Prière
Editorial Reviews
Product Description
"Bertrand LOREAU is a keyboard player from Nantes, follower of Klaus SCHULZE and VANGELIS. The sea is the inspiration of ""Prière"", fourteen instrumental pieces on which several keyboards succeeded to create different climates, sometimes serene, sometimes hypnotic, sometimes fieverish, never soporific. An electronic rock with a great culture and passion. ""Le Pays Blanc"" (1994) reveals still more maturity."
Prière,Bertrand Loreau
Prière
Average customer rating:
- Coppelia
- A full-length Coppelia at an appealing price
- Inspired ballet music at a bargain price.
- Superb Performance
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Delibes: Coppélia (complete in three acts) / La Source (suites)
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Coppelia
- The Australian Ballet - Coppelia
- Adolphe Adam: Music from 'Giselle'
- Prokofiev: Cinderella, Op. 87; Glazunov: Seasons Op67
- Delibes - Coppelia / Kirov, Vinogradov, Tarasova
ASIN: B00000147M
Release Date: 1996-01-23 |
Tracks:
- Coppa, Ballet In 3 Acts: Act I: Prde
- Coppa, Ballet In 3 Acts: Act I: Valse
- Coppa, Ballet In 3 Acts: Act I: Sc
- Coppa, Ballet In 3 Acts: Act I: Mazurka
- Coppa, Ballet In 3 Acts: Act I: Sc
- Coppa, Ballet In 3 Acts: Act I: Ballade
- Coppa, Ballet In 3 Acts: Act I: Th slave varl
- Coppa, Ballet In 3 Acts: Act I: Czarda-Danse hongroise
- Coppa, Ballet In 3 Acts: Act I: Sortie
- Coppa, Ballet In 3 Acts: Act I: Final
- Coppa, Ballet In 3 Acts: Act II: Entr'acte
- Coppa, Ballet In 3 Acts: Act II: Sc
- Coppa, Ballet In 3 Acts: Act II: Sc
- Coppa, Ballet In 3 Acts: Act II: Musique des automates
- Coppa, Ballet In 3 Acts: Act II: Sc
- Coppa, Ballet In 3 Acts: Act II: Sc
- Coppa, Ballet In 3 Acts: Act II: Chanson oire et Sc
- Coppa, Ballet In 3 Acts: Act II: Sc
- Coppa, Ballet In 3 Acts: Act II: Valse de la poup
- Coppa, Ballet In 3 Acts: Act II: Sc
- Coppa, Ballet In 3 Acts: Act II: Bol
- Coppa, Ballet In 3 Acts: Act II: Gigue
- Coppa, Ballet In 3 Acts: Act II: Sc
Tracks:
- Coppa, Ballet In 3 Acts: Act III: Marche de la cloche - F del la cloche - Divertissement
- Coppa, Ballet In 3 Acts: Act III: Valse des heures
- Coppa, Ballet In 3 Acts: Act III: L'aurore
- Coppa, Ballet In 3 Acts: Act III: Coppa, Act 3: 4: La pri
- Coppa, Ballet In 3 Acts: Act III: Le travail
- Coppa, Ballet In 3 Acts: Act III: L'Hymen (Noce villageoise)
- Coppa, Ballet In 3 Acts: Act III: La discorde et la guerre
- Coppa, Ballet In 3 Acts: Act III: La paix (Pas de deux)
- Coppa, Ballet In 3 Acts: Act III: Variation
- Coppa, Ballet In 3 Acts: Act III: Danse de f
- Coppa, Ballet In 3 Acts: Act III: Galop final
- La Source, Suite No. 2: Sc dans
- La Source, Suite No. 2: Scherzo Polka
- La Source, Suite No. 2: Pas de la Guzla
- La Source, Suite No. 2: Marche danset Final
- La Source: Intermezzo (Pas des Fleurs, Grande Valse)
- La Source, Suite No. 3: Incantation
- La Source, Suite No. 3: Romance
- La Source, Suite No. 3: Introduction et Mazurka
- La Source, Suite No. 3: Finale
Customer Reviews:
Coppelia.......2007-07-27
I ordered two DVD versions of Coppelia along with this CD in order to learn the choreography from the ballet. My only complaint about this CD is that the music is considerably faster than either of the orchestras have played the score on the DVDs. This makes it difficult to learn the choreography with out slowing down the CD on a variable speed CD player.
A full-length Coppelia at an appealing price.......2003-06-26
Andrew Mogrelia has conducted a number of full-length ballets for Naxos: Giselle, Sylvia, Sleeping Beauty, and this Coppelia. I own all of them, because I find Mogrelia is one of those rare conductors who make a ballet sound like a ballet.
In concert hall versions, conductors often make ballet music impossibly fast, or simply too unpredictable. (Gergiev's Nutcracker is in this category: fun to listen to, definitely NOT a dancer's Nutcracker.) But when dancers are on stage, they need a regular, dependable beat to dance to. Mogrelia's Coppelia never sounds sing-song, because he uses dynamics so skillfully - but he does conduct at an authentic dance tempo.
Another Coppelia I like and own is Mark Ermler's (ASIN: B0000024CL), but while it's much more than highlights it is not the full ballet. The first act mazurka is missing, and that's a definite loss.
La Source is a bit of an oddity because it was originally commissioned as a sort of competition: half composed by Minkus, half by Delibes. Delibes was generally considered the winner, so he stayed in Paris while Minkus went off to Russia. This album is strictly Delibes, so it's only highlights from La Source. But it does include my favorite, the utterly charming Pas des Fleurs, Grande Valse.
Inspired ballet music at a bargain price........2002-07-13
Although I'm not particularly fond of watching ballets I have a special love for ballet music, and Coppelia is one of my favorites. It is the masterpiece of Leo Delibes who was one of the greatest of ballet composers. Even Tchaikovsky -- probably the greatest ballet composer of all -- greatly admired Delibes' work. This recording presents not only the complete music for Coppelia but also the lovely, but seldom-heard, music Delibes wrote for La Source -- both conducted by the excellent ballet conductor Andrew Mogrelia. And at a bargain price to boot. Please don't pass up this special treasure.
