As One
Track Listings
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1. Tic-A-Nobe
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2. Lady It's True
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3. You Don't Have to Wait for Me
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4. As One (The Wedding Song)
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5. Got Things on My Mind
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6. Lovers Forever (You Promised Me)
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7. Here We Go Again
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8. Break It Down
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9. Just the Two of Us
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As One,R.P.M.,Hot Productions,Dance Music,Disco,Hip-Hop,Pop,Popular Music,Trip-Hop
As One
Average customer rating:
- They were right--there is NO business like the show business they did way back when !!!
- One of the best cds I ever bought.
- Never Sounded Better
- Somewhere Over The Rainbow
- "Hollywood Musicals of the Golden Age are still among us"
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Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD
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ASIN: B000066RO5
Release Date: 2002-06-04 |
Tracks:
- Singin In The Rain - Gene Kelly
- Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
- 'S Wonderful - Gene Kelly & Georges Guetary
- Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
- Stranger In Paradise - Ann Blyth & Vic Damone
- Easter Parade - Judy Garland & Fred Astaire
- Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
- Get Happy - Judy Garland
- Night And Day - Fred Astaire
- True Love - Bing Crosby & Grace Kelly
- Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
- They Cant Take That Away From Me - Fred Astaire
- Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
- Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
- For Me And My Gal - Gene Kelly & Judy Garland
- Puttin On The Ritz - Clark Gable & Co.
- Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
- Bless Yore Beautiful Hide - Howard Keel
- Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
- As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
- Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)
Tracks:
- Over The Rainbow - Judy Garland
- Its A Most Unusual Day - Jane Powell
- Wunderbar - Kathryn Grayson & Howard Keel
- Cant Help Lovin Dat Man - Ava Gardner
- Going Hollywood - Bing Crosby
- The Trolley Song - Judy Garland, The M-G-M Studio Chorus
- Gigi - Louis Jourdan
- I Got Rhythm - Judy Garland, Mickey Rooney & Co.
- Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
- The Lady Is A Tramp - Lena Horne
- The Best Things In Life Are Free - June Allyson & Peter Lawford
- Cheek To Cheek - Fred Astaire
- A Kiss To Build A Dream On - Louis Armstrong
- Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
- If Swing Goes, I Go Too - Fred Astaire
- Almost Like Being In Love - Gene Kelly
- Lets Face The Music And Dance - Fred Astaire
- Be A Clown - Gene Kelly & Judy Garland
- Embraceable You - Connie Francis
- On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
- One For My Baby (And One More For The Road) - Fred Astaire
Amazon.com
The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulley
Customer Reviews:
They were right--there is NO business like the show business they did way back when !!!.......2006-11-18
Everything that happens in life
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
One of the best cds I ever bought. .......2006-06-07
What an amazon collection of songs! This is bar none my favorite cd just because of the variety and the quality of songs on it. I love music from this era, and this cd is the perfect companion to my life. Love it! Buy it, you won't regret it for a moment!
Never Sounded Better.......2006-03-16
Apart from the great selection of soundtracks, what really makes this compilation top value is the quality of the sound processing. Executed with finesse, these tracks sound better than when first issued and many are unedited, fuller versions: like "Singing In The Rain", for example. Throw in the great price, and this double disc set is a "must have" for all lovers of classic movie music.
Somewhere Over The Rainbow.......2006-02-24
A Sensational CD with Lots of Showtunes that Keep You Happy and makes You Want To Sing Along With!!!
"Hollywood Musicals of the Golden Age are still among us".......2005-07-13
Rhino Records and Turner Classic Movies Music present - "SOMEWHERE OVER THE RAINBOW: THE GOLDEN AGE OF HOLLYWOOD MUSICALS", some of the long ago musicals and stars that will never be forgotten...a 2-CD-Set covering several decades from 1935-1965 with many of the show stoppers of that time...some rare moments from entertainers that you haven't heard or thought of in sometime.
