The Orchestral Tubular Bells [Original recording remastered] [Import]
On this CD:
1.
Tubular Bells Part 1
Composed by
Mike Oldfield
Performed by
Royal Philharmonic Orchestra
with
Mike Oldfield
Conducted by
David Bedford
2.
Tubular Bells Part 2
Composed by
Mike Oldfield
Performed by
Royal Philharmonic Orchestra
with
Mike Oldfield
Conducted by
David Bedford
Editorial Reviews
Product Description
2000 remastered HDCD reissue of 1975 album recorded September 1974 by the Royal Philharmonic Orchestra, arranged & conducted by David Bedford, with Mike Oldfield on guitar. Two tracks. Virgin.
The Orchestral Tubular Bells,Mike Oldfield,David Bedford,Mike Oldfield,Royal Philharmonic Orchestra,EMI Int'l,Miscellaneous,Miscellaneous Music,Pop,Prog-Rock/Art Rock,Progressive Electronic,Rock,Rock/Pop
The Orchestral Tubular Bells [Original recording remastered] [Import]
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Ultimate Cult Themes
Manufacturer: Crimson Productions
ProductGroup: Music
Binding: Audio CD
All Works by Herrmann
| Herrmann, Bernard
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schifrin
| Schifrin, Lalo
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Vangelis
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Orchestral Pop
| Easy Listening
| Pop
| Styles
| Music
Soundtracks
| Imports
| Stores
| Music
ASIN: B000066I7T
Release Date: 2005-06-07 |
Tracks:
- Thunderbirds (Theme)
- Prisoner
- Mission Impossible (Theme)
- Man from U.N.C.L.E. (Theme)
- Randall and Hopkirk (Deceased) (Theme)
- Avengers (Theme)
- Persuaders (Theme)
- Champions (Theme)
- Twin Peaks (Theme)
- X-Files (Theme)
- Tomorrow People (Theme)
- Doctor Who
- Twilight Zone (Theme)
- Quantum Leap (Theme)
- Time Tunnel (Theme)
- Dragnet (Theme)
- Bewitched (Theme)
- Catweazle/Busy Boy
- Space 1999 (Theme)
- Vision On/Left Bank
Tracks:
- Lost in Space (Theme)
- Total Recall (Theme)
- Close Encounters of the Third Kind (Theme)
- Star Trek (Theme)
- Fifth Element (Theme)
- Logan's Run (Theme)
- Blade Runner (Theme)
- Alien Resurrection (Theme)
- Scream (Theme)
- Psycho (Theme)
- Tubular Bells [The Exorcist]
- Thing
- Friday the 13th (Theme)
- Pet Semetary (Theme)
- Carrie (Theme)
- Vertigo (Theme)
- Salem's Lot (Theme)
- Howling (Theme)
- Silence of the Lambs (Theme)
- Nightmare on Elm Street (Theme)
Average customer rating:
|
Themes of Horror
Manufacturer: Sony Special Product
ProductGroup: Music
Binding: Audio CD
All Works by Herrmann
| Herrmann, Bernard
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Classic
| Vocal Pop
| Pop
| Styles
| Music
Orchestral Pop
| Easy Listening
| Pop
| Styles
| Music
CDs Under $7
| Vocal Pop
| Pop
| Today's Deals in Music
| Formats
| Music
CDs $7 - $10
| Vocal Pop
| Pop
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Vocal Pop
| Pop
| Today's Deals in Music
| Formats
| Music
CDs Under $7
| Movie Soundtracks
| Soundtracks
| Today's Deals in Music
| Formats
| Music
CDs $7 - $10
| Movie Soundtracks
| Soundtracks
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Movie Soundtracks
| Soundtracks
| Today's Deals in Music
| Formats
| Music
Similar Items:
- Halloween Horror Movie Themes
- Very Scary Music: Classic Horror Themes
- Halloween: 20th Anniversary Edition - Original Motion Picture Soundtrack
ASIN: B00005EBO5
Release Date: 2001-01-01 |
Tracks:
- Psycho
- The Fly
- Carrie
- The Fog
- The Exorcist (Tubular Bells)
- Hellraiser
- Friday The 13th
- Rosemary's Baby
- The Silence Of The Lambs
- Halloween
Customer Reviews:
Themes of Horror.......2004-03-07
I liked this CD very much.If you are into horror movies like Halloween and Friday the 13th you will like this CD.However in my opinion the only good music on this CD is the Friday the 13th theme by Harry Manfredini.I am not really a fan of pchyco or pinhead.If you are into to those horror characters then I reccomend this CD.
