Love Is Forever

Track Listings

1. When a Man Loves a Woman - Percy Sledge

2. Cherish - The Association

3. Oh Girl - The Chi-Lites

4. Precious and Few - Climax

5. Love Won't Let Me Wait - Major Harris

6. Sooner or Later - Major Harris

7. Too Late to Turn Back Now - Cornelius Brothers & Sister Rose

8. Love Grows (Where My Rosemary Goes) - Edison Lighthouse

9. If You Don't Know Me by Now - Harold Melvin & the Blue Notes

10. Fallin' in Love - Hamilton, Joe Frank & Reynolds

11. Come and Get Your Love - Redbone

12. So Into You - Atlanta Rhythm Section

Love Is Forever,Various Artists,St. Clair Records,AM Pop,Easy Listening Collections,Pop,Popular Music,R&B,Smooth Soul,Soft Rock,Soul

Love Is Forever

Tracks:

Kama Sutra
Harem Overture (Cancao do Mar)
It's a Beautiful Day
Dust in the Wind
Who Wants to Live Forever
Anytime, Anywhere
La Luna
Nessun Dorma
The War Is Over
Free
A Whiter Shade of Pale
The Phantom of the Opera Suite
WIshing You Were Somehow Here Again
Time To Say Goodbye
Question of Honor
Snow on the Sahara (Bonus studio track)

Amazon.com

While the sales of Sarah Brightman's ambitious, Middle Eastern-themed 2003 album Harem may have fallen short of its predecessor, the veteran UK chanteuse's popularity as a live performer has only mushroomed. This live recording of her ambitious, sold-out Harem World Tour engagement at Las Vegas' MGM Grand Arena is testament to that appeal, begging the question: Will Brightman become the Grateful Dead of classical crossover? Indeed, abetted by the rich sonic textures of longtime producer/collaborator Frank Peterson, the worldbeat conceits of her recent studio recordings are folded into a larger, even more expansive live vision here. Brightman's overt dramatic instincts and oft-chaemeleonic vocal abilities drive a slate of material that stretches from the Arabian Nights/Madame Butterflypastiche of Harem's seductive "It's A Beautiful Day" through surprisingly effective classical/rock reinventions of Kansas' "Dust in the Wind" and The Moody Blues' chestnut "Nights in White Satin" to expected classical bowings "Nessun Dorma" and the obligatory nod to "Phantom of the Opera" Amazon.com

Sarah Brightman Photos

More from Sarah Brightman

Time to Say Goodbye
Classics
Eden

Diva: The Video Collection
Live from Las Vegas
La Luna (Live in Concert)

Customer Reviews:

AMAZING! She is so much better live!.......2006-12-02

This CD rocks! This is Sarah Brightman on her Harem World Tour, and this performance was recorded at her stop in Las Vegas. The first two tracks, "Kama Surta" and "Harem Overture" debut from her newest album, entitled HAREM. The two tracks are connected, but in the actual Harem Tour, the full piece "Harem" is sung. If you go to www.youtube.com and type in "Harem Tour" in the Search Bar, you can see live videos. I would prefer that the album has placed "Harem" instead of these other two tracks. The third track, "It's A Beautiful Day", is from Madame Butterfly, written by Puccini. This version is Brightman's twist, which some more pop and some English. It's pretty cool. The fourth track on the album, "Dust in the Wind" is from EDEN, an amazing album. Track 5 is, "Who Wants to Live Forever", and it seems as though Brightman never creates a tour without putting this piece in it. It's a beautiful tribute to Queen's rendition. Track Six is "Anytime, Anywhere", also from EDEN. I'm not really into the Foreign Language - English songs, but this works very well, especially because she ends the song with the classical foreign language. The seventh track is Brightman's rendition of Dvorak's "Song to the Moon", or "La Luna". The track is beautiful! The eighth track is Puccini's "Nessun Dorma", and Sarah masters this beautifully! There is no other soprano I know that can sing this piece one octave up and can hold the ending note for ever!!! Track 9 is "The War is Over", which is followed by "Free", both from HAREM. Track 11 is "A Whiter Shade of Pale", from LA LUNA. It's beautiful to listen to. Sarah's version is very gentle, but has a lot of energy in the chorus. The twelfth track on this album is "Twisted Every Way", followed by an instrumental version of "The Phantom of the Opera" Theme. The next track is "Wishing You Were Somehow Here Again", which is extended at the end, in which you hear some men cry out "WE LOVE YOU SARAH!", and she responds cutely with an, "I love you, too." The audience laughs! Track 14 is "Time to Say Goodbye", the duet that made Andrea Bocelli famous, and skyrocketed as the number one single sold in German history! The last live track on the album is "A Question of Honour", from "Fly", which is awesome! The last track on the album is a bonus track, which I don't really prefer. However, the whole album is simply amazing. I much prefer Sarah when she is live. She has a more magical quality! If you love Sarah Brightman, then you will love this album.

