All Good Things
Track Listings
|
1. At Last It's Over
|
|
2. Wichita Lineman/Rainy Night in Georgia
|
|
3. All Good Things Can't Last
|
|
4. You've Got the Power
|
|
5. Gotta Get You Back
|
|
6. Your Love Comes Slower Than Never
|
|
7. Please Take This Heart of Mine
|
|
8. Giving Up
|
|
9. Movin' on Down the Line
|
|
10. Bookin' Up
|
|
11. God and You
|
|
12. Another Man's Woman
|
|
13. Nothing in the World
|
|
14. What Is Love
|
|
15. Am I Ever Gonna See My Babe Again
|
|
16. God and You
|
|
17. Everybody's Got a Good Thing
|
All Good Things,The Topics,P-Vine Japan,Northern Soul,Pop,Rock,Soul,Soul/R & B,V/a Compilations
All Good Things
Average customer rating:
- Good companion for Battlestar Fans
- Captures the feel of the show
- Awesome Soundtrack
- BSG
- Agree with everyone else
|
Battlestar Galactica: Season One
Daniel McGrew , Ken Stacey , Lillis Ó Laoire , Melanie Henley Heyn , Michael Now , and Raya Yarbrough
Manufacturer: La-La Land Records
ProductGroup: Music
Binding: Audio CD
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
Television Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Similar Items:
- Battlestar Galactica: Season 2
- Battlestar Galactica
- Battlestar Galactica: Season 2.5 (Episodes 10-20)
- Battlestar Galactica - Season 2.0 (Episodes 1-10)
- Battlestar Galactica - Season One
ASIN: B0009Q0F5U
Release Date: 2005-06-21 |
Tracks:
- Prologue
- Main Title (US Version)
- Helo Chase
- The Olympic Carrier
- Helo Rescued
- A Good Lighter
- The Thousandth Landing
- Two Funerals
- Starbuck Takes On All Eight
- Forgiven
- The Card Game
- Starbuck On The Red Moon
- Helo In the Warehouse
- Baltar Speaks With Adama
- Two Boomers
- Battlestar Operatica
- The Dinner Party
- Battlestar Muzaktica
- Baltar Panics
- Boomer Flees
- Flesh And Bone
- Battle On The Asteroid
- Wander My Friends
- Passacaglia
- Kobol's Last Gleaming
- Destiny
- The Shape Of Things To Come
- Bloodshed
- Re-Cap
- Main Title (UK Version)
Album Description
Presenting the original soundtrack from the first season of Sci Fi Channel's critically acclaimed, top-rated television series starring Edward James Olmos, Mary McDonnell, James Callis, Tricia Helfer and Katee Sackhoff. Composer Bear McCreary's dynamic score ingeniously melds orchestra, vocals and synth into an emotional experience that ranges from full-throttle action to soul-stirring drama. Packed with more than 78 minutes of music, this is a comprehensive collection of the very best musical moments from this amazing sci-fi drama's first season. Features both U.S. and U.K. main title themes and includes exclusive liner notes.
Customer Reviews:
Good companion for Battlestar Fans.......2007-05-07
If you're a Battlestar Galatica Fan, this audio is an excellent companion to your collection. Passacaglia, Forgiven, and The Shape of Things to Come are emotional and addictive orchestral soundtracks. Not every song from the first season is included in this CD. The opening credit songs for the UK and the US versions and the battle songs (The Thousandth Landing, Battle on the Asteroid) are included. Battlestar Muzaktica is quite odd and doesn't fit with the collection of songs.
Captures the feel of the show.......2007-04-11
Has a great selection of songs from the 1st season. I like show/movie CDs that you can picture the scenes and emotion of the actors when you hear the song. The Celtic underlays are great, and the Taiko drumming style is very well used for building intensity in the music. If you really like the series, you should probably really enjoy the music as well!
Awesome Soundtrack.......2007-04-11
If you like the music in a scene that just blends in and makes the scene even more emotional or suspenseful, that is what the scores from season one do on this cd. I initially bought it to for the prologue (cylon music) and the two main titles (U.S. and U.K.) but after listening to the entire cd, I have become completely addicted to it. The titles of the scores usually give you a hint of the scene and the liner notes also tell you the episode that they are from but the soundtrack has definitely made rewatching season one an even more intriguing experience. The scores with words, are written by Bear and are in various languages, but the words, especially the opera piece, are actually so dead one with the scene and in this specific scene hilarious. I love this soundtrack. If you are someone who is addicted to really grasping everything that happens in this show and watch and analyze it beyond face value, this is an added bonus to have in your collection. I highly recommend it!!!
BSG.......2007-04-10
Man I love the Classic and the Present BSG's So Inaturally find the SoundTrack/Score A joy and very relaxing. They tend to sound very similar but they are very diffrent.
Agree with everyone else.......2007-03-28
There have been lots of raving reviews of this album, as well as the equally sensational season 2 soundtrack. I just wanted to add my opinion on one track, "Destiny". An earlier review describes an Arabic string instrument being used, but it is actually a biwa, a traditional Japanese instrument that has such a distinct sound that it's hard to imagine it being used for anything other than traditional gagaku music. I don't know if anyone but McCreary has ever tried to use this instrument for something else, but it hardly matters. The fact that McCreary managed to use it so effectively in a piece that is so different from gagaku music is a perfect testament to his unique genius. I'm really looking forward to following McCreary's career.
Average customer rating:
- new favorite driving CD
- Latin Hip-Hop From NYC
- It's ALL GOOD.