Average customer rating:
|
The Orchestral Tubular Bells
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD
General
| New Age
| Styles
| Music
General
| Rock
| Styles
| Music
Progressive Rock
| Progressive
| Rock
| Styles
| Music
Electronic
| Progressive
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Rock
| Imports
| Stores
| Music
Similar Items:
- Tubular Bells
- Tubular Bells II
- Tubular Bells III
- The Songs of Distant Earth
ASIN: B00004T9AH
Release Date: 2000-06-05 |
Tracks:
- The Orchestral Tubular Bells (Part 1)
- The Orchestral Tubular Bells (Part 2)
Album Description
2000 remastered HDCD reissue of 1975 album recorded September 1974 by the Royal Philharmonic Orchestra, arranged & conducted by David Bedford, with Mike Oldfield on guitar. Two tracks. Virgin.
Album Details
Extra Artwork, Remastered and Extensive Liner Notes.
Customer Reviews:
For Mike's fans only.......2003-08-29
this is an Orchestral version of Tubular bells.simply nothing new is not going on in here,orchestra sounds nice - but what for buying something that can't beat the original version?
as is said,it is only for die-hard fans,the rest can be sure that they are not missing anything...
Average customer rating:
- Great compilation
- Good memories spoilt
- Superbly Bizarre
|
Scary Music
Kunzel , and Cincinnati Pops Orchestra
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Halloween
| Holiday
| Miscellaneous
| Styles
| Music
Similar Items:
- Chiller
- Very Scary Music: Classic Horror Themes
- Classics from the Crypt
- Halloween Hits
- Mega Movies
ASIN: B00006JCG9
Release Date: 2002-09-24 |
Tracks:
- SFX: The Legend Lives - End Theme From Sleepy Hollow
- This Is Halloween From Tim Burton's The Nightmare Before Christmas
- Themes From Beetlejuice
- SFX: Haunted Fun House
- Theme From The Addams Family
- Tubular Bells From The Exorcist
- Theme From Ghostbusters
- Theme From The Munsters
- SFX: They've Landed/Martian Hop
- Theme From Tales From The Crypt
- Monster Mash
- Opening From The Shining (Based On The Ancient Dies Irae)
- Thriller (With SFX)
- The Carousel From The Haunting
- Theme From Dark Shadows
- Beware Of The Blob From The Blob
- Theme From Attack Of The Killer Tomatoes/SFX: Tomatoes On The Rampage
Customer Reviews:
Great compilation.......2007-02-07
I though I owned all the Halloween music to be found. But this one has some new ones and old ones done differently. I highly recommend it.
Good memories spoilt.......2006-12-27
The title of the CD is "Scary" but don't be fooled. The only thing frightening is that someone might be suckered by the reputation of the conductor and some fond childhood memories into spending good money for this crud.
While there are a couple of admirable tributes to classic horror theme songs, the cheesy vocals on Addams Family, Ghostbusters, Monster Mash, Attack of the Killer Tomatoes, Beware of the Blob and Thriller relegate this disc to the trash bin.
Instead of this, I'd recommend Nosferatu (James Bernard), Chiller (Cincinnati Pops), Fantastic Journey (Cincinnati Pops, also - more SciFi than horror, though) and Classics From the Crypt (RCA Victor). All available here.
Superbly Bizarre.......2005-03-03
All I can say is wow- kitschy and delightful in a way. Though the "Thriller" is disturbing. But how can you deny the "Killer Tomatoes"? I mean, how can you??
Average customer rating:
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The Orchestral Tubular Bells
Mike Oldfield
Manufacturer: Virgin
ProductGroup: Music
Binding: Audio CD
General
| New Age
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Progressive Rock
| Progressive
| Rock
| Styles
| Music
Electronic
| Progressive
| Rock
| Styles
| Music
ASIN: B00000AZNP
Release Date: 1995-11-17 |
Tracks:
- Orchestral Tubular Bells, Pt. 1
- Orchestral Tubular Bells, Pt. 2
Customer Reviews:
Nice try, but..........2004-02-27
"Tubular Bells" achieved its fame when the opening was used as the theme for "The Exorcist". The haunting notes of the beginning imparted the feel of what this movie was all about, and, for good or bad, is associated with that movie. This album, which I have on both vinyl and CD, is an attempt to translate Mike's intricate rock-pop composition to a full orchestra. And while it isn't bad, it doesn't impart the same energy and feeling that the original does. I give them credit for trying, but only the truest of fans might want to listen to this one.
