For Someone

Track Listings

1. Free

2. Wordless

3. Heart of Beauty

4. Simple

5. The Passion

6. Dark River

7. Starry

8. When

9. A Little Rain

10. Windy Morning

11. Nights in D Minor

12. For Someone

Editorial Reviews
Product Description
Contemporary piano solos for fans of Chopin, Brahms and Debussy.

Highly melodic and romantic.

Good for sunsets, sunrises, reflection, romantic evenings, long baths, healing.

For Someone,Dean,Drl Records,solo piano music for sunrise, sunsets, long baths, romantic evenings, personal reflection...healing.

For Someone

Tracks:

Overture (Orchestra)
Not for the Life of Me (Sutton Foster)
Thoroughly Modern Millie (Sutton Foster and Ensemble)
Not for the Life of Me (Sutton Foster, JoAnn M. Hunter, Alisa Klein, Jessica Grove, Megan Sikora, Catherine Brunell and Kate Baldwin)
How the Other Half Lives (Angela Christian and Sutton Foster)
Not for the Life of Me (reprise) (Ken Leung and Francis Jue)
The Speed Test (Marc Kudisch, Sutton Foster, Anne L. Nathan and Ensemble)
They Don't Know (Harriet Harris)
The Nuttycracker Suite (Orchestra)
What Do I Need with Love? (Gavin Creel)
Only in New York (Sheryl Lee Ralph)
Jimmy (Sutton Foster)
Back at Work (Orchestra with Sutton Foster, Anne L. Nathan and Ensemble)
Forget About the Boy (Sutton Foster, Anne L. Nathan and Ensemble)
Ah! Sweet Mystery of Life/I'm Falling in Love with Someone (Marc Kudisch and Angela Christian)
I Turned the Corner/I'm Falling in Love with Someone (quartet/reprise) (Gavin Creel and Sutton Foster, Marc Kudisch and Angela Christian)
Muqin (Harriet Harris, Francis Jue and Ken Leung)
Long as I'm Here with You (Sheryl Lee Ralph and Male Ensemble)
Gimme Gimme (Sutton Foster)
Finale (Thoroughly Modern Millie) (Gavin Creel, Angela Christian and Ensemble with Sheryl Lee Ralph and Sutton Foster)
Final Bows (Entire Company)

Amazon.com

Although it's based on the 1967 movie of the same name, Thoroughly Modern Millie is almost thoroughly new. Composer Jeanine Tesori (Violet) and lyricist Dick Scanlan wrote a whole batch of songs, while retaining a couple from the movie--including the Jimmy van Heusen-Sammy Cahn title tune--and recycling even older material (look for Victor Herbert's "I'm Falling in Love with Someone" and the inventively arranged "Nuttycracker Suite"). Miraculously, the show, set during the jazz age, doesn't feel stitched together, and Tesori does a great job cranking out swinging melodies. Sutton Foster is appropriately brassy as Millie, but she can also tone it down, as in the beginning of "Gimme Gimme" (of course, she then proceeds to project up to the last rafters as the song builds to its climax). Harriet Harris, as nasty Mrs. Meers, steals the show with "They Don't Know." Close your eyes, listen to her, and you'll be back in Broadway's golden age. --Elisabeth Vincentelli

Customer Reviews:

Excellent Musical, But Product Quality - Eh.......2007-07-15

I absolutely love the musical so I'm thrilled with the cd.

My problem was not with the quality of the cd, but with the plastic case. The cd cases always come cracked. Although it doesn't affect the quality of the cd itself, it's rather disheartening that Amazon charges customers for its poor shipping.

MODERNIZE your music collection!!!.......2007-07-13

This is an AMAZING musical and great album. It is sure to jazz-up any music collection! BUY THIS ALBUM NOW!

A must to add to your collection.......2007-05-18

I was very fortunate enough to see this on Broadway. It was one of the best shows I've ever seen! The music has just enough jazz and contemporary vive that any musical lover would enjoy! It's also got tapping in it! Sutton is simply awesome in this role and all of the cast can really belt out their songs. Harriet Harris is phenominal in her role as Mrs. Meers. I highly recommend this to all broadway lovers! It's one to add to your collection!

Delightful.......2006-06-12

The music takes a little bit to grow on you, but boy, does it! It's wonderful, charming, romantic, funny--just like the play itself. I loved almost every song and I was really impressed with "Long As I'm Here With You"-- I thought it was an old song written back in the twenties, because it so sounded like one. The cast is absolutely energetic and endearing, and Sutton Foster just *rocks*. Definitely worth the money.

YOU WILL LOVE IT.......2006-02-17

If you like musicals, you will NOT REGRET purchasing this musical soundtrack. JUST DO IT. It's so great, you will be listening to it forever. I also saw the show at the Kennedy Center in D.C. and it's one of the best I've ever seen. (And I've seen A LOT.)

Have Fun!

