The Song of the Soul

Track Listings

1. Sunrise At Hale Akala

2. Thew Heart Song

3. Premordial Sound

4. Jungle Atmosphere

5. Ancient Mother

6. The True Calling

7. Amgel

8. The Art of Being Present

The Song of the Soul,Karina Schelde

Tracks:

Destination Moon
What A Difference A Day Made
Misery
Baby, You've Got What It Takes
This Bitter Earth
Squeeze Me
New Blowtop Blues
Blue Skies
I Don't Hurt Anymore
Smoke Gets In Your Eyes
September In the Rain
Look To the Rainbow

Amazon.com

Those who don't know any better are apt to dismiss Deborah Cox as another R&B/dance diva determined to cling to the spotlight by whatever means necessary, including a giant genre-leap. Those who've been listening carefully, though, will check their doubts at Destination Moon's door. On this, her fourth disc, Cox sidles up to jazz--the jazz of her role model Dinah Washington--with subtlety and surefooted grace; along the way, she makes something of a masterpiece. From classics such as the title track to lesser-known but deeply felt compositions such as "I Don't Hurt Anymore," she avoids the temptation to rub a modern sheen over these songs and settles contentedly into the mood Washington carved for them instead. "This Bitter Earth" gets the "mm-hmm" treatment Dinah delivered so well, and "Misery" and "New Blowtop Blues" don't dream of belying their blueswoman roots. Best of all are the more delicate tracks: "Look to the Rainbow" captivates with a contemplative sadness, and "Blue Skies" is a natural wonder as beautiful as a dose of pure azure on a cloudless day. --Tammy La Gorce

Album Description

Platinum-selling recording artist Deborah Cox reinterprets the classic songs of Dinah Washington on her Decca debut, Destination Moon. Destination Moon thrusts the R&B/dance diva into whole new territory, showcasing her range and scope as an artist capable of tackling jazz, blues and "big-band" with ease and confidence. Deborah Cox's first exposure to Washington came very early, when she was a little girl. "I first became aware of Dinah when I was growing up, when I was about 8 or 9 years old" she says. "A lot of jazz was played about the house. I heard my mother playing a 45 of "This Bitter Earth" -- this first song I had ever heard from Dinah. It was the richness and the tonality of her voice that I gravitated to." For the arrangements and the production, Deborah turned to the highly-versatile New York-based music man Rob Mounsey, whose credits with such diverse performers include Paul Simon, Steely Dan, Aretha Franklin and Tony Bennett to name a few. The record was made live in the studio, with 40 musicians in the same room with her, playing and singing in real time under Mounsey's direction. "I'm doing this to broaden people's awareness of what I can do and also for the sheer love of her music." As a result, Deborah's homage to Dinah Washington does not lean overwhelmingly toward one particular style. It was designed from the beginning to be a compendium of several of Dinah's idioms - the big-band swing of "All Of Me" and "Destination Moon," swaggering R&B ("I Don't Hurt Anymore)," the blues that earned her the misleading nickname "Queen of the Blues" ("Misery," "New Blowtop Blues"), the lush ballads that put her on the jukeboxes of Middle America ("What A Diff'rence A Day Made," "This Bitter Earth").

Customer Reviews:

Deborah Does Dinah By Way Of Dianne.......2007-08-04

I was completely unfamiliar with Deborah Cox before purchasing this c.d. Considering that she hadn't released a c.d.in 3 years, this oversight was somewhat understandable.

It's an oversight that will be no more.

After about 16 bars, the comparison of Deborah Cox with Dianne Reeves was undeniable. Meaning, first of all, if you love Dianne Reeves (and if you don't, what in the hell is wrong with you?!), most assuredly you will love Deborah Cox. (This c.d. also compares very favorably with the more famous Gladys Knight's c.d., "Before Me", of 2006)

This is a tribute album to Dinah Washington, and Ms. Cox is every bit the singer that the late, great Ms. Washington was. Whether singing jazz (a great version of Harry Warren's "September in the Rain"), soul ("Misery") blues ("New Blowtop Blues", my favorite on this c.d.) or cabaret (a show-stopping rendition of the great torch song, "Smoke Gets In Your Eyes"), Ms. Cox has impressive chops to display, and display them she does.

And a huge thumbs up to Rob Mounsey, the producer, arranger, pianist, and assistant recording engineer. This c.d. just sounds fabulous. Although the arrangements at time threaten to be a bit slick, overblown and familiar, they never cross the line. Mr. Mounsey deserves mention in the same breath with John Clayton, Jr.

More importantly, Ms. Cox (like Ms. Reeves) has a huge voice, and thus she works best with a lot of sound behind her. Ms. Cox sounds like a class act, and based on the photos in the liner notes, looks like one, too.

If [...] had a 4 and 1/2 star rating, that's where I'd end up. This is, after all, old wine in new bottles. There's nothing here I haven't heard before. But what an impressive new bottle this is! 5 stars, just for that. RC

Sensually, The Next Unforgetable.......2007-08-03

This past year, there just haven't been so much but only hype with female recording artists. It is sad and unfortunate, because it seems like the sound of the music doesn't deliver well. With acts like Kelly Clarkson and Beyonce' who've made records, they just missed a little something to deliver to everyone, especially in R&B and standards too. For Deborah Cox, the past several years have been a bit difficult for her. After her departure from BMG and Arista, she did bounce back by performing in the final production of Elton John & Tim Rice's Aida in 2004-2005. Now, she also returned in a whole new way by bringings that standards back in real soul and R&B. however, does this album click, or fall down, it shines very bright.