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
Average customer rating:
- The Most Relaxing Classical Album In the World Eveer, Volume II
- Great music listein to while you read in bed
- A must buy for the non-snobbish classical music fan.
- A bliss of spirit.
- Boring
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The Most Relaxing Classical Album In the World Ever, Volume II
Gabriel Faure , Frederic Chopin , Antonio Vivaldi , Gustav Mahler , Claude Debussy , Sir Neville Marriner , Maris Jansons , Lorin Maazel , Sir Adrian Boult , Miklos Rozsa , Riccardo Muti , Stephen Cleobury , Sir John Barbirolli , New Philharmonia Orchestra , Philharmonia Orchestra & Chorus , Academy of St. Martin in the Fields , and Berlin Philharmonic
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B00002439O
Release Date: 2003-03-11 |
Tracks:
- Sheep May Safely Graze - Sir Neville Marriner
- Serenade In G 'Eine Kleine Nachtmusik' - Sir Neville Marriner
- Violin Concerto No.1 In G Minor, Op.26 - II. Adagio - Yedudi Menuhin
- Nocturne No.2 In E Flat Op.9 No.2 - John Ogdon
- Miserere Mei, Deus - Stephen Cleobury
- Schindler's List - Tasmin Little
- Traumerei - Dame Moura Lympany
- Dance Of The Sylphs - Sir Neville Marriner
- Water Music - Berlin Philharmonic Orchestra
- Symphony No.9: II. Largo - Oslo Philharmonic Orchestra
- Jean De Florette - Toots Thielemans
- Concerto For Lute And Two Violins - II. Largo - Anthony Bailes
- Cello Concerto In E Minor Op.85 - III. Adagio - Jacqueline De Pre
- Waltz No.15 In A Flat - Dame Moura Lympany
- Romance - Piers Lane
- Pavane - Maurice Handford
- Woodbrook - Micheal O Suilleabhain
- Time To Say Goodbye - Orchestra
Tracks:
- The Four Seasons - Concerto No.1 In E 'Spring' - Yehundi Menuhin
- Dance Of The Blessed Spirits - New Philharmonia Orchestra
- Double Violin Concerto In D Minor - II. Largo Ma Non Tanto - Yehudi Menuhin
- Prelude No.7 In A Op.28 No.7 - Tzimon Barto
- Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
- The Lark Ascending - Hugh Bean
- 'Pathetique Sonata Op.13 - II. Adagio Cantabile - Leonard Pennario
- Pie Jesu - Choir Of King's College, Cambridge
- Salut D'Amour - Richard Hickox
- La Fille Aux Cheveux De Lin (The Girl With Flaxen Hair) - Dame Moura Lympany
- The Coventry Carol - Medeval Babes
- Pavane For A Dead Princess - New Philharmonia Orchestra
- Liebestraum No.3 In A Flat - John Ogdon
- Panis Angelicus - Elisabeth Schwarzkopf
- Piano Concerto No.2 In F Op.102 - II. Andante - Dmitri Alexeev
- Agnus Dei - Peter Barley
- Symphony No.5 In C Sharp Minor - IV. Adagietto - New Philharmonia Orchestra
- My Heart Will Go On - Orchestra
Customer Reviews:
The Most Relaxing Classical Album In the World Eveer, Volume II.......2006-08-28
Good selection of music, poorly performed and badly arranged. Good album for a tag sale. Same comment applies for Volume I.
Great music listein to while you read in bed.......2005-08-21
I have listened to this CD for the last several years before going to sleep at night. I love classical music, and this is great music to help make my soul feel at peace and unwind after a taxing day.
A must buy for the non-snobbish classical music fan........2004-10-22
I bought Vol. 1 of this series and was quite satisfied, but I have to say I'm more than satisfied with this one. If you can just mellow out and enjoy some great pieces, you'll love this CD. #15 on Disc 2 is almost worth the price alone!
A bliss of spirit........2004-09-18
That's disc will open You a wonderful, beautiful world of sounds, their harmony & emotion : you'll feel your heart full of
Joy, Tears, Love.
