Winter Harp

Track Listings

1. Noel! noel!

2. Carol of the Bells

3. Let Us the Infant Greet

4. Winter Song

5. Coventry Carol

6. Bellman's Prayer

7. Winter Harp

8. Sussex Carol

9. Carol of the Child

10. Good King Wenceslas

11. Vos Dona Verge Santa Maria

12. O Come, O Come, Emmanuel

Winter Harp,Lori Pappajohn,Jill Whitmand and Ensemble,Pacific Music Mrktng,Christmas / Chanukkah,Christmas Music,Pop,Xmas Vocal

Winter Harp

Tracks:

We Three Kings
It Came Upon A Midnight Clear
Santa Claus Is Coming To Town
Fairytale Of New York
I'll Be Home For Christmas
Mille Cherubini In Coro
O Holy Night
Silent Night
Little Drummer Boy/Peace On Earth
Winter Wonderland Medley
Mary's Boy Child
Panis Angelicus
Pie Jesu
How Great Thou Art
The Lord's Prayer
Battle Hymn Of The Republic
America The Beautiful

Amazon.com

There's a commercial inevitability to holiday song collections that can tempt music fans to mutter "humbug" under their breath. Yet while this collection (released in conjunction with the Tenors' Christmas Spectacular tour of 2003) is no less market savvy, in the end the trio's earnest, energetic performances earn their fair shair of respect. The trio's Celtic shadings impart considerable warmth to "Fairytale of New York" and other performances, but it's the range of influences they (also in solo and duet turns, all solidly backed by the Czech National Chamber Orchestra) bring to bear elsewhere that adds compelling new dimensions to these holiday favorites. Anthony Kearns' "It Came Upon a Midnight Clear" may be solidly traditional, but Ronan Tynan imparts "I'll Be Home For Christmas" with some deft, jazzy drama while Finbar Wright gives "Mary's Boy Child" an unexpected Carribean spin. Elsewhere, the folk-classical influences behind "We Three Kings," "O Holy Night," and the gospel traditional "How Great Thou Art" span renaissance, baroque, and modern with a grace missing from the on-the-sleeve sentiments of the closing duo of patriotic warhorses--what would the Prince of Peace make of "The Battle Hymn of the Republic," anyway? --Jerry McCulley

Customer Reviews:

We Three Kings.......2007-01-16

The 3 Irish Tenors are a joy to listen to in the Christmas season. I thoroughly enjoyed all of it.

3 Tenors Christmas.......2007-01-12

This was VERY disappointing - too noisy & just the wrong type of music for these guys. I played it once & will try to get someone to take it off my hands - I love listening the them, usually, but this album is just a dud.

Beautiful and Amazing.......2004-12-18

When I fist listened to the clips from this CD on Amazon I wondered why on earth they put the patriotic songs at the end, and also wondered a little at the other non christmas songs. After listening to it several times however I realized why. They don't leave Jesus in the manger, but take him all the way up to today! Wow. To me that is totally amazing. There arn't many christmas CD's that do that, but I think it really balances things out. I really enjoyed the Drummer Boy, and all of the rest of the songs. I would definantly say that this was a good buy.

These Three Kings Rule!.......2004-04-24

This recording is a wonderful addition to any Christmas collection. It has power, charm and just enough reverence! Anthony Kearn's "Lord's Prayer" is magnificent! Finbar Wright's "How Great Thou Art" is awe-inspiring! After four years with the "Irish Tenors" poor Mr. Wright still must endure the ignorance of a few "fans", being constantly compared to John McDermott. Finbar took the "Irish Tenors" to a new level, as acknowledged by both Kearns and Tynan. I wonder how long "Ringo" had to endure being compared to Peter Best? Get over it people!

Another Winner.......2003-12-22

In their second Christmas album, the three Irish tenors have another very lovely collection of Christmas favorites and a few not so well known. The duets are particularly beautiful and, while I, like other reviewers, would have preferred an all-Christmas album, the American anthems are stirring and well done. My only caveat is the absence of John McDermott, whom I miss. His voice added something less homogenized to the mix and although Finbar Wright has a more operatic tenor voice, I would prefer McDermott if I had my druthers. Nonetheless, this a a grand Christmas album and I recommend it enthusiastically.

Average customer rating:

Outstanding. A classic.
Pay not attention to the crab behind the curtain
This is incredible. Arrogant but incredible
not a rave
Pieces in a peaceful style.

