To the Highest

Track Listings
1. Ride & Roll
2. Drama
3. Can't Believe
4. Heaven Must Have Sent You (Precious Love)
5. Be With You
6. Hip Hop R&B
7. People Of This World
8. It's Gravy
9. Don't Act Surprised
10. Just Easy
11. Yes I Will
12. I'm Your Doctor
13. To The Highest

To the Highest,Rome,Big Whale,Pop,Rap & Hip-Hop,Soul/R & B,Soul/Reggae/Rhythm & Blues,Urban

To the Highest

To the Highest
Winged Migration
Average customer rating: 4.5 out of 5 stars
  • Beautiful!
  • Winged Migration CD
  • Beautiful Soundtrack
  • WINGED MIGRATION
  • THE RIGHT MUSIC FOR THE RIGHT MOVIE
 Winged Migration
Various Artists
Manufacturer: Higher Octave
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Winged Migration
  2. Himalaya
  3. March of the Penguins
  4. Microcosmos
  5. The Chorus (Les Choristes)

ASIN: B00008V5TE
Release Date: 2003-04-22

Tracks:

  1. To Be By Your Side - Nick Cave
  2. Masters Of The Field - Robert Wyatt
  3. Northern Bound
  4. The Crossing
  5. The Highest Gander - Robert Wyatt
  6. Beating Drums
  7. The Return Of The Cranes
  8. The Blue Thread
  9. The Red Forest - Robert Wyatt
  10. Like A Breath Of Air - A Filetta
  11. The Takeoff
  12. Amidst The Factory Smoke
  13. The Glider
  14. After The Hunt
  15. The Paper Parrot
  16. The Swans Flight
  17. Feathers
  18. The Wounded Dove - Gabriel Yacoub
  19. Off Camera

Customer Reviews:

5 out of 5 stars Beautiful!.......2007-04-24

I've owned this CD for several years now, and it definitely remains on my short, short list of favorites! The music is beautiful and contemplative, drawing the listener into the journey of migration undertaken by the birds who inspired it. Everything is amazing on it: the writing, the instrumentation, the vocals. This albumn is definitely not just for fans of the movie, but for anyone who loves slow, calming, thoughtful music.

4 out of 5 stars Winged Migration CD.......2007-02-08

Awesome, for the most part- best after watching the documentary. A couple of songs had to skip through, but the rest is a good post movie mental review- watch the movie first...

5 out of 5 stars Beautiful Soundtrack.......2007-01-06

I loved this movie and the soundtrack makes it ever better. I havent bought a CD in a while and this one is reasonably priced and rare.

5 out of 5 stars WINGED MIGRATION.......2006-08-29

The movie is excellent. The scenery is breathtaking, but you actually feel like you are flying with the geese. Geese are amazing birds. A must see.

5 out of 5 stars THE RIGHT MUSIC FOR THE RIGHT MOVIE.......2006-06-22

Even if you haven't seen the beautiful french documentary, you'll love this soundtrack. The score captivates listeners from the very beginning and the song "To Be By Your Side" by Nick Cave gives the very special mood that the movie requires. Bruno Coulais is the same composer from HIMALAYA, thus you may understand better the sort of music you're listening: half ethnic, half new age and totally haunting. Don't miss it.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Ludwig van Beethoven

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Essential Purcell
Average customer rating: 5 out of 5 stars
  • Mad about Baroque
  • The beauty of the songs brings tears to my eyes
  • Brilliant
  • Be Welcome then, great Sirs (and Mesdames).
  • Brilliant Purcell Disc
Essential Purcell
Henry Purcell , New College Choir Oxford , King's Consort , Robert King , Roy Goodman , Charles Daniels , John Mark Ainsley , James Bowman , Peter Buckoke , Jane Coe , Rogers Covey-Crump , Gillian Fisher , Michael George , Miles Golding , Jane Norman , Barbara Bonney , Mark Caudle , William Carter , King's Consort Choir , Helen Gough , Paul Nicholson , Angela East , Barry Guy , Tessa Bonner , Jerome Finnis , Rupert Bawden , Lucy Howard , Richard Campbell , Susan Addison , James O'Donnell , and Stephen Saunders
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Purcell: Odes for St. Cecilia's Day - Music for Queen Mary / Taverner Consort
  2. Purcell: The Fairy Queen
  3. Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
  4. Purcell: Dido and Aeneas / James, Lewis, Baker, Herincx
  5. Purcell: Full Anthems & Organ Music

ASIN: B000002ZDU
Release Date: 1995-04-10

Tracks:

  1. Complete Odes And Welcome Songs Vol. 5: Welcome, Welcome Glorious Morn. Symphony And Opening Chorus
  2. Complete Odes And Welcome Songs Vol. 3: Be Welcome Then, Great Sir
  3. Complete Secular Solo Songs Vol.1: Oh, Fair Cedaria
  4. The Choir Of The King's Consort: Hear My Prayer, O Lord
  5. Great Baroque Arias: When I Am Laid In Earth ('Dido's Lament')
  6. Complete Anthems And Services Vol.1: Let Mine Eyes Run Down With Tears (Part 1)
  7. Complete Odes And Welcome Songs Vol.4: The Sparrow And The Gentle Dove
  8. Complete Secular Solo Songs Vol.1: If Music Be The Food Of Love (First Setting)
  9. Complete Anthems And Services Vol.5: Rejoice In The Lord Always ('The Bell Anthem')
  10. Complete Anthems And Services Vol.3: Hosanna To The Highest
  11. Complete Anthems And Services Vol.7: Thou Knowest, Lord, The Secrets Of Our Hearts
  12. Mr. Henry Purcell's Most Admirable Composures: Fairest Isle, All Isles Excelling
  13. Complete Odes And Welcome Songs Vol.6: Mark, How Readily Each Pliant String
  14. Complete Odes And Welcome Songs Vol.8: Sound The Trumpet
  15. Complete Secular Solo Songs Vol.3: She Loves And She Confesses Too
  16. Complete Odes And Welcome Songs Vol.8: O How Blest Is The Isle
  17. Complete Anthems And Services Vol.3: Remember Not, Lord, Our Offences
  18. Complete Anthems And Services Vol. 11: An Evening Hymn
  19. Complete Church Music Vol.2: Vouchsafe, O Lord, To Keep Us This Day
  20. Complete Odes And Welcome Songs Vol.2: With Rapture Of Delight... Hail Bright Cecilia