Good LUCK!
Boring.......2004-05-11
Yes this CD will put you to sleep in minutes. Its the most boring uninspiring classical music. The first CD was very good but this Vol. 2 is like most movie sequels....AWFUL !
Average customer rating:
- Solid if slightly underwelming textbook-indie easy-going rock
- Lush and melodic
- masterwork?
- Ranks among those obligatory 90s hipster discs
- Get in the right mood.....
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I Can Hear the Heart Beating as One
Yo La Tengo
Manufacturer: Matador Records
ProductGroup: Music
Binding: Audio CD
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- My Little Corner Of The World
Amazon.com essential recording
We always suspected they had it in them, but who knew Yo La Tengo would finally craft a record as wholeheartedly terrific as this? Fourteen years into their career as indie rock's low-key mainstays, the Hoboken, New Jersey, trio have arrived--and it's about time. It's as though simply by sticking around long enough and doing the same thing over and over while constantly refining and focusing Yo La have evolved from scattered, record-collecting eccentrics into the true classicists of '90s indie rock. Blending elements of what has illuminated Sonic Youth, Stereolab, Pavement, and My Bloody Valentine, they've long had a clear voice but never sounded so comfortable using it. Willfully eclectic husband-and-wife multi-instrumentalists Ira Kaplan and Georgia Hubley--with third member James McNew never sounding more permanent--have previously tended to alternate between their instincts to be a pop rock band and to serve as artsy noisemakers. On I Can Hear..., the group doesn't have to choose between songs and sounds. There's noise leaking out everywhere, but it's always under control. Even the most layered soundscapes--songs like "Autumn Sweater," "Sugarcube," or "Moby Octopad"--have unforgettable melodies, with fragile harmonies to boot. "We're an American Band" (not a Grand Funk cover) could be Simon and Garfunkel singing along to the Jesus and Mary Chain. And on tracks like "Shadows" or "My Little Corner of the World," where the melody consumes everything else, deceptively simple backdrops provide a less-is-more atmosphere. Just in time for indie rock to catch up with Yo La Tengo, Yo La Tengo has caught up with itself. --Roni Sarig
Album Description
Full title - I Can Hear The Heart Beating As One. Over 65 minutes of breath-taking material recorded under smooth circumstances in Nashville, TN. 1997 Matador Records.
Customer Reviews:
Solid if slightly underwelming textbook-indie easy-going rock.......2007-04-20
3 1/2
Worthy of nearly all it's indie credibility, the seminal underground experimental pop act put forth another lengthy disc full of quirky charm and surprising eclecticism with their highly esteemed I can hear..., but seems to me this particular outing is just another deposit into an adept lo-fi bands repertoire, no more, no less. With their refined approach at nailing a catchy melody without being too obnoxious about it, Yo La Tengo prove worthy in multiple genre attempts with this musical stew of alt-rock jams. The writing is on point, and the selections remain worthy of it's modern cult classic status as earned, but anyone not directly peering into the specific time period this came out, in the context of this band's career, may find an album strangely lacking of downright amazing material. Most songs are good, quite good, though few are really great. As per usual, interesting, usually borrowed melodies are played beyond an apparent scope intended for some tracks, overstaying their welcome in distorted repetition, as competent and catchy they may be.
Lush and melodic.......2006-12-29
This was my first real exposure to Yo La Tango, and I'm hooked. It's full of all sorts of lush and melodic songs in the tradition of indie rock. Yes, I can hear the Jesus and The Mary Chain influences, but I have to say this style of music goes all the way back to Lou Reed. Not all the lyrics are intelligible and there isn't a song or group of songs that really stand out from the others. It's more like great background music than something you'd want to sing along to. All the tracks sort of melt together into this great sound.
