It Is [Import]

Track Listings
 
1. Nachtmusik
2. Just Another Dream

It Is,Heinz Leonhardsberger,Erden,New Age

It Is [Import]

It Is [Import]
High School Musical 2: What Time Is It
Average customer rating: 5 out of 5 stars
  • AWSOME CD!!!!!!!!!!!
  • Great Deal!
 High School Musical 2: What Time Is It

Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. High School Musical 2
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  4. Hairspray (Soundtrack to the Motion Picture)
  5. Hannah Montana - Pop Star Profile

ASIN: B000QFCD72
Release Date: 2007-07-17

Tracks:

  1. Untitled Track

Customer Reviews:

5 out of 5 stars AWSOME CD!!!!!!!!!!!.......2007-07-21

I just got this CD-Single in the mail yesterday!!!! It was awsome, though it only has one track! But it's a great track

High School Musical 2: What Time Is It (CD-Single)

CD Includes:
-"What Time Is It" Cast of High School Musical
-"High School Musical 2" Movie Sneak Preview (Enhanced CD Feature)
-Special Offers on Hannah Montana Soundtracks, High School Musical 2 Soundtrack & More!!!
-Lyrics to "What Time Is It"
-Really Cool Fold-Out Poster
-And over all A COOL DESIGN!!!!

AND OVER ALL [OF THAT] THIS CD WAS AWSOME!!!!!!!!!!!!!!!!!! AND IT'S NOT THAT EXPENSIVE

**If you liked this CD-Single, then check out these other CDs

1.High School Musical
2.Disney's Karaoke Series: High School Musical
3.High School Musical
4.High School Musical: The Concert
5.High School Musical: We're All in This Together
6.High School Musical Cast: Breaking Free
And Coming August 14th

1.High School Musical 2

**Then Check Out These GREAT DVDs

1.High School Musical (Encore Edition)
2.High School Musical (Two-Disc Remix Edition)
3.High School Musical, The Concert - Extreme Access Pass

5 out of 5 stars Great Deal!.......2007-07-19

This is the new Cd single from High School Musical-2. It features the whole
gang singing What Time Is It?- which is a fun ,upbeat, summer song that
features a marching band. You will love to sing along and dance to this song!
The Cd is enhanced -so if you put it in your computer you can see a preview of the movie.
Finally,there is a poster of the six young stars of the movies!
It's a great deal for anyone who loved the first movie and can't wait for the second! Like me and probably you!
What It Is! Funky Soul And Rare Grooves (1967-1977)
Average customer rating: 4.5 out of 5 stars
  • Mm-hmm! I can smell that funky music!
  • WHAT IT IS ?.....NOTHING BUT A NON STOP PARTY!
  • Amazing. Mind blowing. Worth every penny. And so on.
  • Never a dull moment
  • Soul-tastic... All Hail Rhino! Nobody knows box like Rhino knows box
 What It Is! Funky Soul And Rare Grooves (1967-1977)
Various Artists
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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  5. Cold Heat: Heavy Funk Rarities 1968-1974, Vol. 1

ASIN: B000GIWS4W
Release Date: 2006-10-03

Tracks:

  1. Spreadin' Honey -- Watts 103rd St. Rhythm Band
  2. Soul Finger -- Bar-Kays
  3. The Shadow Of Your Smile -- Brother Jack McDuff
  4. Gangster Of Love (Parts 1 and 2) -- Jimmy Norman
  5. The Memphis Train -- Rufus Thomas
  6. Get Out Of My Life Woman -- Grassella Oliphant
  7. Live Right Now -- Eddie Harris
  8. Pig Snoots, Part 1 -- Natural Bridge Bunch
  9. Soul Sound System -- The Freedom Sounds featuring Wayne Henderson
  10. Snatching It Back -- Clarence Carter
  11. Stoned Soul -- Artie Christopher
  12. Getting The Corners -- The T.S.U. Tornadoes
  13. Sexy Coffee Pot -- Tony Alvon & The Belairs
  14. Don't Come Around Here Anymore -- Mark Putney
  15. Keep On Dancing -- The Commodores
  16. Right On Brother--Part 1 -- The Southshore Commission
  17. Pop, Popcorn Children -- Eldridge Holmes
  18. It's Your Thing -- Cold Grits
  19. It's All In Your Mind -- Soul Angels
  20. Funky John -- Johnny Cameron & The Camerons
  21. Help Me Make Up My Mind -- Joyce Jones
  22. Rock Me Baby -- Lou Johnson
  23. Sing A Simple Song -- The Noble Knights
  24. Do You Dig It -- Titus Turner
  25. Funky Canyon -- Phil Moore Jr.
  26. Jan Jan -- The Fabulous Counts
  27. Tampin -- The Rhine Oaks

Tracks:

  1. Gossip -- Cyril Neville
  2. Somebody In The World For You -- The Mighty Hannibal
  3. Stanga -- Little Sister
  4. Jumpin' Jack Flash -- Ananda Shankar
  5. The Deacon -- Brute Force
  6. Sookie Sookie -- Don Covay & The Jefferson Lemon Blues Band
  7. Right On -- Clarence Wheeler & The Enforcers
  8. (Don't Worry) If There's A Hell Below We're All Going To Go -- Curtis Mayfield
  9. Stepping Stones -- Johnny Harris
  10. I'm Just Like You -- 6ix
  11. Funky Thing--Part 1 -- The Unemployed
  12. Messie Bessie -- Shirley Scott
  13. Fairchild -- Willie West
  14. Cold Bear -- The Gaturs
  15. I Can't Get Next To You -- Mongo Santamaria
  16. Feelin' Alright -- Lulu
  17. Soul Bowl -- Memphis Horns
  18. Tuane -- Hammer
  19. Take It Off--Part 2 -- Johnny Tolbert & De Thangs
  20. Seeds Of Life -- Harlem River Drive featuring Eddie Palmieri & Jimmy Norman
  21. Engine Number 9 -- Wilson Pickett

Tracks:

  1. Hard Times -- Baby Huey & The Baby Sitters
  2. What So Never The Dance--Pt. 1 & 2 -- Houseguests
  3. Headless Heroes -- Eugene McDaniels
  4. Spinning Wheel -- Wade Marcus
  5. Bad Tune -- Earth, Wind & Fire
  6. Mr. Cool -- Rasputin's Stash
  7. Don't Cha Hear Me Callin' To Ya -- Junior Mance
  8. Hang On In There -- The Stovall Sisters
  9. Funky Nassau (Part 2) -- The Beginning Of The End
  10. Whatever's Fair -- Mark Holder & The Positives
  11. Face It -- Ed Robinson
  12. Wah Wah Man -- Young-Holt Unlimited
  13. Rock Steady (alternate mix) -- Aretha Franklin
  14. Won't Nobody Listen -- Black Haze Express
  15. Goin' Down -- Allen Toussaint
  16. Suavecito -- Malo
  17. You Gotta Know Whatcha Doin' -- Charles Wright
  18. Mo Jo Hanna -- Tami Lynn
  19. Ridin' Thumb -- King Curtis
  20. Almendra -- Macondo
  21. Nuki Suki -- Little Richard

Tracks:

  1. Getting Uptown (To Get Down) -- United 8
  2. 8 Days On The Road -- Howard Tate
  3. Moon Shadow -- Labelle
  4. Let It Crawl -- Society's Bag
  5. Wanaoh -- Black Heat
  6. If It Was Good Enough For Daddy -- Clarence Reid
  7. Everything I Do Gonna Be Funky -- Claudia Lennear
  8. Cosmic Sea -- The Mystic Moods
  9. Kissing My Love -- Cold Blood
  10. Flute Thing -- Seatrain
  11. Chug Chug Chug-A-Lug (Push N' Shove) Part 2 -- The Meters
  12. Funky To The Bone -- Freddi/Henchi & The Soul Setters
  13. Try It Again -- Bobby Byrd
  14. . Teasin' -- Cornell Dupree
  15. (Everybody Wanna Get Rich) Rite Away -- Dr. John
  16. Chicken Heads -- Oscar Brown Jr.
  17. Rien Ne Va Plus -- Funk Factory
  18. Cajun Moon -- Herbie Mann
  19. Improve -- Darrow Fletcher
  20. Riding High -- Faze-O
  21. Four Play -- Fred Wesley & The Horny Horns
  22. California Dreamin' -- Eddie Hazel