Deborah Cox's 2007 Destination Moon, is her debut on the acclaimed Decca Records. The album pays a sensual tribute to Jazz songstress Dinah Washington, and delivers. The mood from Deborah's voice, delivers the more seductive and sensual performance she has made ever, and makes the mark well. The album includes great standards, and even some surprises that also made the record work. The orchestral feel mixes in tune nicely, and in such a way that it hasn't been heard this elequently since Natalie Cole's Unforgetable With Love. The album includes the title track Destination Moon, as well as the Jazz rendered Squeeze Me, Blue Skies, and a stirring rendition of a song that was more well known from the 50's group The Platters which Washington also recorded during her era, Smoke Gets In Your Eyes. Every track feels like it is a special treat, and something Deborah Cox shines in very brightly. My only gripe about the record is that is is just a bit too short, leaving listeners really going wild for more from Deborah's beautiful voice. But it is much better than most other albums released this past year, and 10x better than standards albums from Barry Manilow and Rod Stewart that surfaced a few years ago.

All in all, I really hope Deborah Cox keeps making great records like Destination Moon. I really love this record so much, it delivers from an angel. It is a great buy for die hard Deborah Cox fans, and fans of the classic Jazz-like Soul style from years ago that hasn't been heard on the radio for years. This is definitely so far the best album of 2007, and something that looks to the rainbow nicely.

Album Cover: B+

Songs: A 1/2-

Price: B+

Mastering: A

Overall: A-

This review is dedicated in loving memory of my cat Pierre. May he rest in peace, I will always love him.

Fantastic CD.......2007-07-21

I was so totally impressed with her voice and her style. Jazz is definitely Deborah Cox' forte'!! I bought two and gave one to a friend who feels exactly the same way. Hope to hear more from her along the "Jazz" lines....
S. Washington
Greenbelt, MD

Love her voice.......2007-07-18

I guess I'm a big sucker for souful, strong, powerful voice. Me loving this album proves it again. It's all jazz standards, nothing new. In the past year, getting new albums from Diana Ross, Natalie Cole, Diana Krall, it's like one disappointment after another. So when I heard this new album, I was more than happily surprised how good it is. If you're a fan of jazz standards, I bet you'll like this one.

Deborah Shines.......2007-07-05

From her self-titled debut, to One Wish, to The Morning After to Destination Moon, Deborah's albums are like mini-greatest hits compilations, and Deborah scores again with her interpretations of Dinah Washington's songs on Destination Moon. Deborah has the best voice in contemporary music today, and this album continuously showcases her incredible range and talent. Personal favorites will include the title track, "Misery", and "This Bitter Earth". The album's best songs are "What a Difference a Day Makes" and the closing "Look to the Rainbow". Flawless from start to finish, Deborah again creates a masterpiece.

Average customer rating:

Italian Amercans--a must buy
ITALIAN LISTENER
Terrific!
So-So CD
This CD will put you to sleep

Viva Italia! Festive Italian Classics

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

General | Pop | Styles | Music

1950s | By Decade | Pop | Styles | Music

1960s | By Decade | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Eh, Paisano! 100% Italian-American Classics
Italian Love Songs
Mandolins from Italy: 24 Most Popular Melodies
Italian Love Songs
Jerry Vale Sings the Great Italian Hits

ASIN: B000002WXS
Release Date: 1996-07-02

Tracks:

Mattinata - Romano Ledenzio And His Orchestra
Mala Femmena - Frankie Fanelli
Canto D'Amore - Romano Ledenzio And His Orchestra
Guaglione - Carlo Savina And His Orchestra
Lary Mary(Luna Mezza Mare) - Lou Monte
Anema E Core - Perry Como
Funiculi Funicula - Romano Ledenzio And His Orchestra
Soldi, Soldi, Soldi(From 'Boccaccio '70') - Sophia Loren
Santa Lucia - Gino Del Vescovo And His Mandolins
Hey Gumbaree(Bibadee Bobadee Bu) - Lou Monte
Come Back To Sorrento - Romano Ledenzio And His Orchestra
Volare(nel Blu Dipinto Di Blu) - Domenico Modugno
A Man Without Love(Quando M'Innamore) - Sergio Franchi
O Sole Mio - Romano Ledenzio And His Orchestra
Forget Domani(From 'The Yellow Rolls Royce') - Perry Como
Mama - Lou Monte
O Mio Bambino Caro - Romano Ledenzio And His Orchestra
Non Dimenticar(Don't Forget) - Lou Monte
Al Di La(From 'Rome Adventure') - Frankie Fanelli
Arrivederci Roma(Goodbye To Rome) - Romano Ledenzio And His Orchestra

Customer Reviews:

Italian Amercans--a must buy.......2007-07-28

As an USAF Air Attaché, I played this music at many a dinner party with a surprising amount of interest and positive comments from my foreign colleagues--often asking for copies of the music.