The track "We're an American Band" is not a cover of the Grand Funk Railroad hit. While Yo La Tango's version is an above average song, what would really be interesting if they actually covered the song.
masterwork?.......2006-05-23
this album is exceptional for YLT. I often flounder between this one and 'and then nothing' being my favorites, but they are different. the variety of the songs is great but they all work together as a cohesive album, skipping tracks on this CD is completely unneccessary. there are still some great love songs and a post-punk tunes but this album is more lyrically and instrumentally mature then some of thier earlier works, such as 'Painful' or 'Electropura'. I honestly couldnt say enough about this cd, but i dont like writing long reviews... this is a personal favorite of mine
Ranks among those obligatory 90s hipster discs.......2006-05-08
There is a certain amount of unanimity amongst critics as to what discs from the 1990s should be heralded as great, and "Heart" is generally granted propitious accolades. My Bloody Valentine's "Loveless" is traditionally regarded as a superior recording, and for the most part it is. "Loveless" is an incomparable example of committed artistry, and it should garner adulations by its sheer density alone. However, I've always felt that "Heart", which for the most part exists in "Loveless"' vein of ethereal ambience, was the more immediately human and inviting record. "Heart"'s emotion exists on a unique artistic plane that few artists dare to tread, and the record's often convoluted lyrical musings are viscerally penetrating, more so than most modern pop records. Upon first blush, the band seems to rely on a relatively limited musical vocabulary throughout the album, but extended listens reveal a fairly rich tapestry of styles, sounds and impressive articulations. "Spec Bebop" is consistenly unnerving, but in at least one sense it seems like one of the most integral and necessary tracks on the record. YLT's Jesus and Mary Chain fetishism had to be illuminated at some point on "Heart", and "Spec Bebops" unrestrained entropy is a great testament to the band's willingness to explore the ether. Conversely, the apparent convention of "Little Honda", "Sugarcube" and "Deeper Into Movies" display another facet of YLT's artistic maturity, as well as the band's penchant for sheer histrionic onslaught. The solo midway through "Sugarcube" is the one of most vexing and hilariously apropos moments on any modern rock song, and it becomes apparnet that the band approaches such passages with an equal concern for irony and viability. "Autumn Sweater", perhaps due to its name alone, has become synonymous with stifled hipster love balladry, and by most accounts it stands as one of the most honest and telling rock narratives of the last fifteen years. YLT's ability to oscillate between Beach Boys sentimentality, Can experimentation and Sonic Youth flamboyance, all the while harboring a kind of self-assured ambivalence, is a sometimes startling testament to the band's musical prowess.
All analysis aside, however, I cannot imagine how a human being with an operable soul would not enjoy this record. It has an almost cosmic ability to make the listener feel genuinely good, oftentimes in a restrained and self-negating fashion that elucidates the inner hipster nerd in all of us. The sheer wantonness of "Sugarcube", the cutesie femininity of "Our Little Corner Of The World", (which, unfortunately, has taken on an inextricable involvement with "Gilmore Girls"), and the utter desolation of "Damage" converge to produce an unmistakable experience.
Sadly, there are no true Thurston Moore moments on "Heart" to measure up to "Big Day Coming" and the like, but the band more than makes up for such a discrepency.
Get in the right mood............2006-03-27
The first time I listened to this disc - it felt like nails going straight into my eardrums. We were on a road trip - not the right 'vibe' for the cd. Since I've listened to it quite a few times - and in the correct mood - feels like a really good rest!!!!!
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
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- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
All Works by Herbert
| Herbert, Victor
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Romberg, Sigmund
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Hadley, Jerry
| ( H )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Operettas
| Opera & Vocal
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Similar Items:
- In the Real World
- Standing Room Only
- Jerry Hadley and Thomas Hampson - Famous Opera Duets (Tenor/Bass)
- Show Boat (1988 Studio Cast Highlights)
- A Song of Naples - Neapolitan Songs
ASIN: B000003FQQ
Release Date: 1994-08-16 |
Tracks:
- Song of the Vagabonds
- I'm Falling in Love With Someone
- Streets of New York
- Neapolitan Love Song
- Desert Song/One Alone
- Every Day Is Ladies' Day with Me
- Donkey Serenade
- Softly, As in a Morning Sunrise
- Drinking Song
- When You're Away
- I Love to Go Swimmin' With Wimmin
- I Might Be Your Once-In-A-While
- Marianne
- Serenade
- Indian Summer
- When I Grow Too Old to Dream
- Gypsy Love Song
- Golden Days - Jerry Hadley, Mario Lanza
Average customer rating:
- Fabulous for any Broadway-lover
- Top Shelf
- TERRIFIC CD'S
- Great Collection of Broadways greatest Songs
- Great Compilation!