Amazon.com essential recording

The "Essential" Purcell? Well, you could get a bunch of critics to argue about that for a few days, but in the meantime, here is a sampler of highlights from the King's Consort's three admirable Purcell series: the Complete Odes and Welcome Songs, Complete Anthems and Services, and Complete Secular Solo Songs. There are, of course, some of Purcell's most-performed pieces (which probably are "essential"): Dido's Lament from Dido and Aeneas, "Sound the trumpet" from Come, ye sons of Art, Rejoice in the Lord alway (the "Bell Anthem," named for the string figure at the opening that sounds like pealing bells), the gently patriotic "Fairest isle, all isles excelling" (sung by a miscast James Bowman), and a selection from the funeral music for Queen Mary. There are also some delightful surprises--particularly among the little-known secular songs and church music. The plaintive "O fair Cedaria" gets a lovely performance by Barbara Bonney (a singer not usually associated with Purcell); tenor Rogers Covey-Crump (possibly the ideal high tenor for Purcell) sings the enchanting "If music be the food of love"; the church anthems "Let mine eyes run down with tears" and "Remember not, O Lord, our offences" have some startling harmonies as daring as any Monteverdi ever wrote. If you're unfamiliar with Purcell, this reasonably priced disc is a good place to start exploring without a big initial investment. --Matthew Westphal

Customer Reviews:

5 out of 5 stars Mad about Baroque.......2007-02-12

This is a terrific CD. The music is breathtaking. Just buy IT !!!!!

5 out of 5 stars The beauty of the songs brings tears to my eyes.......2002-08-21

Absolutely beautiful baroque music! The arrangament, singing and instrumentation is superb. It is too bad that Henry Purcell is not as widely known as Bach, because he should be recognized equally well."The Sparrow and the Gentle dove" is alone worth the price of the album! I can not stop playing it!

5 out of 5 stars Brilliant.......2001-10-31

Like in his renditions of Handel's oratorios, Robert King manages to bring a freshness and strenght to Purcell's music that I had seldom heard before. This CD also features some of the best performers of early music in the world. My favourite tracks are Oh, Fair Cedaria, sung by the multi-talented Barbara Bonney; Dido's Lament from Dido and Aeneas, sung by Gillian Fisher; She Loves and she Confesses too, sung by the wonderful Susan Gritton; and Welcome, Welcome Glorious Morn, sung by Rogers Covey-Crump. The only track I didn't find absolutely wonderful is Fairest Isle, sung here by James Bowman. Don't get me wrong, I generally love Mr Bowman, I think that his performance in Mr Purcell's Most Admirable Composures (also conducted by Robert King) makes it another essential Purcell recording; but I find that Fairest Isle was much better done elsewhere, particularly by Christopher Hogwood and Barbara Bonney.

These songs aren't only beautiful, they're also poignant, sweet and unpretentious. I think that it will be very clear to anyone who listens to this recording that Mr Purcell was one of the finest composers that ever lived.

5 out of 5 stars Be Welcome then, great Sirs (and Mesdames)........2001-10-20

If anyone has benefitted from the reversion in the last three or so decades to period instruments and historical reconstruction, it is Henry Purcell. Before, he was merely great, the peerless word-setter in the English language, a virtuoso of boundless range, a professional composer whose offical commissions were always imbued with personality and invention. But period instrumentation has added to this a greater depth, an other-worldly texture of sound. With his intricate, multi-part vocal writing, his preference for low, rumbling instruments such as the bass viol and the strange and remarkable theorbo, as well as his often sombre and low-key subject matter and treatment, Purcell creates a round, glowing, humming sound as pregnantly full as dub reggae.

This has an extraordinary effect on the listener. Whereas Bach, with his mathematical abstractions, sounds universal and timeless, Purcell's music takes the listener back 300 years, back to different ways of thinking about, feeling about and addressing things we still think etc. about today - death, love, friendship. The emotion is timeless, but the music's beauty is alien, THEIRS, hence its preciousness.

A lot of intelligence has gone into the unity of this compilation, beginning with two Welcomes (to the dawn and to the listener, in this case a King), and ending with thoughts of evening, death and a Baroque 'Thank you for the music'. These are bright, fanfare-like works, but the predominant mood is slow, ruminative, quiet. The selection covers the wide range of Purcell's oeuvre, from opera and funeral marches to secular songs and odes, and includes his most famous vocal works - Dido's Lament from Dido and Aeneas, sung by Gillian Fisher, and never more evocative of pagan loss and death; the massive 'Bell Anthem', with its ingenious opening symphony and joyful antiphon; and a miraculously serene 'Evening Hymn', Dido's opposite, death indicating hope, the treble voice swirling over the heavy ground bass like the soul released from the inert body.

it might seem quixotic to choose highlights from an exemplary collection of highlights, but the entry of the strings washing over the serene repetition of 'Be Welcome then, great Sir' always makes my heart stop still, while the musical picture of 'Bold Honour', the 'noisy Nothing, stalking shade', blocking the poet's amorous intentions in 'She loves and confesses too', adds a chilling hint of life's transience to a bouyantly bawdy song.

