In This Moment
Track Listings
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1. Think About It
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2. Do You Know
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3. Childs Play
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4. Kickin It
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5. Cody's Room
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6. In This Moment
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7. I'll Be Back Tomorrow
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8. Miracles
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9. Soulmate
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10. Think About It - Extended Mix
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Editorial Reviews
CIM Radio Smooth Jazz
"The album 'In This Moment' is pure smooth jazz... Each track is soulful and moves you like no other."
Product Description
"In This Moment" is an atmospheric collection of smooth jazz with 10 all original, all instrumental tracks with styles ranging from upbeat smooth jazz, to acid-jazz, and soft relaxing instrumental ballads.
What's interesting about this music is that the lead instrument, the flute, is one that is not usually heard in the saxophone dominated world of smooth jazz.
The CD is full of great music to jump-start your day, drive in the car with, or to just relax with...
In This Moment
In This Moment,Zig Noda & Brian Tracy Evans,jazzlover.com
In This Moment
Average customer rating:
- A Beautiful Wedding
- Wonderful!
- Good CD for Wedding
- A Day To Remember--Instrumental Music for Your Wedding Day, O'Neill Brothers
- great choice!
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A Day to Remember - Instrumental Music for Your Wedding Day
O'Neill Brothers
Manufacturer: O'Neill Brothers
ProductGroup: Music
Binding: Audio CD
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- A Day to Remember vol II
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- Heart Beats: Now & Forever - Timeless Wedding Songs
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ASIN: B000066RG3
Release Date: 2002-04-25 |
Tracks:
- Falling in Love - Tim and Ryan O'Neill
- Wachet Auf - J.S. Bach
- Air on a G String - J.S. Bach
- Air (from Water Music) - Handel
- Reminiscent Joy - Tim and Ryan O'Neill
- Canon in D - Pachelbel
- Jesu, Joy of Man's Desiring - J.S. Bach
- The Wedding Song (There is Love) - Stookey
- Ave Maria - Schubert
- I Will Be Here - Steven Curtis Chapman
- The Gift of Love (Water is Wide melody)
- Spring (from The Four Seasons) - Vivaldi
- Ode to Joy - Beethoven
- From This Moment On - Shania Twain
- The Way You Look Tonight - Kern
- Forever in Love - Kenny G
Album Description
After performing at more than 200 weddings, Tim and Ryan O'Neill recorded this beautiful CD of favorite wedding songs. It features a full hour of instrumental piano, string quartet, flute, and guitar music that can be played at your ceremony or reception.
It also gives suggestions for music at your wedding, including a special bridal website!
*Over 1,000 song titles listed
*Listen to samples of songs
*More ideas for each part of your ceremony, reception, and dance
Customer Reviews:
A Beautiful Wedding.......2007-07-10
This CD made all the difference in our wedding celebration. The songs were simply beautiful. The CD was delivered promptly. I would definitely buy from this vendor again.
Wonderful!.......2007-03-23
This is exactly what I was looking for for my wedding day. It's a beautiful cd, absolutely perfect.
Good CD for Wedding.......2007-03-21
All great music for weddings. It really does have all the music I want to use!
A Day To Remember--Instrumental Music for Your Wedding Day, O'Neill Brothers.......2007-02-07
The music was just perfect for our wedding--not too formal, not too simple.
great choice!.......2007-01-10
There are so many different songs to choose from on this cd and it's a great buy. whether you want to play it while eating dinner at the wedding, to walking down the isle, it's wonderful!!!!
Average customer rating:
- Quaker Oats Instant Metalcore
- Awesome Band!
- In This Moment
- breathtaking
- Must buy!
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Beautiful Tragedy
In This Moment
Manufacturer: Century Media
ProductGroup: Music
Binding: Audio CD
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ASIN: B000MCH5N6
Release Date: 2007-03-20 |
Tracks:
- Whispers of October
- Prayers
- Beautiful Tragedy
- Ashes
- Daddy's Falling Angel
- Legacy of Odio
- This Moment
- Next Life
- He Said Eternity
- Circles
- When the Storm Subsides
Customer Reviews:
Quaker Oats Instant Metalcore.......2007-07-02
Just Add Water!
Seriously, this is some of the most boring, lifeless music i've ever heard. The vocalist is female, so what? Arch Enemy has one too, and they're 1000 times better. This doesn't change the fact that ITM sound like all the other bands in the sea of metalcore bands that plague the metal world now. More rejected At the Gates riffs, more br00tal breakdowns, a rhythm section that doesn't do anything special, and a singer resembling Amy Lee with laryngitis.
Throw this **** out and get Decapitated's Winds of Creation or Augury's Concealed instead. If you absolutely must have a band in this genre, pick up the Red Chord's Prey For Eyes or Despised Icon's Ills of Modern Man. Anything to not have to hear this again.
Awesome Band!.......2007-05-15
I first heard about them on Myspace & I was only able to hear one song but it got me on Amazon to buy their cd instantly. My favorites are Prayers & Daddy's Falling Angel. Awesome band & a good add to the cd collection
In This Moment.......2007-05-14
This is a great album. At first I was really turned off by the opening track, Maria Brink whispering to a rain background. As the next song started I was happy to find I didn't waste 15 bucks. Maria plays both sides of the vocal gambit; she lets seemingly unbridled anger burst out, and then switches to a softer chorus, reminiscent of Bands like Kittie and Radio Iodine. The Drummer is incredible, and the rest of the band ties together well and keeps there timing with Maria's highs and lows to allow for clear vocals. I `m looking forward to there next album.
breathtaking.......2007-05-11
the drummer is fabbbbulous, this band is meant to be together. they make it sound so easy. her voice gives me chills...........
Must buy!.......2007-04-23
Every song on this album rocks! It is hard to describe the music type... definitely hard core. Maybe Mushroomhead meets Kittie with a little bit of Iron Madenish riffs. If you are like me and like crazy screaming music with a little bit of actual singing you will love it!
