Entrance

Track Listings

1. Gabriela's Song

2. Black Orpheus

3. Above Thru You

4. My Romance

5. Rivercat

6. Eastern Stargate

7. Entrance

8. The Guardian Angel

9. Garota De Ipanema

10. Midnight Driving

11. Something To Tell You

Editorial Reviews
About the Artist
Having been a musician most of my life as a guitarist,pianist,composer,and studio engineer,I have been totally into being an independent artist.I have been influenced by many of the great musicians of our time(Pat Metheny, all the brazilian artists,Carlos Santana,Sting,George Benson,ect.....).I'm constantly practicing and learning. My goal in the music industry now is to produce music that has good meaning and values.I tend to gravitate more toward the latin,brazilian,and jazz genre forms of music,because of the harmonic,emotional,and advanced tonalities. I perform solo or with a group occasionally. As of now, I work in my studio.I have learned that becoming a great musician is to be able to play the best music! Vince Gould

Product Description
"Entrance" is a compilation of quality music in the contemporary jazz,brazilian,latin,and new age genre. The music focuses mostly on the deep emotions and tonalities of the artist's creativity in composition and performance.If you open the door to my music, I am confident you will have a great listening experience!

Entrance,Vince Gould

Entrance

Tracks:

Gianni Schicchi: O Mio Babbino Caro
La Boheme: Act I: Che Gelida Manina
La Boheme: Act I: Si, Mi Chiamano Mimi
La Boheme: Act I: O Soave Fanciulla
La Boheme: Act II: Christmas Eve In Paris
La Boheme: Act II: Quando M'en Vo' (Musetta's Waltz)
La Boheme: Act III: Farewell Duet & Quartet
La Boheme: Act IV: O, Mimi, Tu Piu Non Torni
La Boheme: Act IV: Final Scene: Death Of Mimi
Madama Butterfly: Act I: Entrance Of Butterfly
Madama Butterfly: Act I: Love Duet
Madama Butterfly: Act II: Un Bel Di Vedremo
Madama Butterfly: Act II: Humming Chorus
Madama Butterfly: Act II: Pinkerton's Farewell And Death Of Butterfly
TOSCA: Act I: Recondita Armonia
TOSCA: Act I: Love Duet
TOSCA: Act II: Vissi D'arte
TOSCA: Act III: E Lucevan Le Stelle

Customer Reviews:

Brilliant .......2007-08-04

Absolutely heart-rending music. Great for artists who need something dramatic playing in the background while they work - or for the weary housecleaner who needs a terrific boost of music while working. You can't go wrong.

Puccini Withour Words.......2007-07-11

This is one of my favorite CD's. Puccini wrote such beautiful music but it is often overshadowed by the diva or tenor who sing the aria. This is pure music and so enjoyable.

Wonderful! I don't care much for opera, but the music is great!.......2007-05-11

This is a fantastic album. I love classical music, but have never enjoyed opera. Some choir or chorus with classical is good, but the opera in general has never been entertaining for me. But the music is so good, so what to do?

Here you go. Get the music without the vocals.

Puccini's musical prowess was amazing. Madama Butterfuly is some of the most intricately composed classical I have ever heard. The vocals don't let you hear the true genius of the composition. La Boheme is equally enjoyable; delicately intertwined harmonies that relax and arrest you at the same time. Tosca is strong; again, truly enjoyable.

But, for me, the best piece on the album is the opener; "O Mio Babbino" from Gianni Schicchi. I must admit that I have never heard of this opera or this composition, but when I played this CD, this song came alive for me.

The entire album is mixed well, with very little background noise and very good sound editing. Considering the price, you really can't go wrong with this album.

A definite positive addition to my classical library.

Enchanted by Puccini Without Words .......2007-05-08

As a newcomer to opera, this disc of Puccini without words is an ideal introduction, to listen to as I paint. The music can go directly to my heart without worrying about words or voices to interrupt the creativity. Now I'm becoming interested in buying some Puccini with words and other operas as well. Now I'd like to hear an entire opera instead of exerpts.

Nice CD.......2007-01-08

Not what I expected but nice background music for a special occasion. If I had the choice again to buy it or now, I wouldn't have. Many other's out there with better selections.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Wagner: Overtures & Preludes
Average customer rating:

A well-kept secret

Essential Wagner

Excellent Wagner from a surprising source ... or maybe not!