Pieces in a Modern Style
Samuel Barber , Ludwig van Beethoven , John Cage , Ferry Corsten , Henryk Gorecki , George Frideric Handel , Pietro Mascagni , Maurice Ravel , Erik Satie , Andre (aka ATB) Tanneberger , Antonio Vivaldi , and William Orbit
Manufacturer: Maverick
ProductGroup: Music
Binding: Audio CD

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ASIN: B000046S1W
Release Date: 2000-02-22

Tracks:

Adagio For Strings
In A Landscape
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Opus 132

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Adagio For Strings: Ferry Corsten Remix
Adagio For Strings: ATB Remix

Amazon.com

William Orbit's Pieces in a Modern Style is an ambient album that rejigs 11 works by classical composers in a particularly tacky fashion. Even though Orbit has proved his mettle as an innovative and exciting producer for others--Blur's 13 and Madonna's Ray of Light--this is an ungainly meeting of the sublime and the absurd that, frankly, doesn't work. Samuel Barber's "Adagio for Strings," Ludwig van Beethoven's "Triple Concerto," Henryk Gorecki's "Piece in the Old Style I," and Antonio Vivaldi's "L'Inverno" are four that unfortunately meet their maker in a crude pileup of flat, belching synths and wallpaper flourishes. If he had combined live instrumentation with a playful reverence for the arcane glories of the past, perhaps he could have managed to make reality out of that most elusive of notions: experimental music that actually sells. However, Orbit fails to do anything more than resemble a second-rate Vangelis. --Maxine Kabuubi

Customer Reviews:

Outstanding. A classic........2007-06-06

I have been working in electronic music for almost 20 years years. I have a massive library of music for almost any reason, mood and itch. Tonight, I am taking the five minutes to stop and write how unique, amazing and consistently refreshing this album is everytime I go back to it since the day it was released.

Highly Melodic, very electronic and overall lacking the percussive elements most have come to know when listening to Orbit.

Much more sophisticated than the average listener might appreciate.Consider it a staple for anyone serious about electronic music.

I believe anyone rating this poorly is looking for a pop appeal that you just won't find here, thankfully.

Pay not attention to the crab behind the curtain.......2006-06-22

I don't know who Maxine Kubabi is. She's certainly untitled to her opinion. An "ungainly meeting of the sublime and the absurd?" What a sublimely empty and inadequate statement.

You have to know something about a genre before you can be an effective critic inside it. You should be able to specify why you don't like something in some detail, rather than resort to crabby nebulousities ... that's greasy kid stuff.

What Orbit has done is to realize some old, familiar works in an electronic medium, using smooth and musical strokes. He's taken many big chances. Some of them worked out well, others not as well as one might hope. But he deserves kudos for taking a risk and for making some of it work.

Why would anyone who *likes* electronic music complain that it doesn't have live instrumentation? That's like complaining that jazz has no rock and roll in it. "Reverence"? "Second rate Vangelis"? so: you were disappointed that Orbit didn't create more of the kind of schmaltz you personally like. Yanni, anyone?

For those who actually like electronic music, and like Beethoven's Opus 132, please, give that track a listen. I don't think you'll be disappointed.

This is incredible. Arrogant but incredible.......2006-05-26

I have been a fan William Orbit since Water from a vine leaf and I have to admit while this ins't exactly a electronica per se it is still amazing to see what he has done with our classics. The listening experience depends solely on the listener. More ambient than anything else I have heard though.

Recommended for William orbit and curious georges

not a rave.......2006-02-04

If you're looking for something to pop in late at night to dance to...this is not the album. This album is eery and some of it is painful. It's not full of upbeat electronics like originally thought it would be. But, I love it. It's great to listen to while just thinking...relaxing...reading...it's beautiful.

Pieces in a peaceful style........2005-11-28

Being a fan of ambient and electronica for some time, I decided to give this a try. I can understand how some may simply hear this as a cheesy reworking of the classics, just a man and his keyboard, but it's really much deeper than that if you just sit and listen. I suggest not comparing to the originals as much as enjoying what these pieces are themselves. A few tracks do lag, and there are quiet spots, but as a whole I find "Pieces In A Modern Style" to be almost hypnotic, and as I said in my review title, rather peaceful. The tracks I prefer the most are "Adiago For Strings", "Cavalleria Rusticana: Intermezzo", "L'Inverno", and the music-box sounding "Triple Concerto". However the others are fine as well. I say, if you think you might like this, you probably will. It's well worth the used price if nothing else.

Wolcum Yule: Celtic and British Songs and Carols - Anonymous 4 with Andrew Lawrence-King

Average customer rating:

Wolcum Yule
lovely and unusual Yule album
Goose Flesh!