Average customer rating:
- A Slight Innacuracy
- Excelente
- Hard to Find Orchestral Instrumentals, Vol. 2
- Not totally an instrumental
- Another Collection You Wonr Find Anywhere else
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Hard to Find Orchestral Instrumentals II
Manufacturer: Eric Collection
ProductGroup: Music
Binding: Audio CD
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ASIN: B00008L3O0
Release Date: 2003-04-22 |
Tracks:
- Gonna Fly Now (Theme From 'Rocky') - Bill Conti
- Theme From 'Ben Casey' - Valjean
- Theme From 'The Apartment' - Ferrante & Teicher
- The Long Ships (Part 1) - Charles Albertine (mono)
- The Day The Rains Came - Raymond Lefevre (mono)
- Beautiful Obsession - Sir Chauncey
- Theme From 'The Sundowners'- Felix Slatkin
- Chariot (I Will Follow Him) - Franck Pourcel
- That's The Way With Love - Peter Soffici (mono)
- Theme From 'The Dark At The Top Of The Stairs' - Percy Faith
- Theme From 'A Man And A Woman' (from The Soundtrack) - Francis Lai
- Route 66 Theme - Nelson Riddle
- Moonglow & Theme From 'Picnic' - George Cates (mono)
- Swinging Sweethearts - Ron Goodwin (mono)
- Ringo's Theme (This Boy) - George Martin
- Song For Anna (Chanson D'Anna) - (Herb) Ohta-San
- Nadia's Theme (The Young & The Restless) - Barry Devorzon & Perry Botkinc Jr.
- Danny Boy - Sil Austin
- Trumpeter's Prayer - Tutti Camarata
- One Moment In Time - Vienna Symphonic Orchestra (VSOP)
Album Description
A spectacular follow-up to Volume One in this instrumental series featuring 15 songs that have never been on a U.S. CD before. But this set isn't just for collectors, but also for listeners. All recordings have been digitally mastered from the original master tapes & are in True Stereo wherever possible. Includes a full 8-page booklet with detailed liner notes on each song.
Customer Reviews:
A Slight Innacuracy.......2007-06-13
The version of "Nadia's Theme" (Theme from The Young and the Restless) isn't actually the one you're expecting. I believe it's actually the original arrangement made for "Bless the Beasts and the Children". So what later became the Young and the Restless theme (the one that was a hit) still remains unreleased on CD.
Hopefully, we can see that version on a future release. Maybe they could get "Little Ballerina Blue" on one while they're at it.
Still, some great stuff here.
Excelente .......2007-03-22
El tema de nadia es una de las canciones mas excelentes de la historia de la musica
Hard to Find Orchestral Instrumentals, Vol. 2.......2006-03-22
The purchase went as we had hoped. The delievry was as promised, and the quality of the product equal too, or above our expectations.
Not totally an instrumental.......2006-03-10
I was excited to find this album. I bought it but was horrified to find a loud vocal on the first track. The rest of the music is all instrumental but this one track simply JARS you when it plays. Very disappointing!
Another Collection You Wonr Find Anywhere else.......2003-05-06
Well, ERIC records has done it again.
Continuing their unique practice of giving us both well known hits and impossible to find rarities, Eric presents Volume 2 of "Hard to Find Orchestral Instrumentals". This one is, in my opinion, even better than the first.
First off, the sound quality of this disk is ASTOUNDING. ERIC has gotten the various reissue departments to provide them with absolute first generation mono and stereo masters and this CD proves it. The aural quality is breathtaking. The fact that Orchestral music is so beautifully suited for true stereo playback is exhibited here, as a whopping 15 of the 20 tracks are True Stereo and sound magnificent.
There are, of course, the big soundtrack hits here, like 'The Day The Rains Came" "Rocky", "Ben Casey", "Theme from The Apartment", and " Nadias Theme". All top 30 and well remembered. However, for this 43 year old fan, it was the some of the lessor known tracks, in particulatr the 1963 Colpix low level charter "Theme From The Long Ships" that really makes this collection the gem that it is. Outstanding tracks include "Theme From The Sundowners" , "The Dark At The Top of The Stairs" and "I Will Follow Him" , all tracks that will suddenly sound familiar again after first listen.
Therein lies the BEST part of this collection. When you put this on your player, you will be treated to a nostalgic feast,
a time when the magic of Orchestral music still ruled the charts, and existed in all our homes. And you'll certainly remember most of these once you hear them, which is the fun part!!
There arent enough great things I can say about this collection AND its sister CD "Hard To Find pop Instrumentals- Part 2" I personally liked this volume better, but if you dont have either yet, give yourself a musical treat, and some REAL listening enjoyment and pick these up...
Its listening the way it used to be.
MA....
Average customer rating:
- Very Best of Broadway Music
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Very Best Of Broadway Musicals
Various Artists
Manufacturer: Metro Music
ProductGroup: Music
Binding: Audio CD
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ASIN: B000068CC4
Release Date: 2002-06-25 |
Tracks:
- All That Jazz
- If I Can't Love Her
- Maybe This Time
- People Will Say We're In Love
- The Impossible Dream
- Seventy Six Trombones
- Can You Feel The Love Tonight?
- Still
- Send In The Clowns
- One
- Younger Than Springtime
- This Is The Moment
- Good Morning Starshine
- Your Getting To Be A Habit With Me
- Wunderbar
- Maria
- I Could Have Danced All Night
- Singin' In The Rain
- Written In The Stars
- One Song Glory
Customer Reviews:
Very Best of Broadway Music.......2007-05-08
I really like Broadway music so this is the BEST!!!!!!