- Great album
- AMAZING ALBUM!!
|
All Good Things
Pacha Massive
Manufacturer: Nacional Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Dance & DJ
| Styles
| Music
Trip-Hop
| Dance & DJ
| Styles
| Music
General
| International
| Styles
| Music
Mexico
| International
| Styles
| Music
General
| Latin Music
| Styles
| Music
General
| Rap & Hip-Hop
| Styles
| Music
Experimental Rap
| Rap & Hip-Hop
| Styles
| Music
General
| Rock
| Styles
| Music
Similar Items:
- Techarí
- The Reminder
- Real to Reel
- CéU
- Based on a True Story
ASIN: B000LXHGHQ
Release Date: 2007-02-20 |
Tracks:
- Don't Let Go
- Oye Mira
- All Good Things
- La Verdolaga
- Your Love
- Get It On
- Pachangueando
- Prende La Luz
- De Pies A La Cabeza
- Take It Easy
- Al Ritmo De Pacha
- Only You
- Drive
- Down My Street
- Cruisin'
Amazon.com
The Latin-alternative stylings of Pacha Massive aren't easy to classify, and that's a wonderful thing. The duo--Dominican-born Nova (keys/guitar) and Colombian-born Maya (bass)--is part of the same quirky soundscape that includes Orishas, Kinky, and Plastilina Mosh. In fact, Pacha's win at the Latin Alternative Music Conference Battle of the Bands puts them in the championship company of Kinky and Los Abandoned. But Pacha Massive's Bronx-based, bilingual sound is all its own. Trippy loops collide with Colombian cumbia, Dominican palo, reggae, and dancehall. It's an invigorating mix, from the cocktail cool of "Don't Let Go" and "Your Love" to the classic/contemporary vibe of "La Verdolaga." Guest vocalist Letha Francis makes like Dido during "Get It On," and "Prende La Luz" sizzles with street flavor. All Good Things is buoyed throughout by electronic accents, but Pacha Massive's natural talent gives the project its gloriously beating heart. --Joey Guerra
Customer Reviews:
new favorite driving CD.......2007-04-03
I played this three times in a row, back-to-back, on a road trip this weekend. I bought the CD after hearing just one song on a local college radio station, and now I can't get them out of my head. I love the sultry beat, the groove. Reminds me of a hot summer night in the city.
Latin Hip-Hop From NYC.......2007-03-04
I don't know anything about them other than they look pretty young and they come from the Bronx. So I came into this album, driving to NYC myself without any prejudice nor expectation. Although not a classic, "All Good Things" is a good album.
The Pacha Massive--built around the duo of Nova on guitar and as a producer, and Maia on bass--they seem well-versed on Latin Electronica as shown on "La Verdolaga, and the sensuality of "Oye Mira," Charanga Cakewalk-like "Pachangueando," and the Reggae and Hip-Hop of "Down My Street" are great tracks.
It'd be interesting to see where they go next.
It's ALL GOOD........2007-02-23
LOVE IT! As a New Yorker, this sound is really representative of all the influences, beats and rhythms of a soundscape and place we call NUEVA YORK. Even on the cover, you got buildings as STEREO's - it's an urban sound that I think translates worldwide! My favorites are "Oye Mira", "Cruisin'", "Take it Easy", and "All Good Things" (next single, anybody?) - but really this is an album you will play through to the end and just chill!
Great album.......2007-02-21
Pacha is of the new breed of Latino artists who blend , borrow and create sounds that emerge from living and being part of two cultures , languages and worlds. This album is smoking. You listen to it and you just feel cool.
AMAZING ALBUM!!.......2007-02-21
As a major fan of trip-hop, funk, and also Latin Alternative music, Pacha Massive are a dream band for me. I found out about them after a friend forwarded me an article about them from the NY Daily News.
The first single "Don't Let Go" is a hypnotic, groovy anthem with a great bassline and beautiful vocals. Other standout tracks include "All Good Things" and "Pachangueando". I'm a fan of acts like Nortec Collective and Aterciopelados, but it's nice to see an act of this caliber emerge from the United States. Go Pacha Massive!!
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
|
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Hungarian National Philharmonic Orchestra
| ( H )
| Featured Performers, A-Z
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Moscow Philharmonic Orchestra
| ( M )
| Featured Performers, A-Z
| Classical
| Styles
| Music
National Philharmonic Orchestra London
| ( N )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Rap & Hip-Hop
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Instructional
| Miscellaneous
| Styles
| Music
Blowout Box Sets
| Classical Music Blowout
| Stores
| Music
More Titles at Least 20% Off
| Classical Music Blowout
| Stores
| Music
All Classical Music Blowout
| Classical Music Blowout
| Stores
| Music
Hungarian National Philharmonic Orchestra
| ( H )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
London Philharmonic Orchestra
| ( L )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
Moscow Philharmonic Orchestra
| ( M )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
National Philharmonic Orchestra London
| ( N )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
Instrumental
| Classical Music Blowout
| Stores
| Music
Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- Study of Orchestration, Third Edition
- The Life and Works of Ludwig van Beethoven
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Some interesting choices, indeed
- Great CD
- Great selections, but bad transfers
- Yes this is Some of the Best of Broadway!
- The music of Broadway comes alive
|
The Best of Broadway - The American Musical (PBS Series)
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD
All Works by Bernstein
| Bernstein, Leonard
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gershwin
| Gershwin, George
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Porter
| Porter, Cole
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Pop
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
General
| Soundtracks
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
Similar Items:
- Very Best Of Broadway Musicals
- Only Broadway CD You'll Ever Need
- Broadway - The American Musical (PBS Series)
- The Best Of Broadway (Cast Recording Anthology)
- Ultimate Broadway
ASIN: B0002W4T9E
Release Date: 2004-10-05 |
Tracks:
- There's No Business Like Show Business
- Swanee
- Ol' Man River
- You're The Top
- Oklahoma
- Luck Be A Lady
- I Could Have Danced All Night
- America
- My Favorite Things
- People
- If I Were A Rich Man
- The Impossible Dream
- Cabaret
- Let The Sunshine In
- Send In The Clowns
- One
- Tomorrow
- Memory
- The Music Of The Night
- Good Morning Baltimore
- Defying Gravity
Amazon.com
A companion to the fabulous PBS series, the 21-song, 77-minute The Best of "Broadway: The American Musical" provides about as good a single-disc compilation as anyone could hope for. (There's also a five-CD version.) What sets it apart from so many other "best of Broadway" collections is its breadth--because it had access to a variety of record-label vaults it doesn't have to try to disguise gaps by using revivals or solo recordings. Here you get all the authentic stuff, including: Paul Robeson singing "Ol' Man River" from the first modern American musical, Show Boat; Ethel Merman singing "You're the Top"; the title song from Oklahoma!; Julie Andrews singing "I Could Have Danced All Night" from My Fair Lady; West Side Story's "America"; Betty Buckley singing "Memory" from Cats; Hairspray's "Good Morning Baltimore"; and "Defying Gravity" from Wicked, the newest show discussed in the PBS series. And it's hard to argue with the songwriters represented: Irving Berlin, Jerome Kern, Cole Porter, Rodgers and Hammerstein, Frank Loesser, Lerner and Loewe, Leonard Bernstein, Bock and Harnick, Kander and Ebb, Stephen Sondheim, and Andrew Lloyd Webber, among others. Obviously, no single-disc compilation could ever please everyone (did we really need two ALW songs?), but as a sampler intended for people who watched the series and want to hear more of the Great White Way, The Best of "Broadway: The American Musical" can't be topped. --David Horiuchi
Customer Reviews:
Some interesting choices, indeed.......2006-03-02
This is a pretty good compilation, but I have to wonder at some of the choices that went into it.