Wolcum Yule: Celtic and British Songs and Carols - Anonymous 4 with Andrew Lawrence-King
John Tavener , Richard Rodney Bennett , Peter Maxwell Davies , Geoffrey Burgon , Henry VIII , Benjamin Britten , Anonymous 4 , and Andrew Lawrence-King
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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On Yoolis Night: Medieval Carols & Motets - Anonymous 4
Gloryland
Legends of St. Nicholas: Medieval Chant & Polyphony
The Origin of Fire: Music and Visions of Hildegard von Bingen

ASIN: B0000AZKK4
Release Date: 2003-10-14

Tracks:

Awake, And Join The Cheerful Choir
Good People All
The Seven Rejoices Of Mary
The Lamb
A Scots Lilt
Balulalow
Balulalow
The Holly And The Ivy
The Reel Of Tullochgorum
I Saw Three Ships
A Calendar Of Kings
Air: La Fuar Geimhreadh
An Teicheadh Go Heigipt
A God, And Yet A Man?
Grene Growith The Holy
Wel, Dyma'r Borau Gorau
The Cherry Tree Carol
Can Wassel
A New Year Carol

Amazon.com

This offbeat disc of seasonal songs and carols by the Anonymous 4 will delight their fans and please everyone else. The 19 selections include traditional folk melodies and texts, some of which date back to the Middle Ages, interspersed with fitting selections by contemporary composers including John Taverner, Benjamin Britten, and Peter Maxwell Davies, whose ethereal a cappella A Calender of Kings gets its first recording. Andrew Lawrence-King, playing Irish harp, Baroque harp, and psaltery with his accustomed finesse, is a major reason for the disc's success, accompanying most of the vocals and contributing three lovely solos. The disc is crammed with highlight tracks, like the lilting Cornish Wassail song and the Irish Good people all, and haunting numbers like "Flight into Egypt," sung in Gaelic, and "Behold, here is the best morning," sung in Welsh. Excellent sonics and Harmonia Mundi's typically fine production values also help make this a Christmas disc that will give joy in July. --Dan Davis

Customer Reviews:

Wolcum Yule.......2006-01-17

The recording is fine . . . it just didn't appeal to me personally

lovely and unusual Yule album.......2004-01-06

Anonymous 4 has brought us a beautiful selection of 19 traditional songs from England, Wales, Scotland and Ireland. These include a lesser known work by Henry VIII as well as more contemporary songs by John Tavener, Richard Bennett, Geoffrey Burgon and Benjamin Britten, and a piece commissioned for the group from Peter Davies. Andrew Lawrence-King accompanies on Irish harp, Baroque harp and psaltery. There is a short essay on the traditions and legacy of the concept of Yule, a Cetic midwinter celebration, and this and the informative liner notes are given in English, French and German, accompanied by Celtic drawings.

The songs are pure, simple and very beautiful -- a welcome addition to your holiday listening.

Goose Flesh!.......2003-12-09

This is a remarkable quartet, singing with purity and style, from the haunting to the merry, medieval chant to modern settings of Celtic religious texts. Where there are arrangements, they are lovely and the instrumental pieces are simple and beautiful. This is the first time I have heard this group of women, and I am enchanted. It's a cappella at its very best: look to your laurels, King's Singers and Chanticleer, here come the ladies!

Vivaldi's Greatest Hit: The Ultimate Four Seasons

Average customer rating:

Active or Passive Voice?
Four Seasons a Winner
A New Twist for an Old Favorite!
Not as much fun as it could be given the premise

Vivaldi's Greatest Hit: The Ultimate Four Seasons

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000894R5
Release Date: 2003-02-18

Tracks:

I. Allegro - Vladimir Spivakov
II. Largo - Amsterdam Guitar Trio
III. Allegro - Michala Petri
I. Allegro Non Molto - Larry Coryell
II. Adagio/Presto - Tracy Scott Silverman
III. Presto - Gottfried Von Der Goltz
I. Allegro - James Galway
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III. Allegro - Vladimir Spivakov
I. Allegro Non Molto - Ransom Wilson
II. Largo - Gottfried Von Der Goltz
III. Allegro - James Galway
I. Allegro (Alternate Version) - Michala Petri
III. Allegro (Alternate Version) - Gottfried Von Der Goltz
I. Allegro Non Molto (Alternate Version) - Gottfried Von Der Goltz
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III. Presto (Alternate Version) - Larry Coryell
III. Allegro (Alternate Version) - Amsterdam Guitar Trio
I. Allegro Non Molto (Alternate Version) - Gottfried Von Der Goltz
I. Allegro Non Molto (Alternate Version) - James Galway
II. Largo (Alternate Version) - Vladimir Spivakov
II. Largo (Alternate Version) - Larry Coryell
III. Allegro (Alternate Version) - Gottfried Von Der Goltz

Customer Reviews:

Active or Passive Voice?.......2006-11-29

Part One: It must have been the wax.
------------------------------------
While it is essential for any artist to interpret the work of another before them, a regard for the original author must remain intact. This is an ambitious recording, however, we are rarely judged by our intent and far more often by our act. All too often in this recording we are listening to the artist playing an author's work rather than the author's work being played by an artist. Hubris abounds in this recording, from its conception to its release, and unfortunately suffers an all too predictable fate.

