King of Soul

Track Listings
1. Sweet Thing
2. Why Do You Put Your Shoes Under My Bed
3. Three Time Loser
4. I Didn't Think I Could Make It
5. Daddy Please Don't Go Tonight
6. Stop By
7. Love Is Sweeter on the Other Side
8. Ugly Woman
9. Your Love Has Got to Me
10. Standing in the Grits Line
11. You Can't Get Something for Nothing
12. Bad Luck
13. Ain't Nothing a Young Girl Can Do
14. What's in the Headlines
15. If There's a Will There's a Way
16. Yo Yo, Pt.1
17. Yo Yo, Pt. 2

Editorial Reviews
Product Description
You Ought to Know About Don Covay, but If You Don't How About this for Starters. He Wrote Chain of Fools (Aretha Franklin), Sookie Sookie (Steppenwolf), Mercy Mercy (Rolling Stones) as Well as the Classics See Saw, Three Time Loser, Pony Time, Long Tall Shorty and Heaps More. Along with Solomon Burke, Joe Tex and Wilson Pickett was a Member of the Original Soul Clan who with Otis Redding Are Regarded as Soul Music's Definitive Artists. This CD features his Classic Late 60's/Early 70's Original Recordings and Will Appeal to Anyone Interested in the History of Soul Or Listening to Great Deep Soul Music. Includes the Classics "Sweet Thing", "Three Time Loser", "Ain't Nothing a Young Girl Can Do", "Bad Luck", "Daddy Please Don't Go Tonight", "Love is Sweeter on the Other Side".

King of Soul,Don Covay,Aim Records,Deep Soul,Pop,R&B,Rock,Soul,Soul/R & B,Southern Soul,United States of America

King of Soul

King of Soul
Give Me Your Soul...Please
Average customer rating: 4.5 out of 5 stars
  • Good album, but not as good as THE PUPPET MASTER
  • KIng Diamond does it again
  • A Masterpiece
  • More Tales Of Gothic Menace From The King
  • From beyond the grave...
 Give Me Your Soul...Please
King Diamond
Manufacturer: Metal Blade
ProductGroup: Music
Binding: Audio CD

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ASIN: B000QFCD2W
Release Date: 2007-06-26

Tracks:

  1. The Dead
  2. Never Ending Hill
  3. Is Anybody Here?
  4. Black Of Night
  5. Mirror Mirror
  6. The Cellar
  7. Pictures In Red
  8. Give Me Your Soul
  9. The Floating Head
  10. Cold As Ice
  11. Shapes Of Black
  12. The Girl In the Bloody Dress
  13. Moving On

Customer Reviews:

3 out of 5 stars Good album, but not as good as THE PUPPET MASTER.......2007-07-26

I must say it took me about 2 songs to get into this one, but by THE CELLAR, I was hooked. LaRoque shreds on this album similar to the glory days of 87-93, but I hated the fact KD didn't give us the grand falsetto that I feel we all miss.

That being said, it's still a great listen. Second best of KD's this decade with THE PUPPET MASTER way out in front. But you'll love this one as well. Keep rocking KING!

4 out of 5 stars KIng Diamond does it again.......2007-07-24

King Diamond has released another great album "Give Me Your Soul Please" is an excellent follow up to "The Puppet Master". With great riffs and a creepy as HELL storyline, The King has found magic again, let's hope there is more twisted tails to come.

5 out of 5 stars A Masterpiece.......2007-07-20

The King has done it again!

King's command of his voice is more controlled than it has ever been in his career. The story line is as good for conjuring up images in the imagination as ever.
The guitar work is just as inspirational as it was since Fatal Portrait but with a maturity that allows Andy and Mike to hit the sweet spots regularly.
The rhythm section is groovin with Hal putting down some very memorable bass lines.
The production makes me ever so glad these guys are able to have control over their recordings since Puppet Master. You can hear everything. The sound is warm. I would love to hear the album 'Them' re-recorded with Andy's mobile studio.

The true greatness is that all of these points, while they stand on their own, don't just stand by themselves. They mix together in a greater blend that makes this album one that gets replayed again and again, not only through the speakers but in your head as well.

4 out of 5 stars More Tales Of Gothic Menace From The King.......2007-07-08

King Diamond has really created his own distinct style and genre, and in a playing field with no other contenders, he reamains the King indeed. King Diamond albums have been something I look forward to since I was 13 or so, when I first heard "Them". Bizarre, gothic and dark concept albums featuring the phenomenal classic metal guitar work of Andy LaRocque and others and, of course, King Diamond's incomparable caterwauling vocals and sinister storytelling, there is nothing else quite like it.

"Give Me Your Soul Please" is no exception, and an excellent addition to King's canon, his latest tale of the supernatural involves murder, suicide, a ghostly apparition of a little girl in a bloody dress, a black cat, and a floating severed head. So, business as usual. (laughs) I always love the way King assumes the voices of different characters in his stories in an almost theatrical manner, and the eerie music and amazing, intese riffs and solos laid out on this release by Mike Wead and Andy LaRocque are just sick....I had a blast with this disc, but for other King fans it is perhaps a bit weaker than some of his other releases (although it is hard to top the trifecta of "Them", "Conspiracy" and "The Eye", which remain my favorite). For folks who are new to the King, this really isn't a bad place at all to start. Be sure to listen all the way through, preferably in one sitting (the only proper way to listen to a King Diamond album). In a crowded metal scene, this stuff really comes off as being quite original....recommended!