Superb Performance.......2000-08-27
I search for the recording for the complete Coppelia when my daughter's dance school was practicing for it. I found this item. Performance was meticulous. It was recorded in the Orchestra's concert hall over a period of almost two weeks. All digital recording. Well balanced orchestra. Fine details. A good item to collect.
Average customer rating:
- French songs luminously performed
- Lay me etherized upon the table........
- Another challenging, engaging triumph
|
Voices of Light
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Similar Items:
- Osvaldo Golijov: Ayre
- Angels Hide Their Faces: Dawn Upshaw Sings Bach and Purcell
- Osvaldo Golijov: Ainadamar
- Golijov: Yiddishbbuk
- Forgotten Songs: Dawn Upshaw Sings Debussy
ASIN: B0002JNR4U
Release Date: 2004-08-24 |
Tracks:
- Le Collier
- Trois Chansons De Bilitis
- Trois Chansons De Bilitis
- Trois Chansons De Bilitis
- L'Escalier Redit, Gestes Du Soleil
- Amour Oiseau D'etoile
- Lua Descolorida
- Priere Exaucee
- La Chanson D'Eve
- La Chanson D'Eve
- La Chanson D'Eve
- La Chanson D'Eve
- La Chanson D'Eve
- La Chanson D'Eve
- La Chanson D'Eve
- La Chanson D'Eve
- La Chanson D'Eve
- La Chanson D'Eve
- Resurrection
Amazon.com
Dawn Upshaw here explores outstanding examples of the past century of French song, adding a brief detour into Spanish with a haunting gem by Osvaldo Golijov. The recital's centerpiece is Fauré's La Chanson d'Eve, a cycle of 10 exquisitely fashioned songs whose delicate subtlety and carefully weighed balance between light and shade are beautifully realized by Upshaw and her excellent accompanist, Gilbert Kalish, whose rippling piano in "Eau vivante" captivates. The pair also excel in the spare, mysterious "Crépuscule" (Twilight). Threaded throughout the disc are five songs by Olivier Messiaen, whose blending of spiritual faith and sensuous feeling often reaches ecstatic heights, as in the wildly virtuosic coloratura singing and keyboard demands of "Prière exaucée" (A Prayer Granted). Upshaw makes much of the sensuous close of the disc's opening song, "Le Collier," and the tenderly languorous "Amour oiseau d'étoile" (Love, Star-Bird). The elusive songs of Debussy's Chansons de Bilitis are given their full due as well, nicely set among Messiaen's more unbuttoned fervor. Upshaw fans and lovers of French song won't want to miss this. --Dan Davis
Customer Reviews:
French songs luminously performed.......2005-09-14
OK, quibble all you want with Dawn Upshaw's French pronunciations...I'm told the French find American accents "sexy." Upshaw and Kalish bring remarkable interpretive skill to these performances. The Debussy "Chansons de Bilitis," set poems by one of the composer's best friends to music of exquisite, almost erotic playfulness. Similarly, Faure's "Chanson d'Eve" is a remarkably beautiful late work of serene detachment. I'm not a big fan of Messian's music, but Upshaw and Kalish certainly make the most of these difficult and "ecstatic" songs. All told, with the delicious Golijov song tossed in, a lush treat.
Lay me etherized upon the table...............2004-12-18
The otherworldly presentation by Dawn Upshaw and Gilbert Kalish of songs by the under appreciated spiritualist composer Olivier Messiaen in the company of other composers of luminosity songs such as Claude Debussy, Gabriel Faure and the contemporary Osvaldo Golijov is one of the most unique and successful recordings to appear in a long time. Upshaw remains a clear voiced soprano who cares deeply about exploring repertoire to challenge her large audience: her recitals are never retreads of standard warhorses.
This recording is simply from another place that seduces us into a level of transcendental meditation. Not only do Upshaw and Kalish weave their expected magic with the Debussy and Faure cycles ('Chansons de Bilitis' and 'La Chanson d'Eve'), but they also evoke all of the special mysteries for voice and piano that Messiaen wrote so well. The moments of music seem to taper off into the ether of another world. And the single Olijov 'Lua descolorida' is so stunning that it leaves us wanting more.
A beautiful collection of songs, superbly performed, and beautifully recorded. Highly Recommended. Grady Harp, December 2004
Another challenging, engaging triumph.......2004-08-30
I can't really speak to the technical side of this album.
But it is gorgeous. Yes, rather challenging material. But I think she really shows the 'link' between a 'conservative' composer like Faure and Debussy & Messaien. & the addition of the Golijov also shows his indebtedness to the French school (it's a beautiful piece in it's own right too IMO). Gilbert Kalish adds really inciteful accompaniment. If you
like her album of Debussy's FORGOTTEN SONGS, you'll love this I think. But even fans of any of her others will
like it too. One of the most thoughtful performers today-- she really has an interesting discography, & for me this is
a definite highlight.
Average customer rating:
- Le parfum d'extase
- Superb chansoms. Superb Ameling. Buy It.
- Great!!!
- A delightful programme
- Limpid, refined, elegant music.