Part Two: I can see the numbers.
-------------------------------
However, even more disenchanting than the usurping of a masterwork is the lack of inspired performances, as if each is so out of context that within the confines of these "snippets" the artist never engages leaving the listener equally disengaged, akin to a polished paint-by-numbers canvas executed in water color by a haphazard collection of period icons. If this was the very first recording of this sterling composition, it may well have been the very last.

end

Four Seasons a Winner.......2005-07-21

This is the second copy of Vivaldi's Greatest Hit I have purchased. I liked it so much, I decided to buy another copy to give my 15-yr-old nephew, who is a violinist and lover of classical music. He loves it, too, so two thumbs up from this reviewer.

A New Twist for an Old Favorite!.......2004-05-28

I own two other renderings of "The Four Seasons" in addition to this one, and this disc is my favorite. Vivaldi intended for "The Four Seasons" to be a multimedia experience, incorporating music, image, and poetry. This collection truly captures that spirit of versatility by arranging the work for several different instruments (not just guitar, as the previous review would have you believe). In addition, the movements rendered with soloist Gottfried von der Goltz on the Baroque violin sound almost completely different from any previous recordings. His style is hard, almost violent, while his instrument sounds much darker and richer than a modern violin. It adds a depth to "The Four Seasons" lacking in many new studio recordings. The third movement from "Summer" in particular is stunning, with von der Goltz transforming it from a mere succession of rushing 16th notes into an exuberant, virtuosic portrait of a prairie thunderstorm. The guitar, flute, and electronic arrangements (only one electronic arrangement, however) are excellent, retaining the true spirit of the original while managing to add something new. The disc contains the entire cycle of the seasons twice, with various different instrumentations playing each movement. Lovers of "The Four Seasons," Baroque music, or classical music in general will find MUCH to appreciate here!

Not as much fun as it could be given the premise.......2003-04-16

This isn't a bad album. It's a perfectly nice run-through of Four Seasons, twice. But the premise is that there are many different performers in many different styles, and the actuality comes out less varied than one would hope.

The performers are certainly all-stars, and there's nothing wrong with any of the performances. It's just that, they're, well, the same performances those all-stars could give any time. There are no new interpretations of the work. There are very few adaptations to unusual instruments - except for the movements done mainly on guitar, everything else is essentially the basic original orchestration, with different soloists filling in instead of the violin - Michaela Petri on recorder, James Galway on flute, etc.

And I didn't feel that the choice of which soloists did which movements was as inspired as it could have been. In several movements, the soloists hardly came across as soloists at all. The order in which the performers appeared, appeared to have been chosen at random. That is, every movement was played in order, with some randomly chosen set of artists doing it. Then, the (nearly) whole thing was played again, this time with the artists chosen randomly a different way, so that Michaela Petri was doing a different movement from the first time through.

Many casual listeners to classical music aren't aware that each "Season" is actually made up of three sections. The recording switches performers with every section. I personally think this would have been more effective if one set of performers had done all three sections of a season, long enough for the listener to really get a feel for their sound, then switched to another performer only with the change of seasons. With 8 seasons to go through (four times two), that still would have allowed for plenty of variety, and left one much more able to appreciate that variety.

Tracks:

The Four Seasons: Concerto No. 1 In E Major 'Spring,' I. Allegro
Overture No. 3 BWV 1068: Air
Water Music: Alla Hornpipe
Orpheus and Eurrdice: Dance Of The Blessed Spirits
Piano Sonata In A Major K. 331: Alla turca
Symphonie No. 3: Allegretto
String Serenade: Waltz
Foreign Countries And People op. 15 No. 1
Flute Concerto No. 1 In G Major, K. 313: Rondo. Tempo di Minuett
Piano Concerto No. 2 In F Minor Op. 21: Larghetto
Quintet In A Major 'Trout': Theme & Variations
Waltz In A Flat Major
Impromptu In G Flat Major D 899,3
Sinfonia concertante In E Flat Major K 364: Presto

Tracks:

Voices Of Spring Waltz Op. 410
Serenade Op. 3 No. 5
Songs Without Words In E Major Op. 19,1
Horn Concerto No. 3 In E Flat Major K. 447: Allegro
Fausts Verdammnis: Dances Of The Sylphes
Flute Concerto In G minor
Salomon: Arrival Of The Queen Of Sheba
Piano Concerto No. 23 In A Major K 488: Andante
Holberg Suite Op. 40: Prelude
Carmen: Intermezzo
String Serenade op. 22: Tempo di valse
Impromptu In B Flat Major D 935 No. 3
I Love You Op. 5 No. 3
Roses From The South, Waltz Op. 388

