Sanctus
Editorial Reviews
Product Description
Beautiful, relaxing music for the soul - this gentle, melodic and soothing disc is ideal for meditation and healing. Anthony Miles is trained as a studio engineer and has worked with hit pop acts such as The Rubettes and Modern Romance. Featuring beautiful male Gregorian chants, simple choral phrases build up a reverential sense of prayerful intensity with voice and instruments blending into a soft, soothing balm for troubled minds. Perfect for spas and meditation centers!
Sanctus,Anthony Miles,New World Music,New Age,New Age / Meditation,Pop
Sanctus
Average customer rating:
- Different -- delightfully so
- Simply awe inspiring and amazing
- Ecstatic Music, Ecstatically Performed.
- canticles of Ecstay
- Hildegard von Bingen: Canticles of Ecstacy
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Hildegard von Bingen: Canticles of Ecstasy
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
Hildegard of Bingen
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Similar Items:
- Feather on the Breath of God
- Hildegard von Bingen: Voice of the Blood
- Vision: The Music of Hildegard von Bingen
- Hildegard von Bingen: Heavenly Revelations
- Luminous Spirit
ASIN: B000001TYF
Release Date: 1994-12-13 |
Tracks:
- O vis aeternitatis - Sequentia
- Nunc aperuit nobis
- Quia ergo femina mortem instruxit
- Cum processit factura digiti Dei
- Alma Redemptoris Mater
- Ave Maria, O auctrix vite
- Spiritus Sanctus vivificans vite
- O ignis spiritus Paracliti
- Caritas habundat in omnia
- O virgia mediatrix
- O virdissima virga, Ave
- Instrumental
- O Pastor Animarum
- O tu suavissima virga
- O choruscans stellarum
- O nobilissima viriditas
Amazon.com
Although Hildegard von Bingen's music has been around for 900 years--and recordings of her music for decades--it seems that only now, as we approach the turn of another millennium, the time is right for the world to pay attention. In this first-rate traversal of her music--the most popular of several volumes released by the early-music ensemble Sequentia--we hear music that resulted from Hildegard's legendary visions, which often included song texts that she subsequently collected and dispensed to her religious community of women. As rendered here by the voices and instruments of Sequentia, her music invokes an unobscured sense of mystery, conforming to Hildegard's belief that music was our bridge to the harmonies of the heavens. Whether or not we're experiencing that "heavenly harmony" here, the simple, direct, beautifully turned melodies, sung by pure, finely tuned, warm-colored women's voices, often eerily accompanied by an instrumental drone, is heavenly enough. --David Vernier
Customer Reviews:
Different -- delightfully so.......2007-08-03
I didn't get a chance to read all the reviews posted for this album, so if someone already said this I apologize for the repetition. Are you aware that this is the de facto first opera ever written in Europe? Hildegard was a visionary in so many ways! Her music is very different and unique when compared to other operas. I highly recommend it.
Simply awe inspiring and amazing.......2007-05-20
One would have to listen to this music to understand the power it will hold over you. Ethereal and almost eery, yet full of power, grace and triumph, this will be a mainstay in your collection. The only thing resembling it that the mass public would be aware of is Gregorian Chant, although this is it's own beast and so much more. It's not expensive, buy it and see for yourself.
Ecstatic Music, Ecstatically Performed........2007-05-13
I had first heard this performance of St. Hildegard of Bingen's "Canticles of Ecstasy" on sound cassette and loved it.
The music is sublime. The female voices are heavenly, without a hint of sentimentality.
When you listen to "Canticles of Ecstasy" you will know how this medieval nun and composer felt about things.
Caution. They could make a believer of you.
canticles of Ecstay.......2007-03-23
This is a very good CD I highly recomend it if you love chant. I am glad to have it in my collection.
Hildegard von Bingen: Canticles of Ecstacy.......2006-07-25
This CD will transport you to another space and truly put you in touch with the sublime! If you are a massage therapist,I recommend it for use during your sessions. Anyone can use it as part of his or her meditative spiritual practice regardless of your particular faith.
Average customer rating:
- Gregorian Chants: The Best of the Benedictine Monks of St. Michael's
- Fantastic
- DOMINE LABIA MEA APERIES
- It's a stinker!!
