Sanctus

Editorial Reviews
Product Description
Beautiful, relaxing music for the soul - this gentle, melodic and soothing disc is ideal for meditation and healing. Anthony Miles is trained as a studio engineer and has worked with hit pop acts such as The Rubettes and Modern Romance. Featuring beautiful male Gregorian chants, simple choral phrases build up a reverential sense of prayerful intensity with voice and instruments blending into a soft, soothing balm for troubled minds. Perfect for spas and meditation centers!

Sanctus,Anthony Miles,New World Music,New Age,New Age / Meditation,Pop


Sanctus

Sanctus
Hildegard von Bingen: Canticles of Ecstasy
Average customer rating: 4.5 out of 5 stars
  • Different -- delightfully so
  • Simply awe inspiring and amazing
  • Ecstatic Music, Ecstatically Performed.
  • canticles of Ecstay
  • Hildegard von Bingen: Canticles of Ecstacy
Hildegard von Bingen: Canticles of Ecstasy

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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  1. Feather on the Breath of God
  2. Hildegard von Bingen: Voice of the Blood
  3. Vision: The Music of Hildegard von Bingen
  4. Hildegard von Bingen: Heavenly Revelations
  5. Luminous Spirit

ASIN: B000001TYF
Release Date: 1994-12-13

Tracks:

  1. O vis aeternitatis - Sequentia
  2. Nunc aperuit nobis
  3. Quia ergo femina mortem instruxit
  4. Cum processit factura digiti Dei
  5. Alma Redemptoris Mater
  6. Ave Maria, O auctrix vite
  7. Spiritus Sanctus vivificans vite
  8. O ignis spiritus Paracliti
  9. Caritas habundat in omnia
  10. O virgia mediatrix
  11. O virdissima virga, Ave
  12. Instrumental
  13. O Pastor Animarum
  14. O tu suavissima virga
  15. O choruscans stellarum
  16. O nobilissima viriditas

Amazon.com

Although Hildegard von Bingen's music has been around for 900 years--and recordings of her music for decades--it seems that only now, as we approach the turn of another millennium, the time is right for the world to pay attention. In this first-rate traversal of her music--the most popular of several volumes released by the early-music ensemble Sequentia--we hear music that resulted from Hildegard's legendary visions, which often included song texts that she subsequently collected and dispensed to her religious community of women. As rendered here by the voices and instruments of Sequentia, her music invokes an unobscured sense of mystery, conforming to Hildegard's belief that music was our bridge to the harmonies of the heavens. Whether or not we're experiencing that "heavenly harmony" here, the simple, direct, beautifully turned melodies, sung by pure, finely tuned, warm-colored women's voices, often eerily accompanied by an instrumental drone, is heavenly enough. --David Vernier

Customer Reviews:

5 out of 5 stars Different -- delightfully so.......2007-08-03

I didn't get a chance to read all the reviews posted for this album, so if someone already said this I apologize for the repetition. Are you aware that this is the de facto first opera ever written in Europe? Hildegard was a visionary in so many ways! Her music is very different and unique when compared to other operas. I highly recommend it.

5 out of 5 stars Simply awe inspiring and amazing.......2007-05-20

One would have to listen to this music to understand the power it will hold over you. Ethereal and almost eery, yet full of power, grace and triumph, this will be a mainstay in your collection. The only thing resembling it that the mass public would be aware of is Gregorian Chant, although this is it's own beast and so much more. It's not expensive, buy it and see for yourself.

5 out of 5 stars Ecstatic Music, Ecstatically Performed........2007-05-13

I had first heard this performance of St. Hildegard of Bingen's "Canticles of Ecstasy" on sound cassette and loved it.

The music is sublime. The female voices are heavenly, without a hint of sentimentality.

When you listen to "Canticles of Ecstasy" you will know how this medieval nun and composer felt about things.

Caution. They could make a believer of you.

4 out of 5 stars canticles of Ecstay.......2007-03-23

This is a very good CD I highly recomend it if you love chant. I am glad to have it in my collection.

5 out of 5 stars Hildegard von Bingen: Canticles of Ecstacy.......2006-07-25

This CD will transport you to another space and truly put you in touch with the sublime! If you are a massage therapist,I recommend it for use during your sessions. Anyone can use it as part of his or her meditative spiritual practice regardless of your particular faith.
Gregorian Chants: The Best of the Benedictine Monks of St. Michael's
Average customer rating: 3.5 out of 5 stars
  • Gregorian Chants: The Best of the Benedictine Monks of St. Michael's
  • Fantastic
  • DOMINE LABIA MEA APERIES
  • It's a stinker!!
  • Unbiased reponse to Caesarmagnus
Gregorian Chants: The Best of the Benedictine Monks of St. Michael's
Denis Stevens , Benedictine Monks of St. Michael's de Laudes , The Monks of the Benedictine Abbey of St. Benoit , The Ambrosian Singers , and Fr. Joseph Montalbo
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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  1. Lost in Meditation: Meditative Gregorian Chants, Vol. 1
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  5. Salve Regina: Gregorian Chant

ASIN: B000001VIR
Release Date: 1994-08-02

Tracks:

  1. Sancte Dei
  2. Salve Sanctus Parens
  3. In Paradisum Angeli
  4. Sanctus & Benedictus
  5. Conditor Alme
  6. Organ Voluntary
  7. Te Lucis Ante Terminum
  8. Christus Natus Christos
  9. Kyrie Christe Eleison
  10. Organ Voluntary
  11. Gloria
  12. Puer Natus Est
  13. Sanctus & Benedictus, II
  14. Beata Dei
  15. Veni Sancte Spiritus
  16. Organ Voluntary
  17. In Paradisum Angeli, Reprise
  18. Dominus Exsultemus

Customer Reviews:

5 out of 5 stars Gregorian Chants: The Best of the Benedictine Monks of St. Michael's.......2007-01-11

The CD was in perfect shape, was shipped very promptly and I have enjoyed listening to it - especially when feeling stressed.

5 out of 5 stars Fantastic.......2007-01-10

The is one CD that is calming to everyone even an overactive, over excited puppy.

2 out of 5 stars DOMINE LABIA MEA APERIES.......2006-05-08

"Lord Open my Lips......"

I would suggest that anyone REALLY interested in PURE, GREGORIAN CHANT to access the following Carthusian Link:

[...]

You will hear Gregorian Chants as you have never heard before.
As a former Trappist Monk, where the Choir Monks sang the Divine Office each day - a total of about 7 hours - and in the Cistercian Chant, the CARTHUSIAN CHANT is by far the most pure of the two traditional chants. The Carthusians do NOT utilize any musical instruments as is used in some Trappist Communities and Benedictine Communities.

This recording is a rather poor rendition, but seems to please some listeners. For those purists among you, access the above site.

The Carthusian Gregorian Chant has its own renditions. You will notice whenever the Nuns or Monks are chanting the 'GLORIA' that the tempo is drastically reduced, and not rushed thru.

Background noises in this recording make it difficult to really appreciate the Chant.

In the Carthusian Chants - especially those from La Grande Chartreuse, France, the diction is crisp, clear and every Latin Word is distinguishable.

1 out of 5 stars It's a stinker!!.......2006-03-13

The cover art is good, but the music is horrible! This is a REALLY bad recording!

2 out of 5 stars Unbiased reponse to Caesarmagnus.......2005-04-22

Agreed, the fan IS there, but I must admit they are actually singing well in the actual Solesmes style (based on these samples). I have heard superb chant and frighteningly bad chant. This is not as bad as it gets I assure you. Try to find something from a Seminary or Monastery.
Chant II
Average customer rating: 5 out of 5 stars
  • efficaciously relaxing
  • very calming
  • Beautiful
  • Same Question As Before
  • Same Quation As Before
Chant II
Gregorian Chant , Ismael Fernandez de la Cuesta , and Benedictine Monks of Santo Domingo de Silos
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002SLS
Release Date: 1995-10-17

Tracks:

  1. Da Pacem, Domine: Introit
  2. Haec Dies Quam Fecit Dominus: Gradual
  3. Victimae Paschali Laudes: Sequence
  4. Alleluia. Vir Dei Benedictus: Alleluia
  5. Kyrie, Fons Bonitatis: Trope
  6. Quam Magnificata Sunt Opera Tua Domine: Responsory
  7. Ut Queant Laxis Resonare Fibris: Hymn
  8. Cibavit Eos Ex Adipe Furmenti: Introit
  9. Oculi Omnium In Te Sperant: Gradual
  10. Spirtus Domini Replevit Orbem Terrarum: Introit
  11. Alleluia. Veni Sancte Spiritus: Alleluia
  12. Os Justi Meditabitur Sapientiam: Gradual
  13. Kyrie 'Lux Et Origo'
  14. Gloria In Excelsis Deo
  15. Sanctus Dominus Deus Sabaoth
  16. Agnus Dei, Qui Tollis Peccata Mundi
  17. Ave Mundi Spes Maria: Sequence
  18. Media Vita In Morte Sumus: Responsory
  19. Salve, Regina, Mater Misericordiae: Antiphon

Customer Reviews:

5 out of 5 stars efficaciously relaxing.......2007-06-27

This is exactly what I was looking for. I now have some music to play at work that is soothing and keeps me focused. It also keeps me grounded as to what is really important in life. Highly recommend it!!

5 out of 5 stars very calming.......2007-01-19

these gregorian chants are very calming . If your riding in your car, walking , or just sitting . it makes for excellent listening.

5 out of 5 stars Beautiful.......2005-08-28

Beautiful. Just like the first Chant. This is my "mellow out", puts me to sleep music. I didn't care for the applause at the end, but it's still a beautiful CD.

5 out of 5 stars Same Question As Before.......2003-04-24

The music is flawless. Haunting, spiritual, engrossing, and above all gorgeous. This disc is nothing short of amazing. Yet I gotta ask. Why is it that a recording of BENEDICTINE monks has a cover photo of men in FRANCISCAN robes?