Tracks:

Peer Gynt: Morning
The Tales Of Hoffmann: Barcarole
Melody In F, Op. 3 Nr. 1
The Nutcracker: Waltz Of The Flowers
Standchen
Etude In G Sharp Minor 'La Campanella'
Peer Gynt: Anitras Dance
Moment Musical D 780 No. 3
Canon In D
Overture No. 2: Menuet & Badinerie
Piano Concerto No. 21 In C Major: Andante
Carmen: Seguedille
'Songs without Words': The Venetian Gondola
Eugen Onegin: Waltz
Romance For Violin And Orchestra In G major Op. 26

Tracks:

Die Fledermaus: Overture
Peer Gynt: Solveig's Song
Waltz No. 1 Op. 18 In E flat major 'Grande Valse brillante'
Lullaby
L'Arlesienne: Intermezzo
The Seasons Op. 37b: Barcarole
A Midsummer Night's Dream: Fairies' March
Clarinet Concerto In A Major K 622: Adagio
The Sleeping Beauty: Waltz
La Traviata: Prelude
Carmen, Suite No. 2: Chanson du Toreador
Happy Farmer
Menuet
On The Beautiful Blue Danube, Waltz Op. 314

Tracks:

A Little Night Music K 525: Allegro
Sonata No. 2 In E Major BWV 1031: Siciliano
Op. 11 No. 5: Menuet
Songs Without Words: Duetto
The Nutcracker: Dance of the Toy Flutes
Fruhlingslied (Spring Song)
Waldszenen: Abschied
Mandolin Concerto: Allegro
Music For The Royal Fireworks: La paix: Largo alla Siciliana
Brandenburg Concerto No. 3: Allegro
Waltz In B Minor Op. 69 No. 2
Romance Op. 5
Impromptu In A Flat Major D 935 Nr. 2
Tales from the Vienna Woods, Waltz Op. 325

Tracks:

Ave Maria
Humoresque Op. 101
Sleeping Beautiful: Panorama
Impromptu In E Flat Major, D899 No. 2
Melancholy
Waltz Op. 54,1
Nocturne In B Major Op. 9 No. 3
Caro mio ben
PARTITA IN D FLAT MAJOR: Pastorale
An den Fruhling
The Sleeping Beauty: Pas de quatre, Adagio
Rosamunde - Ballet In G Major
Piano Concerto No. 3 In C Minor Op. 37: Largo
Emperor Waltz, op. 437

Tracks:

Harp Concerto In B Flat Major: Andante allegro
Oboe Concerto In D Minor: Adagio
Flute Concerto In F Major, Op. 10 'La Tempesta di Mare': Presto
Piano Sonata No. 8 In C Minor Op. 13 'Pathetique': Adagio cantabile
Horn Concerto In E Flat Major K 495: Rondo. Allegro vivace
Poeme Op. 41 No. 6
Wilhelm Tell: Soldier's Dance
Liebestraum No. 3 In A flat Major
Violin Romance No. 2
Flute Concerto In E Minor: Rondo
Intermezzo In E Flat Major Op. 117,1
Carmen: Habenera
Symphony No. 3 'Scottish': Vivace non troppo
Vienna Bonbons: Waltz Op. 307

Tracks:

Symphony No. 40 In G Minor K. 550: Molto Allegro
Preghiera - Mozarianna Suite: Ave Verum
Arietta Op. 12,1
Concerto BWV 1056: Arioso
The Four Seasons: Concerto Nr. 3 Autumn: Allegro
Des Abends (Evening)
Holberg Suite Op. 40: Gavotte
Melancholy Galliard
Flute Concerto No. 2 In D Major K. 314: Rondo. Allegretto
Spinning Song
Orchestral Suite No. 3: Valse Melancolique
Flute Quartet K. 285a: Tempo di Minuetto
Moment Musical In A Flat Major, D 780 No. 2
Piano Concerto No. 9 In E Flat Major K 271 'Jeunehomme': Rondo - Presto

Tracks:

String Serenade: Moderato
Traumerei Op. 15
Ave Maria
Cello Concerto No. 2 In D Major: Allegro
Minuet In D Minor
Suite No. 1: Marche Miniature
A Midsummer Night's Dream: Notturno
Mazurka In D Major Op. 33 No. 2
Divertimento K 251: Andantino
On Wings Of A Song
Carmen: Nocturne
Melody
Sonata In C Major BWV 1033: Allegro
Symphony No. 1 In G Minor 'Winter Dreams': Adagio cantabile
Sound Of The Spheres, Waltz Op. 235

Tracks:

The Marriage Of Figaro: Overture
Sonata In C sharp Minor Op. 27,2 'Moonlight Sonata': Adagio sostenuto
German Dance No. 1
Nocturne In C Sharp Minor Op.posth.
Haffner Serenade: Minuet
Septet In E Flat Major Op. 20: Tempo di Minuetto
Symphony No. 4 Italian: Andante con moto
Prelude In D Flat Major Op. 28, No. 15 'Rain Drops'
'3 Small Pieces': Impromptu
'The Nutcracker': March
Romance In E Flat Major Op. 44
Piano Sonata No. 16 In C Major 'Sonata facile': Allegro
'The Nutcracker': Scene No. 10
Enjoy Your Life Waltz, Op. 340

Average customer rating:

Christmas Adagios
christmas adagios
Nice Background for the Holidays
One of my very top 5 favorite holiday albums!
Wonderful POCOCAT?

