer Reviews:

3 out of 5 stars Good Pop.......2007-07-20

Not bad, 3 stars only. Songs all kind of sound the same after a few plays!

4 out of 5 stars Album starts off well then fades..........2007-07-19

By now, most people who listen to alternative rock have heard of these guys. If you are reading this, then you want to know "Do I really want this album?". I think if you like the genre of music a lot (like Coldplay, Blue October, Keane), the go ahead and give this album a try. If you just like one of their songs, consider downloading that song and a couple more (chose from tracks 1 - 6 for more upbeat melodies and after for slower ones). The album tended to grow on me but is still not one I listen too all that often because of many of the songs sounding very similar.

2 out of 5 stars Over and over again.......2007-06-16

I heard "Over MY Head" on a TV cable series, found it catchy, and wanted to find out who recorded it. After an eventful personal odyssey, I finally discovered this. Unfortunately my journey was a wasted effort. HOW TO SAVE A LIFE, the debut album for this piano-based-sounding group (from Denver-if that has any significance), is pleasant enough, that is, on first listening, but it is clearly superficial and soon becomes redundant. The enticing single "Over My Head" does have an entertaining chorus and a memorable refrain that makes nice use of the cable car metaphor. The majority of the other compositions on this album, however, sound as if they were manufactured by a cookie cutter song machine. Indeed, I don't think I recall ever hearing selections that were so much alike: they use a very (VERY) similar musical structure, are almost identical in studio production, and follow the same form- opening with an understated verse which then moves speedily to a chorus (that sounds like the chorus of the previous song) and repeats ala loop to make the statement. A slight exception might be the title track "How To Save A Life" (apparently among those heard on Grey's Anatomy) with its delicate piano intro and tender ballad-like message or "She Is" which demonstrates a bit of a driving rhythm. But even those do not stray too far away from the mold. They both, for example, still employ the same repetitious chorus device (in fact, when I was listening to "How to Save A Life" I thought it was "Over My Head."). The rest aren't even worth comment other than to say they are undistinguished. At best, they are derivative in content (borrowing from other vanilla-type ensembles) which nonetheless still does not excuse their own absence of variety. Likewise, the lead singer's voice, reminiscent perhaps of David Gray's, fits the tone of "Over My Head," but by the time you hear its whining character on two or three of the other tracks [incidentally- NOT like David Gray], you may want to be rescued from the experience. The continued exposure will either annoy you or put you to sleep.
To the point, this first album for The FRAY indicates that the group understands the concept of formula far too well. They should appreciate, however, that comfortable and familiar often leads very quickly to boring. With that in mind, most, if not all, of this can be thrown in the waste bin unless you are looking for sounds that will induce deep slumber. To be honest, its most salient feature is monotony. It is unobtrusively bland and shallow, with little evidence of either creative or original effort.

4 out of 5 stars very listenable tracks.......2007-06-04

I spend most of my time in Europe, so I don't get too much exposure to up and coming bands. By chance on a recent trip home I heard The Fray on one of the 'Top 40' programs. I liked what I heard, sampled a few tracks online, and bought the music. While I might agree with the numerous reviews that say many of the Fray's songs sound similar, I still enjoy them. I recommend giving a listen to the Fray and look forward to seeing what comes next from them.

5 out of 5 stars excellent album.......2007-05-26

This album is a great album. Each song is really good. Very mellow.
Tapestry
Average customer rating: 5 out of 5 stars
  • Carole King's Timeless Messages
  • Simple, Complex, and Brilliant
  • Ages well, like fine wine.
  • love this amazing cd
  • Classics get to be classics........................
 Tapestry
Carole King
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000J2PH
Release Date: 1999-05-25

Tracks:

  1. I Feel The Earth Move
  2. So Far Away
  3. It's Too Late
  4. Home Again
  5. Beautiful
  6. Way Over Yonder
  7. You've Got A Friend
  8. Where You Lead
  9. Will You Love Me Tomorrow?
  10. Smackwater Jack
  11. Tapestry
  12. (You Make Me Feel Like) A Natural Woman
  13. Out In The Cold - (bonus track, previously unreleased)
  14. Smackwater Jack - (bonus track, previously unreleased, live)

Amazon.com essential recording

Carole King was famous as a writer of girl-group hits in the '60s. In 1971, she became more famous. That's the year Tapestry became one of the biggest-selling LPs of all time. It's easy to hear why--the music is loose, earthy, L.A. session-pop. King is casual, intimate, and tough; she covers all the emotional ground of the post-liberated woman with ease. She brings adult nuance to "Will You Still Love Me Tomorrow?" and comes up with hits ("It's Too Late," "I Feel the Earth Move") whose white-soul realism and maturity put pop hits to shame. --Steve Tignor --This text refers to an out of print or unavailable edition of this title.