5 out of 5 stars Same Quation As Before.......2003-04-24

The music is flawless. Haunting, spiritual, engrossing, and above all gorgeous. This disc is nothing short of amazing. Yet I gotta ask. Why is it that a recording of BENEDICTINE monks has a cover photo of men in FRANCISCAN robes?
Libera
Average customer rating: 5 out of 5 stars
  • Enchanting
  • Amazing Voices
  • Gracious
  • This CD Dropped In From Heaven
  • Incredible. Simply incredible.
Libera
Libera
Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD

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  1. Luminosa
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ASIN: B00002DDVU
Release Date: 2000-02-15

Tracks:

  1. Salva Me
  2. Sanctus
  3. Agnus Dei
  4. Libera
  5. Mysterium
  6. Jubilate
  7. Beata Lux
  8. Dies Irae
  9. Te Lucis
  10. Sancta
  11. Angelis
  12. Lux Aeterna

Amazon.com

Recalling the uplifting New Age chorals of Adiemus and Enigma, Libera fuses the high, innocent voices of 11 and 12-year-old boys with contemporary beats amidst lush synth and orchestral accents. The result is a mesmerizing collection of original choral material written by self-proclaimed "organ nerd" and keyboardist Robert Prizeman. Prizeman, drawing from his background in church music, expertly weaves the choir's bright, sacred tones into the fabric of his modern spiritual vision, which brings the sanctity of London abbeys to mind. At times the album wanders into deeply mystical territory, with the boys' solos bouncing up and down the scale in a soft melancholy, which nicely contrasts with the power of their joined voices. Though not extensively trained, the choir does an expert job with Prizeman's compositions. The one aspect of this CD that may frustrate listeners is the lack of comprehensive credits and information on the artists in the CD booklet. Otherwise, Libera is a pleasantly sublime work of New Age art. --Karen K. Hugg

Customer Reviews:

5 out of 5 stars Enchanting.......2007-01-30

There's something about a good choir that can really stir the spiritual imagination and this choir is simply fantastic. Based out of Europe, Libera re-introduces the world to classical pieces in upbeat and modern mixes. Some tracks are simply beautiful and others mysterious, but all are wonderful. Our audience has repeatedly voted "Salva Me" into the Top 10 along with other hits such as "Lux Aeterna." This is a great CD. - Jon

5 out of 5 stars Amazing Voices.......2007-01-10

These boys continue to amaze me. I am transported when listening to their music. It is uplifting, haunting, invigorating, thoughtful...just incredible.

4 out of 5 stars Gracious.......2006-11-19

For those of us, myself included, desperately hoping that the age of church music isn't dead - or should I say, hoping that new ways of singing God's praise can still be found, this album gives hope that something non-trivial can be done with modern music. It's only one dimension of a needed reformation, but it is a contribution nonetheless. In addition to "Salva Me" the title track "Libera" is also very engaging.

5 out of 5 stars This CD Dropped In From Heaven.......2006-04-10

Absolutely the most beautiful music anyone could hope for and beyond words for New Age music addicts. I'm not particularly religious,but this music gives me goose bumps. I'm not a fan of the Catholic Church, but I love Catholic chorus music. It is very calming.

My favorite is "Angelis" which I'm not sure if sung in English or Latin but the first two words of the song sounds like "Angeline seventeen" and the stunning music congers up visions of some angelically lovely teen age girl who inspired the song. Heck, all the music congers up beautiful, peaceful visions. And never has Latin sounded like this. It's a very sexy language! You won't regret buying this CD.

5 out of 5 stars Incredible. Simply incredible........2006-02-26

These boys have the finest voices you'll hear anywhere. Not being Catholic, I don't understand much of the Latin in songs such as cut 2, "Sanctus." But I could listen to that particular song over and over and over. In fact, I have. And it is so beautiful and haunting that it has motivated me to look up the meaning of the words so I can better participate in the worship experience that is "Sanctus." The rest of the album is just as beautiful, but I put "Sanctus" in a class all by itself. Another review of one of Libera's other albums mentioned that this song has appeared on several CDs and that reviewer considered this a weakness--saying that they must not have much material. I would love it if this song appeared on every album they ever record so that I wouldn't have to change discs when I'm ready to hear it again. If you want a truly moving aural experience, purchase this CD.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
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  5. The Life and Works of Ludwig van Beethoven

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
The Face of Love
Average customer rating: 4.5 out of 5 stars
  • Love it!!!
  • SR is hitting the mark
  • Nothing like Rockin Christian Tunes!
  • They Are Alright
  • Wow
The Face of Love
Sanctus Real
Manufacturer: Sparrow
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
Christian RockChristian Rock | Christian & Gospel | Styles | Music
GeneralGeneral | Christian & Gospel | Styles | Music
Christian AlternativeChristian Alternative | Christian & Gospel | Styles | Music
Christian Contemporary MusicChristian Contemporary Music | Christian & Gospel | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
Similar Items:
  1. Smile, It's the End of the World
  2. Hearts of the Innocent
  3. Fight the Tide
  4. I Wish We All Could Win
  5. Beauty in the Broken

ASIN: B000ERU8RY
Release Date: 2006-04-04

Tracks:

  1. Im Not Alright
  2. Eloquent
  3. Fly
  4. The Face Of Love
  5. Dont Give Up
  6. Were Trying
  7. Thank You
  8. Magnetic
  9. Possibilities
  10. Where We Belong
  11. Benjamin

Customer Reviews:

5 out of 5 stars Love it!!!.......2007-06-13

I love this CD. My favorite songs are Don't Give Up, Eloquent, and Thank You. I think you should get this CD.

