I See a Great City

Track Listings

1. Hello Hola

2. Voodoo Ah...

3. Ashe

4. Close My Eyes

5. I See a Great City

6. I Langa

7. Tully Fortune's No. 1

8. Silver Spires

9. Kou Hoye Moh

10. River Hymn

11. Adelaide

12. Goodbye Adios

Editorial Reviews
Product Description
Clan Chi, Tribe of Life, takes us on a musical journey of the new world voice, mixing instruments and vocal stylists from all continents into a seamless flow. A journey from the first word of world communication, ‘hello', down Avenue ‘B' in New York City, across the romantic ebb of the Mediterranean, over the Mountains of the Moon, sailing toward the Far East accompanied by the relentless beat of a Navaho chant.

Clan Chi is more than world music, it is new world music, global music. I See A Great City, may refer to many places, but for the creators of Clan Chi, it is the capitol of the world, the metropolis of New York. Clan Chi features a community of artists living and working in this extraordinary city. The project took two years to complete and was recorded in London, Los Angles and New York, with the final mixes completed at Irving Place Studios, NYC, just two weeks prior to September 11th.

Traditionally, world music comes from places far from New York. But the artists behind Clan Chi believe outside their brownstone door, amid the matrix of asphalt and concrete, in the clubs and in the streets, the new world music is being forged. By a free flowing combining of vocal traditions, rap, opera, choral, Sufi, native American, Asian, Zulu, Gregorian, Celtic, club, trance, pop, Clan Chi arrived at an important truth: Peace is found on common ground.

I See a Great City,Clan Chi,Crisnjoco,"Clan Chi takes us on a musical journey of the new world voice, mixing instruments and vocal stylists from all continents into a seamless flow."

I See a Great City

Tracks:

Overture
Vain, Fluctuating State Of Human Empire!
Thou, God Most High, And Thou Alone
The Fate Of Babylon, I Fear, Is Nigh
Lament Not Thus, Oh Queen, In Vain!
Behold, By Persia's Hero Made
Well May They Laugh/Oh Memory! Still Bitter To My Soul
Opprest With Never-Ceasing Grief
Dry Thoes Unavailing Tears
Be Comforted: Safe Though The Tyrant Seem/Methought, As On The Bank Of Deep Euphrates
Now, Tell Me, Gobrias
Behold The Monstrous Human Beast
Can You Then Think It Strange
Great God! Who, Yet But Darkly Known
My Friends, Be Confident
All Empires Upon God Depend
Oh Sacred Oracles Of Truth!
Rejoyce, My Countrymen
Sing, Oh Ye Heav'ns!

Tracks:

Let Festal Joy Triumphant Reign!
For You, My Friends
The Leafy Honours Of The Field
It Is The Custom, I May Say, The Law
Recall, Oh King! Thy Rash Command
They Tell You True
Oh Dearer Than My Life, Forebear!
By Slow Degrees The Wrath Of God
See, From His Post Euphrates Flies!
You See, My Friends, A Path
Amaz'd To Find The Foe So Near
To Arms, To Arms! No More Delay!
Ye Tutelar Gods Of Our Empire
Let The Deep Bowl Thy Praise Confess
Where Is The God Of Judah's Boasted Pow'r?
Call All My Wise Men

Tracks:

A Singony (Allegro Postillions)
Ye Sages! Welcome Always To Your King/Alas! Too Hard A Task The King Imposes
Oh Misery! - Oh Terror! - Hopeless Grief!
Oh King, Live For Ever!
No! To Thyself Thy Trifles Be
Yet, To Obey His Dread Command
Oh Sentence To Severe!
Oh God Of Truth! Oh Faithful Guide!
You, Gobrias, Lead Directly To The Palace
Oh Glorious Prince!
Alternate Hopes And Fears
Fain Would I Hope
Can The Black Aethiop Change His Skin?
My Hopes Revive
Bel Boweth Down!
I Thank, Thee, Sesach
A Martial Symphony
To Pow'e Immortal My First Thanks
Be It Thy Care, Good Gobrias
Great Victor, At Your Feet I Bow
Say, Venerable Prophet
Tell It Out Among The Heathen
Yes, I Will Build Thy City
I Will Magnify Thee

Customer Reviews:

ISSUE RESOLVED ON THE EUPHRATES.......2005-06-19

One question I might find among the more difficult in my life would be - which is my favourite Handel oratorio? I suspect that my answer would generally be 'the one I heard most recently', and that, as I write this, is Belshazzar. It is a magnificent thing, a heavenly thing. It has taken me longer than it should have to come to an appreciation of what makes Handel the phenomenon - as a genius, as an artist, as a craftsman - that he is, but I am comforted to reflect that no less a genius than Haydn, at the age of nearly 70 gaining a more thorough knowledge of Handel in performance, was driven to say that he felt a mere apprentice. In his sense of how to pace a dramatic narrative, in his instinct for how to use the human voice in song and above all in chorus, in the matchless flexibility and adroitness he displays at word-setting and in the audacity of his melodic and harmonic effects I can think of nobody who can approach Handel on his own terms.

Belshazzar was not a great success at the box-office, although this may have had more to do with difficulties in the casting than because it was deemed insufficiently biblical for oratorio, which seems to have been the fate of Hercules. It seems to me to be perfectly well described as oratorio in other ways too, with (for one thing) the extensive use of the chorus that we find in, say, Samson but not in Hercules. The one passage that cries out for visual effects is of course the apparition of the moving finger itself. Even here the composer can go a long way with sheer power of suggestion, by the strange unaccompanied violin figure creeping upwards and the frightened brevity of the vocal numbers. Otherwise for me Belshazzar is as much an oratorio as Samson is. It has the same librettist too, the crusty and formidable Jennens, who had also collaborated with Handel on Saul and on Messiah itself. Jennens' full text is not provided, but I think if you read the synopsis first and then follow the work from the headlines to each number you will have no difficulty in catching the words, so clear is the enunciation by soloists and chorus alike. As usual, Handel was driven to make alterations to the score for practical reasons. He had been a little concerned about its length, roughly 2 hours and 50 minutes in this performance, but where he wishes to be expansive he gives us full measure - two arias in Act I scene 4 take well over 7 minutes each. The liner-essay (a good one, by Anthony Hicks) goes into the issue of the version of the score used here, and I personally have no problem with it.

I have no faults to find with the performance in any way. Pinnock is an established specialist, the instruments are period instruments and vocal cadenzas at the end of the arias are kept minimal. Anthony Rolfe Johnson, James Bowman and David Wilson-Johnson are tried and trusted Handel singers and at their best here, and Nicolas Robertson and Richard Wistreich in the smaller parts are every bit as good. The part of Cyrus is a soprano part, taken by Catherine Robbin, and when I thought I heard just one touch of strain in `Destructive War' in the final scene she makes up for it instantly in her superb duet with Arleen Auger in the following number. Auger as Nitocris the mother of Belshazzar has the biggest part, and she covers herself with glory all the way through.

The recording is perfect, and when I saw an aria entitled `Destructive War, thy limits know' near the end I felt a sharp sense of irony in the year 2005. Cyrus, Handel, Jennens, you should all have been living at this hour.

Enjoiyable, but lacking, too........2004-08-16

This 3CD set of George Frederic Handel's (1685-1759) "Belshazzar", from Archiv Production, a division of Universal Music, is proof again that transfer from vinyl to tape to disc brings with it improvements in listening that make the purchase a worthwhile addition to anyone's listening library. Written in 1744, "Belshazzar" is an oratorio in the operatic style that is wonderful oratorio, but lacking the true depth one expects to hear in an opera. London opera audiences of Handel's day agreed, as both "Belshazzar" and Handel's other offering of the period in the same style, "Hercules", were not terribly successful. Instead of the scheduled 24 performances only 16 were given and Handel never offered a full season of oratorio again. The Libretto by Charles Jennens (1700-1773) is, as the production notes say, meant "not only to show the fall of Babylon but to show it as a fulfillment of divine prediction and to confirm the biblical testimony by reference to classical history." There's only one problem, as good a quality as the CDs are, it is not possible to follow the full libretto and the accompanying booklet includes no text, which is a shame. I think the listening experience would have been increased immeasurably if one was able to follow the text of what is being sung. Nonetheless the dramatic narrative is fluid and even, and the English Concert and Choir provide nice balance to the less full vocal passages, as in Disc 3s "Oh Glorious prince", cut 10. There is enough of this throughout to keep one's interest, but disappointing if what one expects is another ""Messiah".

Average customer rating:

Christmas Carols at there best
Nice Christmas CD
The Best Christmas CD Ever
A masterpiece.
You need one traditional Xmas cd - this is it.

Noel: Christmas at Kings

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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O Come All Ye Faithful: Christmas Carols at King's College, Cambridge
Carols from Trinity
A Festival of Nine Lessons and Carols
The Holly and the Ivy: Carols from Clare College
Christmas at Trinity

ASIN: B00000427N
Release Date: 1995-10-17

Tracks:

Hark! the herald angels sing
The first Nowell
While Shepherds Watched
I Saw Three Ships
Ding, Dong! Merrily On High
King Jesus Hath A Garden
In Dulci Jubilo
Unto Us Is Born A Son
O Come All Ye Faithful
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O Little Town Of Bethlehem
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God Rest Ye Merry Gentlemen
See Amid The Winter's Snow
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Once In Royal David's City
The Sussex Carol
Rocking
Rejoice And Be Merry
Joseph Was An Old Man
The Three Kings
As With Gladness Men Of Old
A Great And Mighty Wonder
The Infant King
Balulalow
The Crown Of Roses
Christ Was Born On Christmas Day
Blessed Be That Maid Mary
Lute-book lullaby
Myn Lyking
Personent Hodie
In the bleak mid-winter
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Shepherd In The Field Abiding
Torches
Fantasia On Christmas Carols

Customer Reviews:

Christmas Carols at there best.......2005-10-18

It does not get any better. This 2 cd set is outstanding.
As one reviewer notes the second disk has many carols not heard by most people in the USA. I heard them growing up, but most are hard to find on an album.

Christmas is not Christmas without King's College Choir singing carols.

A great collection... :)

Nice Christmas CD.......2004-01-10

In my haste for looking for some traditional and exuberant Christmas music, and in my blinding affinity for all things "King's", I purchased this cd. It is a nice compelation, although I, and I daresay many Americans, am not very familiar at all with most of the hymns/carols on the 2nd cd. Morever, I found most of the music lacking in pomp and circumstance. Of course, now, I understand that is not what this cd set is for. If you want big sound and more familiar tunes, try something else.

The Best Christmas CD Ever.......1999-12-19

If you are seeking a CD of traditional Christmas music to help you 1) focus on the true meaning of the holiday and 2)draw near to God, this is it. The choral arrangements are alternately beautiful and powerful, delicate and majestic. There is a rich heritage of European carols which 99% of Americans know nothing of. Broaden your horizons with this disc. You won't regret it.

A masterpiece........1999-01-04

David Willcocks has produced, without question, the most elegant and dignified collection of Christmas choral music available. This CD is a masterpiece.

You need one traditional Xmas cd - this is it........1998-11-30

Yes, most of the stuff was originally recorded in the 50's and 60's and it's not going to win prizes for signal to noise ratio. However, if you, like me break out in a sweat hunting for a xmas cd which won't contain some desperate wannabe modernised rehash of carols or a "listen to me aren't I a good tenor/diva and by the way here are some carols?" tracks, then this is your album.

Tracks:

Hark! The Herald Angels Sing
The First Nowell
While Shepherds Watched
I Saw Three Ships
Ding Dong! Merrily On High
King Jesus Has A Garden
In Dulci Jubilo
Unto Us Is Born A Son
O Come , All Ye Faithful
Away In A Manger
O Little Town Of Bethlehem
The Holly And The Ivy
God Rest Ye Merry, Gentlemen
See Amid The Winter's Snow
Past Three O' Clock
Invitatory
Adam Lay Ybounden
Gabriel's Message

Tracks:

Once In Royal David's City
Sussex Carol
Rocking
Rejoice And Be Merry
The Cherry Tree Carol
The Three Kings
As With Gladness Men Of Old
A Great And Mighty Wonder
The Infant King
Balulalow
The Crown Of Roses
Christ Was Born On Christmas Day
Blessed Be That Maid Mary
Lute-Book Lullaby
Myn Lyking
Personent Hodie
In The Bleak Mid-Winter
Coventry Carol
Shepherds In The Field Abiding
Torches
Fantasia On Christmas Carols

Average customer rating:

beauty and texture

I See a Great City

Manufacturer: Crisnjoco
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

General | New Age | Styles | Music

General | New Age | Indie Music | Stores | Music
ASIN: B000066IWQ
Release Date: 2002-05-20

Tracks:

Hello Hola
Voodoo Ah...
Ashe
Close My Eyes
I See a Great City
I Langa
Tully Fortune's No. 1
Silver Spires
Kou Hoye Moh
River Hymn
Adelaide
Goodbye Adios

Album Description

Clan Chi, Tribe of Life, takes us on a musical journey of the new world voice, mixing instruments and vocal stylists from all continents into a seamless flow. A journey from the first word of world communication, `hello', down Avenue `B' in New York City, across the romantic ebb of the Mediterranean, over the Mountains of the Moon, sailing toward the Far East accompanied by the relentless beat of a Navaho chant.

Customer Reviews:

beauty and texture.......2002-06-21

An eclectic aural mix from all corners of the globe. The way the different sounds are blended really transports me to another place. I like to listen to this in the car, but we put it on at a dinner party last weekend and it fit just right. It is organic, textured, contemporary world music with an edge. Take a trip and never leave the farm.