At Last [Import]
Editorial Reviews
Product Description
Australia exclusive album from the renowned vocalist who counts Aretha Franklin as her mentor & who has worked with Diana Ross, Pink Floyd, Steely Dan, Barbra Streisand, The Rolling Stones, & more. MRA. 2005.
At Last,Venetta Fields,Soul/R & B
At Last [Import]
Average customer rating:
- Great CD
- Home is where the heart is
- Being a Flatwoods native, I proudly proclaim this a great album.
- Excellent CD!
- I love Home At Last!
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Home At Last
Billy Ray Cyrus
Manufacturer: Walt Disney Records
ProductGroup: Music
Binding: Audio CD
General
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Similar Items:
- Hannah Montana 2: Meet Miley Cyrus
- The Definitive Collection
- Wanna Be Your Joe
- 5th Gear
- Big Dog Daddy
ASIN: B000QCQGLE
Release Date: 2007-07-24 |
Tracks:
- Ready, Set, Don't Go
- The Beginning
- The Buffalo
- Flying By
- Brown Eyed Girl
- Don't Give Up On Me
- You've Got a Friend
- You Can't Lose Me
- I Can't Live Without Your Love
- My Everything
- Put a Little Love in Your Heart
- Over the Rainbow
- BONUS TRACK: Stand
Amazon.com
With the release of Home at Last, his first disc since "Hannah Montana" made him a TV star, Billy Ray Cyrus has made a lovely album that doesn't lack for substance. Home is as welcoming as a cozy cottage in the woods; instead of carrying on with the maverick country-guy vibe he created for 2006's acclaimed but largely overlooked Wanna Be Your Joe, he settles into an adult-contemporary frame of mind, lacing three compositions he wrote or co-wrote around a handful of classic covers ("Over the Rainbow," "Put a Little Love in Your Heart," "Brown Eyed Girl") and a batch of John Mellencamp-worthy folk-pop. In addition to finding a few recognizable themes (bonus track "Stand," for example, is a pitch for living a principled life), Hannah fans will fall for "Ready, Set, Don't Go," a dad-to-daughter song that sweetly underscores the love in Cyrus' real-life heart. --Tammy La Gorce
Album Description
Billy Ray Cyrus, multi-platinum recording artist and star of the Disney Channel's Hannah Montana and ABC's Dancing with the Stars, returns with a heartfelt, family-inspired album.
Album Description
Hot off of the heels of his successful run on ABC's Dancing With The Stars and now back by popular demand, multi-Platinum singer/songwriter Billy Ray Cyrus, America's Favorite Dad and star of the hit show Hannah Montana, returns to his musical roots with his debut album on Walt Disney Records, Home At Last. This CD features a collection of heartwarming songs written by Billy Ray Cyrus including Ready, Set, Don't Go (as seen on his hit TV show), original music from Grammy® Award winner and uber hit-maker Dianne Warren, a new song from one of Country music's hottest songwriting teams and the creators of Rascal Flatts' #1 song, What Hurts the Most Tom Hambridge, Joanna Smith and Jeffrey Steele, plus four covers of timeless classics!
Customer Reviews:
Great CD.......2007-08-02
I have been a fan of Billy Ray's since 1992 and through the years have enjoyed all of his albums. His new CD "Home at Last" showcases just what a diverse and talented artist he is. I loved every single song on this CD, each performed in his own unique style. Some of the old songs are better than the original recordings. It is an album people of all ages will enjoy!
Home is where the heart is.......2007-08-01
Soft tunes and ballads with a little (not much) expected country influence. Good production like always with Walt Disney and family influenced that is just something that sounds great and worth buying.
Being a Flatwoods native, I proudly proclaim this a great album........2007-08-01
Bias from living in the same hometown as Billy Ray, possibly. Bias to enjoying this new album, most likely. But what is most important is the bias I have to the songs that are portrayed in this newest Album. Some may proclaim this may be a comeback album, but would you consider a come back from someone who has sold millions of albums, had a hit primetime tv show "dancing with the stars," to a hit television series "doc," to a hit kids television series "hanna montanna." Billy Ray Cyrus has done it all. He has defied any and all odds that were ever placed against him. He has never once been ashamed of his hometown roots nor ashamed of his country factor. He is the real deal. The REAL McCoy as some may use in refference. We here in his hometown call him an inspiration and a figure to look up to. Others call him a great dad and cool actor/song writer/musician. Regardless, no denying the factor that Billy Ray has the "it factor" persona and the talent to back it up. What a great Role Model. In this new album, Billy Ray showcases his talents even further and provides the proof that he can not only sing but entertain. The songs are great and provide new edge to his previous flares. I wouldn't go on to label Billy Ray as country, especially with this new album. Instead, I'd just say he's got country talent with big city tones. Each song is hand crafted to bellow out inspiration and provide that uplift in emotion that makes you just wanna dance. Maybe that's fitting considering Billy Ray himself is a dance finalist, but the irony is more after the music itself. Dancing isn't the only thing you will do once you've heard this new cd, you will share it with a friend and enjoy it's every tune. If you are a Billy Ray fan, this song isn't just for you, it's EXACTLY for you. If you are not new to Billy Ray's work and want to fill a curious void, how about this CD to start? This man has got it, the looks, the talent and not to mention the entertainment factor. The real deal has proven himself time and time again and now... he's given those doubters another reason to give him another listen. It's without question, Billy Ray has done it again, he's produced great music that will be talked about years to come. Experience it for yourself.