Amazon.com

Too many reissue compilations are content to merely slice 'n' dice familiar catalog choices in not particularly original ways. But this four-disc, 91-track trove of obscure '70s R&B and funk from Warner-distributed labels great and small argues there's still treasure to be gleaned from studio vaults--a five-hour groove-fest that's as interested in shaking booty as in opening ears. Even the genre's groundbreaking usual suspects (Wilson Pickett, the Bar-Kays, Curtis Mayfield, Earth, Wind & Fire, et al) are represented by selections that aren't immediately familiar, while Queen of Soul Aretha Franklin serves up a radically different, previously unreleased take of "Rock Steady." Still other stars contribute their sonic touches to some of the lesser-known cuts, as witnessed by the patent trippiness of Sly Stone alter-egos 6ix and Stanga on "I'm Just Like You" and "Little Sister," respectively; the stark, party-not-so-hearty contrast of the Mayfield-written-and-produced "Hard Times" by Baby Huey & Baby Sisters; and the Meters' version of "Tampin'," released under the moniker of the Rhine Oaks.

Sequenced in rough chronological order, it's a savvy window into a musical evolution as well, with the rhythmic guitars, organ swells, and horn flourishes of traditional '60s R&B giving way to sinewy synths and increasingly chunky bass lines as the decade grooves on. While savvy hip-hoppers will note that many of the rarities here have already been repurposed by shrewd mixers, it's a revelation to hear them in their original form. A compelling deconstruction of an often clichéd and too-narrowly-defined genre, this is an anthology that showcases music that has influenced such contemporary artists as Tupac, the Beastie Boys, Snoop Dogg, and Kanye West, annotated by many of the original musicians who set the dance floor in motion. --Jerry McCulley

Album Description

91 tracks deep and five hours long, this multi-artist, 4CD set mines rare, renowned, legendary, and little-known grooves from the vaults of Atlantic, Atco, and Warner Bros Records!

Customer Reviews:

4 out of 5 stars Mm-hmm! I can smell that funky music!.......2007-06-18

Rare indeed; I can't imagine where you would find original 45s or even LPs containing all of these songs. That would be one lifetime task. The good folks at Rhino Records with their remarkable and creative tastes took out all of that hassle for us and now offers a rather unique set of rare funky music from the vaults of Atlantic/Atco and Warner/Reprise dating 1967-1977 with 91 tracks spanning across 4 filled-to-the-brim discs. Any soul music fan will no doubt want to explore this area of the R&B category (funk and I mean pure funk), but at times the flow of the music could seem a bit too much to handle. Some of the cuts go more than 3 1/2 minutes and sound like they might not end any time soon. The other case would be some tracks sound bizarre or unusual in terms of sound due to instrumentation, arrangements, etc. Such "bizarre" tracks are the sitar-laced rendition of "Jumpin' Jack Flash", "Steppin' Stones" with a crazed flautist leading the way on a very blazing and dizzy-sounding track. The good outweigh the not-so-good remarkably, though. So get ready to hear punchy horns, infectious, simplistic and driving drumbeats, super funky bass lines, crunchy guitars, oozing organs and ultra-soulful vocals. On disc one, some noteworthy tracks are "Spreadin' Honey", "Get Otta My Life Woman", "Snatchin' It Back", "Sexy Coffee Pot" and "Help Me Make Up My Mind" (an answer to "Can I Chane My Mind"). Be sure to check out "Sookie Sookie", "Feelin' Alright" (done by Lulu (To Sir With Love)!), and "Engine Number Nine" on disc two, "Face It" (love the female backup singers on this), "Wah Wah Man", an alternate extended mix of "Rock Steady", "Suavecito", and "Nuki Suki" (from Little Richard) on disc three as well as "Moon Shadow", "Kissing My Love", "Everything I Do Gonna Be Funky", "Chug Chug-A-Lug", "Everybody Wanna Get Rich Rite Away", and "Chicken Heads" on disc four. Those were just some of my favorite tracks, so I may have missed some. Many are instrumentals, but there are a handful with vocalists singing about love, dancing, partying, social concerns, etc. Bottom line: worth checking out and worth the discovery. You definitely won't hear this stuff on commercial radio. Only about three or four songs you'll recognize; the rest is like a surprise. If you're into R&B and want to explore the funk side of it, you can't find a better pick, and about 90% of these songs aren't available (some or many) together anyplace else. The real deal of funk; that is "what it is!"

5 out of 5 stars WHAT IT IS ?.....NOTHING BUT A NON STOP PARTY! .......2007-02-10

This set right here could very well be the holy grail of rare and hard to find grooves. This box set is funkier than a high school locker room! Every track on here is certified stank(aka funky). The most amazing thing about these tracks is that they capture the spirit of the times better than a lot of their more popular comtemporaries(at least in my opinion). "What it is" feels like an audio documentary of underdogs making the funkiest music and having a great time doing it. If you listen to how these tracks are sequenced, you'll feel like a story is being told - rather than just listening to another compliamation of vintage r&b music.

I'm only 25 years old. Every time I play this set, I feel like I'm at a 70's block party, chillin' in a long black cadillac fleetwood and scoping out some foxy mamas with hot pants and thigh high leather boots
(that's how good the music sounds). With 20 plus tracks each per disc, you can't help but be amazed with the consistent quality of the music.

All I gotta say is buy this set and let the funk be your guide to love, happiness, and your rites of passage to throw it on down and dance your
a-- off!!! If you ain't diggin on this, you're diggin a hole for yourself!

Long live the funk baby!

5 out of 5 stars Amazing. Mind blowing. Worth every penny. And so on........2007-02-04

This is the real deal folks. Music with grit and soul and feeling, before the shining distraction of drum machines, computers, samplers, bling, and "MTV's Cribs". I saw an ad for this and went to several book and record stores such as Borders, and to my local hip indie CD store (headquarters to the local music scene circle-jerk), trying to describe it to various clerks. Which was about like trying to teach a card trick to a basset hound. Save yourself the agony of trying to interest a white twenty-something body-piercing pincushion in ordering this set for you, and just get it here. You'll be glad you did. The sheer quantity of great music on this is staggering. I love the mix of instruments with vocal tracks, and the mix of "name" artists like Aretha or The Meters with many very obscure ones. Whoever compiled this did a great job in selecting the track order, so it makes it perfect for a long party. Everyone will be getting up and shaking their groove thang. This is priceless music from a lost era, so grab it before it disappears again.

4 out of 5 stars Never a dull moment.......2007-01-28

I am a funk fan who is still by all means learning...With the passing of James Brown recently, I have tried to speed up this process a little and take as much in as possible. I think this collection of "underground" funk is phenomenal, 4 discs and never a dull moment.

4 out of 5 stars Soul-tastic... All Hail Rhino! Nobody knows box like Rhino knows box.......2007-01-14

I stumbled over this set just a few days ago, and I have to say that it's easily one of the top 10 best random-artist compilations I've ever heard in my life, and I own hundreds of them.

I won't say there's no filler--by filler I mean the cover tunes--and I'm confused as to why "What So Never The Dance" is credited to the Houseguests when this is a longtime Bootsy Collins track? What, is Bootsy in trouble with Warner Brothers and can't re-release his own stuff under his own name anymore?

But disc one is an absolute gem--you can't make your own mix better than they've done it here. If you're a fan of James Brown, Parliament, Otis Redding, Sly Stone, the aforementioned Bootsy, Tower Of Power, Prince, early Stevie Wonder, Motown, Isaac Hayes, then you shouldn't be without this set.