5 out of 5 stars Brilliant Purcell Disc .......2000-11-30

With this album director and Purcell expert Robert King provides the listener with an excellent introduction to the composer's vocal works. The pieces presented here were taken from Mr. King's recordings of 'The Complete Odes and Welcome Songs', 'The Complete Anthems and Services', 'The Complete Secular Solo Songs' and diverse anthology discs. King, his wonderful soloists and musicians do the brilliance of Purcell's music fully justice. Whether he was commissioned by royalty, the church or theatre, Purcell shone in all areas. This disc certainly demonstrates the variety and originality of his craft, not to speak of his uncanny ability of setting words to music.

An outstanding Purcell offering. With a beautiful perfomance by Barbara Bonney of 'Oh, fair Cedaria'. Susan Gritton is equally captivating in 'She loves and she confesses too'. Gillian Fisher's rendition of the famous 'Dido's Lament' is haunting and poignant. Further an intelligent and brilliant 'Hosanna to the highest' by Michael George. James Bowman and Michael Chance sparkle in the countertenor duet 'Sound the trumpet' (from 'Come Ye sons of Art away'). And I should not forget to mention the joyous, luminous performance of the beautiful 'Bell Anthem'. To name but a few favourites, only James Bowman's 'Fairest Isle' was a disappointment.

Those who are familiar with Purcell's music will get an excellent disc with some of his most beloved works. If you are new to Purcell, this is, as already said a great introduction. Which might be the incentive to further explorations of Purcell.

by stardustraven
Beatles Hits For Kids
Average customer rating: 4.5 out of 5 stars
  • my daughter loves this!
  • Not better than The Beatles
  • The Best Kids Music CD!
  • A gateway to the Beatles
  • Great Stuff!
 Beatles Hits For Kids
Bingo Kids
Manufacturer: Bingo Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Children's Music | Styles | Music
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  1. All You Need Is Love: Beatles Songs for Kids
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  5. The Bingo Kids Sing Motown Hits For Kids

ASIN: B0002W6DHU
Release Date: 2004-08-01

Tracks:

  1. She Loves You
  2. Twist And Shout
  3. All You Need Is Love
  4. Ob-La-Di, Ob-La-Da
  5. Love Me Do
  6. Penny Lane
  7. Your Mother Should Know
  8. Eight Days A Week
  9. Yellow Submarine
  10. Octopus's Garden
  11. I Want To Hold You Hand
  12. When I'm Sixty-Four
  13. Hello Goodbye
  14. Here Comes The Sun
  15. Golden Slumbers

Album Description

Beatles Hits For Kids: Children's Music. Authentic Re-creations of Beatles songs with great vocals sung by kids. Highest quality production. A collection of 15 all new recordings for kids. Beatles hits picked for kids and sung by kids. Produced with the highest musical standards, this collection is perfect for introducing your children to the magic of The Beatles. Don't feed your kids junk music. Raise them on the classics! Packaged in "kid-resistant" digipak. No plastic jewel case to break and pick up!

Customer Reviews:

5 out of 5 stars my daughter loves this!.......2006-07-19

My 7 year old daughter loves this CD! So do all her friends. She listens all the time and it is our favorite sing along for the car. Of course, as an adult I like the real Beatles the best...but I was pleasantly surprised at how good these kids versions are. I don't understand all the "how dare they do this with the Beatles" stuff that some people blabber about. For me it works...my daughter loves it and now seems more interested in my other Beatles CDs, AND I much prefer hearing this over and over again versus some of the other kids music we have.

3 out of 5 stars Not better than The Beatles.......2006-07-14

The songs are supposedly sung by kids, but some of them are sung so similarly to the originals that it's hard to tell. Not that it's BAD that the songs are similar, it's just that, well, it's just not an improvement to the real Beatles, so why not just get a CD of the Beatles. I also bought Beatles 1 at the same time, and my 2 yr old loves listening to it. Get that instead.

5 out of 5 stars The Best Kids Music CD!.......2005-10-13

This is the best kids music CD we own. All three of my kids (ages 1 through 7) love listening to it. The best part of it is that I enjoy it too. Of course I have all the original Beatles records, but this CD does such a great job of introducing the kids to this music that it's fun for me and my husband too. Like another reviewer said, my kids weren't interested in the real Beatles recordings before. But after listening to this for a while, they are starting to enjoy both - The Bingo version and the originals. What a great idea. What a great album. I wish they would do the same with other groups. HIGHLY RECOMMENDED.

4 out of 5 stars A gateway to the Beatles.......2005-09-11

This cd is a good introduction to the Beatles. While the original recordings of these songs are my preference, that wasn't the case with my two year old. She didn't take to the originals. So these versions provided the necessary gateway to the originals. The songs are recreated very faithfully, but with children singing most of the chorus'. This was what was needed to create the interest for my child. After a few weeks of listening a seamless transition to the "#1's" was accomplished.