This Is a Long Drive for Someone with Nothing to Think About

Average customer rating:

for anyone who is alive
great first LP
Really catchy work...arguably Modest Mouse's best
Best Modest Mouse album
Fantastic album

This Is a Long Drive for Someone with Nothing to Think About
Modest Mouse
Manufacturer: Up.
ProductGroup: Music
Binding: Audio CD

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The Moon & Antarctica
Good News For People Who Love Bad News
We Were Dead Before the Ship Even Sank
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Keep It Like a Secret

ASIN: B000003L1P
Release Date: 1996-04-09

Tracks:

Dramamine
Breakthrough
Custom Concern
Might
Lounge
Beach Side Property
She Ionizes & Atomizes
Head South
Dog Paddle
Novocain Stain
Tundra/Desert
Ohio
Exit Does Not Exist
Talking Shit About A Pretty Sunset
Make Everyone Happy/Mechanical Birds
Space Travel Is Boring

Amazon.com

Frontman Isaac Brock's claim that he's being stalked by his own alter ego was not the first bit of evidence that Modest Mouse isn't your usual pop band. Witness the entirety of this 1996 indie debut from the Washington trio that inspired a major-label bidding war. This Is a Long Drive for Someone with Nothing to Think About finds Brock cruising with cohorts Eric Judy and Jeremiah Green (plus an occasional cellist) through a landscape of intoxicatingly original lo-fi tunes. Sure, Brock's early vocals make Nikki Sudden sound like one smooth crooner, but their strained quality offset the primitive elegance of his guitar work, giving a passionate vulnerability to "Breakthrough," "Custom Concern," and other treatises on life in the lost lane. --Bill Forman

Customer Reviews:

for anyone who is alive.......2007-07-07

This is, overall, my favorite Mouse album. The first three tracks work together so well, with the looping meandering guitar riffs and the lyrics that sound like the life of every disenchanted teenager or young adult that's ever lived. As always with Mouse there are some tracks that get a little noisy or sound a little incomplete, but that's part of the charm. Brock doesn't write consistently perfect songs, but he writes so many perfect songs that it's almost a relief to realize that he's not flawless. Perhaps the most gifted lyricist in alternative rock, some of the wordplay is pure poetry.

great first LP.......2007-06-16

I am a huge modest mouse fan. but i know this record is not for everyone.
please start with the new modest mouse this stuff might turn you off to them at first listen. I love this CD! it has so many great qualities that dont show up on other modest mouse records.

1.Dramamine- great opening song awesome guitar rift. 5/5
2.Breakthrough- good song nice odd vocals.BUT THATS WHAT WE LOVE 4/5
3.Custom Concern- good lyrics slide guitar this one stands out 5/5
4.Might- short simple song 3/5
5.Lounge- starts fast pace ends in a slow rock jam. 4/5
6.Beach Side Property- features some screaming vocals which you dont find often in modest mouse a great song. 5/5
7.The Ionizes and Atomizes- sounds very bipolar- 3/5
8.Head South- More screaming in chorus and nicole johnson with backup vocals. really good song. "Struck by being ashamed of your old space" 5/5
9.Dog Paddle- screaming cool little song with coughs and wheezes through it. 4/5
10.Novocain Stain- a really really good song! 5/5
11.Tundra/Desert-One of their hardest hitting songs. 5/5
12.Ohio- right now im obsessed with the great lyrics in this song. "I'm upset and i leave the door open wide our hearts are used up cracked and dried." Amazing 5/5
13.Exit does not Exist- cool title blazing drums. 4/5
14.Talking shit about a pretty Sunset- one of the best songs on the album. 5/5
15.Make Everyone Happy/Mechanical Birds- starts off kinda sweet then goes full blown guitar jam. 4/5
16.Space Travel is Boring- nice song but not to special to me. 3/5

I love this cd but its not their best work.
i definitely recommend it to anyone likes Building nothing out of Something or Lonesome crowded west.

Really catchy work...arguably Modest Mouse's best.......2007-02-13

I really enjoy the overall dry twangyness in this album. The opening tracks are instant indie/alternative classics. Very quirky, laid back material that could easily please any Modest Mouse fan. I also recommend Lonesome Crowded West for more wonderful work.

Best Modest Mouse album.......2007-01-31

Here is what I have to say: This is my favorite Modest Mouse album. This album captures to total perfection what it feels like to be sad and cold but at the same time filled with a sweet appreciation for your own existence. There is such a fantastic reality to be found here. This will always be at the top for me. There is a good section of my life in which this is the definitive soundtrack. The music can be so bare but masterfull it makes you want to scream. Like living in a sparse cold room that you still find beautiful. If you want good music then, here, take this.

Fantastic album.......2007-01-21

As much as I wanted to diss them for being too heavily indebted to the Pixies, I could not resist the magnificence of this album. It blew me away when I first heard it, and it continues to.

Modest Mouse has released a slew of great albums, so I can't say this is my favorite, but it might be....

Waiting for the Electrician Or Someone Like Him

Average customer rating:

Turn off your mind
Nice Paisley Horsie
Best Firesign performance ever BUT BEWARE...
Eastern Europe: Home of Your Inner Child!
Good Stuff!