Absolutely worth buying.
The Lord of the Rings: Fellowship of the Ring - The Complete Recordings
Average customer rating: 5 out of 5 stars
  • Beautiful
  • Awesome
  • Excellent Music tracks from Movie
  • Complete?
  • Great Collection, Poor Packaging
 The Lord of the Rings: Fellowship of the Ring - The Complete Recordings
Howard Shore
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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  4. The Lord of the Rings Sketchbook
  5. The Lord of the Rings: The Return of the King

ASIN: B000BNI90O
Release Date: 2005-12-13

Tracks:

  1. Lord of the Rings: The Fellowship of the Ring/Prologue: One Ring ...
  2. Lord of the Rings: The Fellowship of the Ring/The Shire
  3. Lord of the Rings: The Fellowship of the Ring/Bag End (Featuring ...)
  4. Lord of the Rings: The Fellowship of the Ring/Very Old Friends
  5. Lord of the Rings: The Fellowship of the Ring/Flaming Red Hair
  6. Lord of the Rings: The Fellowship of the Ring/Farewell Dear Bilbo
  7. Lord of the Rings: The Fellowship of the Ring/Keep It Secret, Keep ...
  8. Lord of the Rings: The Fellowship of the Ring/A Conspiracy Unmasked
  9. Lord of the Rings: The Fellowship of the Ring/Three Is Company
  10. Lord of the Rings: The Fellowship of the Ring/The Passing of the Elves
  11. Lord of the Rings: The Fellowship of the Ring/Saruman the White
  12. Lord of the Rings: The Fellowship of the Ring/A Shortcut to Mushrooms
  13. Lord of the Rings: The Fellowship of the Ring/Strider
  14. Lord of the Rings: The Fellowship of the Ring/The Nazgul ...

Tracks:

  1. Lord of the Rings: The Fellowship of the Ring/Weathertop
  2. Lord of the Rings: The Fellowship of the Ring/The Caverns of Isengard
  3. Lord of the Rings: The Fellowship of the Ring/Give Up the Halfling
  4. Lord of the Rings: The Fellowship of the Ring/Orthanc
  5. Lord of the Rings: The Fellowship of the Ring/Rivendell
  6. Lord of the Rings: The Fellowship of the Ring/The Sword That Was ...
  7. Lord of the Rings: The Fellowship of the Ring/The Council of ...
  8. Lord of the Rings: The Fellowship of the Ring/The Great Eye
  9. Lord of the Rings: The Fellowship of the Ring/Gilraen's Memorial
  10. Lord of the Rings: The Fellowship of the Ring/The Pass of Caradhras
  11. Lord of the Rings: The Fellowship of the Ring/The Doors of Durin
  12. Lord of the Rings: The Fellowship of the Ring/Moria
  13. Lord of the Rings: The Fellowship of the Ring/Gollum
  14. Lord of the Rings: The Fellowship of the Ring/Balin's Tomb

Tracks:

  1. Khazad-Dum
  2. Caras Galadhon (featuring Lament for Gandalf, performed by Elizabeth Fraser)
  3. The Mirror of Galadriel
  4. The Fighting Uruk-hai
  5. Parth Galen
  6. The Departure of Boromir
  7. The Road Goes Ever On (part 1)
  8. May It Be (composed and performed by Enya)
  9. The Road Goes Ever On (part 2. featuring In Dreams, perfomed by Edward Ross)
  10. Lord of the Rings: The Fellowship of the Ring/Khazad-D
  11. Lord of the Rings: The Fellowship of the Ring/Caras Galadhon ...
  12. Lord of the Rings: The Fellowship of the Ring/The Mirror of Galadriel
  13. Lord of the Rings: The Fellowship of the Ring/The Fighting Uruk-Hai
  14. Lord of the Rings: The Fellowship of the Ring/Parth Galen
  15. Lord of the Rings: The Fellowship of the Ring/The Departure of Boromir
  16. Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...
  17. Lord of the Rings: The Fellowship of the Ring/May It Be
  18. Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...

Amazon.com

As fans of Peter Jackson's Lord of the Rings trilogy know, each film exists in two versions: the theatrical one and the extended one that appeared on DVD. This luxurious box set--which also comes with a detailed essay on the movie's musical themes--features the full extended score, so many cues not on the CDs of the individual movies are included. Granted, the majority of listeners will be perfectly happy with the shorter versions of the scores--it's a safe bet that most people can live without hearing, say, Ian McKellen's 35-second-long ditty "The Road Goes Ever On" at the beginning of "Bag End," or Viggo Mortensen's performance of his own composition, "The Song of Lúthien," within the track "The Nazgûl." But if you're a completist and/or a devotee of Howard Shore's pounding tympani and overwhelming choral compositions (featured particularly prominently on disc 3, a large chunk of which is devoted to a battle scene), then this set is a dream come true. Audiophiles should note that the fourth disc, a DVD, offers the score in Dolby Digital 5.1 Surround Sound. Fire up those speakers so the whole shire can hear. --Elisabeth Vincentelli

Album Description

An epic film score receives epic treatment with The Lord of the Rings: Fellowship of the Ring/Complete Recordings. Released for the first time on CD, the complete score for the first film in the Lord of the Rings trilogy contains more than 180 minutes of music on three CDs plus a DVD-Audio disc of the entire score in Surround Sound. Breathtaking and majestic, the 2001 Oscar and Grammy winning score compsted by Howard Shore also includes Enya's Oscar nominated "May It Be." For fans of any of The Lord of the Rings films, the Fellowship of the Ring/Complete Recordings is an essential experience.

Customer Reviews:

5 out of 5 stars Beautiful.......2007-06-15

I picked up this set because I am both a LOTR fan, movies and books and I need music to help me work. There are some tracks that I skipped over, like the short little ditties in the bar, but many of the songs, such as the Elvish chants are easy to get lost in - its just too bad they don't last longer. The packaging really is well done, though the DVD disc was loose when I received it in the mail, but unharmed. I will have to wait until the price on the second set comes down a little more, but I can't wait for ROTK.

5 out of 5 stars Awesome.......2007-06-12

This is by far the editon to get if you loved the lord of the rings soundtrack. It has every song on it from the extended edition. and the DVD-A version is very nice.

5 out of 5 stars Excellent Music tracks from Movie.......2007-05-03

Brings the movie back as you listen to the full version of the track.

3 out of 5 stars Complete?.......2007-04-07

This CD collection is wonderful; it has much of the material from the movie that was only included in the extended edition DVD, but it is far from complete. While it does have the complete version of "The Passing of the Elves" and two versions of "The Road Goes Ever On", many of the songs are highly incomplete and inferior to the originals. "Aniron," the theme for Aragorn and Arwen performed by Enya, is incomplete and the lyrics are hard to match to what is being sung. The sound quality for this song is even worse on the accompanying DVD, which is supposed to have all of the music in "superior sound". The song "Prophecy" is reduced to two barely-audible lines and "May It Be" is shortened and different than the original. $60 for this when there are more complete songs on the original soundtrack is ridiculous.

3 out of 5 stars Great Collection, Poor Packaging.......2007-04-03

I realy can't add to what others have said about this set, the music is simply the best LOTR soundtrack collection out there! It is all here, and the contents of this set will make any LOTR fan happy and the music DVD is a great one disc addition if you want to hear the entire score in one sitting (to which I have done a number of times already).
My only complaint is the somewhat flimsy cardboard box that houses the contents of this musical treasure. Mine came damaged, and considering the price, I expected better packaging. This is a minor quabble on my part and NO, I havent returned it due to the fact that the music itself Is what I truly treasure, It just would have been nicer to have recieved it undamaged.