5 out of 5 stars Great Stuff!.......2005-04-22

I love this album. My kids love to listen to both the original Beatles and these versions. They especially love to listen to other kids singing! These versions seem to be made with the highest quality in mind and with respect for the orignal versions. After we got this album my children were dancing around and singing along. They request it over and over and the nice part is that it is also great for my wife and I to listen to (more so than other kids albums like The Wiggles). I highly recommend this album.
Gloria: Music of Praise & Inspiration
Average customer rating: 5 out of 5 stars
  • It is absolutely breath-takingly beautiful.
  • Robert Shaw Choruses At Their Best!
  • Glorious
 Gloria: Music of Praise & Inspiration

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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  1. Choral Masterpieces
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ASIN: B00000DFWF
Release Date: 1998-10-27

Tracks:

  1. Gloria In Excelsis
  2. Sanctus
  3. Glory To God
  4. Awake The Harp
  5. Gloria
  6. Gloria
  7. Sanctus
  8. Heavenly Light
  9. Aeterna Fac
  10. Slava V Vyshnikh Bogu
  11. Sanctus
  12. Gloria
  13. Alleluia
  14. Sanctus
  15. Magnificat

Amazon.com

This compilation features excerpts from some of the greatest sacred works in the literature--including Bach's Mass in B Minor, Handel's Messiah, Beethoven's Missa solemnis, and Verdi's Requiem--all led by Robert Shaw. The selections, from recordings made between 1983 and 1997 by Shaw and various ensembles including the Atlanta Symphony Orchestra and Chorus, are presented more or less in order of their composition, from Vivaldi's Gloria to Arvo Pärt's Magnificat. Especially thrilling is the complete "Gloria" from the Missa solemnis, 17 minutes of sheer grandeur, and the Sanctus movements from the Requiems of Verdi and Maurice Duruflé. --Ted Libbey

Customer Reviews:

5 out of 5 stars It is absolutely breath-takingly beautiful........2007-05-15

I enjoyed this CD very much. It is just beautiful music.

5 out of 5 stars Robert Shaw Choruses At Their Best!.......2004-09-20

If Sir Robert were still alive, & breathing, I believe he would be caught-up making music with this awesome, majestic, mystical GLORIA, Sanctus, Hallelujah Masterworks! I lucked-up on this old collection in the few classical CD'S in Best Buy!

At first hearing they sent me back into the 1970's when most of Church Musicians majored in Vivaldi's Gloria, the Sanctus of Bach's B-Minor Mass, the Long, georgeous GLORIA, Missa Solemnis, Beethoven, and incomparable Alleluia by Randall Thompson.

During a visit of Hurricane IVAN'S rushing winds and torrents of rain, I stayed on back roads of Decatur and East Atlanta! Also keeping alert & relaxed listening to Robert Shaw re-inventing his Choral Mystique! In slowly moving traffic of 2++ hours to Fayetteville, I kept alert singing along at 30 mph, wrapped in his quiet heavenly beauty of Koplov's "Heavenly Light!"

That mysteriously spiritual power of glorious choruses provided the same resourceful sounds of his eternal music-making from rehearsals in the Atlanta Symphony Chorus, Westminster Choir College and Avery Fischer Hall concerts in NYC! (1975-1985)

Only the early 33 1/3 recordings of the Robert Shaw Chorale in his Spirituals and Irish Songs, later Handel's Messiah and Bach B-Minor Mass were forerunners to his awesome listing of repeated Grammy winners, now printed in digital stereo color and sound! Hooray for Sir Robert and his rich chorale legacy... Let's keep them singing for Eternity! Retired Chaplain Fred W Hood

5 out of 5 stars Glorious.......2000-06-30

If I had to choose one conductor to compile exerpts from the greatest masses and works in choral literature and history, I would only bestow that duty to Robert Shaw and his choruses. Once again he displays his uncanny ability to not only choose beautiful music but also perform it in a spellbinding manner. Even with the pieces the average listener has heard or performed, such as Vivaldi's Gloria or portions of Handel's Messiah, one cannot help but become enthralled with the recordings of Shaw's interpretations of those works. Although Shaw never followed through on his early-life ambition to be a minister, I still believe he does so and perhaps to a greater extent through his music ministry. One cannot help but feel closer to understanding what heaven is about after having finished listening to this CD. This is well worth buying for it will live up to the english interpretation of its Latin title: Glorious.
Handel: The Masterworks (Box Set)
Average customer rating: Not rated
    		Handel: The Masterworks (Box Set)

    Manufacturer: Brilliant Classics
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    ASIN: B00062FLI8
    Release Date: 2004-11-30
    Above and Beyond
    Average customer rating: 5 out of 5 stars
    • Exciting
    • This is Judy Jacob's best!!
    • The Best!
    • A Wonderful Album by Judy Jacobs
    • No GOD like jehovah
    		 Above and Beyond
    Judy Jacobs
    Manufacturer: His Song Music Group
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Christian & Gospel | Styles | Music
    GospelGospel | Christian & Gospel | Styles | Music
    Christian Contemporary MusicChristian Contemporary Music | Christian & Gospel | Styles | Music
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    1. No God Like Jehovah
    2. Almighty Reigns
    3. Take It by Force
    4. House of Healing
    5. For Times Like These

    ASIN: B0000EMYD4
    Release Date: 2003-11-18

    Tracks:

    1. Prelude to a Breakthrough
    2. Get Ready
    3. Let There Be Joy
    4. Whatcha Gonna Do Today Lord
    5. Worship
    6. Because of Who You Are
    7. You Are the Love of My Life
    8. Only in Your Presence
    9. Let the Veil Down
    10. Turn Around
    11. We Speak to Nations
    12. Heal Our Land
    13. Let the Church Rise
    14. Your Name Is Great
    15. Your Name Is Great Reprise

    Customer Reviews:

    5 out of 5 stars Exciting .......2007-02-11

    This is the best album that Judy has produced. I have always loved her power and intensity, but this album has taken her to another level. I love it.