ALSO RECOMMENDED : Since there is so much Sarah Brightman to choose from, I also recommend EDEN, TIME TO SAY GOODBYE, LA LUNA, CLASSICS, and DIVA.

AMAZING! She is so much better live!.......2006-12-02

Inspiring, Beautiful and The Sweetest Voice!.......2005-08-21

What an album, absolutly beautiful!
We, the fans of this great artist finelly have in our hands a live album, and it's amazing:
-The voice is totaly live, she sang about 24 complete songs in the show, but the album only contains 15.
-Snow In The Sahara is a lovely song.

If you have the chase of get this alubum, don't doubt and get it; It wond disapoint you!

astounding performance.......2005-06-07

an impeccable concert experience that successfully elevates the album to majestic heights. I had long been a fan of Dead Can Dance and the unparalleled work of Lisa Gerrard. When Sarah Brightman ventured into these Middle Eastern sounds on the Harem disc, I thought it was too derivative of the Dead Can Dance sounds (there is even a sample used on one of SB's songs that had previously been used within DCD).

However, experiencing this epic and intensely mystical concert compelled me to realize the individual and unique glory of Sarah Brightman. Also, this concert is so phenomenally entertaining at many levels that I couldn't help but fall absolutely in love with the special magic of Sarah Brightman. Obviously, the expansive Middle Eastern milieu can accommodate more than one angelic vocalist!

I now consider Lisa Gerrard and Sarah Brightman to be geniuses who both warrant goddess status in the pantheon of lyrical greats. To see either one of them perform live is surely one of the most powerful and memorable sensory experiences one could ever have!

Great, of course.......2005-03-18

Sarah's voice and style are terrific, as usual. However, I have to say that her version of Anggun's "Snow on the Sahara" is fairly bland, especially compared to the original Anggun version. Sarah has the chops but lacks soul on this great song. Everything els here is very nice.

Average customer rating:

Hooray for Hollywood
Kunzel does it yet again!
Movie Music
More than Beautiful!!
This is the one you should own

Beautiful Hollywood
Erich Kunzel , and Cincinnati Pops Orchestra
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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Hollywood's Greatest Hits, Vol. 2
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ASIN: B000003D24
Release Date: 1997-09-23

Tracks:

Feather Theme From Forest Gump
Main Theme From A River Runs Through It
Robert and Mary From Rob Roy
'We Meet Again' From Jerry McGuire
The Ludlows From Legends Of The Fall - Paul Patterson
'You Must Love Me' From Evita
Love Theme, 'Doe Eyes' From The Bridges Of Madison Couny
Colors Of The Wind From Pocahontas
'On Earth As It Is In Heaven' From The Mission
Suite: I. 'Whale Play'/II. 'Farewell And Freedom' From Free Willy
Love Theme From Forever Young
Love Theme From Cinema Paradiso
Main Theme From Rudy
Main Theme From Chaplin
End Credits From Grumpier Old Men
'Act Of Faith' From Bugsy
Main Theme From Schindler's List - Alexander Kerr
Reunion And Finale From Gettysburg

Customer Reviews:

Hooray for Hollywood.......2007-07-22

I bought this CD to go with an Academy Awards/Hollywood Walk-of-Fame theme party at work. It was the perfect accompaniment and mood setter.

It was February and a group of us decorated the lounge with black, gold, and silver tableclothes and balloon bouquets, and scattered around clap boards and faux film strip on the tables, along with movie trivia cards and black and gold wrapped mints. I made a walk-of-fame star for every employee and taped them on the walls around the room. We also laid down a red carpet from the entrance of the room to about the center with the decorated tables flanking both sides. We sat up the snack table with a sign that said, "Studio Commissary" and went with theme snacks like "James Bonbons with Halle Berry sauce," and "The Queen's scones." Each week we took a quarter of the walk-of-fame stars and posted them on the bulletin board for the staff to write peer compliments under. At the end of the week these stars were taken down and the next set of stars was posted.

This CD really set the mood for employees as they entered the lounge for the first time on that first day after it was decorated, and during the party at the end of the month. The month ended with an Academy Award party with an Oscar going to each employee for outstanding effort in whatever category (best dressed, best supporting staff member, most animated story teller, most pleasant entercom voice, most punctual, best sense of humor, most artistic, etc.), and they were given their stars with the peer compliments attached to the back. Everyone commented on how special they felt and how neat the theme was. Good morale booster.

This CD would also be perfect for the ambiance at your own Academy Awards party at home. Print out those ballots, cast your votes, pop some popcorn and pass around the Juji fruits, and let's watch the Oscars!

Kunzel does it yet again!.......2004-11-23

Kunzel & The Cincinnati Pops do a great job everytime, and this is no exception. I'm telling you, if you ever thought that purely intrumental/orchestral was unattractive, this will change your mind. Never a disappointment!