Music-5
Packaging-3

*for the record I had rated this Item 5 stars not the 3 stars that is showing at the top of my review*
Is This It
Average customer rating: 4 out of 5 stars
  • The most overrated album of the 21st century so far
  • fun
  • You need to hear this. The songs make it a true classic.
  • A Classic Album
  • Fun, fast and punchy - 4.5 stars
 Is This It
The Strokes
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Room on Fire
  2. First Impressions of Earth
  3. Elephant
  4. Franz Ferdinand
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ASIN: B00005QIPH
Release Date: 2001-10-09

Tracks:

  1. Is This It
  2. The Modern Age
  3. Soma
  4. Barely Legal
  5. Someday
  6. Alone, Together
  7. Last Nite
  8. Hard To Explain
  9. When It Started
  10. Trying Your Luck
  11. Take It Or Leave It

Amazon.com's Best of 2001

With all the media hype that dogged the Strokes before the release of their debut album, it's rather apt that they chose the title Is This It. On the strength of just five songs released on two singles, the Strokes were being hailed as everything from the saviors of rock & roll to the Savior himself. Surely, few bands could live up to the impossibly high standards set for this young five-piece, but the band needn't have worried: Is This It is one of the most exciting and energetic debut albums to spring from New York's long-dormant club scene. In fact, the Strokes are a New York City band through and through; like the Velvet Underground, these are a bunch of uptown artsy types elegantly slumming downtown to the tried and tested themes of sex, drugs, and rock & roll. Their singer-songwriter, the fantastically named Julian Casablancas, delivers his lyrics with a weary nonchalance that belies his age on songs like the title track, "Soma," "Hard to Explain," and the altogether wonderful "Barely Legal." And the band recalls the likes of Television and the Stooges on "Last Nite" and "The Modern Age." Let's hope this sexy, stylish, and undeniably cool band is the future of rock & roll. --Robert Burrow

Customer Reviews:

2 out of 5 stars The most overrated album of the 21st century so far.......2007-06-24

This is mediocre rock'n'roll. Nothing particularly great about it in any way. It will remain one of the mysteries of live how this group and this album got so hyped up. (I've never seen them live, maybe their live shows have got something that NYC critics picked up on. But on the basis of this recording?? Feh!)

5 out of 5 stars fun.......2007-06-11

intitially i wasn't quite sure about these guys but as as an old rocker and surf bum, i really lke they're music. yup, these guys probably ripped off someone, somewhere but you know what? who doesn't to some degree and for what it's worth they are totally fun and their tunes just click. i read one reviewer who said they ripped off high strung and i even went so far to get the high strung cd and yes it is very similar but nowhere near as good.

5 out of 5 stars You need to hear this. The songs make it a true classic. .......2007-06-07

When this album came out in the Fall of 2001, it hit my friends and I like a sledgehammer. We found ourselves endlessly trying to come up with analogies to describe the sound, and we could never quite do it. All of my friends, who had tastes ranging from punk to indie rock to radio pop, loved this record. The songs were simply that memorable and that good. Unfortunately, the Strokes were largely dismissed as an image band or a hipster band. Even worse, their follow-up albums honestly weren't as good. Still, this thing still puts a smile on my face every time. I rank it as high as any classic album ever made.

5 out of 5 stars A Classic Album.......2007-05-30

I bought this album a little over a year ago, and I've probably listened to it over 200 times since then -- seriously. I realize that I'm way late to the party, but I wasn't paying much attention to the music scene back in 2001 and I lived in California.

I certainly wasn't aware of all the hype surrounding the Strokes -- their look, alleged influences, "importance to rock music," etc. All I knew was their hit, "Last Night," and remember thinking: "that's a catchy tune, but it seems to me that the singer is trying to sing like Lou Reed on "Rock 'n Roll" and the guitarist stole the riff from Tom Petty's "American Girl." The video from the same song reminded me of the High School bands that I remember seeing back in the early-to-mid '80s.

I kind of liked it, but just sort of forgot about the Strokes. It seems that along the way a lot of others have forgotten about the Strokes, too, which I mostly blame on the Strokes, themselves. But I'll get to that later.

But first, since becoming an "Is this It" devotee and diving back into the music scene, I've concluded that the Strokes were terribly misunderstood back in 2001. I think part of it has to do with how important a "rock scene" is to critics -- how is shapes their views of The Velvet Underground, Sonic Youth, Television, etc. I think critics back in 2001 wanted very badly for the Strokes to be a second coming of SOME NY band that came out any of the oft-noted NY rock scenes of the past. Some just fabricated the connections and praised them for it; others realized this wasn't the case and slagged them as poseurs.

To name some examples: I think that the comparisons to Television and The Stooges border on ludicrous. Comparisons to The Velvet Underground are valid, but mostly insofar as they relate to the similarity between Julian Casablancas' vocals and Lou Reed's on "Rock 'n Roll" and "Head Held High" (off the Loaded album). Frankly, in addition to the above-mentioned Tom Petty riff, some of the stuff from Joy Division and the Cure sound closer to the Strokes' sound than these other bands. Heck, I think I heard the Repitilia opening riff on Belle & Sebastian's "Judy Dick Slap."

But that's neither here nor there, because what I've learned from listening to a bunch of current bands that I like -- The White Stripes, The Raconteurs, The Shins, Spoon, Of Montreal, etc. -- is that that they ALL lift riffs, melodies, etc. from others. Heck, even Radiohead, on their epic OK, Computer, sounds an awful like Pink Floyd, the Smiths, and even Rush, in parts. So, yes, the Strokes might have clipped together sound fragments they liked, but they did it artfully (unlike, say, Oasis, who I like, but don't love partly for this reason), in my opinion, like many other excellent bands do.

The important thing here is the songs -- and the songs on this album are all great -- not "epic", but extremely catchy and unique. Unless I'm completely out of touch -- and that's a distinct possibility -- if I were in college today, "Is this It" would be one of the first and last records I would go to if I had a little party going on in my dorm room.

If someone wants to argue that the songs are "slight," OK, I'll buy it. If someone wants to say that there are roughly two songs here -- one more "Rock 'n Roll" and the other more "New Wavey" -- played five different ways each, I'll buy that, too. Finally, if someone wants to say that the band, itself, doesn't show true "virtuosity" as musicians or that the record, itself, didn't push new musical boundaries, like, say, "Sgt. Pepper," "Dark Side of the Moon," "OK Computer," etc., fair enough.

Except in the case of Julian Casablancas, who delivers the finest vocals on this record as almost any you'll ever hear since Kurt Cobain on Nevermind or Tom Yorke on OK, Computer. Some describe Casablancas' vocals as "listless" or "bored," but this only tells a small part of the story. Yes, at times he does sound bored, but then oftentimes, he'll go from bored, to growling, to outright shouting. Just check out "The Modern Age," "Last Night," "Take it or Leave it," well almost every song. One could argue that Casablancas' vocals are aided by a megaphone-like distortion; I don't disagree, but that doesn't change how effective they are for me. IIf all you did was focus carefully on Casablancas' vocals, I think there's a chance you'd become as hooked on this record as I have.

In fact, I urge you to do just that.

And on the note of production, I think the band and Gordon Raphael made a brilliant decision to make the album "sound" as retro as it does. The Strokes asked Raphael to produce a record which sounded like it was a band from the future returning to the past -- and he did. This album sounds, in style and substance, like it could have served as the soundtrack to "Fast Times at Ridgemont High."

Unfortunately, the Strokes haven't been productive, recording-wise, since "Is this It," coming out with only two records -- the good-but-not-great "Room on Fire" and "First Impressions of Earth" -- in the nearly-six years since then, and unlikely to produce another until at least 2008. And that's a shame.

Just imagine if we were sitting here, say, in 1989, and R.E.M. had only "Murmur," "Fables of the Reconstruction" and "Green" to show for themselves; or in 1970 and the Beatles had only made a "Please Please Me/With the Beatles" combo, "Beatles for Sale" and "Let It Be." [No, I am not saying that the Strokes are in the same class as either band, especially the Beatles]. They'd each have done some great stuff and some good stuff, but would have also missed out on producing almost two-handfuls of classic albums between them.

The Strokes SHOULD have come out with an album between "Is This It" and "Room on Fire;" they SHOULD have come out with TWO albums between "Room on Fire" and "First Impressions of Earth." Heck, I'd argue that they maybe they SHOULD have come out with an album since "First Impressions of Earth." Then, maybe, we'd have another classic Strokes' album or two to enjoy, in addition to the one we have with "Is this It."