I let someone else borrow this to listen at her house--She liked it also
Average customer rating:
- weilling away hours to sweet sounds
- 5 Stars for the Weill 1st sym
- Three Wondrous Weill Works Given Star Treatment by Alsop's Supremely Assured Direction
- The Other Kurt Weill
- REVERSE THRUST
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Kurt Weill: Symphonies Nos. 1 & 2; Lady in the Dark - Symphonic Nocturne
Manufacturer: Naxos
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All Works by Weill
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ASIN: B000A17GFQ
Release Date: 2005-08-16 |
Tracks:
- Sostenuto - Allegro Molto - Bournemouth Symphony Orchestra
- Largo - Bournemouth Symphony Orchestra
- Allegro Vivace - Bournemouth Symphony Orchestra
- Symphony No.1 - Bournemouth Symphony Orchestra
- Andante Misterioso 'My Ship' - Robert Russell Bennett
- 'Girl Of The Moment' - Robert Russell Bennett
- Bolero 'This Is New' - Bournemouth Symphony Orchestra
- Allegro Alla Marcia - Robert Russell Bennett
- 'Dance Of The Tumblers' - Robert Russell Bennett
- 'The Saga Of Jenny' - Bournemouth Symphony Orchestra
Amazon.com
About nine minutes into the second track of this disc, you seem to hear the composer reminding himself: "Hey, I'm Kurt Weill! This is what my music sounds like!" Most of us know only Weill's theater music, but he began his career writing concert pieces. The First Symphony was written under the tutelage of the great composer and pianist Ferruccio Busoni. Both symphonies belong to the European mainstream of the early 1920s, but Weill's characteristic style infiltrates only the Second (placed first on the CD), his last pure concert work, composed after the famous Threepenny Opera. These symphonies may not compete with Stravinsky and Bartók in their importance, but they are both satisfying pieces and will interest both lovers of 20th-century symphonies and fans of Weill's later music--of which we get a nice chunk as an encore. The Weill Symphonies have been scarce on recordings. Here they are performed with great energy and purpose by an excellent conductor and orchestra, vividly recorded, at a price which encourages exploration. --Leslie Gerber
Customer Reviews:
weilling away hours to sweet sounds.......2007-05-11
the symphonies are comprised of themes from other weill works such as 'seven deadly sins' and 'rise and fall of the city of mahagonny' and weill has turned his themes out to symphony legth admirably.
the interpretation by martin alsop and the bso, however, leaves something to be desired. it's very much by the book and lacking in texture and dynamic.
i'm sure that there is a better performance out there in the world, maybe even one conducted by a contemporary of weill's like maurice abravanel(sp?). that okay; i needed to start this collection weill's orchestral stuffs somewhere.
5 Stars for the Weill 1st sym.......2006-04-09
I'm only here to discuss the Weill incredible poetic and beautiful toned 1st sym.
My first choice might be the Prausnitz/New Philharmonia/EMI which is OOP, but worth the looking for.
Next choice might be the Baden/Kracow/Koch, OOP
3rd choice maight be the Swierczewski/Gulbenkian SO/Nimbus , still in print.
Next comes the Alsop/Bournemouth, as David Bryson wrote, "while not spectacular, still a worthy recording"
But then David goes on to write "Superbly realized".
Now here I have to diasgree. As the other 3 recordings mentioned deliver a greater depth and tonal phrasing.
Still hats off to Miss Alsop for recording a neglected masterpiece. She is still young in her caree and we expect other good things as well in the near future.
I can just hear the ol George Szell fans right now,
But she's no where as great as was our glorious Szell:.
Well I don't own any szell recordings, I've always found Szell to be good, but never excellent.
Except in the Strauss last 4 songs with Schwartkopf with the BERLIN RADIO SO.
Szell's Cleveland recordings were always average as far as I'm concerned.
I'm just comming around to Weill's 2nd sym, and good as it is, his 1st is superior. The 2nd seems to borrow too many ideas from the 1st, thus the 1st is more original.
The Lady in the dark work are a series of light broadway style music.
Three Wondrous Weill Works Given Star Treatment by Alsop's Supremely Assured Direction.......2006-01-04
Influenced by the likes of Gustav Mahler and Arnold Schoenberg in his youth, German composer and later musical theater wunderkind Kurt Weill wrote his first symphony when he was 21 and full of precocious fervor. It is presented here under the masterful baton of Marin Alsop leading the Bournemouth Symphony Orchestra, and the work is a bold, often dissonant single-movement piece. Over the course of its twenty-seven vibrant minutes, you can feel Weill's innate sense of lyricism in the work, but there is also an adolescent angst that makes the work fascinating within the Weill canon. Symphony #2, which opens the disc, is a more accomplished work in three distinct movements. He had written it in 1933, twelve years after the first, when he was living as an expatriate in Paris to escape Nazi Germany. His urgent passion is on full display throughout as if a major disaster is looming, and the music is particularly tinged with a bittersweet poignancy in the middle Largo movement.
Yet, it is really the Symphonic Nocturne for his Broadway classic, "Lady in the Dark", that provides the most vivid impression. Arranged by Robert Russell Bennett, it's an elegant suite of six movements, each familiar melody highlighting a different dramatic element of the show. It begins with the touching Andante misterioso "My Ship", which builds gradually into a swooning work, and then lights into the splendidly evocative "Girl of the Moment", the boldly colored bolero, "This Is New", and the all-out dramatic pizzazz of "Dance of the Tumblers". The work ends with a sassy, insinuating and ultimately stentorian version of "The Saga of Jenny". It's a wondrous work given its due by Alsop, who seems to understand Weill's Tin Pan Alley sensibilities as much as his earlier orchestral ones. This is yet another of Naxos's bargain-priced CDs, and like her recent interpretations of John Adams and Philip Glass, it is beautifully recorded at the Concert Hall, Lighthouse in Dorset, UK. This recording verifies Weill's versatility and Alsop's talent in bringing them to the fore in all their glorious purity.
The Other Kurt Weill.......2005-12-01
First off, let me say that I'm not a fan of Kurt Weill, at least what I knew by him prior to an acquaintance with the symphonies. His Kleine Dreigroschenmusik, based on the "Threepenny Opera" is the kind of twenties modernism from Germany that doesn't really send me--strident, cheeky, bumptious about mixing pop and classical music in a way that doesn't redound to the glory of either. Hence my great surprise at hearing Weill's Symphony No. 2. Here is a work that doesn't comprise on the composer's sardonic musical language yet doesn't pander either. It's a bit of hard-as-nails modernism that predictably didn't go down well with its earliest audiences. Maybe they wanted bread and circuses. Instead, Weill gave them weltschmerz 1930s style.