|
Fauré - Mélodies / Souzay · Ameling · Baldwin
Gabriel Fauré , Gérard Souzay , Elly Ameling , and Dalton Baldwin
Manufacturer: EMI Classics
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Binding: Audio CD
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Similar Items:
- Debussy - Mélodies / Ameling · Mesplé · Command · Souzay · von Stade · Baldwin
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- Artistry of Elly Ameling (Coll)
- A French Song Companion
- The Songs of Henri Duparc
ASIN: B000002S30
Release Date: 1992-01-23 |
Tracks:
- Le papillon et la fleur: Le Papillon et la fleur, Op. 1, No. 1
- Mai: Mai, Op. 1, No. 2
- Reve d'amour: Reve d'amour, Op. 5, No. 2
- Dans les ruines d'une abbaye: Dans les ruines d'une abbaye, Op. 2, No. 1
- Les Matelots: Les Matelots, Op. 2, No. 2
- Lydia: Lydia, Op. 4, No. 2
- Hymne: Hymne, Op. 7, No. 2
- Seule: Seule, Op. 3, No. 1
- L'absent: L'Absent, Op. 5, No. 3
- L'Aurore: L'Aurore, Op. posthume
- La Rancon: La Rancon, Op. 8, No. 2
- Chant d'automne: Chant d'automne, Op. 5, No. 2
- Aubade: Aubade, Op. 6, No. 1
- Tristesse: Tristesse, Op. 6, No. 2
- Chanson du pecheur (Lamento): Chanson du pecheur (Lamento), Op. 5, No. 1
- Barcarolle: Barcarolle, Op. 7, No. 3
- 2 Duos pour deux sopranos: I Puisqu'ici-bas, Op. 10, No. 1
- 2 Duos pour deux sopranos: II Tarentelle, Op. 10, No. 2
- Ici-bas !: Ici-bas !, Op. 8, No. 3
- Au bord de l'eau: Au bord de l'eau, Op. 8, No. 1
- Serenade toscane: Serenade toscane, Op. 3, No. 2
- Apres Un Reve: Apres un reve, Op. 7, No. 1
- Sylvie: Sylvie, Op. 6, No. 3
- Le Voyageur: Le Voyageur, Op. 18, No. 2
- Automne, Op. 18, No. 3
Tracks:
- Poemes d'un jour, Op. 21: 1. Rencontre
- Poemes d'un jour, Op. 21: 2.Toujours
- 3. Adieu
- Nell, Op. 18, No. 1
- Les berceaux: Les Berceaux, Op. 23, No. 1
- Notre amour: Notre amour, Op. 23, No. 2
- Le Secret: Le Secret, Op. 23, No. 3
- Chanson d'amour: Chanson d'amour, Op. 27, No. 1
- La Fee aux chansons: La Fee aux chansons, Op. 27, No. 1
- Aurore: Aurore, Op. 39, No. 1
- Fleur jetee: Fleur jetee, Op. 39, No. 2
- Le Pays des reves: Le Pays des reves, Op. 39, No. 3
- Les Roses d'lspahan: Les Roses d'lspahan, Op. 39, No. 4
- Nocturne: Nocturne, Op. 43, No. 2
- Les Presents: Les Presents, Op. 46, No. 1
- Clair de Lune: Clair de lune, Op. 46, No. 2
- Larmes: Larmes, Op. 51, No. 1
- Au Cimetiere: Au Cimetiere, Op. 51, No. 2
- 2 Cantiques: 1. En Priere
- 2 Cantiques: 2. Noel, Op. 43, No. 1
- SPLEEN: Spleen, Op. 51, No. 3
- La Rose: La Rose, Op. 51, No. 4
- Chanson de Shylock: Chanson de Shylock, Op. 57, No. 1
- Madrigal de Shylock: Madrigal de Shylock, Op. 57, No. 2
- 5 Melodies: 1. Mandoline
- 5 Melodies: 2. En sourdine
- 5 Melodies: 3. Green
- 5 Melodies: 4. A Clymene
- 5 Melodies: 5. C'est l'extase
- Serenade du Bourgeois gentilhomme
Tracks:
- La Bonne Chanson, Op. 61: 1. Une Sainte en son aureole
- La Bonne Chanson, Op. 61: 2. Puisque l'aube grandit
- La Bonne Chanson, Op. 61: 3. La Lune blanche luit dans les bois
- La Bonne Chanson, Op. 61: 4. J'allais par des chemins perfides
- La Bonne Chanson, Op. 61: 5. J'ai presque peur, en verite
- La Bonne Chanson, Op. 61: 6. Avant que tu ne t'en ailles
- La Bonne Chanson, Op. 61: 7. Donc, ce sera par un clair jour d'ete
- La Bonne Chanson, Op. 61: 8. N'est-ce pas ?
- La Bonne Chanson, Op. 61: 9. L'Hiver a cesse
- Le Parfum imperissable: Le Parfum imperissable, Op. 76, No. 1
- Arpege: Arpege, Op. 76, No. 2
- Pleurs d'or, duo pour soprano et baryton: Pleurs d'or, duo pour soprano et baryton, Op. 72
- Melisande's song: Melisande's song, Op. posthume
- Prison: Prison, Op. 83, No. 1
- Soir: Soir, Op. 83, No. 2
- Dans la foret de septembre: Dans la foret de septembre, Op. 85, No. 1
- La Fleur qui va sur l'eau: La Fleur qui va sur l'eau, Op. 85, No. 2
- Accompagnement: Accompagnement, Op. 85, No. 3
- Le plus doux Chemin (madrigal): Le plus doux Chemin (madrigal), Op. 87, No. 2
- Le Ramier (madrigal): Le Ramier (madrigal), Op. 87, No. 2
- Le Don silencieux: Le Don silencieux, Op. 92
- Chanson: Chanson, Op. 94
- Vocalise-etude
Tracks:
- La Chanson d'Eve, Op. 95: 1. Paradis
- La Chanson d'Eve, Op. 95: 2. Prima verba
- La Chanson d'Eve, Op. 95: 3. Roses ardentes
- La Chanson d'Eve, Op. 95: 4. Comme Dieu rayonne
- La Chanson d'Eve, Op. 95: 5. L'aube blanche
- La Chanson d'Eve, Op. 95: 6. Eau vivante
- La Chanson d'Eve, Op. 95: 7. Veilles-tu, ma senteur de soleil ?
- La Chanson d'Eve, Op. 95: 8. Dans un parfum de roses blanches
- La Chanson d'Eve, Op. 95: 9. Crepuscule
- La Chanson d'Eve, Op. 95: 10. O mort, poussiere d'etoiles
- Le Jardin clos, Op. 106: 1. Exaucement
- Le Jardin clos, Op. 106: 2. Quand tu plonges tes yeux dans mes yeux
- Le Jardin clos, Op. 106: 3. La messagere
- Le Jardin clos, Op. 106: 4. Je me poserai sur ton coeur
- Le Jardin clos, Op. 106: 5. Dans la Nymphee
- Le Jardin clos, Op. 106: 6. Dans la penombre
- Le Jardin clos, Op. 106: 7. Il m'est cher, amour, le bandeau
- Le Jardin clos, Op. 106: 8. Inscription sur le sable
- Mirages, Op. 113: 1. Cygne sur l'eau
- Mirages, Op. 113: 2. Reflets dans l'eau
- Mirages, Op. 113: 3. Jardin nocturne
- Mirages, Op. 113: 4. Danseuse
- C'est la paix !: C'est la paix !, Op. 114
- L'Horizon chimerique, Op. 118: 1. La ber es infinie
- L'Horizon chimerique, Op. 118: 2. Je me suis embarque
- L'Horizon chimerique, Op. 118: 3. Diane Selene
- L'Horizon chimerique, Op. 118: 4. Vaisseaux, nous vous aurons aimes
Customer Reviews:
Le parfum d'extase.......2007-05-18
This 4-CD set receives five stars from me in spite of some flaws. I'll outline those flaws first.