As a child of the 60's, these songs resurrected long-lost memories of great Italian music that was at one-time almost prevalent in the entertainment industry. I am proud that our culture produced these great songs, hope you are too! I still often listen to this music at dinner while enjoying a glass of great Italian wine.

Bob Silvestri, USAF, Retired

ITALIAN LISTENER.......2007-07-16

This was a great cd. it came on time and was as promised in good condition. I would recomend the seller again.

Terrific!.......2007-05-30

I bought this CD because I missed listening to the music my grandfather played. This CD brought back a flood of memories for me. Wonderful compilation of my favorite italian classics.

So-So CD.......2007-04-06

This is more cafe style but still worth listening to.
Great dinner background music.

This CD will put you to sleep.......2007-02-26

We bought this CD for our daughter's wedding. After reviewing it, we could have saved our money. The version of Funiculi sounded like the Salvation Army band and it was totally lifeless. Lou Monte's Hey Gumbaree (it is actually Eh Cumpare in Italian--that should have given it away) was awful, and he consistently butchers the Italian language in all his other songs (annoying, I mean, couldn't he have learned the right pronunciation?).

While Perry Como and others have melodic voices (and very wisely sing in English because they don't know Italian), these are '50s versions of the songs, for the most part. While you have to appreciate them, they are really old and reflect the '50s type of instrumention and style. Would have loved to have heard all these songs done in a fresh and original way. Soldi Soldi was our favorite by far, and that is why we gave the CD two stars.

Could have gone to the library for this one.

Thanks for letting me voice our opinion. We are a big Italian family and just spent hundreds of dollars buying every CD out there for our daughter's wedding and figured we would share our opinion with others.

Average customer rating:

Nice CD
Music from a Farther Room
relaxation
amazing
Talented violinist

Music From A Farther Room
Astor Piazzolla , Maurice Ravel , Richard Rodgers , Paul Schwartz , Jean Sibelius , Traditional , Paul Schwartz , Craig Macintyre , Tariqh Akoni , Tim Curle , Lang Lang , Lee Musiker , Zachary Provost , Lucia Micarelli , Leigh Nash , and Lisbeth Scott
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

General | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

General | Rock | Styles | Music

General | Broadway & Vocalists | Styles | Music
Similar Items:

Within
Josh Groban Live at The Greek (CD/DVD)
Your Love, My Home
Awake
Ian Anderson Plays the Orchestral Jethro Tull

ASIN: B0002GU2NM
Release Date: 2004-07-27

Tracks:

Samarkand
Oblivion
Meditation From Thais
Portrait
To Love You More
Reflexio
Aurora
Lady Grinning Soul
Ravel String Quartet IN F Major: Assez Vif - Tres Rythme
She Is Like The Swallow
My Funny Valentine
Nocturne/Bohemian Rhapsody

Amazon.com

Josh Groban fans who caught the singer's 2004 Closer tour would no doubt take note of Lucia Micarelli, who was the violinist and concertmaster for Groban. Like her boss, who also is executive producer of Music From A Farther Room, Micarelli is a young, attractive, and talented player who has the classical training, but who is also enchanted with pop music. Also like her boss, her strain of classical crossover works thanks to tasteful accompaniment, in this case from arranger/composer Paul Schwartz. The smartly chosen program of material comes from such varied catalogs as David Bowie and Rogers and Hart. Micarelli's playing is emotional without being overreaching, assertive when called upon, and nuanced. When she does go over-the-top pop on Queen's "Bohemian Rhapsody," it's brief but fun; when she navigates Piazzolla's "Oblivion" she draws upon the song's passion more than its technical requisites. This is a debut with likeable pizzazz, coming in a genre not often enough known for it. -- Tad Hendrickson

Album Description

For anyone who has attended Josh Groban's phenomenal live show, you will have undoubtedly had the pleasure of seeing and hearing his lead violinist, Lucia Micarelli. Lucia came to Josh's tour after appearing with the Trans- Siberian Orchestra playing arenas across the U.S. in 2003. With the close of the second leg of Josh's tour, Lucia is recording her debut album in New York and London with producer Paul Schwartz. Musical selections will range from the works of composers Ravel and Ennio Morricone to David Bowie.

Customer Reviews:

Nice CD.......2007-07-15

This is one of my favorite CDs in my collection. I saw her play in person, and Live is much, much better then the CD.

Music from a Farther Room.......2007-05-22

I heard Lucia Micarelli during a 2007 Josh Groban concert. Her live solo performance in addition to her backgrounds for Groban were mesmerizing. I purchased this album to see if it was as enjoyable as her live work, and I was not disappointed. Micarelli performs a good mix of classical and pop pieces. My favorite tracks on the album are Smarkland, Meditation, Lady Grinning Soul, Portrait, and Nocturne/Bohemian Rhapsody.

relaxation.......2007-05-13

This CD is very well done. I was familiar with old favorites and delighted with new songs. I would like to hear more of the rock songs preformed by her. I think she's got a lot of talent and could possibly do well with the rock songs on a future album.

amazing.......2007-05-07

Lucia has power in her playing. I think that she shouldn't be allowed to play violin this good. Her raw talent is conveyed in every song. She doesn't just stick to classical, as the accompaniment music isn't just strings. I wished she had played a little more in Bohemian Rhapsody. I saw her in concert with Josh Groban and I knew I had to purchase this CD. Lucia is an inspiration and her love for the violin cannot be contained.