Average customer rating:
- A pleasant (albeit disconcerting) discovery
|
Godár: Concerto grosso; Partita
Manufacturer: Ent. Media Partners
ProductGroup: Music
Binding: Audio CD
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Harpsichord
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
CDs Under $7
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
ASIN: B000002XCQ
Release Date: 1997-10-24 |
Tracks:
- Con Grosso: Adagio Sostenuto - Capella Istropolitana
- Con Grosso: Presto E Molto Agitato - Capella Istropolitana
- Con Grosso: Ground-Largo E Quieto - Capella Istropolitana
- Partita: Fuga: Adagio - Slovak PO/Andrew Parrott
- Partita: Con: Allegro Con Spirito - Slovak PO/Andrew Parrott
- Partita: Corale: Lento - Slovak PO/Andrew Parrott
- Partita: Capriccio: Presto - Slovak PO/Andrew Parrott
- Partita: Canzonetta: Andante Quieto E Cantabile - Slovak PO/Andrew Parrott
Customer Reviews:
A pleasant (albeit disconcerting) discovery.......2004-05-11
Another bargain CD that turns out to be not only great value but a great discovery. The music on this record is certainly modern, and experimental, but not Modernistic in the academic sense, for which I am grateful (I typically prefer Romantic music of the 19th century).
The Concerto Grosso is the more notable piece here, perhaps because it is more compact, certainly because each of the three movements is radically different. The first movement strikes the listener as bizarre: strings with extreme vibrato at first sound like music for a carnival spookhouse. Then the moaning notes remind one of the distinctive folk fiddle style of Eastern Europe. At last one decides that a heavy wind storm is being evoked: wind in trees, through rocks, across steppes.
The second movement uses a classical, Vivaldian motif, with dissonant variations, so that the music is alternately pleasant and disconcerting. Conductor Andrew Parrott delivers a great momentum here, and certainly gets the toe tapping. The final movement begins almost inaudibly with eerie minor strings, and gradually a recognisable figure emerges to grow slowly over the course of the piece.
The Partita continues to demonstrate Godar's interest in producing atmospheres by use of sustained strings, and is certainly effective in this regard. It struck me while listening to this that Godar could be an effective composer of movie soundtracks. I also wondered whether he was a fan of horror movies or gothic novels, given the sense of enjoyable creepiness that he demonstrates here.
It turns out that this Slovakian composer does write soundtracks, but unfortunately these films are rarely seen in the English-speaking world. He has also composed a number of other concert pieces. This CD has certainly whetted my curiousity, and I will be seeking out further of his work in the future.
Average customer rating:
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The Orchestral Tubular Bells
Mike Oldfield
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD
General
| New Age
| Styles
| Music
Meditation
| New Age
| Styles
| Music
Progressive Rock
| Progressive
| Rock
| Styles
| Music
Electronic
| Progressive
| Rock
| Styles
| Music
ASIN: B00008EQ0Y
Release Date: 1990-10-25 |
Tracks:
- Orchestral Tubular Bells, Pt. 1
- Orchestral Tubular Bells, Pt. 2
Average customer rating:
- The low point...
- For Mike's fans only
- Musicians standpoint
- Perfectly Orchestrated
- A disappointment
|
The Orchestral Tubular Bells
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD
General
| New Age
| Styles
| Music
General
| Rock
| Styles
| Music
Progressive Rock
| Progressive
| Rock
| Styles
| Music
Electronic
| Progressive
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- Tubular Bells
- Tubular Bells II
- Tubular Bells 2003
- Tubular Bells III
ASIN: B00000DR57
Release Date: 1992-06-29 |
Tracks:
- The Orchestral Tubular Bells: Part 1
- The Orchestral Tubular Bells: Part 2
Customer Reviews:
The low point..........2003-09-10
this is as far the most boring TB version ever recorded...while origonal recrding is simply amazing,and all hte other Bells parts are exciting, this one is simply sleepy and simple...the orchestration has no soul,all the parts originally played on guitar are sounding bad...if you like Orchestral music you will like this,if you do not like dont buy it - even if you are a MIke Oldfield fan!