Firstly (a flaw to me, perhaps not to others), I'm not very fond of Gérard Souzay's voice and vocal approach. He frequently sounds blustery and the timbre does not really appeal to me. Yet his commitment to these beautiful songs is impeccable, and he has a wealth of experience, beautifully authentic French (of course!) and occasionally the singing is very effective indeed. I agree that the "La bonne chanson" set is sensitive and moving - it's Souzay at his best. But in general... Souzay is not one of my favourite baritones.
Secondly, as other reviews have mentioned, no translations are included. However, the full text of each song is contained in the accompanying booklet, and for those who don't read French well enough to translate, there are translations on-line of all of the poems set by Fauré. I agree this is not an ideal solution, and that the boxed set would have been improved by translations.
Thirdly, one is sometimes overwhelmed by the balance of the voice compared to that of the piano - this is particularly noticeable in Souzay's singing. However, the piano is still audible. The solution is mostly to turn down the volume for one or two tracks.
Let me now explain why, in spite of the above faults, I still consider this a superb set.
Firstly, the truly lovely singing of Elly Ameling. What a gloriously pretty sound - and I mean "pretty" without any denigration whatsoever. It's not JUST pretty - it's beautiful as well. This is a lovely gleaming sound, perfectly placed, and with a wealth of intrinsic and elegant interpretation that is native to Elly Ameling's singing. She's a miracle - no matter what she sings, it sounds "sung in" and perfectly understood, perfectly interpreted. (I admit Ms Ameling's French is slightly accented at times, but it's completely understandable and very good. It doesn't impair the performance of these songs at all.)
Secondly, Dalton Baldwin's playing is sensitive and impassioned in turns - always lyrical, always attuned to the requirements of each song. What a huge amount of work must have gone into this mammoth 4-CD task!
Thirdly, these vocal compositions are exquisite. Several of them are justly famous as works of genius, and fall so delightfully upon the ear that it seems they have always existed, perfect and full of wonder... that Fauré plucked them out of semi-existence to give them reality.
Fourthly... it's 4CDs of Fauré's vocal works. For those who love French vocal music, it's an extravagant delight to have such a thorough and wide-ranging collection. For singing students, how marvellous to have such a collection to hand to help when choosing songs. For fellow singers, what joy to have all of these songs in such a fine collection in order to note details and particularly admirable points.
In short - this is a set I wouldn't be without. While it's not flawless, it's full of delights. Ameling's singing of "La rose" is one of the highlights, and Fauré's three exquisite duets are all represented here. Highly recommended.
Superb chansoms. Superb Ameling. Buy It........2007-03-01
This EMI Classics package of four CD's for the price of two (plus) is really the way I like to buy classic recordings, where the complete set covers all of a single especially interesting grouping of works. This set, like the comparable one on Debussy, is simply grand, especially, as noted by other reviewers, with the contribution of Ameling, a soprano from whom not much is heard of today, but who, in her prime, was on top of her game.
My only objection to the package is that while the notes five the French text of the songs and the author of the text, there is no translation. Otherwise, this is a super buy.
Great!!!.......2006-06-19
The music on this compilation is beautiful. It is also beautifully sung. Amelling is amazing, as always!!!
A delightful programme.......2006-01-20
Faure was a genius and his songs are some of the most beautiful ever written, being animated by the spirit of beauty itself (Ms Venus:-).)
The performers did an outstanding job singing this repertoire, and especially Elly Ameling's performance is pure *delight*
- honestly-.
I hope others will enjoy it as much as I have.
Highly recommended.
Limpid, refined, elegant music........2001-04-04
This famous set provides on 4 CDs the complete songs (mélodies, he preferred to call them) by Faure. They are entrusted to the native French baritone, the Dutch soprano, and their accompanist Dalton Baldwin, and were recorded in the early 1970s. The set is not inexpensive, so I shall try to outline its merits. The music itself is enthralling. Faure set, over a period of sixty years, texts by French poets. Limpid, refined, elegant music, it repays repetition and close listening. One reviewer has suggested that no listener will want to listen to umpteen of these mélodies in one sitting, but I have never had too much of them. If slow tempi and arpeggio accompaniments begin to pall, listen to "Nell" (CD 2, Track 4). The performers satisfy on all counts. Souzay's contribution reflect a life time's association with the music, and a tradition that goes back through his teachers to the time of Faure himself. His definitive version of "La bonne Chanson" is especially fine. If his style is more suited to the impassioned, ardent items, it balances well with the cooler, more detached singing of Elly Ameling. So that you will not be disappointed, I should also mention that translations of the texts are not provided. I also wish that the balance had been better engineered. Sometimes Souzay seems to have the microphone in his mouth, and always the piano seems too distant. These are but minor flaws, however, in a long necklace of priceless pearls.
Average customer rating:
- I rate this a perfect 10 **********
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More of the Most Relaxing Guitar Music in the Universe
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Similar Items:
- Most Relaxing Guitar Music in the Universe
- The Most Relaxing Piano Album in the World...Ever!
- The Most Relaxing Classical Album in the World...Ever!