- Unbiased reponse to Caesarmagnus
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Gregorian Chants: The Best of the Benedictine Monks of St. Michael's
Denis Stevens , Benedictine Monks of St. Michael's de Laudes , The Monks of the Benedictine Abbey of St. Benoit , The Ambrosian Singers , and Fr. Joseph Montalbo
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Lost in Meditation: Meditative Gregorian Chants, Vol. 1
- Lost in Meditation: Meditative Gregorian Chants
- Chant
- Chant II
- Salve Regina: Gregorian Chant
ASIN: B000001VIR
Release Date: 1994-08-02 |
Tracks:
- Sancte Dei
- Salve Sanctus Parens
- In Paradisum Angeli
- Sanctus & Benedictus
- Conditor Alme
- Organ Voluntary
- Te Lucis Ante Terminum
- Christus Natus Christos
- Kyrie Christe Eleison
- Organ Voluntary
- Gloria
- Puer Natus Est
- Sanctus & Benedictus, II
- Beata Dei
- Veni Sancte Spiritus
- Organ Voluntary
- In Paradisum Angeli, Reprise
- Dominus Exsultemus
Customer Reviews:
Gregorian Chants: The Best of the Benedictine Monks of St. Michael's.......2007-01-11
The CD was in perfect shape, was shipped very promptly and I have enjoyed listening to it - especially when feeling stressed.
Fantastic.......2007-01-10
The is one CD that is calming to everyone even an overactive, over excited puppy.
DOMINE LABIA MEA APERIES.......2006-05-08
"Lord Open my Lips......"
I would suggest that anyone REALLY interested in PURE, GREGORIAN CHANT to access the following Carthusian Link:
[...]
You will hear Gregorian Chants as you have never heard before.
As a former Trappist Monk, where the Choir Monks sang the Divine Office each day - a total of about 7 hours - and in the Cistercian Chant, the CARTHUSIAN CHANT is by far the most pure of the two traditional chants. The Carthusians do NOT utilize any musical instruments as is used in some Trappist Communities and Benedictine Communities.
This recording is a rather poor rendition, but seems to please some listeners. For those purists among you, access the above site.
The Carthusian Gregorian Chant has its own renditions. You will notice whenever the Nuns or Monks are chanting the 'GLORIA' that the tempo is drastically reduced, and not rushed thru.
Background noises in this recording make it difficult to really appreciate the Chant.
In the Carthusian Chants - especially those from La Grande Chartreuse, France, the diction is crisp, clear and every Latin Word is distinguishable.
It's a stinker!!.......2006-03-13
The cover art is good, but the music is horrible! This is a REALLY bad recording!
Unbiased reponse to Caesarmagnus.......2005-04-22
Agreed, the fan IS there, but I must admit they are actually singing well in the actual Solesmes style (based on these samples). I have heard superb chant and frighteningly bad chant. This is not as bad as it gets I assure you. Try to find something from a Seminary or Monastery.
Average customer rating:
- efficaciously relaxing
- very calming
- Beautiful
- Same Question As Before
- Same Quation As Before
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Chant II
Gregorian Chant , Ismael Fernandez de la Cuesta , and Benedictine Monks of Santo Domingo de Silos
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Chant
- Lost in Meditation: Meditative Gregorian Chants, Vol. 1
- Lost in Meditation: Meditative Gregorian Chants
- Gregorian Chants: The Best of the Benedictine Monks of St. Michael's
- Salve Regina: Gregorian Chant
ASIN: B000002SLS
Release Date: 1995-10-17 |
Tracks:
- Da Pacem, Domine: Introit
- Haec Dies Quam Fecit Dominus: Gradual
- Victimae Paschali Laudes: Sequence
- Alleluia. Vir Dei Benedictus: Alleluia
- Kyrie, Fons Bonitatis: Trope
- Quam Magnificata Sunt Opera Tua Domine: Responsory
- Ut Queant Laxis Resonare Fibris: Hymn
- Cibavit Eos Ex Adipe Furmenti: Introit
- Oculi Omnium In Te Sperant: Gradual
- Spirtus Domini Replevit Orbem Terrarum: Introit
- Alleluia. Veni Sancte Spiritus: Alleluia
- Os Justi Meditabitur Sapientiam: Gradual
- Kyrie 'Lux Et Origo'
- Gloria In Excelsis Deo
- Sanctus Dominus Deus Sabaoth
- Agnus Dei, Qui Tollis Peccata Mundi
- Ave Mundi Spes Maria: Sequence
- Media Vita In Morte Sumus: Responsory
- Salve, Regina, Mater Misericordiae: Antiphon
Customer Reviews:
efficaciously relaxing.......2007-06-27
This is exactly what I was looking for. I now have some music to play at work that is soothing and keeps me focused. It also keeps me grounded as to what is really important in life. Highly recommend it!!
