The Real Me

Track Listings
1. I Can Cook Too
2. Stockholm Sweetnin'
3. Smoke Gets in Your Eyes
4. True Love
5. Across the Alley from the Alamo
6. How Long Has This Been Going On? [Live]
7. Lazy Afternoon
8. Love Letters
9. They Can't Take That Away from Me
10. Mood Indigo
11. Cry Me a River
12. Someone Is Standing Outside
13. Spring Can Really Hang You up the Most

The Real Me,Patti Austin,Warner Bros / Wea,Jazz,Pop,R&B,Soul,Soul/Reggae/Rhythm & Blues,Urban

The Real Me

The Real Me
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Hungarian National Philharmonic OrchestraHungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
Moscow Philharmonic OrchestraMoscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music
National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Rap & Hip-Hop | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Instructional | Miscellaneous | Styles | Music
Blowout Box SetsBlowout Box Sets | Classical Music Blowout | Stores | Music
More Titles at Least 20% OffMore Titles at Least 20% Off | Classical Music Blowout | Stores | Music
All Classical Music BlowoutAll Classical Music Blowout | Classical Music Blowout | Stores | Music
Hungarian National Philharmonic OrchestraHungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music
London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music
Moscow Philharmonic OrchestraMoscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music
National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music
InstrumentalInstrumental | Classical Music Blowout | Stores | Music
Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Ludwig van Beethoven

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Best of Real Life: Send Me An Angel
Average customer rating: 4 out of 5 stars
  • reallife review
  • Real Life...
  • I just like Catch me I'm falling and Send me an Angel...
  • Greatest album ever
  • Good stuff, but a glaring omission
 Best of Real Life: Send Me An Angel
Real Life
Manufacturer: Curb Records
ProductGroup: Music
Binding: Audio CD

New WaveNew Wave | New Wave & Post-Punk | Alternative Rock | Styles | Music
GeneralGeneral | Pop | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
GeneralGeneral | Rock | Styles | Music
Dance PopDance Pop | Compilations | Dance & DJ | Styles | Music
4-for-3 Alternative Rock4-for-3 Alternative Rock | 4-for-3 Music | Stores | Music
4-for-3 Dance & DJ4-for-3 Dance & DJ | 4-for-3 Music | Stores | Music
4-for-3 Pop4-for-3 Pop | 4-for-3 Music | Stores | Music
4-for-3 Rock4-for-3 Rock | 4-for-3 Music | Stores | Music
4-for-3 All Music4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:
  1. When in Rome
  2. The Different Story (World of Lust and Crime)
  3. The Best of OMD
  4. Lifetime
  5. Imperfection

ASIN: B000008JU2
Release Date: 2001-05-15

Tracks:

  1. Send Me An Angel '89 (Edit)
  2. Face To Face
  3. Catch Me I'm Falling
  4. Always
  5. Babies
  6. Send Me An Angel '89 (Dance Mix)
  7. The Hammer Of Love
  8. Let's Fall In Love
  9. One Blind Love
  10. No Shame

Customer Reviews:

3 out of 5 stars reallife review.......2007-01-22

This cd wasn't to bad. There are only a couple of songs on it that I really like.

4 out of 5 stars Real Life..........2006-12-21

"Send me an angel." What can I say? That's my song...Five stars for the song...Four stars for the disc.

3 out of 5 stars I just like Catch me I'm falling and Send me an Angel..........2006-08-14

That was worth 5 bucks...I didn't have an iPod at the time!!

5 out of 5 stars Greatest album ever.......2006-08-11

I've kept my sony walkman around for years so I could listen to the album (on cassette). I am glad to see it on CD. As of writing this the album artwork pictured on the site is different from what is shipped.

4 out of 5 stars Good stuff, but a glaring omission.......2004-12-28

Basically a compilation of "Heartland", "Flame" and the "Babies" maxi single, this is a nice little collection to find its way to CD.

Of course, the huge miss here is not including the original version of "Send Me an Angel". The new version simply does not compare to the original.

I really enjoyed "Flame" and am grateful to find such great tunes included as "Face to Face" and "No Shame". Their take of "Babies" is surprisingly good too.

If you're looking for "Heartland", it has been reissued on CD. It's well worth seeking out that disk for the original version of "Send Me an Angel".