Customer Reviews:

5 out of 5 stars Carole King's Timeless Messages.......2007-07-28

Carol King's album, Tapestry, is a spiritual journey through time. I used the song, You've Got a Friend, to devote to my husband during our wedding and it has always been my favorite song. It really tells the truth about life and how love from someone can get us through the difficulties of life. If You Lead I Will Follow, is a personal song from me to someone I love very much as is, I Feel the Earth Move Under My Feet. The lyrics are timeless and classic. James Taylor totally agrees with me!!!

5 out of 5 stars Simple, Complex, and Brilliant.......2007-07-26

Carole King is more than just the voice of a generation. She is a voice in the wilderness of modern music. She does not draw attention to herself, but attention to every single person who listens to the albulm. This is a personal album in so many ways. Carole King does not have the attitude that most of the artists of her generation have and that is why this collection of songs will be around for many many more years.

5 out of 5 stars Ages well, like fine wine........2007-07-20

What can I say about this album that isn't already well known. Simply flawless.

5 out of 5 stars love this amazing cd.......2007-07-03

Find Me: How Psychic Detectives from Around the World Have Banded Together to Find Missing People Co-author of Find Me

I grew up listening to Carole, and still love her to this day! Thank you Mom for the introduction:) She is inspiring and uplifting to all:)


5 out of 5 stars Classics get to be classics...............................2007-06-11

........for a reason. This is generally considered to be one of the very greatest albums ever. It is. Carole King wrote and sang the songs of my generation. She and Carly Simon made the music that pretty much defines the baby-boomer years. There is little point in discussing individual songs...we've all felt the earth move, followed her lead, and been glad that she sings of being our friend. If ever a girl was a natural woman...she is, indeed, a beautiful tapestry.

The sound and the songs remain fresh and new, and the pure joy as great as ever. There are very few albums that everybody really ought to have....this one heads the list.
The Lion King (1997 Original Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • Music from The Lion King (original Broadway cast)
  • Choose this one over the movie soundtrack...
  • Best musical soundtrack ever!!!
  • We love the Lion King
  • Great Soundtrack for a Great Musical
 The Lion King (1997 Original Broadway Cast)
Elton John , Tim Rice , Heather Headley , and Mark Mancina
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001M1B
Release Date: 1997-11-14

Tracks:

  1. Circle Of Life
  2. Grasslands Chant
  3. The Morning Report
  4. The Lioness Hunt
  5. I Just Can't Wait To Be King
  6. Chow Down
  7. They Live In You
  8. Be Prepared
  9. The Stampede
  10. Rafiki Mourns
  11. Hakuna Matata
  12. One By One
  13. The Madness Of King Scar
  14. Shadow Land
  15. The Lion Sleeps Tonight
  16. Endless Night
  17. Can You Feel The Love Tonight
  18. He Lives In You (Reprise)
  19. Simba Confronts Scar
  20. King Of Pride Rock/Circle Of Life

Amazon.com

An Oscar win might suggest a score that would need a miracle to be bettered--but this colorful stage adaptation of Disney's The Lion King does so with flair. Composers Mark Mancina and Lebo M worked closely together to fuse the movie's many disparate elements. Where there was a veritable army exercising creative influences for the animated tale, this brings it all under the wings of a like-minded few. This is genuinely apparent as one track flows into the next. The African rhythms--both vocal and in instrumentation--come across as authentic and original all at once. No doubt this is largely through Mancina's passion for peculiar instruments and the possibilities suggested from nightly live performances. "Grasslands Chant" is a good place to hear this. The hit favorites are here of course, but both "Circle of Life" and "Can You Feel the Love Tonight" are pleasingly unrecognizable with chorus and shifting beats. Better still is the likelihood they will now be eclipsed by some of the new numbers. Mancina's own "He Lives in You" being a strong contender. With a sound mix as crisp as you'd hope to find, this is rousing stuff. --Paul Tonks

Customer Reviews:

5 out of 5 stars Music from The Lion King (original Broadway cast).......2007-07-30

I love the cd of the music from The Lion King; it brings back visions of the play. Excellent!

4 out of 5 stars Choose this one over the movie soundtrack..........2007-06-28

I bought this cd after seeing the show on broadway. If you like the African-influenced music present in the movie version of the Lion King, all of the original is present here as well as some really good new stuff. My favorite of the new songs is "Shadowland", which really just takes some recognizable background music from the movie and adds lyrics to it. other standouts include "He Lives in You", which you may have heard if you saw The Lion King 1 1/2, and the song Simba sings after his father has died.

I took off one star because I am not a fan of the singer portraying Scar in this recording, and I don't like most of his songs or those the hyenas sing. But the excellence of everthing else makes up for it.

5 out of 5 stars Best musical soundtrack ever!!!.......2007-05-19

Awesome music!!! My kids love it, I love it! Everyone loves it!! I could listen to it over and over and not get sick of it!!!!