very calming.......2007-01-19
these gregorian chants are very calming . If your riding in your car, walking , or just sitting . it makes for excellent listening.
Beautiful.......2005-08-28
Beautiful. Just like the first Chant. This is my "mellow out", puts me to sleep music. I didn't care for the applause at the end, but it's still a beautiful CD.
Same Question As Before.......2003-04-24
The music is flawless. Haunting, spiritual, engrossing, and above all gorgeous. This disc is nothing short of amazing. Yet I gotta ask. Why is it that a recording of BENEDICTINE monks has a cover photo of men in FRANCISCAN robes?
Same Quation As Before.......2003-04-24
The music is flawless. Haunting, spiritual, engrossing, and above all gorgeous. This disc is nothing short of amazing. Yet I gotta ask. Why is it that a recording of BENEDICTINE monks has a cover photo of men in FRANCISCAN robes?
Average customer rating:
- Enchanting
- Amazing Voices
- Gracious
- This CD Dropped In From Heaven
- Incredible. Simply incredible.
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Libera
Libera
Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD
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- Luminosa
- Free
- Visions
- Angel Voices
- Angel Voices 3
ASIN: B00002DDVU
Release Date: 2000-02-15 |
Tracks:
- Salva Me
- Sanctus
- Agnus Dei
- Libera
- Mysterium
- Jubilate
- Beata Lux
- Dies Irae
- Te Lucis
- Sancta
- Angelis
- Lux Aeterna
Amazon.com
Recalling the uplifting New Age chorals of Adiemus and Enigma, Libera fuses the high, innocent voices of 11 and 12-year-old boys with contemporary beats amidst lush synth and orchestral accents. The result is a mesmerizing collection of original choral material written by self-proclaimed "organ nerd" and keyboardist Robert Prizeman. Prizeman, drawing from his background in church music, expertly weaves the choir's bright, sacred tones into the fabric of his modern spiritual vision, which brings the sanctity of London abbeys to mind. At times the album wanders into deeply mystical territory, with the boys' solos bouncing up and down the scale in a soft melancholy, which nicely contrasts with the power of their joined voices. Though not extensively trained, the choir does an expert job with Prizeman's compositions. The one aspect of this CD that may frustrate listeners is the lack of comprehensive credits and information on the artists in the CD booklet. Otherwise, Libera is a pleasantly sublime work of New Age art. --Karen K. Hugg
Customer Reviews:
Enchanting.......2007-01-30
There's something about a good choir that can really stir the spiritual imagination and this choir is simply fantastic. Based out of Europe, Libera re-introduces the world to classical pieces in upbeat and modern mixes. Some tracks are simply beautiful and others mysterious, but all are wonderful. Our audience has repeatedly voted "Salva Me" into the Top 10 along with other hits such as "Lux Aeterna." This is a great CD. - Jon
Amazing Voices.......2007-01-10
These boys continue to amaze me. I am transported when listening to their music. It is uplifting, haunting, invigorating, thoughtful...just incredible.
Gracious.......2006-11-19
For those of us, myself included, desperately hoping that the age of church music isn't dead - or should I say, hoping that new ways of singing God's praise can still be found, this album gives hope that something non-trivial can be done with modern music. It's only one dimension of a needed reformation, but it is a contribution nonetheless. In addition to "Salva Me" the title track "Libera" is also very engaging.
This CD Dropped In From Heaven.......2006-04-10
Absolutely the most beautiful music anyone could hope for and beyond words for New Age music addicts. I'm not particularly religious,but this music gives me goose bumps. I'm not a fan of the Catholic Church, but I love Catholic chorus music. It is very calming.