Christmas Adagios

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005NY7D
Release Date: 2001-10-09

Tracks:

O Holy Night - Leontyne Price
Ave Maria - Luciano Pavarotti
In The Bleak Midwinter - Rosemary Joshua/Ian Bostridge
Coventry Carol - The Choir Of King's College, Cambridge/David Willcocks
Away In A Manger - Mark Tinkler
Gabriel's Message - The Choir And Orchestra Of Clare College, Cambridge
Pastoral Sinfonia - Academy Of St Martin In The Fields/Neville Marriner
Il S'en Va Loin De La Terre - Acadamy And Chorus Of St Martin In The Fields/Neville Marriner
Panis Angelicus - Kiri Te Kanawa
Schlafe, Mein Liebster - Marilyn Horne
Wiegenlied - Renata Tabaldi
O Jesu So Meek - Simon Preston
While Shepherds Watched - Stephen Cleobury
Susser Trost, Mein Jesus Kommt - Agnes Giebel
Lute Concerto, RV 93: Largo - Eduardo Fernandez
Alma Redemptoris Mater - Julian Podger
O Magnum Mysterium - John Angelo Messana
Zastupnitse Userdnaya - St Petersburgh Chamber Choir/Nikolai Korniev
Iubi-Te-voi (I Will Love Thee, O Lord) - Angela Gheorghiu/Romanian National CHamber Choir 'Madrigal'/Constantin Marin
Once In Royal David's City - Robin Barter/David Briggs
O Tannenbaum - Vienna Boys Choir/Uwe Christian Harrer
O Little Town Of Bethlehem - The Choir Of King's College, Cambridge/David Willcocks

Tracks:

Stille Nacht - The Bach Choir/David Willcockes
Gloria In Excelsis Deo - Katherine Fuge/Nicola Jenkin/Elinor Carter/Julian Podger
Winter, RV 297: Largo - Alan Loveday
The First Nowell - The Choir Of Kings College, Cambridge/David Willcocks
In Dulci Jubilo - The Bach Choir/David Willcocks
The Three Kings - Gerald Finley
Es Ist Ein Ros Entsprungen - Monteverdi Choir
Still, Still, Still - Ian Bostridge
The Crown Of Roses - The Choir Of Clare College, Cambridge/John Rutter
Christmas Concerto, Op.6 No.8: Largo Pastorale - Academy Of Saint Martin In The Fields/Neville Marriner
The Lamb - Monteverdi Choir/John Eliot Gardiner
Balulalow - Anthony Way/Lucy Wakeford/St Paul's Cathedral Choir/John Scott
Ave Maria - Leontyne Price
Mille Cherubini In Coro - Luciano Pavarotti
Vesperae Solennes De Confessore, K.339: Laudate Dominum - Kiri Te Kanawa
The Infant King - The Choir Of King's College, Cambridge/David Willcocks
Lullaby My Jesus - The Choir Of Winchester Cathedral/David Hill
What Child Is This? - Anthony Way/Tom Finucane
The Tales Of Hoffmann: Barcarolle - L'Orchestra De La Suisse Romande/Richard Bonynge
See Amid The Winter's Snow - The Choir Of King's College, Cambridge/David Willcocks
The Blessed Son Of God - The Choir Of Winchester Cathedral/David Hill
It Came Upon The Midnight Clear - Leontyne Price
White Christmas - Kiri Te Kanawa/London Voices

Customer Reviews:

Christmas Adagios.......2007-03-03

This is the BEST Christmas collection that I have ever heard. I would like
to purchase 15 more to give as gifts this year; however, it appears that
Decca is out of stock or no longer releasing it. HELP!!

christmas adagios.......2007-01-14

this was one of the best assortment of classical holiday songs that i have ever heard. it contains a marvelous array of the best composers and performers that the world has to offer. if you are a fan of classical music, i think this cd will be a positive addition to your music collection

Nice Background for the Holidays.......2007-01-11

Beautiful Adagios and a rich selection for the price. Audio travels to Vienna, London, Cambridge etc

One of my very top 5 favorite holiday albums!.......2005-11-19

What a delightful surprise this 2 disc album was and I'm not a big fan of Christmas music. I loved all the selections and felt they were well performed. This is a true "must have" for any Christmas collection. Superior to many other compliations on the market. This one is a keeper! It is the one album I'll pick first to listen to after Thanksgiving.