Waiting for the Electrician Or Someone Like Him
Firesign Theatre
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Miscellaneous | Styles | Music

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4-for-3 Pop | 4-for-3 Music | Stores | Music

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Don't Crush That Dwarf, Hand Me the Pliers!
How Can You Be In Two Places At Once When You're Not Anywhere At All?
I Think We're All Bozos on this Bus
Give Me Immortality Or Give Me Death
The Bride of Firesign

ASIN: B00005T7K3
Release Date: 2001-12-04

Tracks:

Temporarily Humboldt County
W.C. Fields Forever
Le Trente-Huit Cunegonde
Waiting For The Electrician Or Someone Like Him

Customer Reviews:

Turn off your mind.......2007-06-30

Turn off your mind relax and float downstream. Entertainment for the mentaly enhanced. The words describe the words as you find a dark room and a few hours with the phone unplugged and doors locked. The fine woven gears of Firesign theatre transport you to forbidden places and celestial visons.

WARNING::::
When played backwards you will see God.. Mirror required incense and padded cell optional. Management not responsible for lost mental abilities.

Nice Paisley Horsie.......2006-06-21

I remember listening to "Waiting for the Electrician" when it came out. Earphones. Sunshine LSD. What's not to like. I lost my vinyl of all the Firesign guys and got replacements recently. Listening 38 years later, it has excatly the same effect. Must be flashbacks. Satire is beyond time. Each self standing one act play defines the language of the piece so that the 60's and 70's lingua via is accessible. The title auditory show is more powerful now than then because they got it all right.

Best Firesign performance ever BUT BEWARE..........2006-04-13

For those of you who know and loved this originally as an LP, you will be disappointed to learn that sony messed up the remix BIG TIME by deleting important dialog at the beginning of the second side of the album (of course, on the cd it would be the second segment). The beginning of the second side IS CRITICAL to the subject of the performance and as best as I can recall, should have begun something like this:

"Welcome to side 4. Please follow along as we learn 3 new words in Turkish.
Towel, Bath, Border...may I see your passport please..." ...
(someone could please tweak this for I know this is not EXACTLY the dialog).

Anyway, you get the idea. The beginning is suppose to be as if you were listening to one of those "Berlitz" language records. Just wish/ hope sony would rectify this REAL SOON!

Eastern Europe: Home of Your Inner Child!.......2005-08-18

Oh - it's the Ice Show!

The spy has been in deep cover behind the Iron Curtain. He has just received his hurried direction in clipped sentences, has checked into the Hotel Kafka, and has been intercepted, probed, scoffed at, ignored, and wiretapped.

Then for no reason at all, he goes through a door, and is on the ice at the Berlibber Ice Palatz, to see the Gunatzis Brothers, Hans and Junni, shoot it out with weapons of increasing caliber and fierceness...

It was their first album, and thus one of their more transparent. But side two (sorry, Side Five), remains a masterpiece.

Good Stuff!.......2005-08-04

This is one, if not my favorite of the Firesign I've listened to. If you like history you'll love this one. And if you don't, no problem, you'll still get a kick out of it. Lots of great lines, word play and sound effects. A must have!

Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta

Average customer rating:

Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

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A Song of Naples - Neapolitan Songs

ASIN: B000003FQQ
Release Date: 1994-08-16

Tracks:

Song of the Vagabonds
I'm Falling in Love With Someone
Streets of New York
Neapolitan Love Song
Desert Song/One Alone
Every Day Is Ladies' Day with Me
Donkey Serenade
Softly, As in a Morning Sunrise
Drinking Song
When You're Away
I Love to Go Swimmin' With Wimmin
I Might Be Your Once-In-A-While
Marianne
Serenade
Indian Summer
When I Grow Too Old to Dream
Gypsy Love Song
Golden Days - Jerry Hadley, Mario Lanza

Average customer rating:

Unsure
A tenor for the masses
A wonderful voice
Opera for the Masses
There will be copycats but Russell Watson is an Original!

Russell Watson · The Voice
Russell Watson , Stephen Warbeck , Giuseppe Verdi , Lucio Dalla , Zucchero , Cesar Franck , Ernesto de Curtis , Umberto Giordano , Nigel Hess , Russell Gordon Alistair / Mahoney Gary / Watson , Paul Simon , William / Ure, James Allen Christopher / Cann Warren / Currie , Luigi Denza , Freddie Mercury , Giacomo Puccini , Ennio Morricone , John Themis , Richard Harvey , and Caroline Dale
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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The Voice: The Ultimate Collection

ASIN: B00005B7JD
Release Date: 2001-04-17

Tracks:

Nella Fantasia
Amor Ti Vieta
Pelagia's Song (Captain Corelli's Mandolin)
Caruso
Miserere
Panis Angelicus
Non Ti Scordar Di Me
La Donna E Mobile
Saylon Dola
Someone Like You
Bridge Over Troubled Waters
Vienna
Funiculi
Barcelona (With Shaun Ryder)
Nessun Dorma!