This is austere music, stripped to the bare essentials, employing a relatively small orchestra without percussion save for timpani. It does have a restless energy in the outer movements, both of which are well argued and very listenable, the last movement bustling along to sardonic march tempo that's strangely infectious. Does Weill foresee a mania for marching in Germany's future? (By the time of the Symphony's completion, he was in exile in Paris.) But the most remarkable movement is the long central Largo. It manages at once to be mordant and melancholy--not an easy proposition--reminding me of the slow movements from Suk's Asrael Symphony and Barber's Symphony No. 2 of a decade later. All these slow movements have the same oddly chilly dignity.
Weill's Symphony No. 1 could almost be considered an apprentice work. Written in 1921 when the composer was 21, it is in a single movement but falls into three distinct sections: fast, slow, fast. The fast sections are spiky and somewhat amorphous, the slow movement troubled and anxious, with a marching ground bass and a weird, discordant canon that leads to a semi-sweet solo for the violin, the orchestra still rumbling and grumbling underneath. Things are hardly leavened by the finale, which unfolds like a series of angular variations on a chorale theme. The work ends with a percussion-heavy bang, then a whimper. Odd music this--not entirely successful but definitely interesting; you want to hear it again just to see if you can dope it all out.
After this hard-bitten modernism, the "Symphonic Nocturne" based on Weill's 1940 Broadway musical "Lady in the Dark" seems a weird choice. Since there isn't very much purely orchestral Weill, I guess the producers were hard-pressed for filler, but even the ubiquitous Dreigroschenmusik would have been better than this fluff. Orchestrated by Robert Russell Bennett, it sounds like Gershwin without the moxie--or the melodies. Oh well, you can choose not to come back for more. But you will want to return to the symphonies, especially the fascinating Second.
Marin Alsop is proving herself a force to be reckoned with in modern music. She and the Bournemouth Symphony give Weill their all, and Naxos contributes fine, full sound with lots of color and presence. I may be cool about the "Nocturne," but the rest of this CD is decidedly hot.
REVERSE THRUST.......2005-11-11
This disc has been very thoughtfully edited. For one thing, the six pieces comprising the Lady in the Dark suite are played without intervening pauses (although there are separate tracks), which is as it should be, like a band playing half a dozen numbers in succession on a bandstand. What is far more important, and very intelligent too, is sequencing the second symphony before the first. The first symphony dates from 1921, the second from 1933/4, and the `symphonic nocturne' (what's one of them?) Lady in the Dark from 1940. If the works had been presented in straight order of composition it would have been very easy to form the impression that Weill's musical idiom was a backward-running process. The first symphony was a work he never acknowledged by that title. It comes from early in his course in composition with Busoni, and I read with great interest that he was the youngest member to be accepted, at age 20 in the year 1920, into that class, when in the very same year Busoni had refused to take on the 17-year-old Serkin as a piano pupil on the grounds that he was too old. In style this first symphony is very assured, its idiom hovering somewhere in the region of Honegger and Hindemith. It is in one movement, and a good deal longer than the most famous contemporary 1-movement symphony, the 7th of Sibelius. The second symphony is in a more normal 3-movement format, and it makes odd listening to the extent that its idiom seems to become more conservative as it goes along. The opening movement is not too far removed in style from the first symphony, but we have not got far into the long central slow movement before we hear a bassoon solo that is the Weill we know, followed later by some familiar-sounding brass writing and leading to a placid tonal conclusion. As for the Lady in the Dark, a collaboration with Ira Gershwin is not where one would expect to find modern harmonisation, and the Weill of the Threepenny Opera is with us once more.
I found the whole experience utterly intriguing. Weill's second symphony was composed in Paris to commission after he fled the new regime of gangsters in Germany. It seems to have had a dim reception and then to have been palely loitering unperformed for several decades. I for one had never heard it until I bought this disc, and I think it is something that would get me to bestir myself out to a concert if I saw it scheduled. Indeed I think the first symphony might well do that too. What its composer really thought of it I don't know, but it doesn't have any apprentice feel to it, and its single fantasia-like movement is nearly as long as the three movements of the second added up. Weill in his symphonic guise, particularly his early symphonic guise, is not entirely the man we might expect from the familiar stuff, but the genius and originality are still there. His second symphony is a far more serious bit of work than are the symphonies of Weber, but I felt all the same that it stands in some similar relation to the heavier masterpieces of its period, the symphonies of Mahler, Sibelius and Elgar, as Weber's do to Beethoven's.
If the symphonies are a journey of discovery, the Lady in the Dark (about psychoanalysis apparently) is definitely for Weill's fans, of whom I am one. The performances here strike me as just right, with the proper (or improper) seedy tone to them. The Bournemouth Symphony have been a fine orchestra for quite a long time now, at least since Silvestri's day, and Marin Alsop has been steadily advancing in recognition for a number of years too. The recording is very recent, just last year, and while it's not spectacular it is perfectly good by any rational standard. We are given here an hour and a quarter of absolutely fascinating music superbly realised, and even the liner-note, which comes with a German translation, is far better than many I see from the more traditional recording concerns. My notices of Naxos productions tend to finish, or begin, or both, with a panegyric to that fine company and its collaborators, and this one follows the tradition. Long may things be this way.
Average customer rating:
- great singers, great songs
|
Encores from Encores!