5 out of 5 stars From beyond the grave..........2007-07-07

Another splendid musical horror novel from King Diamond, the little girl in the bloody dress comes through the mirror, uncertain about her state of being... the introductory song "Dead" is laden with mood-setting organ, haunting voices explaining the basics of the disturbing plot, dealing with a little brother and sister who were murdered by their father, but are scheduled for different destinations "after death" - it is up to her to save him from Hell, after being accused by "the powers that be" of suicide. She reveals the true circumstances of their demise - to set the terms "right" so they may 'rest in peace' together, presumably in "Heaven", although 'demons' pine for both their 'souls' in this supernatural adventure / thriller concept album.

The album features the spectral voice of Livia Zita, whom you may recognize from 'The Puppet Master' as well, adding an enchanting compliment to the music as well as storyline. Besides the intricate Metal instrumentation, cellos and the harpsichord are included, adding an eerie feel to the brilliant orchestration.

Of particular note, My personal favorites herein are "Dead" {the 'gothic' horror instrumental}, "Give Me Your Soul" {really displays the talent and skill of the band}, "Shapes of Black" {great beat and harmony; one can actually relate to these occurrences, environment, and denizens}, "Cold As Ice" {the cold temperature in the dark room even in remmus}, "Girl In The Bloody Dress" {the rhythms and correlations of voices}, and "Moving On" {the hypnotically-melancholy quality and voice combinations} .

The aesthetics are predictably wonderfully ornate, of course featuring the band, and one Magic, King's black cat familiar, perceiving the ghost as familiars are said to sense. It was also gratifying to see the band dressed in black robes within, each signalling the Cornu, adding a most evocatively mystical impression. King promises a Hell of a show to accompany this chapter as well, repleat with horror psychodrama.

Overall, 'Give Me Your Soul... Please' is definitely one of King's best.
The Ultimate Collection
Average customer rating: 5 out of 5 stars
  • Great introduction to B. B. King
  • The Best single disc of BB you will find
  • Terrific Decades Spanning Compilation!!!
  • unbelievable
  • The Growth of a Legend
 The Ultimate Collection
B.B. King
Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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  5. Damn Right, I've Got The Blues

ASIN: B0007QJ1PM
Release Date: 2005-03-15

Tracks:

  1. Three O' Clock Blues
  2. Please Love Me
  3. You Upset Me, Baby
  4. Sweet Sixteen Parts One & Two
  5. Rock Me Baby
  6. How Blue Can You Get?
  7. Everyday I Have The Blues
  8. Sweet Little Angel
  9. Don't Answer The Door
  10. Paying The Cost To Be The Boss
  11. The Thrill Is Gone
  12. Nobody Loves Me But My Mother
  13. Chains And Things
  14. Ain't Nobody Home
  15. I Like To Live The Love
  16. Never Make A Move Too Soon
  17. Better Not Look Down
  18. There Must Be A Better World Somewhere
  19. When Love Comes To Town
  20. Ten Long Years
  21. I'll Survive

Amazon.com

B.B. King's music has been anthologized and put in box sets many times, but this is the first single-disc collection that truly spans the American icon's career. It starts with his breakthrough 1951 No. 1 R&B hit "Three O'Clock Blues" and ends, chronologically, with 2000's "Ten Long Years" from his platinum-selling, pop-chart-topping smash collaboration with Eric Clapton, Riding with the King. In between there are 19 numbers that trace King's creative peaks (1969's "The Thrill is Gone," 1960's "Rock Me Baby") and valleys (1973's disco-inspired "I Like to Live the Love"). And they all tell the story of his growth as a performer. As the years and tunes tumble by, King's guitar solos become more expansive and adventurous, and his cross-genre experiments, like 1987's "When Love Come to Town" with U2, grow bolder. "I'll Survive," also featured here, has become King's late-career theme song, but as he heads toward his 80th birthday on September 16, 2005--still playing 150 concerts a year with his vastly influential guitar skills sharp and his voice just a bit weathered--King's version of survival contains genuine majesty. --Ted Drozdowski

Customer Reviews:

5 out of 5 stars Great introduction to B. B. King.......2007-06-22

B. B. King is one of the best known bluesmen of the past several decades. His first hit came in 1951 with the wonderful "Three O'clock Blues" (more on this cut below). Nonetheless, his reputation was not very widespread among "mainstream" America. That changed with the British invasion (the Rolling Stones, Animals, Yardbirds, and so on) as well as the Paul Butterfield Blues Band (the liner notes do a good job of chronicling King's career). By the later 1960s, he became well known to people throughout the world. And in 1970, his great song, "The Thrill is Gone," became a hit. Even though this is a nice compilation of his best works, one can always wonder about items excluded. Personally, I regret that "Why I Sing the Blues" was not a part of this CD. But that is hardly a major problem. One final comment before taking a look at a sampling of his works on this CD. His guitar playing, of course, is legendary, but his is a restrained style, not spitting out a bazillion notes in a few seconds, as some guitarists are wont to do. But his guitar playing is mesmerizing.

Some cuts:

"Three O'clock Blues": This is a nice example of his blues singing. He has a fine voice, a nice blues voice. He looks around, in the song, at 3 O'clock in the morning.

"Well, I can't find my baby,
Lord, I can't be satisfied."

His guitar work is sterling, but understated. There is a very well done guitar turn about 2/3 of the way through. All in all, a strong work.

"Sweet Sixteen": This cut begins with some very well done guitar work. Not wild playing, but controlled and oh so effective. It reminds one that playing fast is not necessarily playing well. He sings of when he met his baby, when she was "sweet sixteen." He says that she was "the sweetest thing I ever seen." But then things soured and she left. He displays great blues singing, as he wails away about her running away from him.

