Afternoon Nocturnes

Track Listings

1. Prelude - Remembrance

2. Luna D'Espagna

3. Autumn Sighs

4. Jane's Daybreak

5. Riding the Crest

6. Berceuse

7. Silent Voices

8. Las Terrenas

9. Serenade

10. Spirit of the Wind

11. Lullaby

Editorial Reviews
Product Description
Original Piano Solos

Afternoon Nocturnes,Robert Hitz

Afternoon Nocturnes

Album Description

Music can be both calming and relaxing, or invigorating and passionate...this phenomenal 20-CD set is definitely the latter. This amazing collection brings together for the first time the most passionate music of all time, from Ravel's Bolero, Tchaikovsky's Swan Lake, Wagner's Magic Fire Music to Ravel's La Valse, Orff 's Carmina Burana and Stravinsky's Rite of Spring. This is a must have collection for every passionate music lover.

Customer Reviews:

Wonderful set of orchestral music for an amazing price.......2007-08-05

I will admit that when I first ordered this 20 cd set from Amazon I was very skeptical and hesitant. I figured what kind of quality am I going to get for $16.97?! But when I got it in the mail and started listening to some of the cd's I was more than pleasantly surprised. The music contents on each is cd has the complete versions of the each song or theme. You know how a lot of cd sets just have the short versions or arrangemnts of songs to cut down on the price, but not on this set. Every cd runs anywhere from 1 hour to 2 hours of listening time. Even though the box set is called orchestral spectaculars if you like piano music there is a Liszt cd in the set with The Fantasy on Beethoven's The Ruins of Athens for piano, Malediction for piano and orchestra and Grande Fantasie Symphonique on Berlioz's Lelio for piano and orchestra. There is also a Rachmaninov in the set with his First Piano Concerto in F Sharp Minor and the original full length 30 minute version of his Rhapsody on a Theme of Paganini. Even if you listen to mostly piano music there are many versions based on them. For example, Brahms 21 Hungarian Dances that were written for solo piano, but in this set they are orchestrated. I had never heard the pieces like that before. It was nice to get a different perspective of the music. The same goes for Mussorgsky's Pictures at an Exhibition also written for piano, but here it is in a symphonic form and I enjoyed it just as much as the solo piano version. If you love opera, but are maybe someone that likes the orchestral part more than the singing there are many cd's in this set for that as well. There are 2 cd's of Wagner's music with my favorite prelude of all time Isolde's Love Death from Tristan and Isolde. Overtures from all of Rossini's and Rimsky Korsakov's operas. I think this cd would be a great place to start for someone who is new to classical music and doesn't want to spend a lot of money or if you love classical music as I do and want to hear new versions of your favorite pieces or just want to add to your cd collection you can do that for under $1.00 a cd. How many times have we all spent more than the price of this set for only one cd? I highly recommend this set. The sound quality and choices of music are excellent. Anyone who buys this will not be disappointed.

A good gift for novice.......2007-05-12

This was a good gift for somebody learning about Classical music in Japan.

Average customer rating:

La Mer is one of my all-time favorites
Wonderful
Great interpretations, but the recorded sound is ok
Ravishing Debussy from a master of French music

Debussy: La Mer

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

The Decca Records Store | Specialty Stores | Music
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Bartók: Concerto for Orchestra; Music for Strings, Percussion and Celesta; Hungarian Sketches

ASIN: B00002MXMY
Release Date: 1999-11-09

Tracks:

La Mer: I. De l'aube a midi sur la mer
La Mer: II. Jeux de vagues
La Mer: III. Dialogue du vent et de la mer
Jeux
Le Martyre de Saint Sebastien I (Fragments symphoniques): La Cour des lys
Le Martyre de Saint Sebastien I (Fragments symphoniques): Danse extatique et Final du Premier Acte
Le Martyre de Saint Sebastien I (Fragments symphoniques): La Passion
Le Martyre de Saint Sebastien I (Fragments symphoniques): Le Bon Pasteur
Prelude 'aprmidi d'un faune

Tracks:

Images pour orchestre: Gigues
Images pour orchestre: Iberia: I. Par les rues et par les chemins
Images pour orchestre: Iberia: II. Les Parfums de la nuit
Images pour orchestre: Iberia: III. Le Matin d'un jour de f
Images pour orchestre: Rondes de printemps
Trois Noctures: Nuages
Trois Noctures: Fs
Trois Noctures: Sirs
Printemps: Trmod
Printemps: Mod

Customer Reviews:

La Mer is one of my all-time favorites.......2006-01-11

There is nothing quite like Dutoit's handling of some of Debussy's timeless masterpieces. All have enormous strength and have clear sound quality. The piece that gives me the shivers the most is La Mer. It has the perfect oceanic feeling that some other conductors forget about. I can just imagine the stormy sea letting out its dangerous but majestic fury when listening to the third movement. Images for Orchestra and Printemps are also fabulous. Highly recommended for those who are interested in impressionistic music.

Wonderful.......2004-03-30

Charles Dutoit does so pretty wonderful things with this Debussy set and his orchestra is in top-notch form. Dutoit handles these works well, bringing delicacy of phrasing, sweeping crescendos, and awesome sonics. Rarely does can an orchestra sound calm, quiet, even serene AND loud, dramatic, and forceful. La Mer is particularly striking in Dutoit's hands. Decca's crystal clear sound makes this set even more attractive. Highly recommended.

Great interpretations, but the recorded sound is ok.......2002-08-30

Charles Dutoit does so pretty wonderful things with this Debussy set and his orchestra is in top notch form. However, the reason I gave this CD set only 4 starts is because the recorded sound less much to be desired. The cd sound is very "echo"y, it sounds like the orchestra is playing in a cave, not a concert hall. If that doesn't bother you then go for this set. As for me, I want Debussy with a little clearer of a sound.

Ravishing Debussy from a master of French music.......1999-12-11

Most of Dutoit's Debussy recordings were released at the beginning of the 1990s and are of the same very high standard of his Ravel and Poulenc recordings, and it is good to have the best-known of them reissued on a well-documented 2-CD bargain set. The sound quality is fantastic. This set comes into competition with Haitink's excellent Philips Duo set, and choice between the two sets will probably be determined by the minor works included. The Haitink set has long been the first recommendation in this repertoire, and the analogue sound is excellent, if not as spectacular as that of the Dutoit set. It should be noted, however, that those who buy the Dutoit set along with Martinon's "Orchestral Works II" set on EMI's Double Forte label will have obtained virtually all of Debussy's orchestral compositions and transcriptions all for not too many dead presidents.