Movie Music.......2002-12-12

If you love that music from all those movies you've seen, then this is the CD you want! It is fantastic!! I want more!! I hope Erich Kunzel will come out with some music from older movies and maybe some TV programs. Listening to his music is better than watching the movie.

More than Beautiful!!.......2002-12-11

This is the absolute best CD they ever put together! And that is saying a lot as we are very picky about what music we like. This is the kind of music that makes you 'feel' deeply. It encourages you to dream big and love living! Forget the grooves, drums and bangs and listen to something incredibly beatiful! You won't be sorry for the money invested in this one bit of sanity in such a hectic world.

This is the one you should own.......2002-10-27

If you are looking for just one solid collection of memorable movie themes, this is it. Other CDs mix marches and fanfares with quieter tracks, which makes for a jarring listening experience at times. This CD, however, has a consistent feel all the way through. Melodic, calming, and, best of all, interesting. These movie tracks weren't selected simply for their sound, but also because they are GOOD. You get the best of the best: James Horner, Alan Silvestri, Jerry Goldsmith, John Williams, Ennio Morricone, and Randy Edelman.

Average customer rating:

Live at Royal Albert Hall
Andre Rieu
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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At The Movies
New Year's in Vienna
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Live In Dublin
Tuscany

ASIN: B000083MC8
Release Date: 2003-01-28

Tracks:

Voices Of Spring
Vienna Bood
Seventh Heaven Of Love
Hava Nagila
Tea For Two
The Skaters Waltz
Funiculi funicula
Nun's Choir
Salome's Sabre Dance
The Blue Danube
Radetzky March
Strauss & Co.
The Second Waltz
Glenn Miller Medley
Zorba's Dance
Stars And Stripes Forever
Auld Lang Syne
Brasil Symphony

Average customer rating:

not to great
Not so bad, 100 tunes for 4$
You get what you pay for.
Now I know why there were no song samples to listen to ...

100 Favorite Patriotic Songs

Manufacturer: Bci / Eclipse Music
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

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Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music

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American Pride: Sixteen Stirring Patriotic Themes
United We Stand: Songs for America
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America's Bugle Calls
Patriotic Country

ASIN: B0000A1HT8
Release Date: 2003-08-12

Tracks:

America the Beautiful
All Quiet on the Potomac Tonight
Ballad of the Green Berets
On Top of Old Smokey
Coyote Warrior
Semper Fidelis
Breeze from Alabama
Onward Christian Soldiers
Come Where My Love Lies Dreaming
Patriot
Sweet Betsy from Pike
Marines' Hymn
America Is
When Johnny Comes Marchin' Home
Happy the Soldier
American Trilogy
Home Sweet Home
Washington Post March
Enraptured I Gaze
Jeannie With the Light Brown Hair
Yellow Rose of Texas
Over There
Simple Gifts
Liberty Bell
Star Spangled Banner

Tracks:

God Bless the USA
Yankee Doodle Dandy
Katy Cruel
I Vow to Thee My Country
King Cotton
Beautiful Dreamer
America
American Patrol
Mine Eyes Have Seen the Beauty
Mohican Dream
Red, White and Blue
Some Folks
Liberty Song
Pomp and Circumstance
Hail to the Chief
Bennington Rifles
Peace on the Battlefield
I've Been Working on the Railroad
Under the Double Eagle
Red River Valley
My Country 'Tis of Thee
Camptown Races
Wild Blue Yonder
Hands Across the Sea
Fanfare for the Common Man

Tracks:

Stars and Stripes Forever
Living in America
Home on the Range
Old Colony Times
Clementine
Invincible Eagle
Ring Ring de Banjo
Yankee Doodle
Largo from "The New World"
To a Wild Rose
Hail Columbia
Alexander's Ragtime Band
Gettysburg
Carry Me Back to Old Virginny
Capitan
Prairie Daughter
Little Brown Jug
Marching Through Georgia
Entertainer
Steamboat Around the Bend
Revolutionary Tea
Cassions Keep Rollin' Along
Johnny Has Gone for a Soldier
Amazing Grace
Grand Old Flag

Tracks:

God Bless America
National Emblem
Soldier, Soldier Won't You Marry Me
Anchors Away
Oh, Susannah
Tramp, Tramp, Tramp
Toast
Dixie
St. Louis Blues
Appalachian Spring
Bonnie Blue Flag
Old Hundreth
Swanee River
Battle Cry of Freedom
U. S Field Artillery
Sidewalks of New York
Chester
Auld Lang Syne
Kingdom Come
My Old Kentucky Home
Hail to the Spirit of Liberty
Battle Hymn of the Republic
Shenandoah
Abraham's Daughter
This Land Is Your Land

Customer Reviews:

not to great.......2007-04-04

We were disappointed with this CD, but for the price I guess we can't expect much. I didn't care for the new style presentation of the songs. I like a more traditional rendering.