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- The Most Relaxing Jazz Standards in the Universe
ASIN: B000AQ69OU
Release Date: 2005-09-13 |
Tracks:
- Introduction Et Variation Sur L'Air 'Que Ne Suis-Je FougereI' Op.26 - Sor
- Cinq Preludes Pour Guitare No.4 - Villa-Lobos
- Variations Sur Un Theme De Django Reinhardt - Brouwer
- Die Post - Schubert
- Cinq Preludes Pour Guitare No.2 - Villa-Lobos
- Cancion Del Emperador - Narvaez
- Pavanas - Sanz
- Quartet No.7 III. Adagio Cantabile Sostenuto For Violin, Viola, Cello & Gutar - Paganini
- Studio In A Major, Op.6 No.12 Andante - Sor
- Lagrima - Tarrega
- Granada, Op.47 No.1 - Albeniz
- Danza - Moreno-Torroba
- Baden Jazz Suite 'Hommage A Baden Powell' III. Berceuse - Jirmal
- When The Fire Burns Low - Towner
- A Song Of Early Spring - Arr. Takemitsu
Tracks:
- Danza Espanola - Granados
- Douze Etudes Pour Guitare No.8 Modere - Villa-Lobos
- Reverie, Op.53 No.1 Andante Sostenuto - Coste
- Lecon In E Major, Op.31 No.23 Mouvment De Priere Religieuse - Sor
- Cinq PreludesPour Guitare No.1 - Villa-Lobos
- Andante Extrait De La Fantasie Symphonique De L'Auteur, Op.38 - Coste
- Nocturno - Moreno-Torroba
- 7 Diferenias Sobre 'Guardame Las Vacas' - Narvaez
- Cinq Preludes Pour Guitare No.5 - Villa-Lobos
- Quartet No.1 In A Minor II. Andantino For Violin, Cello & Guitar - Paganini
- El Testmento D' Amelia - Folksong Of Catalan/Arr. Lobet
- Terzetto In D Major 1. Allegro For Violin, Cell & Guitar - Paganini
- Valse In E Major - Sor
- Cinq Preludes Pour Guitare Ne.3 - Villa-Lobos
- Londonderry Air - Arr. Takemitsu
Customer Reviews:
I rate this a perfect 10 **********.......2006-02-25
A Classical guitarist and collector of the genre, I can only rave about this cd. I purchased several of these cd's for my close friends and family. The two Paganini pieces are awsome.
Hopefully, Denon will produce more of the same. This time they supply the names of their artists. Well Done! Bravo!
Average customer rating:
- The Best Battle Album.
- Ah, Kathleen!
- The greatest of recital albums, part 2
- The Magnificent Kathleen Battle Has Done It Again!!
- The greatest of recital albums!
|
Kathleen Battle in Concert
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Kathleen Battle at Carnegie Hall
- Kathleen Battle Sings Mozart
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ASIN: B000001GNP
Release Date: 1995-03-14 |
Tracks:
- The Fairy Queen: Come All Ye Songsters
- Oedipus: Music For A While
- Pausanias: Sweeter Than Roses
- Joshua: O Had I Jubal's Lyre
- Bei der Wiege Op. 47 No. 6
- Neue Liebe Op. 19a No. 4
- Schlagende Herzen Op. 29 No. 2
- Ich wollt' ein Strausslein binden Op. 68 No. 2
- Sausle, liebe Myrte Op. 69 No. 3
- Ridente la calma K. 152 (210a)
- Das Veilchen K. 476
- Un moto di gioia K. 579
- Mandoline Op. 58 No. 1
- Les Roses d'Ispahan Op. 39 No. 4
- En Priere
- Notre amour Op. 23 No. 2
- Honor, Honor
- His Name So Sweet
- Witness
- He's Got The Whole World In His Hand
Amazon.com
After years of being one of the foremost singers of light lyrics, Kathleen Battle, searching for challenging new musical expression, tackles the dramatic Mozart repertory. Blessed with one of our generation's prettiest soubrette voices, Battle breezes through the technical challenges of the Countess and Constanze, but sounds like a little girl trying on Mommy's shoes. She lacks the vocal variety and depth to successfully bring these pieces to life. Her renditions of the soubrette repertory, especially "Ruhe sanft," are Mozartfully graceful. In the Magic Flute excerpts she demonstrates that merely singing Mozart's written notes is enough to bring its beauty to life; practically all necessary expression is written into the musical lines. -- Barbara Eisner Bayer
Customer Reviews:
The Best Battle Album........2007-02-10
I have most of Kathleen Battle's albums and must say this is my favorite. Her distinctive voice is crisp and sails effortlessly through the music, James Levine on the piano is fantastic and compliments her as if the two had been made for each other, the repitoire is expertly selected, and the recording is crystal clear. This is Battle in the prime of her career -- this is one of those albums you will find yourself coming back to.
Ah, Kathleen!.......2006-03-04
I have been looking to reacquire this album for forever!! It's great, and I love Kathleen's voice here.
I have to say, though, that the Amazon.com editorial review must have been written for another album, for neither 'Ruhe Sanft' nor anything from 'Die Zauberflote' is on this disc.
=^_^=
The greatest of recital albums, part 2.......2005-09-04
It's hard to simply repeat what someone else has written, but before I noticed the review above, I was going to say that this is the greatest vocal recital I've ever heard. It's a pleausre to be the second to voice that opinion.
Why is the editorial review about Mozart? Amazon nods.
The Magnificent Kathleen Battle Has Done It Again!!.......2002-03-04
Go Kathleen! I often dream of what music will sound like behind the Pearly Gates of Heaven-my dreams are no more, I have found what I've been searching for. Just push play and then be prepared for your body and soul to leave this earth behind. Believe me new and established fans-she IS that good.
From the first to the last track "La Battle" captivates and stuns her audience into a cult-like stupor. Indulge in Purcell's "Music for a While". After listening to a 30 second clip, I knew I needed this CD. She slowly and sensually lulls you with her perfected pronunciation. Her performance is like rich imported chocolate melting in your mouth. On Mendelssohn's "Neue Liebe" "La Battle" does an about face and speeds things up a bit. This tounge-twisting, finger-snapping performance is outstanding. Only a great opera Diva can handle such difficult piece of work, but as well all know, Kathleen never disappoints!
Kathleen masters Mozart's " Ridente la calma, Das Veilchen and Un moto di gioia". She paints such wonders with her voice that Monet must be rolling around in his grave. ;)
The 4 Spiritual at the end deserves only the utmost Praise. "Honor, Honor, His Name So Sweet, and Witness and He's Got the Whole World in His Hand". Check out her fantastically flawless super-HIGH notes! These songs are reason enough to get this CD.