Talented violinist.......2007-03-29

When I saw and heard Lucia Micarelli perform with Josh Groban at a recent concert, I was so impressed with her talent, that I immediately went online to see what music of hers was available. Every item on her CD is wonderful, and I'm looking forward to her next CD.

Stevie Wonder - Song Review: Greatest Hits

Average customer rating:

Musical genius
Stevie wonder
Wonderful, Just Wonderful
There are better compilations, but this one is a good start!
Greatest Hits is the Greatest Ever !!!

Stevie Wonder - Song Review: Greatest Hits
Stevie Wonder
Manufacturer: Motown
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

Classic R&B | R&B | Styles | Music

General | R&B | Styles | Music

Motown | R&B | Styles | Music

General | Soul | R&B | Styles | Music

General | Funk | R&B | Styles | Music

General | Rock | Styles | Music

Psychedelic Rock | Classic Rock | Styles | Music
Similar Items:

Earth Wind & Fire: Greatest Hits
Essential Earth Wind & Fire
Songs in the Key of Life
Stevie Wonder - The Definitive Collection
Every Great Motown Hit of Marvin Gaye

ASIN: B000001ABD
Release Date: 1996-12-10

Tracks:

Part-Time Lover
I Just Called To Say I Love You
Superstition
Sir Duke
My Cherie Amour
I Was Made To Love Her
Overjoyed
Hey Love
Signed, Sealed, Delivered, I'm Yours
You Are The Sunshine Of My Life
Ribbon In The Sky
Master Blaster (Jammin')
Living For The City
Uptight (Everything's Alright)
Lately
Do I Do

Tracks:

Send One Your Love
Ebony & Ivory
All I Do
That Girl
For Your Love
I Wish
You Will Know
Boogie On Reggae Woman
Higher Ground
These Three Words
Stay Gold
Love Light In Flight
Kiss Lonely Good-Bye
Hold On To Your Dream
Redemption Song

Amazon.com

Thirty or so of Stevie Wonder's biggest hits--many of them enduring classics--make up this double disc. That's the good news. The bad news is that they're sequenced here about as well (or maybe not) as your CD player's "random" function might do it. Leading off with "Part-Time Lover"--a major chart record, no doubt, but hardly the rouser you'd expect for an opener--is puzzling enough. It's when the programming starts veering from highlights of his self-produced period ("Sir Duke") to Motown assembly-line pieces ("My Cherie Amour") that the head-scratching really begins. And don't try to count the great moments that are missing. This will do in a pinch, but if you own no Stevie, be advised that better overviews of Wonder's career (the finest by far being the four-CD box At the Close of a Century) are available. --Rickey Wright

Customer Reviews:

Musical genius.......2007-05-26

I often wonder what it must be like to be a musical genius, and whenever I listen to Stevie Wonder I find the answer. When I was a little girl I wanted to be a singer (despite being tone deaf), so I appreciate anyone that has true musical ability. Not only does Stevie have a great voice, he can play practically every instrument invented. One of the words that comes to mind when listening to him is "awesome". That's all you can really say about him. His music is timeless. From "Signed, Sealed, Delivered" to "Do I Do" and "That Girl" (my favorites) he just shines and shines. This is real music by a real artist. No matter how many times I listen to this CD, I'll never tire of it. Excellent.

Stevie wonder.......2007-02-24

This was a gift to my daughter. She loved it

Wonderful, Just Wonderful.......2007-02-03

I was a baby and a little girl when most of these songs were released but I grew up with admiration and respect for his music. Throug out my life there was always a popular Stevie song out but I never paid much attention. Listening to this collection brought back so many wonderful times and allowed me to realize the exact kind of genius Mr. Wonder is.

I blast these cds at work everyday. I'm really not supposed to and I try to keep the level at an enjoyable tone but it's pretty hard, plus there's been quite a few people that stop by and tell me to turn it up. His songs are feel good all the way through.

There are better compilations, but this one is a good start!.......2006-10-26

Stevie Wonder... A WONDERFUL musician and singer! If you're planning to have all your SW LPs and singles collection on CD, start with this album. The magic of Stevie Wonder's music is forever!

Greatest Hits is the Greatest Ever !!!.......2006-03-29

These songs are timeless. They take you back to that place in time when things were REALLY hap'ning. I can't stop listening to it. All my friends wanted to know how I could find so many of Stevie's songs that were THAT good all in one collection.

Average customer rating:

Sorely Disappointed!
Could have been better.
Austin may have just found her niche!
Gershwin done right!
She is a swinger!

