T.E.V.I.N.

Track Listings
1. Round and Round [Soul Mix Edit]
2. Interlude/Over the Rainbow and on to the Sun
3. Tell Me What You Want Me to Do
4. Lil' Brother
5. Alone With You
6. Strawberry Letter 23
7. One Song
8. Just Ask Me To
9. Goodbye
10. Perfect World
11. Confused
12. Look What We'd Have (If You Were Mine)
13. She's All That

T.E.V.I.N.,Tevin Campbell,Warner Bros / Wea,New Jack Swing,Pop,R&B,Soul/Reggae/Rhythm & Blues,Urban

T.E.V.I.N.

T.E.V.I.N.
Instruments of the Orchestra
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 Instruments of the Orchestra
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Manufacturer: Naxos
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Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Ludwig van Beethoven

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
T.E.V.I.N.
Average customer rating: 4.5 out of 5 stars
  • Love It!!!!
  • My "T.E.V.I.N" review
  • G.R.E.A.T
  • He's All That
  • This album takes me back
 T.E.V.I.N.
Tevin Campbell
Manufacturer: Qwest / Wea
ProductGroup: Music
Binding: Audio CD

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  1. I'm Ready
  2. Back to the World
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ASIN: B000002LM3
Release Date: 1991-11-19

Tracks:

  1. Round And Round (Soul Mix Edit)
  2. Interlude/Over The Rainbow And On To The Sun
  3. Tell Me What You Want Me To Do
  4. Lil' Brother
  5. Alone With You
  6. Strawberry Letter 23
  7. One Song
  8. Just Ask Me To
  9. Goodbye
  10. Perfect World
  11. Confused
  12. Look What We'd Have (If You Were Mine)
  13. She's All That

Customer Reviews:

5 out of 5 stars Love It!!!!.......2007-01-09

Now what pre-teen/teenage girl during this era wasn't in love with Tevin Cambell? Despite his outcome, hands down, the boy sang some great tunes! Brought back childhood memories, played it for two months straight alongside "I'm Ready!"

3 out of 5 stars My "T.E.V.I.N" review.......2006-08-08

The first time I heard a Tevin Campbell song, I know what an extraordinary talent he was. He has such a grand voice. So often, people blessed with great voices such as his have little or no control of their vocals. Not Tevin Casmpell. He has really good control of his voice and knows when to hit which note. He has an impressive debut LP. The producers (who included Al B. Sure, Qhincy Jones and Prince) did a nice job, even though many of his songs sounds dated. Usually this is a big deterent when trying to enjoy an older album, but it was not a big problem. The sound of this album actually took me back to the time it was released (1991).

"Just Ask Me To", "Lil Brother" and "She's All That" all have similar sounds: they all sound very dated. I didn't really enjoy none of these songs, they just sounded like fillers. "Confused", on the other hand, is a very nice song. I enjoyed every second of this song. I love the arrangement of the chorus, how the notes fluctuate. Vocally, this song is also wonderful. "Tell Me What You Want Me to Do" is another album highlight. This is an excellent song throughout. The production, lyrics, and naturally, the vocals, are all something to remember. Tevin lets his talent simply shine on this song. His falsettos will just make you melt. Tevin has a song on here entitled "One Song". This is another impressive number. This song is about how one song can change the world. "Round and Round" was produced by musical genius Prince. This song has the typical Prince sound. Anyone who is even remotely familiar with Prince knows that when he produces a song, people will know it simply from the sound. "Perfect World" is a cute love song. The chorus is worth mentioning; "Since I met you, it's such a perfect world..."

I really enjoyed this album. It's nice to know that you can put music like this in and be reminded of earlier times in your life.

Mikeisha's Top 5
1. Round and Round
2. Tell Me What You Want Me to Do
3. Confused
4. Perfect World
5. One Song

5 out of 5 stars G.R.E.A.T .......2006-04-22

Tevin and I are around the same age, and I remember listening to this tape over and over again. I particularly like Strawberry Letter 23, and Tell Me What You Want Me To Do, and One Song. It seems that everyone forgot about Tevin when Usher came along, but thats okay, I will still continue to listen to Tevin Campbell. I don't like the songs they come out with now a days. I will continue to represent the old R&B songs.

4 out of 5 stars He's All That.......2005-12-13

It recently occurred to me that one reason middle aged white music fans (of which I am one, I gotta admit) don't particularly care for contemporary R&B is that it is not funky and raw the way that we understood the best black music to be back in the 60s and 70s. We admired the blues because it was raw and vital. And even if we recognized that Atlantic and Motown soul were considerably slicker, they were still direct and emotive and ultimately more powerful than almost anything else on the top 40 playlists of the era.

Somewhere along the line, R&B became a lot less about R and only vaguely connected to the B. It was as slick and as studio oriented as much of the product of contemporary white artists. Clearly it was sassier and more street smart than most of the other stuff we were hearing on the radio. But by then, we old guys had pretty much abandoned the radio anyway, and were more likely to hole up with our old Aretha or Tina albums than we were to listen to the newer artists--or for that matter to even listen to most of the newer Aretha or Tina albums.

It's very easy to become and old fuddy duddy. All you have to do is live long enough. But it's also a good exercise to at least occasionally explore music you might have otherwise ignored or abandoned. Whenever I listen to urban R&B of the past 15 years or so, I am often surprised by it. The production is slicker, the arrangements more sophisticated, and the songs more frankly sexual than what we used to call R&B. But it still works, and even if there are few divas to rival Aretha (just wait a millenium or two), the singers are much more powerful and emotive than I ever would have guessed.

Take Tevin Campbell, for example, I do recall hearing the name in the early 90s, but I don't think I was even aware that his popularity soared and then diminished precipitously as he matured. (And, yes, after reading some of the postings here, I realize that that may have had a lot to do with some personal "troubles"--some of which, in this supposedly enlightened age, should never have been so troubling.)

But anyway, what a voice! The adolescent "Tevvy Tev" of this record had a remarkable range. He opens this album with a Prince song, "Round and Round," which evokes Prince but does not slavishly imitate his phrasing. The wail that begins and ends the song sounds almost primitive, like a call to a tribal gathering. A remarkable performance for so young an artist.

And speaking of his age (14 to 15) at the time of this recording, there is a youthful buoyancy to most of these tracks that is refreshing and quite honest. For the most part, he sings as if he's 15 and not 30. A playful song like "Little Brother"--featuring singer Tyler Collins in the role of the unattainable exotic SEVENTEEN year old he's pursuing--plays off his youth in an lively, exuberant way. Tevin sounds irrepressible and just a little cocky. And that's part of his appeal throughout.

And he can just as handily take on a love-and-brotherhood Alan and Marilyn Bergman showstopper like "One Song" and imbue it with depth and meaning that many adult singers could never muster. Ideals that might sound a little schlocky expressed by a more mature singer sound just about right (and a heck of a lot less naive) when sung by a younger artist.

Like so many R&B records of the 80s and 90s, this record splits up production duties, and this time they're divvied up among some of the greats, including Quincy Jones and Narada Michael Walden. The 15 year old Tevin Campbell was indeed lucky to win the patronage of such accomplished producers. There is nothing splotchy about the album (unlike many records with multiple producers at helm at different times): it flows beautifully. About the only production touch (or was it an artist's whim?) that I would disagree with is the jokey ending to "She's All That." Cute the first time, the "Hefty Bagd full of chips" line loses its charm after the first couple of hearings, and this bit of adolescent silliness really is NOT the way to close out an album that otherwise showed great polish and maturity.

5 out of 5 stars This album takes me back.......2005-05-28

I have always loved this album. The song "confused" brings me back to middle school when I was very much in a confused time. I would play this album over and over. It brings a smile to my face and tears to my eyes, I think about how far I have come from then until now. Somethings I thought I wouldn't survive, but I'm still here today. Thanks, Tevin Campbell for the contribution you made in my young life with this album. I was totally crushed on you. I loved your singing and would love to see you come back. I'm now going to order this cd from amazon so I can take a stroll down memory lane. How sweet it is!
Handel: The Masterworks (Box Set)
Average customer rating: Not rated
    		Handel: The Masterworks (Box Set)

    Manufacturer: Brilliant Classics
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00062FLI8
    Release Date: 2004-11-30
    United We Sing
    Average customer rating: 4 out of 5 stars
    • If you like African American Spirituals you will love this one.
    		 United We Sing

    Manufacturer: Turtle Creek Chorale
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Opera & Vocal | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    ASIN: B00005YC0A
    Release Date: 1995-01-24

    Tracks:

    1. N'Kosi Sikelel I'africa
    2. Amen Siakadumisa
    3. Betelehemu
    4. Something Inside So Strong
    5. Over My Head
    6. Soon-Ah-Will Be Done
    7. Keep Your Lamps
    8. This Little Light of Mine
    9. Hush, Hush
    10. Little Innocent Lamb
    11. Ring Dem Bells
    12. Witness
    13. Elijah Rock
    14. Deep River
    15. Joshua Fit de Battle of Jericho
    16. Balm in Gilead
    17. Sometimes I Feel Like a Motherless Child
    18. Rainbow Round My Shoulder
    19. Hope for Tomorrow

    Tracks:

    1. Ride on King Jesus
    2. Oh Mary, Don't You Weep
    3. Psalm 133:1 Brethen in Unity
    4. Holy Spirit
    5. Available to You
    6. I've Got Something This World Can't Take Away
    7. Call Him Up
    8. I'm a Testimony
    9. Shadow of Your Wings
    10. Make a Joyful Noise
    11. Perfect Praise
    12. Call Him Up (Reprise)

    Customer Reviews:

    4 out of 5 stars If you like African American Spirituals you will love this one........2005-09-07

    Large male chorus singing traditional African American spirituals with great harmony and arrangement.
    500 Classic Masterpieces
    Average customer rating: Not rated
      		500 Classic Masterpieces

      Manufacturer: Vox (Classical)
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      ASIN: B00008FZWM
      Release Date: 1992-11-04
      Maggie Teyte
      Average customer rating: 2.5 out of 5 stars
      • Not representative Teyte
      • Joy and melancholy
      		 Maggie Teyte

      Manufacturer: Decca
      ProductGroup: Music
      Binding: Audio CD

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      The Decca Records StoreThe Decca Records Store | Specialty Stores | Music
      ASIN: B00005NY7B
      Release Date: 2002-01-15

      Tracks:

      1. La Perichole: Tu N'es Pas Beau... Je T'adore
      2. Veronique: Petite Dinde! Ah! Quel Outrage!
      3. Veronique: Ma Foi! Pour Venir De Provence
      4. Apres Un Reve
      5. Si Mes Vers Avaient Des Ailes
      6. Humoresque, Op.101 No.7: Christina's Lament
      7. Songs My Mother Taught Me, Op.55 No.4
      8. Sir Roger De Coverley: Sweet Mistress Prue
      9. Sir Roger De Coverley: Carefree
      10. The Student Prince: Deep In My Heart Dear
      11. The Lilac Domino: What Is Done You Never Can Undo
      12. Conversation Piece: I'll Follow My Secret Heart
      13. Conversation Piece: Nevermore
      14. Der Nussbaum, Op.25 No.3 (Myrten)
      15. Auftrage, Op.77 No.5
      16. Die Mainacht, Op.43 No.2
      17. An Die Nachtigall, Op.46 No.4
      18. Meine Liebe Ist Grun, Op.63 No.5
      19. Now Sleeps The Crimson Petal
      20. Indian Love Song
      21. The Fields Are Full Of Summer Still
      22. E'en As A Lovely Flower
      23. The Nightingale Sings To His Mate In The Tree
      24. Wander-thrist

      Customer Reviews:

      2 out of 5 stars Not representative Teyte.......2005-08-29

      Maggie Teyte is known, for the most part, for her French Art Song recordings. This Decca 'Singers' edition, while entertaining, is not representative of her best, or indeed, her most iconic work. For that, you'll need to turn to her EMI recordings. All that said, these recordings show her in marvellous voice, and a couple of the performances, the Hahn and the Dvorak 'Songs my mother taught me' are very special.

      3 out of 5 stars Joy and melancholy.......2002-02-07

      I wonder how many English singers, born as long ago as 1888, have been resurrected on CD in the year 2001. Dame Maggie Teyte can claim two CDs! This one forms part of the series "The Singers". All the recordings on this CD date from the 1930s. That those years were "lean years" for British singers, is also to Maggie Teyte's credit. Beggars cannot be choosers, of course, and what is here is not necessarily always her best work. The first three tracks show her at her best; elsewhere there are some quaint and queer items. In "Sweet Mistress Prue" you will hear "the sky is blue" and "how I love you" and every possible rhyming line ad nauseum. Eleven of the tracks derive from 1937 broadcasts she gave with the accompanist Rita Mackay. One of them is issued here for the first time, replacing another - a song by Hugo Wolf - that was included in a first issue of this collection on LP in the 1970s.

      The singer puts her stamp on everything, conveying a sense of joy mixed with a tinge of wistful melancholy. Her admirers will welcome this CD with joy. That her voice never recorded well, and that these recordings were never the best of their day, might induce a slight feeling of melancholy.
      L.I.V.E.N.T.
      Average customer rating: Not rated
        		L.I.V.E.N.T.
        New Trolls
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | International | Styles | Music
        ASIN: B00004T45W

        Tracks:

        1. Ho Veduto
        2. Signore Io Sono Irish
        3. Una Miniera
        4. Suite Disco
        5. Una Notte Sul Monte Calvo
        6. Concerto Grosso Number 1
        7. Concerto Grosso Number 2
        8. Le Roi Soleil
        9. Let It Be Me
        10. Vent Anni

        Album Description

        Reissue of 1976 live album by one of the most long-lived and talented bands on the Italian progressive scene. 10 tracks.Standard jewel case.
        Phat Beach [Fatal - E-40 / U Gotta Go - Kinsui / Up To No Good - Eightball & MJG / She's Hollywood - Rod King / Gotta Have Game - Suga T / I'm Hungry - Biz Markie / Like Playas - Young Kyoz / 80 Ways - Def Jef / You Are My Kind Of Guy - Delasaneice / Get Tis Money Honey - Wildliffe Society / I Want The Bomb! - Latanya / I Just Wanna (Be With You) - L.A. Gunz / I Dream You - Chubb Rock / Jock'n Me - MoKenStef
        Average customer rating: Not rated
          		Phat Beach [Fatal - E-40 / U Gotta Go - Kinsui / Up To No Good - Eightball & MJG / She's Hollywood - Rod King / Gotta Have Game - Suga T / I'm Hungry - Biz Markie / Like Playas - Young Kyoz / 80 Ways - Def Jef / You Are My Kind Of Guy - Delasaneice / Get Tis Money Honey - Wildliffe Society / I Want The Bomb! - Latanya / I Just Wanna (Be With You) - L.A. Gunz / I Dream You - Chubb Rock / Jock'n Me - MoKenStef
          v.a.
          ProductGroup: Music
          Binding: Audio CD
          ASIN: B000TUCTE6
          Singers of Imperial Russia, Vol. 3
          Average customer rating: Not rated
            		Singers of Imperial Russia, Vol. 3
            Various Artists
            Manufacturer: Pearl
            ProductGroup: Music
            Binding: Audio CD

            RussiaRussia | Far East & Asia | International | Styles | Music
            GeneralGeneral | International | Styles | Music
            GeneralGeneral | Pop | Styles | Music
            GeneralGeneral | Classical | Styles | Music
            GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
            ASIN: B000000WMN
            Release Date: 1993-11-15

            Tracks:

            1. Sophia - Irena Bohuss
            2. Black Skirt - Irena Bohuss
            3. Traviata: Sempre Libera - Irena Bohuss
            4. I Love Men - Irena Bohuss
            5. Boh: Donde Lieta Usc Irena Bohuss
            6. For Good Night - Irena Bohuss
            7. Sad Song - Janina Korolewicz-Wayda
            8. Halka: Like the Shrub in the Whirlwind - Janina Korolewicz-Wayda
            9. Guelder-Rose - Janina Korolewicz-Wayda
            10. Tosca: Vissi d'Arte - Janina Korolewicz-Wayda
            11. Juive: Pour Lui, Pour Moi, Mon P Act 2 - Janina Korolewicz-Wayda
            12. Soldiers Bride, Op. 8, N. 4 - Anna el-Tour
            13. Zuleika, Op. 34, N. 1 - Anna el-Tour
            14. By the Sea: Op. 46/Not a Sound from the Sea/The Wave Breaks into Spra - Anna el-Tour
            15. Come to the Kingdom of Roses and Wine - Nadezhda Zabela-Vrubel
            16. Sadko: Cradle Song - Nadezhda Zabela-Vrubel
            17. Ruslan and Ljudmila: Magnificent Star of Love...O My Ratmir! - Maria Kuznetsova
            18. Life for the Tsar: It Is Not for That That I Grieve - Maria Kuznetsova
            19. Traviata: E' Strano...Ah, Fors' Lui - Maria Kuznetsova
            20. Taras Bulba: Non, Je N'Ai Pas Sommeil - Maria Kuznetsova
            21. Snow Maiden: How Painful Hre [Act 1] - Lydia Lipkowska
            22. Snow Maiden: But What Ails Me?/Death of the Snow Maiden [Act 4] - Lydia Lipkowska
            23. Barbiere Di Siviglia: Una Voce Poco Fa.. Io Sono Docile Act 2 - Lydia Lipkowska
            24. Tsar's Bride: All the Livelong Day Act 2 - Lydia Lipkowska

            Tracks:

            1. Eugene Onegin: I Love You, Olga (Act 1) - Dmitrij Smirnov
            2. Eugene Onegin: In Your House! - Dmitrij Smirnov
            3. Eugene Onegin: Whither, Whither...Distant Echo of Youth (Act 2) - Dmitrij Smirnov
            4. Dubrovsky: O Give Me Oblivion - Dmitrij Smirnov
            5. Ruslan and Ljudmila: There Is a Desert Country - Dmitrij Smirnov
            6. Rusalka: Unwillingly to These Sad Shores - Dmitrij Smirnov
            7. Prince Igor: Daylight Is Fading, Act 2 - Dmitrij Smirnov
            8. Dobrynja Nikitich: The Flowers Are Blooming in the Fields - Dmitrij Smirnov
            9. Queen of Spades: Forgive Me, Bright Celestial Vision (Act 1) - Dmitrij Smirnov
            10. Queen of Spades: What Is Our Life? - Dmitrij Smirnov
            11. Snow Maiden: Mighty Nature, Full of Wonders Act 2 - Dmitrij Smirnov
            12. Boris Godunov: Yet One More Page...Duet, Pimen & Gregory [Act 1] - Dmitrij Smirnov
            13. Fair at Sorochinsk: Pourquoi, Mon Triste CUr? - Dmitrij Smirnov
            14. Tranquillity - Dmitrij Smirnov
            15. She Was Yours - Dmitrij Smirnov
            16. Before My Window [Op. 26 N. 10] - Dmitrij Smirnov
            17. Cradle Song, Op. 1 N. 5 - Dmitrij Smirnov
            18. I Wish I Were With You - Dmitrij Smirnov
            19. Rose and the Nightingale - Dmitrij Smirnov
            20. O God! How Pleasant a Cool Summer Evening - Dmitrij Smirnov

            Tracks:

            1. Life for the Tsar: My Poor Horse Fell in the Field [Act 4] - Evgenija Ivanovna Zbrueva
            2. Snow Maiden: Clouds Plotted With Thunder [Lel's 3rd Song, Act 3] - Evgenija Ivanovna Zbrueva
            3. Dream on the Volga: Cradle Song - Evgenija Ivanovna Zbrueva
            4. Faust: Versez Vos Chagrins (Act 4) - Evgenija Ivanovna Zbrueva
            5. Ruslan and Ljudmila: And Blazing Heat, Pt. 1 - Evgenija Ivanovna Zbrueva
            6. Ruslan and Ljudmila: The Wondrous Dream of Love [Ratmir's Aria, Act 5] - Evgenija Ivanovna Zbrueva
            7. Erlk - Evgenija Ivanovna Zbrueva
            8. Ruslan and Ljudmila: She Is My Life (Act 5) - Evgenija Ivanovna Zbrueva
            9. Queen of Spades: Dear Friends (Pauline's Song, Act 1) - Evgenija Ivanovna Zbrueva
            10. Doubt. -Be Still My Fears - Evgenija Ivanovna Zbrueva
            11. Rusalka: Hark! The Trumpets Are Sounding...Days of Past Enjoyment [AC] - Evgenija Ivanovna Zbrueva
            12. Prince Igor: Now the Daylight Dies [Konchakovna's Cavatina, Act 2] - Evgenija Ivanovna Zbrueva
            13. Nero: Zulima's Bacchic Song - Evgenija Ivanovna Zbrueva
            14. Carmen: C'Est Toi? C'Est Moi! ...Mais Moi, Carmen, Je T'Aime Encore - Eugene Witting, Evgenija Ivanovna Zbrueva
            15. Life for the Tsar: My Poor Horse Fell...Open Up! [Act 4] - Evgenija Ivanovna Zbrueva
            16. Life for the Tsar: Light the Fires! ...Saddle Your Horses! [Act 4] - Evgenija Ivanovna Zbrueva
            17. Chant Hindou - Evgenija Ivanovna Zbrueva

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            5. The Beginning Of The Industry
            6. The Best of Motorcity, Vol. 10
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