"The Thrill Is Gone": Quintessential B. B. King. This features wonderful guitar work. "The thrill is gone" is sung throughout as a recurring phrase. The pain of lost love is manifest. And his splendid guitar work is a glue that holds the work together.

"Nobody Loves Me but My Mother": This is short but cool! One of my favorites. There is nice keyboard playing. One of the great blues lines is repeated in this bagatelle:

"Nobody loves me but my mother,
And she could be jiving, too."

When all is said and done, this is a good way for anyone interested in B. B. King to be introduced to his work. His blues playing on guitar and his singing are top notch. A good CD to add to one's musical library.

5 out of 5 stars The Best single disc of BB you will find.......2007-04-03

If you are going to own just one CD by the King, this is it. No compilation disc is all encompasing, but this one hits all the highs and well represents the various stages of his career. I particularly like how it is all in chronological order, other compilations could learn from this one.

5 out of 5 stars Terrific Decades Spanning Compilation!!!.......2006-11-13

One of the best compilation CD's that I have ever heard!!! Includes many of B.B.'s early work, without any sugar coating. Includes songs that today might be considered mildly controversial like "Don't Answer the Door" and "Paying the Cost to be the Boss" and classics like "Rock me Baby" all the way through more modern hits like "When Love Comes to Town" with U2. This is a CD that you can play over and over again without getting tired of it.

5 out of 5 stars unbelievable.......2005-06-23

i've never heard music so moving in my entire life, this is the ultimate addition to anyones collection, get it or be lost

5 out of 5 stars The Growth of a Legend.......2005-06-11

This collection of great songs begins with the early hits and moves thru time to the more recent collaborations with U2 and Eric Clapton. You can really hear B.B. King grow as an artist as the album progresses and recording techniques improve. The songs themselves are truly classic : the lyrics to How Blue Can You Get belong in a museum. I especially recommend Paying The Cost To Be The Boss , Never Make A Move Too Soon, and his signature song, The Thrill Is Gone. There is no way that any blues fan cannot enjoy this cd
In Session
Average customer rating: 5 out of 5 stars
  • Best of the best...
  • Unbelievably soulful
  • Rockin From Head to Toe
  • Albert King with Stevie Ray Vaughn.
  • Outstanding!!!!
 In Session
Albert King , and Stevie Ray Vaughn
Manufacturer: Stax
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000JTB2
Release Date: 1999-08-24

Tracks:

  1. Call It Stormy Monday
  2. Old Times
  3. Pride And Joy
  4. Ask Me No Questions
  5. Pep Talk
  6. Blues At Sunrise
  7. Turn It Over
  8. Overall Junction
  9. Match Box Blues
  10. Who Is Stevie?
  11. Don't Lie To Me

Amazon.com

Recorded for a television program of the same name back in 1983, In Session bills itself as the only known recording of Stevie Ray Vaughan and Albert King, who was Vaughan's idol and mentor, playing together. That leads to some heavy expectations, which fortunately aren't disappointed, at least if you aren't expecting the customary over-the-top performances Vaughan was famous for. His playing here is much more laid-back and controlled, which is actually a recommendation--the stylistic similarities between teacher and student are that much more pronounced. The songs are mostly King concert staples, with the exception of "Pride and Joy"; highlights include the T-Bone Walker classic "Call It Stormy Monday" and one of King's own, "Overall Junction," which features some excellent guitar solo work. The snippets of recorded conversation between songs are interesting curiosities as well. --Genevieve Williams

Album Description

Originally recorded for Canadian television. The two blues g uitar legends jam on 'Stormy Monday', 'Don't lie To Me' and 'Pride and Joy'. 1999 release. Standard jewel case.

Customer Reviews:

5 out of 5 stars Best of the best..........2007-07-23

This CD combines two of my favorite blues artists, and they play well together. I've enjoyed listening to this CD, and would recommed it to anyone who likes blues.

5 out of 5 stars Unbelievably soulful.......2007-04-03

If you like high energy electric blues, buy this CD. If you like Stevie or Albert, buy this CD. If you are alive and breathing and want a better life, buy this CD.

5 out of 5 stars Rockin From Head to Toe.......2007-03-18

If you LOVE Stevie Ray, then you'll love him even more on this CD with Albert King. The two of them together = Electric. A must have for your blues collection.

5 out of 5 stars Albert King with Stevie Ray Vaughn........2007-01-24

This Cd was sugested to me when i purchased Jimmy hendricks Blues and I have found it to be better than the original CD I ordered.Thankyou very much Good Job.

5 out of 5 stars Outstanding!!!!.......2007-01-22

To have the opportunty to hear Albert King and Stevie Ray play together was incredible. Just sit back, listen to them play off one another and soak it all in. When you are through do it again.
King & Queen
Average customer rating: 5 out of 5 stars
  • King & Queen: Aces
  • Awesome
  • The Perfect Duo
  • Soul Monarchy
  • King and Queen
 King & Queen
Otis Redding & Carla Thomas
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002IR9
Release Date: 1991-06-11

Tracks:

  1. Knock On Wood
  2. Let Me Be Good To You
  3. Tramp
  4. Tell It Like It Is
  5. When Something Is Wrong With My Baby
  6. Lovey Dovey
  7. New Year's Resolution
  8. It Takes Two
  9. Are You Lonely For Me Baby
  10. Bring It On Home To Me
  11. Ooh Carla, Ooh Otis

Customer Reviews:

5 out of 5 stars King & Queen: Aces.......2006-11-08

Memphis has produced many great musicians. Sam Phillips' Sun Studio, launched in February 1952, boasted Elvis Presley, Jerry Lee Lewis, Johnny Cash, Carl Perkins and Roy Orbison. Beale Street started BB King's career. And then there was Stax/Volt, home to Otis Redding, Sam and Dave, Johnnie Taylor and Rufus Thomas. These Stax acts, ably backed by one of the greatest studio bands of all time, otherwise known as Booker T. and the MGs, have left us unmatched rhythm and blues. (Now, I'm not going to get into the argument of which had the greatest studio band, Detroit's Motown, Atlantic's Muscle Shoals, or Stax: I'm just not competent to do so, unfortunately. I'm just going to say that with Booker T and the MGs behind him, Otis Redding has to be on the short list for greatest rhythm and blues singer, greatest Southern soul singer, however you prefer to characterize his music.) "Sitting on The Dock of the Bay," "Knock on Wood," "Try a Little Tenderness," "I'm Coming Home:" the man had range. What he didn't have, on his own, was humor: that's where Carla Thomas, daughter of Rufus, came in. "Tramp" is an exuberant corn-pone-flavored duet: once heard, it lingers in the mind, or at least in mine. It's funny. The rest of this record, first released in 1967, lingers well, too: the covers of several rock and roll masterpieces like "Tell It Like It Is," "It Takes Two,"and "Bring It On Home to Me," are crisp, light-handed, and sure-footed.

People say that the late, great Marvin Gaye never sang better than when he was paired with Tammi Terrell; that's a matter of personal taste, and I wouldn't say the same about Otis Redding and Carla Tucker. I would say they sang superbly together: if you love 1960's Southern soul, you want to get this rare record before it goes out of print.

5 out of 5 stars Awesome.......2005-08-05

I had to write this because I couldn't believe that none of the people that already reviewed it mentioned "Are You Lonely For Me, Baby?" Definately the best song on the album and one of the best Otis ever recorded. The rest kick ass too.

5 out of 5 stars The Perfect Duo.......2005-07-30

How can anybody from Georgia - even the South - not think that Carla Thomas & Otis Redding are sui generis. The song "Tramp" with their clever exchange of lyrics, and gold digger/dirt farmer jokes is a hoot. "Otis," says Carla, "you ain't nuthin' but country." Otis replies, "That's right, baby. Yes I is." She complains, "You can't buy me diamonds or minks." And he comes back, "Why, woman, I can buy you anything you want - rat, squirrell, frog, anything!" The romantic songs are as good as it gets, as well.

5 out of 5 stars Soul Monarchy.......2000-12-05

Otis Redding & Carla Thomas recorded one album together, but it is an R&B gem. Motown started the duet album trend by pairing Marvin Gaye with Mary Wells, Kim Weston & most famously Tammi Terrell, so this was Stax/Volt's rebuttal. The album is made up of mostly covers, but Mr. Redding & Ms. Thomas attack the songs with a ferocity and verve that makes them sound all there own. Mr. Redding's smooth voice easily mingles with the sass of Ms. Thomas' and this is no better illustrated than on "Tramp" which is pure Southern Soul. They do a tender take on Sam & Dave's "When Something Is Wrong With My Baby" and Aaron Neville's "Tell It Like It Is" while ripping it up on Eddie Floyd's "Knock On Wood" & "Lovey Dovey". It is interesting to hear them do the Gaye/Weston song "It Takes Two" as there is always was a rivalry between Motown & Stax/Volt. King & Queen was a boastful title and the two more than live up to the claim.

5 out of 5 stars King and Queen.......2000-11-02

A fairly swell collection of duets between Otis and Carla. They fit together like, well, King and Queen. If you like the Stax/Memphis sound and Otis Redding and/or Carla Thomas, you can't go wrong on this one. Their version of Eddie Floyd's "Knock on Wood" is an absolute classic. Great Album. Buy it before it goes out of print!
Live at the Regal
Average customer rating: 5 out of 5 stars
  • The KIng at his best
  • b.b. king at the top of his form.
  • A must have for any blues collection
  • Regally Overrated
  • You Really Have To Hate Music To Not Like This
 Live at the Regal
B.B. King
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002P72
Release Date: 1997-07-29

Tracks:

  1. Every Day I Have The Blues
  2. Sweet Little Angel
  3. It's My Own Fault
  4. How Blue Can You Get?
  5. Please Love Me
  6. You Upset Me Baby
  7. Worry, Worry
  8. Woke Up This Mornin'
  9. You Done Lost Your Good Thing Now
  10. Help The Poor

Amazon.com essential recording

Heralded as one of the greatest live blues albums ever recorded, this set catches the singer-guitarist as his star was in ascent: in 1964 playing Chicago's answer to Harlem's Apollo Theater--the Regal. King's performance is visceral. He sings so hard that gravel flies even in his clearest high notes. And his trademark single-note guitar lines are sharp and steely, matching his voice with trembling vigor. He offers early hits like "How Blue Can You Get," "Worry, Worry," and "You Upset Me Baby" to what's essentially his adopted hometown crowd (by his own account, King had already played the theater hundreds of times). They give him a hero's welcome. In fact, the audience's screaming enthusiasm is distracting. But rarely has a love-fest of this magnitude between a performer and fans been documented. --Ted Drozdowski

Customer Reviews:

5 out of 5 stars The KIng at his best.......2007-04-02

As a Memphis native, I have heard B.B. on many occasions. Never have I seen or hear him play with the same passion he did here in 1964. The quality of the recording is outstanding, with Lucille giving the center-stage on many occasions. The clarity and quality is amazing for a forty year old recording. This is the live B.B. King recording to buy. The Cook County Jail performance from 1971 is a close second, but the quality is not nearly as good.