Debussy, Ravel: Complete Works for Piano Duet and Two Pianos

Average customer rating:

Superlative Performances

Debussy, Ravel: Complete Works for Piano Duet and Two Pianos

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

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Scherzo | Forms & Genres | Classical | Styles | Music

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Fauré: Piano Music complete [Box Set]
Little Girl Blue
Encore!

ASIN: B0007RA7AY
Release Date: 2005-05-24

Tracks:

I. En Bateau
II. Cortege
III. Menuet
IV. Ballet
Marche Ecossaise Sur Un Theme Populaire
I. Pour Invoquer Pan
II. Pour Un Tombeau Sans Nom
III. Pour Que La Nuit Soit Propice
IV. Pour La Danseuse Aux Crotales
V. Pour L'Egyptienne
VI. Pour Remercier La Pluie Au Matin
Lindaraja
I. Avec Emportement
II. Lent - Sombre
III. Scherzando
Prelude A L'apres-Midi D'un Faune
I. Nuages
II. Fetes
II. Entre-Cloches

Tracks:

I. Pavane De La Belle Au Bois Dormant
II. Petit Poucet
III. Laideronnette, Imperatrice Des Pagodes
IV. Les Entretiens De La Belle Et De La Bete
V. Le Jardin Feerique
Frontispice: For Two Pianos And One Hand
Mouvement De Vaise Viennoise
I. Prelude A La Nuit
II. Malaguena
III. Habanera
IV. Feria
I. L'Escarpolette
II. La Toupie
III. La Poupee
IV. Les Chevaux De Bois
V. Le Volant
VI. Trompette Et Tambour
VII. Les Bulles De Savon
VIII. Les Quatre Coins
IX. Colin-Maillard
X. Saute-Mouton
XI. Petit Mari, Petite Femme!
XII. Le Bal
L'Apprenti Sorcier

Customer Reviews:

Superlative Performances.......2007-03-07

Superlative Duo in superlative music - really sums up these performances. The Debussy is sublime from the "Six Epigraphes antiques" the exotic,"Lindaraja", the spirited,"Marche Ecossaise",the charming, "Petite Suite", to the modern abstract,"En Blanc et noir". The Ravel is as ravishing and the music's strong linear sweep is revealed in two pianos or four hands(with Ravel's "Frontispice" for two piano with one hand - an unusual combination). This is music that brightens up your aural realm!

Debussy: Nocturnes; La Mer; Prélude a l'apres-midi d'un faune

Average customer rating:

Sharp-edged and robust at times, but still quite enjoyable
Opposite of Amazon.com Review

Debussy: Nocturnes; La Mer; Prélude a l'apres-midi d'un faune

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Debussy: Mer No1-3; Prélude à l'après-midi d'un faune
Debussy: La Mer
Bartók: Concerto for Orchestra; Music for Strings, Percussion and Celesta; Hungarian Sketches

ASIN: B00000420X
Release Date: 1992-11-10

Tracks:

Nocturnes: I. Nuages
Nocturnes: II. Fetes
Nocturnes: III. Sirenes
La Mer: I. De l'aube A Midi Sur La Mer
La Mer: II. Jeux De Vagues
La Mer: III. Dialogue Du Vent Et De La Mer
Prelude A L'apres - Midi D'un Faune

Amazon.com

Although conductor Georg Solti was not known for his Debussy, these early-1990s live recordings in Chicago demonstrate both his sensitivity to the nuances of these popular scores and his orchestra's expressive capabilities. Unfortunately, the performances fail to conjure the requisite energy and dynamism in Nocturnes, and, in spite of the excellent sonics, orchestral timbre suffers from anemia. --David Vernier

Customer Reviews:

Sharp-edged and robust at times, but still quite enjoyable.......2007-04-27

The Amazon reviewer is right to point out that the latter Solti of the 90s could be a bit anemic, but this wasn't the CD to use to make that point. It's too robust if anything, and the CSO brass bark too much. But for sheer precision and excellence in the recorded sounnd, this Debussy colleciton has few peers. Of the Trois Nocturnes, I've come to think that the masterpiece is the third movement, Sirenes, and here the women of the Chicago Sym. chorus are truly exceptional, singing with amazing accuracy and beauty of tone.

Solti is up against dozens of rivals in La Mer, including Reiner and the same CSO at the top of their game. Like Reiner, Solti's reading attempts little in the way of interpretation but offers many thrills in its virtuosic execution. Conductors tend to use La Mer as a showpiece now, and this recording is no exception. The Prelude to the Afternoon of a Faun is suitably erotic and relaxed, although Solti doesn't dawdle by any means. In all, this live recording is about as agreeable as any Solti CD I can think of.

Opposite of Amazon.com Review.......2005-03-27

I find this Debussy quite stimulating, in contrast to the Amazon.com review which is rather unkind to this work. Hearing a conductor like Solti, known for harshness, doing something like Debussy is interesting in itself - and the music here speaks quite plainly for itself. It is not romantically or impressionistically molded and crafted, but instead played with characteristic Solti/CSO boldness and "tang." If you like music with some life, not lush/plush plodding of cool intellectualism, this CD is a great buy. Solti I often find to be underated, most likely due to his brash sound not always being welcomed by the ears of more sensitive subjects. Debussy pulsates with life, though, and I personally find a a good match here with Solti, though as all reviews created equal, whether by some top notch critic or a simpleton, that's only my opinion.

Debussy: Nocturnes No1-3; Prélude à l'après-midi d'un faune

Average customer rating:

A great conductor and his vision of Debussy
Food for the Imagination
very distinctive Debussy!
Sublime Stokie!