"Good Morning Baltimore" is almost the least impressive song from Hairspray. "You Can't Stop the Beat" was a much more anthemic song from that show.
I agree that it's too bad Les Mis didn't make it in. I would have traded that for anything Sondheim, although that's a personal preference :) .
Still, the opportunity to hear the original performers and orchestras perform these works, all in one place, is a great deal.
Great CD.......2005-11-01
This one plays in the car, on the ipod and in the house. When the kids were little they would ask if we could take them to "The Street". That is what they called Broadway (little did they know at that time how famous that street is). They still love it and we can not get enough of it. This CD covers the best and makes you want to go and see a live performance. You can not beat that.
Great selections, but bad transfers.......2005-07-27
This is a great taste of broadway. If you enjoyed the B'Way series at all, then you will probably enjoy this CD. My problem with it is that some of the songs sound like they were not remastered at all- the transfer to CD is terrible. The orchestrations in "You're the top" by Ethel Merman are muffled, and the song sounds like it was taken straight from an old record and slapped onto the CD without fixing it up. It doesn't sound very clear, which is a bit upsetting and annoying. Maybe this is just because that particular recording is older than some of the songs chosen to be on this CD. The more modern songs sound crisp and new and beautiful. "Swanee" is also very low quality as if it were just taken off of a record and put on the CD without any restoration. I just feel that these songs deserved better treatment and that we as customers deserve better treatment. Decca could have restored these songs and made them sound really good, but they decided just to slap them on the CD without touching them up.
I am surprised that nothing was chosen to be on this recording from Les Miserables since it had been on Broadway for 16 years and its tour is running until 2006. There were selections from Cats, Phantom of the Opera and Wicked, so I am not sure why nothing was chosen from Les Miserables.
Other than these few nit pickings, I think that this is a great introduction to musicals. It gives a little taste across the spectrum. Try getting the cast recordings of the songs that you really like on this collection. It's worth buying if you're a huge broadway fan.
Yes this is Some of the Best of Broadway!.......2005-04-08
This CD from Decca Broadway is a wonderful selection of some of
the "Greatest Hits" of the Broadway stage. Decca and Sony have
done an excellent job of remastering the various recordings, some
of which still show some of their age, but come across quite
well. Are there a lot of songs that I would have put on this
disc? Yes, but the ones on here are good choices. I may have to
get a copy of the Five disc set and the DVD's just to see if any
more of my favorites made it on the list. What this disc seems to
try to do is show the evolution of the Broadway song from it's
early days to the present. It succeeds quite well I think.
If you enjoy Broadway theater this CD is a must!
The music of Broadway comes alive.......2004-10-07
I loved listening to this CD. The music from Broadway's best loved musicals are on this album. I recogized most of these songs, even though I've only seen a few of them on the local stage. I have so many favorites on this CD. It is hard to pick one. I'm a big fan of Barbara Streisand. I loved her performance of People from Funny Girl. Memory is the hit song from the musical Cats. Betty Buckley's performance of this song is so emotional and sincere.
I loved the song Annie. It is a wonderfully optimistic song performed by the original Annie Andrea McArdle. Another highlight for me is the song One performed by the cast of a Chorus Line. Luck Be A Lady Tonight is another of my favorite broadway songs on this CD from Guys and Dolls. The music of the night is a beautiful song by Michael Crawford from Phantom of the Opera. Richard Kiley has such a strong and powerful voice. He sounds so inspirational singing The Impossible Dream from Man from La Mancha. My dream is to see some musicals on Broadway someday and listen to these songs performed live.
I'm surprised that there isn't any music from Miss Saigon or Jesus Christ Superstar included here. I think they are classic musicals with great songs Maybe they will appear on a future compilation from PBS.
Average customer rating:
- Fabulous for any Broadway-lover
- Top Shelf
- TERRIFIC CD'S
- Great Collection of Broadways greatest Songs
- Great Compilation!
|
Broadway - The American Musical (PBS Series)
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
Ballets
| Ballets & Dances
| Classical
| Styles
| Music
All Works by Bernstein
| Bernstein, Leonard
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gershwin
| Gershwin, George
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Porter
| Porter, Cole
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Weill
| Weill, Kurt
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mancini
| Mancini, Henry
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
English
| Languages
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Similar Items:
- The Best of Broadway - The American Musical (PBS Series)
- Broadway: The American Musical
- Broadway: The American Musical
- Broadway - The American Musical (PBS Series)
- Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
ASIN: B00064ADMK
Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.
Top Shelf.......2007-01-04
This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.
TERRIFIC CD'S.......2006-03-23
THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.
Great Collection of Broadways greatest Songs .......2005-06-14
This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway
Great Compilation!.......2005-01-17
If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Average customer rating:
- Elly Ameling now more available
- Delight in every note
- While they last...
- Treasures From a Treasure
- More than fully earned praise for an exceptional singer.
|
Artistry of Elly Ameling (Coll)
Elly Ameling
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
All Works by Ellington
| Ellington, Edward Duke
| ( E )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Berlin Philharmonic Orchestra
| ( B )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Vienna Philharmonic Orchestra
| ( V )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Similar Items:
- Elly Ameling ~ Schubert · Schumann - Songs
- Philips and Decca Recordings, 1961-1979 (Limited Edition)
- Fauré - Mélodies / Souzay · Ameling · Baldwin
- The Very Best of Lucia Popp
- Ave Maria--Lieder
ASIN: B00007KMSJ
Release Date: 2003-10-14 |
Tracks:
- Matthaus-Passion
- Johannes-Passion
- Weihnachts-Oratorium
- Juditha Triumphans
- Messiah
- Crudel Tiranno Amor
- Die Schopfung
- Orlando Paladino
- 7 Lieder
- Le Nozze Di Figaro
- Exsultate, Jubilate Ch'io Mi Scordi Di Te, K505
- Misera! Dove Son! K369
- 18 Lieder
- Frauenliebe Und- Leben
- 11 Lieder
- 20 Morike-Lieder
Customer Reviews:
Elly Ameling now more available .......2007-03-07
I had a 33 rpm album of Elly Ameling singing Schubert lieder accompanied by piano and clarinet at times. It was one of my all time favorite albums so I have been disappointed that I have not been able to find it anywhere on CD.