The Village
Average customer rating: 4.5 out of 5 stars
  • Moody, haunting, beautiful -- brilliant!
  • tapestry of color
  • Excellent Score -- Very Unique
  • One of the few good things about this wretched film
  • The score elevates the film
 The Village

Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
Similar Items:
  1. Signs (Score)
  2. Lady in the Water
  3. Unbreakable
  4. The Village (Widescreen Vista Series)
  5. The Sixth Sense: Original Motion Picture Soundtrack

ASIN: B0002IQJSC
Release Date: 2004-07-27

Tracks:

  1. Noah Visits
  2. What Are You Asking Me?
  3. The Bad Color
  4. Those We Don't Speak Of
  5. Will You Help Me?
  6. I Cannot See His Color
  7. Rituals
  8. The Gravel Road
  9. Race To Resting Rock
  10. The Forbidden Line
  11. The Vote
  12. It Is Not Real
  13. The Shed Not To Be Used

Amazon.com

In the wake of his Sixth Sense triumph, young director M. Night Shyamalan shrewdly marketed himself as a marquee draw, a thriller auteur in the vein of Hitchcock and DePalma. In the process he's also run headlong into one of Hollywood's truest adages: There's no such thing as a sure thing. But while his tale of an isolated hamlet ringed by mysterious, threatening 'others' met with tepid reviews and disappointing box office, it also underscored another filmmaking truism: So-so films can still be blessed with magnificent musical scores. This hauntingly beautiful, yet thoroughly contemporary orchestral soundtrack by James Newton-Howard distinguishes itself at every turn, becoming a clear standout in the ongoing collaboration between the composer and Shyamalan. While similar fusions of minimalist and post-modern musical influences can sometimes seem not much more than hollow intellectual exercises, Newton-Howard inhabits his hypnotic arpeggios and droning rhythms here with an evocative undercurrent of the mysterious and mystical. The composer leans heavily on solo violin to conjure a mock folk tradition of indistinct origins, wedding it to a contemporary classical sense that's as seamless as it is distinguished. -- Jerry McCulley

Customer Reviews:

5 out of 5 stars Moody, haunting, beautiful -- brilliant!.......2007-08-02

James Newton Howard's Oscar-winning score for M. Night Shyamalan's remarkable film, The Village, is one of my personal favorites. By turns haunting, thrilling, and absolutely creepy, it completely embodies the spirit of the film.

The common thread woven throughout most of the score is a simple, monophonic melody on the violin, heart-rendingly lifted from the page by the talented Hilary Hahn. The melody strongly evokes Gregorian plainsong, which is very appropriate to the subject matter of Shyamalan's film. It may also remind listeners of twentieth-century composers who have returned to and incorporated those older musical modes (particularly the medieval Phrygian mode) into their own music; I'm thinking of people like Arvo Pärt and Ralph Vaughn Williams (also a film composer). Even more striking, however, is the debt Mr. Howard owes to Philip Glass. Listen to his (Glass's) Violin Concerto or to his own score for the film, The Hours, and see if you don't hear it. The minimalist arpeggiation on the violin is unmistakable.

A couple of the other tracks (e.g., "Those We Don't Speak Of" and "It Is Not Real") will absolutely make your hair stand on end. They still give me goosebumps every time I listen to them. It's some of the most effect "fear" scoring I've ever heard, making particularly good use of the percussion section. Altogether, this is a versatile, remarkable score I can very highly recommend.

5 out of 5 stars tapestry of color.......2007-07-28

Rich, powerful and moving, Howard's score is an interweaving tapestry of a constant haunting undercurrent of a theme with Hilary Hahn's beautiful obligato's soaring above. This soundtrack will take you to the brink of yourself as you can feel your soul being pulled along with the music. An absolute `must have' for any serious music lover. If you doubt its majesty, sit down and listen - it's well worth your time.

5 out of 5 stars Excellent Score -- Very Unique.......2007-02-22

I have long been a film-score aficionado. My favorite composers are Hans Zimmer, James Horner, Jerry Goldsmith, John Williams -- only the best of the best. I had always known about James Newton Howard and his work, and always respected his unique abilities and talents.

It was with this score that he really caught my attention. The central theme of the film is a love story, and the characters just happen to be caught up in a nightmarish scenario. The score reflects this perfectly; some of the pieces are classically romantic, quiet pieces, while others are thunderous and frightening to reflect the danger and terror portrayed in the film.

James Newton Howard's later works, like "King Kong" (2005) and his co-score with Hans Zimmer on "Batman Begins" (2005) continued to show that he is rightly considered one of Hollywood's A-list composers for big films.

4 out of 5 stars One of the few good things about this wretched film.......2006-11-05

I admit I absolutely hated "The Village". The film started out rather good. The build up in suspense was flawlessly executed but then the second half of the film totally went downhill for me. One of the few things I enjoyed about "The Village" is the film score by James Newton Howard. The combination of the orchestral film score and dark cinematography was perfect. Both complimented each other. Violinist Hilary Hahn was what really gravitated me to the music. A lot of film scores have a terrible tendency to be loud and bombastic (like John Williams and Hans Zimmer) but James Howard Newton's score is subtle and never overwhelming to a person's ears.

5 out of 5 stars The score elevates the film.......2006-08-09

'The Village' was panned pretty harshly in critical circles, but whatever you think of the film, James Newton Howard's score for it is a beautiful piece of work. It lends a haunting, lyrical quality to the film, and it is wonderful to listen to by itself, whether or not you like or have even seen the movie.