5 out of 5 stars b.b. king at the top of his form........2007-03-13

recorded live at the regal theatre, chicago in 1964, this is generally considered b.b. king's best album, and deservedly so. this is simply one of the great urban blues albums of all-time. b.b.'s singing is as powerful and nuanced on this recording as it was ever to be, before or after. his guitar playing is at a peak of expressive beauty here, far more tasteful and beyond the technic, at this point, of what any rock and roll guitarist was yet capable of. yes, the rock and rollers would improve greatly in time, but this was 1964, and King was the undisputed guitar king. a fine horn section, it should be mentioned, also graces the album. the whole affair is magical. a great night in recording history.

5 out of 5 stars A must have for any blues collection.......2006-12-28

BB King's Live at the Regal is a recording of a great show performed at the Regal Theater in Chicago in 1965. Considered among many, including myself, as his greatest album its a must for any blues collection. King is at the top of his form and you can hear it in his guitar playing. His band gives their all and, importantly, the song selections are magnificent.

Its a great recording of a great performance. Its also a perfect introduction to the blues for neophytes as well. Highly recommended.

2 out of 5 stars Regally Overrated.......2006-06-15

I can't believe the touch of B.B. King. I enjoy his playing immensely. I know this album gets buried in accolades. But I don't like it. The quality is poor and, differing from other's opinions, the crowd noise takes away from the music. B.B. said, in so many words, that Live at the Regal was far from his choice as his best recording. Typically, he said he wouldn't argue with success--and left it at that. There are so many good albums by B.B. You can't go wrong for $4.65 for the "Ultimate Collection". Sure it doesn't have them all--but it has quite a few of his great songs, including a few from Live at the Regal. I would steer clear of this selection. Or I'll send you mine for free!

5 out of 5 stars You Really Have To Hate Music To Not Like This.......2006-05-12

One of the first things people notice when listening to B.B. King's Live At The Regal album is that the response of the audience is rapturous, almost like the congregation at a Pentecostal church. There's a reason for this. This is simply the natural response of anyone hearing the King of the Blues at the peak of his powers.

The critic Lester Bangs once wrote that the reason we listen to music in the first place is to hear passion expressed. If this is the case, which I believe it is for most of us, I can think of very few recordings that are more worthy of your time than Live At The Regal.

I was going to continue on about B.B.'s silky-smooth guitar tone on this album, Erick Labson's excellent remastering job on this CD (Wow - those drums sound GREAT!), B.B.'s incredible gift for pacing a show just right, and so forth, but this is all ultimately superfluous. Let me simply say that B.B. King's music transcends genre distinctions - he is simply one of the treasures of American popular music, and this is him at his finest. To paraphrase a commentator I recently heard on NPR, you really have to hate music to not like this.
Live in Cook County Jail
Average customer rating: 5 out of 5 stars
  • BB in Action
  • Arguably B.B. King's Best
  • Best of BB King
  • Eh
  • When BB is on
 Live in Cook County Jail
B.B. King
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000062Y5
Release Date: 1998-04-21

Tracks:

  1. Introductions
  2. Every Day I Have The Blues
  3. How Blue Can You Get?
  4. Worry, Worry
  5. Medley: 3 O'Clock Blues, Darlin' You Know I Love You
  6. Sweet Sixteen
  7. The Thrill Is Gone
  8. Please Accept My Love

Amazon.com essential recording

One of the greatest concert recordings of all time. How could it be less, with B.B. King performing some of his best material before a literally captive audience in an Illinois prison? "Worry, Worry" and "How Blue Can You Get" take on deeper meanings here, although King works the latter's camp lyrics as if he were in a juke joint. His mix of down-home humility and commanding stagecraft is instantly appealing. And his guitar barks, sings, and squeals with such authority that this is a bravura performance from the first bent, soul-searing note. A true desert-island disc. --Ted Drozdowski

Customer Reviews:

5 out of 5 stars BB in Action.......2006-11-08

B. B. King is more than a talented musician and songwriter, he is a phenomenal entertainer as well. He works a crowd like few others with his obvious love for people and his devotion to giving his best. This album captures BB as he is best, live and in action. He does not need light shows or other props to sell his work, he just plays and sings with a style and an infectious joy that few entertainers can match. One of his best albums.

5 out of 5 stars Arguably B.B. King's Best.......2006-01-14

Fans often call B.B. King the king of the blues guitar, but if B.B. were only a brilliant guitarist he wouldn't be a household name for decades. B.B. King is also a powerful singer, a terrific interpreter of others' material, an effective bandleader and - most importantly - a thoroughly professional entertainer. You can experience all B.B. King's sides on the "Cook County Jail" CD.

Virtually every cut on the CD is a powerhouse. Although the Cook County Jail setting might lead one to expect that B.B. King would play up the outlaw aspects of the blues (the way that Johnny Cash did with his prison LPs), B.B. takes the opposite approach. He delivers a well-rehearsed and utterly professional show. It must have seemed a revelation to rock fans, as most blues-rock concerts at the time were notoriously sloppy affairs. But it's what we expect from B.B. King. He may define himself as a bluesman, but B.B. applied many lessons learned from tight jazz combos.