My favorite is "Angelis" which I'm not sure if sung in English or Latin but the first two words of the song sounds like "Angeline seventeen" and the stunning music congers up visions of some angelically lovely teen age girl who inspired the song. Heck, all the music congers up beautiful, peaceful visions. And never has Latin sounded like this. It's a very sexy language! You won't regret buying this CD.
Incredible. Simply incredible........2006-02-26
These boys have the finest voices you'll hear anywhere. Not being Catholic, I don't understand much of the Latin in songs such as cut 2, "Sanctus." But I could listen to that particular song over and over and over. In fact, I have. And it is so beautiful and haunting that it has motivated me to look up the meaning of the words so I can better participate in the worship experience that is "Sanctus." The rest of the album is just as beautiful, but I put "Sanctus" in a class all by itself. Another review of one of Libera's other albums mentioned that this song has appeared on several CDs and that reviewer considered this a weakness--saying that they must not have much material. I would love it if this song appeared on every album they ever record so that I wouldn't have to change discs when I'm ready to hear it again. If you want a truly moving aural experience, purchase this CD.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- Study of Orchestration, Third Edition
- The Life and Works of Ludwig van Beethoven
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Love it!!!
- SR is hitting the mark
- Nothing like Rockin Christian Tunes!
- They Are Alright
- Wow
|
The Face of Love
Sanctus Real
Manufacturer: Sparrow
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Christian Rock
| Christian & Gospel
| Styles
| Music
General
| Christian & Gospel
| Styles
| Music
Christian Alternative
| Christian & Gospel
| Styles
| Music
Christian Contemporary Music
| Christian & Gospel
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- Smile, It's the End of the World
- Hearts of the Innocent
- Fight the Tide
- I Wish We All Could Win
- Beauty in the Broken
ASIN: B000ERU8RY
Release Date: 2006-04-04 |
Tracks:
- Im Not Alright
- Eloquent
- Fly
- The Face Of Love
- Dont Give Up
- Were Trying
- Thank You
- Magnetic
- Possibilities
- Where We Belong
- Benjamin
Customer Reviews:
Love it!!!.......2007-06-13
I love this CD. My favorite songs are Don't Give Up, Eloquent, and Thank You. I think you should get this CD.
SR is hitting the mark.......2007-05-14
Starting off with a punch, the CD hits the mark. Not Alright is the kind of razor sharp truth that sets SR apart from the top-40 CCM crowd. The title track Face Of Love is the high water mark for this band, surpassing Alone on their last album. It's no wonder it was the most played CD of last year. PLEASE make a live/remix album?????
Nothing like Rockin Christian Tunes! .......2007-01-04
Sanctus Real - Great Group - Great Music - Great Message - GREAT CD
They Are Alright.......2006-11-27
I have enjoyed the singles 'The Face of Love' and 'I'm Not Alright' so I decided to get this album. I have not heard any of the previous music by Sanctus Real.
This is a quality rock album with very good lyrics. Some of the issues that the songs deal with are as follows: The loss of a loved one through death, encouraging married couples to 'Don't Give Up', and praising the Lord 'Thank You'.
The song 'We're Trying' has a catchy sound. It is talking about how we as Christians/humans sin but are trying to do right. It says: 'We're liars and thieves, we're destroying the peace, but we're trying.'
'Benjamin' is a song about a person who has lost his father about the same time that his child was born. It is very moving.
I am quite impressed with this album and would recommend it.
Wow.......2006-11-09
I purchased this CD around three months ago, and it's already becoming one of my altime favorites. It expertly blends pop ballads, soft rock, and Sanctus Real's own blend of passionate rock and guitar. Some of the best songs are "I'm Not Alright", "Fly," "The Face of Love" "Where We Belong" and "We're Trying." All and all, a great rock album with great lyrics.