While there are a couple pieces in the score that are a little more high-octane in terms of suspense, most of the music is very low-key. Still suspenseful, even spooky at times, but in a very understated and thoughtful way. In some ways similar to Howard's score for 'Signs', which also used repeated rhythms and themes throughout in different ways, the music for 'The Village' differs from the standard "scary movie" score by having pieces which establish a real emotional depth and presence. 'The Village' is a film about love and loss, and much of the music expresses those themes perfectly.

A big part of how the music gets to the depths of emotion is the solo violin performances of Hilary Hahn, present to some extent in almost every piece. From the opening strains of "Noah Visits," the first piece on the CD, her violin speaks the language of the heart and draws the listener into a beautiful world of haunting music, inescapable and compelling. I am amazed by her versatility here. From the fast rhythmic notes of "The Gravel Road" to the high strains of "I Cannot See His Color" to the final, bittersweet tones of "The Vote," Hahn's violin creates a steady thread through the whole score, unifying it and making it unique at the same time. I've listened to several of Hahn's classical performances as well, but I have to say that of what I've heard, her performance for 'The Village' may be her most unique and most compelling yet.

The combination of James Newton Howard's compositions and Hilary Hahn's lush performance have created some beautiful music for 'The Village'. Whether you love the movie or hate it, or even if you're just looking for some rich orchestral music with a beautiful violin performance, this score is well worth owning and listening to many times over.
The Apple Tree (1966 Original Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • Very good show which I hadn't heard of...
  • THE APPLE TREE (1966 ORIGINAL BROADWAY CAST)
  • I still remember these songs after 40 years
  • Really 2.5
  • Boring material that you forget very easily
 The Apple Tree (1966 Original Broadway Cast)
Sheldon Harnick
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
GeneralGeneral | Broadway & Vocalists | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Classical | Styles | Music
MusicalsMusicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:
  1. Curtains (2007 Original Broadway Cast)
  2. Grey Gardens - A New Musical (2006 Original Broadway Cast)
  3. Spring Awakening (2006 Original Broadway Cast)
  4. 110 in the Shade (2007 Broadway Revival Cast)
  5. Company (2006 Broadway Revival Cast)

ASIN: B0000027WD
Release Date: 1992-11-24

Tracks:

  1. Eden Prelude
  2. Here In Eden
  3. Feelings
  4. Eve
  5. Friends
  6. The Apple Tree (Forbidden Fruit)
  7. Beautiful, Beautiful World
  8. It's A Fish
  9. Go To Sleep, Whatever You Are
  10. What Makes Me Love Him?/Eden Postlude
  11. The Lady Or The Tiger? Prelude/I'll Tell You a Truth/Make Way
  12. Forbidden Love (In Gaul)
  13. The Apple Tree (Reprise)
  14. I've Got What You Want
  15. Tiger, Tiger
  16. Make Way (Reprise)/Which Door/I'll Tell You a Truth (Reprise)
  17. Passionella Prelude
  18. Oh, To Be A Movie Star
  19. Gorgeous
  20. (Who, Who, Who, Who) Who Is She?
  21. I Know
  22. Wealth
  23. You Are Not Real
  24. Passionella Postlude/Finale

Customer Reviews:

4 out of 5 stars Very good show which I hadn't heard of..........2007-05-13

I was very into theatre in high school and college and thought I was up on most musicals, but had never heard of this show until recently. It's comprised of three short stories which were adapted into the musical format. The first two stories are tied together very well, although the last seems tacked on. But the songs are catchy and it's fairly easy to figure out what's happening simply by listening to the songs. There are two songs which are tied for my favoritism: "It's a Fish" from Adam and Eve and "You Are Not Real" from Passionella. Check it out.

5 out of 5 stars THE APPLE TREE (1966 ORIGINAL BROADWAY CAST).......2007-04-10

IT WAS EXACTLY WHAT I WAS LOOKING FOR. I WENT TO THE REVIVAL OF THE APPLE TREE ON BROADWAY IN NEW YORK CITY AND LOVED THE SCORE BUT THERE WASN'T A SOUNDTRACK AVAILABLE SO I PURCHASED THE ORIGINAL VERSION AND I ABSOLUTELY LOVE IT!

5 out of 5 stars I still remember these songs after 40 years.......2006-11-05

I saw this show on the stage when it first ran, and have never forgotten it. The key to a good Broadway show is this question: Are you humming the songs when you leave the theatre? In the case of The Apple Tree, the answer is a resounding "Yes." I have been waiting 40 years for this show to be revived, and I have tickets for the revival opening in December at the Roundabout. I hope not to be disappointed, for the trio of Barbara Harris, a very young Alan Alda, and the late Larry Blyden were terrific. The three-part concept can be jarring because just when you're getting into the story, it ends -- but just enjoy the kind of songs they just don't write anymore.