Wonderful POCOCAT?.......2005-07-16

Great CD. The reviewer who calls him/herself POCOCAT says he/she is an opera singer. Wonder how much work an uninformed singer gets?
A "fast spinning" vibrato,as you describe Ms. Price, is not the same as a wide vibrato. The former is a speed issue, the latter a width issue. Therefore, 4 variables exist: fast, slow, wide, slim. Thus, 4 types of voice exist: fast/wide, fast/slim, slow/wide, and slow/slim. Most often a singer leans toward fast/slim or slow/wide, in varying degrees. A matter of taste, yes, but learn more about the voice before you expound.

Average customer rating:

A Christmas celebration for Classical Music Lovers only
This may be a good album; the marketing ploy is shameless
Touch of angle, touch of heart

#1 Christmas Album
Placido Domingo , Luciano Pavarotti , Kiri te Kanawa , Franz Gruber , Peter Ilyich Tchaikovsky , and Joan Sutherland
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Christmas Adagios
The Three Tenors Christmas
O Holy Night / Luciano Pavarotti / Special Deluxe Edition (Decca)
Ultimate Classical Christmas Album of All Time
A Gala Christmas in Vienna

ASIN: B00005Q6LG
Release Date: 2001-10-09

Tracks:

Adeste Fideles (O Come All Ye Faithful) - Luciano Pavarotti/London Voices
Silent Night (Stille Nacht) - The Bach Choir/Sir David Willcocks
Ave Maria - Leontyne Price
Once In Royal David's City - Robin Barter/David Briggs/The Choir Of Kings College, Cambridge/Stephen Cleobury
Ding Dong! Merrily On High - The Choir Of King's College, Cambridge/Stephen Cleobury
Joy To The World - Joan Sutherland
Good King Wenceslas - Simon Keenlyside/Richard Suart/Stephen Cleobury/The Choir Of St John's College, Cambridge...
Wiegenlied (Brahms' Lullaby) - Renata Tebaldi
In Dulce Jubilo - The Choir Of King's College, Cambridge/Sir David Willcocks
Christmas Oratorio: Pastoral Sinfonia - Stuttgarter Kammerorchester/Karl Munchinger
Messiah: For Unto Us A Child Is Born - Chicago Symphony Chorus And Orchestra/Sir Georg Solti
Ave Maria - Kiri Te Kanawa
L'Enfance Du Christ: Shepherds' Farewell - St Anthony Singers
Mille Cherubini In Coro - Luciano Pavarotti
See Amid The Winter's Snow - Simon Preston/The Choir Of King's College, Cambridge/Sir David Willcocks
What Child Is This? - Anthony Way/Tom Finucane/John Scott
The First Nowell - David Briggs/The Choir Of King's College, Cambridge/Stephen Cleobury
O Tannenbaum - Leontyne Price
While Shepherds Watched - Simon Preston/The Choir Of King's College, Cambridge/Sir David Willcocks
Away In A Manger - Anthony Way/The Choir Of St Paul's Cathedral/John Scott
Hark! The Herald Angels Sing - John Scott/James Blades/David Corkhill

Tracks:

Deck The Hall - Joan Sutherland/The Ambrosian Singers
The Holly And The Ivy - Jonathan Lamb/Christopher Hughes/Simon Haynes/Roland Robertson/The Choir Of King's College...
Panis Angelicus - Luciano Pavarotti/Wandsworth Boys Choir
In The Bleak Midwinter - Anthony Way/The Choir Of St Paul's Cathedral
God Rest Ye Merry Gentlemen - John Scott/James Blades/David Corkhill
German Dance No.3, K.605: Sleigh Ride - Wiener Mozart Ensemble/Willi Boskovsky
The Twelve Days Of Christmas - Joan Sutherland/The Ambrosian Singers
Shepherds In The Fields Abiding - The Choir Of King's College, Cambridge/Sir David Willcocks
Tu Scendi Dalle Stelle - Renata Tebaldi
I Saw Three Ships - Mark Tinkler/William Kendall/The Choir Of St. John's College, Cambridge/George Guest
O Holy Night - Leontyne Price
O Little Town Of Bethlehem - David Briggs/The Choir Of King's College, Cambridge/Stephen Cleobury
Gesu Bambino - Luciano Pavarotti/Wandsworth Boys' Choir
Rocking - The Choir Of King's College, Cambridge/Sir David Willcocks
The Virgin's Slumber Song - Joan Sutherland
Child In A Manger - The Choir And Orchestra Of Clare College, Cambridge/John Rutter
Hosanna In Excelsis - Placido Domingo/James Lancelot/Winchester Cathedral Choir
The Nutcracker: Waltz Of The Snowflakes - Members Of The Finchley Children's Music Group
White Christmas - Kiri Te Kanawa/London Voices
The Skaters' Waltz - National Philharmonic Orchestra/Douglas Gamley
Mary's Boy Child - Kiri Te Kanawa/London Voices