I will forever be a Battle fan because of this recital. Thank you for making the Opera world a better place. We LOVE you Kathleen!
The greatest of recital albums!.......2002-01-16
Kathleen Battle In Concert has been a part of my classical listening experience for many, many years, and many, many repeated playings. Every time I play it, I feel real joy at hearing Kathleen Battle in the opening bars of Purcell's "Come All Ye Songsters."
Miss Battle brings a high level of musicality, an impeccable use of phrasing and some truly beatiful high notes to a wonderful mix of lighter art/love songs, and more serious, but very joyous gospel classics, as in her rendition of "He's Got the Whole World In His Hands."
It's been too many years since Kathleen Battle has recorded such a delightful recital album. If you're reading this Miss Battle, please please record another! We miss your voice greatly!!!
Average customer rating:
- Saint-Saens Cello Concertos Review
|
Saint-Saëns: Cello Concertos Nos. 1 & 2
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Saint-Saëns: The Three Violin Concertos
- Saint-Saëns: Cello Sonatas; Suite for Cello and Piano, Op. 16
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- Saint-Saëns: Les 5 Symphonies
ASIN: B0007INY4Y
Release Date: 2005-03-22 |
Customer Reviews:
Saint-Saens Cello Concertos Review.......2007-01-10
Excellent sound quality. Masterful performance by both artist and orchestra. Concerto No. 1 very familiar, No. 2 not often performed but should be. Glad that these two were offered together.
Lloyd E. Davis
Average customer rating:
|
Delibes: Sylvia & Coppelia [Highlights]
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Coppelia
- Liszt: The Two Piano Concertos; The Piano Sonata
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ASIN: B000002SBK
Release Date: 1992-09-29 |
Tracks:
- Sylvia: Prde
- Sylvia: Act 1 : Faunes et Dryades (scherzo)
- Sylvia: Act 1 : Le Berger (pastorale)
- Sylvia: Act 1 : Les Chassereresses (fanfare)
- Sylvia: Act 1 : Valse lente
- Sylvia: Act 1 : Cort rustique
- Sylvia: Act 1 : Entrdu sorcier (final)
- Sylvia: Act 2 : Pas des Ethiopiens
- Sylvia: Act 2 : Chant bachique
- Sylvia: Act 2 : Sc et danse de la Bacchante
- Sylvia: Act 3 : Marche et cort de Bacchus
- Sylvia: Act 3 : Sc
- Sylvia: Act 3 : Barcarolle
- Sylvia: Act 3 : Pizzicati
- Sylvia: Act 3 : Violon solo
- Sylvia: Act 3 : Pas des escalves
- Sylvia: Act 3 : Variation - valse
- Sylvia: Act 3 : Strette - galop (danse grale)
- Sylvia: Act 3 : Le Temple de Diane (final)
- Sylvia: Act 3 : Apparition d'Endymion (apothe)
Tracks:
- Coppelia: Prelude
- Coppelia: Act 1 : Valse
- Coppelia: Act 1 : Mazurka
- Coppelia: Act 1 : Scene
- Coppelia: Act 1 : Ballade
- Coppelia: Act 1 : Theme slave varie
- Coppelia: Act 1 : Czardas
- Coppelia: Act 2 : Musique des automates
- Coppelia: Act 2 : Chanson a boire
- Coppelia: Act 2 : Valse de la poupee
- Coppelia: Act 2 : Bolero
- Coppelia: Act 2 : Gigue
- Coppelia: Act 3 : Fete de la cloche
- Coppelia: Act 3 : Valse des heures
- Coppelia: Act 3 : L'Aurore
- Coppelia: Act 3 : La Priere
- Coppelia: Act 3 : Le Travail (La Fileuse)
- Coppelia: Act 3 : L'Hymen (Noce villageois)
- Coppelia: Act 3 : La Discorde et la Guerre (Marche des Guerriers)
- Coppelia: Act 3 : La Paix
- Coppelia: Act 3 : Danse de fete
- Coppelia: Act 3 : Galop final
Customer Reviews:
beautiful music.......2000-04-25
I have performed in the Ballet Copplia and the music is awesome even if you just listen to it for pleasure!
Average customer rating:
|
In Memoriam: music for solemn occasions
Manufacturer: Naxos
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ASIN: B00000148P
Release Date: 1996-09-17 |
Tracks:
- March - Laurence Cummings
- Largo - Bertalan Hock
- Air - Capela Istropolitana
- Dance Of The Blessed Spirits - Nora Mercz
- Largo - Bertalan Hock
- Marche Funebre - Razumovsky Sinfonia
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- Elegy - Okko Kamu
- Dead March - Alfred Eschwe
- Priere - Bertalan Hock
- Adagio - Capella Istropolitana
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- Last Spring - Capella Istropolitana
- Marcia Funebre - CSR Symphony Orchestra
Average customer rating:
- Good Franck Offering
- Wonderful music, great organ, performance fine
- No fault of his own...
- Very good, but it needs passion
|
Franck: Complete Masterworks for Organ
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B000003CWK
Release Date: 1990-02-23 |
Tracks:
- Fantasy In A
- Cantabile
- Piece Heroique
- Fantasy In C Major, Op.16
- Prelude, Fugue And Variation, Op.18
- Priere,Op. 20
- Final In B-flat Major, Op. 21
Tracks:
- Pastorale, Op. 19
- Grande Piece Symphonique, Op. 17
- Chorale 1 In E Major
- Chorale 2 In B Minor
- Chorale 3 In A Minor
Amazon.com
Michael Murray's teacher was Marcel Dupré, whose own teacher was Alexandre Guilmant, who was a friend and colleague of Franck. When it comes to organ music, these things matter. The French organ school is the greatest contemporary representation of organ performance and composition. Names like Franck, Widor, Vierne, Tournemire, Dupré and Messiaen read like a "who's who" of great composers for the instrument. Franck's organ music got the ball rolling, and Murray plays these wonderful pieces on an authentic 19th-century French organ constructed by the master himself, Aristide Cavaille-Coll. Add Telarc's state-of-the-art sound to this pedigree, and the result is a first-class recommendation. --David Hurwitz
Customer Reviews:
Good Franck Offering.......2005-12-03
Michael Murray gives a nice performance of Franck based on his instruction from Dupre. The registration schemes often come from the Dupre tradition, while other performances have just as vital connections with different registration schemes. I personally like the use of the flue choruses where others might include those wonderful but sometimes monotonous reed sounds more often. Demesseiux's fabled Franck cycle resembles Murray's in registration. One reviewer may be correct...little passion, certainly when compared to the superb Alain recording at Caen. However, listen to Dupre and one won't find passion there, either. The music is served quite nicely, anyway. I find Murray's performance engaging and accessible (I am NOT an organist.) I think the organ was miked awfully close and for my taste, Murray's more recent recording of Franck, Widor and Dupre at Ste. Sulpice, while also miked very closely, gives an inviting, clearer sound, particularly since Murray uses the mixtures to unusually nice effect for that instrument. The Franck cycles I've heard over the past 30 years each has its own merits, and Michael Murray's is an equally fine offering.