5 out of 5 stars We love the Lion King.......2007-05-17

We had just gone to NY in March 07 and saw the play live. The CD is just as beautiful and the music brings tears to my eyes. My five year old knows all the words. We play it on the way to school and back everyday. He particularly likes "I just can't wait to be King".

5 out of 5 stars Great Soundtrack for a Great Musical.......2007-05-13

This soundtrack is just as breathtaking as watching the musical and brings back all of the memories of NYC! This is the original cast recording, so if you've seen the production recently, most of the actors aren't the same; just keep that in mind.
King of the Mountains
Average customer rating: 4.5 out of 5 stars
  • Funny, funny, funny
  • Another Good Collection
  • Absolutely hilarious!!!
  • Funniest Man In Comedy!
  • Rodney almost does it again.
 King of the Mountains
Rodney Carrington
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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ASIN: B000NJXCAI
Release Date: 2007-04-03

Tracks:

  1. Intro
  2. Tee Off
  3. Massage
  4. TV Show
  5. Shopping On Rodeo Street
  6. Real Fancy Place
  7. Give It A Try
  8. Zoo
  9. Yoga Class
  10. Boxing
  11. Christmas With The Kids
  12. Home Movie
  13. Short Arms
  14. Wheel Of Fortune
  15. Travel Pillow
  16. The Apple
  17. Fun
  18. Changes
  19. Baby Back
  20. Fat Girl
  21. Put Your Clothes Back On
  22. Rap Star
  23. Rhymes With Truck
  24. Show Them To Me
  25. Baby Back
  26. Rhymes With Truck
  27. Rap Star
  28. Show Them To Me
  29. Tribute To Barry Martin
  30. Angel Friend

Customer Reviews:

5 out of 5 stars Funny, funny, funny.......2007-06-27

If you love comedy you need this CD. Rodney Carrington is one of the funniest comedians today. I also purchased his DVD "Rodney Carrington: Live at the Majestic". This DVD is his "King of the Mountain" album but the fact that you actually see him acting out the show makes it that much funnier. My favorite part is the "Chicken Song". If you get the DVD (which I highly recommend) it will keep you laughing long after you see it. Trust me you will want to watch it over and over again......... I know I did.

4 out of 5 stars Another Good Collection.......2007-06-19

This is another entertaining collection of countrified humor from a man who mostly has one thing on his mind; that is the thing that most men have on their minds. He is self deprecating and usually funny. That's enough for me.

Rodney is also known for his songs. These are usually scattered throughout his albums but in this one, they are all concentrated at the end. First come the live performances and then there are some repeats using studio recordings.

Its not a bad collection

4 out of 5 stars Absolutely hilarious!!! .......2007-06-11

This is one of the funniest CD's and/or albums I have ever listened to. I heard these live on tour but, I still laugh like crazy. Also, Angel Friend is a very touching tribute to his good friend and fellow comedian Barry Martin. The song actually brought me through a very bad time and gave me hope when I lost my best friend.

5 out of 5 stars Funniest Man In Comedy!.......2007-06-05

I've watched this dvd 5 times already and could watch it 10 more...you will laugh the whole time its on!

4 out of 5 stars Rodney almost does it again........2007-05-21

This was really funny, but I don't think it was quite as funny as his earlier stuff.
In the Court of the Crimson King
Average customer rating: 4.5 out of 5 stars
  • "I've Been Here And I've Been There/ And I've Been In Between"
  • Whimsical Progresive Rock
  • Back in the day
  • Sophisticated progressive rock!
  • Let me join in the chorus of praise for this album, one of the greatest prog rock albums ever....
 In the Court of the Crimson King
King Crimson
Manufacturer: Discipline Us
ProductGroup: Music
Binding: Audio CD

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ASIN: B00065MDRW
Release Date: 2004-11-22

Tracks:

  1. 21st Century Schizoid Man (Including Mirrors)
  2. I Talk To The Wind
  3. Epitaph (Including March For No Reason/Tomorrow And Tomorrow)
  4. Moonchild (Including The Dream/The Illusion)
  5. The Court Of The Crimson Song (Including The Return Of The Fire Witch/The Dance Of The Puppets)

Customer Reviews:

4 out of 5 stars "I've Been Here And I've Been There/ And I've Been In Between".......2007-07-20