5 out of 5 stars SR is hitting the mark.......2007-05-14

Starting off with a punch, the CD hits the mark. Not Alright is the kind of razor sharp truth that sets SR apart from the top-40 CCM crowd. The title track Face Of Love is the high water mark for this band, surpassing Alone on their last album. It's no wonder it was the most played CD of last year. PLEASE make a live/remix album?????

5 out of 5 stars Nothing like Rockin Christian Tunes! .......2007-01-04

Sanctus Real - Great Group - Great Music - Great Message - GREAT CD

4 out of 5 stars They Are Alright.......2006-11-27

I have enjoyed the singles 'The Face of Love' and 'I'm Not Alright' so I decided to get this album. I have not heard any of the previous music by Sanctus Real.

This is a quality rock album with very good lyrics. Some of the issues that the songs deal with are as follows: The loss of a loved one through death, encouraging married couples to 'Don't Give Up', and praising the Lord 'Thank You'.

The song 'We're Trying' has a catchy sound. It is talking about how we as Christians/humans sin but are trying to do right. It says: 'We're liars and thieves, we're destroying the peace, but we're trying.'

'Benjamin' is a song about a person who has lost his father about the same time that his child was born. It is very moving.

I am quite impressed with this album and would recommend it.

5 out of 5 stars Wow.......2006-11-09

I purchased this CD around three months ago, and it's already becoming one of my altime favorites. It expertly blends pop ballads, soft rock, and Sanctus Real's own blend of passionate rock and guitar. Some of the best songs are "I'm Not Alright", "Fly," "The Face of Love" "Where We Belong" and "We're Trying." All and all, a great rock album with great lyrics.
Prayer: A Windham Hill Collection
Average customer rating: 4.5 out of 5 stars
  • Music for Meditation
  • Be Thou My Vision
  • Reverent, beautiful
Prayer: A Windham Hill Collection

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by GounodAll Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
RequiemsRequiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music
ElectronicElectronic | Instruments | Classical | Styles | Music | Computer
ViolinViolin | Strings | Instruments | Classical | Styles | Music
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ASIN: B0000AM6L0
Release Date: 2003-09-09

Tracks:

  1. Sanctus from Requiem (Gabriel Faur-Tim Story piano, synthesizers
  2. The 23rd Psalm (Condit Atkinson) - Steve Erquiaga guitar
  3. Be Thou My Vision (Irish trad.) - Jeff Johnson & Brian Dunning with John Fitzpatrick
  4. Holy, Holy, Holy (trad.) - Jim Brickman piano
  5. The Lords Prayer (Albert Hay Malotte) - Paul McCandless English horn, keyboards
  6. Alisas Prayer (Deborah Henson-Conant) - Deborah Henson-Conant electric Celtic harp
  7. Meditation (Thea Suits) - Thea Suits flute
  8. Ave Maria (J.S. Bach/Gounod) - Steve Erquiaga guitar
  9. Go Gently (Suzanne Ciani & Jeremy Lubbock) - Suzanne Ciani piano
  10. Offering (Tracy Silverman) - Tracy Silverman & Thea Suits
  11. Spanish Stairs (Paul McCandless) - Rosalba Bentivoglio voice
  12. Ave Verum Corpus (W.A. Mozart) - Philip Aaberg solo piano

Customer Reviews:

5 out of 5 stars Music for Meditation.......2007-01-04

This is a delightful collection of music appropriate to meditative prayer. It is often my prayer companion, and I like the style and performance found on this CD. I highly recommend it to people who enjoy deeper reflection with a wordless musical background.

4 out of 5 stars Be Thou My Vision.......2005-10-19

Track 3, Be Thou My Vision, was a surprise as the song was the final song played at my father's funeral. It set the closing mood most fittingly. While Be Thou My Vision is my favorite the entire collection is wonderfully mellow. I recommend it for for the mellow moods.

4 out of 5 stars Reverent, beautiful.......2003-09-21

After criticizing Windham Hill in the past for often recycling the same songs over and over in various collections, I have to hand it to them with the new "Prayer" CD. It's a fine set of all-new acoustic versions of hymns or spiritual songs, plus a good number of original compositions. Producer Dawn Atkinson has done an excellent job of lining up a bunch of top-drawer people for "Prayer," and in working with the artists on the song selection.