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD
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ASIN: B00008XERI
Release Date: 2003-05-06 |
Tracks:
- Overture [From Do Re Mi]
- Make Someone Happy [From Do Re Mi] - Heather Headley, Brian Stokes Mitchell
- All My Life [From Do Re Mi] - Nathan Lane
- Tommy, Tommy [From Tenderloin] - Sarah Uriarte Berry, Patrick Wilson
- Good Clean Fun [From Tenderloin] - David Ogden Stiers
- My Gentle Young Johnny - Debbie Gravitte
- Hostess With the Mostes' on the Ball [From Call Me Madam] - Tyne Daly
- It's a Lovely Day [From Call Me Madam] - Lewis Cleale, Melissa Errico
- Where or When [From Babes in Arms] - David Campbell, Erin Dilly
- Johnny One Note [From Babes in Arms] - Melissa Rain Anderson
- I Wish I Were in Love Again [From Babes in Arms] - Christopher Fitzgerald, Jessica Stone, Jessica Stone
- Bewitched, Bothered and Bewildered [From Pal Joey] - Patti LuPone
- Zip [From Pal Joey] - Bebe Neuwirth
- I'm Talkin' to My Pal [From Pal Joey] - Peter Gallagher
- I Am Loved [From Out of This World] - Marin Mazzie
- Nobody's Chasing Me [From Out of This World] - Andrea Martin
- From This Moment On [From Out of This World] - Gregg Edelman, Marin Mazzie
- Falling in Love With Love [From the Boys from Syracuse] - Rebecca Luker
- He and She [From the Boys from Syracuse] - Mario Cantone, Debbie Gravitte
- Sing for Your Supper [From the Boys from Syracuse] - Sarah Uriarte Berry, Debbie Gravitte, Rebecca Luker
Customer Reviews:
great singers, great songs.......2006-05-03
Some of broadway's best singers are on this album, including Brian Stokes Mitchell, Debbie Gravitte, Marin Mazzie, and Rebecca Luker. (The cd is worth buying for Rebecca Luker's song alone!) The songs are beautifully orchestrated and sung. Most are light hearted and fun, leaving me with a good feeling when listening.
If you're a fan of broadway showtunes, I believe you'll enjoy this album.
Average customer rating:
- Beautiful
- God Bless Daniel Rodriquez
- Music From and For the Heart
- Daniel Rodriguez
- Some definite winners on this album
|
The Spirit of America
Daniel Rodriguez
Manufacturer: Manhattan Records
ProductGroup: Music
Binding: Audio CD
All Works by Gounod
| Gounod, Charles
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Similar Items:
- In The Presence
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- God Bless America
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- Encore
ASIN: B00005Y1YC
Release Date: 2002-02-12 |
Tracks:
- God Bless America
- We Will Go On
- Ave Maria
- This Is The Moment
- Danny Boy
- Bring Him Home
- Shenandoah
- America The Beautiful
- The Lord's Prayer
- Into The Fire
- You'll Never Walk Alone
- The House I Live In
Amazon.com
It's said politics makes strange bedfellows. But it's got nothing on the peculiar marriage of art and history inspired by the tragic events of 9/11/01. Before that day, Daniel Rodriguez was a member of New York's finest, working as an NYPD security officer at the Manhattan South precinct. If it seemed an odd calling for a gifted, operatically trained tenor, it was employment many a journeyman artist could relate to: the proverbial "day job." As it turns out, no police academy in the world could have trained Rodriguez for the crucial role his city's darkest hour thrust upon him. While his colleagues mourned their staggering losses and toiled around the clock in rescue efforts, Rodriguez delivered renditions of "God Bless America" that rallied both his city and his country, much as Kate Smith's version of the Irving Berlin patriotic standard had done at the dawn of WWII.
Contemporary jazz great-producer Tom Scott took it from there, showcasing Rodriguez's powerful voice in this deftly arranged album focused sharply on personal and national inspiration. Taking his cue from his own hero, Mario Lanza, Rodriguez instills no small amount of drama in his performances, and it serves him well on tracks like the American folk classic "Shenandoah," a rousing take on Scarlet Pimpernel's "Into the Fire," and the relative Sinatra rarity "The House I Live In." The "God Bless America" here varies from the original single release, with Rodriguez reading the spoken intro once delivered by Mayor Rudolph Giuliani. Is Rodriguez the greatest tenor of modern times? No. But it's hard to imagine a talent better suited to the challenge history has thrust upon him; we're lucky--make that blessed--to have him. --Jerry McCulley
Customer Reviews:
Beautiful.......2007-07-21
This cd will bring tears to your eyes. His voice is so clear and lovely. I bought this cd for my mother for her birthday in September. It is so sad that the events of September 11 had to occur for this man to be discovered.
God Bless Daniel Rodriquez.......2007-07-16
This alblum is a treasure to own and listen to. He really captures the spirit of patriotism. I have played his songs at a local fireworks show that I DJ at and his songs are up there with the other songs by artists by Mr. Lee "God Bless The U.S.A." Greenwood and other great artists. New York City and the nation needed him at a time when we were trying to recover from the worst tragedy in the history of the U.S.A. and he was there for us.
Music From and For the Heart.......2006-11-25
Daniel's album is music to be shared with family and with friends to help further ensure warmth, strong family ties, and love of our beautiful country. His voice is magical, skilled, rich and so memorable that it can take one on a journey from yesterday to promise for a bright tomorrow. This is a superb rendering of past unforgettable music. His solemn rendition of the peace song "God Bless America" is the album's centerpiece and truly unforgettable....
Daniel Rodriguez.......2006-11-11
I first heard of Daniel Rodriguez a couple of months ago when he sang on Jay Leno's show. He was/is WONDERFUL! His voice is beautiful, but he sings from the heart, and that makes him exceptional.
Some definite winners on this album.......2005-12-14
My favorites are "Ave Maria" and "The Lord's Prayer" where Daniel truly shows off his vocal talents. I could have done without the choir backup on "Ave Maria" but nonetheless a great rendition.
The ending that he has for the "The Lord's Prayer" almost brings a tear to my eye each time I hear it. Well done Daniel.
Average customer rating:
- As Always, Hilarious
- Spoof Odessey worth the laughs!
- better to be "Lost in Space"
- Stretched Thin
- Do the Math
|
Forbidden Broadway 2001: A Spoof Odyssey
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD
Movie Soundtracks
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Similar Items:
- Forbidden Broadway Cleans Up Its Act!: The Unoriginal Cast Recording, Volume 5 (1998 New York Cast)
- Forbidden Broadway, Vol. 8 - Special Victims Unit
- Forbidden Broadway (20th Anniversary Edition)
- Forbidden Broadway, Vols. 1-4
- Forbidden Broadway Strikes Back!: Another Unoriginal Cast Recording, Volume 4 (1996 New York Cast)
ASIN: B0000584UL
Release Date: 2001-02-13 |
Tracks:
- Forbidden Broadway 2001: Another Op'nin, 'Another Show
- Futuristic Stewardess/Usherette: Come Fly With Me
- Judi Dench: Why Can't The English?