Wonderful music, great organ, performance fine.......2005-05-24
The other reviewers for this offering have found fault with Michael Murray's performance and the organ tuning. I may be tone deaf or something, but I have no complaint with either of these issues.
The Cavaille-Coll instrument at St. Sernin comes out in this recording really magnificent with great miking by Renner and his recording team. I can listen to this recording at very high levels and it is clear and well defined, as compared with the Telarc-Murray recording at St. Sulpice, which is muddy and somewhat ill-defined. I listen to these two discs frequently and enjoy them each time.
Sometimes I can not believe all of us reviewers are discussing the same performance, but this is how folks can get a viewpoint on recordings before spending their money on them.
No fault of his own..........2004-09-09
I thoroughly enjoy Michael Murray's style of playing and his interpretations of the great organ works he has committed to recording. It pains me, then, to see a recording such as this released on an INSTRUMENT that, while lauded as one of the greats, sounds painful at times through the duration of the recording. The tuning is at times, horrendous and blatantly displayed. I cite specifically track 3 on CD #1, The Piece Heroique (8:00 minutes) as a prime example of either this organ's apparent neglect or its simple lack of tuning. In short, my hesitation in buying the album would stem only from the aforementioned problems and not from the interpretation or performance. Why another organ could not have been used or why these problems could not have been rectified before the recording is beyond me.
Very good, but it needs passion.......1998-10-28
This should have been better. Telarc has one of the best recording teams, Michael Murray is an excellent organist, Cesar Franck is one of the best composers for the organ, and the organ at Saint Sernin is one of the best for this music. So, why am I not thrilled? I think it's a lack of passion, or je ne sais quoi. It just doesn't move me like Virgil Fox's or Fred Swann's performances.
Average customer rating:
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Satie: Piano Works
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Sarabande
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Similar Items:
- Strauss: Orchestral Works
- Liszt: Works for Piano and Orchestra
- Symphonies 1-3 / Piano Concerto 1-4 / Isle of Dead
- Debussy, Ravel: Orchestral Works
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ASIN: B0000BWTKN
Release Date: 2003-11-04 |
Tracks:
- Allegro
- Valse-Ballet 'Op.62'
- Fantaise-Valse
- 1. (Lent) (A Monsieur Conrad Satie)
- 2. (Lent) (A Maurice Ravel)
- 3. (Lent)
- 1. Lent Et Douloureux (A Mademoiselle Jeanne De Bret)
- 2. Lent Et Triste (A Conrad Satie)
- 3. Lent Et Grave (A Charles Levade)
- Fete Donnee Par Des Chevaliers Normands En l'Honneur D'Une Jeune Demoiselle
- Maniere De Commencement
- Prolongation Du Meme
- Morceau I: Lentement
- Morceau II: Enleve
- Moreceau III: Brutal
- En Plus
- Redite
- Premier Nocturne (A Madame Marcelle Meyer)
- Deuxieme Nocturne (A Andre Salomon)
- Troisieme Nocturne (A Madame Jean Hugo)
- Quatrieme Nocturne (A Madame La Comtesse Etienne De Beaumont)
- Cinquieme Nocturne (A Madame Georges Cocteau)
- De L'Enfance De Pantagruel (Reverie)
- Marche De Cocagne
- Jeux De Gargantua (Coin De Polka)
- Premier Menuet (A Claude Dubosq)
- Idlle (A Debussy)
- Aubade (A Paul Dukas)
- Meditation (A Albert Roussel)
Tracks:
- Premiere Ogive (A J.P. Contamine De Latour)
- Deuxieme Ogive (A Charles Levade)
- Troisieme Ogive (A Madame Clement Le Breton)
- Quatrieme Ogive (A Conrad Satie)
- Premiere Pensee Rose + Croix
- Air De L'Ordre
- Air Du Grand Maitre (Le Sar Josephin Peladan)
- Air Du Grand Prieur (Le Comte Antoine De La Rochefoucauld)
- Prelude Du 1 Acte: La Vocation. Theme Decoratif: La Nuit De Kaldee
- Prelude Du 2 Acte: L'Initiation. Theme Decoratif: La Salle Basse Du Grand Temple
- Prelude Du 3 Acte: L'Incantation. Theme Decoratif: La Terrasse Du Palais Du Patesi Goudea
- Prelude Du Nazareen
- Prelude Du Nazareen
- Prelude
- A L'Occasion D'Une Grande Peine
- Dans Laquelle Les Peres De La Tres Veritable Et Tres Sainte Eglise Sont Invoques
- En Faveur D'Un Malheureux
- A Propos De Saint Bernard Et De Sainte Lucie
- Pour Les Pauvres Trepasses
- Ou Il Est Question De Pardon Des Injures Recues
- Par Pitie Pour Les Ivrognes, Honteux, Debauches, Imparfaits, Desagreables, Et Faussaires En Tous Genres
- En Le Haut Honneur Du Venere Saint Michel, Le Gracieux Archange
- Apres Avoir Obtenu La Remise De Sis Fautes
- Prelude
- Priere
- Vexations
- Reverie Du Pauvre
- Verset Laique & Somptuex
Tracks:
- Caresse
- Danse De Travers No.2 (Version 1)
- Petite Musique De Clown Triste
- The Dreamy Fish
- Air
- Essais
- ( - )
- Notes
- Notes
- Le Prisonnier Maussade