Debussy: Nocturnes No1-3; Prélude à l'après-midi d'un faune

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

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ASIN: B00004TIPT
Release Date: 2000-06-06

Tracks:

Prld A L'Apres-Midi D'un Faune - Julius Baker
Trois Nocturnes: I. Nuages - LSO/Leopold Stokowski
Trois Nocturnes: II. Fetes - LSO/Leopold Stokowski
Trois Nocturnes: III. Sirenes - LSO/Leopold Stokowski
Ste Bergamasque: Clair De Lune - Leopold Stokowski SO/Leopold Stokowski
Images Pour Orch: Iberia, No.2: I. Par Les Rues Et Par Les Chemins - L'Orch Nat De La Radiodiffusion Francaise/Leopold Stokowski
Images Pour Orch: Iberia, No.2: II. Les Parfums De La Nuit - L'Orch Nat De La Radiodiffusion Francaise/Leopold Stokowski
Images Pour Orch: Iberia, No.2: III. Le Matin D'un Jour De Fete - L'Orch Nat De La Radiodiffusion Francaise/Leopold Stokowski

Customer Reviews:

A great conductor and his vision of Debussy.......2006-06-27

'Fantasia' made Stokowski a pop star, but it nearly ruined his serious reputation in the bargain. Born in 1882, he was already middle-aged when he gave up the Philadelphia Orchestra in 1938, and yet he had almost four decades to go, some of it glorious, a lot of it not. The low point of his reputation was probably in the Fifties when these incredible recordings were made. His vision of Debussy was dreamlike, while at the same time making every emotional gesture ripe and vivid.

The New York pickup group that recorded Prelude to the Afternoon of a Faun features Julius Baker, first flute of the NY Phil., and no doubt the other wind soloists, all placed prominently close to the mike, were first desk men, too. Their ensemble is beautiful and nuanced as only the best musicians can deliver. Stokowski's pace is slow, and you welcome every lingering phrase.

The Trois Nocturnes and Iberia come from the sessions with the London Sym., and here Stokowski pulls his trick of reshaping the orchestra's sound to make it his own. The degree of control and hushed moodiness in Nuages is hypnotic--has this music ever sounded so enchanted? The raucous procession in Fetes explodes with color but remains mysterious, as befits night music. What stands out here, as everywhere on this CD, is Stokowski's ability to shape rhythms so that they feel utterly fresh and natural, no easy thing in Debussy's world of artifice. The sirens in the last movement not only sing seductively, but Stokowski remains aware that they are hidden by the cloak of night. The sound is vivid and detailed, though not as close up as the New York L'Apres midi.

After that intoxicating Nocturnes--a rare compliment for a work that can seem chilly and aloof in ocncert--the world of Iberia is even more colorful. I don't know why Stokowski only conducted the middle section of Images pour orchestre. I do know I've never heard Debussy's Spain evoked with so much blood in its veins. This isn't Spain seen (and felt) through shimmering gauze, but a land of exciting passion. This is an ideal CD for anyone who finds Debussy too vaporous and impressionistic. The LSO winds are tangy and squawky, which makes the color palette even more earthy.

In sum, a great recording in which every item goes to the top of the list.

Food for the Imagination.......2005-04-30

Claude Debussy is one of my favorite composers and, as such, this is one of my favorite CD's. I could not imagine not having it as apart of my collection. Now, even though the pieces were recorded in 1957-1958, the CD has been digitally remastered and I can honestly say that it seems as though it was recorded yesterday ~ it is that crystal-clear perfect. For myself, this CD is like a book of poetry detailing abstract but familiar concepts or settings and, on those grounds, it is worth getting. I think that Debussy is an exceptional technician in the art of turning the abstract into something that is tangible and has definite form. He knows how to communicate love of another or of nature, of the human created environment, or just awe inspired grace that, for myself, makes him a true master of his craft.

very distinctive Debussy!.......2002-08-11

The word that most readily comes to mind for me to describe these performances (in full bodied early stereo sound) is passionate. No detachment or distancing a la Boulez but instead, a very overt engagement with both the sensual aspects of the music, as in his performance of the Prelude to the Afternoon of a Faune, the Three Nocturnes and the slow movement of Iberia, and the fiery ones, as in the first and third movements of Iberia. Only Munch's Debussy has the same degree of overt emotionality, though with a more Berlioz like nervous intensity instead of the molten sensual flow of Stokowski. A definite recommendation for both Stokowski and Debussy lovers.

Sublime Stokie!.......2000-11-26

When it comes to creating orchestral magic, there really was no else like Leopold Stokowski. With an orchestral master like Debussy, this is a match made in heaven. These old Capitol recordings from the late 1950s are a pure delight. Julius Baker's flute on "Prelude" is in a class by itself, and although I prefer Boulez's recent DG recording of "Nocturnes", Stokowski's performance is wonderful just the same with otherworldly BBC Women's Chorus singing in the third movement. The recording, naturally for Stokowski, is in excellent 1950s stereo and not a hiss is to be found. Stokowski's transcription of "Clair de Lune" is not too gooey, and "Iberia" has plenty of Spanish sizzle. Debussy fans might have their more favorite conductors, but Stokowski shows once again there were few pieces of music (Mahler, for example) he couldn't make his own. Anyone interested in Debussy and/or Stokowski should not hesitate.

Average customer rating:

Fantastic set
great collection
Beautiful music
Great
Comfy Debussy, for when you don't want to be seduced

Debussy: Orchestral Music

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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ASIN: B00000417P
Release Date: 1994-02-15

Tracks:

Berceuse heroique
Images: Gigues
Images: Iberia: Par les rues et par les chemins
Images: Iberia: Les perfums de la nuit
Images: Iberia: Le matin d'un jour fe fete
Images: Rondes de printemps
Jeux: Poeme Danse
Marche ecossaise

Tracks:

Prelude a l'apres-midi d'un faune
Nocturnes: Nuages
Nocturnes: Fetes
Nocturnes: Sirenes
La Mer: De l'aube a midi sur la mer
La Mer: Jeux de vagues
La Mer: Dialogue du vent et de la mer
Royal Concertgebouw Orchestra
Dances For Harp And Strings: Danse sacree
Dances For Harp And Strings: Danse profane

Amazon.com

Bernard Haitink's recordings of the Nocturnes and Jeux were hailed as among the finest available when initially issued. That LP provided rather short measure. Now you can get all of Debussy's most important orchestral music on two CDs for the price of one, and if the remaining performances don't quite reach the exalted level of the Nocturnes and Jeux, they come so close as to make no difference. Haitink was not a very assertive conductor (and he's gotten less so with age), but he was fortunate to have one of the world's best orchestras at the tip of his baton, and their recordings were a true collaborative effort. Their approach works particularly well for Debussy. --David Hurwitz

Customer Reviews:

Fantastic set.......2007-05-02

This set is wonderful for anyone who is looking to get acquainted with Debussy, as well as anyone looking for new interpretations of his famous orchestral work. This 2 disk contains my favorite rendering of the majestic "Prelude to the Afternoon of a Faun", as well as my favorite recording of the three Nocturnes and "Images". These three pieces are improved by the warm and luminous, yet vague ("impressionistic") sound of this recording.