Not so bad, 100 tunes for 4$.......2005-06-22

I red the comments of two other people who have bought this 4 CD BOX SET and it is not really so bad. I will even add that there are some excellent tunes. However, I must agree with the fact that few tunes seem to have been recorded 40 or 50 years ago, mainly when you hear the scratches of an old turntable but it is just 2 or 3 tunes. Furthermore, if you do not know American music, it is a good BOX SET to buy if you consider that you received 4 CD for 4$ including 100 tunes. On these 4 CD, I have heard some orchestration that I have never heard before and I consider that they are different but interesting. Any way, after hearing these 100 tunes, you will say to yourself that you like this tune, this other tune, this other tune and so on and you will be able to buy a more expensive CD with the tunes that you like. However, I have bought many CDs in the last few weeks and as you know, there are always some tunes that you like and some tunes that you do not like on every CD that you will buy. So, don't buy it at 25$ but at 4 or 5$ dollars, it is a very good choice for 100 tunes.

You get what you pay for........2004-07-04

You get what you pay for. The singers put their own spin on the singing of each song. If you didn't hear the words you would not recognize some of them. Even some of the music sounds like a bad recording of music played on a turntable. Definitely not worth the price.

Now I know why there were no song samples to listen to ..........2004-07-04

I wish this review had been here when I was thinking of purchasing it. I guess you get what you pay for. If you are thinking of buying this, you are better off recording your own CDs (or at least buying one that you can listen to a sampling of the songs). This album includes songs that were mere recordings of the songs playing on an old record player. It's almost so unbelievable that it is funny.

Michael Feinstein with the Israel Philharmonic Orchestra

Average customer rating:

Musical Wit in an Orchestral Setting
A Cabaret Singer Grows Up
This cd is about average, it could have been better
Fabulously Fantastic!
Michael has done it again

Michael Feinstein with the Israel Philharmonic Orchestra
Michael Feinstein , and Israel Philharmonic Orchestra
Manufacturer: Concord Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005Q6LL
Release Date: 2002-05-07

Tracks:

The Folks Who Live On The Hill
The Best Is Yet To Come
Guess I'll Hang My Tears Out to Dry
By Myself
Spring Will Be A Little Late This Year
Stormy Weather
Laura
On A Clear Day (You Can See Forever)
Love Is Here To Stay
How Deep is The Ocean?
Somewhere
I Won't Send Roses

Amazon.com

If there's a precious tone to Michael Feinstein's interpretations of the American songbook, it probably stems from a fervent dedication to preserving the original context of his material. This is, after all, a musician who spent many of his formative years in personal service to the late Ira Gershwin. This collection further underscores that commitment, with the lush sound of the Israel Philharmonic Orchestra (augmented by the piano trio of Alan Broadbent, who also provides all but one of the arrangements here) adding considerable dramatic resonance to Feinstein's performances.

While singers from Sinatra and Streisand to Fitzgerald and Bennett have imbued many of these songs with considerable dollops of jazz, blues, and their own strong personas, Feinstein mines melancholy jewels like "Spring Will Be a Little Late This Year," "How Deep Is the Ocean," and "By Myself" for all their introspective emotion. "Somewhere" pays tribute to Bernstein with glorious, unabashed melodrama, while "Laura" (one of the most recorded songs of all time) gets recast in something approaching its original intent via an arrangement written for this recording by composer David Raksin. Feinstein himself penned the album's notes, paying careful tribute to each composer represented and noting that all were Jews, yet their music came to represent a richly American spectrum that included black and white and encompassed jazz, the theater, and even classics in its scope. There's a lesson herein, and one that spans more than mere history and musical archaeology. --Jerry McCulley

Customer Reviews:

Musical Wit in an Orchestral Setting.......2004-01-04

The one problem a record collector encounters when he has an album too many of one artist, is the tendency of the artist to sing the same songs in succeeding albums/settings. Feinstein, who I consider as the leading proponent in reviving the American Popular Song standards to its unfettered glory is backed by a philharmonic orchestra in this album with the musical direction of conductor Alan Broadbent. And yes, he sang some songs that were sung in sparse and acoustic settings in his previous albums. As usual, just like any cabaret singer who never really sings the same song twice (listen to the grand old dames of cabaret like Julie Wilson and Mabel Mercer), Feinstein delights in the varied ways he can see a song in different contexts. Having said that, I thought he was a bit overly cautious in exploring his rich bari-tenor (sorry for this oxymoron but that is the word to apply to his voice) in soaring the vocal lines of Kern's The Folks Who Live on the Hill. Other than that, he was at his wittiest and conversational (not to mention just plain beautiful) voice when singing I Won't Send Roses and he can revisit the Bernstein/Sondheim Somewhere without evoking the famous version of uber diva Barbra Streisand. If you like good crooning vocals in a grand and orchestral setting, this is the album to listen or give as a gift -- you/they won't regret it.