    5 out of 5 stars This is Judy Jacob's best!!.......2006-07-10

    This is truly Judy Jacobs best CD ever! Juanita Bynum sings with her on "Because of Who You are" and she is great! I recommend this CD to anyone who likes Judy Jacobs or just wants to play this while they are doing their devotionals

    5 out of 5 stars The Best!.......2006-01-17

    This is the best CD I've ever owned. The songs are uplifting and her voice is beautiful. A wonderful CD to worship to.

    5 out of 5 stars A Wonderful Album by Judy Jacobs.......2005-09-12

    I must say, first and foremost, Judy Jacobs is an excellent singer. If you haven't heard her sing, please do. Here voice is amazing.The Lord has truly blessed her with a magnificent voice and she is using it to glorify him. Amen. Now about the cd, its format is excellent. Most of the songs were recorded live, so as you listen to it, you feel as if you're right there. Hearing the crowd worshipping and clapping in the background is awesome. This CD will truly lead you into the presence of God. Ever since the day I bought it, I listen to it every single day. It's truly amazing. I highly recommend Above and Beyond

    5 out of 5 stars No GOD like jehovah.......2004-04-28

    I watch T B N every night,some times all night. I enjoy praising the LORD with every one. I get touched by Karen Wheaton and Judy jackobs also many of the ministers such as Benny Hinn, Mark Chorona, T D jakes , paula white , Juanita Bynum, Kandy Station.
    Jessie Duplantis, Joel Osten.and many more. I learn from all of them and love to praise with them. i would love to visit some of you some day,but I don't get much money and I caint work because of me physical problems. I live on a small fixed incom. S S disability. so pray for me and My children and grand children. espically the oldest grand son. He nees God in a mighty way. My thanks to Jan and paul and most of all GOD for T B N. GODS"love to GODS"people. Love, Dorothy Bell
    Russian Chant for Vespers
    Average customer rating: 4 out of 5 stars
    • A Beautiful Collection of Russian Liturgical Music
    		 Russian Chant for Vespers

    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00000144O
    Release Date: 1995-05-01

    Tracks:

    1. Bells
    2. Christ Is Risen From The Dead
    3. Christ Is Risen From The Dead
    4. Christ Is Risen From The Dead
    5. Psalm 103 Of The Kievan Lavra Tradition
    6. Blessed Is The Man
    7. O Lord, I Have Cried Unto Thee
    8. The Joy Of Those Who Mourn
    9. The Lord Is My Light And My Salvation
    10. Joyful Light
    11. Processional Znamenniy Chant
    12. Lord, Now Lettest Thou Thy Servant Depart In Peace
    13. Hail Mary
    14. Glory To God In The Highest
    15. Praise Ye The Name Of The Lord
    16. Troparia For Amomos
    17. From My Youth
    18. We Have Seen Thy Resurrection
    19. Christ Has Arisen From The Tomb
    20. Christ Is Risen From The Dead
    21. The Angel Cried
    22. O Lord, Save Thy People
    23. The Lord Is With Us
    24. Christ Is Risen From The Dead
    25. Many Years

    Customer Reviews:

    4 out of 5 stars A Beautiful Collection of Russian Liturgical Music.......2004-04-20

    Russian liturgical music from the monasteries is a combination of a number of different styles. Since the Church id from the orthodox tradition, the music is influenced partly by Greek liturgical music. It also has a bit of a western Gregorian flow to it, though this is not as strong as other influences. It also has a bit of Russian folk music flair to it. Musically it is interesting, but it also has a spiritual quality to it. Perhaps because it has survived against tremendous odds during the Soviet years, it has strength to it as well.

    This recording by the Novospassky Monastery Choir contains liturgical music primarily for Easter but contains other prayers and psalms as well. The CD has liner notes but no translation for the music, but for the price, this is not a complaint. The choir is strong and is able to convey both the majesty and beauty of the music.

    Once again, Naxos has provided a unique quality musical experience and a budget price.
    Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock
    Average customer rating: 4.5 out of 5 stars
    • Ladies & gentleman: The Lord'n Savior, God Almighty
    • So Fashionable, and So Disappointing
    • A nice combination of period nad tradiitonal
    • Wait! Before you buy...
    • La mas bella y fidedigna interpretacion que se pueda obtener
    		 Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock
    George Frideric Handel , Arleen Auger , Anne Sofie von Otter , Trevor Pinnock , The English Concert & Choir , Michael Chance , Howard Crook , and John Tomlinson
    Manufacturer: Archiv Produktion
    ProductGroup: Music
    Binding: Audio CD

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    4. Handel: Messiah /Nelson * Kirkby * Watkinson * Elliott * Thomas * AAM * Hogwood
    5. Haydn: Lord Nelson Mass / Willcocks, King's College Choir

    ASIN: B0000057DB
    Release Date: 1990-10-25

    Tracks:

    1. Messiah: Part One - 1. Sinfony (Grave - Allegro moderato)
    2. Messiah: Part One - 2. Accompagnato : Comfort Ye My People
    3. Messiah: Part One - 3. Air : Ev'ry Valley Shall Be Exalted
    4. Messiah: Part One - 4. Chorus : And The Glory Of The Lord Shall Be Revealed
    5. Messiah: Part One - 5. Accompagnato : Thus Saith The Lord Of Hosts
    6. Messiah: Part One - 6. Air : But Who May Abide The Day Of His Coming
    7. Messiah: Part One - 7. Chorus : And He Shall Purify
    8. Messiah: Part One - 8. Recitative : Behold, A Virgin Shall Conceive
    9. Messiah: Part One - 9. Air and Chorus : O Thou That Tellest Good Tidings
    10. Messiah: Part One - 10. Accompagnato : For Behold, Darkness Shall Cover
    11. Messiah: Part One - 11. Air : The People That Walked In Darkness
    12. Messiah: Part One - 12. Chorus : For Unto Us A Child Is Born
    13. Messiah: Part One - 13. Pifa (Pastoral Symphony)
    14. Messiah: Part One - 14. Recitative: There Were Shepherds Abiding In The Field - Accompagnato: And Lo, The Angel Of The Lord - 15. Recitative: And The Angel Said Unto Them - 16. Accompagnato: And Suddenly There Was With The Angel
    15. Messiah: Part One - 17. Chorus : Glory To God In The Highest
    16. Messiah: Part One - 18. Air : Rejoice Greatly, O Daughter Of Zion
    17. Messiah: Part One - 19. Recitative : Then Shall The Eyes Of The Blind
    18. Messiah: Part One - 20. Air : He Shall Feed His Flock
    19. Messiah: Part One - 21. Chorus : His Yoke Is Easy, His Burthen Is Light
    20. Messiah: Part Two - 22. Chorus : Behold The Lamb Of God
    21. Messiah: Part Two - Air : 23. He Was Despised

    Tracks:

    1. Messiah: Part Two - 24. Chorus : Surely He Hath Borne Our Griefs
    2. Messiah: Part Two - 25. Chorus : And With His Stripes We Are Healed
    3. Messiah: Part Two - 26. Chorus : All We Like Sheep Have Gone Astray
    4. Messiah: Part Two - 27. Accompagnato : All They That See Him
    5. Messiah: Part Two - 28. Chorus : He Trusted In God
    6. Messiah: Part Two - 29. Accompagnato : Thy Rebuke Hath Broken His Heart
    7. Messiah: Part Two - 30. Arioso : Behold, And See If There Be Any Sorrow
    8. Messiah: Part Two - 31. Accompagnato : He Was Cut Off Out Of The Land
    9. Messiah: Part Two - 32. Air : But Thou Didst Not Leave His Soul
    10. Messiah: Part Two - 33. Chorus : Lift Up Your Heads, O Ye Gates
    11. Messiah: Part Two - 34. Recitative : Unto Which Of The Angels
    12. Messiah: Part Two - 35. Chorus : Let All The Angels Of God Worship Him
    13. Messiah: Part Two - 36. Air : Thou Art Gone Up On High
    14. Messiah: Part Two - 37. Chorus : The Lord Gave The Word
    15. Messiah: Part Two - 38. Air : How Beautiful Are The Feet
    16. Messiah: Part Two - 39. Chorus : Their Sound Is Gone Out
    17. Messiah: Part Two - 40. Air : Why Do The Nations So Furiously Rage
    18. Messiah: Part Two - 41. Chorus : Let Us Break Their Bonds Asunder
    19. Messiah: Part Two - 42. Recitative : He That Dwelleth In Heaven
    20. Messiah: Part Two - 43. Air : Thou Shalt Break Them
    21. Messiah: Part Two - 44. Chorus : Hallelujah
    22. Messiah: Part Three - 45. Air : I Know That My Redeemer Liveth
    23. Messiah: Part Three - 46. Chorus : Since By Man Came Death
    24. Messiah: Part Three - 47. Recitative : Behold, I Tell You A Mystery
    25. Messiah: Part Three - 48. Air : The Trumpet Shall Sound
    26. Messiah: Part Three - 49. Recitative : Then Shall Be Brought To Pass
    27. Messiah: Part Three - 50. Duet : O Death, Where Is Thy Sting?
    28. Messiah: Part Three - 51. Chorus : But Thanks Be To God
    29. Messiah: Part Three - 52. Air : If God Be For Us
    30. Messiah: Part Three - 53. Chorus : Worthy Is The Lamb That Was Slain --- Amen

    Amazon.com essential recording

    This is a terrific performance of Messiah. Not only are the soloists all superb, but Trevor Pinnock completely contradicts the image of many period instrument performances as small-scale, scrappy affairs. Indeed, he invests the choruses with as much genuine Handelian pomp as Beecham at his most extravagant. The trumpets really blaze, and the timpani thunder, and everyone simply has a great time. A joyous performance, just right for the holiday season. --David Hurwitz

    Amazon.com

    Trevor Pinnock meets with mixed success in this account of the Messiah with the English Concert & Choir and soloists Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, and John Tomlinson, recorded and released in 1988. Its strengths are the strengths of the early-music movement in general. The size and distribution of the instrumental and vocal forces are optimal, which means that textures are clear and balances apt. Rhythms are nicely pointed, though often, in Pinnock's case, not quite well enough sprung. Tempos are well chosen; for example, "All we like sheep"--which turns out to be one of the set's best numbers--is a real bourré, and Pinnock animates it in just the right way. But the performance often seems workmanlike and unemotional, weighed down in too many instances by the humdrum work of the chorus. The alto section in particular, which is half male and half female, sings timidly and is constantly swallowing its entrances. Bass soloist John Tomlinson is a further drag on the effort. He has the right idea--that there's an Italian opera hiding behind all this biblical imagery--but his cottony sound is out of place, a misguided attempt to mimic Nicolai Ghiaurov. His usable range is less than a tenth (he croaks the low G's and F-sharps), and his diction is horrible. "Thus spake the Lord" is strangled, and when, in "The trumpet shall sound" Tomlinson gets to the words "we shall be changed," one can't help wishing that he had been changed too, right before the sessions started. --Ted Libbey