4 out of 5 stars Fun, fast and punchy - 4.5 stars.......2007-05-13

I remember getting this back in 2001 when everyone and their dog were stumbling all over themselves proclaiming The Strokes saviors and future of rock and the best thing since sliced bread. Unfair as it may be, all that hideous overexposure and ubiquity only served to set me against The Strokes because personally I just couldn't see what the fuss was about. Now that the hype around the band has dimmed and the music press are busy pushing other fresh new things into the spotlight, I could finally enjoy "Is This It" for what it is, a highly enjoyable collection of energetic, catchy guitar songs that borrow heavily from the rock'n'roll past - Television, Stooges - but still manage to sound modern and fresh. The album does start to suffer from sameness by the end especially when it comes to Julian Casablancas' monotone slacker delivery, but it's not much of a problem since "Is This It" wraps itself neatly in just over 35 minutes. Original? No, just like 99.9999% bands (some of them great) out there. Fun to tap your foot to? Heck yeah.
Urinetown (2001 Original Off-Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • not funny
  • An Amazing Find
  • Urinetown the Musical
  • Not for Everyone
  • "DON'T BE THE BUNNY!"
 Urinetown (2001 Original Off-Broadway Cast)
John Cullum , Mark Hollmann , Danny Marcus , and Hunter Foster
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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  1. Urinetown: The Musical
  2. Urinetown: Vocal Selections
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  4. The Light in the Piazza (2005 Original Broadway Cast)
  5. Avenue Q (2003 Original Broadway Cast)

ASIN: B00005LZR8
Release Date: 2001-08-07

Tracks:

  1. Overture
  2. Too Much Exposition
  3. Urinetown
  4. It's A Privilege To Pee
  5. Mr. Cladwell
  6. Cop Song
  7. Follow Your Heart
  8. Look At The Sky
  9. Don't Be The Bunny
  10. Act One Finale
  11. What Is Urinetown?
  12. Snuff That Girl
  13. Run, Freedom, Run!
  14. Why Did I Listen To That Man?
  15. Tell Her I Love Her
  16. We're Not Sorry
  17. We're Not Sorry (reprise)
  18. I See A River

Amazon.com

"How about a bad title?" wonders Spencer Kayden's Little Sally in "Too Much Exposition." "That could kill a show pretty good." It's a tribute to the skill deployed by the Urinetown creative team (Mark Hollman, music and lyrics; Greg Kotis, book and lyrics) that its title doesn't kill the show. Set in a near-future in which water depletion has led to a ban on private toilets, this may be the only musical in history in which one of the leads makes a fortune on pee. But the show (which originated Off-Broadway before graduating to the big league) limits its subversive intent to subject matter and is refreshingly classic in approach and structure--think Weill-meets-Lewis Carroll. Backed by a small ensemble, the cast (with John Cullum in a turn nothing short of brilliant as the evil urinal magnate) has a field day with Kotis and Hollman's frequently hilarious score. --Elisabeth Vincentelli

Customer Reviews:

1 out of 5 stars not funny.......2007-07-25

I'd heard such rave reviews about this musical, but kept passing on chances to see it. I was turned off by the title -- and this is strange for me, a person not afraid of scatological humor. But maybe I knew something I could not say.

The funniest thing about the musical, I am now convinced, is the premise. Urinetown is a place where you have to pay to pee. A conglomerate has taken over all toilet facilities, and if you don't pay, you don't pee -- unless you go into the bushes, and risk getting arrested.

But it's just not funny. It's supposed to be a satire, but it just doesn't work. Why? I don't know. But I listened to many songs on the CD, and none of them had that true spark that makes you want to laugh. The opening number is "Too Much Exposition" making fun of musicals that open by explaining too much with words instead of action. And perhaps this song is in there to deflect criticism for the main reason this musical doesn't work -- it's too busy explaining, instead of getting on with the business of being funny.

My humor tastes: I watch the Daily Show, Colbert Report, South Park, Dave Chappelle, Dane Cook (so-so), Frasier reruns. Never watched Friends, or Everybody Loves Raymond, or Family Guy, but did watch Seinfeld (although it's not funny to me anymore). The two most recent things I saw that made me laugh out loud were 1) Larry Wilmore doing his n*gg*r skit on Daily Show and 2)an early Chappelle episode where Sesame Street characters talk about drug use

5 out of 5 stars An Amazing Find.......2007-04-03

I just recently discovered this gem of a musical. It's a stand out show with a unique touch. If heard a few outside musicals (The Rocky Horror Show, Hedwig and the Angry Inch...) but this one stands out from them. The music is amazing, the lyrics are creative, and the humor is ripe.

With a chamber music-esque overture, the tone is set. 'Too Much Exposition' is a great introduction to Urinetown (the musical). Officer Lockstock addresses the audience about what they should expect from the show. Little Sally wants to let the audience in on the water shortage but Lockstock stops her. ("You're too young to understand it now, but nothing can kill a show like too much exposition." "How 'bout bad subject matter? Or a bad title, even? That could kill a show pretty good.")

I've read what others have written: you don't get the whole humor of the show unless you've seen it. I haven't seen it, but this recording is enough to get me see it. (That is, if a production nearby, even a high school production, is put on.)

The songs that I find myself listening to over and over are:

Too Much Exposition (not really a song, but still...)
Urinetown
It's A Privilage to Pee
Mr. Cladwell (a wonderfully sweet villain song)
Cop Song (a wonderfully fun villain song)
Follow Your Heart
Don't Be the Bunny
Act 1 Finale
What Is Urinetown?
Run, Freedome, Run!
Why Did I Listen to That Man?
We're Not Sorry (a great 20's sound, reminds me of 'Chicago')
I See A River (I really love this song... the feeling gotten across, before Lockstock comes out to comment, is 'Oh, everything is going to be okay', but Lockstock informs us that all is NOT well)

With a cry of "Hail Mathus!" the show ends. I just have to listen again, after making a trip to the bathroom.

5 out of 5 stars Urinetown the Musical.......2007-03-10

This CD has all the songs from the show. The show is great and this rendition is about the best.

3 out of 5 stars Not for Everyone.......2006-12-28

This musical is a great piece for the 21st century no doubt, that being said it takes some getting used to. The musical cannot be taken at face value, there are lots of things happening under the surface and it takes some bites at things musical theater doesn't usually take, like itself. On the surface it is strange, and not really something people would listen to over and over. However, once you figure it out, it's fun to listen to it again to find all the things that are really going on. It is very funny, and says some good things about the current state of the world. For musical theater fans this is questionable, if you just like the toe-tapping happy go lucky feel, this isn't it. But if you like the social commentary that goes along with that toe tapping, this is a must. NOT FOR FIRST TIME BROADWAY LISTNERS. Favorite Song: "Look at the Sky"

5 out of 5 stars "DON'T BE THE BUNNY!".......2006-12-04

My son, a high school senior, told me his first show of this year's theatrical season was going to be "Urinetown". My response was something like ... No, really, what shows are you doing this year? Then he brought home a recording of it, and I was hooked right away by the lyrics. Over the years my son has been involved in many performances, but he and the rest of the cast had a real blast preparing for, and performing, this show! He wanted Lockstock, but was cast as Cladwell ... Owned it ... Loved it!
I am no Broadway expert by any stretch of the definition, but this show is wonderfully entertaining! You will see (and hear) snippets from other shows, you will pick up on some of even the more subtle stabs at musicals as a whole, you will groan, you will laugh and you will enjoy ... But only if you try not to take it too seriously.
Get past the title (in this case I certainly think it did not "...kill a show pretty good"), relax, and be entertained. And for goodness sake, if you have a chance to see it performed live, do so! A musical that pokes fun at itself? Yes, a refreshing departure from the norm, and worth the price of admission.
How Sweet It Is
Average customer rating: 4 out of 5 stars
  • dreck
  • not a bad cover in the bunch
  • Can't Get Enough of Joan
  • favorite album to get me moving!
  • Like a good hotel lounge singer
 How Sweet It Is
Joan Osborne
Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD

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  1. Righteous Love
  2. Pretty Little Stranger
  3. Breakfast in Bed
  4. Relish
  5. Early Recordings

ASIN: B00006GNQF
Release Date: 2002-09-17

Tracks:

  1. I'll Be Around
  2. Think
  3. How Sweet It Is
  4. Smiling Faces Sometimes
  5. Love's In Need Of Love Today
  6. These Arms Of Mine
  7. Only You Know And I Know
  8. War
  9. Why Can't We Live Together
  10. Axis: Bold As Love
  11. The Weight
  12. Everybody Is A Star