For Mike's fans only.......2003-08-29
this is an Orchestral version of Tubular bells.simply nothing new is not going on in here,orchestra sounds nice - but what for buying something that can't beat the original version?
as is said,it is only for die-hard fans,the rest can be sure that they are not missing anything...
ps.if you want to buy it,check out the HDCD remastered edition,it sounds much better...
Musicians standpoint.......2002-02-03
From a musicians standpoint, I was very disappointed in this piece. The music is wonderful, but the orchestra plays this like they were sight-reading! Out of tune, missed notes, bad dynamics. This one is just plain bad.
Perfectly Orchestrated.......2001-12-29
I actually tried to arrange this piece as a project in high school, and even if you don't have an appreciation for orchestral music, this recording is so true to the original composition, and I think it's a great version of the electrified original. Really uses all of the voices of the orchestra well, and as a classically trained bassoon player, I've always loved this performance.
A disappointment.......2001-08-15
This album is of marginal interest to hard-core Mike Oldfield fans (who already have TB in it's multidious other incarnations), and of no interest whatsoever to anyone else. If you loved the original TB, then this will be of interest to you, in it's expansion and contrast to the original, as it offers a somewhat different shade of perception on the music. However, I must say, this album is nowhere near as good as it could have been. It's a very intriguing idea-TB is one of my favorite pieces of music, ever-and orchestras can always, if applied correctly, make the music just that much better. It doesn't come across perfectly here, though, unfortunately. There were two ideal approaches for the arrangement on this album: re-writing and re-arranging the whole TB piece, with the orchestra in mind; and more or less re-playing the original with orchestral backing. Neither of these approaches were taken. Instead, the music is merely transferred from the original instruments to orchestration. This makes for a predictable, somewhat tedious affair that offers few surprises. Also, the album is poorly produced. The noise dynamics are off, and it's too quiet at times. Perhaps remastering would help. In synthesis: get this if you are a total Mike-addict who loves TB, and just has to hear this slant on it... otherwise get his better albums and forget about this one.
Average customer rating:
- The Best.................
- For fans of classical music as well as Oldfield
|
The Orchestral Tubular Bells
Mike Oldfield
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD
General
| New Age
| Styles
| Music
General
| Rock
| Styles
| Music
Progressive Rock
| Progressive
| Rock
| Styles
| Music
Electronic
| Progressive
| Rock
| Styles
| Music
New Age
| Indie Music
| Stores
| Music
| Ambient
| Celtic
| Environmental
| General
| International
| Jazz
| Meditation Music
| Piano
| World Dance
Progressive
| Rock
| Indie Music
| Stores
| Music
Rock
| Imports
| Stores
| Music
Pop
| Imports
| Stores
| Music
ASIN: B0000081TK
Release Date: 2000-01-25 |
Tracks:
- Orchestral Tubular Bells, Pt. 1
- Orchestral Tubular Bells, Pt. 2
Customer Reviews:
The Best........................1999-06-09
Of all the music listened to in the 70's I remember this the most......it just stays with you.......it is THE BEST..............
For fans of classical music as well as Oldfield.......1999-02-03
This is an especially nice variation of Tubular Bells. It translates well to a classical orchestra. All the elements of the original (except the spoken introductions) are there. Those who enjoy classical music will enjoy this album. Those collecting variations of Tubular Bells should not miss this one.
Pop Music:
- The Private Music of Patrick O'Hearn
- The Private Music of Suzanne Ciani
- The Second Half of the Journey
- The Summer Air
- The Woods
- Time, Dreaming Itself
- Time Shift
- Time Wave
- Trifling with Fate (2000 Film) [Soundtrack]
- Ultimate Relaxation
Pop Music
pop music
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Famous Folk Song arrangements by Bartók, Kodály, Lajtha
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Pronounced Leh-Nerd Skin-Nerd [Original recording remastered]
Colleccion de Oro
EP Collection [Import]
Cartellieri: Concertos for Clarinet and Orchestra
For Venus
Cry!/Tender
Deeper [Import]
Feel Your Way
De Durango a Chihuahua
Give Me Your Bunch of Fives
Natural