A Cabaret Singer Grows Up.......2003-03-14

"Extraordinary how potent cheap music is." -Noel Coward

Like Coward, Mr. Feinstein seems to understand the power of popular, romantic song when flung into the void of an apparently cold universe by an all too human, understated voice...I first heard Michael Feinstein sing and play the piano umpteen years ago in the mad, bad '80s. At that time, I found his choice of material from the great 20th Century American composers refreshing & interesting, his skills as a pianist were good, and his diction to be above average. Yet his voice at that time was a bit weak--there was too much bravura nonsense, too much vibrato and he may have been too young for some of the songs that he sang at the time.

Well, we've both matured, (I hope), and Mr. Feinstein has delivered a remarkably smooth, yet heartfelt performance on this album. I'm particularly impressed by his vocal smoothness and emotional restraint, especially on "Love is Here to Stay", "How Deep Is the Ocean", "Spring Will Be A Little Late This Year" & "I Won't Send Roses". Mr. Feinstein appears to really understand the depth of feeling that these words and music evoke in him and us. The vibrato is there when needed, but the ripeness of a mature singer is beginning to be heard on his recordings and the Israeli Philharmonic simply gives his singing wings. The only song that doesn't seem to fit is "Stormy Weather"--I kept hearing Lena Horne in my mind's ear, rather than a polished cabaret singer. I hope that Feinstein continues to grow in vocal power and subtlety as he does here. A lovely album for sophisticated romantics.

This cd is about average, it could have been better.......2002-08-18

First I would like to say i'm a Michael fan. I own all his catalog. Even though i'm a fan there are some things about this cd that I find in bad taste. Please let me explain!

I know it is hard to always be creative. There are just so many ideas to go around and then you have to start duplicating others. This is known as copying what others have done.

For this cd I felt like some of the arrangements were too long. For example, Laura as it was performed hear is a six minute song. It really should have been done in two minutes. I'm an engineer and I edited this version of Laura to run two minutes and it is just perfect. Sometimes less is really more. Also, I felt that some of the other songs didn't really have top notch arrangements attached to them. If the arrangements would have been better I whould have had no choice but to bring out the 5 star rating for this project.

To talk a little bit about the voice of Michael is my pleasure. His voice seems to be getting better with age. I have always liked Michael's voice and will continue to do so.

I will give this cd a favorable recommendation!

Fabulously Fantastic!.......2002-07-21

Feinstein has outdone himself with this collection!! He is in fine fettle with songs that only He can do justice! His interpretations and stylings are beyond compare and trust you will not be disappointed with this recording!! Feinstein is simply fabulously fantastic!

Michael has done it again.......2002-07-12

S'Wonderful, S'Marvelous.

If there is one thing you can say about Michael Feinstein it's that he knows how to put over a song. His new cd is absolutely magnificent, these are the only words to describe it.

Tracks:

Jesus Christ Superstar: Overture - Andrew Lloyd Webber
Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
Jesus Christ Superstar: Superstar - Murray Head
Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
Evita: Another Suitcase In Another Hall - Barbara Dickson
Evita: Don't Cry For Me Argentina - Julie Covington
Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
Cats: The Jellicle Ball - Andrew Lloyd Weber
Cats: Memory - Elaine Paige
Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
Cats: Mr Mistoffelees - Paul Nicholas
Song And Dance: Take That Look Off Your Face - Marti Webb
Song And Dance: Tell Me On A Sunday - Marti Webb
Song And Dance: Unexpected Song - Sarah Brightman
Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
Song And Dance: Introduction - Andrew Lloyd Webber
Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

Tracks:

Starlight Express: Starlight Express - El Debarge
Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
Starlight Express: Light At The End Of The Tunnel - The Company
Requiem: Hosanna - Placido Domingo
Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
The Phantom Of The Opera: The Music Of The Night - Michael Crawford
The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
The Phantom Of The Opera: Masquerade - The Company
The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
Aspects Of Love: Love Changes Everything - Michael Ball
Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
Aspects Of Love: Anything But Lonely - Sarah Brightman
Aspects Of Love: Chanson D'Enfance - Sarah Brightman

Tracks:

Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
By Jeeves: Half A Moment - Sarah Brightman
Sunset Boulevard: With One Look - Glenn Close
Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
Sunset Boulevard: Sunser Boulevard - Alan Campbell
Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
Whistle Down The Wind: Cold - Everly Brothers
Whistle Down The Wind: No Matter What - Children/Adult Chorus
Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
The Beautiful Game: Overture - Andrew Lloyd Webber
The Beautiful Game: The Beautiful Game - The Company
The Beautiful Game: Our Kind Of Love - Hannah Waddingham
The Beautiful Game: Dont Like You - Josie Walker/David Shannon
The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