The harp dances sound wonderful. So does the clarinet rhapsodie. The soloist has wonderful tone.

Elsewhere, the audio quality is my only complaint about this set - "La Mer", being as it is a highly dense, orchestrated piece of work, would benefit from added clarity and higher audio fidelity, but the version here is still very good. The other piece that suffers from the overly reverberant, slightly muddy sound is "Berceuse Heroique", an amazing and powerful shorter piece, summarizing whole years of life in a blur of 5 minutes... here, unfortunately, the louder moments turn into incoherent chaos.

All of the playing is fantastic, the intonation is great... I've never heard this music so expressive.

Highly recommended for definitive versions of "Prelude to the Afternoon of a Faun", "Nocturnes" and "Images". Everything else is good as well. 4.5 stars.

great collection.......2007-03-13

The first concert I ever saw in the Kimmel Center was Valery Gergiev conducting the Philadelphia Orchestra playing La mer, Prelude de l'apres-midi d'un faune, and a Schubert symphony. The orchestra was under-rehearsed, but I remember being transfixed during both Debussy pieces (and I think Gergiev received quite a standing ovation). There is something special about Debussy's orchestral music that few other composers (Ravel, perhaps) can match.

The individual performances in this collection are not mindblowingly brilliant, but as a whole, this collection is quite satisfying. The Concertgebouw Orchestra plays well, as usual, and it's helped by great recording quality (voted Gramophone Magazine's best engineered recording in 1980). If you want more unique performances of individual pieces, look at Munch (for example), but if you want a well-played, comprehensive collection, get this CD. It's one of my favorites.

Beautiful music.......2006-10-23

I can't get enough of these discs; the sound is superb! A fabulous journey into the "impressionist" art of Debussy.

Great.......2006-05-27

True, Haitink is not a "ZIP! ZING! POW! conductor" like David A. FLetcher mentioned in his review (I thought it was funny put, so I wanted to quote it), but he sure knows how to let the music do the speaking.

These are not "impressionistic" readings and I'm glad they're not, although the orchestra sounds warm and round, a little "cosy" if you like, but that's fine, I love the sound.
The playing is accurate and flexible and I think Haitink's "Images" is one of the best recordings I heard of this work, next with Boulez' excellent recording on DG.

The "Prelude a l'apres midi.." is a bit on the slow side and some nice details you'll hear in Boulez' recordings (Sony and DG) are somewhat underplayed...or not very good recorded?, but the mood and sound are great.

I think the sound of the RCO and Philips analogue recording are superb and do great justice to Debussy's musical universe.
Boulez might be more idiomatic, his recordings are the standard for me, but the warmer sound of the RCO with Haitink on Philips is something special indeed.

Excellent disc.

Comfy Debussy, for when you don't want to be seduced.......2005-11-04

I am a little miffed for believing the reviewers here about this Philips two-fer. I would have assumed that Haitink, the maestro of middle-of-the-road, would give us comfortable, well-balanced, plain-faced Debussy, not sparkling, enchanting Debussy. As it turns out, that assumption was right. These Seventies recordings, some in excellent sound (Jeux and Trois Noctournes in particular), are lusciously played. But attentive as Haitink is, there is no seductiveness to the music.

I'm not being all that critical: in the wrong hands Debussy's gossamer textures and irregular rhythms get sea-sick and swoony. Haitink is sober all the way, his La Mer too much so, and also his Prelude to the Afternoon of a Fuan. The two most famous readings in this set, Jeux and the Nocturns, benefit from Haitink's modesty. By keeping the rhythm steady and being scrupulous about orchestral blend, both works sound beautiful without becoming luxuriant or slippery.

Nothing in Haitink's hands sounds like Ravel, and that's a high compliment. For that reason, I will keep this set. I don't need to be enchanted every day.

Average customer rating:

The only set you need
Outstanding performances at any price
More Evocative than some of Mahler's Symphonies
One stop shopping! Unparalleled Debussy, and excellent Ravel
In Debussy Martinon is unbeatble!

Debussy, Ravel: Orchestral Works
Claude Debussy , Jean Martinon , and Orchestre de Paris
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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ASIN: B00006HM8X
Release Date: 2002-11-05

Tracks:

I: De L'aube A Midi Sur La Mer - Jean Martinon
II: Jeux De Vagues - Jean Martinon
III: Dialogue Du Vent Et De La Mer - Jean Martinon
I: Nuages - Jean Martinon
II: Fetes - Jean Martinon
III: Sirenes - Choeurs De L'Ortf
Prelude A L'apres-midi D'un Faune - Alain Marion
Marche Ecossaise - Jean Martinon
Berceuse Heroique - Jean Martinon
I: Fanfare - Jean Martinon
II: Le Sommeil De Lear - Jean Martinon

Tracks:

Jeux (Poeme Danse) - Jean Martinon
1. Gigues/2. Iberia - Jean Martinon
I: Par Les Rues Et Par Les Chemins - Jean Martinon
II: Les Parfums De La Nuit - Jean Martinon
III: Le Matin D'un Jour De Fete - Jean Martinon
3. Rondes De Printemps - Jean Martinon
Premiere Partie - Jean Martinon
Deuxieme Partie - Fabienne Boury

Tracks:

1. Doctor Gradus Ad Parnassum - Jules Goetgheluck
2. Jimbo's Lullaby - Jules Goetgheluck
3. Serenade For The Doll - Jules Goetgheluck
4. The Snow Is Dancing - Jules Goetgheluck
5. The Little Shepherd - Jules Goetgheluck
6. Golliwoggs Cakewalk - Jules Goetgheluck
I: En Bateau - Jean Martinon
II: Cortege - Jean Martinon
III: Menuet - Jean Martinon
IV: Ballet - Jean Martinon
I: Danse Sacree - Marie-Claire Jamet
II: Danse Profane - Marie-Claire Jamet
I: Le Magasin De Jouets - Jean Martinon
II: Le Champ De Bataille - Jean Martinon
III: La Bergerie A Vendre - Jean Martinon
IV: Apres Fortune Faite - Jean Martinon

Tracks:

I: Andante - Allegro - Aldo Ciccolini
II: Lento E Molto Espressivo - Aldo Ciccolini
III: Allegro Molto - Aldo Ciccolini
La Plus Que Lente - John Leach
Premiere Rapsodie Pour Orchestre Avec Clarinette Principale - Guy Dangain
Rapsodie Pour Orchestre Et Saxophone Solo - Jean-Marie Loneix
Khamma - Fabienne Boury
Danse: Tarantelle Styrienne - Jean Martinon

Tracks:

Bolero - Marcel Galiegue
Une Barque Sur L'Ocean (Miroirs: No.3) - Orchestre De Paris
Prelude - Orchestre De Paris
Premier Tableau: Danse Du Rouet Et Scene - Orchestre De Paris
Deuxieme Tableau: Pavane De La Belle Au Bois Dormant - Orchestre De Paris
Interlude - Orchestre De Paris
Troisieme Tableau: Les Entretiens De La Belle Et De La Bete - Orchestre De Paris
Interlude - Orchestre De Paris
Quatrieme Tableau: Petit Poucet - Orchestre De Paris
Interlude - Orchestre De Paris
Cinquieme Tableau: Laideronnette, Imperatrice Des Pagodes - Orchestre De Paris
Interlude - Orchestre De Paris
Sixieme Tableau: Le Jardin Feerique - Orchestre De Paris
Alborada Del Gracioso (Miroirs: No.4) - Andre Sennedat
I: Prelude A La Nuit - Orchestre De Paris
II: Malaguena - Orchestre De Paris
III: Habanera - Orchestre De Paris
IV: Feria - Orchestre De Paris

Tracks:

Sheherazade: Ouverture De Feerie - Orchestre De Paris
La Valse (Poeme Choregraphique) - Orchestre De Paris
I: Prelude - Orchestre De Paris
II: Forlane - Orchestre De Paris
III: Menuet - Orchestre De Paris
IV: Rigaudon - Orchestre De Paris
Menuet Antique - Orchestre De Paris
Pavane Pour Une Infante Defunte - Michel Garcin-Marrou
1. Modere - Orchestre De Paris
2. Assez Lent - Orchestre De Paris
3. Modere - Orchestre De Paris
4. Assez Anime - Orchestre De Paris
5. Presque Lent - Orchestre De Paris
6. Assez Vif - Orchestre De Paris
7. Moins Vif - Orchestre De Paris
8. Epilogue: Lent - Orchestre De Paris

Tracks:

Introduction - Choeurs Du Theatre National De L'Opera
Danse Religieuse - Choeurs Du Theatre National De L'Opera
Scene - Choeurs Du Theatre National De L'Opera
Danse Generale - Choeurs Du Theatre National De L'Opera
Scene - Choeurs Du Theatre National De L'Opera
Danse Grotesque De Dorcon - Choeurs Du Theatre National De L'Opera
Danse Legere Et Gracieuse De Daphnis - Choeurs Du Theatre National De L'Opera
Scene - Choeurs Du Theatre National De L'Opera
Nocturne - Choeurs Du Theatre National De L'Opera
Danse Lente Et Mysterieuse Des Nymphes - Choeurs Du Theatre National De L'Opera
Interlude - Choeurs Du Theatre National De L'Opera
Introduction - Choeurs Du Theatre National De L'Opera
Danses Guerrieres Et Diverses - Choeurs Du Theatre National De L'Opera
Danse Suppliante De Chloe - Choeurs Du Theatre National De L'Opera
Introduction - Choeurs Du Theatre National De L'Opera
Lever Du Jour - Choeurs Du Theatre National De L'Opera
Pantomime - Choeurs Du Theatre National De L'Opera
Danse Generale - Bacchanale - Choeurs Du Theatre National De L'Opera

Tracks:

Lento - Aldo Ciccolini
Piu Lento - Aldo Ciccolini
Allegro - Aldo Ciccolini
I: Allegramente - Jean-Claude Malgoire
II: Adagio Assai - Jean-Claude Malgoire
III: Presto - Jean-Claude Malgoire
Lento, Quasi Cadenza - Moderato - Itzhak Perlman

Amazon.com

At long last, Jean Martinon's classic EMI Debussy and Ravel cycles from the 1970s have been gathered in a space-saving, budget-priced box set. If you love this repertoire, you'll gasp with joy at the conductor's crystal-clear orchestral balances, which truly reproduce what you see in the printed music. If you respond to a lean, sinewy approach to this repertoire in the manner of Toscanini and Boulez, but pine for the timbral characteristics that used to distinguish French orchestras (silver-coated strings, tart woodwinds, and slightly watery brass) in gorgeous, vibrant sonics, Martinon's your man. Aldo Ciccolini's crisp, diamond-edged finger work stands out in Ravel's two piano concertos and in Debussy's rarely heard Fantasie. The young Itzhak Perlman's dazzling, effortless traversal of Ravel's Tzigane will humble many an aspiring fiddler. And you won't find a more sparkling, translucent Ravel Mother Goose Suite on record. Martinon was a marvel, and a sadly underrated podium giant. Grab this set while you can. --Jed Distler

Customer Reviews:

The only set you need.......2006-01-13

After owning dozens of Debussy, Ravel recordings, all I can say is ,
if you have this set, no need to look further.
My Ingelbrecht sets are good, but Martinon is better.
Forget the Munch and Monteaux, Bernsteins, Levine, Karajan (UUCCKKKK) etc etc.