Things get started with Tim Story's lovely piano rendition of the "Sanctus" from Faure's Requiem. The quiet and reflective tone of that piece carries throughout the CD. Other highlights include Paul McCandless's moving "Lord's Prayer" version and Steve Erquiaga's "Ave Maria." "Prayer" is a perfect disc for background listening if you're engaged in some activity that needs harmonious yet unobtrusive accompaniment.
Choral Masterpieces
Average customer rating: 5 out of 5 stars
  • Outstanding
  • The heavens are telling
  • Uncle Abe rattles the house with this thing
  • Sir Robert with ASO and Chorus at their Best!
  • Celestial melodies
Choral Masterpieces

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003CTR
Release Date: 1990-10-25

Tracks:

  1. Hallelujah
  2. Ave Verum Corpus K.618
  3. Kyrie Eleison
  4. Passion Chorale
  5. The Shepherds' Farewell
  6. Lift Thine Eyes To The Mountains
  7. He Watching Over Israel
  8. Dona Nobis Pacem
  9. Hallelujah
  10. Worthy Is The Lamb
  11. Sanctus
  12. Bogoroditse Devo
  13. Wie Lieblich Sind Deine Wohnungen
  14. The Heavens Are Telling
  15. Rex Tremendae

Customer Reviews:

5 out of 5 stars Outstanding.......2007-01-12

-gave this as a Christmas gift to my brother-in-law, a church musician. He has listened over & over & thinks it is really outstanding. Thank you!

5 out of 5 stars The heavens are telling.......2005-10-21

This is a very great chorus, and one of Haydn's best as far as i am concerned. The pace, grandness and spirit of the piece all conjure in one's imagination the majesty of heaven, and God's throne. I cannot help but be moved to praise the God of the heavens and the earth.

kanmi ogundipe

5 out of 5 stars Uncle Abe rattles the house with this thing.......2004-11-22

I came home from work one day when my uncle was visiting my wife and myself. He was recently retired from the ministry. He had heard a lot of choral music in his life. My aunt said he had the stereo ( power end of my stereo at the time was an Adcomm 555 amp. conservatively rated at 200 watts RMS per channel) up so loud it was rattling the whole house. I too have come to love this music. I mostly listen to rock and roll; but the way my uncle, and now I, play this thing, it is rock and roll from another era!!!

5 out of 5 stars Sir Robert with ASO and Chorus at their Best!.......2003-11-16

After Mr Shaw spent many years in NYC and Cleveland with RCA Red Label,he came into Atlanta for a big change! Soon he switched to TELARC DIGITAL! I still Joyfully remember our Recording of the Christmas Nativity in Dec of 1975! Sir Robert, conducting with earphones encasing his head shouted: "Stop the taping, there is some Darn Sizzling noise in those Lights!" We may have not heard the word "Damn" lights, that he employed at times!

On both this newer release of TELARC and the older Recording of The Christmas Nativity, there are Bach's Chorale, Break Forth, Dona Nobis Pacem from the B-Minor Mass, Handel's Hallelujah! Plus the exquisite, Shepherds's Farewell to the Holy Family of Berlioz's The Infant Christ!

Those who may not be familiar with Berlioz from both recordings, will be richly rewarded by hearing them plus the Rex Tremendae from Berlioz''s Requiem and the other Kyrie from the Bach B-Minor! Absolutely, no other Christmas Music can ever approach these two splendid recordings, which are the basis of the ASO celebrating every Christmas with "Robert Shaw in the Spirit!"

Retired Chaplain Fred W Hood

5 out of 5 stars Celestial melodies.......2001-05-27

No matter what mood you are in, the gorgeous chorals will draft you through the paths of holiness, and you will find yourself situated in the Elysium, land of eternal joy, yet you are far from dead. The past grief, weariness, and worries will fade and torture your soul no more. You are set free.

Unfortunately, Nobody can be told what this heavenly experience is like. You have to listen to it yourself.
1000: A Mass for the End of Time / Anonymous 4
Average customer rating: 5 out of 5 stars
  • Want to hear something spectacular?
  • Lovely
  • Perfectly lovely - wrong, but still perfectly lovely.
  • Year 1000--A Mass for the End of Time
  • A Peace Beyond All Understanding
1000: A Mass for the End of Time / Anonymous 4
Gregorian Chant , and Anonymous 4
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004UFGW
Release Date: 2000-09-12

Tracks:

  1. Processional Hymn: Judicii Signum
  2. Troped Introit: Quem Creditis Super Astra/Viri Galilei
  3. Kyrie: Celestis Terrestrisque
  4. Gloria: Prudentia Prudentium
  5. Alleluia I: Dominus In Sina
  6. Alleluia II: Ascendens Cristus
  7. Sequence With Prose: Salvator Mundi/Rex Omnipotens Die Hodierna
  8. Troped Offertory: Elevatus Est Rex Fortis/Viri Galilei
  9. Sanctus: Ante Secula
  10. Agnus Dei: Omnipotens Eterne
  11. Troped Communion: Corpus Quod Nunc/Psallite Domino
  12. Lection: Apocalypse 21:1-5
  13. Prose: Regnantem Sempiterna
  14. Hymn: Cives Celestis Patrie