Go For Boult

Memorable and dramatic- A must have for Wagner fans

Wagner: Overtures & Preludes

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
General | Classical | Styles | Music
London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
General | Opera & Vocal | Styles | Music
Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
German | Languages | Opera & Vocal | Styles | Music
Similar Items:

Wagner: Tristan und Isolde/Parsifal/Die Meistersinger Von Nürnberg/Lohengrin/Tannhäuser

The Best Of Wagner

Wagner: The "Ring" Without Words

Twilight of the Gods: The Essential Wagner Collection

Wagner without Words

ASIN: B000002S08
Release Date: 1992-09-29

Tracks:

Tannher: Overture
Tannher: Grand March
Der Fliegende Holler: Overture
Tristan und Isolde: Prelude to Act 1
Tristan und Isolde: Prelude to Act 3
Die Meistersinger von Nurnberg: Overture
Die Meistersinger von Nurnberg: Prelude to Act 3
Lohengrin: Prelude to Act 1

Tracks:

Lohengrin: Prelude to Act 3
Parsifal: Prelude to Act 1
Parsifal: Act 1 Transformation scene
Parsifal: Prelude to Act 3
Parsifal: Good Friday Music
Das Rheingold: Entrance of the Gods
Die Walkure: Ride of the Walkyries
Siegfried: Forest murmurs
Gotterdammerung: Siegfried's Rhine Journey
Gotterdammerung: Siegfried's Funeral March

Customer Reviews:

A well-kept secret.......2007-05-18

Everyone wants to have a crack at the "bleeding chunks" eventually, and while I love the flashier Stoky and Furtwangler approach, I wouldn't want to be without the Boult. He's a great Wagnerian, strange as it may seem. Who could blame him for not wanting to go down in history merely as the finest Holstian? As long as this stays in print, Ormandy will still be considered the least sexy conductor. (I heard CBS researchers found an Ormandy fan once!)

Essential Wagner.......2006-06-17

As a child, this set was my first experience of Wagner's music, and it made quite an impression on me. However, as I grew older and began to collect the full operas I felt I could surely do better than Adrian Boult and the British for a collection of the preludes, overtures, and orchestral music from the operas. I was wrong. I have yet to here any recordings that can match the power and intensity as demonstrated in these discs from Boult and the LSO (and LPO). The Meistersinger prelude alone is worth the price, and the only version of the prelude to Tristan which outdoes the one here is Bohm's live 1966 Tristan. The Solti, Karajan, and Klemperer highlight discs have their moments (and truthfully, I do prefer Solti and Karajan for the "Ring" highlights), but their contributions are greatest in the full operas, and overall, they simply can't muster the power and intensity that Boult brings to these preludes, overtures, etc.

Even if you have other compilations of Wagner's music in "bleeding chunks", I can assure you they don't come close to this one; and with two discs (the second containing mostly music from Parsifal and the "Ring") at 14 bucks, there is absolutely no excuse not to have this essential recording. So go ahead and buy this disc, never buy another Wagner compilation again, and with the money you save get started on the more important task at hand: the full operas.

Excellent Wagner from a surprising source ... or maybe not!.......2004-09-27

Does Sir Adrian Boult conjure up of images of Gustav Holst and Ralph Vaughn Williams, but not Wagner? You're not alone! Nevertheless, this is a double CD set not to be missed! Many years ago, I was listening to a classical radio music station in NYC that was playing the music of Wagner. The performance was so good, that I wouldn't leave the radio until I found out the name of the conductor. When the announcer said the conductor was Sir Adrian Boult, I was quite surprised. I had recordings of English music from Sir Adrian on Angel/EMI, but I never associated that conductor with Wagner. Having been blessed with a friend who had knowledge of classical music way beyond his years, I gave him a call to find out more about the recording. He told me that, Boult had solid expertise in the area of Germanic music, but, in England, had been overshadowed in that repertoire by Otto Klemperer. He told me not to be surprised about Boult's very fine Wagner, it was an excellent recording to purchase and, indeed, search out Sir Adrian's wonderful performance of Beethoven's Fifth Symphony (now available on Vanguard). Fast-forward many years and I find myself browsing through Amazon for a recording of Wagner's Overtures and Preludes. Like everyone else I know, I foolishly jettisoned my LPs in the 1990s and have been "back-filling" ever since. Well, I was able to obtain this splendid set for less than $7 per CD! There are a total of 18 selections covering most of Wagner's operas including five excerpts from the Ring Cycle. The performances are excellent coming from no less than three British orchestras, and the sound is top-shelf EMI. Sir Adrian's pacing is measured and his vision is broad and sensitive, highlighting the beauty and grandeur --rather than just the fire-- of this glorious music. I heartily recommend this two-CD set, and at this price, I think it's a steal.

Go For Boult.......2003-07-08

Sir Adrian Boult is best known for his recordings of the British repertoire, and his performances, particularly of Holst's "The Planets" and Elgar's Symphonies and Orchestral Works, are legendary. But Boult was also an excellent conductor of Beethoven, Brahms and Wagner, and this 2-CD set collects the Overtures and Preludes of the latter German titan. These stereo recordings from the early to mid-1970s with the New Philharmonia Orchestra, and London Philharmonic and Symphony Orchestras are truly first rate. EMI's set compares nicely in terms of price, quality and musical offerings with competing sets by DG (Bohm, Kubelik, et al) and Sony (Ormandy & Szell). You might have reservations about getting German music conducted by a Brit, but you really can't go wrong with Boult.

Memorable and dramatic- A must have for Wagner fans.......2000-03-20

I bought this cd for the following reasons: 1 I'm a Wagner fan, 2 the cover looks exquisite and 3 I wanted to hear a "prelude" since it sounds fancy and never heard one. The result is great cd. The Tannhauser overture, Tristan and Isolde prelude and Lohengrin Prelude to act 3 are all very excellent. Excerpts from the Ring of the Nibelunge aren't as good as I had anticipated but are still enjoyable. The music speaks the tales of Wagner's operas. Just hear it, as slow and irksome as they maybe, these preludes make you feel the tragic love of Tristan and Isolde, the epic odyssey of Lohengrin and the holy, heavenly spirit in Parsifal as he discovers the Holy Grail. Buy this CD and you won't regret it. Except that one bit from Gotterdammerung, Siegfried's Funeral March. It does'nt quite have the feel of grand disaster as it did in John Boorman's film Excalibur. If you're hoping to find that version(which is better) stick with the Classics Go To The Movies Vol 2 cd. But all the other pieces on this CD are excellent. Go and buy this CD- now !

Average customer rating:

GORGEOUS!
Wonderful intro To MEHDl ...
great
The Complete Wedding Album
Almost the compete wedding album

The Complete Wedding Album

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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Similar Items:

Classical Wedding
25 Wedding Favorites
Bride's Guide to Wedding Music
A Day to Remember - Instrumental Music for Your Wedding Day
Classical Wedding Traditions

ASIN: B000006ONZ
Release Date: 1998-04-28

Tracks:

Rigaudon - Empire Brass
Sinfonia - Michael Murray
Toccata - Michael Murray
Wedding March - Michael Murray
The Prince Of Denmark's March - Michael Murray
Trumpet Tune In D Major - Michael Murray
Te Deum - Michael Murray
Ave Maria - Michael Murray
Canon In D Major - Yolanda Kondonassis
Jesu, Joy Of Man's Desiring - Yolanda Kondonassis
Prelude No. 1 In C Major - Yolanda Kondonassis
Entrance Of The Queen Of Sheba - Keith Clark
Air - Orchestra Of St. Luke's
Hornpipe - Orchestra Of St. Luke's
Rondeau - Empire Brass
Unchained Melody - Erich Kunzel
Through The Eyes Of Love - William Tritt
Love Theme From Romeo And Juliet - William Tritt
The Wedding Song (There Is Love - Danny Donnelly
Dodi Li - Shira Kammen

Tracks:

Rondeau - Michael Murray
Sheep May Safely Graze - Michael Murray
Ave Maria - Michael Murray
Gymnopedie No. 1 - Michael Chertock
Clair De Lune - Michael Chertock
Adagio Sostenuto - Michael Chertock
Largo - Angel Romero
Largo - Larry Cooperman
Largo - Keith Clark
Allegro - Boston Symphony Orchestra
Adagio In G Minor For Strings - Keith Clark
Fantasia On 'Greensleeves' - Leonard Slatkin
Adagio For Strings - Erich Kunzel
'Treulich Gefuart,' Bridal Chorus - Atlanta Symphony Orchestra And Chorus
Wedding March - Atlanta Symphony Orchestra

Customer Reviews:

GORGEOUS!.......2007-06-13

I wish this CD had been around when I was planning my wedding as it would have been great for helping the bride to select music! Still, it's wonderful to listen to now.

Wonderful intro To MEHDl ..........2006-06-08

I've always enjoyed Great Wedding music and this album is no exception, but while reading some of the customer recommendations posted on this site I discovered a group by the name of MEHDl (pronounced medie). After an online search I found their site (S00THINGMUSIC,C0M) and listened to the samples...
I was instantly blown away by the quality of this music and so I gave it a try and now that I have listened to these CDs several times I really must say that although I'm still a Tomaso Albinoni fan of, I find MEHDl to be a great addition to this CD. I had them both in my multi-disc CD player during the wedding and love the way they compliment each other. I highly recommend that you give this artist a try or atleast just go listen to the samples, I have a feeling you'll be glad you did.

great.......2006-02-19

Highly recommended. Even has suggestions for pre-ceremony, processional, ceremony, and recessional inside. 2 different versions of Midsummer Night's Dream march included - one with trumpet and organ and one with a full orchestra. Lots of great selections, well recorded.

The Complete Wedding Album.......2005-08-05

This album has a lot of great wedding music. It had all of the songs I was looking for. There also is great background music for the ceremony. Glad I purchased it

Almost the compete wedding album.......2004-05-07

I used this cd to help me plan which songs I wanted to use for each part of the wedding. This cd helps you suggest the placement for the prelude, processional, ceremony and recessional. The cd mainly has classical songs, but it does have a few of "today's" songs. There could have been a few more songs they could have added. But overall, its a good cd.

Passion - Most Famous Orchestral Spectaculars [20 CD Set]

Average customer rating:

Wonderful set of orchestral music for an amazing price
A good gift for novice

Passion - Most Famous Orchestral Spectaculars [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Dances | Ballets & Dances | Classical | Styles | Music

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General | Classical | Styles | Music

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Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music

Box Sets at 30% Off | Blowout Music | Stores | Music

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All Blowout Music | Blowout Music | Stores | Music

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Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]
Rendezvous of Angels - Concert Collection [20 CD Set]
Little Night Music - Ultimate Mozart Collection [20 CD Set]
Classical Masterpieces of the Millennium [20 CD Set]
Sarah Vaughan 3 CD Set (LP edition packaging)

ASIN: B00012QLTQ
Release Date: 2003-12-09

Album Description

Music can be both calming and relaxing, or invigorating and passionate...this phenomenal 20-CD set is definitely the latter. This amazing collection brings together for the first time the most passionate music of all time, from Ravel's Bolero, Tchaikovsky's Swan Lake, Wagner's Magic Fire Music to Ravel's La Valse, Orff 's Carmina Burana and Stravinsky's Rite of Spring. This is a must have collection for every passionate music lover.

Customer Reviews:

Wonderful set of orchestral music for an amazing price.......2007-08-05

I will admit that when I first ordered this 20 cd set from Amazon I was very skeptical and hesitant. I figured what kind of quality am I going to get for $16.97?! But when I got it in the mail and started listening to some of the cd's I was more than pleasantly surprised. The music contents on each is cd has the complete versions of the each song or theme. You know how a lot of cd sets just have the short versions or arrangemnts of songs to cut down on the price, but not on this set. Every cd runs anywhere from 1 hour to 2 hours of listening time. Even though the box set is called orchestral spectaculars if you like piano music there is a Liszt cd in the set with The Fantasy on Beethoven's The Ruins of Athens for piano, Malediction for piano and orchestra and Grande Fantasie Symphonique on Berlioz's Lelio for piano and orchestra. There is also a Rachmaninov in the set with his First Piano Concerto in F Sharp Minor and the original full length 30 minute version of his Rhapsody on a Theme of Paganini. Even if you listen to mostly piano music there are many versions based on them. For example, Brahms 21 Hungarian Dances that were written for solo piano, but in this set they are orchestrated. I had never heard the pieces like that before. It was nice to get a different perspective of the music. The same goes for Mussorgsky's Pictures at an Exhibition also written for piano, but here it is in a symphonic form and I enjoyed it just as much as the solo piano version. If you love opera, but are maybe someone that likes the orchestral part more than the singing there are many cd's in this set for that as well. There are 2 cd's of Wagner's music with my favorite prelude of all time Isolde's Love Death from Tristan and Isolde. Overtures from all of Rossini's and Rimsky Korsakov's operas. I think this cd would be a great place to start for someone who is new to classical music and doesn't want to spend a lot of money or if you love classical music as I do and want to hear new versions of your favorite pieces or just want to add to your cd collection you can do that for under $1.00 a cd. How many times have we all spent more than the price of this set for only one cd? I highly recommend this set. The sound quality and choices of music are excellent. Anyone who buys this will not be disappointed.

A good gift for novice.......2007-05-12

This was a good gift for somebody learning about Classical music in Japan.

Verdi without Words: Grand Opera for Orchestra

Average customer rating:

The Music Behind The Grand Opera: Verdi Spectacular
Dreadful Sound Engineering
Karaoke fans - eat your heart out!
Great, but you are not really singing the tune !
HIGHLY RECOMMEDED.....

Verdi without Words: Grand Opera for Orchestra

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music
Similar Items:

Puccini Without Words
Opera without Words
Pops Plays Puccini
Carmen Without Words
Opera Without Words

ASIN: B000003D03
Release Date: 1995-01-24

Tracks:

Grand Entrance ...'Su! Del Nilo Al Sacro Lido'
'Celeste Aida'
Triumphal Scene 'Gloria All'Egitto'
'Ave Maria'
'Vedi! Le Fosche Notturne Spoglie'
'Di Quella Pira'
Prelude
Introduction To Act I
'Brindisi'
Waltz
'Un Di Felice'
La Traviata: 'Sempre Libera Degg'io'
'Di Provenza Il Mar, Il Suol'
'Questa O Quella'
'Caro Nome'
'La Donna E Mobile'
'Un Di, Se Ben Rammentomi'
'Tutto Net Mondo E Burla'
'Va, Pensiero' (Prisoners' Chorus)

Customer Reviews:

The Music Behind The Grand Opera: Verdi Spectacular.......2005-10-04

This recording is a delight for fans of classical music. In opera, the singing/words/text is married to the music, but it is the music above all that must create moods and evoke sentiment- whether it is pity, romance, jealousy, rage, pomp, melancholy, heartbreak, ecstasy, passion, mystery, etc. Eric Kunzel and his Pops Orchestra performs a wonderful array of Verdi music scores from his most famous grand operas. This album opens with Aida and there is much to admire here. The Triumphal March is a spectacle-scene which features parades of dancing girls and wild animals as Radames returns victorious. This music is famous for its prominent use of trumpet and chorus. Its orchestral version is equally bombastic. The Anvil Chorus from Il Trovatore is another smash Verdi hit, a chorus piece but on orchestra, it is very catchy as well. Further to these fine works, the album features music from Verdi's Otello and La Traviata. This is a fine intro to opera for those who wish to begin by listening to the orchestral music first.

Dreadful Sound Engineering.......2005-06-17

Such beautiful Verdi and tis a shame to have to fiddle with the volume control on every single track (and even within the track). One will be inaudible, the next will blare.

Karaoke fans - eat your heart out!.......2002-12-29

This disc, containing selections of Verdi's most famous operatic works, is a must buy for fans of Opera that want to "try out their pipes".

What Opera fan hasn't at least sung a few bars of "La Donna e mobile" while in the shower? This 70 minutes of Opera greats from the pen of Verdi under the able direction of the Cincinati Pops orchestra under the baton of Erich Kunzel will make most opera fans dreams come true.

There are no words on any of these numbers - making it a cross between a Karaoke disc and Verdi's greatest hits. It contains some selections from "Aida", "Othello", "Il Trovatore", "La Traviata", "Rigoletto", "Falstaff", and "Nabucco".

My only "complaint" is that the lyrics to the numbers were not included in the liner notes. That would have made this the world's first Opera Karaoke.

Still worth listening to for the majesty of the music behind the words - music that is often overshadowed by the singers. Worth a look for inclusion in any opera fan's classical library.

Great, but you are not really singing the tune !.......2002-05-24

"Celeste Aida"
1. Cincinnati Pops did not play the recitativo. Something is missing, if you are an opera freak.
2. The second verse does not include "Il tuo bel cielo vorrei ridarti", which will mislead a whistling person.

"La donna e mobile"
In the second verse, the "refrain" (la donna e mobil qual piu mal vento ...) is replayed. This gives a "queer" feeling for a singing person who is used to practicing singing it "the way it should be sung".

HIGHLY RECOMMEDED............2002-03-13

I LIKE OPERA WITHOUT THE WORDS AND THIS IS ONE OF THE BEST I HAVE
PURCHASED LATELY (AND I HAVE BOUGHT MANY LATELY). CARMAN WITHOUT
WORDS IS ALSO VERY ENJOYABLE, AS ARE ALL THE "OPERA WITHOUT WORDS" CDS OUT TODAY. I HIGHLY RECOMMEND THIS CD TO ADD TO ANY
COLLECTION OF CLASSICAL MUSIC..

Average customer rating:

Very Good Opera Mix CD
A real treat
Wonderful orchestral rendering of opera classics!
nice music incorrect tempi
Song list incorrect, though !

Opera without Words

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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$6.99 and Under | Classical Music Blowout | Stores | Music

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Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Puccini Without Words
Verdi without Words: Grand Opera for Orchestra
Opera Without Words
Carmen Without Words
Opera Without Words

ASIN: B0000026QP
Release Date: 1989-11-20

Tracks:

Intermezzo
Che Gelida Manina
Mi Chiamano Mimi
O Soave Fanciulla
Quando M'En Vo' Soletta
Sono Andati?
O Mio Babbino Caro
Recondita Armonia
Vissi D'Arte
E Lucevan Le Stelle
Entrance Of Butterfly
Un Bel Di Vedremo
Je Crois Entendre Encore
Celeste Aida
Mon Coeur Souvre A Ta Voix
Flower Song
Habanera
March of the Toreadors
La Donna E Mobile
Ah Fors' E Lui & Sempre Libera
Vesti La Biubba
Children's Prayer
Barcarolle

Customer Reviews:

Very Good Opera Mix CD.......2007-04-24

For someone that isn't too keen on Opera, I really enjoyed this CD. As a choreographer, having famous operatic themes without lyrics is such a blessing. The only criticism I have about the CD is that the volume level isn't consistent throughout, and for some of the songs it is extremely low. I had to constantly adjust the volume from one song to the next, even within one track.

A real treat.......2006-09-25

This wonderful CD, is a collection of some 23 arias, drawn from the works of such maestros as Pietro Mascagni, Guiseppe Verdi, and Engelbert Humperdinck (no, the German composer...sorry, I couldn't resist!). All of the tunes sound excellent, performed to perfection by Russian-American conductor and arranger Andre Kostelanetz and his orchestra. Overall, I found this to be a real treat to listen to, with lively arias that will not send any passionate music fan to sleep. I especially loved Mascagni's Cavalleria Rusticana, Verdi's Celeste Aida, and of course Bizet's March of the Toreadors.

So, if you like could orchestral music, then I must say that you will like this CD. I love it and give it my highest recommendations!

Wonderful orchestral rendering of opera classics!.......2004-08-10

Opera fans will enjoy this collection of celebrated arias without vocals for rest and relaxation. From the thrilling "March of the Toreadors" to the plaintive "Madame Butterfly" this CD is a great background for easy listening, romantic dinners, or just the drive to and from work. Even people who don't like opera can enjoy this one.

nice music incorrect tempi.......2003-01-03

This CD is great for listening and, perhaps, for singing along a few passages (e.g. "..la speranza!") but NOT for actual singing practice. The tempi, while sweeping and engaging, can easilty throw you off, particularly the omissions of certain phrases or simply jumping to ba-boom conclusion. For those who like the music minus singing, it offers instruments taking up the voice parts. The order of the tracks is listed incorrectly, so you'll have to make your own list to paste on the back of this CD. Don't even think of turning on your metronome, just enjoy the music. Barcarolle from Tales of Hoffmann is the best piece.

Song list incorrect, though !.......2002-05-24

In the back cover of song list, "Celeste Aida" is printed BEFORE "La donna e mobile", while in the song list inside, there is no such song. In reality, the disk does have a "Celeste Aida", but it's number 14, as the list in Amazon.com. This "Celeste Aida" has the complete tune compared to that of "Verdi Without Words".

Tracks:

Das Rheingold: Entrance Of The Gods Into Valhalla
Die Walkure: Ride Of The Valkyries
Die Walkure: Magic Fire Music
Siegfried: Forest Murmurs
Gotterdammerung: Dawn - Seigfried's Rhine Journey
Gotterdammerung: Siegfried's Funeral Music - Final Scene
Tristan And Isolde: Prelude - Love-Death
Die Meistersinger: Prelude To Act I

Customer Reviews:

Great Cover.......2007-06-06

This same album has had at least 2 identical incarnations except for the cover art. So if you have bought some of his Wagner orchestral suites before, beware and be aware! You just may be making a redundant purchase. This version has by far the best cover artwork.

I have several of Wagner's Orchestral suites lps (Szell, Stokowski, Klemperer, Ormandy, Karajan) They all sound just peachy, so do not ask me to choose based on the music. I like the Stokowski best merely because it is on the great sounding Phase 4 label plus it has art work similar to this Szell cd and it has substantial liner notes. But as far as the music goes, a pair of Klemperers/Szells will just about beat any hand.