For the uninitiated, the strong performances of B.B. King's best-known hits "Sweet Sixteen" and the "Thrill is Gone" will be the selling points, but every track has its delights. For me, the strongest moment comes with "How Blue Can You Get?" Here, we clearly get to experience how B.B. King is able to feed off the energy of a responsive audience, to the point where the inmates are practically bandmembers. When we hear their laughter and applause, we know that B.B. King has won over one of the most difficult audiences to please. Every solo on the CD is well-constructed, and at no time does B.B. allow himself to become self-indulgent.

The CD's short running time is the only deficit. While appropriate for an early 1970s LP, this is one short concert by modern CD standards. It would be nice to see this CD reissued with material cut from the original release (as is the usual trend for live album reissues), but there is no denying this is one of the very few live albums worth revisiting again and again. It belongs in the collection of anyone who truly loves post-war blues.

5 out of 5 stars Best of BB King.......2005-09-18

This CD captures the very essence of what makes Blues Boy King the King of the Blues. The power of BB's music thunders througout the CD. This album has the best rendition of "The Thrill is Gone" I have ever heard, and I've heard just about all the versions he has done over the years. You can almost see him crooning to the microphone with his eyes closed, and Lucille gives this song so much more with her solo at the end. If anything buy this CD for the "The Thrill is Gone"; as soon as you get it turn it up, sit down and close your eyes...

3 out of 5 stars Eh.......2004-09-01

I don't get it.
I had high hopes for this CD. Every review I've read, including the editorial review here at Amazon, has been jubilant, and "Live In Cook County Jail" is certainly not a bad record, but it's not great either, and at times it's barely even good.

I have an awful lot of blues albums, and I like to think that I know good blues when I hear it, but I just can't figure out what it is that people find so appealing about this recording.
Sure, King does a very good rendition of his trademark "The Thrill Is Gone" and plays excellent guitar on a great reading of "How Blue Can You Get", but "Every Day I Have The Blues" is marred by bland vocals and horrible drumming (easily the most annoying ever heard on a blues record!).

As for the rest of the seven songs, "Worry, Worry" trails off into long, sometimes tedious improvisations and is badly mixed. The first half of the medley "3 O'Clock Blues / Darlin' You Know I Love You" is pretty good, but "Darlin' You Know I Love You" is more jazz ballad than blues, and while I enjoy a good jazz ballad, I don't expect to find them on blues records. Besides, this one is not really that good either.

King does a good job with "Sweet Sixteen", but the album winds down with a closing number, "Please Accept My Love", which doesn't feel like it belongs on a blues album...there's more pop than blues to it.
All in all, there is some good and some bad on this album, and quite a lot in between. King's playing on "How Blue Can You Get" and "The Thrill Is Gone" rivals anything he's ever done, but those two songs by themselves are not enough to make this a great album.

5 out of 5 stars When BB is on.......2004-08-31

This is one of those concerts where BB is on fire with a very good crowd that was happy to see him. While BB is usually very good in concert some nights he is just on fire and this is one of them.
Live Wire/Blues Power
Average customer rating: 5 out of 5 stars
  • A must!!
  • can't get enough of it
  • BEST BLUES I've heard in MONTHS !
  • Awesome, but Wed & Thurs in SF even better!!!!
  • king of the flying v's and more....
 Live Wire/Blues Power
Albert King
Manufacturer: Stax
ProductGroup: Music
Binding: Audio CD

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ASIN: B000000ZHB
Release Date: 1991-11-06

Tracks:

  1. Watermelon Man
  2. Blues Power
  3. Night Stomp
  4. Blues At Sunrise
  5. Please Love Me
  6. Look Out

Customer Reviews:

5 out of 5 stars A must!!.......2006-03-03

I'll keep this review brief. This CD is nothing less than a Blues guitar statement. One like few others! An absolute must for Blues fans, period! Five stars are not enough for this CD!

5 out of 5 stars can't get enough of it.......2005-02-12

Wow. I just came across this CD for real cheap, and boy was I glad I got it. I have listened to lots of blues players of different types, and the guitar of Albert King is amazing, especially on this disc. I have his In Session CD live with SRV, which was a really strong CD, but this particular CD presents a better sound of his guitar, in my opinion. It sounds sweeter, more well-rounded, powerful, diverse, and dead-on. I really love Albert King's work, and I always wish songs like "Blues Power" and "Blues at Sunrise" were much much longer because this type of slower blues has the sweetest licks. Get this CD. It radiates such warm, positive energy.

5 out of 5 stars BEST BLUES I've heard in MONTHS !.......2004-10-17

I just unwrapped this CD this afternoon, popped into the player and ... it's EXCELLENT! What an inspiration Mr. King must have been to Clapton et al. Each track on this one SMOKES BIG TIME ! The guitar is perfect, raw, loud and captivating. This is what I've been looking for since I expired all of Michael Bloomfield's stuff. If you love Bloomfield, you'll love this and vice versa.

5 out of 5 stars Awesome, but Wed & Thurs in SF even better!!!!.......2004-03-24

Albert is THE master!! This CD is truly powerful guitar playing and great vocals! A must for ALL Blues and rock fans.
As great as Live Wire / Blues Power is, it is very misleading to say that these were the best songs of the live SF shows. ALL songs were great, and the "leftovers" that were placed on the Wednesday night in San Francisco and Thursday night in San Francisco were just as good. All three CD's form the greatest collection of the sweetest guitar playing ever!!!! He was the TRUE master. It's amazing how few paople know about this secret pearl of music.