Amazon.com

With the proliferation of earthy rock chicks such as Vanessa Carlton and Michelle Branch, it might seem like an opportune time for Joan Osborne, who gathered Grammy nominations for her triple-platinum 1995 debut Relish and its breakthrough single "One of Us," to revive her flowing blues-and-folk roots. Rather than take the anticipated path, however, he New York singer offers a twist. Taking a page from Ally McBeal's resident torch singer Vonda Shepard, Osborne turns in an album of stylish covers of contemporary R&B classics. She wraps her husky voice around a supper-club version of Otis Redding's "These Arms of Mine," underscores the message behind Edwin Starr's "War" at a funeral pace, and gives James Taylor a shudder with her lush, Eastern-tinged take on Marvin Gaye's "How Sweet It Is." Most unexpected. --Aidin Vaziri

Customer Reviews:

1 out of 5 stars dreck.......2007-06-07

Now I love Joan, she can sing like a ringing a bell, but this album stinks. It's one thing to perform your take on a classic song, but these tracks are producer updated with fake drums and other instrumentation that doesn't fit the legacy of these songs. NG for no good.

5 out of 5 stars not a bad cover in the bunch.......2007-01-05

Some people like cover tunes, other don't. For me, a cover tune is great when the new artist puts a unique spin on the orginal "classic". Given that, I say that this disk is a top-ten favorite in a very large CD collection. Joan molds each of these songs into her own, yet the quality of the orginal "hit" is still to be found. I wish more artists would focus on re-doing some of the excellent songs that are already out there, rather than feeling like they should penning original tunes (most of which are average or below). BUY THIS CD!

5 out of 5 stars Can't Get Enough of Joan.......2005-11-15

It's difficult to write a review of Joan's work because I'm rather biased about this woman. You see, the sound of her voice weakens my knees and causes me to smile uncontrollably. I could listen to Joan sing the phone book and still be be reduced to weak-kneed smiling fool. What a voice! What an artist!

5 out of 5 stars favorite album to get me moving!.......2005-07-02

I find it impossible to believe that this album is getting any poor reviews. I play this in the car, and can't keep from dancing in my seat! I play it when I'm down and need a lift. Great arrangements, and her version of "War-What Is It Good For," should be playing on every radio station in the country.

3 out of 5 stars Like a good hotel lounge singer.......2005-04-16

I recently bought this CD after hearing (and liking) "I'll Be Around" on the radio. I was impressed by Osborne's earthy vocal style on her "Relish" CD a few years back, so I figured an album of classic soul covers by her might be pretty good. Sad to say, I found this CD somewhat disappointing overall.

To my ears, Osborne's delivery on this CD sounds like that of a good hotel lounge singer--technically competent but emotionally superficial. Too often, she sounds like she is coming from outside the songs (i.e., performing them), rather than from inside (i.e., living them). The worst examples are "Think" (delivered in a passionless rapid-fire monotone) and "The Weight" (delivered awkwardly, as if she doesn't even understand, much less feel, the lyrics).

To Osborne's credit, she gives several of the tunes new readings that give fresh life to the material. She slows down "How Sweet It Is" and gives it a touching plaintive quality. Her pop song reading of Jimi Hendrix's trippy "Axis: Bold As Love" is totally unexpected and amusing. Her Bill-Murray-lounge-lizard reading of the Vietnam-era anti-war song "War" is so surreally campy that it forces you to pay attention to the words.

There are several solid covers here, including "I'll Be Around," "Smiling Faces," and "Why Can't We Live Together." However, "These Arms of Mine" probably best captures both the strengths and weaknesses of this CD. The opening verses are gorgeous, with Osborne's soft, aching vocal commanding your attention over a spare musical background. But when the song gets to the bridge, which demands that the vocalist build to a big emotional climax, Osborne fails to deliver. She never lets herself go, and the song just peters out.

I notice a number of prior reviewers rave about Osborne's "soulful" vocals here, and I have no doubt that these people are sincere. I think it boils down to a matter of taste and cultural background. If you like music with the rough edges sanded off, Osborne's interpretations may help you appreciate some classic soul songs you would otherwise ignore. If, however, you are a serious fan of R&B, you will likely find this a pale imitation of the real thing.
Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Average customer rating: 4.5 out of 5 stars
  • They were right--there is NO business like the show business they did way back when !!!
  • One of the best cds I ever bought.
  • Never Sounded Better
  • Somewhere Over The Rainbow
  • "Hollywood Musicals of the Golden Age are still among us"
 Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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  1. Ultimate Broadway
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  5. That's Entertainment!: The Best Of The M-G-M Musicals - Motion Picture Soundtrack Anthology

ASIN: B000066RO5
Release Date: 2002-06-04

Tracks:

  1. Singin In The Rain - Gene Kelly
  2. Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
  3. 'S Wonderful - Gene Kelly & Georges Guetary
  4. Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
  5. Stranger In Paradise - Ann Blyth & Vic Damone
  6. Easter Parade - Judy Garland & Fred Astaire
  7. Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
  8. Get Happy - Judy Garland
  9. Night And Day - Fred Astaire
  10. True Love - Bing Crosby & Grace Kelly
  11. Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
  12. They Cant Take That Away From Me - Fred Astaire
  13. Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
  14. Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
  15. For Me And My Gal - Gene Kelly & Judy Garland
  16. Puttin On The Ritz - Clark Gable & Co.
  17. Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
  18. Bless Yore Beautiful Hide - Howard Keel
  19. Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
  20. As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
  21. Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)

Tracks:

  1. Over The Rainbow - Judy Garland
  2. Its A Most Unusual Day - Jane Powell
  3. Wunderbar - Kathryn Grayson & Howard Keel
  4. Cant Help Lovin Dat Man - Ava Gardner
  5. Going Hollywood - Bing Crosby
  6. The Trolley Song - Judy Garland, The M-G-M Studio Chorus
  7. Gigi - Louis Jourdan
  8. I Got Rhythm - Judy Garland, Mickey Rooney & Co.
  9. Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
  10. The Lady Is A Tramp - Lena Horne
  11. The Best Things In Life Are Free - June Allyson & Peter Lawford
  12. Cheek To Cheek - Fred Astaire
  13. A Kiss To Build A Dream On - Louis Armstrong
  14. Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
  15. If Swing Goes, I Go Too - Fred Astaire
  16. Almost Like Being In Love - Gene Kelly
  17. Lets Face The Music And Dance - Fred Astaire
  18. Be A Clown - Gene Kelly & Judy Garland
  19. Embraceable You - Connie Francis
  20. On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
  21. One For My Baby (And One More For The Road) - Fred Astaire

Amazon.com

The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulley

Customer Reviews:

5 out of 5 stars They were right--there is NO business like the show business they did way back when !!!.......2006-11-18

Everything that happens in life
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....

The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!

The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!

The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother

The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt

The world is a stage,
The stage is a world of entertainment!

This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."

I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.

There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.

The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.

In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.

5 out of 5 stars One of the best cds I ever bought. .......2006-06-07

What an amazon collection of songs! This is bar none my favorite cd just because of the variety and the quality of songs on it. I love music from this era, and this cd is the perfect companion to my life. Love it! Buy it, you won't regret it for a moment!

1 out of 5 stars Never Sounded Better.......2006-03-16

Apart from the great selection of soundtracks, what really makes this compilation top value is the quality of the sound processing. Executed with finesse, these tracks sound better than when first issued and many are unedited, fuller versions: like "Singing In The Rain", for example. Throw in the great price, and this double disc set is a "must have" for all lovers of classic movie music.

5 out of 5 stars Somewhere Over The Rainbow.......2006-02-24

A Sensational CD with Lots of Showtunes that Keep You Happy and makes You Want To Sing Along With!!!

5 out of 5 stars "Hollywood Musicals of the Golden Age are still among us".......2005-07-13

Rhino Records and Turner Classic Movies Music present - "SOMEWHERE OVER THE RAINBOW: THE GOLDEN AGE OF HOLLYWOOD MUSICALS", some of the long ago musicals and stars that will never be forgotten...a 2-CD-Set covering several decades from 1935-1965 with many of the show stoppers of that time...some rare moments from entertainers that you haven't heard or thought of in sometime.