Now I can just buy this excellent collection. So much music in one place! Since I confess that I am far from an expert on the rest of her records, I look forward to hearing her sing many other styles and composers.
I think it is silly to criticize her for not singing Wagner, for example, since her version of many songs, especially lieder, are nothing short of sublime. I would like to hear how many Wagnerians sing Schubert or Mozart.
I doubt if they could approach the skill and soul with which Elly Ameling sings lieder.
Delight in every note.......2006-03-10
To speak as briefly as possible about this superb collection from an equally superb singer, what can I say but that Ms Ameling possessed a voice that shone with radiant warmth and star-like shimmer? And unlike many another light lyric soprano, Elly Ameling was possessed of a very high standard of musicianship, considerable intelligence, and a sort of immediate charm that captivates the listener.
So many of her recordings have still to be released on CD, but this 5CD-set goes some way towards remedying the situation. The repertoire spans a wide variety - French mèlodies, Lieder, light-hearted "sentimental" songs, Bach, etc. - and in each piece, Ms Ameling shows that quality of pearl-like beauty. It is a beauty which is also extremely pretty - a beauty of voice that is never overbearing and over-ripe, but perfectly blossoming upon the tree of inspiration.
I recommend this set unequivocally. It truly is sheer delight.
While they last..........2005-05-17
Elly Ameling held the quiet stage for recitals of great artistry and dignity for several decades and sadly most of the enormously successful CDs of her long career output are now unavailable. For those who have little access to the documentation of this very special artist, this box set is a must. It is a compilation of many of her recordings with differing accompanists, conductors, orchestras and composers. And while not all of the choices for inclusion here would be considered her greatest moments, there are enough works that sustain the warm memories of the little Dutch hausfrau who quietly and simply paid homage to composers with her clear and intelligent musicianship and radiant voice.
Ameling was known to schedule recitals of Schubert cycles and songs and in the afterglow of her performance answer the demand for curtain calls with additional Schubert melodies: she gifted her audience with the dignity of honoring a composer's works by maintaining the focus on that composer rather than milk the audience with the usual encore applause-getting favorites. And special moments such as quietly and pensively strolling through the orchestra during the Mahler 4th symphony to arrive at front stage, unapplauded, just in time for the opening line of her singing - those simple homage to composers and collaborators made her selfless manner endearing to audiences.
Despite the fact that Ameling's voice was on the small side she was always able to muster the projection to carry her message solidly in context with an orchestra. Yes, other more famous singers have recorded Ravel's quintessentially French SHEHERAZADE, but few have the perfection of diction and aura of mystery that Ameling maintained. Whether singing with piano or orchestra, or interpreting Bach, Mozart, Handel, and Vivaldi with the same degree of involvement as Brahms and Schumann and Schubert, Elly Ameling spanned a career that engendered passionate commitment from her fans. And this boxed set is a pocket full of memories to be treasured. Buy it before this too becomes unavailable. Grady Harp, May 05
Treasures From a Treasure.......2004-09-25
Treasures from a Treasure.
Ameling, one of the world's most beloved recitalists is captured here in a 5 CD collection offering some of her most beautiful recordings of song. While we are used to her perfection in songs of Bach, Mozart, Schubert, Schumann, Faure and Hahn, an added joy is her "pop" side, tackling - without a whiff of pretension, Porter, Kern, Gershwin, Ellington, et al.
What an absolute joy it is listening to this amazing artist sing these songs with an almost uncanny natural ease. There is no resorting to a "pop" voice and yet most of these pop standards songs sound as though they could have been written for her. Clean attacks, sometimes a bit of the pop technique of hanging on to a consonant longer than a classical artist normally would shows an appreciation and understanding of the style. Still, there is never once a compromise of her vocal beauty.
I like the way the songs have been arranged for her voice in that she sort of sings them clean, unaffected in the first half and then lets loose and kinda "swings" with it adding embellishments but never really changing her voice (Price, von Stade and other favorite singers of mine seem to have always added a breathy quality to much of their crossover material.)
Ameling doesn't resort to trying to "let her hair down" or get down and dirty, but rather the honest with which she approaches every one of these songs shows how much she enjoys singing them and her style is as refreshing as stumbling onto a cool spring on a sweltering summer's afternoon. A wonderful surprise.
More than fully earned praise for an exceptional singer........2003-07-15
As I had the privilige of hearing this outstanding Lied-singer during her long career in Holland and being the proud possessor of almost all her recordings, I cannot but fully agree with the professional and joyful review of Mr. Robert Holliston from Victoria, B.C. Canada.
Yes, it is unbelievable that of about the 150 recordings Mrs. Ameling made during her long career (for the greater part of course on the 'oldfashioned' LP's, as well as the innumerable Dutch live-recorded radio-concerts), so few CD's have been released.
Speaking of tradition: it was the page-turner of the Wigmore Hall in London who told Mrs. Ameling after her first recital in this hall, that she reminded him of Elisabeth Schumann. (And he certainly didn't mean her looks only!)
For those who are eager to hear her singing Ravel's Shéhérazade (just one example of stirring imagination combined with her Art of Singing) I can tell you that Philips released a 2-box CD of this work in 1999, combined with Debussy's La Damoiselle élue and a compilation of French mélodies, i.e. Debussy, Fauré, Duparc, Satie. One of the gems is Caplet's Le Corbeau et le Renard which even make children, who know the fables of La Fontaine, revel in the singing of the quarrelsome birds....
Her brilliant accompanyist is Rudolf Jansen. Let us cherish great artists in their art!
Average customer rating:
- JERRY GARCIA
- I found it used in pristine condition; couldn't pass it up...glad I didn't!