Amazon.com essential recording

Remember all of the year-2000 nervousness in the latter part of 1999? That was nothing. As the year 1000 approached, people all over the Christian world were convinced that the Apocalypse--as depicted in the biblical Book of Revelation--and the end of the world were at hand. In one of the more interesting musical program ideas to be inspired by the turn of the calendrical odometer, Anonymous 4 revisits the original "millennium madness" with a disc of chant from around the year 1000--specifically, a Mass for the Feast of the Ascension, one of the few occasions on which the liturgy included readings from the Book of Revelation. This is the oldest written Western music to have survived, and it's difficult even to decipher (the original notation has no staff lines or clear indications of rhythm), let alone perform. Yet, the challenges involved seem to have done these ladies good: not only is their performance both assured and confident, but one can hear new facets in their vocal sound--a sound that, however beautiful it might be, some listeners find monotonous. (One new facet is Jacqueline Horner, the quartet's newest member, for whom this is the first recording.) The singers experiment with interpretation of ornaments that are indicated in the manuscript sources (there's a fascinating little trill that sounds rather like a cooing dove); in some of the chants, they add an additional line in accordance with the principles of improvising polyphony that were laid out in 10th- and 11th-century treatises. The entire program seems thoroughly considered, as well as immaculately executed. If you count on the consistently pure, silky tone and meditative quality that has made Anonymous 4 world-famous, you'll definitely find it here; if you've gotten bored with them, you might find this disc a fascinating surprise. --Matthew Westphal

Customer Reviews:

5 out of 5 stars Want to hear something spectacular?.......2007-05-23

For most folks, Gregorian Chants are probably a little off the beaten track. This is a stellar recording that's hard to beat, and the best of my Gregorian Chant collection. You won't be disappointed.

4 out of 5 stars Lovely.......2006-03-03

A lovely performance of music from the beginning of the western musical tradition. The vocal quality of the performance is first rate and the music itself is very interesting. Recommended strongly.

4 out of 5 stars Perfectly lovely - wrong, but still perfectly lovely........2004-06-28

For those of you who - like me - have had a couple experiences with Gregorian Chant that moved you deeply - and now you need some Gregorian Chant for those moods when nothing else is right - this is it. "A Mass For The End Of Time" is beautiful, and rich, and the selections intense and moving. This is exactly what most people reading this are looking for. Furthermore the performers seem to have captured the spirit of the music - which is critical because this is spiritual music. So why do I give it 4 stars?

Gregorian Chant is not music that can be removed from its place and time well. It is site specific - it should be heard live in a cathedral whose walls are stone or at least in a place that reflects sound - setting up resonance inside the head. Gregorian Chant is a form of meditation that is distinctly medieval European. The group that performs "A Mass For The End Of Time" is 4 women called Anonymous. But Gregorian Chant was written for men - it has different feel when men do it. Anonymous is very good - but the music would work even better with 4 equally good male voices.

5 out of 5 stars Year 1000--A Mass for the End of Time.......2004-01-04

The year AD 1000 appeared to be an apocalyptic harbringer of destruction to the devout Catholics of Western Europe. This collection of medieval chants based on themes of God's impending wrath and the judgement of the world are excellent primary sources for understanding the mystical religious mindset of the days of yore. Gregorian Chant, while different from Byzantine (Greek) and Russian chanting, is a very methodological and otherworldly form of music. It's monotone is radically opposed to the harsh discord of "rock n' roll" and "rap" music which sound like broken machinery that are so popular among all aspects of society, even the so-called "Christian rock." Although the music itself is sung in Latin, the disc is accompanied by a booklet which gives the lyrics in English translation (along with a few other languages).

5 out of 5 stars A Peace Beyond All Understanding.......2002-04-30

I have always been highly suspicious of "spiritual people". Why them and not me? I was only looking for pretty music when I, a rock n roller by upbringing, purchased this CD. What followed during the listening of this CD, was a deeply meditative state as I let the music, so beautiful words cannot describe, transport me into a deeper consciousness. There I was able to pray from the deepest part of my soul. A first. It has immediately replaced my incremental valium use. I am not a meditator, not into Yoga, don't even like people who are, but this music sounds like the holy ghost if it can be personified, who pleads with such compassion for each and every one of us in a world gone mad. The gregorian chant music on this particular cd seems to be telling the story of time and man to God. It is a sad and compassionate tale that doesn't miss a detail as its heavenly and soulful sound tells in words beyond my understanding a long story filled with strife, sin, pain and sorrow, yet with such love and feeling that it catches its listener up as though it were part of the communication to God and lifts the listener to a serene place where all of the cement jungle, and hostile traffic, and hate among people seem to become the other dimension and not the dimension you find yourself in when listening to this CD. Maybe it is something different for every listener. This was my experience.
Classical Masterpieces of the Millennium [20 CD Set]
Average customer rating: 4.5 out of 5 stars
  • Mill. Classical review
  • classical music for the unitiated
  • Some little gems there that I had forgotten!
  • A very helpful collection
  • Excellent!
Classical Masterpieces of the Millennium [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000K1C9
Release Date: 1999-08-24

Tracks:

  1. Brandenbutg Concerto No.3 In G First Movement
  2. Overture No.3 In D Second Movement
  3. Violin Concerto In E First Movement
  4. Prelude In C minor
  5. Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
  6. Overture No.2 In B minor Minuet And Badinerie
  7. Oboe Concerto In D minor Second Movement
  8. Brandenburg Concerto No.4 In G Third Movement
  9. Musical Offering - Fuga canonica
  10. Easter Oratorio - Overture
  11. Minuet In D minor
  12. Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
  13. Brandenburg Concerto No.1 In F Second Movement
  14. Art Of The Fugue - Contrapunctus 9
  15. Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
  16. Overture No.4 In D - Réjouissance
  17. Concerto No. 1 in E: Spring
  18. Concerto No. 1 in E: Spring
  19. Concerto No. 1 in E: Spring
  20. Concerto No. 2 in G minor: Summer
  21. Concerto No. 2 in G minor: Summer
  22. Concerto No. 2 in G minor: Summer
  23. Concerto No. 3 in F: Autumn
  24. Concerto No. 3 in F: Autumn
  25. Concerto No. 3 in F: Autumn
  26. Concerto No. 4 in F minor: Winter
  27. Concerto No. 4 in F minor: Winter
  28. Concerto No. 4 in F minor: Winter
  29. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  30. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  31. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  32. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  33. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  34. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  35. Concerto Grosso in A minor, Op. 3, no. 8
  36. Concerto Grosso in A minor, Op. 3, no. 8
  37. Concerto Grosso in A minor, Op. 3, no. 8
  38. Water Music - Alla Hornpipe
  39. Xerxes - Ombra Mai Fu (Largo)
  40. Messiah - And The Glory Of The Lord
  41. Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
  42. Organ Concerto In F, Op. 4, No. 4 Allegro
  43. Water Music - Air
  44. Messiah - For Unto Us A Child Is Born
  45. Concerto Grosso In B flat, Op. 3, No. 2 - Largo
  46. Salomon - Sinfonia, Act 3
  47. The Choice Of Hercules - While For Thy Arms
  48. Water Music - Allegro (Suite No. 1)
  49. Suite No. 5 In E - Air With Variations
  50. Jephtha - How Dark, O Lord
  51. Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
  52. Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
  53. Water Music - Andante Allegro Da Capo
  54. Concerto for Trumpet & Orchestra in E-flat: First Movement
  55. Symphony No. 94 in G: Surprise Symphony-second movement
  56. Concerto for Violin No. 2 in D: Third Movement
  57. Flute Trio No. 31 in G: Second Movement
  58. Symphony No. 31 in D: Hornsignal-First Movement
  59. String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
  60. Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
  61. Concerto for 2 Horns & Orchestra in E-flat: Second Movement
  62. Symphony No. 88 in G: Fourth Movement
  63. String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
  64. Notturno No. 1 in C: Second Movement
  65. Symphony No. 98 in B: Londoner No. 4-Fourth Movement
  66. Eine Kleine Nachtmusik - first movement
  67. Piano Concerto in A - second movement
  68. Flute Concerto in D - Rondeau
  69. Serenade - Minuet
  70. Violin Concerto - first movement
  71. Symphony No. 40 in G minor - first movement
  72. Clarinet Concerto - second movement
  73. Turkish March
  74. Divertimento - Minuet
  75. Horn Concerto No. 3 in E-flat - first movement
  76. Symphony No. 5 in C minor, Op. 67-First Movement
  77. Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
  78. Overture
  79. O welche Lust (Prisoners' Chorus)
  80. Ha, welch ein Augenblick (Pizarros's Aria)
  81. Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
  82. Concerto for Violin and Orchestra in D, Op. 61: Third Movement
  83. Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
  84. Sympony No. 6 in F, Op. 68: Pastorale-First Movement
  85. Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
  86. German Dance No. 1 In C
  87. Impromptu Op. 90, No. 3 In G-Flat
  88. Heidenroslein
  89. Ave Maria
  90. Der Lindenbaum
  91. Quintet In A 'Trout Quintet' - Andante
  92. Mass No. 6 In E-Flat - Kyrie
  93. Die Schone Mullerin Des Mullers Blumen
  94. German Dance No. 2 In G
  95. Piano Sonata In B-Flat
  96. Nachtgesang Im Walde
  97. Winterreise - No. 15: Die Krahe
  98. German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
  99. Symphony No. 8 In B Minor 'Unfinished' - Second Movement
  100. Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
  101. Nocturne in E-flat, Op. 9, no. 2
  102. Etude in G-flat, Op. 10, no. 5
  103. Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
  104. Mazurka in D minor, Op. 33, no. 2
  105. Prelude in D-flat, Op. 28, no. 15 Raindrop
  106. Etude in C, Op. 10, no. 1
  107. Nocturne in D-flat, Op. 27, no. 2
  108. Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
  109. Scherzo in B minor, Op. 20
  110. Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
  111. Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
  112. Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
  113. Violin Concerto - second movement
  114. The Sleeping Beauty - Waltz
  115. Capriccio Italien, Op. 45
  116. Swan Lake - Waltz
  117. Eugene Onegin - Polonaise
  118. The Nutcracker - Waltz of the Flowers
  119. Orchestral Suite No. 4 - Mozartiana - Third Movement
  120. Swan Lake - Dance of the Swans
  121. Symphony No. 6 in B minor - Pathétique - Third Movement
  122. Hungarian Dance No.5
  123. Lullaby
  124. Symphony No.1 in C minor, Op. 68 - Third Movement
  125. Intermezzo in E-flat, Op.117, no. 1
  126. Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