Customer Reviews:

A Christmas celebration for Classical Music Lovers only.......2002-11-06

The cover of this 2 disc set features half a dozen of the great voices of our time: Pavarotti, Domingo, Joan Sutherland, Renata Tebaldi, Kiri Te Kanawa, and Leontyne Price. However, selections by these soloists comprise only 2/5 of the set, the rest being choral and orchestral works.

Nor are these fabulous voices given equal representation. Pavarotti and my personal favorite, Joan Sutherland, have four songs apiece; Price and Kanawa have three apiece; Renata Tebaldi two and only one for Placido Domingo.

However, this is basically a very good collection. The first disc is a bit on the solemn side, while the second is brighter. Pavarotti leads off the entire collection with "Adeste Fideles" and returns later on the first disc with "Mille Cherubini in Coro". His renditions of "Panis Angelicus" and "Gesu Bambino" help grace the second CD.

Joan Sutherland brightens the first disc with her "Joy To The World" and then sets the lighter mood of the second disc with "Deck The Halls" and later returns with a sprightly "Twelve Days of Christmas". She also gives us the beautiful and tender "Virgin Slumber Song". Leontyne Price gives us Schubert's "Ave Maria", "O Tannenbaum" and "O Holy Night". Kiri Te Kanawa gives us Bach/Gounod's "Ave Maria", surprises us with "White Christmas" (a very beautiful & unique interpretation), and winds up the entire set with "Mary's Boy Child". Renata Tebaldi's contributions are Brahms' "Lullaby" and "Tu Scendi Dalle Stelle". Placido Domingo's sole appearance is with the dynamic "Hosanna in Excelsis" from Lloyd Weber's Requiem.

It is a splendid feast of vocal performances. However, the choral and orchestral selections have weak spots. I was especially disappointed in the Chicago Symphony & Chorus rendition of "For Unto Us a Child Is Born", and also thought that a good rendition of the Hallelujah Chorus would've worked better. The orchestral selections did have bright spots such as "Sleigh Ride" (Mozart's, not Leroy Anderson's), Tchaikovsky's "Waltz of the Snowflakes" from the Nutcracker, and the "Skater's Waltz".

All in all, this is a collection which belongs in your Christmas Classical collection, but can't be considered an absolute essential.

This may be a good album; the marketing ploy is shameless.......2001-11-15

I have not listened specifically to this edition, but I can tell you with near absolute certainty that this is a classic example of marketing at its most shameless. This is nothing more than a reissue of "The Greatest Christmas Show on Earth", but with a different title! (Something similar was done back in 1963, when the Harry Simeone Chorale's ever-popular 1958 LP, "Sing We Now of Christmas", was retitled and re-released as "The Little Drummer Boy"--its current CD title--, but at least the advertising there seemed slightly more honest.)

Everything on "The #1 Christmas Album" is exactly the same as on "The Greatest Christmas Show on Earth", right down to the order of the musical selections on the album. Only the cover design is different. Decca/London apparently believes that it can fool its customers into thinking that they are buying another album if they simply change the title. Of course, the album itself is reasonably good, though not on the level of most of my favorite Christmas albums, not even the now-deleted RCA Victor "Christmas Treasures", a collection culled from RCA Victor's Living Stereo series. The offense lies in the marketing gimmick,something I have never seen in all my years of avid CD buying. This is worse than all those "collections" which just rehash old material--at least each collection is a newly organized album.

Touch of angle, touch of heart.......2001-11-14

If you enjoy opera or choir, this is a must collection. The Choir of King's College probably knows the secret how to make the listener flying among thousands of Christmas candles. Pavarotti's opening is so mighty that remind people, this year, to be courageous and to believe (not limited from religious sense but the humanity perspective.) And his Mill Cherubini and Panis Angelicus can vibrate one's tear from the heart, reflecting to the tragedy and the war in 2001. As for the sopranos, this collection is a Jewel. Joan Sutherland's Deck The Hall and The Twelve Days of Christmas bring out the merry atmosphere of the season and cheer one's mood to celebrate. Also her Virgin's Slumber Song has so much beauty and grace . Kanawa's Ave Maria is so dramatic performed that perfectly drawn out the human's longing for love and protection. All the orchestra also have done a splendid job. The arrangement is perfect there is no dull moment from the beginning to the end.