- A "Grateful" Collection of Garcia's Works
- Garcia revisited
- YES!!!
|
All Good Things: Jerry Garcia Studio Sessions
Jerry Garcia
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Folk Rock
| Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Rock Jam Bands
| Jam Bands
| Rock
| Styles
| Music
Country Rock
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Album-Oriented Rock (AOR)
| Classic Rock
| Styles
| Music
General
| Rock
| Box Sets
| Stores
| Music
Classic Rock
| Box Sets
| Stores
| Music
Rhino Records
| Amazon.com Label Stores
| Stores
| Music
Similar Items:
- After Midnight: Kean College, 2/28/80
- Beyond Description (1973-1989)
- Garcia Plays Dylan
- The Golden Road (1965 - 1973)
- The Jerry Garcia Collection, Vol. 1: Legion of Mary
ASIN: B0001W0FD4
Release Date: 2004-04-20 |
Tracks:
- Deal
- Bird Song
- Sugaree
- Loser
- Late For Supper
- Spidergawd
- Eep Hour
- To Lay Me Down
- An Odd Little Place
- The Wheel
- Sugaree (Alternate Take)
- Loser (Alternate Take)
- Late For Supper/Spidergawd/Eep Hour (Alternate Takes)
- The Wheel (Alternate Take #1)
- The Wheel (Alternate Take #2)
- Study For 'Eep Hour'
- Dealin' From The Bottom (Studio Jam)
- Study For 'The Wheel'
Tracks:
- Let It Rock
- When The Hunter Gets Captured By The Game
- That's What Love Will Do
- Russian Lullaby
- Turn On The Bright Lights
- He Ain't Give You None
- What Goes Around
- Let's Spend The Night Together
- Mississippi Moon
- Midnight Town
- That's A Touch I Like
- (I'm A) Road Runner
- It's Too Late
- I'll Forget You
- Tragedy
- Think
- I Know It's A Sin
- Lonesome Town
- Cardiac Arrest (Studio Jam)
- Back Home In Indiana
Tracks:
- Might As Well
- Mission In The Rain
- They Love Each Other
- I'll Take A Melody
- It Must Have Been The Roses
- Tore Up Over You
- Catfish John
- Comes A Time
- Mystery Train (Studio Jam)
- All By Myself (Studio Jam)
- Oh Babe, It Ain't No Lie
- You Win Again
- Orpheus
Tracks:
- Rubin And Cherise
- Love In The Afternoon
- Palm Sunday
- Cats Under The Stars
- Rhapsody In Red
- Rain
- Down Home
- Gomorrah
- Magnificent Sanctuary Band
- I'll Be With Thee
- The Way You Do The Things You Do
- Mighty High
- Don't Let Go
- Down Home (Rehearsal Version)
- Palm Sunday (Alternate Take)
Tracks:
- Run For The Roses
- I Saw Her Standing There
- Without Love
- Midnight Getaway
- Leave The Little Girl Alone
- Valerie
- Knockin' On Heaven's Door
- Fennario
- Alabama Getaway
- Tangled Up In Blue
- Simple Twist Of Fate
- Dear Prudence
- Valerie (Alternate Mix)
Tracks:
- Deal (Alternate Take)
- Let's Spend The Night Together (Alternate Take)
- Mississippi Moon (Alternate Take)
- Lonesome Town (Acoustic Version)
- Catfish John (Alternate Take)
- I'll Take A Melody (Alternate Take)
- My Sisters And Brothers
- Hully Gully/Rockin' Pneumonia And The Boogie Woogie Flu (Studio Jam)
- Streamlined Cannonball (Studio Jam)
- Iko Iko (Studio Jam)
- Hey Bo Diddley/Hide Away (Studio Jam)
- Accidentaly Like A Martyr
Amazon.com
Jerry Garcia fed an insatiable appetite for music in the '70s, a decade when the Grateful Dead released seven studio albums and three live collections. Simultaneously, he embarked on a solo career that, like the Dead's '70s records, alternately attempted to harness and indulge Garcia's free-flowing inspiration. All Good Things collects the five studio albums he recorded between 1972 and 1982 in one thoroughly annotated, generously enhanced box set. Garcia as a solo artist was most inspired when indulging his eclectic whims--the entirety of his almost-all-alone debut, 1972's Garcia, a then-revelatory acoustic-swing version of Irvin Berlin's "Russian Lullaby," and any number of easy-flowing jams)--and least interesting when in the sway of contemporaneous rock and R&B. Garcia wasn't so much a guy who honed albums as he was a musician who loved to play, whether the tapes were rolling or not. The producers of All Good Things take full advantage of his prolificacy, fleshing out each of the individual titles with bonus material and capping the box with a richly rewarding 12-song CD of outtakes and alternate versions. --Steven Stolder
Album Description
One of the most celebrated figures in all of rock 'n' roll, beloved Grateful Dead lead guitarist, vocalist, and eternal good-will ambassador Jerry Garcia pursued an eclectic array of folk, bluegrass, roots-rock, Motown and R&B-influenced side projects throughout his storied career. Both acoustic and electric, solo and jamming with the Jerry Garcia Band, his albums apart from the massive output of Dead releases capture the diverse talents of an incomparable music legend. Spanning 1972-1982, this historic boxed set collects Garcia's five solo studio albums - all newly remastered and expanded - plus a must-have bonus disc filled entirely with previously unreleased gems from the vaults.
Customer Reviews:
JERRY GARCIA.......2006-08-20
IF YOU ARE A DEAD-HEAD,THIS IS A MUST HAVE,DONT LEAVE HOME WITH OUT IT.
I found it used in pristine condition; couldn't pass it up...glad I didn't!.......2005-08-29
I agree with previous reviewers. All Good Things is the perfect companion to The Golden Road box set.
I'm new to Jerry's music. Frankly, I'm also (as of this year) new to the music of the Grateful Dead. But I'm making up for lost time, enjoying all of this music for the first time.
From what I can tell, Jerry Garcia was underrated. I think his persona as the leader of the Grateful Dead effectively pigeonholed him as a trippy guitar player with so-so talents in one of the world's biggest bands.
When you strip all that away, however, and listen to his solo CDs with the benefit of hindsight, you can appreciate what the man had to say with his songs.
I don't yet have a favorite CD from this box set. I ripped them and carry them around on my iPod Mini (along with about 300 Grateful Dead songs) and listen to an entire Jerry Garcia album at a time, soaking it up and making mental notes.