Tracks:

Oh What A Circus - David Essex
Memory - Betty Buckley
The Phantom Of The Opera - Sarah Brightman/Steve Harley
All I Ask Of You - Sarah Brightman/Cliff Richard
Love Changes Everything - Michael Ball
Any Dream Will Do - Donny Osmond
Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
As If We Never Said Goodbye - Barbra Streisand
The Perfect Year - Dina Carroll
With One Look - Petula Clark
You Must Love Me - Madonna
The Heart Is Slow To Learn - Kiri Te Kanawa
A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
Whistle Down The Wind - Tina Arena
No Matter What - Boyzone
The Vaults Of Heaven - Tom Jones
Try Not To Be Afraid - Boy George
Pie Jesu - Charlotte Church

Tracks:

Make Believe Love - Wes Sands
Down Thru' Summer - Ross Hannaman
I'll Give All My Love To Southend - Ross Hannaman
Believe Me I Will - Sacha Distel
Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
Try It And See - Rita Pavone
Come Back Richard Your Country Needs You - Time Rice And The Webber Group
Goodbye Seattle - Paul Raven
John 19:41 - The Andrew Lloyd Webber Orchestra
What A Line To Go Out On - Yvonne Elliman
Disillusion Me - Gary Band
The Ballad Of Robert And Peter - Tim Rice
Christmas Dream - Maynard Williams
It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
Magdalena - Tony Christie
Buenos Aires - The Roja Rockers
Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
I Could Have Given You More - Petula Clark
I've Been In Love Too Long - Marti Webb
Benedicite - The Stephen Hill Singers

Album Description

Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

Customer Reviews:

I waited for this for five years.......2006-06-30

Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.

The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

But the selections on CDs 1-3 don't make sense.

First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

Here are my basic impressions and comments regarding the material on the discs:

* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.

Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

A Must Have for Sir Andrew fans.......2002-05-21

This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!

Average customer rating:

The barest glimpse of John Williams
Maybe it'll grow on me
Very Good!!!
disappointing
Williams' Winning Style Captures Film Scores

John Williams Plays the Movies

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Classic Williams: Romance of the Guitar
The Essential John Williams
Great Composers: John Williams (Film Score Anthology)
John Williams - Greatest Hits 1969 - 1999
The Music of John Williams: 40 Years of Film Music

ASIN: B0000029W8
Release Date: 1997-04-01

Tracks:

Kiss From A Rose (Batman Forever)
Everything I Do (Robin Hood)
Unchained Melody (Ghost)
Love Is All Around (Four Weddings And A Funeral)
The Godfather
Moon River (Breakfast At Tiffany's)
The Wizard Of OZ
The Mission
Cavatina (The Deer Hunter)
As Time Goes By (Casablanca)
I Will Wait For You (Les Parapluies de Cherbourg)
It Had To Be You (When Harry Met Sally)
Calling You (Bagdad Cafe)
The Entertainer (The Sting)
Il Postino
Once Upon A Time In America
Once Upon A Time In The West
Schindler's List

Customer Reviews:

The barest glimpse of John Williams.......2006-08-15

John Williams is one of the world's best guitarists, but you'd never know it by listening to this album. He basically plucks out the melody. I think I hear more complex playing in the background, but if that's what it is, it's mixed so as to be barely audible. On the other hand, it's very nice background music. I hope brisk sales support Williams' more serious efforts.

Maybe it'll grow on me.......2004-07-28

If I were not a guitarist myself, I would find this collection very very charming. Certainly the selections are beautiful, and Williams is renowned for one of them: Stanley Myers' "Cavatina" from THE DEER HUNTER. It's just that for me this recording does virtually nothing for either the guitar or the lovely pieces selected for this rather peculiar alteration. I'm just not sure that this kind of project, where a virtuoso SOLOIST is brought in to ACCOMPANY an orchestra (Perlman and Yo-Yo Ma have done similar recordings to better effect) is a winner; not even five percent of Williams' prodigious technique is anywhere to be heard and he just sounds so irrelevant. (I'd usually expect to hear this kind of thing from Liona Boyd.) That being acknowledged though, the melodies ARE perfectly lovely and Mr. Williams HAS throughout his great career done many brilliant recordings of dense and difficult music that leave one's mouth agape. I suppose he's earned this little vacation.

Very Good!!!.......2002-09-15

I like this CD very much, I have looked for it for 5 years since I listened its MP3, I got it now, thanks!

disappointing.......2001-04-24

While this album is pleasant enough, it is more orchestra music than classical guitar. John Williams is a great classical guitarist, but the guitar part on this album could have been played by any competent guitarist. If you want nice background music, this album is ok. If you want classical guitar music, look elsewhere.

Williams' Winning Style Captures Film Scores.......2000-08-25

If you like film music, this CD is for you; if you like guitar music, this CD is for you. John Williams brings his guitar virtuosity to bear masterfully on the scores of a number of popular films, which span a period of 60 years.