Average customer rating:
- Music for Meditation
- Be Thou My Vision
- Reverent, beautiful
|
Prayer: A Windham Hill Collection
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
General
| Fauré, Gabriel
| ( F )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gounod
| Gounod, Charles
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Requiems
| Forms & Genres
| Early Music
| Historical Periods
| Classical
| Styles
| Music
Electronic
| Instruments
| Classical
| Styles
| Music
| Computer
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Ambient
| Dance & DJ
| Styles
| Music
General
| Contemporary Folk
| Folk
| Styles
| Music
General
| International
| Styles
| Music
General
| Jazz
| Styles
| Music
Jazz Fusion
| Jazz
| Styles
| Music
Vocal Jazz General
| Vocal Jazz
| Jazz
| Styles
| Music
General
| Christian & Gospel
| Styles
| Music
Christian Contemporary Music
| Christian & Gospel
| Styles
| Music
General
| New Age
| Styles
| Music
Meditation
| New Age
| Styles
| Music
General
| Compilations
| New Age
| Styles
| Music
Solo Instrumental
| New Age
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Motets
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Requiems
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Similar Items:
- Adagio: A Windham Hill Collection
- Thanksgiving: A Windham Hill Collection
- A Windham Hill Christmas: The Night Before Christmas
- Windham Hill Christmas: I'll Be Home for Christmas
- Touch-Windham Hill 25 Years of Guitar
ASIN: B0000AM6L0
Release Date: 2003-09-09 |
Tracks:
- Sanctus from Requiem (Gabriel Faur-Tim Story piano, synthesizers
- The 23rd Psalm (Condit Atkinson) - Steve Erquiaga guitar
- Be Thou My Vision (Irish trad.) - Jeff Johnson & Brian Dunning with John Fitzpatrick
- Holy, Holy, Holy (trad.) - Jim Brickman piano
- The Lords Prayer (Albert Hay Malotte) - Paul McCandless English horn, keyboards
- Alisas Prayer (Deborah Henson-Conant) - Deborah Henson-Conant electric Celtic harp
- Meditation (Thea Suits) - Thea Suits flute
- Ave Maria (J.S. Bach/Gounod) - Steve Erquiaga guitar
- Go Gently (Suzanne Ciani & Jeremy Lubbock) - Suzanne Ciani piano
- Offering (Tracy Silverman) - Tracy Silverman & Thea Suits
- Spanish Stairs (Paul McCandless) - Rosalba Bentivoglio voice
- Ave Verum Corpus (W.A. Mozart) - Philip Aaberg solo piano
Customer Reviews:
Music for Meditation.......2007-01-04
This is a delightful collection of music appropriate to meditative prayer. It is often my prayer companion, and I like the style and performance found on this CD. I highly recommend it to people who enjoy deeper reflection with a wordless musical background.
Be Thou My Vision.......2005-10-19
Track 3, Be Thou My Vision, was a surprise as the song was the final song played at my father's funeral. It set the closing mood most fittingly. While Be Thou My Vision is my favorite the entire collection is wonderfully mellow. I recommend it for for the mellow moods.
Reverent, beautiful.......2003-09-21
After criticizing Windham Hill in the past for often recycling the same songs over and over in various collections, I have to hand it to them with the new "Prayer" CD. It's a fine set of all-new acoustic versions of hymns or spiritual songs, plus a good number of original compositions. Producer Dawn Atkinson has done an excellent job of lining up a bunch of top-drawer people for "Prayer," and in working with the artists on the song selection.
Things get started with Tim Story's lovely piano rendition of the "Sanctus" from Faure's Requiem. The quiet and reflective tone of that piece carries throughout the CD. Other highlights include Paul McCandless's moving "Lord's Prayer" version and Steve Erquiaga's "Ave Maria." "Prayer" is a perfect disc for background listening if you're engaged in some activity that needs harmonious yet unobtrusive accompaniment.
Average customer rating:
- Outstanding
- The heavens are telling
- Uncle Abe rattles the house with this thing
- Sir Robert with ASO and Chorus at their Best!
- Celestial melodies
|
Choral Masterpieces
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Gloria: Music of Praise & Inspiration
- The Power & The Majesty: Essential Choral Classics
- The #1 Choral Album
- O Magnum Mysterium
- Agnus Dei: Music of Inner Harmony
ASIN: B000003CTR
Release Date: 1990-10-25 |
Tracks:
- Hallelujah
- Ave Verum Corpus K.618
- Kyrie Eleison
- Passion Chorale
- The Shepherds' Farewell
- Lift Thine Eyes To The Mountains
- He Watching Over Israel
- Dona Nobis Pacem
- Hallelujah
- Worthy Is The Lamb
- Sanctus
- Bogoroditse Devo
- Wie Lieblich Sind Deine Wohnungen
- The Heavens Are Telling
- Rex Tremendae
Customer Reviews:
Outstanding.......2007-01-12
-gave this as a Christmas gift to my brother-in-law, a church musician. He has listened over & over & thinks it is really outstanding. Thank you!