Excellent CD!.......2007-07-27
I've been a fan of Billy Ray since the very beginning. The quality of his music has never let me down---one great CD after another. They are always excellent, as is this new one, Home At Last. He has been under-rated for far too long. He has emotional depth, a great voice, and great material. Billy Ray is the real deal in a musical landscape occupied by way too many phoneys. If you're not already a Billy Ray fan,do yourself a favor and give his new CD a listen. I might add, that anyone who has raised children or has dealt with life as an adult will thoroughly relate to many of the songs.
Bewick Cory
I love Home At Last!.......2007-07-26
This is a really a great album. I saw the video on the Disney channel and had already fallen in love with Ready, Set, Don't go and then heard The Beginning and fell in love with that one and it just kept going. I really hope he can get some air play with radio and video channels this time. His last album, Wanna Be Your Joe was equally good but couldn't get any air or video play in the US. I hope Billy Ray gets the recognition he deserves with this album. I would love to see him at the top of the charts again.
Average customer rating:
- Etta James At Last CD
- Voice of pure silk
- Etta James/At Last
- At Last - Used this song at a wedding
- etta
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At Last!
Etta James
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Love Songs
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ASIN: B00000JNNY
Release Date: 1999-07-27 |
Tracks:
- Anything To Say You're Mine
- My Dearest Darling
- Trust In Me
- A Sunday Kind Of Love
- Tough Mary
- I Just Want To Make Love To You
- At Last
- All I Could Do Is Cry
- Stormy Weather
- Girl Of My Dreams (Rendered As 'Boy Of My Dreams)
- My Heart Cries
- Spoonful
- It's A Crying Shame
- If I Can't Have You
Amazon.com essential recording
This is Etta James's first full-length album, recorded for Chess Records' Argo subsidiary in 1960. It taps all aspects of her then-blossoming talent. There's the crooning rock ballad "My Dearest Darling" and the elegantly symphonic "Sunday Kind of Love." Her classic, brokenhearted "All I Could Do Was Cry" follows the sweet title track and the bawdy blues stomper "I Just Want to Make Love to You." And there's a version of Harold Arlen's "Stormy Weather," which Lena Horne made famous. James's fine way with such a wide embrace of material wouldn't again be this well displayed on a single album until she was united with producer Jerry Wexler for 1977's Deep in the Night. --Ted Drozdowski
Amazon.com
The R&B queen's classic collection is augmented this time around by a long-overdue digital remastering, plus a few bonus tracks, presumably for those who found the original album a little on the brief side. In addition to James's well-known hits, including "I Just Want to Make Love to You" and "Stormy Weather," there are four additional songs: "My Heart Cries," "Spoonful," "It's a Crying Shame," and "If I Can't Have You." Although one might cynically suggest that these were added to give Etta fans something to purchase besides The Essential Etta James, it's definitely true that these tracks are worth hearing. --Genevieve Williams
Customer Reviews:
Etta James At Last CD.......2007-07-18
I like the CD, but there is a lot of feedback from the amplifier during the song play on the CD - it ruins parts of the songs.
Voice of pure silk.......2007-06-26
I am enjoying this CD. All my friends that listen to it tell me what was going on in their lives when it came out. Thank you Etta for such sweet memories with your voice of pure silk. Johnalita
Etta James/At Last.......2007-06-08
I needed this for my daughter to learn this song and it worked out very well
At Last - Used this song at a wedding.......2007-04-04
We used the song "At Last" at my daughter's wedding as the recessional when they left the ceremony. It was so cute. Great CD with the "old" sound.
etta.......2007-03-16
One of the great divas of the 20th century. Only Aretha and Dinah come close.
Average customer rating:
- Beethoven for Babies
- Nicest classical CD I have found for my baby (& me)
- Ode To Beethoven
- Pseudoscientific crap, but some of the music is good here
- Nicest classical music CD I've found for my baby (& me)
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Beethoven for Babies
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
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ASIN: B000009OU6
Release Date: 1998-08-11 |
Tracks:
- Six National Airs With Variations, Op. 105: The Cottage Maid (Welsh)
- Six National Airs With Variations, Op. 105: The Last Rose Of Summer (Irish)
- Six National Airs With Variations, Op. 105: Chiling O'Guirg (Irish)
- Six National Airs With Variations, Op. 105: English Bulls (Irish)
- Ten National Airs With Variations, Op. 107: St. Patrick's Day (Irish)
- Ten National Airs With Variations, Op. 107: O Mary, At The Window Be (Scottish)
- Ten National Airs With Variations, Op. 107: Oh, Thou Are The Lad Of My Heart (Scottish)
- Ten National Airs With Variations, Op. 107: Fur Elise
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 8 In C Minor ('Pathetique') - Adagio cantabile
- Ten National Airs With Variations, Op. 107: String Quartet No. 13 In B-Flat - Alla Danza Tedesca. Allegro assai
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 7 In D - Menuetto (Allegro)
- Ten National Airs With Variations, Op. 107: The Creatures Of Prometheus - Finale. Allegretto
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 18 In E-Flat - Menuetto (Moderato e grazioso)
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 20 In G - Tempo di menuetto
- Ten National Airs With Variations, Op. 107: Symphony No. 8 In F - Allegro scherzando
- Ten National Airs With Variations, Op. 107: Symphony No. 9 In D Minor ('Choral') - Ode To Joy
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 15 In D ('Pastoral') - Rondo (Allegro ma non troppo)
- Ten National Airs With Variations, Op. 107: Symphony No. 6 In F ('Pastoral') - Hymn Of Thanksgiving
Amazon.com
For the parent looking to ease their child into a familiarity with classical music, this is a very well chosen set of Beethoven works. It begins with a generous selection of airs composed late in the composer's life. The presence of the flute as the lead instrument on these selections has a soothing quality that moves the ear in an ideally subtle way, especially as it gives way to the more excited piano sonata pieces. Zoltán Kocsis's reading of "Pathétique" is followed by Claudio Arrau's take on the 7th, 15th, and 18th sonatas and Sviatoslav Richter's lyrical take on the 20th ("Pastoral"). Programmed amidst the piano pieces, which are great studies in dynamics and musical spacing, are some fine orchestral snippets, none longer than five minutes. The collection does a fine balancing act, condensing works that don't inherently lend themselves to shortened renditions and carefully managing moods, entry, and egress to each segment. This is fine anthology work. --Andrew Bartlett
Customer Reviews:
Beethoven for Babies.......2007-05-21
My baby and I really enjoy this CD. It is so fun to feel the baby get excited when I play it. I have a pillow speaker and just place it right up against my stomach. It evens helps me to get in a nap or just rest for a while.
Nicest classical CD I have found for my baby (& me).......2005-09-01
This is a very pleasant CD to listen to, and I think the quality of the music is excellent. I enjoy listening to this with my 10 month old son, and we also listen to the radio and lots of modern music. I recently purchased 5 of the classical "Baby Einstein" CDs and I consider them to be inferior to this Beethoven for Babies CD. The Baby Einstein are very synthesized sounding and I think they are annoyingly mellow and kind of dopey. This Beethoven CD is beautiful. In fact I'm going to buy 1 or 2 more from this series.
Ode To Beethoven.......2005-05-13
The actual reason I bought this cd is for "Fur Elise" but it turned out to be much more than I bargained for. Before road rage sets in while sitting in a traffic jam during rush hour, play this. If you need to take it easy and escape from your reality, play this. Need something to play at work that's not explicit or offensive, play this. Of course, it's not Beethoven himself, but if you need some quiet time, play this. Even while you read, you could play this. If you want some authenticity to your collection, get Beethoven for Babies.
Pseudoscientific crap, but some of the music is good here.......2004-05-27
The 3 stars is only because the hucksters that put this together at least had the decency to tracks featuring Arrau & Richter on this CD. A lot of these "turn your baby into a genius with classical music" CDs and tapes feature only lousy musical performances from hack musicians you have never heard of.
That having been said, if you are stupid enough to believe any of this "Mozart Effect" horse manure --- which continues to have no support in any sort of controlled test environment --- then your babies will probably inherit your limited intellectual capacities & no amount of Beethoven & Mozart will ever be able to help them.
If, on the other hand, you are introducing Junior to classical music, you could do worse --- but you could also do better. Go get Arrau's complete Beethoven sonatas & concerti, get the Berg Quartett's complete Beethoven quartet cycle, and get John Eliot Gardiner's complete Beethoven symphonies --- just for a start. Also, don't stop with Beethoven & Mozart. My 9-month old daughter gets a diverse exposure to a thousand years of music, and very little is off limits. She got acquainted with the Bartok Quartets within her first couple of months, and it doesn't look like we have created an axe murderer or anything like that.
Anyway, if you want to create a classical music lover, do it right and go the distance, rather than doing it piecemeal with CDs like this. Your baby may still be a moron, but at least will be a moron with exquisite taste.
Nicest classical music CD I've found for my baby (& me).......2003-11-23
This is a very pleasant CD to listen to, and I think the quality of the music is excellent. I enjoy listening to this with my 10 month old son, and we also listen to the radio and lots of modern music. I recently purchased 5 of the classical "Baby Einstein" CDs and I consider them to be inferior to this Beethoven for Babies CD. The Baby Einstein are very synthesized sounding and I think they are annoyingly mellow and kind of dopey. This Beethoven CD is beautiful. In fact I'm going to buy 1 or 2 more from this series.
Average customer rating:
- Guitar textures & sound shapes make meaningful & merry musical statements
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When at Last
Russ Barenberg
Manufacturer: Compass Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- woodshop
- Skip, Hop & Wobble
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- Quartet
ASIN: B000QEILH4
Release Date: 2007-06-26 |
Tracks:
- Little Monk
- Fat Mountain
- When at Last
- The Pleasant Beggar
- The Man in the Hat
- On Milo's Back
- A Dream for Sophie
- Red Bird in the Willow/The Lakes
- Jump Back Barley
- The Drummers of England
- Aux Marches du Palais
Album Description
Featuring special guests, Dennis Crouch, Jerry Douglas, Stuart Duncan, Viktor Krauss and Kenny Malone.
Customer Reviews:
Guitar textures & sound shapes make meaningful & merry musical statements.......2007-08-05
Playing Time - 40:31 -- Russ Barenberg's first solo album in about twenty years arrived in my mailbox for review shortly after seeing his DVD instruction called "A Flatpicker's Guide to Better Playing" (originally released/titled "Acoustic Guitar Musicianship" in 1989). From Pennsylvania and now Nashville, Russ is known as an eclectic guitarist familiar with bluegrass, jazz, folk, Cajun, Celtic, Caribbean and Latin elements. He emphasizes tone, timing, control, rhythm and improvisation for guitarists. As an album, "When At Last" reinforces Russ' big open guitar sound's textures and shapes that make concise yet meaningful and merry musical statements. With the exception of the closer, a traditional French folk song called "Aux Marches du Palais," Russ' 2007 set is comprised of original instrumentals that reinforce the importance of personalized musical expression. A superior guitarist, Russ demonstrates accomplished understanding of his fingerboard, dynamics, ornamentation, syncopation, vibrato, damping, pick direction, and much more.
Whether writing a lively contradance tune like "Fat Mountain," Celtic-tinged "Pleasant Beggar," old-timey "On Milo's Back," or the new acoustic title track, Russ' music speaks with many moods from playful to reflective. When I first heard the opening track, "Little Monk," I immediately thought that the lyrical melody line had a 1970ish vintage new acoustic sound reminiscent of Russ' monumental "Skip, Hop and Wobble" album with Edgar Meyer and Jerry Douglas. Sure enough, Flux is back on Dobro and the piece written back in those days has been reincarnated with the contemporary flavorings of Stuart Duncan (fiddle) and Viktor Krauss (bass). As ever, Duncan is especially noteworthy with his fluid bow work that also offers harmony lines periodically.
Barenberg's publishing company is very appropriately called Laughing Hands Music, and that joviality will keep you smiling and amused throughout this set. At one time after his stints with Country Cooking, Carried Away, Heartlands, and Fiddle Fever, Russ had an experimental group with Matt Glaser and Andy Statman called Laughing Hands. Plenty of the jollity on this disc is also the result of Ruthie Dornfield (fiddle), Kenny Malone (drums, percussion), Jeremiah McLane (piano, accordion), and Dennis Crouch (bass). From Vermont, McLane's embellishments are a very nice touch, and I hope to track down some music from his trio called Nightingale. They're all a fun bunch who work well together. I might have put Douglas' Dobro out there even more in the conversational mix of "The Man in the Hat," but that's a minor criticism. Barenberg's axes of choice include both vintage and newer guitars and mandolins spanning from 1918-2005. They cover a broad range, just like his music.
Russ' ideas have grown into some splendid natural melodies. Song notes acknowledge his son, daughter, friends and dogs for inspiration. Then there's even "On Milo's Back," a cheerful bluegrassy tune named for a friend's dog. Similar to the seminal volume of contradance tunes called "New England Chestnuts," Russ Barenberg gives us a set of very enjoyable Nashville chestnuts. Let's hope we don't have to wait another couple decades until his next solo album. (Joe Ross, Roseburg, OR.)
Average customer rating:
- Relive you movie experiences
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The Ultimate Movie Music Collection
Erich Kunzel
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
General
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Similar Items:
- The Incredible Film Music Box
- Hollywood's Greatest Hits, Vol. 2
- Paramount 90th Anniversary Collection: Scores
- Simply the Best Movie Themes
- Hollywood's Greatest Hits, Vol. 1
ASIN: B000BFH26Y
Release Date: 2005-10-25 |
Tracks:
- The Imperial March: The Empire Strikes Back
- Main Theme: Jurassic Park
- Main Title: Shakespeare In Love
- Themes: Crouching Tiger, Hidden Dragon
- Main Title: The Last Of The Mohicans
- Theme: The Godfather
- Unchained Melody: Ghost
- Theme: Goldfinger
- We're Losing Him: Somewhere In Time
- Space Camp
- Opening And Closing Titles: Henry V
- Theme: The Thorn Birds
- Suite: Moonwalker
- The Time Of Your Life: A Bugs Life
Tracks:
- Batman Theme: Batman
- Bicycle Chase: E.T. The Extra Terrestrial
- Suite: Independance Day
- Love Theme: Romeo & Juliet
- Theme: Back To The Future
- End Credits: Contact
- Theme: Breakfast At Tiffany's
- Main Theme: Star Trek
- May It Be And Themes: Lord Of The Rings: The Fellowship Ring
- Love Theme: Cousins
- Sean's Theme: Minority Report
- I Will Wait From You: The Umbrellas Of Cherbourg
- Theme: Rocky
- The Sand Volcano: The Mummy
- The Raider's March: Raiders Of The Lost Ark
Tracks:
- Theme: Mission Impossible
- Casablanca Suite
- Book Of Days: Far And Away
- Love Theme: Superman
- Tara's Theme: Gone With The Wind
- Don't Mess With: Z
- Main Title: The Mask Of Zorro
- Finale: Victor / Victoria
- Carol Ann's Theme: Poltergeist
- Love Theme: Star Wars: Episode ll: Attack Of The Clones
- Main Theme: Willow
- Main Title: Star Trek ll: The Wrath Of Kahn
- MAin Theme: On Golden Pond
- Theme: A Summer Place
- Theme: Chariots Of Fire
Tracks:
- Iceberg!
- Back To Titanic
- Main Themes: Hook
- Theme: Pink Panther
- Lara's: Doctor Zhivago
- Theme: Love Story
- Right Stuff
- Theme: Jaws
- When You Believe: The Prince Of Egypt
- Smile: Modern Times
- The Apollo 13 Mission
- Re-Entry And Splashdown: Apollo 13
- Main Title: Beetlejuice
- War: Pearl Harbor
- Cavatina: The Deer Hunter
- Throne Room And End Title: Star Wars: Episode lV: A New Hope
Customer Reviews:
Relive you movie experiences.......2006-01-24
This collection of movie themes, will allow you to relive the chilling experiences from practically all (4 CDs)of the great movies. Great movies would not be great without great music. The Cincinnati Pop with Eric Kunzel are unbeatable recordings. Every minute is more beautiful and inspiring to the next. If you love Pops music, this is the begin all, end all.
Average customer rating:
- Surpriseingly great
- just what the doctor ordered
- Great introduction to Train
- Trains Alive at Last CD
- Amazingly Done. Train at their Best.
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Alive At Last
Train
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- For Me, It's You
- Train
- My Private Nation
- Drops of Jupiter
- Train - Midnight Moon
ASIN: B0002VL0LU
Release Date: 2004-11-02 |
Tracks:
- Calling All Angels
- She's On Fire
- Meet Virginia
- Save The Day
- Get To Me
- Landmine
- All American Girl
- When I Look To The Sky
- Latin Interlude - Instrumental 1:48
- I Wish You Would
- Sweet Rain
- Free
- Drops Of Jupiter
- Stay With Me
- Ordinary
- New Sensation
Customer Reviews:
Surpriseingly great.......2007-05-13
I got the CD for just one song, Calling all Angels and then listened to all of it...I was really pleasantly surprised, they are really quite excellant....
LOL!!And I'm an old Rock and Roller that doesn't usually like the new stuff...
just what the doctor ordered.......2007-03-15
totally in love with train. this cd ROCKS!!!! gotta love the live stuff.
Great introduction to Train.......2007-03-12
I saw Train at a concert in Atlanta last summer. I had never heard them before and I really loved them. Alive at Last was a gift and I like it a lot. It has my favorite songs on it, and I enjoy the live aspect.
Trains Alive at Last CD.......2007-01-26
I love this CD ! I listen to it over and over.
I have other Train CDs that I also enjoy, but this one
has all my fav Train songs on it. "When I look to the sky" moves me in so many ways ! : )
Amazingly Done. Train at their Best........2006-07-05
Alive At Last was actually the first Train CD I owned. And quite frankly, I'd prefer them live to recorded any day. The band seems to be having a lot of fun performing and it makes you get in a good mood as well. Some people are complaining about the audience, but I think it makes the CD that much better. The vocals are dead on, for the most part, and there are some songs you can't help but dance to.
My favorites...
1. Meet Virginia
2. Save The Day (I love how it starts out)
3. Get To Me
4. Landmine
5. All American Girl (probably my absolute favorite song on the album)
6. When I Look To The Sky (IMO, the best vocal track)
Average customer rating:
- Nice change
- Kenny G- Duets
- Kenny G is a horrible saxophonist
- Very nice! My favorite CD of his yet....
- It is OK ! Next time,team up with Anita Baker and Regina Belle !
|
At Last...The Duets Album
Kenny G
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Essential Kenny G
- Ultimate Kenny G
- I'm in the Mood For Love...The Most Romantic Melodies of All Time
- The Greatest Holiday Classics
- Breathless
ASIN: B00064K2RQ
Release Date: 2004-11-23 |
Tracks:
- (Everything I Do) I Do It For You- featuring LeAnn Rimes
- Don't Know Why- featuring David Benoit
- I Believe I Can Fly- featuring Yolanda Adams
- At Last- featuring Arturo Sandoval
- Beautiful- featuring Chaka Khan
- Pick Up The Pieces- featuring David Sanborn
- Careless Whisper- featuring Brian McKnight
- Misty- featuring Gladys Knight
- Baby Come To Me- featuring Daryl Hall
- The Way You Move- featuring Earth Wind & Fire
- Sorry Seems To Be The Hardest Word- featuring Richard Marx
- Alfie- featuring Burt Bacharach
- XThe Music That Makes Me Dance- featuring Barbra Streisand
Amazon.com
The genius of At Last...The Duets Album is in its matchups and cross-pollinations. If producer Walter Afanasieff weren't already a much sought after music man--check out his arrangements here if his talents are unfamiliar--he might have built a brilliant career as a modern-day cupid. These are covers with a what-if factor (what if Brian McKnight covers Wham!? What if Richard Marx covered Elton John?) you don't want to miss: LeAnn Rimes wraps Bryan Adams' anthem-y "(Everything I Do) I Do It for You" in rainy-day heartache; Yolanda Adams reaches for the stars in a rendition of R. Kelly's "I Believe I Can Fly" as inspiring as the original; Barbra Streisand waltzes through "The Music That Makes Me Dance" like the years since her heyday haven't mattered; and Earth, Wind & Fire dig the depth out of Raphael Saadiq's "The Way You Move." This, of course, is to say nothing of the sensuality brought to these collaborations by the goldilocked sax man himself. As with all Kenny G projects, the music is smoother than a frappuccino and oddly suited to a soap opera living room set; its swirls, swells, and crescendos seem meant to fall on bejeweled ears in pretty, carefully appointed spaces only. All-instrumental tracks like "Don't Know Why" with David Benoit and "Pick Up the Pieces" with David Sanborn have a fun look-at-me-sharing-the-spotlight quality, but in the end Chaka Khan puts across her point most convincingly: She, not Christina Aguilera, should have sung "Beautiful" to begin with. -Tammy La Gorce
Customer Reviews:
Nice change.......2006-12-13
You know it's sad when someone has to put down another person just to make them feel bigger. I found this album was a fresh change to doing cover songs - face it, everyone in the industry is doing covers, but I really liked the different feel to them. There are some not so great Duet albums out there, unfortunately I have even bought a few, but I feel this one is a good buy...
Kenny G- Duets.......2006-11-10
Kenny G is excellent in this duets CD. Him along with other greats make for very enjoyable listening.
Kenny G is a horrible saxophonist.......2006-08-14
Please noone buy this cd. It is a waste of your time, and the fact that so many people buy this cd goes along with how humans are getting more idiotic as we destroy the planet and continue to rise conflicts in other countries that could amount to a bigger picture. Kenny G is a horrible saxophonist, and all he plays are simplistic lines that people can wrap their heads around easily. If you want to listen to a great saxophonist, listen to Kenny Garret. Or Cannonball Adderly, John Coltrane, Joshua Redman, Wayne Shorter. If you like smooth jazz, Gerald Albright is an excellent saxophonist to listen to.
Very nice! My favorite CD of his yet...........2006-06-17
I always find it humerous that far less accomplished "musicians" will blast Kenny's success all over the place, and basically rate him with the likes of a middle school wannabe. Bottom line - he is successful, he caters to the "average" listener without the ear fatigue that normally accompanies heavy jazz, he is respected among his peers in the business (as evidenced by his duets), and he repeats what works for his success. To trash his talent and success is to also trash the notable musicians and singers who obviously respect him enough to record with him on this CD. He's made millions, so there is an enormous fan base out there that doesn't care much for the jealous comments by aspiring performers. My advice is to judge for yourself!
If you appreciate great musicians coming together to produce some really listenable music, (and I do mean, over and over without ear fatigue), then this CD is for you! I only hope he doesn't stop here. I hope he comes out with more duet albums in the future. Maybe some Chicago, Rascal Flatts, Peter Cetera, Tower of Power, and any number of other great voices in the business!
My favorite is the remix of "The Way You Move"...nice grooves in there! If I had one complaint, it would be that the songs didn't actually line up in the order on which they were listed on the CD cover. Other than that, it's at the top of my favorites in my library of 3,000+ CDs!
It is OK ! Next time,team up with Anita Baker and Regina Belle !.......2006-05-28
Most of the tracks lack emotion and inspiration.
Try next time,with less hype and more substance.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
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Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- Study of Orchestration, Third Edition
- The Life and Works of Ludwig van Beethoven
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- CD- Cyndi Lauper -At Last
- Amateur hour, starring Cyndi Lauper
- Cyndi a Light Jazz stylist? Yes.
- Cyndi's Finest Work
- CYNDI LAUPER IS RADIANT- AT LAST!
|
At Last
Cyndi Lauper
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
New Wave
| New Wave & Post-Punk
| Alternative Rock
| Styles
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General
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Pop Rock
| Pop
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General
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Classic
| Vocal Pop
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Traditional Pop
| Oldies
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General
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Cabaret
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| Styles
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Traditional Vocal Pop
| Broadway & Vocalists
| Styles
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Similar Items:
- The Essential Cyndi Lauper
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- Cyndi Lauper - Live... At Last (DVD in Amray Case Packaging)
ASIN: B0000DG06E
Release Date: 2003-11-18 |
Tracks:
- At Last
- Walk On By
- Stay
- La Vie En Rose
- Unchained Melody
- If You Go Away
- Until You Come Back To Me (That's What I'm Gonna Do)
- My Baby Just Cares For Me
- Makin' Whoopee - Duet with Tony Bennett
- Don't Let Me Be Misunderstood
- You've Really Got A Hold On Me
- Hymn To Love
- On The Sunny Side Of The Street
Amazon.com
The girl who just wanted to have fun has matured into a sensitive interpreter of eclectic standards. Taking a cue from Rod Stewart Cyndi Lauper applies her formidable pipes to an eclectic collection of covers that range from a few Edith Piaf tunes ("La Vie En Rose" and "Hymn to Love") to classics from the songbooks of Bacharach/David, Etta James, and Smokey Robinson. Although there are some upbeat tracks such as the remarkably authentic Specials-styled ska of a radically reworked "Sunny Side of the Street," a rather forced but fun duet with Tony Bennett on "Makin' Whoopee," and the cha-cha, Ricky Ricardo-ized version of Maurice Williams & the Zodiacs' "Stay," the album predominantly floats in a sober, pensive mood. Piano and subtle orchestrations add tension to sensitive readings of "Unchained Melody," "Don't Let Me Be Misunderstood," and an eerily somber "Walk on By." The effect is haunting and intimate as Lauper unleashes her inner Tori Amos. Shifting "You've Really Got a Hold on Me" into an aching ballad, the singer shows her remarkable vocal range and interpretive ability. Lauper's voice sparkles throughout, especially without the overproduction that has marred some of her previous efforts. As its title infers, At Last finally shows her true colors. --Hal Horowitz
Customer Reviews:
CD- Cyndi Lauper -At Last.......2007-07-12
I knew I loved this CD, as a friend has it. It's every bit as good as I remembered! A more mature style for Cyndi. My favourite version to date of "Unchained Melody".
Amateur hour, starring Cyndi Lauper.......2007-06-03
The 4 and 5 star ratings show that Lauper has a large fan base that is largely tone deaf or simply doesn't care how their idol sings. The 1 and 2 star ratings indicate that there are some people that have heard the definitive versions of these classics and won't be folled by bad imitations. Nothing typifies the out-of-key, poor delivery of these classics more than Cyndi's failed attempt to sing "If You Go Away", a song so lovely that I didn't think it was possible to ruin. Just listen to this great Jacques Brel ballad, known as Ne Me Quitte Pas in the original French, sung by anyone else and you'll have to agree that Lauper doesn't even come close to expressing the poignancy of the song. I recommend that you listen to Nina Simone, Patricia Kaas, Neil Diamond, The Seekers, Dusty Springfield, Julio Iglesias and others that can stay in-key and deliver it masterfully.
She also had no business attempting Unchained Melody, Walk On By and Don't Let Me Be Understood. Her producer deserves as much admonishment for steering Lauper's song selection in the wrong direction.
Lauper should stick to the fast paced pop that allows her to wail with abandon on simple, small-range melodies. For this reason, her delivery of "Stay" is acceptable.
Cyndi a Light Jazz stylist? Yes........2007-05-18
She sounds good with heavy or light production and the soft, classical piano intro. on the title tune told me I'm gonna pretty much like this album. I can say now I love *parts* of this album and that's saying something. Other similiar efforts by Harry Conick, Rod Stewart, Etta James, and Elvis Costello...well, they're not as good.
Her vocal on the opener mentioned above will penetrate to your spine, then enlighten your mind, and enliven your soul. She goit to me on True Colors and she's done it again. Her final note is a bit strained and I daresay off-key, but the *feeling* is undeniable.
Walk On By is equally memorable - i've got to place it alongside Dionne Warwicks' and Isaac Hayes' recordings.
"Hymn To Love" has more melodious tones emanating from the heart. The quiet support does the trick.
Until You Come Back To Me..., actually the first track I accessed, is a nice "lounge" sound, but lounges are good - sip that club soda with lime....and dream along to this little chunk-a wunda.
Let's see, "Makin' Whoopie" with Tony B., don't dig it - they shoulda dueted on When Will The Bells Ring For Me?
The closer, On The Sunny side Of The Steet, ahs some cool contrast, but, 12 songs sell the CD. To me. To anyone.
Cyndi's Finest Work.......2007-05-08
"At Last" is Cyndi Lauper's 8th studio album and was released in 2003. The album made it in the top 40 on the album charts in both the United States and Australia, which earned Gold. Not to mention the other places it topped too, such as #6 in Japan, which earned Platinum, #4 in Germany and even Columbia which earned Gold too. "At Last" features mostly covers from other artists of the past such as Glenn Miller, who first sang "At Last", Edith Piaf's "La Vie En Rose", The Miracles' famous hit "You've Really Got A Hold On Me" and etc of other artists. Even though the album is a little depressing and boring, Cyndi is at her vocal best, full of emotion, power, strength and each song on the album compliments each other really well. also not to forget the cd comes in a cardboard box that floods out. Cyndi co-produced the album with Russ Titelman.
CYNDI LAUPER IS RADIANT- AT LAST!.......2007-03-27
When Cyndi Lauper first burst upon the music scene in the 1980's, she astounded us with her power, energy, and unique personality. Two decades, dozens of albums and many grammys later, Cyndi still astounds us, but in a very different way. Her latest work, "AT LAST", shows a deep maturity and broad vocal range only hinted at in her earlier records. The album begins with its stunning title cut, and segues into a beautifully arranged version of WALK ON BY. Lauper's voice is the perfect instrument for the album's two Edith Piaf songs, LA VIE EN ROSE and HYMN TO LOVE, and adds a haunting depth to the Nina Simone classic DON'T LET ME BE MISUNDERSTOOD. However, this singing star has never shone more brightly than when she unleashes her mega-talent on the iconic UNCHAINED MELODY. If anyone ever doubted Cyndi Lauper's vocal gift and ability, listening to this mesmerizing version of UNCHAINED MELODY will alleviate their doubts forever. Some artists find comfort in staying in their same groove for their entire career. Luckily for us, Cyndi Lauper continues to grow as an artist, and AT LAST is her masterwork.
Average customer rating:
- Great Movie...AMAZING SOUNDTRACK to match!!!
|
Quigley Down Under (Expanded Edition)
Basil Poledouris
Manufacturer: PROMETHEUS
ProductGroup: Music
Binding: Audio CD
General
| Soundtracks
| Styles
| Music
Similar Items:
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ASIN: B000LZ9W08 |
Product Description
1. Main Title (03:19)
2. The Fight (04:57)
3. The Redcoats Move On (01:54)
4. The Arrival (01:52)
5. The Test (01:03)
6. Marston's Game (01:00)
7. Quigley Pans Out (00:48)
8. Quigley Gets Beat Up (01:50)
9. The Stabbing (02:02)
10. Desert Trek (02:56)
11. The Aborigines (01:18)
12. Native Montage (02:12)
13. Cora's Story (03:19)
14. Marston's Attack (03:33)
15. Royus Interrupts (01:34)
16. The Cliff (01:08)
17. The Bodies (00:33)
18. The Baby (01:50)
19. You'll Be Back (01:13)
20. Dingo Attack (02:41)
21. The Fire (02:59)
22. Under The Boat (03:00)
23. Quigley & Cora (02:37)
24. The Gift (05:26)
25. The Warning (01:37)
26. The Attack (02:51)
27. The Capture (02:44)
28. After The Gunfight/Freedom (03:35)
29. The Aborigines Return (02:56)30. Matthew Quigley/End Credits (05:24)
Customer Reviews:
Great Movie...AMAZING SOUNDTRACK to match!!!.......2007-02-14
It's taken me a while to track down this SOUNDTRACK and I'm greatly pleased that it has been re-released in an EXPANDED version. Trying to locate an original version was geeting to be crazy, especially with the prices some folks were asking. OUTRAGES!!
I purchased this soundtrack over a week ago and it has not left my cd player in the car...never tiresome, NEVER BORING...I even find myself humming the tunes when there is no music what so ever. I've enjoyed listening to Basil Poledouris productions for many years, such as Lonesome Dove,Hunt for Red October, Free Willy among other noteables!
With Basil Poledouris' death, I believe we have lost a true "One of a kind composer". His powerful themes for many soundtracks will be greatly missed in the world of movies and music. I for one will miss his magic within the movie world!
Purchase the cd, YOU WON'T BE DISSAPOINTED!
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