Outstanding performances at any price.......2005-04-28

This boxed set provides a comprehensive collection of the orchestral works of both Debussy and Ravel. Jean Martinon conducts the Orchestre National de l'ORTF in the Debussy and the Orchestre de Paris in the Ravel pieces. The sound is stunning, and the performances are extraordinarily engaging. I have other sets of music by these composers (Simon and the Philharmonia Orchestra for the Debussy) Michal Tilson Thomas and the LSO as well as Boulez and the Berlin Philharmonic for some of the Ravel pieces (Boulez and the NY Phil for Daphnis and Chloe) but these other sets do not contain all the music in the 8 CDs by Martinon and his orchestras. I agree with the other reviewers who find the Debussy especially compelling. I am listening to La Mer now, and the recording captures the performance perfectly, clearly separating the horns, strings and woodwinds and providing a great balance. This is a very dramatic reading of La Mer! However, I find the Ravel performances equally inspired. The Daphnis and Chloe performance is tremendously exciting, and the ballet Ma Mere l'Oye is exquisite. When I decided to buy this set, I was looking for performances that would give me new insight into familiar works and also introduce me to some musical treats like Debussy's La Boite a Joujoux. I was not disappointed. This set is not just a bargain, it's a real treasure!

More Evocative than some of Mahler's Symphonies.......2005-01-25

I can't exactly visualise the oils of the French impressionists when hearing these pieces. But I do know what the other reviewer is talking about and the point is well made. They are so inspiring and evocative that they touch your heart strings perhaps deeper than most of Mahler's symphonies despite Mahler's gigantic orchetrations! The recorded sound is excellent: and the conductor is obviously gifted and the orchestra is just beautiful despite the fact that I am no big fan of either Ciccolini or Perlman. Believe it or not, in Hong Kong HK Records and HMV are selling the boxset at about 60% of the listed price in US: a real bargain. Grap it while it is still available, particularly those who live in HK.

One stop shopping! Unparalleled Debussy, and excellent Ravel.......2004-11-21

I've treasured both of these cycles since the 1970s when both appeared in single LP installements, each one eagerly awaited with deserved anticipation. To get them both in outstanding remasterings in a bargain priced box set is almost unthinkable. I'd pay twice the price, even more, if I had to for these recordings.

Other recordings of individual works may excel these, like Karajan's La Mer, or Monteux's Daphnis, Haitink's Nocturnes, and so on. But when listened to in such consistent interpretations as these from Jean Martinon, the works as a whole take on a different dimension. Each work is like a chapter in a novel, and they all weave together to make a very satisfying experience that is quite different than one gets with just the individual compositions.

That is especially true of the Debussy.

Two different Orchestras are represented. The Debussy are performed by the French National Orchestra, the Ravel by the more well known Orchestre De Paris, an orchestra that made recordings in those days with such notables as Kerbert von Karajan and Seiji Ozawa. The Debussy, though is actually better executed. The ensemble is tighter, the string tone more sumptuous.

The Debussy has no competition for completeness. No other conductor has traversed the entire orchestral output with the thoroughness that Martinon has. Boulez is probably the closest available. I think very highly of the Boulez recordings, especially the newer ones for DG. But the interpretations lack the unity and consistency that Martinon maintains throughout the cycle.

There is more competition with the Ravel, though. When issued, the cycle was met equally by an excellent set from the Minnesota Orchestra under Stanislaw Skrowaczewski, which came in a box at a lower price. Again, Martinon won my heart for his consistency. The Skrowaczewski was better executed by the Minnesota Orchestra than Martinon's Orchetre De Paris. The EMI sound was better, but back then the quality of the Angel LPs was terrible, so the Skrowaczewski go tthe nod for technical superiority unless you were fortunate enough to get your hands on more expensive import copies of the Martinon. There was a cycle from Ozawa on DG also, but artistically it could not match up with the other two. When CDs were introduced, along came Charles Dutoit and the Montreal SO on London/Decca. And they came with a huge splash and acclaim. I puked! and I have always puked when I hear Dutoit conduct anything, with maybe one or two exceptions. Dutoit makes Ravel sound too smooth and glossy. I do give the Decca engineers great credit for the sound (though the Daphnis gets my vote as the worst CD ever produced, being that it was 55 minutes long with no tracks or indexes!).

Now that EMI have so excellently remastered the Martinon recordings though,the choice for a complete set of the orchestral works is very clear. The experience of Martinon's unified consistent interpretations is not quite the same with Ravel as it is with Debussy, partly owing to a less well formed vision from that composer than Debussy. Debussy was more rigid in his world view and musical thought throughout his life, whereas Ravel wavered in many different directions.

When you consider the price, there no reason to think twice about this set. The accompanying booklet is not extremely comprehensive, but adequate enough.

In Debussy Martinon is unbeatble!.......2004-07-31

Jean Martinon is the last director really inmersed in the impresionist mood . His performances are deeply inspired and above all idiomatic . Marie Claire Jamet in the Sacred Dances is absolutely comitted with the elusive forms and pagan enchantment.
Martinon belonged to that hard to find status conductor who really know to engage with the composer mood . So when he played his music the results were overwhelming . He had a enormous gift to suggest . I still remind The Prokoviev seventh symphony with the Chicago Symphony and I can not get another first movement so well performed , for instance .
Back to Debussy he combines the charm and nuance with that incorporean and elusive approach that Debussy and Ravel demands . I state a parallel (if I may) between Martinon - Debussy and Beecham - Delius in what idiomatism concerns .
When Martinon performs Debussy the paintings of Matisse , Monet and Manet seem to awake and come to our mind .
The prientemps and the children 's corner are absolutely of first rate . The clarinet rhapsody is the best in the market .
In the images I prefer the Ansermet version , but the whole set is fundamental if you enjoy the orchestral music of Debussy.
Notice I have not mentioned Ravel works . I have another name in Ravel : Andre Cluytens . But this is out of context.