The heavens are telling.......2005-10-21
This is a very great chorus, and one of Haydn's best as far as i am concerned. The pace, grandness and spirit of the piece all conjure in one's imagination the majesty of heaven, and God's throne. I cannot help but be moved to praise the God of the heavens and the earth.
kanmi ogundipe
Uncle Abe rattles the house with this thing.......2004-11-22
I came home from work one day when my uncle was visiting my wife and myself. He was recently retired from the ministry. He had heard a lot of choral music in his life. My aunt said he had the stereo ( power end of my stereo at the time was an Adcomm 555 amp. conservatively rated at 200 watts RMS per channel) up so loud it was rattling the whole house. I too have come to love this music. I mostly listen to rock and roll; but the way my uncle, and now I, play this thing, it is rock and roll from another era!!!
Sir Robert with ASO and Chorus at their Best!.......2003-11-16
After Mr Shaw spent many years in NYC and Cleveland with RCA Red Label,he came into Atlanta for a big change! Soon he switched to TELARC DIGITAL! I still Joyfully remember our Recording of the Christmas Nativity in Dec of 1975! Sir Robert, conducting with earphones encasing his head shouted: "Stop the taping, there is some Darn Sizzling noise in those Lights!" We may have not heard the word "Damn" lights, that he employed at times!
On both this newer release of TELARC and the older Recording of The Christmas Nativity, there are Bach's Chorale, Break Forth, Dona Nobis Pacem from the B-Minor Mass, Handel's Hallelujah! Plus the exquisite, Shepherds's Farewell to the Holy Family of Berlioz's The Infant Christ!
Those who may not be familiar with Berlioz from both recordings, will be richly rewarded by hearing them plus the Rex Tremendae from Berlioz''s Requiem and the other Kyrie from the Bach B-Minor! Absolutely, no other Christmas Music can ever approach these two splendid recordings, which are the basis of the ASO celebrating every Christmas with "Robert Shaw in the Spirit!"
Retired Chaplain Fred W Hood
Celestial melodies.......2001-05-27
No matter what mood you are in, the gorgeous chorals will draft you through the paths of holiness, and you will find yourself situated in the Elysium, land of eternal joy, yet you are far from dead. The past grief, weariness, and worries will fade and torture your soul no more. You are set free.
Unfortunately, Nobody can be told what this heavenly experience is like. You have to listen to it yourself.
Average customer rating:
- Want to hear something spectacular?
- Lovely
- Perfectly lovely - wrong, but still perfectly lovely.
- Year 1000--A Mass for the End of Time
- A Peace Beyond All Understanding
|
1000: A Mass for the End of Time / Anonymous 4
Gregorian Chant , and Anonymous 4
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD
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ASIN: B00004UFGW
Release Date: 2000-09-12 |
Tracks:
- Processional Hymn: Judicii Signum
- Troped Introit: Quem Creditis Super Astra/Viri Galilei
- Kyrie: Celestis Terrestrisque
- Gloria: Prudentia Prudentium
- Alleluia I: Dominus In Sina
- Alleluia II: Ascendens Cristus
- Sequence With Prose: Salvator Mundi/Rex Omnipotens Die Hodierna
- Troped Offertory: Elevatus Est Rex Fortis/Viri Galilei
- Sanctus: Ante Secula
- Agnus Dei: Omnipotens Eterne
- Troped Communion: Corpus Quod Nunc/Psallite Domino
- Lection: Apocalypse 21:1-5
- Prose: Regnantem Sempiterna
- Hymn: Cives Celestis Patrie
Amazon.com essential recording
Remember all of the year-2000 nervousness in the latter part of 1999? That was nothing. As the year 1000 approached, people all over the Christian world were convinced that the Apocalypse--as depicted in the biblical Book of Revelation--and the end of the world were at hand. In one of the more interesting musical program ideas to be inspired by the turn of the calendrical odometer, Anonymous 4 revisits the original "millennium madness" with a disc of chant from around the year 1000--specifically, a Mass for the Feast of the Ascension, one of the few occasions on which the liturgy included readings from the Book of Revelation. This is the oldest written Western music to have survived, and it's difficult even to decipher (the original notation has no staff lines or clear indications of rhythm), let alone perform. Yet, the challenges involved seem to have done these ladies good: not only is their performance both assured and confident, but one can hear new facets in their vocal sound--a sound that, however beautiful it might be, some listeners find monotonous. (One new facet is Jacqueline Horner, the quartet's newest member, for whom this is the first recording.) The singers experiment with interpretation of ornaments that are indicated in the manuscript sources (there's a fascinating little trill that sounds rather like a cooing dove); in some of the chants, they add an additional line in accordance with the principles of improvising polyphony that were laid out in 10th- and 11th-century treatises. The entire program seems thoroughly considered, as well as immaculately executed. If you count on the consistently pure, silky tone and meditative quality that has made Anonymous 4 world-famous, you'll definitely find it here; if you've gotten bored with them, you might find this disc a fascinating surprise. --Matthew Westphal