If you want to know who Jerry Garcia was, this (along with The Golden Road box set) would be a good place to start.
All good things, indeed!
A "Grateful" Collection of Garcia's Works.......2005-07-07
"Waxing eloquently" on this, my brother gave this box set to me for my birthday and I have to admit that as a "die" hard DeadHead from way back in the 60's, that I enjoyed listening to it again and again even though all of the work represented here is from the 70's. There are some rare outtakes included, and they too shine as brightly as the other tracks on these CDs.
Each Garcia solo "Album" is digitally re-mastered which include other songs and interludes that were not on the original releases. I recommend it for any fan of the Grateful Dead and/or Garcia. (I guess that sounds quite oxymoronic - if you are a fan of either one, then you have to be a fan of the other!). Good Ol' Jerry - he surely is missed - but this collection eases the pain.
Garcia revisited.......2004-11-25
I bought this last May on my birthday, I didnt have any of Jerry's studio stuff on disc, and had waited because I learned of this release. I have to say it was more than worth it, if your trying
to decide on whether or not to get it, dont hesitate, pick it up.
The 6th cd is a nice extra.
YES!!!.......2004-11-05
This new boxed set is absolutely spectacular. I have been a JGB/Dead fan for a long time, and this is the most fantastic treat. Get ready to hear all your favorites plus SO much more. The previously unreleased outtakes and jams are all beautiful. A LOT of thought went into the production of this album. In a world where compilation albums and boxed sets have flooded the market solely for profit, this album stands out as an album put together by people who are obviously PASSIONATE about Jerry. I have been listening to it virtually non-stop for the past 24 hours since I got it. I could say so much more, but trust a longtime deadhead when I say trust me... get this album. You will not be disappointed. "All Good Things" promises to please many old fans and make a whole lot of new ones.
Average customer rating:
- kiri kern
- Kiri sing Kern is a great experience
- Lacks Splendor
- White Glove Kern
- mildly disappointing
|
Kiri Sings Kern: Dame Kiri TeKanawa
Dame Kiri TeKanawa , Jerome Kern , Jonathan Tunick , and London Sinfonietta
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Similar Items:
- Kiri Sings Gershwin
- Kiri Sings Porter; Dame Kiri TeKanawa
- Kiri Sings Berlin
- Kiri Te Kanawa - Greatest Hits ~ 14 Favorites of Opera, Popular & Traditional Song
- Kiri! Her Greatest Hits Live
ASIN: B000002SK3
Release Date: 1993-03-16 |
Tracks:
- The Songs Of Jerome Kern: The Folks Who Live on the Hill
- The Songs Of Jerome Kern: I'm Old Fashioned
- The Songs Of Jerome Kern: The Way You Look Tonight
- The Songs Of Jerome Kern: The Song Is You
- The Songs Of Jerome Kern: Smoke Gets In Your Eyes
- The Songs Of Jerome Kern: All Through The Day
- The Songs Of Jerome Kern: The Last Time I Saw Paris
- The Songs Of Jerome Kern: A Fine Romance
- The Songs Of Jerome Kern: Yesterdays
- The Songs Of Jerome Kern: All The Things You Are
- The Songs Of Jerome Kern: Bill
- The Songs Of Jerome Kern: Long Ago And Far Away
- The Songs Of Jerome Kern: Look For The Silver Lining
- The Songs Of Jerome Kern: Can't Help Lovin' Dat Man
Amazon.com
As Hammerstein writes in the opening song, "Many dames with lofty aims strive for lofty goals"--and Te Kanawa strives for successful crossover. Her beautiful singing exhibits impeccable diction and excellent phrasing; but "A Fine Romance" lacks anger and humor, "Smoke Gets in Your Eyes" lacks a storyteller, and "All the Things You Are" lacks romanticism. However, happy songs like "All Through the Day," "Look for the Silver Lining," and "The Folks Who Live on the Hill," are successfully interpreted. Jonathan Tunick's orchestrations enhance Kern's beauty through his captivating use of obbligato instruments. A pleasant, if not wholly satisfactory, listening experience. --Barbara Eisner Bayer
Customer Reviews:
kiri kern.......2007-03-29
Kiri is sensational on this CD. Jerome Kern music is stupendous and the arrangements superb. Three top esses.
Kiri sing Kern is a great experience.......2004-01-18
I love the way she sings Kern's songs. Though certainly not opera, Kern's songs benefit from an an operatic approach--not all of them, but certainly ones such Smoke gets in your Eyes, The song is you, All the things you are. I love Kern;s songs sung in many styles but Kiri's way is one of the best.
On the other hand, I did not like Kiri singing Berlin.
Lacks Splendor.......2002-09-01
Though I do enjoy Kiri's interpretation of most music, and this CD was decent, I did not find any piece particularly memorable.
The voice is undeniably beautiful, and Kiri has managed to keep her maturing voice sounding somewhat young, yet I find that I much prefer her rendition of "The Laughing Song" to that of "Smoke Gets in YOur Eyes."
If you love Kern, and couldn't care less who performs it, than purchase this CD. If you are a fan of Kiris', then perhaps it would be best to avoid this purchase...for it is not a shining star in her vast collection of CDs. All in all, it was a disappointment.
White Glove Kern.......2001-05-20
I am the first to admit that most "crossover" albums, be they of classical performers singing pop or vice versa never quite cross over. This album does splendidly. Kern's music is the most related to classical operetta , and therefore the least jazziest. Operatic soprano Kiri Te Kanawa gives luscious, heartfelt readings of these wonderful songs, backed by glamorous orchestrations. Hearing a voice of such opulence and beauty in this music is a rare treat. Just listen to "Smoke Gets In Your Eyes" ,"Long Ago and Far Away" or "The Song is You" and prepare to be swept away to another, more elegant time.
mildly disappointing.......2000-09-30
Sometimes cross-over works, sometimes not. While Kiri te Kanawa has a beautiful voice, she never gets into the idiom of these Jerome Kern masterpieces sufficiently to convey their stories or their subtleties. Smoke Gets in Your Eyes especially stands out, she sings it with none of the pathos the song demands and her version pales compared to the Platters. The orchestral arrangements are decent and in many of the songs the purity of her voice is enough to carry them, but overall I would say this is a disappointing example of a crossover record. Ms. te Kanawa should stick to what she does best.