|
Broadway - The American Musical (PBS Series)
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
Ballets
| Ballets & Dances
| Classical
| Styles
| Music
All Works by Bernstein
| Bernstein, Leonard
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gershwin
| Gershwin, George
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Porter
| Porter, Cole
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Weill
| Weill, Kurt
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mancini
| Mancini, Henry
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
English
| Languages
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Similar Items:
- The Best of Broadway - The American Musical (PBS Series)
- Broadway: The American Musical
- Broadway: The American Musical
- Broadway - The American Musical (PBS Series)
- Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
ASIN: B00064ADMK
Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.
Top Shelf.......2007-01-04
This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.
TERRIFIC CD'S.......2006-03-23
THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.
Great Collection of Broadways greatest Songs .......2005-06-14
This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway
Great Compilation!.......2005-01-17
If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Average customer rating:
- pre bedtime music
- Great For Bedtime
- A true disappointment
- Naptime
- A good choice for quiet time and nap.
|
Brahms at Bedtime: A Sleepytime Serenade
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
Quartets
| Chamber Music
| Classical
| Styles
| Music
Trios
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
All Works by Brahms
| Brahms, Johannes
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Concertinos
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Intermezzos
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
Piano
| Keyboard
| Instruments
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
CDs $7 - $10
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
Similar Items:
- Bach at Bedtime: Lullabies for the Still of the Night
- Beethoven at Bedtime: A Gentle Prelude to Sleep
- Mozart for Meditation
- Mozart at Midnight
- Debussy for Daydreaming: Music to Caress Your Innermost Thoughts
ASIN: B0000041FU
Release Date: 1996-10-15 |
Tracks:
- Lullaby
- Piano Concerto In B-Flat - Piu adagio
- Violin Concerto In D - Adagio
- 'Double' Concerto In A Minor - Andante
- Clarinet Quintet In B Minor - Adagio
- Piano Quartet In C Minor - Andante
- As Melodies Were Passing By
- Sonata In D Minor - Adagio
- Trio In C Minor - Andante grazioso (Excerpt): Piano Trio In C Minor - Andante grazioso (Excerpt)
- Intermezzo No. 1 In E-Flat
- Fantasy No. 4 In E
- Variations & Fugue On A Theme By Handel - Variation V
- Waltz No. 15 In A-Flat
- Lullaby: Lullaby (Reprise)
Customer Reviews:
pre bedtime music.......2007-05-30
Great music for helping you unwind after a long day so you can be more relaxed at bedtime.
Great For Bedtime.......2005-12-15
A few years ago I started having trouble sleeping at night. It was probably due to my new husband's snoring! I remembered how when I worked at a daycare, we would play classical music while the children took naps. So I thought I would give it a try. I have tried a couple different CD's and so far this is my favorite! All of the music is soothing. There aren't any songs that get loud or fast. The only weird thing is that the first and last song are the same. I repeat the CD all night and it really does help me to sleep! If the power goes out I notice immediately because my soothing music is gone! I highly recommend this CD!
A true disappointment.......2004-11-04
Amazingly this compilation has managed to get together some of the most untallented performances of Brahms' music. With a few exceptions the moto of this CD can be summed up as 'no understanding and appreciation for a musical genius'. The choice of music is also quite perfunctory. There are many Brahms pieces that could have served better the bedtime purpose. Buy at your own risk. My only fear is that some people will get their first impressions of Brahms from this CD...
Naptime.......2003-04-18
I love to listen to this cd if I'm tired and need to take a nap or just rest for a while. It is very soothing.