The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.

On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)

On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)

It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.

This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!

Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
Carousel (1956 Film Soundtrack)
Average customer rating: 4.5 out of 5 stars
  • AWESOME!!
  • MacRae and Jones soar in this tragic R&H musical
  • Great Music
  • Response to David Pabian's review below
  • Gummed up an Original
 Carousel (1956 Film Soundtrack)
Shirley Jones , Claramae Turner , Robert Rounseville , Cameron Mitchell , Barbara Ruick , Robert Rounseville , Richard Rodgers , Oscar Hammerstein II , and Gordon MacRae
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
Traditional Vocal PopTraditional Vocal Pop | Broadway & Vocalists | Styles | Music
Similar Items:
  1. Oklahoma! (1955 Film Soundtrack)
  2. The King and I (1956 Film Soundtrack)
  3. South Pacific (1958 Film Soundtrack)
  4. Camelot (1960 Original Broadway Cast)
  5. The Music Man (1962 Film Soundtrack)

ASIN: B00005A7XD
Release Date: 2001-03-13

Tracks:

  1. Introduction - Gordon MacRae/William Le Massena
  2. Main Title: The Carousel Waltz - 20th Century-Fox Orchestra/Alfred Newman
  3. You're A Queer One, Julie Jordan - Barbara Ruick/Shirley Jones
  4. When I Marry Mr. Snow - Barbara Ruick
  5. If I Loved You - Shirley Jones/Gordon MacRae
  6. June Is Bustin' Out All Over - Claramae Turner/Barbara Ruick
  7. June Is Bustin' Out All Over Ballet - 20th Century-Fox Orchestra/Alfred Newman
  8. Soliloquy - Gordon MacRae
  9. Blow High, Blow Low - Cameron Mitchell
  10. When The Children Are Asleep - Robert Rounseville/Barbara Ruick
  11. A Real Nice Clambake - Barbara Ruick/Claramae Turner/Robert Rounseville/Cameron Mitchell
  12. Stonecutters Cut In On Stone - Cameron Mitchell
  13. What's The Use Of Wond'rin - Shirley Jones
  14. You'll Never Walk Alone - Shirley Jones/Claramae Turner
  15. Ballet - 20th Century-Fox Orchestra/Alfred Newman
  16. If I Loved You (Reprise) - Gordon MacRae
  17. You'll Never Walk Alone (Finale) - Shirley Jones
  18. Carousel Waltz (LP Version) - 20th Century-Fox Orchestra/Alfred Newman

Amazon.com

Richard Rodgers always considered Carousel his favorite score, even though it didn't generate the number of popular hits of some of the other shows he produced with lyricist Oscar Hammerstein II. Their adaptation of the Ferenc Molnar play Liliom is marked by three especially sublime moments. "The Carousel Waltz," Rodgers's alternative to the traditional Broadway overture, serves as an orchestral backdrop to the opening scene and is one of the best miniatures ever written for the theater. "If I Loved You," which establishes the romance of carnival barker Billy Bigelow (Gordon MacRae, a late replacement for Frank Sinatra) and nice girl Julie Jordan (Shirley Jones), is a musical minidrama in which the pair's discussion of how they are not in love reveals just how much they are in love. "Soliloquy" is Billy's powerful solo that foreshadows the action to come in Act II. Add the inspirational anthem "You'll Never Walk Alone," and you have Rodgers and Hammerstein's most extraordinary, near-operatic score. On the soundtrack for the 1956 film, MacRae and Jones are in exceptional voice (following their success in 1955's Oklahoma) and the orchestra sounds glorious, but unfortunately some of the numbers were shortened, most notably "If I Loved You." Extensive production notes, an interview with Jones, and a synopsis are included. --David Horiuchi

Customer Reviews:

5 out of 5 stars AWESOME!!.......2007-05-12

LOVE SOUND TRACTS FROM OLD MOVIES - SING ALONGS AND THE BEST ESPECIALLY WHEN YOU ARE TRAVELING AND CAN SING LOUD. IT IS A KEEPER

4 out of 5 stars MacRae and Jones soar in this tragic R&H musical.......2007-02-11

This film adaptation of Carousel came shortly after the Oklahoma! film and reunited Gordon MacRae and Shirley Jones. Although the film was not well-received at the box office, the soundtrack shows MacRae, Jones and the superb cast performing their roles to their heart's content. Their performance helps bring out the pathos in this tragic R&H musical, which Rodgers himself considered his favourite of all his works.

MacRae shines vocally as Billy Bigelow, bringing an open-hearted musicality and sincerity to his stout-hearted portrayal. MacRae stands out in Billy's pivotal Soliloquy, which some reviewers have considered one of the finest vocal performances of the 20th century. He is well-partnered by Shirley Jones, who lends her tender voice and personality to her portrayal as Julie. Listen to the chemistry they exude during the pivotal If I Loved You duet, as if they're overcoming their shyness and drawing sustenance from each other with their love. The supporting cast also gives its all in performing their roles. Claramae Turner's hearty Nettie brims with sincerity, warmth and tenderness, and she leads a rousing rendition of June is Bustin' Out All Over and renders You'll Never Walk Alone touchingly. Barbara Ruick and Robert Rounseville are superb as Carrie and Mr. Snow, although I admit I would have liked a little more humour. I also admit I would have liked Cameron Mitchell as Jigger to sound more sinister, like Fisher Stevens did in the 1994 Broadway revival recording. But even as it is, everyone sings gloriously and is given sumptuous backing from Alfred Newman's superb arrangements and the 20th-Century Fox Orchestra, when it shines out in the ballets.

If I'm adding to the praise of these critic-proof performance, you'll wonder, why am I giving only 4 stars? Well, it's because the extra sound effects from the unreleased sequences tend to jar after a while. I know some of you are complaining that the dance sequences are plagued by extraneous sound effects and noise. I share the same feelings too and also wish that the producers had utilised the original studio pre-recordings for a sumptuous listening experience. However, let us at least be grateful that Didier Deutsch and his production team have made these unreleased sequences available on a soundtrack CD reissue. At least it's a step in the right direction before the entire canon of R&H film soundtracks (yes, including South Pacific and The Sound of Music) gets its due as deluxe 2-CD sets, complete with underscore.

However, don't let this gripe dissuade you from buying this soundtrack. It offers a complete musical experience that one could only dream of in the previous CD reissues of the soundtrack. And it demonstrates the element that Rodgers & Hammerstein were discovering in their musicals.

5 out of 5 stars Great Music.......2007-01-04

Rogers and Hammerstein were in a different league when it came to writing musicals. Their music, lyrics and story are never alike. These two partners were exceptional and their music shows it. Carousel is a tragic story but also shows that human nature can rise above adversity. The music is wonderful and the characters believable. A great movie.

5 out of 5 stars Response to David Pabian's review below.......2004-06-30

Response to David Pabian's review:

My review was not in error, as Mr. Pabian expects. The review was for the original CD release, not this expanded version. Amazon lifted it out of that spot and dropped it here, which of course makes it anachronistic. Why they did it without reading it is certainly an inept decision.