Avant Gershwin
Patti Austin
Manufacturer: Rendezvous
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

General | Pop | Styles | Music

General | Adult Contemporary | Pop | Styles | Music

Contemporary R&B | R&B | Styles | Music

General | R&B | Styles | Music

General | Soul | R&B | Styles | Music

Quiet Storm | R&B | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music
Similar Items:

for Ella
Feeling Good
Forever, for Always, for Luther II (Dig)
We All Love Ella: Celebrating the First Lady of Song
Surrender

ASIN: B000IOM0UQ
Release Date: 2007-03-06

Tracks:

Medley: Overture/Gershwin Medley
I'll Build A Stairway To Paradise
Who Cares
Funny Face
Medley: Love Walked In/Love Is Sweeping The Country
Swanee
Porgy & Bess Medley
Lady Be Good

Amazon.com

In this decade of twin musical obsessions--for fond revisits to classic American composers and for all things '80s--it's a wonder Patti Austin hasn't stolen the show with a Great American Songbook set sooner. Her '80s duets--"How Do You Keep the Music Playing" and "Baby Come to Me" among them--remain indelible, and she's already proved she's a worthy interpreter with 2002's justly praised For Ella. Plus, her voice on Avant Gershwin, rich and to the rafters, suggests she's been ready to give this material a spin for decades. From the first moments of "I Got Rhythm," part of the opening "Overture/Gershwin Medley," Austin swings through these songs with the ease and exuberance of a born showman; you can practically see her onstage in a slinky evening gown, arms outstretched, head back, eyes squeezed shut, surges of electric sound all around her. Her "Porgy & Bess Medley" benefits from a manufactured breeziness that suits "A Woman Is a Sometime Thing" and "Summertime" especially well, and her "Swanee" saunters closer to modern sensibilities by replacing the "mammy" of the original with a simple "momma." In addition to Austin's energy, the spirit of jazz gives these numbers juice. The WDR Big Band, which Austin has worked with previously, comes at a tune with a blend of boisterousness and sophistication, and Austin has a way of melting right in. She convincingly makes a case that she may have been born a bit late, but she was made to sing these songs. --Tammy La Gorce

Customer Reviews:

Sorely Disappointed!.......2007-06-27

I think Patti Austin is one of the great talents of our time. However, this offering is terribly disappointing. For me, Gershwin is an icon, and I have heard Ms. Austin render Gershwin before (with Gregory Hines at the Hollywood Bowl). At that venue, she soared, and gave fresh meaning to the words and music of the Gershwins. At that time, I longed to have her do a complete album of Gershwin standards. Sometimes, what one wishes for can be a disaster. Such is the case with this album. The music is compromised by the overly "creative" jazz interpretations, and as a result, the lyrics are equally compromised. The Gershwins were genius. Why do some musicians believe they can "improve" upon that brilliance, simply because George and Ira are not here to challenge such sordid interpretations of their creations? Ms. Austin is lost in the shuffle, and her talent is rendered, for this listener, useless. Wouldn't it be nice if Austin has stayed with the script and done the Gershwins justice? This offering?...and injustice to Austin, George and Ira Gershwin, and to aficionados of the standards. Better luck next time, if there is one.

Could have been better........2007-06-16

Given that it's Patti Austin it's not unfair to expect a lot. Unfortunately, she misses the mark here. As expected there is nothing technically wrong with the album, it's just that the arrangements are lackluster, and the song pairings don't really work.

Incredible voice though.

Austin may have just found her niche!.......2007-06-10

A performer for over thirty years, Patti Austin has done it all: pop, R & B, a little gospel, standards, and even a highly sought after jingle singer. It wasn't until 2002's Grammy-worthy "For Ella" that it appeared that the singer was now getting recognition for her singular vocal style as she paid tribute on that album to one of jazz's greats, Ella Fitzgerald.

Now, five years later, Austin takes on the music of the Ira and George Gershwin, who along with Cole Porter and Irving Berlin, were possibly the greatest songwriters of all time, not just the twentieth century. Backed by a full band and recorded live last year in Germany, Austin lets it all out as she interprets songs that will stand the test of time long after the current chart-toppers have turned to dust.

Austin's vocal instrument is so flexible that she is able to be poignant yet sassy, seductive yet saintly, trashy yet classy, and provocative yet conservative.

She can do it all and really pours it on thick with the opening twelve-minute long "Gershwin Medley" and the equally impressive "Porgy and Bess Medley." Even the remaining songs are lustrous and provide a venue for one of the great songstresses of the last and this century.

Austin is just hitting her prime and, besides her singing, she has a new look, having shed some pounds and getting a makeover.

When one looks at the singer, glamorously decked out and coiffed on the back cover, one can only exclaim, "D**N! She looks just as good as she sounds."

Gershwin done right!.......2007-06-09

I've been a fan of Patti Austin's magnificent voice since the time she was doing great songs in the pop/R&B vein like "Baby Come to Me." Since she released the fantastic "For Ella" - and now this one - I am in love all over again.

Using the Gershwin songbook as a springboard, Patti and the amazing WDR Big Band/Orchestra (under Michael Abene's brilliant direction) compliment each other all the way. I loved the unique approach taken by both vocalist and arranger, and the live audience recording was right on the mark!

Patti, the music was amazing - and so were the photos!

She is a swinger!.......2007-06-03

I'm a great fan of Patti... I don't like very much swing and live but I had to buy her new album! I prefer the old albums, but I admit I've never heard Patti singing so good.