Amazon.com

Russell Watson's story is a classic rags-to-riches fairy tale: The former welder, after years of singing in pubs and clubs, traveled from Salford, his hometown, to London. He turned up unannounced at the Decca offices and was promptly signed up by one of the most important classical labels in the world. Vocal coaching followed, as did a number of successful live appearances supporting Cliff Richard. Now, we have this recital CD, which explores a wide range of musical styles. Watson's Italian is a little ponderous in tracks such as "Amor Ti Vieta," but this is more than offset by his captivating and utterly natural-sounding tenor voice. The inevitable popular arias are here, namely "La Donna è Mobile" and "Nessun Dorma," sung with a refreshing and youthful vitality. Pop tracks, including Ultravox's classic 1980s hit "Vienna" and a witty cover version of "Barcelona" sung with former Happy Mondays frontman Shaun Ryder, sit comfortably on the disc. Watson performs them with integrity, not simply paying lip service to the music of his generation. Watson has the potential to do for classical music what Jamie Oliver has done for cookery, and there are few people who won't find this debut CD appealing. --Rebecca Agnew

Album Details

Full Length LP from the British Tenor that Shot Straight to the Top of the UK Classical Charts. Features Many Beautiful Renditions of Classical and E-z Listening Standards, plus a Version of 'nessun Dorma', which Watson Often Sings Before High-profile English Soccer Matches.

Customer Reviews:

Unsure.......2006-01-07

I'm glad that musical artists besides opera singers are encouraging the art of opera. I also like some of his more upbeat selections as well. In my opinion though, I couldn't listen to his CD for very long. A couple of his arias sounded a bit splatty at times, and back in the throat at others. I don't claim to know everything about opera, I'm only in highschool, but his sound seemed quite pushed in places.
When all is said and done,however, I hope more people will come to know and love opera through his music.

A tenor for the masses.......2005-11-07

I hesitate to add my two cents where others have commented in such number. Still, there are a couple of observations I'd like to pass along, hoping they provide further insight into the phenomenon of Russell Watson and his singing.

First of all, I bought this CD never having heard of Mr. Watson--I just liked the looks of it and thought I'd give it a try. So my perception was based solely on what the CD offered. And I liked it! Both the first time and the next several times. (If I want to get analytical, I can find flaws here and there, but somehow I always enjoy hearing it. Period.)

Why do I like it? For a starter, the performances are musical, interesting, exciting, and aesthetically appealing--and that's my first test of quality. (What good is the greatest, most refined, rendition if you find your attention wandering?) Next, I think Watson's musical instincts (and those of whoever else assisted in creating this CD) are pretty much dead-on. There isn't one track I don't like, though some are clearly my favorites.

OK, the operatic bits don't sound like Pavarotti or Domingo, whom I also love very much. So what? Who says there has to be only one way to do an aria? This music is good enough to support a variety of interpretations. (Now if I could only afford one CD, I'd have to be more demanding.)

This is music for regular people, not necessarily for the elite, and I'm enough of a musical democrat to welcome it. If Watson didn't emerge from a high-class musical background, but still found his way to this music, I say more power to him! He must have an inborn feeling for it, and enough of a voice to perform it convincingly.

We've known a few other tenors from humble musical settings who've risen to popular acclaim (e.g., Mario Lanza). They happen to hear some fine tenor singing and find they can imitate it, and not too badly. With a little encouragement they keep at it, take a few lessons, and soon they're on their way. Where they go from there depends on talent, luck, and choices. I don't know where Watson's career will go in the long run, but I like this initial CD (and the two or three following it).

One concern I felt in listening to "The Voice" was for the voice itself. It seemed to me that Watson might have been forcing it too much, in heroically belting out those high notes. From what I now read, that concern was well founded, for Mr. Watson has had to undergo throat surgery. I hope his recuperated voice will retain the excitement and charm we have grown accustomed to and will serve him (and us) for many years.

A wonderful voice.......2005-05-28

I'd just like to say that while most of the opera purist lot criticize his "untrained voice", they are completely neglecting to say that the beauty of his voice is completely NATURAl. He is a man with a naturally beautiful voice, not one worked on for dozens of years in a conservatorium. Personally, that in itself is commendable. Yes, his pronunciation is not exactly perfect, but I think that this adds to his charm - how his gift (and yes, it is a gift) to him from welding to living out his dream.

Opera purists are a dying race. Making opera accessible to other people is not a crime. I have been brought up in a house filled with music, quite a lot of opera. And I do not think that making opera more accessible is a bad thing. Bringing a more youthful image to opera is a very positive thing. We are seeing a whole generation of artists with wonderful voices, ridding opera of its middle aged image.

Bravo, Russell! You're doing a great job.

PS: Opera purist, I can assure you Russell does not spend a sleepless night on account of your whining. So I suggest you learn to deal with the new youth of opera.

Opera for the Masses.......2005-04-25

Talented Watson brings a youthful, casual elegance to opera which will appeal to opera lovers and novices alike.

Some critics are hard on him for pandering to the pop aspects of modern operatics, but I wouldn't call him a sell out at all, as he certainly has the vocal skills to back up his commercial appeal.

There will be copycats but Russell Watson is an Original!.......2005-03-04

One listen to the voice and it will offer you a true appreciation for this hybrid singer. I call him a hybrid singer because he is one of the new generation singers that have the range to sing beatiful, classical pieces as well as pop songs. Russell has the looks of a boy band star but he chose, instead, to follow his heart and bring beautiful, european music to the world's attention. While I have heard comparisons to Josh Groban let me just set the record straight. Russell Watson is the original while Josh Groban, who needs a good barber, is the copy. Russell's first album, the voice, was released in April 2001. Josh Groban's cd was released in May 2002. Both singers have worked with some of the same producers but there is no true comparison when you hear the range and beauty of Russell's voice. He truly could have been an opera singer and has performed in a few operas in europe. I wont bother to get technical about this cd. It truly is one of my favorites in an extensive mixed cd catalog that I own. What I will say is to listen to a few sample tracks and understand what so many of us in the U.S. and abroad already know: Russell Watson is King!