Average customer rating:

Ormandy and Kinc = Greatness
Delightful Debussy

Debussy: Mer No1-3; Nocturnes No1-3

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

Berlioz: Harold In Italy
Berlioz: Symphonie fantastique Op14; Mussorgsky: Night on Bald Mountain
Mahler: Das Lied Von Der Erde/Lieder Nach Gedichten Von Friedrich Rückert
Tchaikovsky: Symphony No.6/Capirccio Italien/Waltz & Polonaise From Eugene Onegin
Bruckner: Symphony No. 4 "Romantic"

ASIN: B0000028WW
Release Date: 1993-10-19

Tracks:

La Mer: I. De l'aube a midi sur la mer
La Mer: II. Jeux de vagues
La Mer: III. Dialogue du vent et de la mer
Prelude a l'apres-midi d'un faune
Danse (Tarantelle styrienne)
Nocturnes: I. Nuages
Nocturnes: II. Fetes
Nocturnes: III. Sirenes

Customer Reviews:

Ormandy and Kinc = Greatness.......2006-04-14

Eugene Ormandy always did have the lush sound that fits Debussy beautifully. The Philadelphia Orchestra is absolutely on top of their game and the Nocturnes have rarely sounded more sensual than they do here. How lucky we are that Sony Classical gives out such pearls at such prices! A special highlight here is Faune with William Kincaid sitting out his last year on the flute throne - a fortunate record indeed. If you play or love the flute, be sure to get this recording. Kincaid trained most of the great American flute players of the mid 20th Century (Julius Baker was one of his more famous students), thereby spreading his voice through the decades to the present day. It's a wonderful thing to hear the master do it himself. Absolutely an essential recording for all the pieces represented.

Delightful Debussy.......2003-07-07

In the 1950s and 60s, CBS/Columbia (now Sony Classical) had the great fortune to have three of America's best orchestras and their conductors on its recording roster -- Leonard Bernstein and the New York Philharmonic, Eugene Ormandy and the Philadelphia Orchestra, and George Szell and the Cleveland Orchestra. Nearly a half-century later, sadly only Leonard Bernstein remains a name that even the non-classical music world knows well. But in the world of the compact disc, this is a wonderful thing, because while Leonard Bernstein analog stereo recordings sell at mid-price, classic performances by Ormandy and Szell are regulated to the budget line. Well, my friends there is justice because the vast majority of these "budget line" recordings are not only amazing, but some are still considered definitive more than 40 years later! This 1959 golden-age stereo recording of Debussy's "La Mer" by Ormandy and the Philadelphians has to be included in that list. Throw in terrific performances of "Prelude a l'apres-midi d'un faune," "Danse" (both from 1959), and the "Nocturnes" (from 1964), and you've got a classic disc. Never did something of such high quality come at such a small price. Enjoy!

Average customer rating:

Better in the less-familiar works

Debussy: Complete Works for Orchestra

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Dances | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Complete Orchestral Works
Debussy: Complete Chamber Music
Elgar: The 2 Symphonies; Enigma Variations; Overtures; Serenade; Violin Concerto; Cello Concerto
Debussy: The Complete Works For Piano
Brahms: Works for Solo Piano

ASIN: B0000VM3YA
Release Date: 2004-01-20

Tracks:

I. De L'aube A Midi Sur La Mer Tres Lent - Modere, Sans Lenteur (Dans Un Rythme Tres Souple
II. Jeux De Vagues - Allegro (Dans Un Rythme Tres Souple)
III. Dialoque Du Vent Et De La Mer - Anime Et Tumultueux
1. Nuages - The Renaissance Singers
2. Fetes - The Renaissance Singers
3. Sirenes - The Renaissance Singers
I. Tres Modere
II. Modere
Prelude A L'apres-midi D'un Faune - Colin Fleming

Tracks:

Images: 1 Gigues - Rachel Ingleton
I. Par Les Rues Et Par Les Chemins
II. Les Parfums De La Nuit
III. Le Matin D'un Jour De Fete
Images: 3. Rondes De Printemps
Poeme Danse
Legende Dansee

Tracks:

Prelude - Tres Modere
Modere (D'abord Hesitant, Puis En Animant Beaucoup)
Moderement Anime
Tres Modere
Meme Mouvement
Epilogue - Christopher Blake
I. Doctor Gradus Ad Parnassum. Moderement Anime
II. Jimbo's Lullaby. Assez Modere
III. Serenade For The Doll. Allegretto Ma Non Troppo
IV. The Snow Is Dancing. Moderement Anime
V. The Little Shepherd. Tres Modere
VI. Golliwog's Cake-Walk. Allegro Giusto
I. En Bateau. Andantino
II. Cortege. Moderato
III. Menuet. Moderato
IV. Ballet. Allegro Giusto
Allegretto Scherzando
Allegretto

Tracks:

I. Andante Ma Non Troppo - Allegro Giusto - Anne Queffelec
II. Lento E Molto Espressivo - Anne Queffelec
Allegro Molto - Anne Queffelec
Reveusement Lent - Christopher King
Danse Sacree. Tres Modere - Rachel Masters
Danse Profane. Modere - Rachel Masters
Tres Modere - Gerard McChrystal
Avec Une Elegance Grave Et Lente
Quasi Una Cadenza - Tempo: Modere Et Tres Souple
Lent - Derek Bell
Andante, Tres Expressif

Customer Reviews:

Better in the less-familiar works.......2007-04-22

Yan-Pascal Tortelier produces a surprisingly French timbre from the Ulster Orchestra (in contrast to the women's chorus in "Sirenes," which wafts to the ear as endearingly and beguilingly--if incongruously--Irish), and this conductor clearly knows his Debussy. Yet like another Frenchman who recorded a comprehensive survey of Debussy's orchestral music, Jean Martinon, Tortelier makes a stronger impression with the lesser-known works, many of them orchestrated by hands other than the composer's. As fluent as the music-making is, all too often there's something tossed-off and careless about it. This manifests in overly-smooth phrasing and inconsistent orchestral balances--sometimes tellingly transparent, sometimes skewed to over-emphasize a particular strand at the expense of coherence. For this reason, Tortelier's "La Mer" and "Nocturnes," unfortunately, cause me to think of other, more successful performances I'd rather be hearing, and likewise "Jeux," although "Images" is a winner. Throughout the cycle, I'm not too crazy about Chandos' very resonant and distant sound, which gives the music an opulence that is foreign to its character--and creates its own intereference with details registering properly. Moreover, "La Mer" has been recorded with an exaggeratedly wide dynamic range, so that the opening bars are nearly inaudible. Still, there isn't too much competition for Debussy sets that offer this much music at a bargain price.