Customer Reviews:
Want to hear something spectacular?.......2007-05-23
For most folks, Gregorian Chants are probably a little off the beaten track. This is a stellar recording that's hard to beat, and the best of my Gregorian Chant collection. You won't be disappointed.
Lovely.......2006-03-03
A lovely performance of music from the beginning of the western musical tradition. The vocal quality of the performance is first rate and the music itself is very interesting. Recommended strongly.
Perfectly lovely - wrong, but still perfectly lovely........2004-06-28
For those of you who - like me - have had a couple experiences with Gregorian Chant that moved you deeply - and now you need some Gregorian Chant for those moods when nothing else is right - this is it. "A Mass For The End Of Time" is beautiful, and rich, and the selections intense and moving. This is exactly what most people reading this are looking for. Furthermore the performers seem to have captured the spirit of the music - which is critical because this is spiritual music. So why do I give it 4 stars?
Gregorian Chant is not music that can be removed from its place and time well. It is site specific - it should be heard live in a cathedral whose walls are stone or at least in a place that reflects sound - setting up resonance inside the head. Gregorian Chant is a form of meditation that is distinctly medieval European. The group that performs "A Mass For The End Of Time" is 4 women called Anonymous. But Gregorian Chant was written for men - it has different feel when men do it. Anonymous is very good - but the music would work even better with 4 equally good male voices.
Year 1000--A Mass for the End of Time.......2004-01-04
The year AD 1000 appeared to be an apocalyptic harbringer of destruction to the devout Catholics of Western Europe. This collection of medieval chants based on themes of God's impending wrath and the judgement of the world are excellent primary sources for understanding the mystical religious mindset of the days of yore. Gregorian Chant, while different from Byzantine (Greek) and Russian chanting, is a very methodological and otherworldly form of music. It's monotone is radically opposed to the harsh discord of "rock n' roll" and "rap" music which sound like broken machinery that are so popular among all aspects of society, even the so-called "Christian rock." Although the music itself is sung in Latin, the disc is accompanied by a booklet which gives the lyrics in English translation (along with a few other languages).
A Peace Beyond All Understanding.......2002-04-30
I have always been highly suspicious of "spiritual people". Why them and not me? I was only looking for pretty music when I, a rock n roller by upbringing, purchased this CD. What followed during the listening of this CD, was a deeply meditative state as I let the music, so beautiful words cannot describe, transport me into a deeper consciousness. There I was able to pray from the deepest part of my soul. A first. It has immediately replaced my incremental valium use. I am not a meditator, not into Yoga, don't even like people who are, but this music sounds like the holy ghost if it can be personified, who pleads with such compassion for each and every one of us in a world gone mad. The gregorian chant music on this particular cd seems to be telling the story of time and man to God. It is a sad and compassionate tale that doesn't miss a detail as its heavenly and soulful sound tells in words beyond my understanding a long story filled with strife, sin, pain and sorrow, yet with such love and feeling that it catches its listener up as though it were part of the communication to God and lifts the listener to a serene place where all of the cement jungle, and hostile traffic, and hate among people seem to become the other dimension and not the dimension you find yourself in when listening to this CD. Maybe it is something different for every listener. This was my experience.
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
|
Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto I