Desert Dance

Track Listings

1. Ancient Ground

2. Pollen Pathway

3. Ancient Voices

4. Spirit Valley

5. Sand Tapestry

6. Turquoise Swallows Dance

7. Abalone Wind

8. Wind Dance

9. Sacred Earth Call

10. Spiral Journey

11. Land of Emergence

12. Mountain Blue Bird Calling

13. Mountain Call

14. Yellow Eagle-Feather Dance

15. Journey of Yellow Wind

16. Medicine Keeper

17. Desert Dance

Desert Dance,R. Carlos Nakai,Celestial Harmonies,Chamber Jazz,Childrens,Contemporary Instrumental,Ethnic Fusion,Native American,Neo-Classical,New Age / Meditation,Pop

Desert Dance

Tracks:

I've Never Been To Me - Charlene
Go West - The Village People
Billy Don't Be A Hero - Paper Lace
My Baby Loves Lovin' - White Plains
I Love The Nightlife (Disco 'Round) (Original Version) - Alicia Bridges
Can't Help Lovin' That Man - Trudy Richards
I Will Survive - Gloria Gaynor
A Fine Romance - Lena Horne
Shake Your Groove Thing (Original Mix) - Peaches & Herb
I Don't Care If The Sun Don't Shine - Patti Page
Finally (7' Choice Mix) - Ce Ce Peniston
Take A Letter Maria - R.B. Greaves
Mamma Mia - Abba
Save The Best For Last - Vanessa Williams
I Love The Nightlife (Disco 'Round) (Real Rapino 7' Mix) - Alicia Bridges
Go West (Original 12' Mix) - The Village People
I Will Survive (1993 Phil Kelsey Classic 12' Mix) - Gloria Gaynor
Shake Your Groove Thing (Original 12' Mix) - Peaches And Herb
I Love The Nightlife (Disco 'Round) (Phillip Damien Extended Vox) - Alicia Bridges

Amazon.com

One of the many wonderful things about the film The Adventures of Priscilla, Queen of the Desert was that it educated the populace on the school of drag. (At least a little.) Likewise, the film's soundtrack also enlightens those who may have wrongly thought that drag is rooted specifically in disco and torch classics. Sure, there's more than one version of disco stalwarts like "Shake Your Groove Thing," "I Love the Nightlife," and "I Will Survive," but this collection also finds the camp in songs like Paper Lace's "Billy Don't Be a Hero" and "Take a Letter Maria" by R.B. Graves. And of course, Abba's "Mamma Mia" emerges as the embodiment of overwrought dramatics. The soundtrack, with songs by the Village People and Vanessa Williams, is as much of a romp as the film. --Steve Gdula

Customer Reviews:

How many copies of "I Love the Nightlife" can you own?.......2007-02-22

In every way, thas to be the most flaming gay CD ever made, and it's brilliant! Even the CD case is pink!

I have to say, the soundtrack to this movie is nearly as funny as the movie itself. But where the movie gains it humor from situational comedy and humanity, the soundtrack is ironic and cheesy to the far extreme.

Nevertheless, put this on at a party and watch all the grown-ups get up to dance.

Great Feelgood Music.......2007-01-24

Full of Disco fun tracks and light hearted dance numbers, this is well worth having.

"I've been to paradise, but I've never been to me...".......2007-01-11

This film is wonderful, this soundtrack is wonderful, the entire Priscilla package is WONDERFUL! This will put you in the right mood everytime, whether you are doing a show in your car, spraying your hair high, or "prancing around lip-synching the words to other people's songs." Get it, girl.

I ADORE this soundtrack!.......2005-02-14

I've had this soundtrack for over 5 years, and I love it to death. It's one of my favorites, with a great variety of music. It always puts me in a good mood, and is overall just a great compilation. You'll love it!

A great collection of songs!.......2002-10-29

The CD opens with a song meant for camp purposes. But, you know it's a guilty pleasure because you'll start singing along too! We're all allowed.

The variety of songs on this CD is wonderful. From jazz to folk to disco to modern remixes of those old dance hits--you will not be disappointed.

As you can see, there are a lot of tracks and the CD is worth it! It's a great disc for parties and other fun activities.

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Billy The Kid: Suite: Introduction: The Open Prarie
Billy The Kid: Suite: Street In A Frontier Town
Billy The Kid: Suite: Mexican Dance And Finale
Billy The Kid: Suite: Prairie Night: Card Game
Billy The Kid: Suite: Gun Battle
Billy The Kid: Suite: Celebration: After Billy's Capture
Billy The Kid: Suite: Billy's Death
Billy The Kid: Suite: The Open Prairie (reprise)
Rodeo: Suite: Buckaroo Holiday
Rodeo: Suite: Corral Nocturne
Rodeo: Suite: Honky Tonk Interlude
Rodeo: Suite: Saturday Night Waltz
Rodeo: Suite: Hoe-Down
Grand Canyon Suite: Sunrise
Grand Canyon Suite: Painted Desert
Grand Canyon Suite: On The Trail
Grand Canyon Suite: Sunset
Grand Canyon Suite: Cloudburst

Customer Reviews:

Astounding "Canyon"; "Rodeo" Rivals NYP.......2007-01-05

Close your eyes and be transported to the Canyon. In this remastering of a 1960 recording, Morton Gould shows his chops as a superlative conductor and interpreter of this Grofe classic. The work itself is wonderful, but Gould and his orchestra provide nuances that absolutely delight. Of the five movements of "Grand Canyon Suite", the final, "Cloudburst", ceases becoming music and is elevated to pure sensory experience. It is no longer notes on a page finely executed; it IS the sky, the wind, the sheets of rain (a sheer, shimmering slide of sound), the thunder, and it is perfect. The four prior movements are nearly as excellent, with the second, "Painted Desert", casting an eerie shadow over the listener's mind with spellbinding brush strokes. This is a performance delivered with painstaking care.

Gould's treatment of Copland's works, recorded three years earlier, were of great personal interest, as one of my earliest exposures to "serious" music was the great Bernstein recording of "Rodeo", and "Buckaroo Holiday" in particular. Surprisingly, Gould and company give the NYPO a run for its money. They are just as energized, brash and even raw (hear the horns, and it's fitting) as New York; ditto the "Gun Battle" episode of "Billy". Gould threw himself into Copland's scores and whipped his musicians into a frenzy when called for, and the results place Gould's readings of these two pieces of Americana right behind Bernstein.

This CD - beautifully remastered - is a bargain.

Superb recordings of American classics........2004-04-27

I thoroughly agree with all other reviewers (though I wish some would spell Copland's name right!) Morton Gould conducts with great verve and sensitivity. "Rodeo" is terrific and it also includes the seldom heard "Honky-Tonk Interlude" which is a delight in itself.
The Grand Canyon Suite is a highlight with its marvellous orchestration and melodic richness. Although the score is influenced by a number of composers such as Dukas, Ravel, Respighi and even Richard Strauss, it nevertheless feels entirely
original. "On the trail" is beautifully rhythmical,one can really feel the trotting
of the donkeys, and the sound effects are pure joy. Note the
ee-ah-ing of the donkeys, so superbly part of the music. (somewhat reminescent of Mendelssohn's Midsummer Night's Dream overture.) The Cloudburst is a sonic triumph.
This recording comes from 1957, but digitally remastered. Sound is demonstration quality. Still probably the best available, highly recommended.

Copland and Gould - LSC-2195.......2004-02-12

I've heard Copland conducting these two works on recordings and I've heard the famous NYPO/Bernstein's 1960 recording of these two works on Columbia Records, yet Gould and his Orchestra fills in the blank spaces that was left out in previous and recent recordings.

He takes his troup to NYC to Manhatten Center, in Oct of 1957, and have the legendary RCA producer, John Pfeiffer and Lewis Layton, produce and engineer this recording session to be encaptured on 3-track tape (where the "Billy the Kid" was released on RCA "New Orthophonic tape recording" - the BCS-130), then to eventual vinyl (LM/LSC-2195). Gould, being somewhat of an arrangement conductor in the 50's, manage to pull the stops out in how these two Copland pieces are to be presented-to where the listener can feel that they themselves are back in the Wild, Wild West of the 1880's. He doesn't rush through these two pieces like some other conductors do. Gould takes his time trying to tell the story within the music. He uses emphasis, emotion, tempo and dynamics where it should be per each chapter in a story. Excellent listening for all!

This BMG "Living Stereo" release of the LSC-2195 Copland/Gould is a faithful reproduction as it can be of the original vinyl release.

Gould conducts Copland and Grofe.......2003-11-21

It may surprise some to discover that American composer/conductor Morton Gould conducted such fine performances of other American composers' music. These RCA Victor "Living Stereo" recordings are vivid, excellent proof that Gould was a really fine conductor and not just of his own music.

The performances of the suites from Copland's ballets "Billy the Kid" and "Rodeo" are among the best ever recorded. They benefit not only from Gould's wonderful sensitivity and appreciation but from excellent playing by the "pickup" orchestra and the still remarkable "Living Stereo" recording process, in which RCA used only three microphones and advanced mastering techniques.

Ferde Grofe's "Grand Canyon Suite" was a "labor of love" as the skilled composer/arranger spent considerable time carefully depicting his impressions of one of the greatest natural wonders of the world. Grofe had been a very successful arranger for Paul Whiteman and is still remembered for the very first orchestration of George Gershwin's "An American in Paris," premiered by Gershwin at the piano with Whiteman conducting in New York's Aeolian Hall in February 1924.

Grofe composed a number of original orchestral works in later years and the "Grand Canyon Suite" is probably his best. It contains memorable melodies and is skillfully orchestrated throughout. It so impressed Arturo Toscanini that he recorded it in 1945 for RCA Victor, under the supervision of the composer. Grofe himself conducted a recording of the suite for Everest Records in 1960. Gould's recording is excellent. The final movement, depicting a spectacular thunderstorm, is absolutely awesome. I think this recording may surpass an earlier favorite, also recorded for RCA Victor, by Arthur Fiedler and the Boston "Pops" Orchestra.

This is all very fun and very exciting American music.

Superlative performance of Copeland.......1999-12-26

Billy the Kid & Rodeo were both etched in my soul when as a young boy I listened along with my mother. This performance by Morton Gould remains for me above any other that I have heard and I have heard many given my love for them. This is a re-issue of an original 3 microphone/3 track TRUE stero recording made by RCA in their 'Living Stero' series and originally recorded in 1957. A must have for Copeland listeners. It is a bonus that it also contains 'Grand Canyon Suite.'

Average customer rating:

Oh dear...they've taken their eye off the ball
Stunningly beautiful music
Better then R&B
Very good, yet not comparable to Diva Dance
Opera Today

Operatica: Shine

Manufacturer: E-Magine Records
ProductGroup: Music
Binding: Audio CD

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O: Operatica, Vol. 1
The Fifth Element: Original Motion Picture Soundtrack
Myth of Red
Etterna
Trance Opera: The Complete Masterworks - Classic Meets Pop

ASIN: B000060OXN
Release Date: 2002-05-21

Tracks:

Solvejg's Song
Mon Amour
Shine
Kokab
Standing On The Edge Of The World
Lost In Someone Else's Dream
Khodoya
Je Crois Entendre Encore
Passepied
Under The Desert Sky
Kokab (Extended Grooveshaman Remix) (bonus track)

Customer Reviews:

Oh dear...they've taken their eye off the ball.......2007-01-08

This is not much like their first album (which was a mostly clever, sometimes ham-handed combination of operatic arias and modern electronic instrumentation).

But Shine is pretty much the same ethno-electronica that was pervasive throughout the 90s. Think Deep Forest, Anubian Nights, Enigma, B-Tribe, and even Sting's "Desert Rose". Yawnnnnnnnnnnnn.

Their first album was good mostly because of its orginality (operatic arias are definitely a challenge), but any old fool can slap a "cool" Middle Eastern chant over a modern beat.

What bugs me about both albums is that they don't maintain that singularly operatic quality--it seems to be a sonic delicacy reserved only for a few tracks.

So, with a very few exceptions, this album is a bit contrived.

Stunningly beautiful music.......2004-11-29

I would describe this music as a mellow and unusal mix of music where Enya meets Maria Callas, and I am a fan of both, so that's a good thing. It is so good that Billboard Music called it the best classical crossover of the year!

I would call this music techno opera scene from the future with beautiful opera singing, just to give you an idea of what this music is like! Also, the singer from the Fifth Element soundtrack, Inva Mula sings the song "Mon Amour".
Also singing on this cd is a singer named Shakila. She sings on "Kokab" and "Khodoya". These three are my favorite tracks. Though the cd in whole is a joy to listen to.

We'll say that "Operatica-Shine" succesfully bridged the Middle East to Europe via southern Spain.

So if you're a nu music dj, pick up this cd, so you can really spin an eclectc mix of music - Savannah Skye aka DJ Dakini-NYC...

Better then R&B.......2004-04-16

My wife and I are always looking for new music to cuddle up to, while either watching the sunset, or getting a little heated. I think this album is a great replacement for Barry White, or some other R&B that people often equate with mood music.

These sounds will actually get your heart pounding and blood pumping without forcing you to constantly skip over songs that just get too rowdy.

Very good, yet not comparable to Diva Dance.......2004-03-12

Let me start out by saying that i love this cd. i bought it thinking that it would be like the song Diva Dance from the Fifth Element. It is most certainly one of my favorite cd's but it is nothing like the Diva Dance song. All of the tracks are much slower, focusing more on the opera part, as opposed to the techno/pop. i would still give this cd a splendid 4 out of 5 stars, but i would just like to get across the point that it doesn't have the type of songs that are advertised. thanks.

Opera Today.......2003-08-24

I just bought Operatica:Shine. It is my favorite CD, I strongly recomend it to enyone who enjoys opera! If you like "THE DIVA DANCE" in The Fifth Element you will love this CD!

Average customer rating:

Mix down the vocals, and maybe
Kind of disappointing
Mediocre Middle Eastern collection
Awesome CD
Excellent Foray to Rye Music

Desert Roses and Arabian Rhythms
Various Artists
Manufacturer: Ark 21
ProductGroup: Music
Binding: Audio CD

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Arabic Groove
Desert Roses & Arabian Rhythms II
Desert Roses and Arabian Rhythms, Vol. 3
Moroccan Spirit
Immortal Egypt

ASIN: B00005A8LX
Release Date: 2001-03-20

Tracks:

Mon Amie La Rose - Natacha Atlas
La Valse - Faudel
Aalach Tloumouni - Khaled
Inchallah - Latifa
Desert Rose (Melodic Club Mix) - Sting/Cheb Mami
Chie Begam - Andy
I'm Yours - Soraya
Dis Moi Pourquoi - Amina
Hay Wadi Hay Galbi - Cheb Mami
Pomegranate - Trans-Global Underground
Esma Yalli - Hakim
La Titnahad - Kazem Al Saher
Qalantiqa - Rachid Taha

Amazon.com

When Sting collaborated with Cheb Mami on the Brand New Day track "Desert Rose," he created a surprising demand for Arabic crossover pop. This collection provides a suitable next stop for those whose taste was whetted by that collaboration. Egyptian singer Natacha Atlas opens the album with "Mon Amie la Rose," a maudlin little French tune she twists through her wringer until it is utterly transformed. "Desert Rose" turns up as a frisky remix by Victor Calderone, while Rachid Taha and the trance choir, B'Net Marrakech, appear in the compelling, orchestrated "Qalantica." Mami is heard on his own on one tune, but is eclipsed by the gut-shredding Khaled, the undisputed king of Algerian rai. The harder-edged electronic outings are standouts, while the tracks that are the Arabic equivalent of adolescent pop don't hold up nearly as well. This compilation, however, mostly eschews the dross in favor of tunes that go the distance. --Christina Roden

Customer Reviews:

Mix down the vocals, and maybe.......2007-06-04

I loved Arabesque and Arabian Travels, but this is not trance. This is more like Arabian pop music. The vocals are irritating to me. Sting even shows up on one track. If you are looking for world trance, or something to chill out or relax to, forget this one.

Kind of disappointing.......2007-02-02

I love world music and Putumayo CDs.
I also loved that Desert Rose song and the amazing voice of Cheb Mami with Sting.
I bought this CD expecting a sexy "One Thousand and One Nights" music style, or a good fusion of traditional and modern sounds, but instead, what I got was a KITSCH POP version of arabic songs.
Some of the songs are just bad taste, you just want to forward them as quickly as possible.
I should have guessed just by the look of the cover. It reflects the music as well. The painting might be nice, but the mix with the modern computer added photo image and the strange balls of roses just don't work well together. The same goes for the songs.
I don't recommend it, unless you're looking for cheesy disposable pop.

Mediocre Middle Eastern collection.......2006-12-21

This compilation of Arabic pop hits around the same time as Sting&Cheb Mami's "Desert Rose" hit and Putumayo's "Arabic Groove" album,not surprisingly.It's disappointing,since it focuses more on westernized Arabic hits than genuinely Arabic ones.For its surprising blandness,there are highlights-
1)A remix of Cheb Mami&Sting's hit song "Desert Rose." It's very danceable,and in sync with the spirit of the original.Cheb Mami and Sting had one of those rare great celebrity duets.They powerfully melded their styles,making something wonderful.
2)Khaled is always great.His songs are never a disappointment--no wonder he's called the King of Rai.
3)Amina's "Dis Moi Pourquoi" is an excellent dancefloor song.It was a hit in France,and musically,it works.It's French chanson meeting Tunisian pop.
4)Speaking of French chanson,Natacha Atlas radically re-imagines Edith Piaf's "Mon amie la rose",transforming it from a Gallic weepie into a sensual Arabic serenade.
5)Hakim,who is considered a prince of rai,has a great song.
6)Cheb Mami's "Hay wadi hay galbi" is amazing.While Khaled is almost Arabic R&B,and Hakim is a Middle Eastern boy band sort,this song shows off Cheb Mami's musical gymnastics.It's quite stunning.After hearing this,I got his "Saida" album.

Instead of getting this,I reccomend Putumayo's "Sahara Lounge" (its best Middle Eastern compilation)and "Arabic Groove." "Desert Roses" has a half-dozen hits,the rest are forgettable.If you like Middle Eastern music,explore Putumayo's compilations instead.

Awesome CD.......2005-07-23

I just bought this CD along with a bunch of other and I absolutely love it. It's great for belly dancing too as well as just listening to while you're doing housework.

Excellent Foray to Rye Music.......2004-12-16

This album is a splendid way to get into Rye music. Sting's hit single performance with Cheb Mami sparks interest, and the rest of the more obscure (in America, that is) tracks are all beautiful. Fun gift for somebody who is learning French (Maghreb music is often sung in French,) or just seeking out some more exotic music. Also, fabulously sultry dancing music!

Average customer rating:

Another Ouzo, please....
More than get up and move..
Energetic music!
guaranteed Turkish style
It got a beginner belly dancing!

Turkish Bellydance: Desert Night Dance
Huseyin & Gunay Turkmenler
Manufacturer: Arc Music
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Hayati : Best of Egyptian Belly Dance Music
Best of Bellydance from Egypt, Lebanon, Arabia & Turkey
Belly Dance Fantasy
Belly Dance! The Best of George Abdo and His Flames of Araby Orchestra
Galactic Caravan: Intergalactic Bellydance

ASIN: B00000JN1C
Release Date: 1999-08-10

Tracks:

Desert Night Dance
Once I Had A Darling...
Spoon Dance
All You Stars...!
Must Be A Gypsy
Dance Music From Nihavent
Sugar Boy
Dance Music In 'Rast Makam
Fire Dance Music
Folk Song And Dance From Ankara
Dance From Thrace

Customer Reviews:

Another Ouzo, please...........2007-02-22

This album is a delightful composite of Turkish bellydance music, which brought back pleasant memories and visions of the graceful art of the dance. Even if you are not familiar with the dance, the instruments bring you to the Levant in an enjoyable way.

More than get up and move.........2007-01-05

The music is lovely,haunting,thought provoking stuff, Great to move to and even greater kept low with candles and a fire to support conversaion or renewing your reason to be alive.Very invigorating fun energy, gets some strange looks from the people in the next car at stoplights, supports grinning freely.

Energetic music!.......2006-11-06

Excellent CD to move to the beat. No one can stay seated with this music playing.

guaranteed Turkish style.......2006-05-27

Every track of this CD offers lively inspiration for dancing and fantasizing. As a whole, the CD really delivers (with real instruments) the Turkish style of cabaret, which has never been for the faint of heart.

Track six, "Nihavent oyun havasi," is perfect for any dancer who needs pacing because the tempo is moderate, neither too fast nor too slow, while the overall mood is hypnotic, though more varied than in the first track "Desert Night Dance" which has more steady mystique, even in the fast part, and hence is excellent for dramatic veil work. Also the Nihavent music makes good use of zilya (finger cymbals) in a way that almost focuses the music around this small percussion.

The final track "Trakya ciftetellisi" is a real sweat drencher at eight minutes and twenty seconds. Not for beginners, it could leave even the most advanced dancer breathless but ecstatic!

It got a beginner belly dancing!.......2005-01-06

I've very recently decided to take up belly dancing in the privacy of my own home, and while I've gotten much music lately, this CD had me up and trying everything I could think of in the living room. This one really inspired me. Listen to the samples! Enough slow rhythms to encourage undulation at a speed even I could accomplish.

Hitman: Codename 47 / Hitman 2 - Silent Assassin

Average customer rating:

Pretty Good

Hitman: Codename 47 / Hitman 2 - Silent Assassin
Jesper Kyd
Manufacturer: La-La Land Records
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

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Similar Items:

Hitman: Contracts
Hitman Blood Money
Perfect Dark Zero
Chaos Theory: Splinter Cell 3 Soundtrack
Fable

ASIN: B000A2GP5W
Release Date: 2005-08-30

Tracks:

Intro
Main Title (Extended Version)
Hong Kong Themes
Jungle Exploration
Dark Jungle
Hotel Themes
Harbor Themes
Hospital Themes
Hotel Music (Early Demo)
Rainforest (Early Demo)
Atmosphere Demo
Main Title (Original Slow Version)

Tracks:

Hitman 2 Main Title
Waiting For Action
Action Begins
47 Makes A Decision
The Penthouse
Japanese Mansion
Japanese Snow Castle
Streets Of India
Mission In India
47 In St. Petersburg
Trouble In Russia
Desert Sun
Arabian Dance
The Setup
End Boss
Slow Ambience
Fast Ambience
H2 Exploration
H2 Action
Dreams Of Instanbul (Bonus Track)

Customer Reviews:

Pretty Good.......2006-07-29

This was a very unique item. Fans of the series will enjoy it. At times some of the tracks seem out of place when out of the game, but that's more than made up for by the many powerful and classic tracks that these CD's have. The first CD is more techno-inspired while the second is more operatic. It's good music to do push-ups to or to drive to. Especially the first track of the first CD.

Average customer rating:

Selections from the Greatest Voice of the Last Hundred Years
A Must Have
The Mario Lanza Collection
The MARIO LANZA Collection
WONDERFUL!!!!!

The MARIO LANZA Collection

Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD

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Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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Mario Lanza: At His Best!
Christmas with Mario Lanza
Mario Lanza ~ Opera Arias & Duets, from Andréa Chenier · La Bohème · I Pagliacci · Madama Butterfly · Otello
American Caruso
Lanza: Greatest Hits

ASIN: B000003F6V
Release Date: 1991-11-12

Tracks:

Be My Love
I'll Never Love You
Because You're Mine
The Song Angels Sing
Drink, Drink, Drink
Serenade
The Loveliest Night of the Year
La Donna E Mobile
Because
For You Alone
Golden Days
Deep In My Heart, Dear
If I Loved You
Yours Is My Heart Alone
One Night Of Love
Beloved
Beautiful Love
With A Song In My Heart
You Are My Love
Call Me Fool

Tracks:

All The Things You Are
My Song,My Love
Love Is The Sweetest Thing
Will You Remember
Granada
Lolita
Serenade
Temptation
Lygia
Lady of Spain
This Land
Lee-Ah-Loo
Tina-Lina
Boom Biddy Boom Boom
The Bayou Lullaby
The Lord's Prayer
And Here You Are
Song of Songs
Somewhere A Voice Is Calling
I Never Knew

Tracks:

Ciribiribin
Wonder Why
Come Dance With Me
O Sole Mio
Younger Than Springtime
For the First Time (Come Prima)
Never Till Now
Arrivederci, Roma
If You Were Mine
Behold!
A Night to Remember
Love in a Home
Do You Wonder
Softly as in a Morning Sunrise
One Alone
Aida:Celeste Aida
Carmen: Flower Song
La Traviata: Brindisi
Rigoletto:Questa O Quella
Pagliacci:Vesti La Giubba
Cavalleria Rusticana: Addio Alla Madre

Customer Reviews:

Selections from the Greatest Voice of the Last Hundred Years.......2007-03-13

Mario Lanza was, arguably, the greatest tenor and greatest singer of this and the last century. It is difficult to appreciate him without listening to a variety of selections. This collection has some of his best recordings and exhibits the versatility and variety that he possessed that permitted him to "crossover" from opera to popular music with a ease.

I recommend this for those who already know Lanza to some extent but want to go into more depth and understand his marvelous skills.

A Must Have .......2006-12-12

I had forgotten what a beautiful voice Mario Lanza had. This collection contains opera and pop selections that exhibit the power yet sweetness of his voice. Fortunately, we have his CD's and videos so we can remember and listen to his gorgeous, vibrant voice and personality. I highly recommend this collection along with his wonderful movies, especially The Great Caruso.

The Mario Lanza Collection.......2006-11-10

I had forgotten just how beautiful a voice from the past was. It is a wonderful collection

The MARIO LANZA Collection.......2006-08-19

extract from most important LPs. Brilliant sound quality from RCA. Also included are soundtrack recordings from some of his movies. The are several reissues from Mario Lanza but this one is a collection you should have.

WONDERFUL!!!!!.......2005-10-19

The Mario Lanza Collection is a three CD set and it has 61 songs and they all sound great. The mastering on this set is excellent and the song choice is very very good. It would have been perfect if they added a forth CD with more Arias, Italian songs and Sacred Arias. BUT still this set is a great introduction to Lanza. Lanza's voice was powerful and beautiful; if you are a fan of great singing, you will love Lanza. Highlights on this CD set are; Be my Love, Because your Mine, Serenade, With a Song in My Heart, Temptation, The Lord's Prayer, Ciribirbin, O Solo Mio, Ariverducci Roma, and on and on. They are many many great songs on this set, and I highly recommend it.

Average customer rating:

A Rare Treasure
Middle East Music Meets Mainstream Pop With Excellent Result
The worst of Ofra Haza.
World-beat pop masterpiece
Less of the loud accompanyment please!

Desert Wind
Ofra Haza
Manufacturer: Sire / London/Rhino
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

World Dance | Dance & DJ | Styles | Music

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Similar Items:

Shaday
Kirya
Ofra Haza 1997
Fifty Gates of Wisdom: Yemenite Songs
Temptations

ASIN: B000002LIK
Release Date: 1990-01-05

Tracks:

Wish Me Luck
Ya Ba Ye
Middle East
I Want To Fly
Slave Dream
Taw Shi
Mm'mma (My Brothers Are There)
In-ta
Fatamorgana (Mirage)
Da'asa
Kaddish

Amazon.com

She's been dubbed "the Madonna of the Desert," and this record is the reason why. Haza came out of her '80s folk-fan circuit and returned to her beloved Israeli disco-pop with this highly produced set of songs that were clearly designed for the mainstream. She's got an incredible set of pipes, and they are readily in evidence here. Haza is a charmer when she sings, soaring above even the most trivial studio dubs and musical overloads that exemplify the backing tracks. There are more traditional recordings available from Haza, both predating and following this one, that accent her Israeli and Yemenite heritage. Desert Wind is for those looking for a heavier beat, a harder pop edge, and exotic samples rather than deeper roots. --Louis Gibson

Customer Reviews:

A Rare Treasure.......2006-11-20

Many years ago, I found a tape in the discount bin by the artist Ofra Haza. It was Desert Wind. I had never heard of her but I was intrigued by the cover and frankly, the price. I bought it hoping that it would atleast be interesting and new. I was not disappointed. Ofra's voice blew me away. I had never heard anything like it before and have not since. Desert Wind is still, for me, her best album. Her voice soars in I Want To Fly and is haunting in Kaddish. She was really my first encounter with Middle Eastern music and I have never forgotten how utterly moved I was by her beautiful voice.

Middle East Music Meets Mainstream Pop With Excellent Result.......2003-11-06

This CD is a wonderful mixture of middle eastern rhythm's
and mainstream pop. The music on this cd is both interesting and
exciting. Ofra Haza's singing is consistently superior in every respect to most other female pop vocalists. Her technical excellence, clarity of tone and pureness of pitch are at least equal to the best efforts of the best: Celine Dion, Sarah Brightman, Barbra Streisand. Ofra Haza poured
great depths of emotion into all her singing. With the majority
of her songs it is easy to discern that her soul is on full display, that she put her heart into her singing, and that the feelings expressed are genuine. She wrote much of her own music and most of her own lyrics. In "Desert Wind" the booklet provides a brief explanation of what each song is about. For example, the song "Fatamorgana" (Mirage), one of the best on this CD, tells the story of Ofra's mother traveling on foot through the desert to escape oppression in her native country. The CD provides a well balanced mix of fast paced and slower songs. The two standout fast paced songs are "Wish Me Luck," and "Middle East." Ofra typically put one or two very good songs at the end of her albums, and in this CD it is the excellent,relective "Kaddish." Overall, this is a very satisfying CD, and like almost all Ofra Haza's music, it
is worthy of many multiple listenings.

The worst of Ofra Haza........2003-09-19

Having bought Shaday and Kirya by miss Haza, i bought Desert Wind with the notion that it would be as fantastic as the aforementioned. Boy was i wrong. Gone are the heavy Yemenite/Israeli beats and flavor, as is Haza singing in Hebrew. Instead, I found her beautiful voice swallowed up by abhorrent 80's synth-pop cheese and benal lyrical content, with Hebrew only in the chorus at most. There is not a single song, with the exception of "Slave Dream" that I could bear to listen to all the way through, and most of the songs are laughably bad. So, fans of Haza's other works, do yourself a favor and save your [money] and buy Shaday or Kirya. Unless you want a good laugh, then by all means, purchase away!

World-beat pop masterpiece.......2003-06-20

I'll never forget the day I first heard this on cassette. My wife came home from shopping and put it on. I said "WOW, who is this??" And she said "I don't know who she is, they were playing her at the music store and I asked who it was and bought it. I think she's Arab." Then I saw Ofra Haza's picture on the cover and had to say "WOW" again. As we soon learned, she was a Yemenite Israeli, already world-famous (except in America) back then in 1990. We saw her in concert later that year and of course learned much more about her and her earlier music, particularly her groundbreaking "Fifty Gates of Wisdom (Yemenite Songs)".

Following "Fifty Gates" in 1987, Ofra Haza turned to a dance beat in "Shadday" (1988), an album, in my opinion, of derivative western dance-track sounds and only two stand-out songs. Then, a year later, she turns out "Desert Wind", this stunning, hook-laden, beat-driven, authentically Middle-Eastern album of passionate, meaningful songs, juxtaposing Hebrew and English verses, almost all written or co-written by her. Best are the danceable "Ya Ba Ye", "Middle East", "I Want to Fly" and "Taw Shi", and the gorgeous "Fatamorgana", "Da'asa" and "Kaddish". That's a lot of favorites for one album, but that's the kind of album this is. "Slave Dream" and "In Ta" take some getting used to, but even they turn into winners once you've managed to absorb them. "Kaddish" left hardly a dry eye in the house when she performed this in concert. "Middle East" has ironically the least middle-eastern melody of the dance tunes (i.e. it's in a major key), and it is a rousing song of hope for peace - even a love offering to the Palestinians. Ofra seems to put one such song on every album. Tragically, Ofra is gone, and we're all still waiting to hear popular songs of peace from the Palestinian side. Ofra would probably say keep hoping.

Less of the loud accompanyment please!.......2002-08-07

Ofra's Haza's singing on this album is stunning, where we can hear her above the loud accompanyment. I just hope that with modern recording technology they will reissue her work with the background toned down so that we can enjoy the beautiful soaring voice. There was none like her. Whenever I hear Ofra's voice on a sound track I recognize it instantly. for my taste, it is the "dance club" rhythmic beat that it too loud. I prefer Kaddish and Slave Dream where the background music stays in the background.

Average customer rating:

Takes me to the desert......
NAKAI'S PEACE JOURNEY
Very Relaxing
A Pleasant Mix
Sacred Valley

Desert Dance
R. Carlos Nakai
Manufacturer: Celestial Harmonies
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Sundance Season
Earth Spirit
Mythic Dreamer: Music For Native American Flute
Canyon Trilogy: Native American Flute Music
Sanctuary

ASIN: B0000007WM
Release Date: 1992-01-23

Tracks:

Ancient Ground
Pollen Pathway
Ancient Voices
Spirit Valley
Sand Tapestry
Turquoise Swallows Dance
Abalone Wind
Wind Dance
Sacred Earth Call
Spiral Journey
Land Of Emergence
Mountain Blue Bird Calling
Mountain Call
Yellow Eagle-Feather Dance
Journey Of Yellow Wind
Medicine Keeper
Desert Dance

Album Description

Desert Dance is R. Carlos Nakai's musical interpretation of his experiences in the sacred place of his ancestors, Colorado's San Luis Valley. Like his critically acclaimed 1988 release, Sundance Season, the Navajo-Ute musician's latest album was recorded in the Lindisfarne chapel, a uniquely resonant structure situated within this dramatic expanse of holy ground. Many tribes, from the early pueblo dwellers to the Kiowa, Arapaho, and Comanche, have inhabited this alpine valley over time. Near Alamosa, Colorado, where the Great Sand Dunes lie, is the site of the Navajo's eastern sacred mountain, Blanca Peak, and the center of the Ute world. Nakai weaves his improvisations on the native American wooden flute, nose flute, drums, rattle, and voice into poetic meditations on the land and its history. During Ancient Voices, he delicately plays a Southern Plains war dance drum with finger taps and brushes to reveal a hidden palette of sound, much like the whisper of spirits within the valley. The joyful spectacle of desert birds frolicking upon waves of transparent air currents is depicted on Turquoise Swallows Dance, while the wind's daily moods are choreographed in temperate summer breezes, dust devils, and cloud formations on Wind Dance. Other selections deftly combine the plaintive, yet, potent sounds of Nakai's heritage to explore the mystery and unique beauty of this sacred territory.

Customer Reviews:

Takes me to the desert.............2007-04-17

This music takes me to the desert
and there my heart is filled with
warmth and joy. Beautiful music.
Relax and let it soothe you.
I recommend you spend time in the
desert with Nakai.

NAKAI'S PEACE JOURNEY.......2007-03-11

I recommend this DVD also for those that seek the journey of inner peace! The songs,the nurishment of the meaning of each song, the sounds of comfort during a days journey! You will not be dissatisfied, i recommend this DVD to all my brothers and sisters that long for PEACE!

Very Relaxing.......2006-08-16

I first heard C Nakai while driving across country from NYC to LA. My girlfriend started playing his CD when we hit the mid west. With the beautiful senery and music it was very awe inspiring, I never forgot and 6 years later when I was looking for music to relax by with my lover, I introduced this CD...Wonderful, simply wonderful.

A Pleasant Mix.......2006-08-08

If you don't want to hear just flute music this album is an excellent choice, mixing flute, drum and chanting in a most pleasant listening experience, Carlos puts you into the circle, celebrating your existence with others from your tribe, enjoying the night sharing the music.

Sacred Valley.......2006-01-20

Anyone who has lived within the sacred San Luis Valley of Coloraodo/New Mexico and treked thru the desert - alpine lands there, particularly around the Sacred Peak of Blanca and the Sangre's will hear the resonance of the land within the soul-full sound of Nakai's flute and chants.

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