Evelyn's Way

Track Listings

1. You Are In Charge

2. Sounds of the Ocean

Editorial Reviews
About the Artist
same copy as Being In the Moment for Artist

Product Description
Listeners have used Evelyn's Way to deal with the ups and downs of battling disease, and abuse and to cope with death. This CD puts you in charge of the positive energy and "healing white light" needed to get you through your personal situation. Friend and cancer survivor, Evelyn was the inspiration for this release: "A diagnoisis of devastating illness is difficult to handle. Cheyenne's CD can be used to draw upon for support and strength. It is wonderful before treatment, during or just when you need to be reminded of your resources. It will help you trust yourself and your decisions." Evelyn Track 1 23 minutes You are In Charge invites you to relax, call in your team, suport, treatment, doctors, to have a voice while calling in healing white light at a cellular level. Track 2 50 minutes Sound of the Ocean which cradle Cheyenne's voice on track one continue to allow you more time for cellular healing. This track is also wonderful to drift off to sleep or for meditation.

Evelyn's Way,Cheyenne,Autumn Productions,voice (spoken word) cradled by the sounds of the ocean surf take the listener on a journey of making choices that support the healing process at all levels

Evelyn's Way

Tracks:

Main Title
Newsreel
I Could Love a Million Girls
Train Ride
Tateh's Picture Book
Lower East Side
Delmonico Polka
Coalhouse and Sarah
Waltz for Evelyn
One More Hour
Sarah's Responsibility
Change Your Way
Clef Club No. 1
Atlantic City
Clef Club No. 2
Sarah's Funeral
Denouement / Morgan Library Takeover / Rhinelander Waldo / Coalhouse's Prayer
Ragtime
Ragtime Theme (Demo)

Album Description

Available for the first time on CD! From 2002 Academy Award Winner Randy Newman-the complete 1981 soundtrack restored in digital sound and featuring the bonus track 'Ragtime Theme' (Demo).

Customer Reviews:

One of my best soundtracks...ever.......2007-03-30

Newman's music is both rousing and plaintive. "One More Day" is worth the price of admission alone. Quite simply, beautiful.

Rating.......2007-03-08

Since this stuff is sold out in Europe, it was good to find it at your place. Shipment etc. was all OK and meanwhile we enjoy the music.
Thanks a lot.

Ragtime (1981 Film Soundtrack).......2007-02-20

Beautiful music. It sets a mood throughout that is rather sad no matter what the words say.

A beautiful achievement .......2006-02-25

The excelent Milos Forman timepiece on the 20's based on the Doctorow novel has a marvelous musical translation in this soundtrack close to perfection. It gets the time and mood of the movie, and reflects its main dramatic moments. I would dare to say that this soundtrack is one of the finest coming out from a movie of the 80's. Besides, it sounds great in this digitally remastered version. Do not hesitate to get it. It's a real beauty.

Absolutely brilliant........2005-12-28

I first came across this soundtrack when looking for Donald O'Connor songs - I'm a big fan of his, and I'm trying to track down all the songs he's ever recorded. It just so happens he has one of the most delightful songs on this soundtrack, "I could love a Million Girls". Apparently it's from a Disney film called Summer Magic, but I don't think Disney would approve of how dirty this song is if you think about it! Donald O'Connor was around 55 or so when he recorded this song, so his voice isn't as great as it was once, but he still does a fantastic job.

Now, onto the other songs. "Ragtime" (the song listed on the soundtrack) is hauntingly beautiful - it really captures the feeling and mood of the time, and puts you right back there. Same with most of the other "score" tracks. This is definately one of the best scores out there, and it's a pity it didn't do better. I guess it's almost ahead of it's time a little, considering this was the time period that gave us films like The Blues Brothers and other such early SNL comedies which didn't require scores like Ragtime needed. It really should've done better, but for now enjoy the soundtrack because I doubt you'll get another release of it!

Average customer rating:

Opera voices don't work for musical theater
Great Score But A Bit Dated
Operatic voices take away the verve and excitement
Good Recording
Highly competent studio cast recording of the show

On the Town

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music
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On the Town
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ASIN: B000001GI4
Release Date: 1993-09-14

Tracks:

On The Town: I Feel Like I'm Not Out of Bed Yet
On The Town: New York, New York
On The Town: Presentation of Miss Turnstiles
On The Town: Gabey's Comin' - Pickup Song
On The Town: Taxi Number: Come Up to My Place
On The Town: Carried Away
On The Town: Lonely Town
On The Town: High School Girls
On The Town: Lonely Town - Pas de deux
On The Town: Carnegie Hall Pavane
On The Town: I Can Cook Too
On The Town: Lucky to be Me
On The Town: Times Square: Finale, Act 1
On The Town: So Long, Baby
On The Town: I Wish I Was Dead
On The Town: Ya Got Me
On The Town: Ain't Got No Tears Left
On The Town: Pitkin's Song
On The Town: Subway Ride And Imaginary Coney Island
On The Town: The Great Love Displays Himself
On The Town: Pas de deux
On The Town: Some Other Time
On The Town: The Real Coney Island
On The Town: Finale
Appendix: The Intermission's Great

Amazon.com

Three sailors on shore leave chasing after women in the Big City--that's the premise for On the Town, the brilliant, innovative, and electrically vibrant 1944 show by Leonard Bernstein (and Jerome Robbins, Adolph Green, and Betty Comden) that literally overflows with great songs and dance music. This version features a strong cast and three numbers cut from the New York premiere. It's well worth a visit. --David Vernier

Customer Reviews:

Opera voices don't work for musical theater.......2006-09-15

I had to force myself to listen beyond Sam Ramey's first "I feel like I'm not outta bed yet"... why?... it comes down to two things:

1) When listening to opera singers performing musical theater I always have difficulty understanding "what" they're singing about. Sure, I can hear the words, but the purified sound sands down everything that was gritty and emotional. It's almost like a Musak treatment, taking the raw energy and vitality of the original and softening it for easier listening. This is usually never a problem with original cast recordings which may have less-than-perfect vocal production, but are 100% locked in with singing-saying what the music and words mean TOGETHER.

2) I find these type of recordings patronizing to the great number of extremely talented musical theater artists who would each bring better interpretations to the studio because they'd have actually performed the parts, on-stage, dancing and acting, for many shows in a row. From an interpretation POV, this recording sounds like it was banged out after a few coachings, a few rehearsals, and a lot of engineering time. That approach seems to belittle the dedicated contributions of music theater artists.

==========
This is supposed to be American Musical Theater, a little rough around the edges, packed with physical/musical/emotional vitality, intelligence, wit, etc. This recording does not convey those attributes at all. It is physically revolting for me to listen to this homogenized, purified, sanitized, corrected, over-engineered, and nonexpressive recording. I'm glad I borrowed it from the library.

Great Score But A Bit Dated.......2006-03-19

A wonderful score from Leonard Bernstein detailing three naval soldiers' day of leave in New York City. Even if some of the songs are a bit past their prime, there are still great catchy tunes:

New York, New York
Taxi Number: Come Up To My Place (a very catchy duet)
Ain't Got No Tears Left
Some Other Time

This recording, however, is not the greatest. Its poor quality just reminds you of how dated some of the music is, so I recommend you get a different version.

Operatic voices take away the verve and excitement.......2005-09-21

Bernstein started a bad trend with his crossover West Side Story, in which Kiri Te Kanawa and Jose Carreras were painfully miscast. But that version has sold very wel over the years, so now we have MTT condcuting a big symphony orchestra and singers like von Stade and Hampson who try their best but feel all wrong. This is a great score, but here the whole sense of naive sailors on shore leave in the big city, plus the special jazziness of Bernstein in the Forties, doesn't come across. These are very sophisticated people trying to ham up WW II period charm--no thanks.

Good Recording.......2002-08-19

This is a good recording of this very enjoyable work. The quality of singing is fine and the orchestral work is particularly good. The music itself is really fun and well above the level of the great majority of Broadway musicals, including better known works like Oklahoma. This is the first of a group of excellent musicals; On The Town, Wonderful Town, and West Side Story, written by Bernstein and collaborators in the 40s and 50s. All are excellent and incorporated music and dance in innovative ways. West Side Story is the best known and most performed but I believe that the music in On The Town is the best of the group. All of these musicals, in one way or another, celebrate New York City.

Highly competent studio cast recording of the show.......2002-06-13

While the vocal performances here do not match the re-assembled original cast recording of 1960 in terms of dramatic and comedic interpretations, Tilson Thomas' reading of the score is every bit as good as Bernstein's himself in the 1960 recording. In terms of tempi, rhythmns, dynamics and sound this orchestral reading is the twin of Bernstein's. So one asks oneself, why assemble a studio cast to do it over again when the original is so exceptional??? We may never know the answer but the reading which was simulcast on PBS was amusing at moments, thanks to Comeden and Green's narration and filling in synopses of the dialogue lines skipped over, and the performance was well received by the audience. Here it is re-recorded without the audience.

The only thing I can point to is the inclusion of three numbers dropped out of town before the show's opening - Gabey's Comin/Pickup Song, Ain't Got No Tears Left, and The Intermission's Great. These make up for 7:54 minutes rightfully deemed unworthy of inclusion in the frozen show (especially the latter which is stupid beyond belief - although R&H stole the concept for their Intermission Talk in ME AND JULIET). The nightclub numbers So Long, Baby and I'm Blue are extended 31 seconds and 19 seconds respectively (they were shortened by these 50 seconds to fit onto the 1960 LP release.

So what do you have here that you don't have on the 1960 cast album? 50 seconds of the original show and 7:54 minutes of songs never used and of less than stellar quality.

Very little reason to prefer this over the original, especially with the vocal performances not up to par. Small wonder it went out of print rather quickly. Stick to the 1960 recording.

Tracks:

Overture
Florida
Nice Baby
Looking For A Boy
Lady Luck
When Do We Dance?
These Charming People
That Certain Feeling
Sweet And Low-Down
Finale-Act I
Entr'acte
Our Little Captain
Looking For A Boy
It's A Great Little World!
Nightie-Night!
Tip-Toes
Finale-Act II
Overture
Tell Me More
Tell Me More
Shopgirls And Mannequins
Mr & Mrs. Sipkin
When The Debbies Go By
Three Times A Day
Why Do I Love You?
How Can I Win You Now?
Kickin' The Clouds Away
Finale-Act I
Love Is In The Air
My Fair Lady
In Sardina
Baby!
Finaletto-Act 2
Opening Ensemble
Ukelele Lorelei
Finale-Act II

Amazon.com

This two-CD set collects a couple of shows by George and Ira Gershwin. Both produced in 1925, the two musicals--Tip-Toes and Tell Me More--are fairly obscure and don't boast as many famous songs as contemporary Gershwin offerings such as Oh, Kay! and Lady Be Good. Still, they are bursting with wit, invention, and joie de vivre. Based on a 1998 concert production, Tip-Toes is delicious, and several songs deserve a place in the Gershwin pantheon: the ballad "Looking for a Boy," the love duet "That Certain Feeling," and the rousing dance number "Sweet and Low-Down." The score is also notable for its spectacular writing for duo pianos. Tell Me More is not as immediately accessible (indeed, it had the shortest run of any Gershwin musical, with 32 performances), but it's delivered with élan by its topnotch cast, which includes Sally Mayes, Christine Ebersole, Diane Fratantoni, and David Garrison. Under the expert musical direction of Rob Fisher (from New York's famed Encores! series), this double set is, of course, essential for Gershwin completists. In fact, just about any fan of zany Jazz Age artifacts should relish it. --Elisabeth Vincentelli

Album Description

Tip-Toes, which made its Broadway debut on December 28, 1925, was produced by Alex A. Aarons and Vinton Freedley, who had been the producers of the Gershwins' smash hit Lady, Be Good! the year before. Attempting to repeat that success, they once again combined the same book writers, Guy Bolton and Fred Thompson, with the Gershwin brothers. Tip-Toes was well received by audiences and the press, and ran for 194 performances. It was given a subsequent production at the Winter Garden Theatre in London, opening August 31, 1926, running for 181 performances.

One of the most overlooked Gershwin shows, Tell Me More was also the most unlikely of Jazz Age musicals. In an era marked by lavish extravaganzas and brash star vehicles, Tell Me More, which opened on April 13, 1925, relied on charm, modesty, and an impish sense of humor. Because it failed to recoup its investment on Broadway, it was relegated to the list of Gershwin flops; because its score was largely forgotten, it has been widely regarded as a minor effort. In truth, it's a key show. As the only full-length collaboration between George and Ira Gershwin and B.G. DeSylva, it combines the delicacy and grace of the scores George had written earlier in the decade with DeSylva and the bold wit he had pioneered in partnership with his brother Ira four months earlier in Lady, Be Good! The best of both worlds, Tell Me More was a one-of-a-kind achievement.

Customer Reviews:

Gifts from musical theater heaven!.......2005-07-24

The restoration of several complete Gershwin scores in recent years has been a gift from the theater gods. These two shows lack the bite of "Strike Up the Band," "Of Thee I Sing" and other earlier releases, but they have no lack of the Ira's wit and George's effortless melodies. Upbeat tuners "Kickin' the Clouds Away" and "Sweet and Low-Down" are especially engaging, and the authentic-sounding orchestrations lend a nostalgic aura. The first-rate casts seem to be having the time of their lives.

Tell Me More and more and more.......2001-12-07

I bought this CD because I had seen the concert of Tip-Toes, which I found enjoyable if uneven: great songs in Act I and not much in Act II. But for me, the real revelation here is Tell Me More, a totally forgotten Gershwin musical from the Twenties. I only knew one of the songs, "Kickin' the Clouds Away," but this score hits all the right notes, from gently melodic to flat-out funny. And the cast couldn't be better. David Garrison and Christine Ebersole are hugely funny in the comic roles, tossing out their one-liners like the Broadway pros that they are. And what a delight to hear the romantic couple on one of these vintage recordings -- in this case, Diane Fratantoni and Philip Chaffin -- sing just like a real period couple: him with the creamy tenor voice and her with the boop-a-doop flapper sound. Their rendition of "Three Times a Day," a lovely ballad with a Kern-like flavor, is, for me, the highlight of this 2-CD set.

Two restored little Gershwin gems.......2001-11-10

Although the Princess shows of Kern, Bolton and Wodehouse back in 1917 tried to introduce a solid plot into the American musical comedy, the story lines still did not amount to much until "Show Boat " set the standard. So when George and Ira Gershwin opened with two musicals in 1925, the first was based on a mistaken-identity situation already a cliché in the genre (Bolton did the book); and the second (again with Bolton, plus B.D. de Sylva) was about the Florida land boom that also formed the basis of Berlin's "The Coconuts" the very same year.

Both "Tell Me More" and "Tip-Toes" were part of the discovery of many Gershwin manuscripts buried in a New Jersey warehouse; and we can be most thankful to New World Records for restoring the scores and bits of the dialogue in a two-CD boxed set (80598-2). The music is what you would expect from Gershwin: 1920s jazzy with that special core of Gershwin genius. Yes, a good deal of it sounds like Berlin and Kern--as did just about every other contemporary composer except Romberg (who sounded like Herbert). On the other hand, "Kickin' the Clouds Away" from the earlier show seems to be the inspiration for Berlin's "Shakin' the Blues Away" written two years later! "Tell Me More" also does not shy away from ethnic jokes (i.e., mistaking a request to disguise oneself as British for doing so as Yiddish) that do not offend at all. And if we moderns grow impatient with the rich bubbleheads of the F. Scott Fitzgerald crowd, they are still a breath of fresh air after the population of "Miss Saigon" and plays of that sort.

The game casts have voices just right for this sort of characterization and delivery. The "Tip-Toes" production is taken from the Carnegie Hall Concert version and is outstanding.

Tracks:

The Innate
The Collection
Premonitions
Grantchester
Thoreau
West London
Serenity
On The Counter
Hymn
August
September
December
Cradle Song
'Paracelsus': Excerpt
Disclosure
Maple Leaves
La Fede
The Indians
Two Slants: Duty
Two Slants: Vita
'The Incantation': Excerpt
An Election
At Sea
The Last Reader
The Greatest Man
The Housatonic At Stockbridge
Resolution
Two Little Flowers
Evening
Immortality
Yellow Leaves
Ann Street
Peaks
The White Gulls
1, 2, 3
Majority
Remembrance
The One Way
The Rainbow (So May It Be!)
The Side Show
A Sea Dirge
In The Mornin'

Average customer rating:

Di Yam Gazlonim

Manufacturer: Original Cast Record
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

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ASIN: B000253TNI
Release Date: 2005-04-12

Tracks:

Di Yam Gazlonim/Gis Arayn
Di Yam Gazlonim/Mit Yorn Tsurik
Di Yam Gazlonim/Oy Beser Iz Far Mir Tsu Zayn
Di Yam Gazlonim/Bist Mies un Nit Sheyn
Di Yam Gazlonim/Shpringen Mir Tsvishn Berg
Di Yam Gazlonim/Avu Iz Do a Meydl Sheyn/Umgliklekher
Di Yam Gazlonim/S'Iz S Goldene Gelegenhayt
Di Yam Gazlonim/Ikh Bin der Groyser General
Di Yam Gazlonim/Heruf Gazlonim/Shray Hoykh un Klor!
Di Yam Gazlonim/Oy Veyn Nit Ziser Tate
Di Yam Gazlonim/Ven der Soyne Vayzt di Shverd
Di Yam Gazlonim/A Mishugas
Di Yam Gazlonim/Hooray, Hooray!
Di Yam Gazlonim/Fayvl Bist Azoy Sheyn
Di Yam Gazlonim/Ven a Gazlen Rut Zikh Op
Di Yam Gazlonim/Es Zol Zayh Sha!
Di Yam Gazlonim/Ven Ikh Leyg Zikh in Bet
Di Yam Gazlonim/Finale

Average customer rating:

Oscar Hammerstein Legacy: Operettas

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000520X6
Release Date: 2001-02-27

Tracks:

The Song Is You - Lawrence Tibbett
One Kiss - Jeanette MacDonald
Rose Marie - Nelson Eddy
One Alone - Richard Crooks
Romance - Edith Day Drury Lane Theatre Chorus
Wanting You - Lawrence Tibbett Stewart Wille
The Mounties - Nelson Eddy
When I Grow Too Old To Dream - Evelyn Laye
Indian Love Call - Jeanette Macdonald Nelson Eddy
Sweet Melody Of Night - Jan Keipura
Marianne - Howett Worster Drury Lane Theatre Chorus
Hand In Hand - Stanley Holloway
Lover Come Back To Me - Jeanette MacDonald
Stout-Hearted Men - Nelson Eddy
The Desert Song - Harry Welchman Edith Day Drury Lane Theatre Chorus
The Night Is Young - Evelyn Laye
The Riff Song - Harry Welchman Drury Lane Theatre Chorus
French Military Marching Song - Edith Day Drury Lane Theatre Chorus
The Girl On The Prow - Evelyn Laye Drury Lane Theatre Chorus
I've Told Every Little Star - Mary Ellis His Majesty's Theatre Chorus
And Love Was Born - Lawrence Tibbett
Softly As In A Morning Sunrise - Nelson Eddy
One Day When We Were Young - Richard Tauber

Average customer rating:

Ultimate Cole Porter, Vol. 4

Manufacturer: Pearl
ProductGroup: Music
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Release Date: 2003-06-24

Tracks:

Dream Dancing [From You'll Never Get Rich] - Fred Astaire, Harry Sosnik
Since I Kissed My Baby Goodbye [From You'll Never Get Rich] - Fred Astaire, The Delta Rhythm Boys, Harry Sosnik
Wedding Cake Walk [From You'll Never Get Rich] - Gordon Jenkins, Martha Tilton
So Near and Yet So Far [From You'll Never Get Rich] - Fred Astaire, Harry Sosnik
Wedding Cake Walk [From You'll Never Get Rich] - Fred Astaire, The Delta Rhythm Boys, Harry Sosnik
Something for the Boys [From Something for the Boys] - Ethel Merman
Could It Be You? [From Something for the Boys] - Bill Johnson
Hey! Good Lookin' [From Something for the Boys] - Bill Johnson, Ethel Merman
He's a Right Guy [From Something for the Boys] - Ethel Merman
I'm in Love With a Soldier Boy [From Something for the Boys] - Ethel Merman
My the Mississinewah [From Something for the Boys] - Betty Bruce, Ethel Merman
There's a Happy Land in the Sky [From Something for the Boys] - Betty Bruce, Allen Jenkins, Bill Johnson, Ethel Merman
When My Baby Goes to Town [From Something for the Boys] - Bill Johnson
Something for the Boys [From Something for the Boys] - Leonard Joy, Paula Laurence
By the Mississinewah [From Something for the Boys] - Betty Garrett, Leonard Joy, Paula Laurence
Hey! Good Lookin' [From Something for the Boys] - Evelyn Dall,
Something for the Boys [From Something for the Boys] - Evelyn Dall,
Only Another Boy and Girl [From Seven Lively Arts] - Jane Harvey
Ev'ry Time We Say Goodbye [From Seven Lively Arts] - Maxine Sullivan, Teddy Wilson
Don't Fence Me In [From Hollywood Canteen] - Roy Rogers
Just One of Those Things [From Night and Day] - Ginny Simms
Begin the Beguine [From Night and Day] - Roberto Valdes Arnau, Carlos Ramirez
Should I Tell You I Love You? [From Around the World in Eighty Days] - Ray Carter,
Look What I Found [From Around the World in Eighty Days] - Ray Carter,
If You Smile at Me [From Around the World in Eighty Days] - Ray Carter,
Pipe Dreaming - Ray Carter,

Best Disco Album in the Universe, Vol. 2

Average customer rating:

Second volume of a very good disco series

Best Disco Album in the Universe, Vol. 2
The Trammps , Jean Carn , B.T. Express , One Way featuring Al Hudson , Sylvester , Evelyn Champagne King , Ashford & Simpson , Chic , Sister Sledge , and Chaka Chan
Manufacturer: Essex
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Binding: Audio CD

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ASIN: B0000038NP
Release Date: 1997-08-12

Tracks:

Disco Inferno - The Trammps
Found A Cure - Ashford & Simpson
I'm In Love - Evelyn 'Champagne' King
Was That All It Was - Jean Carn
Express - B.T. Express
Music - One Way
He's The Greatest Dancer - Sister Sledge
You Make Me Feel (Mighty Real) - Slyvester
Message In Our Music - The O'Jays
The More I Get, The More I Want - Teddy Pendergrass
I Want Your Love - Chic
I'm Every Woman - Chaka Khan

Customer Reviews:

Second volume of a very good disco series.......2004-02-28

Volume 2 has at least 2 entries that are not in their extended (12" or LP) versions, though most are:

Trammps-Disco Inferno (hey, the liner notes to Vol. 1 said this was on Vol. 3) (10:51)
Ashford & Simpson-Found a Cure (3:46)(this is the 7" version; still excellent but most would prefer the 7+ minute version)
Evelyn "Champagne" King-I'm In Love (3:53) (another short version) (Actually, Evelyn wasn't using the "Champagne" nickname when this hit in 1981. I am so proud to be a font of useless music trivia...thank you Amazon, for providing me this outlet)
Jean Carn-Was That All There Was (3:53)
B.T. Express-Express (5:06)
One Way f/Al Hudson-Music (7:17)
Sister Sledge-He's The Greatest Dancer (6:13)
Sylvester-(You Make Me Feel) Mighty Real (6:34)
O'Jays-Message In Our Music (6:23)
Teddy Pendergrass-The More I Get, The More I Want (4:27)
Chic-I Want Your Love (6:56) (despite what I said about The Hustle on Vol. 1, something from Nile Rodgers & Bernard Edwards needs to be on every disco compilation)
Chaka Khan-I'm Every Woman (4:09)

I think I'm not giving these discs five stars because the song choices on each volume seem so random. A song from 1975 may follow one from 1982, and there is no reason why any particular group of songs are on any volume. ("Club Floor Classics-The 70's" and Hip-O's "Dance 54" collections work better, to me, because they are more cohesive.) And when you think about it, can each of eleven volumes of this really be THE "best in the universe?"

Evelyn's Way
Average customer rating:
Evelyn's Way
Cheyenne
Manufacturer: Autumn Productions
ProductGroup: Music
Binding: Audio CD

General | New Age | Styles | Music
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ASIN: B0000648C4
Release Date: 2001-12-12

Tracks:

You Are In Charge
Sounds of the Ocean

Album Description

Listeners have used Evelyn's Way to deal with the ups and downs of battling disease, and abuse and to cope with death. This CD puts you in charge of the positive energy and "healing white light" needed to get you through your personal situation. Friend and cancer survivor, Evelyn was the inspiration for this release: "A diagnoisis of devastating illness is difficult to handle. Cheyenne's CD can be used to draw upon for support and strength. It is wonderful before treatment, during or just when you need to be reminded of your resources. It will help you trust yourself and your decisions." Evelyn Track 1 23 minutes You are In Charge invites you to relax, call in your team, suport, treatment, doctors, to have a voice while calling in healing white light at a cellular level. Track 2 50 minutes Sound of the Ocean which cradle Cheyenne's voice on track one continue to allow you more time for cellular healing. This track is also wonderful to drift off to sleep or for meditation.