3 out of 5 stars Really 2.5.......2006-07-25

SO this is another show thats actually three one acts. The first "The Diary of Adam and Eve" is the best by far. It has really cute songs and nice plot. Thats the only reason I rounded this up from 2.5 to 3 stars. The rest of the show is nothing great. "Lady and Tiger" is short and boring. And "Passionella" is exactly what it sounds like, a knock off of Cinderella. But hey, its a good show for collectors and "The Diary of Adam and Eve" is nice. Favorite Song: "Its A Fish"

1 out of 5 stars Boring material that you forget very easily.......2006-06-29

According to some reviews, this musical was supposed to be very good and I bought it. Unfortunately, I was quite dissapointed. It's composed of three different tales, the first one referring to the Adam & Eve biblical story. The lyrics here are very silly and tedious. The second tale, "The Lady or the Tiger?" contains songs that are simply awful, probably the worst ever written for a Broadway show. The third story, "Passionella", contains music that does nothing to make things better. The album contains a good informative booklet in English, German, French & Italian (as Sony uses to do)which says that Time magazine defined this show as "three moldy figs". I entirely agree. I would recommend this musical to those suffering from insomnia: it will put them to sleep right away.
Music Of The Crusades
Average customer rating: 4.5 out of 5 stars
  • This one'll get ya going.
  • TIME TRAVEL
  • Interesting variety
  • A trip through history
  • Overrated
 Music Of The Crusades

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Walther v. der VogelweideWalther v. der Vogelweide | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
CDs $7 - $10CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music
All Bargain TitlesAll Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music
The Decca Records StoreThe Decca Records Store | Specialty Stores | Music
Similar Items:
  1. Sinners & Saints: The Ultimate Medieval and Renaissance Music Collection
  2. Music for a Medieval Banquet
  3. Codex Faenza: Instrumental Music of the Early 15th Century
  4. Medieval Dance Music
  5. Music of the Troubadours

ASIN: B0000041XJ
Release Date: 1991-04-05

Tracks:

  1. Music Of The Crusades: La quinte estampie real
  2. Music Of The Crusades: Pax in nomine Domini!
  3. Music Of The Crusades: Parti de mal - Third Crusade
  4. Music Of The Crusades: Chevalier, mult estes guariz - Second Crusade
  5. Music Of The Crusades: Chanterai por mon corage - Third Crusade
  6. Music Of The Crusades: Danse real
  7. Music Of The Crusades: Sede, Syon, in pulvere
  8. Music Of The Crusades: Palastinalied - Sixth Crusade
  9. Music Of The Crusades: Condicio - O nacio - Mane prima
  10. Music Of The Crusades: O tocius Asie - Crusade of 1248
  11. Music Of The Crusades: La uitime estampie real
  12. Music Of The Crusades: Cum sint difficilia - Crusade of 1248
  13. Music Of The Crusades: Li noviaus tens - Le Chatelain de Coucy - Third Crusade
  14. Music Of The Crusades: Fortz chausa es (Gaucelm Faidit) - Lament On The Death Of Richard Coeur - de - Lion
  15. Music Of The Crusades: Je ne puis - Amors me tienent - Veritatem
  16. Music Of The Crusades: Ahi! Amours - Third Crusade
  17. Music Of The Crusades: La tierche estampie real
  18. Music Of The Crusades: Ja nus hons pris - Song Of Captivity
  19. Music Of The Crusades: Au tens plain do felonnie - Crusade fo 1239

Customer Reviews:

5 out of 5 stars This one'll get ya going........2007-05-19

For early music people, this is another great compilation of stuff you just like to put on in the background while doing your daily routine. Good times.

5 out of 5 stars TIME TRAVEL.......2006-08-15

LIKE A TRIP BACK IN TIME. FROM THE FIRST NOTES, I WAS TRANSPORTED.

4 out of 5 stars Interesting variety.......2006-03-28

One of the problems I have with many early music CDs is an emphasis on one place in a time period. This reissue manages to avoid that flaw by including minnesinger, troubador, trouvere, and instrumental pieces, though the liner notes could easily have told us which of the pieces were troubador, and which trouvere, instead of just the tantalizing "two are troubador (written in langue d'oc)" without identifying which.

As a sampler, it is excellent, though the vocal pieces tend to be somewhat slow--not all the lyrics seem consistent with that delivery, so this is probably an artist's choice. It would be interesting to hear the same pieces performed now, 30 years later, with 30 years of new scholarship. Ah well, nothing is perfect!

5 out of 5 stars A trip through history.......2005-09-29

The time of the Crusades spanned several centuries, from the time Pope Urban II called upon Christendom to fight for Jerusalem until the thirteenth century (this does not include the numerous minor, unnumbered crusades, sometimes against other Christians). The Crusades became for many in the Middle Ages a romantic ideal; the appeal for those who would join the Crusades was two-fold, both riches in this world and salvation in the next.

In this collection, the texts of the songs are primarily contemporary with the Crusades, although a few come from later troubadour and folk songs. Some songs here directly relate to the Crusades in content (for example, Pax in nomine Domini!), whereas others are songs contemporary with and popular among the Crusaders, but have no direct relation to the Crusades. 'Ja nus hons pris' is one such song, which has origins attributed to one of the most famous of the Crusaders, Richard the Lionhearted.