Average customer rating:

a great jazz album.
Song for My Father
everyone was doing it...but not like this
Great music, terrible remastering
Hammerin' Funk

Song for My Father
Horace Silver
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD

Bebop General | Bebop | Jazz | Styles | Music

Hard Bop | Bebop | Jazz | Styles | Music

General | Jazz | Styles | Music

Soul-Jazz & Boogaloo | Jazz | Styles | Music

Blue Note Records | Amazon.com Label Stores | Stores | Music

General | Jazz | Indie Music | Stores | Music

Bebop | Jazz | Indie Music | Stores | Music
Similar Items:

Moanin'
The Sidewinder
Somethin' Else
Speak No Evil
Maiden Voyage

ASIN: B00000IL27
Release Date: 1999-04-20

Tracks:

Song For My Father
The Natives Are Restless Tonight
Calcutta Cutie
Que Pasa?
The Kicker
Lonely Woman
Sanctimonious Sam
Que Pasa? (Trio Version)
Sighin' And Cryin'
Silver Treads Among My Soul

Amazon.com essential recording

Since its title track provided the inspiration for Steely Dan's "Rikki, Don't Lose That Number," Song for My Father has become known as the jazz recording that launched a thousand bad rock records. Yet whatever pretensions Steely Dan and their legion of desperately hip imitators had shouldn't be laid at pianist Horace Silver's door: this is one of Blue Note's warmest and most satisfying collections--and that's saying something. A pioneer of the hard-bop style, which combined gospel and R&B with jazz, Silver authored many outstanding compositions, including not just "Song for My Father," but "Opus de Funk," "Nica's Dream," "Senor Blues," and "The Preacher." His quintets, which featured tenor sax and trumpet, spotlighted such up-and-coming talents as trumpeters Woody Shaw, Art Farmer, and Donald Byrd. On Song for My Father, the band features tenorman Joe Henderson, who contributed one of his own signature tunes, "The Kicker." Along with the strong quintet work, the album includes a fine trio feature for the pianist in "Lonely Woman." --Fred Goodman

Album Description

A visit to Brazil prompted Horace Silver's interest in his Portuguese roots and led to the magnificent "Song For My Father," his most enduring composition. This album also introduced his new band with Joe Henderson and Carmell Jones and features the classic band with Blue Mitchell and Junior Cook.

Customer Reviews:

a great jazz album........2007-04-01

i have met people who actually live without this album. whenever i think about that, i always shake my head in wonder. i don't know how they do it.

Song for My Father.......2007-03-14

This is one of the goog works by Horace Silver, with a very good remastering. However , as I did when listening to the Cape Verdean Blues, I couldn't find clear influences of the music from Cape Vede isls, music I'm familiar with.

everyone was doing it...but not like this.......2007-02-11

Horace Silver (b. 1928) is a skillful jazz pianist with a knack for composition, and this album highlights his genius for simplicity that has since become his trademark. The title track pays homage to Horace's Portuguese father from Cape Verde, John Silver. On "Song for My Father", Horace mixes up his own F-minor jazz piece with traditional Cape Verde and Brazilian carnival music. The result sounds a bit like bossa nova/jazz samba, which was popularized a year before on the Stan Getz/Joao Gilberto album of 1963. Everyone was doing it at this time.

Personnel for tracks 1-6:

Carmell Jones (trumpet), Joe Henderson (tenor sax), Horace Silver (piano), Teddy Smith (bass) and Roger Humphries (drums).

Personnel for tracks 7-10 (not on original LP configuration):

Blue Mitchell (trumpet), Junior Cook (tenor sax), Horace Silver (piano), Gene Taylor (bass) and Roy Brooks (drums).

Much of the flavor on this album works its way out from the influence of the title track, while "The Kicker" is a Joe Henderson composition. This Rudy Van Gelder 24-bit remaster sounds wonderful, though it is not necessary to upgrade from the 1990 edition if you are considering it. There aren't any extra materials, aside from new liner notes. The sound is great, but is comparable to the 1990 release. All in all I would purchase this edition only if you do not have the earlier reissue.

Great music, terrible remastering.......2007-02-09

This is definitely a jazz classic, and with the advertised "24-bit remastering", not to mention that it is part of Blue Note's Rudy van Gelder series, I was ready for a sonic treat. However, it was obviously mastered too loud. Looking at the waveform with Cooledit, there's obivously a fair amount of peak clipping on the CD. What a shame to do this to such classic music.

Hammerin' Funk.......2006-04-18

Horace Silver has always been one of my favorite piano players. Though his styling isn't as distinct as chops of Monk, Horace got some Hammerin'Funk of his own. I've always felt that this album is where is talents have been showcased the best. The album opens with his very own brand of deceptively simple Funk. Yet if it's so simple why aren't there more piano players who sound so joyous and free as Horace does on this track. Que Pasa is a fine latin effort. It sounds almost genre defining. You wanna know what Latin Jazz is. It's Que Pasa! Finaly there's lonely woman. A bop classic that listens like a song with full lyric and all. Each time you revisit this song the lyrics are different but always carry a melancholy beauty.