- Trouble In New Tork City: Trouble
- The Music Man Revival 2001: Till There Was You
- Cole Porter: You're The Top/From The Moment On
- Kiss Me, Kate Revival 2001: Wunderbar
- I Hate Ben - Marin Mazzie: I Hate Men
- Cheryl Ladd In Annie Get Your Gun: There's No Business Like Show Business
- Miss Saigon Farewell: Why God Why?
- Saturday Night Fiasco: Stayin' Alive
- Gwen Verdon & The Fosse Dancers: I'm A Brass Band/Steam Heat
- Liza Minnelli 2001/Alan Cumming in Cabaret: Wilkommen
- Let's Run Times Square Again: Let's Do the Time Warp Again
- Ethel Merman & Elton John: I've Got Rhythm/Old Fashioned Wedding
- Beauty's Been Decreased: Beauty And The Beast
- Being Lupone: Being Alive
- Sondheim's Blues: Buddy's Blues
- Streisand's Farewell Tour: Happy Days Are Here Again/Mame
- Les Miz 2001 - Edith Piaf/Milord
- Aida - Amneris Intro: Every Story Is A Love Story/Heather Headley/It's Cheesy: Easy As Life
- Elaborate Sets (Aida Cont.): Elaborate Lives
- Angela Lansbury: I Don't Want To Know
- The Full Monty: Let It Go
- 76 Hit Shows: 76 Trombones
- Bows-Ta-Ta Folks: Another Op'nin, 'Another Show
- Joseph And The Amazing High 'C': Any Dream Will Do
Customer Reviews:
As Always, Hilarious.......2007-05-03
This is so funny! Like all the Forbidden Broadway cds, its another knock-out. I feel like such a crazy person when I am in the car driving and I just burst out laughing. Its great and a must have for any Forbidden Broadway fan.
Spoof Odessey worth the laughs!.......2002-04-14
I enjoyed "Forbidden Broadway 2001: A Spoof Odyssey." This recording has some truly genius material, and although these actors' impersonations of famous Broadway stars aren't as strong as they have been in the past, the CD has a lot to recommend it.
Particularly strong is Track 16, "Let's do an old fashioned show tune," featuring Elton John and Ethel Merman duking it out over AIDA, which Merman says is "putting everyone here through hell." Likewise, Track 15, "Let's Ruin Times Square Again," tickles my funny bone. Also wonderful are the satires of Beauty and the Beast, Angela Lansbury, and the Full Monty; Gerard Alessandrini's done a tremendous job with these! In addition, this CD's introductory song is much stronger than those on the previous volumes of Forbidden Broadway. It really sets the tone for the best parts of this recording.
Unfortunately, with a few notable exceptions, the first half of the CD is a bit thin, which is why I give this recording 3 out of 5 stars: Even though it entertains me, there's a lot I have to skip over. For example, the Liza Minelli spoof annoying (though, I admit, a little funny), and in the Music Man revival satire, their Robert Preston impersonator sounds *nothing* like the original. (In earlier recordings, the actors *did* sound like the people they claimed to be.)
The good news is that the CD has 30 tracks in all, so even though there are 13 that I dislike, I just love the rest... I do recommend it!
better to be "Lost in Space".......2001-12-31
First and foremost, this CD is really for diehard fans of Forbidden Broadway, those of us who want the good, the bad and the ugly on the cd rack. I was extremely unimpressed with the latest offering.
While I agree with some of the other reviewers that there is some nice work, I don't know that Saturday Night Fiasco and Sondheim's Blues are sufficient to carry the rest of the tracks. Not much seems new or worse yet, important. Disney isn't new, nor is Les Miz. And while pointing out what is stale and pedestrian on Broadway was amusing on the last couple of releases, this Forbidden Broadway spoof clearly has joined the list of stale and pedestrian.
While there is some nice material on this disc, I really didn't laugh out loud, and that is why I have always bought these in the past.
If Alessandrini reduces the show to the same complaints of the same shows and then replaying lightly tweaked versions of past numbers, Trouble and Alan Cumming in Cabaret specifically, then he has himself is on the becoming a revival - and we know what he thinks of revivals.
The repeats might even be acceptable if there was something fresh in the perfomance, but both were done much better on their respective discs. I think Danny Gurwin is a great comedian, but he doesn't shine in either of these numbers. We also need a recording with no Ethel Merman or Liza numbers - give them a rest already. And why bring back Streisand with such a poor imitation? The earlier Barbara's were dead on vocal impressions as well as speech patterns. If you aren't going to improve on it, then don't drag it back out.
Alessandrini suggests that this is one of the best casts he has ever worked with. I don't know what he bases that on, but I beg to differ, either cast with Bryan Batt was significantly better, although they worked with fresh, clever material. Still, those recordings had verocious talent that brought Gerard's stinging wit to life for those of us who can't see every new production of FB.
Maybe it is time to go to off Broadway productions, or to the radio or the movies for some new ideas. Or else promise no references to the Gap, Disney, or Chorus Boys, (way over used on this recording), along with a Merman and Liza free season. Start from scratch. That might give us hope that Forbidden Broadway too might not be dead.
Stretched Thin.......2001-03-26
I just saw the stage production of Forbidden Broadway 2001: A Spoof Odyssey. I agree with the other reviewers who feel that Alessandrini is no longer at the top of his game. Perhaps he should lay off for a year or three and let Broadway present new things for him to lampoon - as it always will.
The opening sequence is forced and unfunny, and clearly in place only to batter the listener with the "2001" theme. Unlike a previous reviewer, I found the Judi Dench parody hysterical, though I question its accuracy.