A good choice for quiet time and nap........2000-09-27
This is one of my favorite nap and quiet time choices. It is very mellow and soothing. My three year old frequently falls asleep listening to it, and even turns it on again for herself if she wakes up in the middle of the night and can't get back to sleep!
Average customer rating:
- No Fistful of Ennio
- I would call some of these pieces "newage"...
- Simply a 'Must Purchase' for those with a passing interest in Morricone's work
- ENNIO MORRICONE - FILM MUSIC, VOL. 1
- A collection of Morricone's most popular and entertaining
|
Ennio Morricone - Film Music, Vol.1
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Similar Items:
- Film Music, Vol. 2
- Very Best of Ennio Morricone
- The Mission: Original Soundtrack From The Motion Picture
- Ennio Morricone, Vol.3: Main Titles
- Yo-Yo Ma Plays Ennio Morricone
ASIN: B00000DR51
Release Date: 1992-06-29 |
Tracks:
- The Good, The Bad, And The Ugly: The Good, The Bad, And The Ugly
- Maddalena: Come Maddalena
- The Sicilian Clan: The Sicilian Clan
- The Life And Times Of David Lloyd George (BBC TV): Chi Mai
- Investigation Of A Citizen Above Suspicion: Investigation Of A Citizen Above Suspicion
- Moscow Farewell: Moscow Farewell
- Espion Leve Toi: Marcia In La
- Lady Caliph: Lady Caliph
- Battle Of Algiers: The Battle Of Algiers
- The Infernal Trio: The Infernal Trio
- La Banquiere: Dedicace
- For Love One Can Die: For Love One Can Die
- Sacco And Vanzetti: Sacco And Vanzetti
- The Tragedy Of A Ridiculous Man: La Tragedia Di Un Uomo Ridicolo
- Quartiere: Romanza Quartiere
- Once Upon A Time In The West: Once Upon A Time In The West
- The Mission: On Earth As It Is In Heaven (Remix)
Customer Reviews:
No Fistful of Ennio.......2007-01-31
Ennio Morricone wrote great soundtrack music, that's for certain. But no retrospective of his work is complete without the inclusion of more than one lone example from the three mid-60's "spaghetti westerns" he scored for Sergio Leone and Clint Eastwood. Anyone familiar with the UNITED ARTISTS label LPs of "Fistful Of Dollars," "For A Few Dollars More" and "The Good, The Bad And The Ugly" might agree with this.
As for what's here-- most of ENNIO MORRICONE * FILM MUSIC Volume 1 is forgettable incidental stuff. Except for "The Battle Of Algiers (Theme)," the opening and closing tracks are the best. They bookend what turns out to be a disappointing collection, lacking in both liner notes and the brilliance Morricone demonstrated over a 30 year span.
I would call some of these pieces "newage"..........2006-08-02
Moscow Farewell is definitely my pick of the lot. Sacco And Vanzetti was a pleasant surprise once I listened to it a couple of times. It is lively and could be played on a wedding dance floor for the whole family. This is great album to listen to while in bed!
Simply a 'Must Purchase' for those with a passing interest in Morricone's work.......2005-09-13
Arguably one of the greatest (if not the greatest) Film composer of the 20th Century. Not only has he scored some of the most influential and instantly recognisable pieces of film music during his roughly 50 years of composing atmospheric film scores. Whether he's providing the spooky dramatics for a spaghetti Western" or constructing the ingenious use of classical arrangements of brooding cinematic pieces, he has (in most cases) consistently delivered contemporary music that has provided the atmospheric foil for the picture in question. And with a collection of musical influences that were as far ranging as: classical, jazz, pop, rock, electronic, avant-garde, and Italian music, he is able to deliver a variety of film scores that are as diverse as they are beautifully composed.