- Le Grand Singe
- Exercices
- Notes
- Harmonies
- Songerie Vers 'Jack'
- Bribes
- Choral
- Exercices
- Exercices
- Exercices
- Exercices
- Esquisses & Sketch Montmartrois No.1. Petit Prelude De La 'Mort De Monsieur Mouche'
- Esquisses & Sketch Montmartrois No.2 Un Peu Vif
- Essais (Arriere-Propos)
- Petite Danse
- Desespoir Agreable
- No.1 Effronterie
- No.2 Poesie
- Preludes Pour Un Chien: No.2 (Prelude Canin)
- Profondeur
- Songe-Creux
- Passacaille
- Prelude En Tapisserie
- Nostalgie
- Froide Songerie
- Facheux Exemple
- No.1
- No.2
- No.3
- No.4
- No.5
- No.6a
- No.6b
- No.7
- No.8
- No.9
- No.10
- No.11
- No.12 (1908-9)
- Pas Vite
- Tres Moderement
- Pastorale (1912)
- Choral (1908)
- Fugue (1908)
- Choral
- Fugue Litanique
- Autre Choral
- Fugue De Papier
Tracks:
- Sur Un Mur
- Sur Un Arbre
- Sur Un Pont
- Voix D'Interieur
- Idylle Cynique
- Chanson Canine
- Avec Camaraderie
- Severe Reprimande
- Seul A La Maison
- On Joue
- Sur Un Vaisseau (A Madame Fernand Dreyfus)
- Sur Une Lanterne (A Madame Joseph Ravel)
- Sur Un Casque (A Madame Paulette Darty)
- D'Holothurie (A Mademoiselle Suzanne Roux)
- D'Edriophthalma (A Monsieur Edouard Dreyfus)
- De Podophthalma (A Madame Jane Mortier)
- Tyrolienne Turque (A Mademoiselle Elvira Vines Soto)
- Danse Maigre (A La Maniere De Ces Messieurs) (A Monsieur Fernando Vines Soto)
- Espanana (A Mademoiselle Claude Emma Debussy)
- Celle Qui Parle Trop
- Le Porteur De Grosses Pierres
- Regrets Des Enfermes (Jonas Et Latude)
- Chez Le Marchand D'Or
- Danse Cuirassee
- La Defaite Des Cimbres
- Allegro - Andante - Vivache
- Chant Guerrier Du Roi Des Haricots
- Ce Qui Dit La Petite Princesse Des Tulipes
- Valse Du Chocolat Aux Amandes
- Petite Prelude A La Journee
- Berceuse
- Marche Du Grand Escalier
- Etre Jaloux De Son Camarade Qui A Une Grosse Tete
- Lui Manger Sa Tartine
- Profiter De Ce Qu'il A Des Cors Aux Pieds Pour Lui Prendre Son Cerceau
- Le Vilain Petit Vaurien
- Berceuse
- La Gentille Toute Petite Fille
- Choral Inappetissant (Grave)
- La Balancoire (Lent)
- La Chasse (Vif)
- La Comedie Italienne (A La Napolitaine)
- Le Reveil De La Mariee (Vif, Sans Trop)
- Colin-Maillard (Petitement)
- La Peche (Calme)
- Le Yachting (Modere)
- Le Bain De Mer (Mouvemente)
- Le Carnaval (Leger)
- Le Golf (Exalte)
- La Pieuvre (Assez Vif)
- Les Courses (Un Peu Vif)
- Les Quatre-Coins (Joie Moderee)
- Le Pique-nique (Dansant)
- Le Water-Chute (Gracieusement)
- Le Tango Perpetuel (Modere Et Tres Ennuye)
- Le Traineau (Courez)
- Le Flirt (Agite)
- Le Feu D'Artifice (Rapide)
- Le Tennis (Avec Ceremonie)
- Obstacles Venimeux (Noiratre)
- Crepuscule Matinal (De Midi) (Sans Grandeur)
- Affolements Granitiques (Vivement)
- Sa Taille (A Roland-Manuel)
- Son Binocle (A Mademoiselle Linette Chalupt)
- Ses Jambes (A Rene Chalupt)
Tracks:
- Gnossienne No.5
- Gnossienne No.1
- Gnossienne No.3
- Gnossienne No.4
- Gnossienne No.2
- Gnossienne No.6
- D'une Maniere Particuliere
- Modestement
- S'Inviter
- En Y Regardant A Deux Fois
- Passer (Version 2)
- Encore
- Prelude
- Entracte
- Final
- Petit Ouverture A Danser
- Je Te Veux
- Poudre D'or
- Le Piccadilly (La Transatlantique). Marche
- Quadrille
- Valse
- Pas Vite
- Mazurka
- Un Peu Vif
- Polka
- Quadrille
- Les Pantins Dansent
- Marche Franco-Lunaire
- Grande Ritournelle
- Valse Du Mysterieux Baiser Dans L'oeil'
- Grande Ritournelle
- Cancan Grand-Mondain
Customer Reviews:
Ciccolini Knows Satie.......2004-06-02
Aldo Ciccolini is arguably the greatest interpreter of Erik Satie, and he can also be credited with rescuing the minimalist from certain obscurity with the recordings he made of the composer's music in the late 1960s and early 1970s. For years I have enjoyed selections of those performances and I figured it was time to upgrade to a more complete set. As a result, I recently got this title. Unfortunately, this 5CD box set from EMI Classics collects Ciccolini's digital remakes of Satie's Piano Works, and not the original recordings of which I had grown so fond. (I have since discovered that a French Import of the complete original recordings is available.) The overall difference is minimal (yes, pun intended!) but I have to give the nod to the analog performances because of a slightly warmer, brighter sound. Also with a first time recording, there is an intangible element in the charting of new territory that I feel is never quite recaptured when revisited. With that being said, for the pieces requiring two pianists, the digital accounts are superior. While Ciccolini overdubbed himself originally, here he partners with Gabriel Tacchino to greater effect. In all, this is an excellent set by an unparalled master of Satie's music, but if I had to it over again I would have chosen the first incarnation.
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pop music
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