Broadway - The American Musical (PBS Series)

Average customer rating:

Fabulous for any Broadway-lover
Top Shelf
TERRIFIC CD'S
Great Collection of Broadways greatest Songs
Great Compilation!

Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Best of Broadway - The American Musical (PBS Series)
Broadway: The American Musical
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ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating:

Oh dear...they've taken their eye off the ball
Stunningly beautiful music
Better then R&B
Very good, yet not comparable to Diva Dance
Opera Today

Operatica: Shine

Manufacturer: E-Magine Records
ProductGroup: Music
Binding: Audio CD

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O: Operatica, Vol. 1
The Fifth Element: Original Motion Picture Soundtrack
Myth of Red
Etterna
Trance Opera: The Complete Masterworks - Classic Meets Pop

ASIN: B000060OXN
Release Date: 2002-05-21

Tracks:

Solvejg's Song
Mon Amour
Shine
Kokab
Standing On The Edge Of The World
Lost In Someone Else's Dream
Khodoya
Je Crois Entendre Encore
Passepied
Under The Desert Sky
Kokab (Extended Grooveshaman Remix) (bonus track)

Customer Reviews:

Oh dear...they've taken their eye off the ball.......2007-01-08

This is not much like their first album (which was a mostly clever, sometimes ham-handed combination of operatic arias and modern electronic instrumentation).

But Shine is pretty much the same ethno-electronica that was pervasive throughout the 90s. Think Deep Forest, Anubian Nights, Enigma, B-Tribe, and even Sting's "Desert Rose". Yawnnnnnnnnnnnn.

Their first album was good mostly because of its orginality (operatic arias are definitely a challenge), but any old fool can slap a "cool" Middle Eastern chant over a modern beat.

What bugs me about both albums is that they don't maintain that singularly operatic quality--it seems to be a sonic delicacy reserved only for a few tracks.

So, with a very few exceptions, this album is a bit contrived.

Stunningly beautiful music.......2004-11-29

I would describe this music as a mellow and unusal mix of music where Enya meets Maria Callas, and I am a fan of both, so that's a good thing. It is so good that Billboard Music called it the best classical crossover of the year!

I would call this music techno opera scene from the future with beautiful opera singing, just to give you an idea of what this music is like! Also, the singer from the Fifth Element soundtrack, Inva Mula sings the song "Mon Amour".
Also singing on this cd is a singer named Shakila. She sings on "Kokab" and "Khodoya". These three are my favorite tracks. Though the cd in whole is a joy to listen to.

We'll say that "Operatica-Shine" succesfully bridged the Middle East to Europe via southern Spain.

So if you're a nu music dj, pick up this cd, so you can really spin an eclectc mix of music - Savannah Skye aka DJ Dakini-NYC...

Better then R&B.......2004-04-16

My wife and I are always looking for new music to cuddle up to, while either watching the sunset, or getting a little heated. I think this album is a great replacement for Barry White, or some other R&B that people often equate with mood music.

These sounds will actually get your heart pounding and blood pumping without forcing you to constantly skip over songs that just get too rowdy.

Very good, yet not comparable to Diva Dance.......2004-03-12

Let me start out by saying that i love this cd. i bought it thinking that it would be like the song Diva Dance from the Fifth Element. It is most certainly one of my favorite cd's but it is nothing like the Diva Dance song. All of the tracks are much slower, focusing more on the opera part, as opposed to the techno/pop. i would still give this cd a splendid 4 out of 5 stars, but i would just like to get across the point that it doesn't have the type of songs that are advertised. thanks.

Opera Today.......2003-08-24

I just bought Operatica:Shine. It is my favorite CD, I strongly recomend it to enyone who enjoys opera! If you like "THE DIVA DANCE" in The Fifth Element you will love this CD!

Average customer rating:

you cant beat an Ira lyric.
A Wonderful CD
Quiet and elegant
Disappointed
they can't take that album away from me

Pure Gershwin
Michael Feinstein
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Isn't It Romantic
Nice Work If You Can Get It: Songs by the Gershwins
Remember: Michael Feinstein Sings Irving Berlin
Michael & George (Feinstein Sings Gershwin)
Romance on Film/Romance on Broadway

ASIN: B000002H4W
Release Date: 1990-10-25

Tracks:

S' Wonderful
Our Love Is Here To Stay
Liza
The World Is Mine
They Can't Take That Away From Me
Isn't It A Pity?
Let's Call The Whole Thing Off
Embraceable You
What Causes That?
He Loves And She Loves/How Long Has This Been Going On
They All Laughed
The Girl I Love
Someone To Watch Over Me

Amazon.com

Pure Gershwin was Michael Feinstein's first album, and it remains one of his best. It may not have the production values of his later Gershwin tributes, Nice Work if You Can Get It (1996) and Michael & George (1998), but it simply and directly presents Feinstein in his piano-bar days, singing to his own tasteful accompaniments with occasional contributions from bass and drums and a second piano. Establishing the patterns for his later albums, he sings unjustly neglected verses to familiar songs, uncovers some never-before-recorded gems ("The World Is Mine," "What Causes That"), and provides song-by-song notes. Longtime friend Rosemary Clooney guests on "Isn't It a Pity?" --David Horiuchi

Customer Reviews:

you cant beat an Ira lyric........2007-01-05

this is good...and just to hear a REALLY GREAT "Isn't A Pity" duet with Rosie is well worth the price of admission. I REPEAT: just to hear a REALLY GREAT "Isn't A Pity" duet with Rosie is well worth the price of admission. listen & enjoy some great american music. you cant beat an Ira lyric.