Average customer rating:

HEAVENLY
Sweetest voices ever!
Awesome
Soothing and thought provoking
Pure Crystal

Free
Chris Dodd , Fiona Pears , Anthony Chadney , Ben Crawley , Christopher Robson , and Raoul Platt
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | New Age | Styles | Music

General | Opera & Vocal | Styles | Music

General | Classical | Styles | Music
Similar Items:

Luminosa
Visions
Libera
Angel Voices
Angel Voices 3

ASIN: B0002RUAAQ
Release Date: 2004-10-05

Tracks:

I Am The Day
Stay With Me
Voca Me
A Song Of Enchantment
Ave Verum
Do Not Stand At My Grave
When A Knight
A New Heaven
I Vow To Thee My Country
Lament
Twilight
Be Still My Soul
Adoramus

Amazon.com

English composer Robert Prizeman has taken a conventional English boy's choir--usually a haven for sweet songs and ecclesiastical renderings--and made them contemporary without selling out any of their intrinsic charm. Their stacked choral voices and lead sopranos, dressed up with electronica rhythms, synthesizers, and strings still sound like they could be coming from the church balcony, even while they exude an Enya-like appeal. While there are adaptations of Gregorian chants and Sibelius hymns, most of the songs are Prizeman originals based on those styles, with texts often drawn from Latin Liturgy. Except for the chilled romanticism of "Stay With Me," and the rhythm driven "Adoramus," whose chorus sounds like a Harry Potter incantation, few of the songs on Free have the anthemic pop appeal of "Salva Me" or "Vespera" from previous albums. Instead, Prizeman has opted for a more serene sound on Free, even with their first video from the disc, the yearning "I Am the Day." Some of it, like Prizeman's setting of a Walter de la Mare poem on "A Song of Enchantment," gets lugubrious. But most of Free floats on gentle soprano breezes, intrinsically innocent, even if the boys might be smoking cigarettes behind the altar. --John Diliberto

Customer Reviews:

HEAVENLY.......2007-06-19

This cd is like listening to a heavenly choir. "Free" is an awesome audio experience. It can turn a stressful day into a calm evening.

Sweetest voices ever!.......2007-06-16

I happened across this CD at Borders and was able to listen to it! One of the sweetest and heavenly CDs ever! I bought two: one for myself and one as a gift.

Awesome.......2007-01-04

I never knew that young boys could have such wonderful voices, almost angelic. The music is very relaxing and haunting at times, but that's what makes it a good album to hear to. The harmonies were so beautiful. To all choir fans, this is a must-have album.

Soothing and thought provoking.......2006-02-23

Libera is an amazing group of boys and Robert Prizeman really knows how to put everything together. My favorite songs on "Free" are Voca Me, Stay With Me, Adoramus, I Am the Day and Twilight. Each time I listen to this disc, another song seems to start growing on me. This was my first Libera CD (I have since bought Luminosa, Libera and Visions) and at first I liked the faster more upbeat songs but as time went on I started to really love the softer ones like Do Not Stand at my Grave and Weep (beautifully done by Ben Crawley and Joseph Platt). The soloists are lovely with clear and pure voices, and the chorus just swells with harmonies. This is choir music for people who hate choir music.

Pure Crystal.......2006-02-20

Like Luminosa, this is incredible. I can only compare it to the beautiful, pristine, classical pieces of antiquity, such as Vivaldi's Spring and Bach's many ethereal melodies. It's beautiful.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Rap & Hip-Hop | Styles | Music

General | Soundtracks | Styles | Music

General | Instructional | Miscellaneous | Styles | Music

Blowout Box Sets | Classical Music Blowout | Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Instrumental | Classical Music Blowout | Stores | Music
Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Mahler Symphonies: An Owner's Manual (includes 1 CD)
The Young Person's Guide to the Orchestra (Book & CD)
Study of Orchestration, Third Edition
The Life and Works of Ludwig van Beethoven

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

The Song Lives On
Average customer rating:

"Must Have"

The editor for this page must be crazy,lalah is awesome!

Love it!

Joe at his Best

I can't keep this CD!

The Song Lives On
Joe Sample & Lalah Hathaway
Manufacturer: Grp Records
ProductGroup: Music
Binding: Audio CD

Bebop General | Bebop | Jazz | Styles | Music
Hard Bop | Bebop | Jazz | Styles | Music
General | Jazz | Styles | Music
Smooth Jazz | Jazz | Styles | Music
Soul-Jazz & Boogaloo | Jazz | Styles | Music
General | R&B | Styles | Music
GRP | Verve Music Group | Specialty Stores | Music
Similar Items:

Outrun the Sky

Lalah Hathaway

The Best of Joe Sample

Forever, for Always, for Luther

Feeling Good

ASIN: B00000ILY5
Release Date: 1999-04-20

Tracks:

The Song Lives On
Fever
Come Along With Me
Living In Blue
Street Life
When Your Life Was Low
One Day I'll Fly Away
When The World Turns Blue
For All We Know
Bitter Sweet
A Long Way From Home

Amazon.com

"When Your Life Was Low," one of this album's four writing collaborations between former Crusaders keyboardist Joe Sample and pop's hack-for-hire Will Jennings, is typical of this CD's low aim and artistic laziness. The vague expression of friendship in "Life," voiced listlessly by the technically adept but boring Lalah Hathaway, is perfect for the office-ready smooth-jazz radio format and little else. Hathaway's appearances on 7 of The Song Lives On's 11 cuts are a blessing only in that they break up the monotony of Sample's in-one-ear-and-out-the-other noodlings; her extremely unnecessary version of "Fever" and a dull-edged remake of the Crusaders/Randy Crawford classic "Street Life" are résumé fodder and little else. --Rickey Wright

Customer Reviews:

"Must Have".......2007-02-18

If you enjoy GOOD - SMOOTH - jazz...then this is a "MUST HAVE".That is all I can say.....a "MUST HAVE". You won't regret it!!!!