Average customer rating:

The best, if not the most, Debussy that money can buy.
A fine collection
Essential Debussy

Panorama: Claude Debussy

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
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Panorama: Jean Sibelius
Panorama: Frederic Chopin
Panorama: Felix Mendelssohn
Panorama: Franz Schubert
Rachmaninov, Tchaikovsky: Piano Concertos / Richter

ASIN: B00004W3IP
Release Date: 2000-09-26

Tracks:

Prelude A L' Aprews - Midi D' Un Faune
String Quartet In G Minor, Op. 10: I. Anime' Et Tres Decide'
String Quartet In G Minor, Op. 10: II. Assez Vif Et Bien Rythme'
String Quartet In G Minor, Op. 10: III. Andantino, Doucement Expressif
String Quartet In G Minor, Op. 10: IV. Tres Modere' - Tres Mouvemente' Et Avec Passion
Syrinx
Estampes: I. Pagodes. Moderement Anime'
Estampes: II. La Soiree' Dans Grenade. Mouvement De Habanera
Estampes: III. Jardins Sous La Pluie. Net Et Vif
La Mer: I. De L' Aube A Midi Sur La Mer. Tres Lent
La Mer: II. Jeux De Vagues. Allegro
La Mer: III. Dialogue Du Vent Et De La Mer. Anime' Et Tumultuex

Tracks:

Preludes, 1Er Livre: I. Danseuses De Delphes. Lent Et Grave
Preludes, 1Er Livre: II. Voiles. Modere'
Preludes, 1Er Livre: III. Le Vnt Dans La Plaine. Anime'
Preludes, 1Er Livre: IV. Les Sons Es Les Parfums Tournent Dans L'Air Du Soir. Modere'
Preludes, 1Er Livre: V. Les Collines D' Anacapri. Tres Modere'
Preludes, 1Er Livre: VI. Des Pas Sur Lew Newige. Triste Modere
Preludes, 1Er Livre: VII. Ce Qu' A Vu Le Vent D' Oouset. Anime' Et Tumultueux
Preludes, 1Er Livre: VIII. La Fille Aux Cheveux De Lin. Tres Calme Et Doucement Expressif
Preludes, 1Er Livre: IX. La Serande' Interrompue. Moderement Anime'
Preludes, 1Er Livre: X. La Cathedrale Engloutie. Profondemt Calme
Preludes, 1Er Livre: XI. La Danse De Puck. Capricieux Et Leger
Preludes, 1Er Livre: XII. Minstrels. Modere'
Sonata For Violoncello And Piano: I. Prologue. Lent
Sonata For Violoncello And Piano: II. Serenade. Moderement Anime'
Sonata For Violoncello And Piano: III. Finale. Anime'
Nocturnes: Nuages. Modere'
Nocturnes: Fetes. Anime' Et Tres Rythme'
Nocturnes: Sirens. Moderement Anime'

Amazon.com

Terrific value, both in playing time (CD 2 alone plays for more than 81 minutes) and artistic merit. Karajan's 1964 La Mer has long been recognized as one of the classics of the gramophone, and Abbado's acutely atmospheric account of the Nocturnes with the Boston Symphony Orchestra is scarcely less distinguished. We stay in that city for both the gorgeous Prelude à l'après-midi d'un faune (a voluptuously ecstatic performance from 1971 under the gifted young baton of Michael Tilson Thomas) and a ravishing Syrinx from the BSO's eloquent principal flute, Doriot Anthony Dwyer. And the pleasures don't end there: there's a live Estampes from the peerless Sviatoslav Richter, while the Melos Quartet of Stuttgart's version of the String Quartet can hold its own against any rival--as does a sublime, indeed inspirational rendering of the Cello Sonata from Mstislav Rostropovich with composer Benjamin Britten at the piano. By the way, it's a sobering thought to remember that the legendary Arturo Benedetti Michelangeli's crystalline, immaculately turned interpretation of the First Book of Preludes originally occupied one full-price CD on its own. In other words, if DG's selection appeals (and it certainly should), don't hesitate for a moment. --Andrew Achenbach

Customer Reviews:

The best, if not the most, Debussy that money can buy........2004-03-29

Clocking in at more than two-and-a-half hours of music by Debussy, this is one of the best collections of his music that money can buy. It includes definitive performances of his most popular symphonic, chamber, and solo piano works. Michelangeli, for instance, is known for, above all, his interpretations of Debussy. Gramophone magazine says of these recordings "Michelangeli subjects each note to the last refinements of shading and places it with hairsbreadth precision." Throughout their mature careers, Rostropovich and Britten were frequent collaborators in the repertory for cello and piano, including this very work. (Britten dedicated his solo cello suites to Rostropovich.) The Melos' recording of Debussy's String Quartet is among the best available, and better than most. Nearly forty years after it's initial release, von Karajan's 1965 recording of La Mer with the Berlin Phil has stood the test of time, repeatedly deleted and then added back to the DG catalogue. Though only in his mid-20s when he made this Debussy Afternoon of a Faun with the BSO, M.T.T. delivers a ravashing and colorful account. And so on. An excellent addition to the collection of either a classical music beginner or one with more refined aural tastes.

A fine collection.......2003-07-27

This collection offers a very representative mixture of Debussy's works from orchestral, solo piano and chamber genres. However, I would offer two caveats. First, as to the La Mer, the Karajan performance is distinguished by the sensuous sheen he imparts to the music, but for a tarter, more idiomatically French approach, I would suggest listening to the Munch-Boston or Casadesus recordings as well. Secondly, as to the Michelangeli performance of the Book One Preludes, although impeccably played, this is a noticably deliberate and cold sounding rendition. For more warmth, flow and color, look elsewhere. Nevertheless, this set is an excellent introduction to Debussy.

Essential Debussy.......2000-12-29

This is a wonderful Debussy compilation. The recordings total nearly 3 hours and give an excellent representation of Debussy's works. This is a great CD for people who do not have Debussy in their CD collection. Included in the CD are Debussy's "La Mer," "Préludes," and the masterpiece "Prélude á l'Aprés-midi d'un Faune." The CDs are perfect for putting on while taking a nap, reading, etc...

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