A Wonderful CD.......2005-05-19

PURE GERSHWIN is just that, pure!. Feinstein interprets Gershwin the way it was meant to be performed. This is pure delight!

Quiet and elegant.......2003-04-20

Michael Feinstein's thin voice is compensated by his apparent enthusiasm for the material and a spare arrangement of piano, bass, and drum that gives this recording the ambiance of an intimate piano bar. Before hearing this disc, I knew only Gershwin's biggest hits, so many of the numbers here were new to me and increase my appreciation of that great American composer.

Disappointed.......2003-04-10

I bought this cd because I am a huge Gershwin enthusiast and am always on the lookout for versions of one of my favorite pieces, "Liza". I'd heard a lot of buzz about Feinstein and the supposed wonderfulness of his Gershwin interpretations, so I thought I would give this album a shot.

I was extremely disappointed. Feinstein seems to suck the life out of Gershwin's compositions, a feat I would have previously thought impossible. Though I concede that vocalists are free to reinterpret songs (many to a great success, as in Louis Armstrong's and Ella Fitzgerals's enjoyable versions of Gershwin), I think Feinstein's lazy tempos "loungy" voice make the tracks on this album boring and annoying.

I have loved to listen to and sing these songs my entire life. I just wanted to warn listeners who perhaps, like myself, enjoy George Gershwin's music for its beautiful clarity and energy (as easily experienced through Gershwin's own recordings, early interpretations by artists such as the Astaires, and even recent broadway "Crazy For You") that they will not experience any feeling of the sort from Michael Feinstein.

Amidst all the gushing that has recently been done over him, I found Michael Feinstein to have attempted to murder "Liza" and the other songs on this album. He merely displays a very unexceptional voice and poor interpretive taste. Fans beware, Feinstein proves that it is possible to make a bad cd of Gershwin songs. I'd recommend listening elsewhere.

they can't take that album away from me.......2002-05-09

they say the third time's a charm, but in this instance, it is the first time -- michael feinstein's first gershwin album -- that is the charm. this album is by far better and more listenable than the next two -- "feinstein sings gershwin" and "nice work if you can get it".

the listenability of this album may stem from the fact that it is a bare-bones arrangement, with two pianos, a bass and drums, a la a jazz trio, with no embellishment, so michael feinstein's then sincere and unsophisticated voice is the featured instrument.

i heartily recommend this album, as every song on it is a gem and feinstein's voice is more appealing than on the two later albums, when he jazzed it up with what sounds like an echo chamber and other electronic enhancements and he seems to be doing the songs by the numbers.

feinstein's version of "liza," slowed down to ballad form and plaintively phrased, is the best i have ever heard. the duet with rosemary clooney on "isn't it a pity," again brings out the best of feinstein's then-new voice and shows why george's (clooney) aunt is rightfully considered a jazz legend.

the combined "he loves and she loves/how long has this been going on" is another melodic/poignant highlight, while the album's finale, "someone to watch over me," is a stirring anthem to wanting and needing someone and is done with vocal and instrumental passion; it brings this collection of songs to a fitting crescendo.

for a lawyer's kid from columbus, ohio who started out cataloguing gershwin estate material for the reclusive ira and then began singing the songs for family and friends, michael feinstein has done all right for himself. he has become the recognized interpreter of the gershwin legacy, sort of the same way his pseudo-cousin, john, jr. feinstein, has become the recognized interpreter of the bob knight legacy... .

michael feinstein may have hit a home run his first time up with this album, and it may be his best, as it is the purest and most joyful celebration of gershwin tunes, while the others are fancier, more jazzed up and ponderous and less appealing.

the other albums are certainly not bad, though, and i recommend buying them to fill out a feinstein or gershwin collection, but this one is by far the best one to get if you are only going to get one as a sample of either's work. it is nice work, and you can get it.

The Music Man (1957 Original Broadway Cast) [Angel Reissue]
Average customer rating:

Music Man

One of This Country's Finest Musicals Beautifully Re-Mastered

We need a new remaster, nonetheless

Accept no substitutes!