Average customer rating:
- A National Treasure
- Stritch is superb
- Entertaining but grating on the ears
- Great Broadway Review
- Elaine Stritch at Liberty
|
Elaine Stritch - At Liberty (2002 Original Broadway Production)
Elaine Stritch , Irving Berlin , John/ Stritch, Elaine Lohr , Porter P. Grainger , Albert Hague , Stephen Sondheim , Carl Sigman , Richard Rodgers , Sir Noel Coward , George Gershwin , Jule Styne , John Campo , and Billy Miller
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD
All Works by Gershwin
| Gershwin, George
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Jazz
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
Cabaret
| Broadway & Vocalists
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Classic
| Vocal Pop
| Pop
| Styles
| Music
Broadway & Vocalists
| Indie Music
| Stores
| Music
General
| Jazz
| Indie Music
| Stores
| Music
Vocal Jazz
| Jazz
| Indie Music
| Stores
| Music
Traditional & Vocal Pop
| Pop
| Indie Music
| Stores
| Music
Similar Items:
- Elaine Stritch at Liberty
- Bea Arthur on Broadway - Just Between Friends
- Stritch
- Company - A Musical Comedy (1970 Original Broadway Cast)
- Grey Gardens - A New Musical (2006 Original Broadway Cast)
ASIN: B000060P33
Release Date: 2002-04-02 |
Tracks:
- There's No Business Like Show Business (Berlin)
- Caca
- I Want a Long Time Daddy (Grainger)
- A Piece of Mahler
- This Is All Very New to Me (Hague/Horwitt)
- Going to New York
- Marlon Brando
- Broadway Baby (Sondheim)
- My First Broadway Show
- Civilization (Hilliard/Sigman)
- Ethel Merman
- Can You Use Any Money Today? (Berlin)
- Pal Joey
- Zip (Hart/Rodgers)
- Ben Gazzara
- Nokl Coward
- Why Do the Wrong People Travel (Coward)
- Richard Burton
- But Not for Me/If Love Were All (Gershwin/Gershwin)
- I'm Still Here (Sondheim)
- Booze
- Little Things You Do Together (Sondheim)
- The Ladies Who Lunch (Sondheim)
- John Bay
- There Was Never a Baby Like My Baby (Comden/Green/Styne)
- I've Been to a Marvelous Party (Coward)
- God So Quickly
- The Party's Over (Comden/Green/Styne)
- Absent Almost Always
- Something Good (Rodgers)
Tracks:
- I'm Still Here (Sondheim)
- Booze
- Little Things You Do Together (Sondheim)
- The Ladies Who Lunch (Sondheim)
- John Bay
- There Was Never a Baby Like My Baby (Comden/Green/Styne)
- I've Been to a Marvelous Party (Coward)
- God So Quickly
- The Party's Over (Comden/Green/Styne)
- Absent Almost Always
- Something Good (Rodgers)
Amazon.com
Elaine Stritch is a legend and she knows it. And so she came up with a whole one-woman show about the best topic she could think of: her life in the theater. And what a trip it's been. From Ethel Merman to Noel Coward, Stritch has worked with some of the greatest names to grace the American stage, and she has anecdotes about all of them (most are included on this recording). In this show, she hits all the marks with the acuity of a seasoned pro who's seen it all and whose love for the theater remains undiluted. Stritch is not a traditionally pretty singer (those gravelly pipes!), but she absolutely knows how to give life to a song, extracting the last drop of meaning, dropping pauses for effect with deadly accuracy. Sondheim's "Ladies Who Lunch" and "Broadway Baby" will be hers forever, and a case could be made for the hilarious "Zip" (from Pal Joey) and the obscure, spectacularly politically incorrect "Civilization" (from the revue Angel in the Wings) as well. Fittingly, this two-CD set includes "I'm Still Here," which may well be Stritch's motto. If you're looking for a concise yet bewitching history of the musical, this is it. --Elisabeth Vincentelli
Customer Reviews:
A National Treasure.......2007-07-05
This double CD is stuffed full of great songs and amazing stories. My favorite stories are of Elaine's date with Marlon Brando, what she thought some lyric are/meant, and her time in Compant. The total honesty that she brings it all together is touching and inspiring.
Very few people have the length or variety of a career that Elaine Stritch has had. I am sure that she has enough stories to do ten more shows.
If you love Broadway then you must buy this CD.
Stritch is superb.......2007-06-27
The only disappointment is that I missed the show live. This is a terrific honest performance by an actor who has a deep well of experience from which to draw. From her early childhood memories, through acting school, her loves, her struggles and more, Ms Stritch weaves a fascinating and completely enthralling story. Ultimately, she lives the songs, rather than just performs and this is what really marks her out.
I am so glad, she's still here!
Entertaining but grating on the ears.......2007-05-11
I've never been able to understand what is so great about Elaine Stritch's singing. It's simple: she can't sing. I've tried and tried to like her, and I do, as an actress, but NOT as a singer. Listening to these CDs, all I hear is a grouchy old lady voice with no vibrato, no range, and no ability to hold notes. If she were to try out for American Idol she would get cringes! I love her humor and honesty, and that's why I bought this, but the voice...ugh.
Great Broadway Review.......2007-04-11
I thoroughly enjoy this collection of stories from her experiences from a teenage girl in Michigan through her career, very funny, some sad and great entertainment.
Elaine Stritch at Liberty.......2007-01-19
Completely entertaining---a bit maudilin in places, but a must have for any Elaine Stritch fan.
Certainly worth the money!
Average customer rating:
- Excellent performer
- A unique project
- Gershwin historical, manic, perfect, archival
- Definative
|
Authentic George Gershwin, Vol. 1-4
Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD
All Works by Gershwin
| Gershwin, George
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Preludes
| Forms & Genres
| Classical
| Styles
| Music
Overtures
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Tone Poems
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General Contemporary
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Piano
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Sacred & Religious
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Jazz
| Styles
| Music
Swing General
| Swing Jazz
| Jazz
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Psalms
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
Classical
| Box Sets
| Stores
| Music
Similar Items:
- George Gershwin: His Life and Work
- Borat - Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (Widescreen Edition)
ASIN: B0001Z2RSC
Release Date: 2004-08-24 |
Tracks:
- Swanee
- Come To the Moon
- I Was So Young (You Were So Beautiful)
- Tee-Oodle-Um-bum-Bo
- Nobody But You
- Limehouse Nights
- Drifting Along With The Tide
- Rhapsody In Blue
- Oh Lady Be Good!