One can only imagine what it was like to hear King Crimson's debut album back in 1969 (unless you're at least 38 years old, I guess. Okay, I probably I could have picked a better sentence to start this review. Moving on...). In the Court of the Crimson King was a bold, dramatic statement, an uncomprimising record that seamlessly combined hard rock (in the 60s sense of the word. Think Blue Cheer and Cream) with psychedelia and elements of jazz and high-minded poetic grandeur. The eye-popping cover art and suite-style song structures sealed the deal, and a new style of music was born: Progressive rock. Indeed, just about every act that has ever been labled "prog," from Pink Floyd to Yes to Jethro Tull and onward through the likes of Radiohead and the Mars Volta can trace the basis of their sound back to the 'Crim's first record. Robert Fripp's slashing guitar chords and nimble melodies bridged the gap between hevy metal and art rock (before either style was really a full-fledged genre, Black Sabbath and the Velvets notwithstanding), while multi-instrumentalist Ian McDonald gave the music a jazzy, textured complexity, weather he was playing the flute, the vibes, or the mellotron, and Greg Lake's vocals were quintessential prog: Technically acomplished, dramatic, and high-minded. Michael Giles' drumming picked up where Fripp's guitar left off, spanning the (not all that wide) space between rock and jazz. Topping the whole shebang off were Peter Sinfield's lyrics, which were abstract and poetic in the extreme, a set of textures and images rather than coherent statements.

But you probably want to know if the music's good. Well, here's the deal: No matter how good a progressive rock band is (and believe me, King Crimson were very, very good), they (pretty much) inevitably succumb to a few pitfalls. The most common is pretention. On this particular record, the most obvious victim of that malady is "Epitaph." The song's eight minutes don't produce a single memorable melody, and Sinfield's lyrics are obtuse in the extreme. They amble through a series of references to men being "torn apart/ with nightmares and with dreames" and "the iron gates of fate" without producing a single good line. It doesn't help that Lake seems to think he's singing scripture, stuffing each sylable with forced drama and unreasonably present passion. The song does have a sort of lumbering majesty (created, pretty much, by sheer force of will), but it's far from a classic. And its typically bloated length insures that it'll overstay its welcome. And then there's the notorious "Moonchild," which features a ten-minute instrumental "freak-out" section, the only truly interesting aspect of which is its odd quietness. Otherwise, it's every bit as overblown and indulgent as the very worst of 60s sound "experiments."

Otheer than that, though, this is a really great listen. My personal favorite track is the achingly beautiful "I Talk To The Wind," a haunting dreamscape with some of Sinfield's most poignant lyrics. The chorus shows off the subtleties of Lake's considerable voice, as he twists his vocal chords over and around the words, enunciating them with an uncanny grace and power. Good stuff. In a similar vein, the first two minutes or so of "Moonchild" (pre freak-out) are a gorgeous accoustic rumination, full of imagery and joyous sound. Of course, there's also the eternal "21st Century Schizoid Man," which foreshadows Rush, only without the nerdiness. Fripp's brutal, slashing bar chords fuse with McDonald's white-hot trumpet and Giles' thundering drums to form the ideal bed for one of Lake's most uncharacteristic and awesome vocal performances ever. He spits pure venom, snarling the lyrics (a rush of fiery, apocalyptic imagery) with menace and boundless energy. The song then breaks off into an awesome intrumental section, which sees Fripp and McDonald spitting melodies at eachother. It's a lava-spewing jam that dazzles the listener with its polymelodic ferocity, its shape shifting intensity. Crank it up, dude. And then there's the title track, which closes the proceedings with a burst of endearing bombasm (that is almost certainly not a word, but I can't think of a noun form of "bombastic") and shape-shifting insanity.

So, the end result is one of the coolest debuts of the sixties, a fantastic rock album, an introduction to some really gifted musicians, and the Rosetta Stone of prog. Neat!

5 out of 5 stars Whimsical Progresive Rock.......2007-07-17

The debut album of King Crimson is one of their finest (though not their best; see Red if you want their top recording). This is the only Crimson album that features Greg Lake (of Emerson, Lake, and Palmer fame) on lead vocals. Although there are only five tracks, each one is rather lengthy and showcases the hallmarks of progressive rock as a whole.

My favorite two tracks are 21st Century Schizoid Man and The Court of the Crimson King, the first and last tracks respectively. Both are epic progressive songs, and are essential for any progressive rock fan; well worth the price of admission for this album.

5 out of 5 stars Back in the day.......2007-06-28

I had a fairly adequate stereo which was centered on a Thorens transcription turntable with an excellent stylus. It always cheered me up to hear this album played at moderate to somewhat loud volume levels. I won't get into the progressive rock chicken and egg debate, for I also appreciate many of the other groups mentioned but KC has a very special place in my hierarchy of rock bands. They made several other good recordings, again duly noted in several reviews but I always have liked this one the best.

For those who have not heard this I would suggest attempting to hear part of it at least prior to buying as I realize this particular genre of rock can be considered an acquired taste.

5 out of 5 stars Sophisticated progressive rock!.......2007-06-24

I knew this album of course before buying it, but it really amazes you when you listen to the whole thing song by song in your home stereo.

5 out of 5 stars Let me join in the chorus of praise for this album, one of the greatest prog rock albums ever...........2007-06-12

This is arguably one of the greatest debuts in rock history (alongside The Velvet Underground and Nico). It is an almost perfect album, a feat that doesn't happen very often. Every song is so beautifully written, crafted, sequenced, and performed by some of the greatest musicians the rock world has ever heard or seen. The starter, 21st Century Schizoid Man, is amazingly intricate. It's one of the best songs from Crimson's library, and the middle section is blistering in its intensity. The quieter songs (just about the rest of the album) are so mellow, moving, and haunting, with lyrics (courtesy of prog rock's greatest lyricist, Pete Sinfield) that still hold up today. There are only 5 songs on the album (all running epic length), but they're pretty much perfect. The only one that gives me a slight problem is Moonchild. The last 10 minutes of the song (after a beautiful introduction) are kind of aimless. But then, maybe a few more listens, and the song will finally kick in. This is one of my favorite albums ever.
In the Palace of the King
Average customer rating: 4 out of 5 stars
  • Stuck in a time warp...
  • Freddie must be very proud.
  • Disappointed
  • In the Palace of the King
  • Nice tribute
 In the Palace of the King
John Mayall and the Bluesbreakers
Manufacturer: Eagle Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Blues | Styles | Music
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ASIN: B000O590CU
Release Date: 2007-04-17

Tracks:

  1. You Know That You Love Me
  2. Goin' Down
  3. Some Other Day, Some Other Time
  4. Palace Of The King
  5. I'd Rather Be Blind
  6. Time To Go
  7. Big Legged Woman
  8. Now I Got A Woman
  9. I Love You More Every Day
  10. Help Me Through The Day
  11. Cannonball Shuffle
  12. You've Got Me Licked
  13. King Of The Kings
  14. Living On The Highway

Amazon.com

The 56th album by the 73-year-old godfather of British blues is a tribute to one of his major influences, the late Texas-born guitarist Freddie King. It's also a nod to current Bluesbreakers picker Buddy Whittington, an underrated pyrotechnician who follows a long line of distinguished six-string Mayall sidemen that includes Eric Clapton, Peter Green, Mick Taylor, Coco Montoya, and Walter Trout. Whittington measures up, recreating the terse energy of King's biting, blunt phrasing on the legend's classic "Going Down" and the swinging "You Know That You Love Me." And he puts his own grinding, slashing brand on the riff 'n' rip guitar of "The Palace of the King," a biographical tune Don Nix, Leon Russell, and Duck Dunn wrote for King. Guest guitarist Robben Ford lends his own instrumental King homage, "Cannonball Shuffle," but it's Mayall's piano-led "King of the Kings" that's most touching. Singing in his arcing, high voice, slightly thinned by age, Mayall explains how King influenced him and his Bluesbreakers, showing Clapton, Green, and Taylor "all the licks to play," and concludes that he's "Got the blues for Mr. Freddie/Sorry that you had to go." --Ted Drozdowski

Album Description

John Mayall, the "Godfather of British Blues", returns with the Bluesbreakers for his latest studio album "In The Palace Of The King". This new album is John's tribute to one of his blues heroes, the late, great Freddie King. King was a blues guitar pioneer from the mid-50's through to his tragically early death in the mid-70's and he influenced everyone from Peter Green to DaveEdmunds to Stevie Ray Vaughan and probably most of all Eric Clapton, who produced and played on King's final album. "In The Palace Of The King" features John Mayall's take on his personal selection of Freddie King favorites and is a fabulous combination of two true blues legends.

Customer Reviews:

2 out of 5 stars Stuck in a time warp..........2007-07-25

This CD is reminiscent of the John Mayall recordings from the 60's and 70's...in fact it sounds like the same recordings remixed. The best song on here is Big Legged Woman, and it is only OK with further listenings. The rest sounds like it is 40 years old, and not in a good way.

5 out of 5 stars Freddie must be very proud........2007-07-17

The Texas Cannonball has been gone for 30 years. With John Mayall's latest release, the double fisted Blues frieght train that was Freddie King is back on track. Bravo John.

2 out of 5 stars Disappointed.......2007-07-02

Superb Musicianship, tight arrangements, so what's wrong?

If you're new to the work of the great Freddie King, consider
investing a few bucks in the real deal. Most of Freddie
King's best work is still in print, e.g., "Getting Ready" or "Texas
Cannonball". His soaring vocals and wicked guitar phrasing are
like comparing a fine whiskey to this...I don't know...lemonade?

I found the tracks with Mayall singing (most of them), immediately
annoying. His straining, thin and unconvincing vocals pretty much
derail most of the material, which is too bad considering this is
a lineup of musicians with talent to burn. The "jump the shark"
moment - Mayall doing the line about not being able to "get a chitlin'
pizza at any price I pay...". I've never been a big Mayall fan as his
elephant sized ego always seems to intrude into his material and often
push it into the realm of precious and pretentious.

This is a John Mayall CD that happens to cover Freddie King material.
If you're a Mayall fan you'll probably like it.

5 out of 5 stars In the Palace of the King.......2007-06-27

Another great album from the British Father of the Blues. Albert King is one of my favorite performers, and Mayall does him justice. I've yet to find a Mayall album I didn't like, although some weren't as strong as others, this is a very good listen.

5 out of 5 stars Nice tribute.......2007-06-27

Great songs done by an all time blues superstar in memory of a "king". I especially like the Buddy W. vocals on Big Legged Woman.

Well done ! John
RIP Freddie
The Very Best of Beverly Sills
Average customer rating: 5 out of 5 stars
  • Here's what the fuss was all about!
  • Beverly Sills - The Best
  • Beverly Sills' highs are breathtaking!
  • THE 2005 OPERA CD OF THE YEAR
  • EMI Does It Again: Beverly Sills - A Tribute
 The Very Best of Beverly Sills

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Great Recordings
  2. Beverly Sills: Made in America
  3. Art of Beverly
  4. Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)
  5. Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato

ASIN: B0006VYELE
Release Date: 2005-04-26

Tracks:

  1. Una Voce Poco Fa - Sherrill Milnes
  2. Dunque Io Son - Sherrill Milnes
  3. Contro Un Cor - Sherrill Milnes
  4. Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
  5. E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
  6. Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
  7. Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
  8. V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
  9. Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
  10. Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
  11. Via, Caro Sposino - Ambrosian Opera Chorus
  12. Tornami A Dir Che M'ami - Ambrosian Opera Chorus
  13. La Morale In Tutto Questo - Ambrosian Opera Chorus

Tracks:

  1. Vilia - Beverly Sills
  2. Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
  3. Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
  4. Libiamo Ne' Lieti Calici - John Alldis Choir
  5. Un Di Felice, Eterea - John Alldis Choir
  6. E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
  7. Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
  8. Che Fai? - John Alldis Choir
  9. Addio Del Passato - John Alldis Choir
  10. Parigi, O Cara - John Alldis Choir

Amazon.com

Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

5 out of 5 stars Here's what the fuss was all about!.......2007-07-17

It would have been even better if they had included at least one Cleopatra aria and something from Baby Doe, but it doesn't really matter, because this collection will allow younger listeners especially to hear what the fuss was all about! There are moments listening to Sills, especially from Traviata or Manon, that are so beautifully sung and so genuine that they are heartbreaking. I feel so fortunate to have heard her Queen of the Night, Manon, Violetta, and Baby Doe. She was so generous as a performer and as a humanitarian, and she really brought opera into the American mainstream.

5 out of 5 stars Beverly Sills - The Best.......2007-04-01

What a voice. No coloratura can compare, and she makes it seem so easy.

5 out of 5 stars Beverly Sills' highs are breathtaking!.......2006-09-18

Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!

5 out of 5 stars THE 2005 OPERA CD OF THE YEAR.......2006-08-19

THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!

5 out of 5 stars EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22

EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!
Love Songs
Average customer rating: 5 out of 5 stars
  • Relaxing
  • Nat King Cole - Love Songs
  • Remebering my youth
  • Touches The Heart
  • Unforgettable!
 Love Songs
Nat King Cole
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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  1. Greatest Love Songs
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ASIN: B00007LTI5
Release Date: 2003-02-11

Tracks:

  1. When I Fall In Love
  2. Unforgettable
  3. The Very Thought Of You
  4. Too Young
  5. Let's Fall In Love
  6. The More I See You
  7. Stay As Sweet As You Are
  8. Love Is A Many Splendored Thing
  9. You're My Everything
  10. Because You're Mine
  11. Around The World
  12. A Nightingale Sang In Berkeley Square
  13. It's All In The Game
  14. You Made Me Love You
  15. For All We Know
  16. There Goes My Heart
  17. Love Letters
  18. Answer Me
  19. Stardust
  20. Autumn Leaves
  21. These Foolish Things (Remind Me Of You)
  22. You'll Never Know
  23. Let There Be Love
  24. More

Customer Reviews:

4 out of 5 stars Relaxing.......2007-03-08

This is a relaxing CD that i enjoy listening to when i get home from work or have had a stressing day in general. Well worth listening to

5 out of 5 stars Nat King Cole - Love Songs .......2007-03-08

A wonderful relaxing tape that I enjoy listening
to on my drive back and forth between home and work.

5 out of 5 stars Remebering my youth.......2007-01-15

I enjoyed this cd so much. I think because it reminded me of listening to music with my dad in the evenings. Also, the sultry soft voice of Cole sends me to another world!

5 out of 5 stars Touches The Heart.......2007-01-11

Nat King Cole is in a league of his own. No one can match his sound - or his music. He is timeless, and his music is magic. Defintely music to have a glass of good wine with.

5 out of 5 stars Unforgettable!.......2006-12-21

WOW! This CD is a true bargain. There are 24 tracks on the disc, and that might be enough for some people. However, the selection quality of the music is terrific, and that's where the true bargain comes into play.

The first two songs, "When I Fall in Love" and "Unforgettable," set the tone, and the entire CD just melts your aches away!

Nat King Cole is known for his velvety voice, and this CD accentuates it to the maximum potential. This CD is the perfect background music for a romantic dinner or just a relaxing visit in your living room!
Give Me Your Soul...Please
Average customer rating: 4.5 out of 5 stars
  • Good album, but not as good as THE PUPPET MASTER
  • KIng Diamond does it again
  • A Masterpiece
  • More Tales Of Gothic Menace From The King
  • From beyond the grave...
 Give Me Your Soul...Please
King Diamond
Manufacturer: Metal Blade
ProductGroup: Music
Binding: Audio CD

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ASIN: B000QFCD2W
Release Date: 2007-06-26

Tracks:

  1. The Dead
  2. Never Ending Hill
  3. Is Anybody Here?
  4. Black Of Night
  5. Mirror Mirror
  6. The Cellar
  7. Pictures In Red
  8. Give Me Your Soul
  9. The Floating Head
  10. Cold As Ice
  11. Shapes Of Black
  12. The Girl In the Bloody Dress
  13. Moving On

Customer Reviews:

3 out of 5 stars Good album, but not as good as THE PUPPET MASTER.......2007-07-26

I must say it took me about 2 songs to get into this one, but by THE CELLAR, I was hooked. LaRoque shreds on this album similar to the glory days of 87-93, but I hated the fact KD didn't give us the grand falsetto that I feel we all miss.

That being said, it's still a great listen. Second best of KD's this decade with THE PUPPET MASTER way out in front. But you'll love this one as well. Keep rocking KING!

4 out of 5 stars KIng Diamond does it again.......2007-07-24

King Diamond has released another great album "Give Me Your Soul Please" is an excellent follow up to "The Puppet Master". With great riffs and a creepy as HELL storyline, The King has found magic again, let's hope there is more twisted tails to come.

5 out of 5 stars A Masterpiece.......2007-07-20

The King has done it again!

King's command of his voice is more controlled than it has ever been in his career. The story line is as good for conjuring up images in the imagination as ever.
The guitar work is just as inspirational as it was since Fatal Portrait but with a maturity that allows Andy and Mike to hit the sweet spots regularly.
The rhythm section is groovin with Hal putting down some very memorable bass lines.
The production makes me ever so glad these guys are able to have control over their recordings since Puppet Master. You can hear everything. The sound is warm. I would love to hear the album 'Them' re-recorded with Andy's mobile studio.

The true greatness is that all of these points, while they stand on their own, don't just stand by themselves. They mix together in a greater blend that makes this album one that gets replayed again and again, not only through the speakers but in your head as well.

4 out of 5 stars More Tales Of Gothic Menace From The King.......2007-07-08

King Diamond has really created his own distinct style and genre, and in a playing field with no other contenders, he reamains the King indeed. King Diamond albums have been something I look forward to since I was 13 or so, when I first heard "Them". Bizarre, gothic and dark concept albums featuring the phenomenal classic metal guitar work of Andy LaRocque and others and, of course, King Diamond's incomparable caterwauling vocals and sinister storytelling, there is nothing else quite like it.

"Give Me Your Soul Please" is no exception, and an excellent addition to King's canon, his latest tale of the supernatural involves murder, suicide, a ghostly apparition of a little girl in a bloody dress, a black cat, and a floating severed head. So, business as usual. (laughs) I always love the way King assumes the voices of different characters in his stories in an almost theatrical manner, and the eerie music and amazing, intese riffs and solos laid out on this release by Mike Wead and Andy LaRocque are just sick....I had a blast with this disc, but for other King fans it is perhaps a bit weaker than some of his other releases (although it is hard to top the trifecta of "Them", "Conspiracy" and "The Eye", which remain my favorite). For folks who are new to the King, this really isn't a bad place at all to start. Be sure to listen all the way through, preferably in one sitting (the only proper way to listen to a King Diamond album). In a crowded metal scene, this stuff really comes off as being quite original....recommended!

5 out of 5 stars From beyond the grave..........2007-07-07

Another splendid musical horror novel from King Diamond, the little girl in the bloody dress comes through the mirror, uncertain about her state of being... the introductory song "Dead" is laden with mood-setting organ, haunting voices explaining the basics of the disturbing plot, dealing with a little brother and sister who were murdered by their father, but are scheduled for different destinations "after death" - it is up to her to save him from Hell, after being accused by "the powers that be" of suicide. She reveals the true circumstances of their demise - to set the terms "right" so they may 'rest in peace' together, presumably in "Heaven", although 'demons' pine for both their 'souls' in this supernatural adventure / thriller concept album.

The album features the spectral voice of Livia Zita, whom you may recognize from 'The Puppet Master' as well, adding an enchanting compliment to the music as well as storyline. Besides the intricate Metal instrumentation, cellos and the harpsichord are included, adding an eerie feel to the brilliant orchestration.

Of particular note, My personal favorites herein are "Dead" {the 'gothic' horror instrumental}, "Give Me Your Soul" {really displays the talent and skill of the band}, "Shapes of Black" {great beat and harmony; one can actually relate to these occurrences, environment, and denizens}, "Cold As Ice" {the cold temperature in the dark room even in remmus}, "Girl In The Bloody Dress" {the rhythms and correlations of voices}, and "Moving On" {the hypnotically-melancholy quality and voice combinations} .

The aesthetics are predictably wonderfully ornate, of course featuring the band, and one Magic, King's black cat familiar, perceiving the ghost as familiars are said to sense. It was also gratifying to see the band dressed in black robes within, each signalling the Cornu, adding a most evocatively mystical impression. King promises a Hell of a show to accompany this chapter as well, repleat with horror psychodrama.

Overall, 'Give Me Your Soul... Please' is definitely one of King's best.
Riding with the King
Average customer rating: 4.5 out of 5 stars
  • A must have blues album
  • "These are the great ones"
  • RICK SHAQ GOLDSTEIN SAYS: "CLAPTON MAY BE BEHIND THE WHEEL ON THE COVER, BUT HE'S DEFINATELY JUST ALONG FOR THE RIDE WITH BB!"
  • just buy it
  • Riding With the King- Eric Clapton and B.B. King
 Riding with the King
Eric Clapton & B.B. King
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004THAY
Release Date: 2000-06-13

Tracks:

  1. Riding With The King
  2. Ten Long Years
  3. Key To The Highway
  4. Marry You
  5. Three O'Clock Blues
  6. Help The Poor
  7. I Wanna Be
  8. Worried Life Blues
  9. Days Of Old
  10. When My Heart Beats Like A Hammer
  11. Hold On I'm Coming
  12. Come Rain Or Come Shine

Amazon.com

It sounds like the beginning of a story: "So, Slowhand and the King of the Blues were riding in a car ..." If this is a musical journey, it's the kind that rolls down long, empty stretches of country highway at 80 miles an hour, with the top down and the stereo blasting. Clapton and King may be more city than country, but this collection has the relaxed, laid-back feel that only comes from a pair of veterans doing what they do best. What they do here is cover 12 classic blues songs, many of them staples of King's repertoire, so the title of this album makes sense. Whether it's the rollicking rock & roll of the title track, or the acoustic shuffle of "Key to the Highway," or the sweet notes of "When My Heart Beats Like a Hammer," a real sense of pleasure comes through on this album, the kind of pleasure one gets from jamming late at night with a good friend. --Genevieve Williams

Customer Reviews:

4 out of 5 stars A must have blues album.......2007-06-23

Very good blues album, filled with just good tracks. If you like blues,
you can't go wrong with this one. Two great bluesman and great guitar players. Go buy it !

5 out of 5 stars "These are the great ones".......2007-03-02

If you love the Blues you have to have this cd. These 2 guys are the best in the business. They do not compete with each other. They simply make beautiful music as a team. With some new albums I have to play them a few times so they can grow on me. Not this time. I fell in love with it the first time I played it. Claptons band is there with them and that just makes it that much better. The only thing I think I could enjoy more is to see them together on stage. Who knows! Stranger things have happened. Buy this cd and buy it now!!

4 out of 5 stars RICK SHAQ GOLDSTEIN SAYS: "CLAPTON MAY BE BEHIND THE WHEEL ON THE COVER, BUT HE'S DEFINATELY JUST ALONG FOR THE RIDE WITH BB!".......2007-02-06

This is a good solid blues CD, with songs varying from toe tapping to mellow. This pairing of performers, was certainly more beneficial for Clapton, than for King. Even at BB's age, his voice is smoother, than Clapton's. As mentioned earlier, there is a full spectrum of songs, ending with the silky smooth, old classic, "Come Rain Or Come Shine".

4 out of 5 stars just buy it.......2007-01-06

I'm really glad my mom turned me on to bb king when I saw a kid, I owe her.

Just buy the cd, make up your own mind. Yes, it's a polished piece, perhaps overproduced; they have the bucks, the studio and the talent - who can blame them for making the cuts the way THEY wanted?

You and I certainly can't do it and that's why I'm gratfeful BB and EC did do it. It's a shame it's over so quick however.

"Worried Life Blues' worth the price of admission alone.

3 out of 5 stars Riding With the King- Eric Clapton and B.B. King.......2006-12-05

The Album Riding With the King has some really fantastic blues songs but is lacking the elements that would make this album worth buying. The 12 songs are all repetative and dull; they should have put some classic blues songs like "Have You Ever Loved a Woman". You would think two notorious classic blues guitar artists would collaborate to make a better album. Spend the extra money and buy Eric Claptons live album "One More Car, One More Rider", its worth the money.This album definatly didnt meet my expectations. But what do you expect from a guy who refuses to play chords.

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