Tracks:

It's Time For A Love Song
The World Is In My Arms
I Want A New Romance
Medley: Everything I Have Is Yours/ Your Head On My Shoulder
Poor You
Open Your Eyes
I Hear Music
The Happiest Day Of My Life
The Lady's In Love With You
Where Have I Seen Your Face Before
Don't Let It Get You Down
It Happens EveryTime
Look Who's Here
Medley: Hurry, It's Lovely Up Here
Medley: On The S.S. Bernard Cohn
Medley: Melinda
Medley: Dancing Lesson
Medley: She Wasn't You
Medley: Tosy And Cosh
Medley: Wait Till We're Sixty-Five
Medley: What Did I Have
Medley: Come Back To Me
Medley: On A Clear Day

Customer Reviews:

Music of Burton Lane.......2006-02-18

This CD is a real delight as Michael Feinstein is one of my favorite performers. He does a great job with this music by Burton Lane. I have both Volumns of music by Burton Lane and I enjoy listenting to both of these CD's

Great CD!.......2000-11-26

It took awhile for me to enjoy the songs on this CD, but once I did, I couldn't stop listening. There are romantic songs, funny songs, powerful songs. A little something for everyone. If you don't enjoy it at the first listen - don't give up! This CD will definately grow on you!

Average customer rating:

A memento of a productive partnership.

Tauber & Lehar

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Tracks:

Das Land Des Lachelns: Act 2: Dein Ist Mein Ganzes Herz
Das Land Des Lachelns: Act 1: Ich Trete Ins Zimmer - Immer Nur Lacheln
Das Land Des Lachelns: Act 1: Ach, Trinken Sie Vielleicht Mit Mir Ein Tasschen Tee - Bei Einem Tee E - Richard Tauber/Vera Schwarz
Das Land Des Lachelns: Act 1: Von Apfelbluten Einen Kranz
Das Land Des Lachelns: Act 2: Wer Hat Die Liebe Uns Ins Herz Gesenkt - Richard Tauber/Vera Schwarz
Das Land Des Lachelns: Act 2: Ihr Gotter Sagt, Was Ist Mit Mir Geschehn? - Kann Es Moglich Sein?
Friederike: Act 2: O Madchen, Mein Madchen
Friederike: Act 1: Heimlich Kling't In Meiner Seele - Sah Ein Knab' Ein Roslein Stehn
Friederike: Act 1: O Wie Schon, Wie Wunderschon
Friederike: Act 2: Liebe, Goldener Traum
Der Zarewitsch: Act 1: Allein, Wieder Allein - Es Steht Ein Soldat Am Wolgastrand
Der Zarewitsch: Act 3: Kosende Wellen - Warum Hat Jeder Fruhling, Ach Nur Einen Mai - Richard Tauber/Carlotta Vanconti
Der Zarewitsch: Act 3: Madel, Wonniges Madel - Willst Du? Komm, Und Mach Mich Glucklich
Paganini: Act 2: Gern Hab' Ich Die Frau'n Gekusst
Paganini: Act 1: Schones Italien
Paganini: Act 2: Niemand Liebt Dich So Wie Ich - Richard Tauber/Carlotta Vanconti
Paganini: Act 1: Was Ich Denke, Was Ich Fuhle - Richard Tauber/Carlotta Vanconti
Eva: Vorspiel - VPO/Franz Lehar
Frasquita: Ser (When The Moon Is Shining White - Farewell, My Love)
The Land Of Smiles: Always Keep Smiling
The Land Of Smiles: You Are My Heart's Delight
The Merry Widow: Waltz Song (Now Or Never And Forever)/Villa Song (There Once Was A Villa)...

Tracks:

Giuditta: Act 1: Freunde, Das Leben Ist Lebenswert
Giuditta: Act 2: Schon Wie Die Blaue Sommernacht - Richard Tauber/Jarmila Novotna
Giuditta: Act 3: Welch' Tiefes Ratsel Ist Die Liebe - Du Bist Meine Sonne
Giuditta: Act 4. Finale: So Wie Um Den Sonnenball
Giuditta: Act 5: Schonste Der Frau'n
Schon Ist Die Welt: Act 1: Bruder Leichtsinn, So Werd' Ich Genannt - Schon Ist Die Welt
Schon Ist Die Welt: Act 2: Liebste, Glaub' An Mich
Schon Ist Die Welt: Act 1: Frei Und Jung Dabei - Richard Tauber/Gitta Alpar
Schon Ist Die Welt: Act 2: Es Steht Vom Lieben - Richard Tauber/Gitta Alpar
Der Rastelbinder: Act 1. Walzerduett: Ein Ausflug Mit Ihnen - Wenn Zwei Sich Lieben - Richard Tauber/Carlotta Vanconti
Das Furstenkind: Act 1: Ich Wollt' Nichts Von Ihr Erzwingen - Schweig, Zagendes Herz
Das Furstenkind: Act 2: Freihet, Du Bist Unser Leben - Lange Jahre, Bange Jahre
Zigeunerliebe: Act 3: So Sprach Noch Niemals Ein Mann Zu Mir - Es Liegt In Blauen Fernen - Richard Tauber/Vera Schwarz
Frasquita: Ser: Schatz, Ich Bitt' Dich - Hab' Ein Blaues Himmelbett
Die Lustige Witwe: Act 3: Lippen Schweigen
Die Lustige Witwe: Act 2: Es Lebt' Eine Vilja
Die Lustige Witwe: Ov
Paganini: Girls Were Made To Love And Kiss
Paganini: Love Never Comes Too Late - Richard Tauber/Evelen Laye
Paganini: Nobody Could Love You More - Richard Tauber/Evelen Laye
Paganini: Beautiful Italy
Frasquita: Ser (When The Moon Is Shining White)/The Land Of Smiles: Always Keep My Smiling - Love...