If you are new to Wagner, this is a wonderful intro. Then you can rent some of his music drama operas thru Netflix and take advantage of the best thing since sliced bread, English subtitles.

If you are looking for the Wagner symphony section at Amazon, there aint any! These orchestral suites are as close as you will get. Look instead to his disciples, Bruckner for symphonies and Richard Strauss for symphonic poems.

Szell's Magical And Terrific Wagner Album.......2007-05-21

This was Cleveland's most prominent condutor, the late George Szell's only Wagner album. True, he was at home conducting the music of Beethoven, Brahms, Mozart, Dvorak and all the brand-name, top classical music, but he was, at the same time, a gifted interpreter of Wagner. While Szell's name is not mentioned in the same sentence as Herbert Von Karajan nor was he a conductor of opera, this album showcases the skill and artistry he achieved while conducting the score to Wagner's most important operas - The Ring of the Nibelungen and Tristan and Isolde. The Cleveland Orchestra is at the height of its powers and the music you will hear on this album overflows with passion, dignity, grandeur and beauty, all the elements that Wagner's larger-than-life operas are made of. The first track is the Entrance Of The Gods Into Valhalla, the final scene in Das Rhinegold, the first of the four Ring operas. Pity this album does not begin with the beautifully mysterious and spiritual Rhinegold Overture, which would have been more appropriate, as the music segues into the Entrance of the Gods. But even as it is, it's wonderful. The music describes the vainglorious Odin, his wife Freya and the other Norse gods ascending into the glittering golden palace of Valhalla, pride and downfall of the gods. The music is bombastic and grand, just like one hears it at the opera, a melage of trumpets and brass. But the music is also composed of melancholy strings (violins) describing the lament of the Rhinemaidens, bemoaning the loss of the Ring and foreshadowing the coming tragedy. Track 2: Ride Of The Valkyries: This famous war march has been heard in films (such as Apocalypse Now) and occurs toward the end of "Die Walkure". It's a militaristic, noisy, ebullient battle cry. In the opera, Brunhilde, Odin's immortal daughter, has rebelled against him and takes to the air on winged horses with her fellow Valkyries. This interpretation is quite different than others you'll hear because Szell discovered an additional bit of music that Wagner intended to be played but for the most part is not heard. If you're quick, you'll catch it. It's a repetition of the battle cry "Hojo-to-ho" on the trumpet, occuring toward the last portion of the piece. 3: Magic Fire Music: This "magical" music, mostly for strings, serves as the score to the final scene in "Die Walkure" in which Odin has cast a sleeping spell on Brunhilde and puts her in the middle of a ring of fire, where she will await the kiss of the hero Siegfried. The tristesse of the piece represents a father's grief for the loss of his most belove daughter. Track 4 and 5 Forest Murmurs and Siegfried's Journey: This music is taken from various moments in the opera "Siegfried" which relates the hero's adventures. He awakens the sleeping Brunhilde who has become mortal, slays the fearsome dragon Fafnir and wields as magical sword. The Forest Murmurs takes place in the immense forest where Brunhilde lies sleeping. Endowed with the gift of communicatin with nature, a bird tells Siegfried where he can find Brunhilde. If one does not overanalyze the music, merely strings and flutes, one can clearly feel the word-painting and characterization in the piece. The flute is the bird or birds and the forest itself, the more powerful chords represent Siegfried and the brief "Valkyrie" motif stands for Brunhilde. In "Rhine Journey" we hear the strings become the flowing river and we can see Siegfried journeying to a dangerous adventure, one which costs the hero's life. In "Siegfried's Funeral March" Siegfried has been betrayed and is slain by the Giants. The funeral music is dark, primal and powerful in its depiction of nobility and downfall. As it ends, we hear Brunhilde's love theme which then appropriately takes us to the Immolation Scene. Brunhilde, distraught over the death of her beloved, summons her horse and leaps over Siegfrie'ds burning funeral pyre, a grand act of love and sacrifice, the first hint of humanity and compassion in otherwise dark drama filled with greedy and wicked characters. This leads to Valhalla's demise by fire and water and the world ends. Only the Rhinemaidens remain, taking back the ring which had long been stolen from them. Though these are only portions of music from the supremely lengthy score, it is enough to entice the listener to seeing the Ring, the biggest feast of opera one can ever undertake. The Overture to Tristan and Isolde summarizes the work itself. It's a high romantic tragedy concerning the knight Tristan, the King he serves and Isolde the Queen, whom he falls in love with. Their love is doomed but the magic and transient bliss is perfectly captured in the luminescent Overture, which begins softly and mysteriously with the "Tristan Chord" and culminates with a ravishing rush of strings. The Liebestod, the Love Death, is Isolde's swan song, as she dies of love for the fallen knight. Szell does not play this too fast or too slow. It's done right, and it's heartbreaking, ethereal and magnificent, perhaps even at the level of Karajan's famous interpretations of it. The final track is the grand overture to Die Mastersanger Von Nuremberg, a lengthy paean to Mediveal chivalry, all grandeur and pomp.