Preston and Cook are the best ever

The Music Man (1957 Original Broadway Cast) [Angel Reissue]

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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My Fair Lady (1956 Original Broadway Cast)

South Pacific (Original 1949 Broadway Cast)

Camelot (1960 Original Broadway Cast)

West Side Story (1957 Original Broadway Cast)

Guys & Dolls: A Decca Broadway Original Cast Recording (1950 Original Broadway Cast)

ASIN: B000002SNL
Release Date: 1992-11-17

Tracks:

Act I. Overture/Rock Island - Vern Reed
Act I. Iowa Stubborn - Ensamble
Act I. Ya Got Trouble - Robert Preston/Ensemble
Act I. Piano Lesson - Barbara Cook/Pert Kelton
Act I. Goodnight My Someone - Barbara Cook
Act I. Seventy-Six Trombones - Robert Preston
Act I. Sincere - Buffalo Bills
Act I. The Sadder But Wiser Girl For Me - Robert Preston
Act I. Pick-A-Little, Talk-A-Little - Asnia Rice, Peggy Mondo, Elain Swann, Helen Raymond, Martha Flynn, Robert Preston
Act I. Goodnight Ladies/Marian The Librarian - Robert Preston, Buffalo Bills
Act I. My White Knight - Barbara Cook
Act I. Wells Fargo Wagon - Eddie Hodges, Ensemble
Act II. It's You - Buffalo Bills
Act II. Shipoopi - Iggie Wolfington, Ensemble
Act II. Lida Rose/Will I Ever Tell You? - Buffalo Bills, Barbara Cook
Act II. Gary, Indiana - Eddie Hodges
Act II. Till There Was You - Barbara Cook, Robert Preston
Act II. Finale - Robert Preston, Barbara Cook, Ensemble

Amazon.com

Although Robert Preston and Barbara Cook put in stellar performances, it's the music that's the star of this hugely successful document of the 1958 Broadway smash. Written entirely by Meredith Willson, it drew from memories of his childhood in a small Midwestern town. Preston plays a traveling salesman/con artist, while Cook is the dull spinster "Marian the Librarian," whose love for Preston's character makes her come alive. "Seventy-Six Trombones" has become a marching band standard, while "Ya Got Trouble" (featuring dizzying fast-talk from Preston) and "'Til There Was You" (with a gorgeous vocal from Cook) remain well known even among those who have never seen the show. The latter was also a favorite of the Beatles, who covered it on their first album. --Dawn Eden

Customer Reviews:

Music Man.......2007-02-09

The original cast recording brings back the memory of the live production I saw which will always be superior, in my opinion, to the movie version. However, the movie was one of the better "reproductions" of this genre.

One of This Country's Finest Musicals Beautifully Re-Mastered.......2006-11-23

THE MUSIC MAN opened on Broadway on December 19, 1957 to rave reviews from the critics, adulations from the captivated audiences, and the beginning of a long run. This wondrous musical is an 'opera' of sorts in that the piece is not a series of songs connected by the usual musical comedy spoken dialogue. Meredith Willson wrote the music and lyrics in such a way that there is not an extraneous note or word that doesn't contribute to the totality of the work.

Despite the multiple reincarnations of this brilliant show both on film and recording, none of them compares to this original cast. Imagine Barbara Cook (lithe, and new) as Marian the Librarian: Cook still reigns as one of our finest voices on the stage and cabaret rooms today. Robert Preston is not only rich in personality he also delivers the immensely complex patter songs with deft authority. And the Buffalo Bills add the multiple barbershop quartet numbers with authentic sound and professionalism.

This musical holds all of the joys and imaginations and longings that we all hold so dear in our memories of how things used to be - and it is so terrific to return to that stage of ecstasy again. This is a must own CD. Grady Harp, November 06

We need a new remaster, nonetheless.......2006-10-22

A very interesting photo on the liner booklet's back cover demonstrates the one real flaw in this otherwise classic recording: it shows Robert Preston at the album sessions singing at two mikes, a fat Neumann with a Capitol flag and a skinny one, probably an AKG. This can only mean Capitol recorded this in simultaneous mono and stereo takes. With all that knob twiddling the balance had to go off, a problem not entirely corrected by the reissue engineer Bob Norberg, whose remasterings of Ol' Blue's Capitol mono output have earned scorn from some Sinatraphiles for their slight fake echo and stereo effects. (He remastered just about every album in the Broadway Angel series; the monos all appear to have the echo and stereo.) I guess we should be happy to have this in any form at all given how the other majors turned it down. Capitol was late and indifferent to the cast album trade, and it only had three hits before making its monumental closing botch of "Follies." However the label approached it it's still a great and exciting score perfectly performed. Who could have imagined a hit musical with a barbershop quartet? And if only all women could sing like Barbara Cook! Who says you can have too much of a good thing?

With the show's fiftieth anniversary coming up (!) now would be a good time for a remaster. (I know, I know, I'm tired of paying repeatedly for the same product too, but this deserves it.) It should include a second disc with the 1959 Capitol documentary LP "And Then I Wrote 'The Music Man'", where Meredith Willson and his wife Rini detail the eight years of trials and rewrites behind the show. Nor would it hurt to have bonuses like Willson's original take on "Till There Was You" (called "Till I Met You," which Fran Warren evidently first sang on "The Big Show") or a few licensed pop balladeers of the day -- and maybe examples like the 70s jingle for the late lamented Oldsmobile ("Oh ho the new Oldsmobile is a -- comin' down the line...."). It must also include Willson's contentious JFK physical fitness tune "Chicken Fat", recorded about the time "The Music Man" was filmed and available only on oddball Web music sites, where Preston yells and grunts himself into an athletic -- passion. (I keep thinking Allan Sherman recorded a full version of his notorious parody "76 Sol Cohens", but I guess he didn't.) The whole thing should end with a live public-radio performance from 1980 or 1981 where Willson led the superb Detroit Concert Band in "76 Trombones" and "The Stars and Stripes Forever" -- an apt and brilliant finish.