    Customer Reviews:

    5 out of 5 stars Ladies & gentleman: The Lord'n Savior, God Almighty.......2007-06-13

    Handel's Messiah is my favorite piece of classical music. Of the two versions that I had I only have left this one, and it is not the best (the other had been a cheap recording whose author's name I forgot too). This version seems to lack a little enthusiasm from the voices; too melancholic. Anyway, this is the first review of any music that I write, and probably will be the last too, so I just want to leave my impression of how I feel when I hear these solemn and heavenly sounds. One feels so raised to the heavenlies... I can almost sense the presence of the Lord Almighty up yonder among the clouds, and me being carried in solemnity to meet Him. Far away are the buzzing sounds of earthly chores. The air is fresh and clean as we are raised above the valleys, and we come to meet God's elected amid the singing, stronger and stronger. Jubilant, bathed in the glorious rays of the Savior's Light, we come together and sing: Glory to God, glory to God, praise and glory for He is coming...

    2 out of 5 stars So Fashionable, and So Disappointing.......2007-02-01

    This would be a great 21st Century Reader's Digest version of Messiah, if such a thing existed any more. Handel did as much as he could, but really, the performers still have to do something besides posture, which, by the way, seems to me to characterize many performances these days. Fashionable, but musically deficient.

    Specifically: John Tomlinson sings like he thinks he IS God, instead of singing about Him. Heavy, cumbersome, and overblown. May I add boorish?

    Arleen Auger has a very sweet voice. And??

    Despite the program notes insisting that certain segments of this Messiah are given to "the contralto", Anne Sofie von Otter is NOT a contralto. Not even close.

    The male alto can barely sustain a legato line - why he insists upon throwing in those complicated, badly-performed embellishments I can't figure. Well, I can, but I'd really rather not say.

    Wake up, choristers!! It's 'For Unto Us A Child Is Born," not "Oy, I have to go to the grocery store today."

    Boy do I regret having spent almost $40 on this one. Thank goodness I have the Colin Davis to console me.

    4 out of 5 stars A nice combination of period nad tradiitonal.......2006-12-17



    This 1988 recording sits between the euqally English, euqally period-ifnluenced Hogwood and Garidner. Of the three, Hogwood sounds more 'authentic' because it uses boys in the chorus and singers schooled period practice. By comparison, Pinnock's soprano, Arleen Auger, and mozeeo, Von Otter, are essentially modern singers--gorgeous ones, of course, Gardiner is far more anemic in his conducting and uses a scrwny-sounding orchestra, so if that's more authentic, so be it. Of the three, Pinnock gives us more traditional music values in his emotional expression and instrumental timbres.

    The competiiton is mushc stiffer now than in 1988, but Pinnock's reading has survived the test of time. He is not a genuinely inspired conductor--sadly, Messiah has become a cottage industry that excludes most big-name talents--but neither are Gardiner and Hogwood. (For sheer musicality, I tend to put my money on Andrew Parrott, Robert King, Marc Minkowski, Niklaus Harnoncourt, and Rene Jacobs.) But he's certainly good eough. The reason I haven't given five stars is that the male soloists aren't first-rate, and in particular the Wotan voice of John Tomlinson sounds cavernous in the bass arias. Add to that Pinnock's tendency toward tepidness, and what you end up with is a very good but not great performance.

    5 out of 5 stars Wait! Before you buy..........2006-05-28

    ... This Messiah has recently been re-released at a much cheaper price. Go back and look for the DG "The Originals" release, which is being sold new for under $12.

    5 out of 5 stars La mas bella y fidedigna interpretacion que se pueda obtener.......2004-12-29