Five Stars Well Deserved. Make this your first intro to Wagner. The music will seduce you into watching Wagner operas. Dreamy, romantic, grand, sad, larger than life, Szell has captured the essence of Wagner in a single album. Buy it now. It's cheap and affordable. It's highly recommended. Enjoy.

Fabulous Wagner!.......2006-10-07

This is certainly very good music-making, falling just a little short in the colors department - for which the Berlin under Karajan or the Philadelphia under Ormandy are the ticket. But that aside it's difficult to accept all this Szell bashing. People still listen to the Cleveland recording of the Dvorak Slavonic Dances and will for years to come. And unless you have to have original instruments it's tough to beat Szell and the Cleveland orchestra's brio and attention to detail in Mozart and Haydn.
Of course some of this carping may be the result of a little bit too much self-esteem and not enough appreciation for just what it takes to lead an orchestra at such a level. I remember in college I happened to be at a small gathering of literary people including a few novelists and poets and one critic,the august Edmund Wilson. Not knowing any better I walked right up to a stern-looking older man looking every bit the serious 'Dean of American Critics' and blurted out how much fun I had reading his story "The Man who Shot Snapping Turtles." Apparently this gushing adolescent accolade softened him a bit, and he talked with me for a couple of minutes. The last question I asked him was what did he consider the most important thing in writing criticism. Mr. Wilson blurted out bluntly, "Get it right!"
Over the years I have always thought there was a world of truth in that rather journalistic maxim. The reviews here are a perfect example. One could write and gush about this and that, but at the end of the day it doesn't matter how many names you drop, or airs you put on, if you cannot recognize quality you're no better than the crook in Gatsby whose idea of a small town where one could safely pass counterfeit bonds over the counter was Detroit.
In the Great Gatsby the crook passing false currency for real is picked up by the police. Unfortunately Amazon readers are easily mislead by glowing praise or, in the case of some of the reviews of the Wagner here, cold dislike. People react to harsh words, and especially when they are well written and sound based on experience. Let me assure you - no one is always right, and there are some people who, for whatever reason, have skewered taste.
The Szell Cleveland Wagner CD here is a series of showpieces, played very very well by the Cleveland orchestra. What sets this apart from many Wagner collections is the astonishing orchestra playing. Szell's orchestra, supreme in Dvorak, brings to Wagner's music a clarity rarely achieved by other orchestras. Superbly balanced, the virtousity of the players is on full display. It's a joy to actually hear all the myriad instrumental sounds in Wagner's score - Wagner played in tune, what a shocking concept. And particularly Wagner devoid of bathos! Tovey used to cite Wagner as perhaps the best of all orchestrators; here we have the Cleveland at the pinnacle of their glory days, a wonderful momento. Writing nasty dismissive words about performances of this caliber says more about the reviewers than it does about the recording.
This has been remastered for SACD and if you have a machine that will play SACDs then that is the one to purchase.

Szell has not fallen!.......2006-01-14

I quote from a previous review: "Perhaps no eminent conductor has fallen so far after his death as George Szell". To this comment, I say "Baloney". One great thing about Amazon is their sale of deleted CDs by independent sellers. When George Szell/Cleveland Orchestra CDs suddenly disappear, their price by the independent sellers skyrockets. As for the present CD, I have bought it on LP, cassette and CD and cherished it for years. The playing is sensational, the performances have plenty of passion and the sound is great. The Die Meistersinger and Tristan excerpts were recorded earlier than the Ring and have a little more spontanaiety but the Ring excerpts are also outstanding.

Precise, clinical performances in dated sound.......2005-10-29

Perhaps no eminent conductor has fallen so far after his death as George Szell. He was treated with enormous respect during his long tenure with the Cleveland Orchestra, and he couldn't appear in Carnegie Hall without getting raves from the New York critics (his reviews were much better than Bernstein's). On the evidence of this cold, unfeeling CD of Wagner excerpts, mostly from the Ring, one wonders why. Every excerpt is treated to the same strict, unyiel