- Fascinating Rhythm
- Hang On To Me
- I'd Rather Charleston
- The Man I Love
- The Half Of It, Dearie, Blues
- So Am I
- Kickin' The Clouds Away
- Concerto In F
Tracks:
- Sweet And Low-Down (I)
- That Certain Feeling (I)
- Looking For A Boy
- When Do We Dance?
- Sweet And Low-Down (II)
- That Certain Feeling (II)
- Irish Waltz
- Do, Do, Do
- Someone To Watch Over Me
- Clap Yo' Hands
- Maybe
- Three Preludes: I. No.1: Allegro Ben Ritmato E Deciso / II. No.2: Andante Con Moto / III No.3: Allegro Ben Ritmato E Deciso
- Meadow Serenade
- My One And Only
- 'S Wonderful/Funny Face
- He Loves And She Loves
- An American In Paris
- Liza
- Strike Up The Band
- Embraceable You
- I Got Rhythm (I)
- I Got Rhythm (II)
Tracks:
- Of Thee I Sing
- Jilted
- Second Rhapsody
- For You, For Me, For Evermore
- Cuban Overture
- Isn't It A Pity?
- Variations On 'I Got Rhythm'
- I. Catfish Row: Introduction - Jazzbo Brown - First Chorus, 'Summertime'
- II. Porgy Sings: 'I got Plenty O' Nuthin' - 'Bess, You Is My Woman Now'
- III. Fugue: Murder Of Crown, Act III Scene 1
- IV. Hurricane: Introduction, Act II Scene 3 - Hurricane, Act II Scene 3
- V. Good Morning, Brother: Occupational Humoresque, Act III Scene 3 - 'Good Morning, Brother' - Children's Song 'Sure To Go To Heaven' - 'I'm On My Way' (Finale)
- They Can't Take That Away From Me
- Let's Call The Whole Thing Off
- Our Love Is Here To Stay
Tracks:
- Girl Crazy Overture
- French Ballet Class
- Dance Of The Waves
- Slap That Bass
- Walking The Dog
- I've Got Beginner's Luck
- They All Laughed
- They Can't Take That Away From Me
- Shall We Dance
- By Strauss
- I Can't Be Bothered Now
- The Jolly Tar And The Milkmaid (1st Version)
- Put Me To The Test
- The Jolly Tar And The Milkmaid (2nd Version)
- Stiff Upper Lip
- A Foggy day (In London Town)
- Nice Work If You Can Get It
- Things Are Looking Up
- I Was Doing All Right
- Love Walked In
Customer Reviews:
Excellent performer.......2007-03-09
This plates are wonderful. I was charmed, and when I close my eyes now, I see scenes with American in Paris or Porgy and Bess but my favorite piece of music is Rhapsody in Blue. It's more than excellent is fantastic. Jack Gibbons perfectly feels the unique tone Gershwin's music, the mixture rythms of jazz with influences of impressionists and clear and beauty melodies.
I'm fascinating.
A unique project.......2006-11-23
Gibbons' undertaking is unique: to reconstruct and then execute and record the note-for-note playing of Gershwin as documented on the composers' piano rolls, sound recordings and certain published arrangements. I agree with the reviewer who points out that the result is like a library and not a recital you sit back and listen to (or get up and dance to). In fact Gibbons does some editing of his "library" now and then, and clearly documents it in his liner notes: in some reconstructions he augments accompaniment effects and even the melodic line itself. I don't mind that at all, especially as Gibbons scrupulously accounts for such tampering in his liner notes; but it seems to me that it is in this area of "tampering" that Gibbons the artist is asserting himself...which of course undermines the "library", the "historical archive": you have to search and read a bit to find out when you're hearing only Gershwin and when you're hearing some added Gibbons. I don't mind; Gibbons is a remarkable artist in his own right, not merely an impeccable documentarian. For sheer generosity of production Gibbons' Gershwin must also be unique: 4 cd's, scholar-level liner notes (yes, you need a magnifying glass to read them), and rock-bottom bargain price.
Gershwin historical, manic, perfect, archival.......2006-06-12
First: this is 4 high-end produced cd's (in low-end jewel cases) for the price of 2. The liner notes of all 4 cd's are condensed in a booklet of microscopic print, so you may need to spend the savings on a magnifying glass. MONEY WELL SPENT.
Second: Jack Gibbons plays (and has recorded) the Alkan op 39 etudes (he probably plays a lot more Alkan than that). For those of you not in the know, this is to say he has world-class chops, indeed history-class (Liszt, who never played his friend Alkan, at least in public). But it's also to say that Gibbons knows how to interpret and personalize fantastically difficult piano music. For me, his Alkan op 39 is personal and passionate and real (contrast the facile and over-pedalled Hamelin and the just-the-notes-ma'me Ringeissen). An appreciation of Gibbons' Alkan is important here because while his Alkan is uniquely personal (as such music must be, no matter how hard it is to play) his Gershwin is deliberately impersonal...which is to say: no pianist, no singer would want to reproduce what Gibbons has given us in these 4 cd's, and in fact few listeners will be able to listen for long to these 4 cd's without a respite, a break , some silence, some minimal styling from somebody (anybody) else...which brings me to
Third: This is an archive, not a recital. This is a library, not a program. There is no track-by-track contrast of moods here, no track-by-track concession to easy listening, varied delight, any more than a library shelf of novels is alphabetized by authors' last names as a concession to mood or fancy or taste of the searching patron. This is the documented Gershwin in his recording mode: manic, notey, clever, "on", and never, as generations of stylists found in him, ravishing, tender, longing, sweet, glad, hopeful...person-to-person, in a word. I can listen to these cd's about half an hour at a time, max. This is Gerwhsin, not Gibbons. And this is just one side of Gershwin. He died at 38, in the summer. Brain tumor. A lot of pain.
Finally, Jack Gibbons has given the world a uniquely valuable and easily available resource. Gibbons could now do us a service by playing us some Gershwin as he feels it, as it hits him and makes him sing (as Gershwin, our Ame