    Soy uno de los mas fanaticos seguidores de Handel y de su obra El Mesias... He escuchado muchas versiones de esta genial e impresionante obra del maestro Handel y, sencillamente no me queda mas que recomendar esta interpretacion, bajo la batuta del maestro Trevor Pinnock. Se nota la exigencia con que esta version se interpreto, dentro el contexto del arte barroco y la magnificencia de la pronunciacion del ingles de la epoca. La orquesta se luce impresionantemente desde la obertura... y le da a cada movimiento, toda aquella fuerza y a la vez delicadeza requerida en el sentimiento que aplica en cada uno de los textos biblicos escogidos por el guionista Jennens. El Coro del English Concert es arrebatador y demuestra maestria en la interpretacion de cada una de las arias que le corresponde. La soprano Arleen Auger, la puedo definir como un angel cantando y resulta ser una caricia a los oidos, a la vez que es capaz de arrancarle a uno las lagrimas por lo excelso de su magia interpretativa. El tenor Crook, aunque no es un tenor con tesitura para canto barroco, es realmente habil y agil al momento de interpretar los melismas caracteristicos de este brillante periodo musical. El contratenor Michael Chance, es fenomenal y quiera Dios que yo tenga el honor de conocer a este genio del canto: "But who may abide..." interpretado por Chance en esta version, es como para caer en extasis. La contralto Anne Sophie von Otter..., tiene una voz oscura y redondeada..., tambien resulta una caricia a los oidos y su "If God be for us..." es desbordante, capaz tambien de hacerle a uno derramar lagrimas por su belleza interpretativa. El bajo Tomlinson..., es barbaro!!! (Soy bajo-baritono en el Coro de la Orquesta Sinfonica Nacional de Costa Rica...) A pesar de su voz tan oscura, es tremendamente agil cuando le toca cantar los melismas y es genial al alcanzar la tonalidad brillante en las partes de notas altas y agudas...; por ejemplo: "The people that walked in darkness..." y "Why do the nations..." Tengo seis años de experiencia, interpretando musica coral y tengo que decir que espere esos seis años, desde 1999, para felizmente cantar esta obra "El Mesias". Ha sido fantastico finalmente lograr este objetivo..., la espera valio la pena y debo admitir que mi inspiracion ha sido sin duda alguna, la version que puede usted encontrar en este disco compacto. Doy gracias a todos los que intervinieron en esta grabacion (al maestro Trevor Pinnock, al English Concert and Choir y a los solistas ya mencionados), en nombre mio y en nombre del maestro Handel.
    Handel: Messiah - Arias & Choruses
    Average customer rating: 4 out of 5 stars
    • Highlights from stately classic version of Messiah
    • Good performances, mediocre sound quality
    • A signature Christmas album (at least for me)
    		 Handel: Messiah - Arias & Choruses

    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

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    1. Handel: Messiah

    ASIN: B00004Z1BB
    Release Date: 2001-03-27

    Tracks:

    1. No. 2 Recitative: Comfort Ye, Comfort Ye My People - Kenneth McKellar
    2. No. 3 Aria: Every Valley Shall Be Exalted - Kenneth McKellar
    3. No. 4: And The Glory Of The Lord - London Symphony Orchestra And Chorus
    4. No. 8 Recitative: Behold, A Virgin Shall Conceive; No. 9 Aria: O Thou That Tellest Good Tidings To Zion - Grace Bumbry
    5. No. 12: For Unto Us A Child Is Born - London Symphony Orchestra And Chorus
    6. No. 16: Recitative: And Suddenly There Was With The Angel; No. 17: Glort To God In The Highest - Joan Sutherland
    7. No. 18 Aria: Rejoice Greatly, O Duaghter Of Zion - Joan Sutherland
    8. No 40 Aria: Why Do The Nations So Furiously Rage Together? - David Ward
    9. No. 41: Let Us Break Their Bonds Asunder - London Symphony Orchestra And Chorus
    10. No. 44: Hallelujah! - London Symphony Orchestra And Chorus
    11. No. 45 Aria: I Know That My Redeemer Liveth - Joan Sutherland
    12. No. 47 Recitative: Behold I Tell You A Mystery; No. 48 Aria: The Trumpet Shall Sound - David Ward
    13. No. 53: Worthy Is The Lamb - Amen - London Symphony Orchestra And Chorus

    Customer Reviews:

    4 out of 5 stars Highlights from stately classic version of Messiah.......2005-12-11

    This recording by Sir Adrian Boult and the London Symphony Orchestra and Chorus dates from the early 1960s, and seems now very much an old-school rendering of Handel's beloved masterpiece. As such it still has its pleasures, among them the skilled singing of the chorus and two major stars, Joan Sutherland and Grace Bumbry, in their youthful primes. Though there are no "added accompaniments" of the kind that used to be routine and unwelcome additions to Handel's original, lean orchestration, modern connoisseurs of Baroque music may find the choruses, particularly the famous "Hallelujah," and final "Amen," altogether too leaden in pacing and glutinous in texture. In general the performance practice is restrained, with barely an ornamented da capo to be found, and even essential vocal appoggiaturas omitted. The selection of numbers on this highlights disc is not particularly satisfying; an apparent desire to give all soloists and chorus more or less equal time results in some jarring skips in continuity and unfathomable omissions, as well as equally strange inclusions. I would have opted for hearing the chorus "Lift up your heads, O ye gates" over a complete, nine-minute "Trumpet Shall Sound," for example, since there is not one ornament in the da capo and bass David Ward is taxed by the high tessitura. Nevertheless, the overall authority of Boult's interpretation makes this venerable Messiah still worth a listen, especially at this bargain price.

    3 out of 5 stars Good performances, mediocre sound quality.......2004-11-29

    The remastering of this CD was not top notch. The sound quality is far inferior to my DDD from Hyperion starring Lynn Dawson,Katherine James et al.
    But I'm still looking for the perfect Messiah recording.

    5 out of 5 stars A signature Christmas album (at least for me).......2002-12-24

    I remember this playing in the background in the house back when I was a kid. It defined Christmas for me. I've heard several versions of "The Messiah" but this one, from the London Symphony Orchestra, is the most full and robust. There seems to be no rival, in my opinion. I highly recommend this for new families. Whether you're religious or not and celebrate Christmas/the year-end holidays as a religious event or a simple but important time for a family get-together, either the lyrics and/or the sound of the music will stay with you for many Christmases to come. The stand out song is Hallelujah. Though, I'm not a complete aficionado of classical music (especially of the religious kind), this must be one of Sir Adrian Boult's finest. But I'm speaking from the LP and tape versions. I can only imagine the sound from the CD version. I highly recommend this recording.

    UPDATE: Yup, this is the tape I remember. Down to the quality. I dunno about anybody else, but that's part of the charm for me. It reminds me of the tape and that reminds me of Christmases past. I love it.

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