One of the problems with music from this time period is that very little written material exists. What music notation there is often is reminiscent of Gregorian chant - there are markers for pitch, but nothing for rhythmic values, melodies, etc. Similarly, the types of instruments are often not listed for particular songs, so it becomes educated guesswork as to the instruments used - lutes, rebec, wind instruments, percussion, etc.

The performances here are wonderful and full. The Early Music Consort of London recorded this first for vinyl in 1970; this CD is a reissue, well engineered. David Munrow was the director as well as performer on recorder, fluet, shawm, crumhorn and bagpipes. Munrow's talents are well suited to this kind of medieval music. Among the other performers are soprano Christina Clarke, counter tenors James Bowman and Charles Brett, tenor Nigel Rogers and baritone Geoffrey Shaw. Musicians include Eleanor Sloan on treble rebec, Oliver Brookes on bass rebec, James Tyler on lute and citole, Gillian Reid on the bells, Christopher Hogwood on harp, organ, nakers and tabor, and James Blades on nakers and tabor.

This recording is superb, a great addition to an early music library, and a joy to have as a CD - I had the vinyl of this, but over time it warped in storage, and I was very sad to have lost such a brilliant collection of music. Here it is again, restored and full of power and life.

2 out of 5 stars Overrated.......2005-03-03

Note that I am a harsh reviewer, especially for music... but there are a lot of problems with this CD and there are better other there.

It is certainly interesting music and it does have historical value, but it is by no means unique.

Here are my criticisms:

1)
All of the 19 tracks are short. They range from 1-4 minutes with an average of around 2 1/2 minutes per track.

2)
This wouldn't be all that bad, except that none of those 19 tracks really stood out. They are all slow-paced and generic with little feeling of variety. Essentially, despite being a fan of the genre, I just couldn't get 'into' any of the music. It was not at all inspiring.

3)
One of my favorite things about medieval/renaissance music is the excellent balance and combination of voice talent and instruments.
This CD did not come through at all in that area, however.
The majority of this CD was the mellow, slow-paced singing that many people associate with the genre.
However, whenever the singers got going, the relatively few instruments all disappeared entirely, leaving you with just the singers (who weren't powerful enough to carry the show alone).


If you are a fan of the genre, then you might want to add this to your collection just because it isn't very expensive.

However, if you are merely interested in trying out the archaic music genre, then I defintely would recommend:
"Sinners & Saints - The Ultimate Medieval and Renaissance Music Collection"
*instead* of this one.
I gave Sinners & Saints a 5/5 - It was the CD that this one should've been.
Big: The Musical (1996 Original Broadway Cast)
Average customer rating: 4 out of 5 stars
  • didn't work for rehearsals
  • Big for folks doing the Musical
  • It's Awesome, It's Amazing, It's BIG!!!!
  • a lost gem
  • Ungodly awful
 Big: The Musical (1996 Original Broadway Cast)
Richard Maltby Jr.
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
Contemporary MusicalsContemporary Musicals | Musicals | Broadway & Vocalists | Styles | Music
GeneralGeneral | Broadway & Vocalists | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
The Decca Records StoreThe Decca Records Store | Specialty Stores | Music
Similar Items:
  1. Big: The Musical
  2. Baby (1983 Original Broadway Cast)
  3. Nick & Nora (1990 Original Broadway Cast)
  4. Curtains (2007 Original Broadway Cast)
  5. 110 in the Shade (2007 Broadway Revival Cast)

ASIN: B000005AY0
Release Date: 2001-09-25

Tracks:

  1. Overture/Can't Wait
  2. Talk To Her/Carnival/Zoltar Speaks
  3. This Isn't Me
  4. I Want To Go Home
  5. The Time Of Your Life/Fun
  6. Josh's Welcome/Here We Go Again
  7. Do You Want To Play Games?/Stars, Stars, Stars
  8. Cross The Line
  9. It's Time
  10. Stop, Time
  11. The Nightmare
  12. Dancing All The Time/I Want To Know
  13. Coffee, Black
  14. The Real Thing
  15. One Special Man
  16. When You're Big/Skateboard Ballet
  17. I Want To Go Home/Stars, Stars, Stars (Reprise)/Finale

Customer Reviews:

4 out of 5 stars didn't work for rehearsals.......2007-03-22

I used this CD to help me rehearse for the BIG production I was in, but it didn't match the libretto at all. I think there was one song on there that I could use.

3 out of 5 stars Big for folks doing the Musical.......2006-03-20

If you're getting this CD to help prepare for your school or community group doing the musical, there are a lot of changes from the CD to the book. Aside from finding the book in a new key and some chunks added/deleted, Here We Go Again and When You're Big aren't included anymore.

Overall, the music's a little trite, but there are some nice moments -- mostly the stuff sung by the female leads.

5 out of 5 stars It's Awesome, It's Amazing, It's BIG!!!!.......2006-01-22

My high school did "Big" my sophomore year, and oh my god, it was such a fun musical to do. I kind of forgot about it until my senior year, when I suddenly craved some of that music again. So I purchased this CD and I've been loving it since. They got rid of a couple of the songs and replaced them with others as the show progressed on Broadway, so I was suprised to hear new material (to me anyways), and for the most part, I actually enjoyed these original songs over their replacements that my production contained. This cast is phenomenal and the guy who plays Josh Baskin sounds so much like Tom Hanks at points, its crazy. It's a simple, yet a bit fantastic musical about growing up, and it's funny and romantic, and a lot of fun. I love all the songs, and it's a shame it didn't do too well on B-way. At least this recording will keep the music alive.

"This Isn't Me" is one of my favorite tracks, as it's a lot of fun and has a great beat, but suprisingly it was replaced with "Good Morning to Mom", which was only so-so. "I Want To Go Home" is a great ballad that Josh sings, and its simple, a bit funny, and the ending is the best, as its cute and sad. Another song they got rid of, "Here We Go Again", is a song Susan sings, and again, I like it alot. It has a quirky melody that I like. "Stars, Stars, Stars" is another great song, and is quite cute. One of the more popular songs. "Cross The Line" is the finale to Act I and is also very excellent and up beat, and makes you want to dance. "Stop, Time" is my favorite song on the album by far. Sung by Josh's mom, it is one of the more poignant moments of the show. Heartfelt, sad, and truly beautiful, it defiantely makes you appreciate your mom. Barbara Walsh sounds superb on this: she has a great voice. I love this one. "Dancing all the Time" is another good Susan song, and it leads into "I Want To Know" by Young Josh, which is another good ballad. "Coffee, Black" is another showstopper, fun ensemble song, and again, very comedic. "One Special Man" is Susan's ballad to Josh, and it is very beatiful. My only regret is that its only 2:21 so its a short one, and I just want her to start belting at the end, but no, its a quiet ending. Still, I love this one too. The finale is great too, and features an amazing duet between Josh and Susan. I love the harmonies they do.

All in all, this is a great album. Sample the songs and give it a try. This is a must have!!

4 out of 5 stars a lost gem.......2004-10-14

i saw this musical at the local high school in 2001 and was plesently suprised i of course saw the movie and the only thing i knew about this musical was it didnt stay long on broadway, so when i saw it was i shocked this is a delight cross the line still resenates in my head 5 years later.

1 out of 5 stars Ungodly awful.......2004-06-19

BEWARE. This musical is perhaps one of the five worst pieces of music I have ever experienced. I began to wonder if the composer was attempting to make the world's worst musical. Listen for yourself and enjoy the disjunct vocal lines, the desperate attempt at "fun music", and - worst of all - how the highlight of the entire show both dramatically and musically is the insipidly awful "Heart and Soul". Stick to the movie because this baby is horrendous.
Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
Average customer rating: 5 out of 5 stars
  • Irresistible
  • "Some Enchanted Evening" with Kunzel and the Cincinnati Pops
  • Excellent!
  • Great Arrangments
 Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Pop | Styles | Music
GeneralGeneral | Easy Listening | Pop | Styles | Music
Orchestral PopOrchestral Pop | Easy Listening | Pop | Styles | Music
Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
GeneralGeneral | Broadway & Vocalists | Styles | Music
Similar Items:
  1. Lerner & Loewe Songbook for Orchestra
  2. Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri
  3. Puttin' on the Ritz: The Great Hollywood Musicals
  4. The Sound Of Music (1987 Studio Cast)
  5. Classics of the Silver Screen

ASIN: B000003CXQ
Release Date: 1992-01-28

Tracks:

  1. Oklahoma!
  2. Carousel
  3. State Fair
  4. South Pacific
  5. The King And I
  6. Cinderella Waltz
  7. Flower Drum Song
  8. The Sound Of Music

Customer Reviews:

5 out of 5 stars Irresistible.......2005-07-29

From beginning to end this CD is pure delight. A great recording has great music, a great performance, and great sound; this one scores on all three counts.

Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.

This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).

In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.

5 out of 5 stars "Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26

Erich Kunzel's Rodgers and Hammerstein anthology with the Cincinatti Pops Orchestra is one of the best and most ravishing instrumental Rodgers and Hammerstein albums of all time. With sumptuous arrangements and warm, natural Telarc recording, this glorious 77-minute CD presents sweeping, melodic arrangements of over 60 Rodgers and Hammerstein selections, spanning eight scores, and Kunzel allows the Pops to play with a characterful and polished understanding of the Rodgers and Hammerstein idiom. The disc is enough to cheer you up on a dull day and make you smile, and it might even want to make you feel like a convert to Rodgers and Hammerstein musicals.

This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.

After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.

Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.

By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.

5 out of 5 stars Excellent!.......2003-04-08

This is one of the best Erich Kunzel/Cincinnati Pops collections we own! A must for Rodgers and Hammerstein fans, too.