The "Trouble" parody is, as it always was, incomplete and thin. My dear friend John Kenrick (...) did a better job with it - included the segments of the original song that GA left out, and in a funnier fashion. The Cole Porter parody is marginally amusing, but the Brian Mitchell/Marin Mazzie parody is dead on the mark, and VERY funny.
The parody of Cheryl Ladd remains in the show, although she's no longer in "Annie Get Your Gun" - Reba McIntyre is now in the role. Similarly, he stabs at Alan Cumming, who is no longer playing the Emcee. These numbers, while funny, lack punch. On the other hand, he once again skewers long time target Patti LuPone with an hysterical new parody of Being Alive. I suppose she's innately funnier, after all these years, than Alan Cumming, who is, after all, a relative newcomer.
The Rocky Horror parody is amusing, and the observation that sex has moved off 42nd Street and onto the Broadway stage is not without merit. The Beauty parody is amusing, and apt, but as has already been noted, GA has been clobbering us with the Disnification of Broadway for years now. I suppose he finds some glee in the fading success of this particular show.
I must say that while Gurwin is not the greatest singer, "Sondheim's Blues" is the most brilliant piece I've heard from Alessandrini in years. It's absolutely dead on. The friends I was with had never seen nor heard "Follies" and completely missed the point, but I was in stitches.
The "10 Years More" (which does not appear on this album, but remains in the show) has really begun to wear thin, especially with the closing this year of Cats and Miss Saigon. The Cameron Macintosh British mega-musicals are finally releasing their grip on Broadway, and this isn't as funny any more.
Broadway, despite the naysayers, will never die... and apparently, neither will Forbidden Broadway. I don't think it should - but I do think it needs a rest.
Do the Math.......2001-03-15
Four CDs cover the first 20 Years of Forbidden Broadway, Gerard Alessandrini's viciously witty satire of New York Theatre. The last year has seen Three new CDs, FB "Cleans Up Its Act" "20th Anniversary Edition" and now "2001 a Spoof Odyssey". Do the math.
Alessandrini is running out of ideas, and is spreading the remaining ones too thin. . Sanitized Time Square - Been there. Disnified Broadway - Done that, and so many times. Asinine casting faux pas, plotless pointless set-monster musicals, and Ethel Merman and Liza. We've heard it all before - and last time, it was funnier.
Now normally when a writer (or director or actor) has truly entertained me on numerous occasions, I'll forgive the odd show that disappoints. This would be the case here except for two things: Alessandrini is in the vicious parody business - he's never spared anyone else Besides, if he's going to actually include couplets like: "If lyrics are no longer witty... Then I don't want to go " he's inviting the pans.
When you hear the AIDA lampoon, you'll be reminded of the dim bulb in Cyrano de Bergerac who taunts the hero with the brilliant witticism: Your nose is very large
Yes, there are a few true Forbidden Broadway tracks on Spoof Odyssey. Dame Judi Dench singing "Why can't Americans do theatre like the Brits?" (with apologies to My Fair Lady), I Hate Ben (with apologies to Kiss Me Kate) and about 1/3 of "Let's Ruin Time Square Again" (no apologies necessary to Rocky Horror which understands how easy it is for good parody to go bad). Oh yes, there is one absolutely true Forbidden Broadway track: TROUBLE - yes, the same Trouble from Volume 3 which was just re-released on the 20th Anniversary compilation - and it's back again with a more hackneyed Robert Preston impersonation and all of 4 words changed. Granted it's one of the better bits, more worthy of rerunning than say, referring to Miss Saigon as Viet-Numb, but oh, he reran that gag too
Average customer rating:
- stunning studio album in creamy stereo
- STELLAR STAR!
- There IS a more complete recording. . .
- Great Fun
- A fun, if abbreviated, recording
|
Weill: Lady in the Dark / Risë Stevens, Adolph Green, Lehman Engel, Danny Kaye
Kurt Weill , Maurice de Abravanel , Risë Stevens , Adolph Green , Danny Kaye , Lehman Engel , Michael Kellman , Dennis D. Rooney , and John Reardon
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
All Works by Weill
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- Lady in the Dark/Down in the Valley
ASIN: B0000029VA
Release Date: 1997-06-03 |
Tracks:
- Lady In The Dark: Glamour Dream: Oh, Fabulous One
- Lady In The Dark: Huxley (Liza, Beekman)
- Lady In The Dark: One Life To Live (Liza)
- Lady In The Dark: Girl Of The Moment (Liza)
- Lady In The Dark: Wedding Dream: Liza, Liza
- Lady In The Dark: Mapleton High Chorale
- Lady In The Dark: This Is New (Randy, Liza)
- Lady In The Dark: The Princess Of Pure Delight (Liza, Randy)
- Lady In The Dark: Circus Dream: The Greatest Show On Earth (Ringmaster, Randy)
- Lady In The Dark: The Best Years Of His Life (Ringmaster, Randy, Liza)
- Lady In The Dark: Tschaikowsky (Ringmaster)
- Lady In The Dark: The Saga Of Jenny (Liza)
- Lady In The Dark: Childhood Dream: My Ship (Liza)
- Lady In The Dark: One Life To Live
- Lady In The Dark: The Princess Of Pure Delight
- Lady In The Dark: It's Never Too Late To Mendelssohn
- Lady In The Dark: Tschaikowsky And Other Russians
- Lady In The Dark: Jenny
- Lady In The Dark: My Ship
Customer Reviews:
stunning studio album in creamy stereo.......2004-08-05
This studio album of Weill and Gershwin's LADY IN THE DARK features the lovely Rise Stevens making the role of Liza Elliott her own, with Adolph Green in the role that made Danny Kaye a star in the original production.
This sumptuous reissue on the Columbia 'Masterworks Heritage' label presents the recording in creamy stereo, with the orchestra under the baton of Lehman Engel. Rise Stevens is perhaps the best singer to have played Liza on any recording of LADY IN THE DARK. The trained opera singer lets her hair down for the manic "Saga of Jenny", and yields glowing versions of "My Ship" and "One Life to Live". Also featured among the cast are John Reardon and Stephanie Augustine.