No, I have not forgotten the Beatles, but I fear neither have their lawyers.

Accept no substitutes!.......2006-08-22

This the best version of "The Music Man" available, especially if you're looking for the Broadway cast. The performances here are all terrific, the recording and mastering are great, and the liner notes are informative and thorough. "The Music Man" is available in several other versions and forms, including other releases of the same original cast recording, but without the good mastering or liner notes found here. My wife and I, hoping to listen to this great show with our kids, first purchased other versions that were easier to find (e.g., on iTunes) and those were major disappointments. Buy this CD (Broadway Classics from Angel) and accept no substitutes.

Preston and Cook are the best ever.......2006-07-15

Yes, the film is a delight, and Shirley Jones is certainly good as Marian. But the original cast album of this wonderful musical remains the best version ever, mostly thanks to Barbara Cook, whose voice was and remains a miracle of rare device to listen to.

For years I thought I was the only person who was in love with her voice, wearing out vinyl LPs of this musical with replaying. Then, in the early 80s I saw Cook in a one woman show in London, and discovered I was part of a fanatical following! The other reviews here on Amazon confirm the truth: there is only one truly great Marian, Madam Librarian.

Watch the movie, which is a terrific adaptation of the stage show, go to professional and amateur revivals of the musical, but buy this recording of the score for repeated listening. There is nothing better.

Average customer rating:

MY HEART SISSEL
SHE'LL TAKE YOUR HEART
Sub par for 'Goddess of Song'
Norwegian soprano
A beautiful voice

My Heart
Sissel , Fryderyk Chopin , Stephen / Hayes, Gemma Endelman , Brendan / Lovland, Rolf Graham , George Frideric Handel , Andrew Lloyd Webber , Jon / Brown, Samantha Lord , Richard Marx , Richard / Copperfield, David Marx , Ennio Morricone , Astor Piazzolla , Giacomo Puccini , Camille Saint-Saens , Franz Schubert , Ettore Stratta , and London Symphony Orchestra
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Sissel
Into Paradise
Sissel in Concert - All Good Things
Gift of Love
Odyssey

ASIN: B0001BS4LA
Release Date: 2004-03-02

Tracks:

Wait A While
Lascia Che
Someone Like You
Tristezza
Angel Rays
Mon Ceur
Pie Jesu
Oblivion
You Raise Me Up
O Mio Babbino Caro
Ave Maria
Deborah's Theme (From Once Upon A Time In America)

Amazon.com

There's no arguing with the power of Sissel's voice. The Norwegian soprano brought James Horner's Titanic to life and blew people away at the Lillehammer Olympics' opening ceremony. Positioned as a classical crossover performer, Sissel's talent and versatility gets her into trouble. The 12-song My Heart bounces back and forth from Andrew Lloyd Webber to Franz Schubert, from Astor Piazolla to Ennio Morricone. These different composers are reconciled into one album by her talent. She's less successful with a so-so version "Ave Maria," but does better with Puccini's tear-jerker aria "O Mio Babbino Caro." Things go aesthetically awry when the singer (who has recorded folk music in the past) dives into folk-pop with "Angel Eyes" and then spin completely out of control on Richard Marx's "Someone Like You," which is a jarring stab at light R&B. Seemingly formulated by marketing team, My Heart may succeed at getting radio airplay in different formats, but it's an album that loses its way at times. --Tad Hendrickson

Customer Reviews:

MY HEART SISSEL.......2007-03-19

Sissel shows her versatilty and is an excellent CD with an excellent voice.Best I've heard in years

SHE'LL TAKE YOUR HEART.......2007-02-24

Once again, Sissel's crystal-clear, bell-like voice is complemented with beautiful songs & lush orchestrations. Among standouts: "Mon coeur s'ouvre a la voix," "O Mio Babbino Caro" and "Deborah's Theme." Sissel also does a beautiful job with "Pie Jesu," although I would have liked to have heard it as a duet. Even though there is not quite as diverse a repertoire as "Into Paradise" - which better showcases her voice (hence, the 4-star rating) - the album as a whole is wonderful and highly recommended.

Sub par for 'Goddess of Song'.......2007-02-07

The first Sissel CD I bought was "Into Paradise" where her astounding, sonorous tones are allowed full breadth of expression. This album, however, I was slightly disappionted in. The song selection does not appeal to me as well or emphasize her voice as fully. Still, as a record it is very lovely. It depends on what you expect...

Norwegian soprano.......2007-01-17

I love Sissel's voice. The range, depth and quality of her voice enhanses every song she sings. She expresses so much of what Norwegian culture and tradition mean.

A beautiful voice.......2007-01-04

I recently discovered Sissel via her CD, Into Paradise. I particularly like the compositions which allow Sissel to demonstrate her range. The songs Pie Jesu and Ave Maria being two good examples. There are some performances on this CD which edge easily into what might be called contemporary or popular music. This woman simply has a beautiful voice and is a pleasure to listen to.

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Pop Music

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