This compilation is collection of some of the seminal, gritty, theatrical, and dramatic film music, that would go on to define his career, via reflective orchestration and memorable motifs, ingenious use of diverse arrangements and instrumentation. There is a majority of his highlights on this disc, with the magnificently brooding "The Good, The Bad, and the Ugly" opening the disk. what follows is a truly sublime collection of music that is in parts truly beautiful and utterly atmospheric, so tracks such as "Once Upon A Time In The West", benefit from the haunting melodies and stirring volins, that are possibly more in tone with orchestrated music than contemporary music. Or the quiet piano introspection and melancholic arrangements that make up "Moscow Farewell", are simply deserving of being placed amongst the finest soundtrack compositions ever. "Dedicace", contains some of the most litting melodies in recent memory, impossibly sad and affecting, it is a haunting bittersweet composition that is both organic & reflective, over which the volins provide the musical backdrop. And that's without the mention of "For Love One Can Die", the autumnal orchestrated track, that pulls from Italian sweeping gangster original film scores, and makes a hushed and dissonant recording, that feels like a sublime throwback to the mafia-related shenanigans of 60's chicago via the use of restrained piano, that really is quite lovely and adds substantial weight to the composition.
If you are looking for a Ennio Morricone compilation....short of buying a boxset, you'd be hard pressed in beating this for value for money. It's a fantastic summary of his work and covers a fair amount of material. And is the perfect introduction to his work, (especially if you just want to buy one compilation of his work). This is highly recommended to fans both old and new, and is boosted by the compilers making a great job of the selection. So if you don't want to have to splash out on an expensive disk, to hear his influential work...this really is the first place you should start.
ENNIO MORRICONE - FILM MUSIC, VOL. 1 .......2005-08-16
HAVING HEARD EXERPTS OF THE MUSIC BEFORE, IT WAS EXACTLY WHAT I
WANTED.
A collection of Morricone's most popular and entertaining.......2005-07-31
Volume I of III, of this 'best of' Morricone trilogy, is the best of the three. This volume consists of music that can be listened to alone and socially, with some of the most catchy and minimalist rhythms you'll ever hear. You'll listen to this album and wonder what movie you've heard that song from before(Morricone's canon being primarily for film scores). If you're hear because you're trying to get the song from a movie, and you've never really heard of Morricone before, then you've luckily stumbled upon some of the best music I've ever heard. Or, if you're a Morricone fan and you'er looking for a good compilation, since Morricone has done too many film scores to even possibly own them all, then this is good to have. I wouldn't really reccommend Volume II and III unless you're looking or a very comprehensive collection of Morricone, since Volume I seems to me to carry his most absolute best. Definetely buy this album, it's very good.
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Cello Adagios
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Similar Items:
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ASIN: B0001WU1QK
Release Date: 2004-05-11 |
Tracks:
- Carnival Of The Animals - Bruno Canino
- Vocalise, Op.34 No.14 - Lynn Harrell
- Thais - Julian Lloyd Webber
- Adagio - Janos Starker
- Apres Un Reve - Bruno Canino
- Adagio - Julian Lloyd Webber
- Ave Maria - Julian Lloyd Webber
- Adagio - Julian Lloyd Webber
- Traumerei (Dreaming) - Bruno Canino
- Notturno: Andante - Julian Lloyd Webber
- Sicilienne - Bruno Canino
- An Die Musik, D547 - Bruno Canino
- Reverie - Julian Lloyd Webber
- Prayer - Bruno Canino
- Ebben? Ne Andro Lontana - Bruno Canino
- Salut D'amour, Op.12 - Bruno Canino
- Valse Sentimentale, Op.15 No.6 - Samuel Sanders
- Kol Nidrei, Op.47 - Julian Lloyd Webber
Tracks:
- Air (Air On A G String) - Julian Lloyd Webber
- Clair De Lune - Julian Lloyd Webber
- Elegie, Op.24 - Jullian Lloyd Webber
- Andante - Heinrich Schiff
- Romance In D Minor, Op.62 - Julian Lloyd Webber
- Beau Soir - Bruno Canino
- Sicilienne, Op.78 - Bruno Canino
- Panis