The editor for this page must be crazy,lalah is awesome!.......2007-02-13

I've been listening to this cd as well as other songs from lalah's material she should have gotten those awards last night not the untalented Mary J blige what is really going on in the music industry.when your life was low is beautifully song as well as one day I'll fly away lalah keep making music it's very much appreciated by those of us who know good music!

Love it!.......2007-01-30

Always loved LaLa Hathaway. When paired up with Joe Sample, love her more!

Joe at his Best.......2007-01-21

This is Joe Sample at his best with Lalah providing vocals that are reminiscent of her father the late Donny Hathaway. I simply Loved It!!

I can't keep this CD!.......2006-11-26

I have bought this CD 5 times since 1999 because my friends fall in love with it every time I introduce it to someone. This is a beautiful CD and one that has remained in my rotation for the last 7 years. If the Amazon reviewer didn't like this, I really want to hear what he considers to be good music.

Average customer rating:

songs that rock
The Last GREAT Temps album...
I LOVE THIS RECORD!
Beautiful music
A SONG FOR YOU

Song For You
The Temptations
Manufacturer: Umvd Special Markets
ProductGroup: Music
Binding: Audio CD

Classic R&B | R&B | Styles | Music

General | R&B | Styles | Music

Motown | R&B | Styles | Music

General | Soul | R&B | Styles | Music

General | Oldies | Pop | Styles | Music

4-for-3 Pop | 4-for-3 Music | Stores | Music

4-for-3 R&B | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

In A Mellow Mood
The Temptin' Temptations
Gettin' Ready
For Lovers Only
The Temptations Sing Smokey

ASIN: B00000DBYF
Release Date: 1998-10-20

Tracks:

Happy People
Glasshouse
Shakey Ground
The Prophet
Happy People (Instrumental)
A Song For You
Memories
I'm A Bachelor
Firefly

Amazon.com

Leon Russell's title track had already become a modern standard recorded by everyone from the Carpenters to Willie Nelson by the time the Tempts got to it on this 1975 disc. With the number of original group members shrunken by death and departure, it no doubt held plenty of resonance for those who carried on. The record's highlight, though, is "Shakey Ground," driven by P-Funk-ers Eddie Hazel and William "Billy Bass" Nelson. What remains is thoughtful, somewhat shallow, and not up to the level of innovation Motown colleagues Stevie Wonder and Marvin Gaye, not to mention the Tempts themselves, had reached. A good album, if one that fails to meet its goal of true significance. --Rickey Wright

Customer Reviews:

songs that rock.......2007-01-09

This CD is everything my album was,i am very pleased with it

The Last GREAT Temps album..........2006-11-10

Rickey Wright got it wrong, this album is all that and a bag of chips, and a pack of Bubblelicious! 1975, I was a freshman in college and everyone was jamming to 'Shakey Ground', but I was always drawn to the "b" (ballad) side of the set; A Song for You, Memories, Firefly and I'm a Bachelor. Not a weak sister in the bunch, all prime filet. That five-part harmonizing that no one could touch was in fine, fine form. Dennis earned his "Temptations Forever" tag with this one, he put his own stank on it, beyond any of the Norman Whitfield days...for me anyway. There was nothing after this album that touched me the way this one did.

I was blessed to see the "Original" Temps; Otis, Paul, Eddie, David and Melvin at the tender age of 13 and YES they were the singin'est, steppin'est, dressin'est group out there, truly "the Emperors of Soul"...GET THIS.

I LOVE THIS RECORD!.......2006-07-20

I think the Tempts were going through their third incarnation when this was released. This is one of those albums Cedric The Entertainer was talking about in his movie, "Johnson Family Reunion," Every song on this album is a joy. (Cedric didn't use the word "joy," but you get the picture)

My favorites are "Glasshouse," A funky, bass-driven classic, "A Song For You" & "Memories," tracks aimed straight for the heart with the lush strings, and soul-touching vocals of Dennis Edwards.

Beautiful music.......2006-03-16

I am 49 years old and I still enjoy listening to this album. Dennis Edwards voice was so strong, it was destined to be a memorable time piece.

A SONG FOR YOU.......2006-03-01

A Song For You is a great album. Appears that some of the average rated reviewers are stuck in the My Girl era, the 60s. The album is a even balance of fast and slow tracks. The up tempo cuts are kickin, The ballads are wonderful. 5 stars!!!!!

Pop Music:

Recommended Music:

Midnight Moscow [Import]

Music: Cobalt Blues

Universe [Import]

Grandes Cantoras Populares

Let The Good Times Roll: The Anthology 1938-1953

Lebendige Vergangenheit: Giuseppe de Luca II

Live at Billy Bob's Texas [Live]

Il Monte Rosso

Live in Japan [Import]

Ludlow

Immaculate Ibiza [Import]

Schubert: The Complete Impromptus

Paula Deanda