  127. Waltz, Op. 39, no. 15
  128. Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
  129. String Quintet in G, Op. 111 - Second Movement
  130. Symphony No.4 in E minor, Op. 98 - Third Movement
  131. Intermezzo in A minor, Op. 76, no. 7
  132. Hungarian Dance No.1 in G minor
  133. German Requiem Selig sind die Toten (Final Chorus)
  134. Die Fledermaus - Overture
  135. Kaiser Waltz, Op.437
  136. Thunder And Lightning Polka, Op. 324
  137. Roses From The South Waltz, Op. 388
  138. AnnenPolka, Op. 117
  139. Vienna Blood Waltz, Op. 354
  140. Eljen A Magyar Polka, Op. 332
  141. Wine, Women and Song Waltz, Op. 333
  142. On The Beautiful Blue Danube Waltz, Op. 134
  143. Die Meistersinger Von Nurnberg - Overture
  144. Tannhauser - Die Pilger sind's (Pilgims' Chorus)
  145. Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
  146. Lohengrin - Act 3 Prelude and Bridal Chorus
  147. The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
  148. The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
  149. Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
  150. Die Walkure - Ride of the Valkyries
  151. Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
  152. Tristan und Isolde - Liebestod
  153. Thus sprach Zarathustra, Op. 30 (excerpt)
  154. Don Juan, Op. 20
  155. Eine Alpensinfonie, Op. 64, I.Nacht
  156. Don Quixote, Op.35, first movement: Introduction
  157. Salome, Op. 54, Dance Of The Seven Veils
  158. Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
  159. Piano Concerto 2 In C minor, Op. 18 - First Movement
  160. Vocalise, Op.34, No. 14
  161. Prelude In G Sharp minor, Op. 32, No. 12
  162. Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
  163. Symphony No. 2 In E minor, Op. 27 - Third Movement
  164. Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
  165. Rhapsody, Op. 43 On A Theme By Paganini
  166. Hungarian Rhapsody No.2
  167. Liebestraum No.3 in A-flat
  168. Piano Concerto No.1 in E-flat - third movement
  169. Angelus
  170. Mephisto Waltz No.1 (Dance in a Village Tavern)
  171. Prelude and Fugue on B-A-C-H
  172. Dante Symphony - Finale. - Purgatorio - Magnificat
  173. Les Préludes
  174. Boléro
  175. Daphnis et Chloé first movement: Nocturne
  176. Rhapsodie Espagnole
  177. Shéhérazade - first movement: Asie
  178. Ma Mère l'Oye - fourth movement: La Belle et la Bête
  179. Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
  180. La Valse
  181. Slavic Dance No. 1 in C, Op. 46, no.1
  182. Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
  183. Humoresque, Op. 101
  184. Slavic Dance No. 8 in G minor, Op. 46, no. 8
  185. Serenade for String Orchestra, Op. 22 - second movement
  186. Romance for Violin and Orchestra In F minor, Op. 11
  187. Symphony No. 7 in D minor - third movement
  188. Melodie (Songs My Mother Taught Me)
  189. Carneval Overture, Op. 92
  190. Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
  191. Symphony No.4 In A, Op. 90. Italian - First Movement
  192. Frühlingslied In A, Op. 62, No. 6
  193. Wedding March (From A Midsummer Night's Dream, Op.61)
  194. Duetto In F, Op.30, No.6 (From Songs Without Words)
  195. String Symphony No.9 In C. Schweitzer Symphony - Third Movement
  196. Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
  197. Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
  198. Notturno (From A Midsumment Night's Dream, Op. 61)
  199. Rondo Capriccioso, Op.14
  200. String Symphony No. 12 In G minor - First Movement
  201. Venetian Gondola Song In F Sharp minor, Op.30, No.6
  202. Scherzo (From A Midsumment Night's Dream, Op. 61)
  203. Violin Concerto In E minor, Op.64 - Third Movement
  204. Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
  205. Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
  206. Holberg Suite, Op. 40 - IV. Air. Andante religioso
  207. Arietta, Op. 12, no. 1
  208. Homage March from Sigurd Jorsalfar, Op. 56
  209. Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
  210. Wedding Day at Troldhauen, Op. 65, no. 6
  211. The Last Spring, Op. 34, no. 2
  212. Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
  213. Nordic Melody Op. 63
  214. Notturno, Op. 54, no. 4
  215. Elegie, Op. 47, no. 5
  216. Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
  217. Piano Concerto in A minor, Op. 16 - Allegro
  218. Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
  219. Traumerai (from Kinderszenen, Op. 15)
  220. Mondnacht (from Eichendorff-Liederkreis, Op. 39)
  221. Aufschwung (from Fantasietucke, Op. 12)
  222. Triolett, Op. 114, no. 2
  223. Tanzlied (No. 1 from Duets, Op. 78)
  224. Symphony No. 4 in D minor, Op. 120 - second movement
  225. Frühlingsgruss
  226. Abschied (from Waldszenen Op. 82)
  227. Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
  228. Manfred Overture, Op. 115
  229. Romance in F sharp, Op. 28, no. 2
  230. Die Rose stand im Tau
  231. Liebesgarten (from Four Duets, Op. 34)
  232. Warum? (from Fantasiestucke, Op. 12)
  233. Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
  234. Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

4 out of 5 stars Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

4 out of 5 stars classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

4 out of 5 stars Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

5 out of 5 stars A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

5 out of 5 stars Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.

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  5. Sound Medicine: Music for Rejuvenation
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