3 out of 5 stars Gummed up an Original.......2003-06-10

This overblown "completeitis" has got to stop. The original soundtrack album Carousel Waltz is now relegated to Appendix status, and terrible sonics accompany dancers' footstomping in the "new" expanded musical sequences, taken directly from the soundtrack rather than from still-existing musical tracks. There was a reason soundtrack recordings were studio performances. The proportions were right, the timings were correct for an overall BALANCED listening experience. These gawdawful expanded editions, often with dialogue thrown in, completely throw off those balances. An argument might be made for expanded sequences appropriate to a CDs longer playing time than the standard L.P. 45min., but possibly only if those sequences are from their original studio-recorded, pre release-print mix -- which could have easily been done in this case. A quick word on one of the above reviews: This is not the first time the complete Carousel Waltz is heard in stereo. There were two previous CD remasterings of the original soundtrack whereon it was included. And the reprise of "If I loved You" was part of every soundtrack release, mono and stereo.
The Way It Is
Average customer rating: 4.5 out of 5 stars
  • 4 good songs and that's it.
  • Bruce's Best
  • Old fan
  • A Timeless Classic
  • one of the greatest 80's bands ever !!!!!
 The Way It Is
Bruce Hornsby & The Range
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Pop | Styles | Music
Singer-SongwritersSinger-Songwriters | Pop | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
ContemporaryContemporary | Vocal Pop | Pop | Styles | Music
GeneralGeneral | Adult Contemporary | Pop | Styles | Music
GeneralGeneral | Rock | Styles | Music
Album-Oriented Rock (AOR)Album-Oriented Rock (AOR) | Classic Rock | Styles | Music
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  1. Scenes From the Southside
  2. Harbor Lights
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ASIN: B000002W93
Release Date: 1990-10-25

Tracks:

  1. BaOn The Western Skyline
  2. Every Little Kiss
  3. Mandolin Rain
  4. The Long Race
  5. The Way It Is
  6. Down The Road Tonight
  7. The Wild Frontier
  8. The River Runs Low
  9. The Red Plains

Amazon.com

Bruce Hornsby is now best known for his stints playing keyboards with the Grateful Dead and for his involvement in such post-Dead projects as the Further Festival. An incomparable keyboard wizard whose skills are widely admired while his albums are consistently underrated, Hornsby's greatest commercial success is slipping rapidly into the past. His 1986 debut, The Way It Is (recorded with his band, the Range) is the high watermark of his career commercially, having sold several million copies and spawned a trio of hit singles, including "Mandolin Rain," "Every Little Kiss," and of course, the No. 1 smash, "The Way It Is." Overall, it's Hornsby's most tuneful album, though not necessarily his most accomplished work. His is a catalog that is long overdue for reevaluation. --Daniel Durchholz

Customer Reviews:

3 out of 5 stars 4 good songs and that's it........2006-09-16

If you're thinking that you're going to get an album that is full of songs like "Every Little Kiss", "Mandolin Rain", and "the way it is", like I did. Then you will be let down, Like I was. Those 3 songs have been favorites of mine since they came out, but I just now came around to getting the album. Sadly there is only one more song on the album that is even worth listening to and that's "The Long Race". These for songs have all the great piano work, all the great rythums, all the great vocals, and all the great songwriting. The rest of the album is very much just OK and I don't think a whole lot of thought was put into it.

All in all though I payed 2 bucks for my copy and that is definetly worth it for 4 songs that I really like.

5 out of 5 stars Bruce's Best.......2006-06-01

As I write this review(June 1st, 2006), it is exactly 20 years to the day that Bruce Hornsby's debut was released. What an artist and what an album! Not since Elton John, has a piano player had such a major impact on the pop/rock music scene. Bruce Hornsby had a fresh sound that was unlike anything else on the radio at the time & his sound was kind of a cross between pop, rock, folk, bluegrass & country. His band "The Range" were all superb musicians as well. Great guitar work, percussion and of course Bruce's piano playing, which is second to none. I bought this album way back in 1986, and to this day, I still listen to it on a regular basis. There's not one weak song on the entire album and songs like: On the Western Skyline, Down the Road Tonight(w/Huey Lewis), The River Runs Low, The Red Plains & The Wild frontier are just as outstanding as his radio hits. "The Way it is" was an instant classic and one of the Finest albums of the 80's. It just doesn't get any better than this!

4 out of 5 stars Old fan.......2006-05-04

As in other occasions Bruce Hornsby, is the typical singer that i have like, but in radios where i have listen they usually dont say the name of the singer so i pass. Amazon makes possible to have name and music in one pack. Thanks.

5 out of 5 stars A Timeless Classic.......2006-03-08


This is probably Bruce Hornsby's finest moment. It's an album with broad appeal, good keyboards, nice guitar work, infectious beats, and catchy well-sung songs. There's not a weak one in the set. This album is perfect for driving, or musing, or any other activity! Everyone has their favourite song on this album - it's a timeless classic.

5 out of 5 stars one of the greatest 80's bands ever !!!!!.......2006-03-06

one of the few favorite bands from the 80's i can actually say were artists with talent!
every song has a country tinge sound to go with classic piano pop rock, fantastic guiter playing also.
every song, besides their hits, are memorable and catchy.
great driving music too.
all their albums are terrific if you like their songs.
even the non hit songs are excellent.
i cannot praise this group enough!!!


The Way It Is
Average customer rating: 4.5 out of 5 stars
  • great CD
  • Keyshia is Da Bomb!!
  • She alright!
  • Keyshia Cole is my favorite!
  • I'M IN LOVE WITH KEYSHIA COLE
 The Way It Is
Keyshia Cole
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD

Contemporary BluesContemporary Blues | Blues | Styles | Music
Contemporary R&BContemporary R&B | R&B | Styles | Music
GeneralGeneral | R&B | Styles | Music
GeneralGeneral | Soul | R&B | Styles | Music
R&BR&B | Styles | Blowout Music | Stores | Music
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Similar Items:
  1. The Breakthrough
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ASIN: B00096S3PY
Release Date: 2005-06-21

Tracks:

  1. (I Just Want It) To Be Over
  2. I Changed My Mind
  3. Thought You Had My Back
  4. I Should Have Cheated
  5. Guess What?
  6. Love
  7. You've Changed
  8. We Could Be
  9. Situations
  10. Down And Dirty
  11. Superstar
  12. Never

Album Description

KEYSHIA COLE is the real deal. Like many young people raised in tough neighborhoods, the 21-year-old songstress endured a tumultuous childhood in Oakland, California, and has fought all her life to keep her dream of a music career alive. Now she's realizing that dream on her own terms with her first album for the A&M label, The Way It Is. It's been a long road for Keyshia, but it's her powerful voice - a bell-like instrument whose soaring clarity is topped off with a tantalizing touch of soulful grit - that's carried her through, not to mention the diminutive singer's personal combination of sugar, spice, sass and sex appeal, along with a solid-steel spine. With production by Kanye West, Krucial Keys, Ron Fair and Chink Santana, Keyshia's dreams have been realized.

Customer Reviews:

4 out of 5 stars great CD.......2007-07-14

I very rarely buy CD's, but she has a lot of great songs on here and I'm glad I added it to my collection.

5 out of 5 stars Keyshia is Da Bomb!!.......2007-07-09

Keyshia is a very beautiful, sexy, talented young woman. Everyone should buy this cd from my future ex-wife/baby mother.

3 out of 5 stars She alright!.......2007-06-29

Ok In my opinion Keyshia Cole really cant sing TO ME! But she have the bomb lyrics and beats so I will give her credit for that!

5 out of 5 stars Keyshia Cole is my favorite!.......2007-06-23

I love me some Keyshia Cole. I bought her album as soon as it came out. Her voice just stands out and you can definitely feel what she's singing about. It's like she sings from the heart and her soul. I love this girl!

I love her new song out right now with Missy and Lil Kim "Let It Go'!
I can't wait for her reality show to come on this fall to promote her second album. I can hardly wait!

Keyshia Cole has the kind of voice that DEMANDS your attention!

5 out of 5 stars I'M IN LOVE WITH KEYSHIA COLE.......2007-06-04

WHY EVERYTIME A NEW ARTIST COMES OUT THEY ALWAYS HAVE TO SAY THAT THEY ARE NOT BEYONCE AND THEY CAN NEVER BE BEYONCE EXACTLY THEY CAN'T BE BEYONCE BECAUSE THEY ARE BETTER THAN BEYONCE. BEYONCE SUCKS BIG TIME
SHE IS OVER RATED AND WEAK AND FAKE AND FULL OF WEAVE.KEYSHIA COLE IS REAL TALENT CAN SANG AND HER MUSIC COMES FROM THE HEART. I DON'T LIKE HOW BEYONCE ACTS ALL NICE WHEN YOU SEE HER ON TV AND STUFF BUT TRUST ME YOU CAN TELL SHE IS A B!T*H

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