5 out of 5 stars king of the flying v's and more...........2003-12-09

This is a seminal album....one of the finest live concert recordings ever, irrespective of genre. I saw King Albert twice at the Fillmore East in the old days [this one was recorded at Fillmore West], and this CD [or my old vinyl LP for that matter] captures him in all his live glory. Albert was a consummate professional who hadn't played large venues for the most part in his career when Bill Graham tapped him for the Fillmores, and he succeeded in pleasing [no, knocking out!!] audiences and turning them on to the blues....if you're counting your coins and wondering which next blues CD purchase will best serve your budget [or even if you're made of money and don't care either way but love the blues] - BUY THIS ONE!!!
80
Average customer rating: 4 out of 5 stars
  • BB King - 80
  • B.B. Doesn't Need Help Like This
  • The best
  • In great voice... and a few songs really hit the spot.
  • Happy Birthday, BB King!
80
B.B. King
Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000AA4M9U
Release Date: 2005-09-13

Tracks:

  1. Early In The Morning - with Van Morrison
  2. Tired Of Your Jive with Billy Gibbons
  3. The Thrill Is Gone with Eric Clapton
  4. Need Your Love So Bad with Sheryl Crow
  5. Aint Nobody Home with Darryl Hall & John Oates
  6. Hummingbird with John Mayer
  7. All Over Again with Mark Knopfler
  8. Drivin Wheel with Glenn Frey
  9. There Must Be A Better World Somewhere with Gloria Estefan
  10. Never Make Your Move Too Soon with Roger Daltrey
  11. Funny How Time Slips Away with Bobby Bland
  12. Rock This House with Elton John

Amazon.com

The blues master's 80th birthday gift to his fans is his third all-star collaboration. Its dozen tunes are a mix of classics and obscurities from King's past. They include commendable versions of his signature "The Thrill Is Gone," with Eric Clapton trading vocal lines and licks, and Howard Tate's "Ain't Nobody Home," with Daryl Hall answering King's gritty growl. There are obscurities, too, like "Tired of Your Jive," with a jocular Billy Gibbons, and "Hummingbird," transformed into a melodic gem with the assistance of John Mayer.

What's surprising is how well King's singing and playing continue to resist the years, especially when he unfurls his hearty voice on "All Over Again" as Mark Knopfler's guitar plays equally soulful foil. And Gloria Estefan is richly colorful duetting on "There Must Be a Better World Somewhere." What's disappointing is the perfunctory quality of King's match-ups with Roger Daltrey ("Never Make Your Move Too Soon") and Elton John ("Rock This House"). Van Morrison, Glenn Frey, Sheryl Crow, and Bobby Bland complete the guest list. --Ted Drozdowski

Recommended B.B. King


Completely Well
Riding with the King (with Eric Clapton)
Let the Good Times Roll: The Music of Louis Jordan

Chronicles: Live at the Regal/Blues Is King/Live in Cook County Jail
King of the Blues
The Ultimate Collection

Album Description

Celebrate B.B. King's 80th birthday with his incredible new CD "80", his first new studio album in two years. "80" features newly recorded duets of blues standards with some of today's biggest stars including Eric Clapton, Elton John, Sheryl Crow, John Mayer, Roger Daltry and many more.

One of the most influential guitartists of the 20th Century, B.B. King has achieved icon status, along with his guitar Lucille. Truly the blues greatest ambassador, B.B. continues to electrify audiences and spread the gospel of the blues.

Customer Reviews:

5 out of 5 stars BB King - 80.......2007-01-03

This cd is awesome. I play it almost every day. BB rocks.

3 out of 5 stars B.B. Doesn't Need Help Like This.......2006-08-21

B.B King may be one of the best bluesmen alive but a collaboration album like this is not his forte'. This formula was put to much better use some years ago by John Lee Hooker with two very good albums ("The Healer" & "Mr. Lucky")with a MUCH better selection of guests.
Other reviewers seem very divided about what's good & what isn't on this album but I agree that Van Morrison is by far the best (how could anyone expect less?) and Billy Gibbons & Bobby Bland are, of course, great also. Sheryl Crow is totally out of her element on a very lame version of the great song "Need Your Love So Bad" (Peter Green's version probably spoiled me for anyone else's). The biggest surprise for me was Gloria Estefan's heartfelt performance on "--Better World-" probably the bluesiest cut on the album-didn't know she had it in her. The rest is pretty mediocre; even Eric Capton couldn't breathe new life into "The Thrill Is Gone"; it's just too shopworn. However, even at 80 B.B. King can save just about anything; he's still one of the greatest.

5 out of 5 stars The best.......2006-03-09

Listen to it constantly. Went to his birthday concert. At 80 he is still rockin!

3 out of 5 stars In great voice... and a few songs really hit the spot........2006-03-08

B.B . King can pretty much do whatever he wants at this point; he really has nothing left to prove. The fact that this CD can still reach for some higher level with the obligatory guest star packaging is a feat in itself. While I feel some of the choices here lack inspiration, (Clapton or not, do we need another version of "The Thrill is Gone?")there are a few cuts that stand out and they are worth a listen.
Van Morrison hits all the right notes with B.B. on the traditional "Early in the Morning" as does Bobby "Blue" Bland on Willie Nelson's "Time Slips Away." These two songs are fine examples of two old pros trading lyrics and comments in a loose unscripted fashion.
Mark Knopfler lets loose with some fine guitar of his own "All Over Again" with some of B.B.'s most inspired vocals and Roger Daltrey makes you want to here him sing more blues.
I don't think blues when I think Gloria estefan, Sheryl Crow or Glenn Frey, but nobody really does a bad job; just a collection of forgettable ones.
The bottom line is that at 80 who else can maintain this level...I can't think of anyone other than B.B. King.

4 out of 5 stars Happy Birthday, BB King! .......2006-01-20

BB King still sounds wonderful after 50 years of performing. This happy birthday tribute doesn't disappoint. King teams up with musicians from pop, rock, folk, and jazz to re-create his greats with interesting results. Probably my favorite is his teamup with Slowhand Eric Clapton on "Thrill is Gone." However, Gloria Estefan's clear, sweet voice adds a different and unexpected note to "There's Got to be a Better World Out there." Perhaps it's not King's best, but it's definitely an exceptional addition to any blues collection.

Happy Birthday, BB, and may you rock on for many more years!
The Very Best of Albert King
Average customer rating: 4.5 out of 5 stars
  • The cover says it all.
  • REAL blues and REAL good
  • I'LL PLAY THE BLUES FOR YOU !
  • Highly Recommend!!!!
  • best single disc career overview
 The Very Best of Albert King
Albert King
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000IMS7
Release Date: 1999-04-20

Tracks:

  1. Let's Have A Natural Ball
  2. Don't Throw Your Love On Me So Strong
  3. C.O.D.
  4. Laundromat Blues
  5. Overall Junction
  6. Oh, Pretty Woman (Can't Make You Love Me)
  7. Crosscut Saw
  8. Born Under A Bad Sign
  9. Personal Manager
  10. Cold Feet
  11. Blues Power (Live)
  12. I'll Play The Blues For You (Parts 1 & 2)
  13. Breaking Up Somebody's Home
  14. Answer To The Laundromat Blues
  15. That's What The Blues Is All About
  16. Cadillac Assembly Line

Album Description

The ultimate single-disc tribute to the king of the Gibson Flying V. Blues Masters: The Very Best of Albert King collects 16 of the most influential electric blues tracks ever laid to wax, spanning 1960-1975.

Customer Reviews:

5 out of 5 stars The cover says it all........2007-02-05

Whilst trying to locate some info on the unique Gibson Flying "V" i was stunned (but not entirely surprised)to learn that the "King" of the "Flying V" is reputed to be Michael Schenker!!
Who the hell is Michael Schenker in comparison to this most influential 6 ' 4" giant of guitar? Has Schenker influenced more people than Albert King?
Nobody looks as good with a Flying V as Albert nor is noted worldwide for the distinctive tone connected to the guitar.
On this compilation we have possibly some of the finest tracks culled over Alberts career.(the best parts of his career).
"Personal Manager" contains one of the wildest solos ever done on a slow blues. It creeps up you and towards the end Albert runs out of frets and yells in excitement. He must've been in a good mood when he cut this song.
If any are looking for a song that sums up Albert then it's this one although every track on this CD is perfect.
Albert King's talent will live on as the years go by and in theface of every other genre of music.
Needless to say, if you purchase this CD you will have it ALL... i.e Great music & a dynamic cover photo.

5 out of 5 stars REAL blues and REAL good.......2006-10-18

I just listened to some audio clips of an inept but very popular young guitarist (if we can call him that)who was trying (poorly) to play the blues. Then I pulled out this excellent CD, stuck it in my computer and cleansed my ears of noise pollution.

I'm so grateful for Rhino making compilations such as this so those of us who are too young to have been contemporaries of this wonderful music can still have access to it. I also enjoyed the liner notes and biography of Mr. King.

5 out of 5 stars I'LL PLAY THE BLUES FOR YOU !.......2006-06-29

This is the best compilation to pay tribute to the late, great blues legend Albert King ! There should also be tributes to : Charles Brown, Freddie King, Amos Milburn, Jimmy Reed, John Lee Hooker, Muddy Waters, Little Milton, Little Willie John, Little Johnny Taylor, Z.Z.Hill, Johnny "Guitar" Watson. Rest In Blues Heaven !!

5 out of 5 stars Highly Recommend!!!!.......2005-10-10

Over the years their have been countless compilations of albert king's Stax recordings. But this Rhino's very best of Albert King serves justice to the legendary guitarist most greatest hits including Born Under A Bad Sign, Crosscut Saw, Let's Have A Natural Ball, Blues Power, and many more. Albert King was Stevie Ray Vaughan's biggest influence and he has soon became mine after listening to this incrediable album. You will learn to appreciate a long but forgotten guitar hero Albert King. Enjoy~

4 out of 5 stars best single disc career overview.......2005-05-10

Albert King was a great urban blues singera and one of the best guitarists that played the blues. This CD has 16 of his best tunes. It doesn't cover his entire work, but it is better than "King of the blues guitar" in this aspect, as that one featured just 1966 - 1968 material and this one spans nearly 20 years , from about the late fifties to mid seventies.
However, the track list isn't stellar: I have nothing against the three pre 1966 selections, but the some of the seven tracks from his most famous period between 1966 - 1968 are odd. Why there is Cold feet, which is pretty good, but no As the years go Passing by which is more of a classic and one of his trademark tunes. It is inexcxusable to have a Best of without it. That's why I put 1 star off. The latter tracks are well chosen, so I hink you should pick this one up if you want to have just one Albert King CD. Just add As the years go passing by and you'll have ***** stars as far a single disc collection can go
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Symphonies | Classical | Styles | Music
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

R&B Music:

  1. Let's Have Some Fun
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  3. Live Plus [Live]
  4. Love & Happiness: the Best of [Import]
  5. Love & War [Explicit Lyrics]
  6. Maximum Alicia Keys [Enhanced]
  7. Maximum Slow Jams
  8. Midnight Love
  9. Miki Howard
  10. Mother Wit

R&B Music

r&b music

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