My only qualm about the release is the horrid packaging. The disc is enclosed in a cardboard sleeve at the back of a booklet-style slipcase, leaving the CD vulnerable to scratches and dust (I remedied the problem by putting the CD in a separate plastic jewel case and filing it on the shelf next to the empty booklet case). However this should not deter collectors and musical theatre fans from seeking out this lovely recording.
STELLAR STAR!.......2003-01-03
MISS STEVENS shinesas Liza Eliot in this perfect recording of "Lady in the Dark". [For the first time - with repect to the other artists - the lyrics are pristine!] THE recording? IF you own a 'surround system' - this one IS flawless - just a perfect balance of voice and instrument. [A great restoration job - if only they could do the same to the Lawrence version....]
FOR the collector - get all three recordings currently available - the 1997 London version is the most complete, the Gertrude Lawrence? It's more of a Star Vehicle for Miss Lawrence - lots of dialogue - with really only the two "Liza' numbers - "Saga of Jenmny" and "My Ship" intact - but also well worth the journey.
AS A BONUS - Miss Stevens recording contains the Danny Kaye contribution missing from the Gertrude Lawrence recording - plus his versions of "My Ship" and "The Saga of Jenny".
There IS a more complete recording. . ........2000-12-06
This recording is terrific, but for a more complete recording with much better quality, look for the Original Cast Recording from the Royal National Theatre Production. It's got all the bridging music which is phenomenal.
Great Fun.......1999-04-15
Until the definitive full version of the score comes out--with all the bridging material and orchestral interludes--this is probably the most complete of one of the greatest and most charming classic Broadway scores (and probably Ira Gershwin's masterpiece). Rise Stevens was born to play the part, and though at times she gets a bit excessive (especially in the dialogue) her voice is beautiful and confident (a high point is her counterpointing the chorus during "The Best Years of His Life"), and iat times really soars, as in "This is new." Adolph Green is hilarious--it's a great tragedy he never got to play this role on Broadway.
A fun, if abbreviated, recording.......1999-04-02
A nifty performance of one of Broadway's classic scores. The biggest problem is that just about everything is slightly abridged (mostly verses, connecting material, dialogue underscoring and choral repeats--although if I'm reading the vocal score right, most of this would still be interesting to listen to); still, a reasonably good taste of the whole thing. The liner notes also don't really give a story synopsis, so if you aren't familiar with the plot, seek out a summary so you aren't completely confused by what is going on. Rise Stevens' acting is pretty mannered, and she goes over the top vocally every now and then; she seems to be shouting, not singing at the end of "Jenny." Adolph Green is hysterically funny and acquits himself supremely well in "Tchaikovsky." How you'll enjoy the appendix of Danny Kaye's recordings depends on how much you like Danny Kaye--enough said.
Average customer rating:
- Old Meets New!?
- The thinking man's new age
- Music to feed your soul
- Paul does it again!
- Jon Nipp - www.Spirit-Within-New-Age-Radio.com
|
Phos Hilaron
Paul Avgerinos
Manufacturer: Round Sky Music
ProductGroup: Music
Binding: Audio CD
Ambient
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Similar Items:
- Maya
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ASIN: B00099XGPI
Release Date: 2005-05-01 |
Tracks:
- Humbly I adore Thee
- O Sons and Daughters
- Call to Prayer
- Phos Hilaron
- Anoint and Cheer
- Song of Gladness
- Kyrie
- Oneness
- The Mystery Telling
- O Heavenly Word
Product Description
Produced by the Grammy Nominated artist Paul Avgerinos, Phos Hilaron ( foss hill-a-ron ) is a deeply devotional ambient soundscape setting ancient Sacred Hymns sung in English within a tasteful modern accompaniment . The title hymn, Phos Hilaron , dates back to the first century .
Customer Reviews:
Old Meets New!?.......2006-02-01
When I was younger and sat in church every Sunday I truly enjoyed the peace and calm Gregorian Chants offered me. Fast forward several dozen years and I discovered that same kind of peace and contentment in New Age Music. Paul Avgerinos merges these two formats in Phos Hilaron to create a nicely blended sound that is heavy on the New Age side. It is like a Bloody Mary that takes ones's beloved vodka and mixes it with just the right amount of tasty tomato juice to create a whole new sensation. Phos Hilaron may not be the best of both worlds but it is a pretty satisfying musical Bloody Mary anyhow.
The thinking man's new age.......2005-08-02
Paul Avgerinos is the renaissance master of modern new age, a classically trained artist who brings to his projects experience, learning, and a passion to communicate with listeners. His latest recording, Phos Hilaron, is a richly textured collection of performances based on Christian hymns, an obviously personal statement of faith. One listen will convince you that this music is from someone who wishes to create as much with his heart as with his head.
Music to feed your soul.......2005-08-01
Paul Avgerinos' Phos Hilaron is stunning. It is music that is not only heard by the ear, but by one's soul. The entire CD is an experience of centering and calming and reassuring the listener that there is a place of great beauty and sacredness within him/herself and it is a place where one can go anytime.
Although based on a very early Christian hymn, this music transcends those roots to speak to all people of all spiritual paths.
Paul does it again! .......2005-07-16
I've followed Paul's music for many, many years now and each release shows his growth as a person and a musician. PHOS HILARON is AWESOME! It's a cross between Gregorian and New Age and is wonderful to use in almost any setting. I use it while reading or just as background music for my day. It's also great to just sit and listen (with headset is best) and hear the subtle nuances Paul is so good at creating! I HIGHLY recommend it! Rev. Ronald G. Cosseboom
Jon Nipp - www.Spirit-Within-New-Age-Radio.com.......2005-07-04
Need to chill out? Paul's music is different than most: it makes me think of when you drive out to the middle of nowhere to get away from it all and the only sounds you hear are the constant whisper of a gentle wind humming through the blades on a windmill, while a nearby stream quietly and endlessly dances past you. Suddenly you realize you've been sitting there staring off into vast fields of golden wheat and without a single thought for hours.We highly recommend Paul's music for your new age music collection.
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Pop Music
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