5 out of 5 stars Great Arrangments.......2001-09-02

This is a first rate album with great arrangments and orchestrations. If you're a Rodgers and Hammerstein fan, you can't afford to miss this specatacular album
The Real Me
Average customer rating: 4.5 out of 5 stars
  • This followed Heat of Heat
  • "When Your Heart's On Fire . . . You Must Realize. . . Smoke Gets In Your Eyes"
  • Take note Regina....and all of your fans....
  • Patti austin
  • Just "Classic"!
 The Real Me
Patti Austin
Manufacturer: Qwest / Wea
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
GeneralGeneral | R&B | Styles | Music
GeneralGeneral | Soul | R&B | Styles | Music
GeneralGeneral | Adult Contemporary | Pop | Styles | Music
CDs $7 - $10CDs $7 - $10 | Adult Contemporary | Pop | Today's Deals in Music | Formats | Music
All Bargain TitlesAll Bargain Titles | Adult Contemporary | Pop | Today's Deals in Music | Formats | Music
CDs $7 - $10CDs $7 - $10 | R&B General | R&B | Today's Deals in Music | Formats | Music
All Bargain TitlesAll Bargain Titles | R&B General | R&B | Today's Deals in Music | Formats | Music
CDs $7 - $10CDs $7 - $10 | Soul General | Soul | R&B | Today's Deals in Music | Formats | Music
All Bargain TitlesAll Bargain Titles | Soul General | Soul | R&B | Today's Deals in Music | Formats | Music
Similar Items:
  1. Street of Dreams
  2. Love Is Gonna Getcha
  3. The Ultimate Collection
  4. Love Collection: Collectors Series
  5. In & Out of Love

ASIN: B000002LDO
Release Date: 1990-10-25

Tracks:

  1. I Can Cook Too
  2. Stockholm Sweetnin'
  3. Smoke Gets In Your Eyes
  4. True Love
  5. Across The Alley From The Alamo
  6. How Long Has This Been Going On?
  7. Lazy Afternoon
  8. Love Letters
  9. They Can't Take That Away From Me
  10. Mood Indigo
  11. Cry Me A River
  12. Someone Is Standing Outside
  13. Spring Can Really Hang You Up The Most

Customer Reviews:

5 out of 5 stars This followed Heat of Heat.......2007-03-15

Patti did a 180 right after she did Gettin' Away With Murder (which had The Heat of Heat and If I Believed and Summer Is The Coldest Time Of Year). At first I thought it was a bad career move...

Until I listened to it. All I wanted was for Patti to be happy and if this made her so then I was too. I am a Patti Austin fan no matter what she does.

5 out of 5 stars "When Your Heart's On Fire . . . You Must Realize. . . Smoke Gets In Your Eyes".......2006-11-21

Patti Austin, one of the best female vocalists of our time, will beguile your ears with this well-produced CD. How can you not love this CD when she is surrounded by a line-up of great musicians: David Benoit (keyboards/arranger), whom I've watched in a live concert years ago and I was simply impressed with his artistry, Earl Klugh (guitar), Michael Brecker (sax), Michael McDonald (vocals/piano), Paulinho da Costa (percussion), David Pack (vocals/arranger/producer), Marty Paich (arranger), James Ingram and Luther Vandross (vocals), among others.

The stellar music offerings include my all-time favorite standards arranged and performed in mesmerizing smooth jazz style. Ms. Austin will fill your heart with a sense of nostalgia as she sings the most beautiful female vocal versions of Jerome Kern/Otto Harbach's "Smoke Gets In Your Eyes," George and Ira Gershwin's "How Long Has This Been Going On?" and Duke Ellington, Irving Mills and Albany Digard's "Mood Indigo." These I believe are the highlights of this remarkable recording.

She will also delight you with her charming interpretations of time-tested classics such as Cole Porter's "True Love," a remarkable duet with David Pack, Edward Heyman/Victor Young's "Love Letters," John Latouche/Jerome Moross' "Lazy Afternoon" and George and Ira Gershwin's "They Can't Take That Away From Me."

Arthur Hamilton's "Cry Me A River" is heartfelt and sincerely executed and features Jon Faddis on a lovely trumpet solo. Patti Austin and David Benoit share the honor in the superb arrangement while Marty Paich is credited as Strings arranger and conductor. This is one of the most sublime interpretations and her inspirational source is derived from Julie London's version from the album "Julie Is Her Name."

"Well, you can cry me a river
Cry me a river
Cause I cried a river over you."

If you love the smooth sound of jazz and appreciate standards as well, then this recording will satisfy your auditory sense to the fullest.

Wholeheartedly recommended.

5 out of 5 stars Take note Regina....and all of your fans...........2006-10-06

This is an exceptional recording which I too, purchased originally on LP. Patti Austin's vocals are very jazzy, full and make every song an absolute joy to listen to. Lazy Afternoon is breathtakingly good, Smoke Gets in Your Eyes is beautifully done and the list goes on. One of my other favorites is "You Can't Take That Away from Me", which is jazzy, clean and smartly arranged.

The old standards are very difficult for just any vocalist to sing. The standards are real music with full composition and intricate vocals and almost all of the songs from this time period (50s, 60s) are from a time when music was truly at it's best....in terms of musicianship, skill and natural talent.

The band is awesome and Patti can just SING....

Like Natalie Cole, Patti's voice was meant to sing the old standards and it is worth double the money to own this one....

5 out of 5 stars Patti austin.......2006-03-15

If you enjoy listening to Patti Austin. The Real Me is the album that you should get. I enjoyed listing to her version of cry me a river and lazy Afternoon. The rest of songs are also great to listen to. The album has a swing touch to it. It's a album that patti austin's fans should get.

5 out of 5 stars Just "Classic"!.......2005-09-17

As with other reviewers, I first bought this on vinyl (when it was released). I had other albums by Patti Austin, but this allowed me to "hear her" in the songs she loved best. You can't ignore the arrangements, the musicians (anyone who was a lover of liner notes would have recognized the names)...and the special guests! Listening to Patti Austin makes one appreciate the human voice -without electronics behind it.
Greatest Hits
Average customer rating: Not rated
    		Greatest Hits
    Jody Watley
    Manufacturer: MCA
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Latin Music | Styles | Music
    GeneralGeneral | R&B | Styles | Music
    ASIN: B0009TP7A0

    Product Description

    selections: Looking for a new love, some kind of lover,riends, still a thrill, everything, don't you want me, most of all, I'm the one you need, ecstasy, when a man loves a woman, real love,
    Get Happy
    Average customer rating: 5 out of 5 stars
    • Best of Shearing AND Kings Singers
    		 Get Happy

    Manufacturer: EMI / Angel Records
    ProductGroup: Music
    Binding: Audio CD

    All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    Lullabies & BerceuseLullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
    EnglishEnglish | Languages | Opera & Vocal | Styles | Music
    GeneralGeneral | Soundtracks | Styles | Music
    GeneralGeneral | Broadway & Vocalists | Styles | Music
    A CappellaA Cappella | Folk | Styles | Music
    Similar Items:
    1. King's Singers Believe in Music
    2. The King's Singers Original Debut Recording

    ASIN: B000002RS1
    Release Date: 1991-08-16

    Tracks:

    1. Sweet And Low-Down
    2. The Half-Of-It-Dearie Blues
    3. The Real American Folk Song
    4. Any Place I Hang My Hat
    5. III. Wind
    6. I Got Rhythm
    7. Out Of This World
    8. Over The Rainbow
    9. One For My Baby
    10. Oh, I Can't Sit Down
    11. But Not For Me
    12. It Ain't Neccessarily So
    13. It's A New World
    14. Get Happy
    15. When The Sun Comes Out
    16. My Shining Hour
    17. Lullyaby Of Birdland

    Customer Reviews:

    5 out of 5 stars Best of Shearing AND Kings Singers.......2002-05-26

    This is a fantastic recording. There are interesting arrangements from some of the best popular music arrangers, including Richard Rodney Bennett, Paul Hart and Daryl Runswick, not to mention Shearing's great new 5/4 version of his best-loved song Lullaby of Birdland, which begins with a jazz version of Brahms' Lullaby.

    The Kings Singers are in fine form, with their flawless intonation and meticulous attention to creating a great sound.

    Each track features just the sextet, Shearing and a double bass (played by Neil Swainson), except for One For My Baby, which adds John Harle on saxophone. That track is one of the three terrific Daryl Runswick arrangements included on the album.

    Other stand-outs are:

    The-Half-of-It-Dearie Blues, which sounds very similar to their much earlier version of it, i.e. sensitive and sensuous.
    Gershwin's The Real American Folk Song (is a rag)
    Daryl Runswick's interpretations of I Got Rhythm and Anyplace I Hang My Hat
    Over the Rainbow

    It is worth getting Amazon to hunt for this album for you: it is one of the very best of many fine albums the performers have made. Getting them together for this disc was a first-class idea.

    R&B Music:

    1. This Is How We Do It
    2. This Time
    3. Till Da Sun Comes Up [CD-single]
    4. Trio [Import]
    5. Wild Child [Import] [Original recording remastered]
    6. You're Gonna Love It
    7. And the Music Speaks
    8. Any Love
    9. Anytime
    10. Azz Izz

    R&B Music

    r&b music

    Recommended Music:

    Pound for the Sound

    Verdi Celebration In English

    Travels

    Music CD: Glenn Miller: Strike up the Band

    Yellow Fever [Import]

    Velo

    Winds of Change

    Tirfing (Highlights)

    Waylon Jennings - Greatest Hits (RCA)

    Una Vida De Cine [Import]

    Uncollected Big Bands, Vol. 5

    University Of Mary Jazz Enselmble

    Tunnel Trance Force, Vol. 22 [Import]

    Aaron Copland: Symphony No. 3; Danzón cubano; El Salón México

    Stride and True