Customer Reviews:

A memento of a productive partnership........2001-11-19

EMI commemorate in this double CD a remarkable partnership in the C20th world of music. It began in Berlin in 1926. It had been 20 years since Franz Lehar's "Die lustige Witwe" became the light opera that everyone wanted to see. In places like Beunos Aires it had run simultaneously in five theatres in five different languages. Lehar's subsequent productions had met with diminishing success. His latest light opera, "Paganini", which contained some of his best music, had flopped at its Vienna premiere. Nervous and dispirited as its Berlin premiere drew near, Lehar wrote to the tenor Richard Tauber, "You must sing in Berlin, a second flop is inconceivable for me. I'm suddenly afraid of everything to do with the theatre - I'm getting old".

Tauber obliged. The Berlin production was a resounding success, Tauber sometimes being required to repeat "Gern hab' ich die Frau'n gekusst" as many as five times. Lehar admitted, "Richard, during this moment I have been born again as an artist!" And so began a great final flowering of Lehar theatre productions, all featuring the Austrian tenor Richard Tauber.

Fortunately the Lehar-Tauber association resulted in an extensive series of recordings, in many of which Lehar conducts the orchestra. EMI began issuing a collection of them towards the end of the LP era, and now, in 2001, they are collected onto this double CD. I read the claim that a great many of the tracks appear on CD for the first time, but here in Australia most have already been available on CD.

I don't always find Tauber unexcelled in this repertoire, preferring other tenors sometimes and their recordings. Several of the "Paganini" recordings were made before the Berlin season opened. Tauber and his then wife Carlotta Vanconti sound as though they are sight-reading unfamiliar music. I once possessed several of the "Das Land des Lachelns" items on 78s. The 1929 sound seemed robust and full then, but seems sadly emasculated here.

Tauber, I believe, somehow had the secret of touching the hearts and minds of all who listened to his singing - composers, colleagues, chancellors and charwomen. This comprehensive and well-planned issue will ensure that his work with the Hungarian composer Franz Lehar will continue to charm and delight.

I Do! I Do! (1996 Off-Broadway Revival Cast)
Average customer rating:

Light hearted, fun, poignant, charming. Highly recommend.

I Do! I Do! (1996 Off-Broadway Revival Cast)
Tom Jones
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music
General | Soundtracks | Styles | Music
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110 in the Shade (1999 Studio Cast)

ASIN: B0000014Z3
Release Date: 1996-06-04

Tracks:

The Wedding: All The Dearly Beloved/Together Forever/I Do! I Do!
Michael Gets Undressed
Goodnight
I Love My Wife
Something Has Happened
The Waiting Room
Love Isn't Everything
Nobody's Perfect
It's A Well Known Fact
Flaming Agnes
The Honeymoon Is Over
Entr'acte
Where Are The Snows?
My Cup Runneth Over
When The Kids Get Married
The Father Of The Bride
What Is A Woman?
Someone Needs Me
Roll Up The Ribbons
This House

Customer Reviews:

Light hearted, fun, poignant, charming. Highly recommend........1999-04-01

Including songs from the light hearted and fun to the poignant, this CD is a treasure that should not be missed by those loving the classic Broadway musical sound. Two voices (Karen Ziemba, currently Roxie Hart in Chicago, and David Garrison, currently in Titanic) and a Steinway piano partner in this recording, and the blend of Ziemba's and Garrison's voices is perfect. The versatility of Ziemba's voice throughout this recording is most impressive, In addition to being an extraordinary dancer, Ziemba once again proves herself an exceptional singer. Garrison is terrific as well. If you like "darker" musicals, avoid this. But if you want to hear an up-tempo musical score that will make you tap your toes and if you want to hear two voices that can be listened to again and again with the same initial pleasure, get this recording.

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