Sunrise

Track Listings

1. Remembering Long Ago

2. Welcome To My Life

3. Sunrise

4. Op. 2, No. 1

5. Why Won't You Love Me?

6. The Rose

7. Waterfalls

8. Aloha 'Oe

9. Hawai'i Aloha

10. Battle Hynm of the Republic

11. Maple Leaf Rag 2004

12. You Can't Make A Beer In The Jungle

13. Anthems

14. Sunrise (Original)

Sunrise,Paul Schoberg,PRS Aloha,Romantic, slightly jazzy, from the heart, soulful piano music

Sunrise

Sunrise

Just Before Sunrise
Average customer rating:
Just Before Sunrise
Nathan Gunn
Manufacturer: SONY CLASSICS
ProductGroup: Music
Binding: Audio CD

Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General | Classical | Styles | Music
General | Chamber Music | Classical | Styles | Music
Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
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Lidia's Italy: 140 Simple and Delicious Recipes from the Ten Places in Italy Lidia Loves Most

ASIN: B000PC8AG4
Release Date: 2007-08-07

Tracks:

Just Before Sunrise
The Briar And The Rose
Polka Dots And Moonbeams
In The Dark Pine-Wood
It Feels Like Home
Say Anything
Time
The Dance Of Love
And So It Goes
Innocent When You Dream
The Secret Marriage
When You Are Old And Gray
Jam Tart
This Heart That Flutters
I Have Loved Hours At Sea

Amazon.com

American baritone Nathan Gunn has been earning kudos in the world of opera for his handsome voice and appealing looks in operas by Britten and Mozart and as Clyde Griffiths in the world premiere of Tobias Picker's An American Tragedy. For his solo debut album, however, he has turned his attention to a program of introspective contemporary songs by the likes of Sting, Tom Waits, Gene Scheer (better known as a librettist), Billy Joel, and others. He's assisted by Kristin Chenoweth in a song by John Bucchino and backed by prodigy jazz pianist Eldar on some cuts. The intimate arrangements throughout are by David Cullen. The songs are lovely: romantic, nostalgic, and gentle (Jimmy van Heusen's "Polka Dots and Moonbeams," a veritable Norman Rockwell painting in song, is included). Fans of easy listening will appreciate Gunn's nonchalant, pitch-perfect, thoroughly non-operatic renditions of them all. There is nothing classical about this release, however, and Gunn's true gifts are better heard in opera. --Robert Levine

Product Description

From Sting, Billy Joel, and Tom Waits to W.H. Auden, James Joyce and Jimmy van Heusen, Just Before Sunrise is a collection of romantic and intimate songs of today. Musically capturing the in-between time before sunrise, Nathan Gunn sings music for life s special moments and offers a musical reflection on the soul and spirit of one of today's finest singers.

Average customer rating:

Infectious Music
Sunrise Oversea and Grand National - JBT
I can't pick a favorite song
Not as good as I had hoped
a betterman

Sunrise Over Sea
John Butler Trio
Manufacturer: Lava
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

Adult Alternative | Pop | Styles | Music
Similar Items:

Three
Grand National
Solace
Living 2001-2002
JBT

ASIN: B0006IQM6C
Release Date: 2005-03-15

Tracks:

Treat Yo Mama
Peaches & Cream
Company Sin
What You Want
Damned To Hell
Hello
Bound to Ramble
Seeing Angels
There'll Come A Time
Zebra
Mist
Oldman
Sometimes

Amazon.com

Though they've steadily built a stellar live reputation via stateside opening slots for The Dave Matthews Band and others, guitarist/vocalist/songwriter John Butler and band have had a more star-crossed history in the U.S. record market. Released here a full year after its successful Australian bow and appended with a truncated version of his '02 debut album's expansive, conscience driven "Betterman," Sunrise is essentially a second (if well-deserved) attempt to introduce Butler's earthy finger-picking, banjo and slide guitar intrigues to American audiences. While the California-born musician has too easily been lumped together with jam-band icons like Matthews (and, more curiously, breathy pop poseurs like John Mayer), Butler's guitar work has a focused fervor that draws heavily on American roots, be they Appalachian folk, Delta blues or even Southern-fried rock. His lyrics may still revolve tightly around familiar themes of self-revelation and righteous, save-the-Earth/corporate-condemning angst, but the string-haunted "What You Want" and "Bound to Ramble"s hypnotic, Appalachia-by-way-of-the-Outback folk-dirge argue that Butler's messages sometimes aren't half as interesting as the music he frames them in. The gritty, roots-evoking sounds here clearly aren't trying to reinvent the wheel, merely make it spin in Butler's own distinctive groove. --Jerry McCulley

An Interview with John Butler

Amazon.com Music Editor, Peter Hilgendorf, got a chance to sit down with John Butler a few hours before his showcase performance at the 2005 South by Southwest Music Conference in Austin, TX.

Amazon.com: How's South by Southwest going so far?

John Butler: We just got here last night so we're just pacing ourselves and looking forward to playing and happy to be here.

Amazon: I saw Robert Plant's keynote interview yesterday morning and thought it was really good. He had a great self-depricating sense of humor. One story he told was about donating money to stations that promise they never play "Stairway to Heaven" but also play old blues records, which I thought was really quite funny. He spoke about some of his favorite artists--Willie Dixon and Son House and talked about the "blue note" that they all hit. And he how this magical note first occurred to him when he heard Elvis Presley as a kid.

I'm wondering if you think about the "blue note"? And when did that kind of sound first hit you?

John: I haven't listened to many old-school players, I think I listened to a little bit of Mississippi John Hurt, little bit of Son House. I mean I probably listened to their albums like maybe three or four times all the way through and that's maybe about it.

But the blue note factor though is still a very cool thing. I guess what turned me on to that, I think it was probably more Ella Fitzgerald and Louis Armstrong. The recordings when they got those guys together was sweet, you know?

So like I say, it's kind of one of those beautiful places on the fret bord in the vocal world, you know, where it's just in-between, just the bomb, you know? And some people do better than others, I think I'm just starting to discover it more than anything, you know?

Amazon: And you felt like you've been there? You've hit it?

John: A few times, I don't live there. You know, because I mean specifically what a blue note is, is that kind of, you know, bass note, isn't it?

Amazon: Somewhere in between the third and the fifth?

John: Yeah, yeah, yeah. So I've hit a few of those, you know? With conviction. But not a lot, you know, I can't say I've hit a lot of those. As I say, I'm just beginning my relationship to that. And you can't really be thinking a lot to have a relationship with it, I reckon, so you know, I don't think about the blue note very much, I just… It's the art of playing, it's getting to that place where I'm not thinking, and then usually there's a couple that pop up in the process. But you've got to love it when it happens.

Amazon: That's great that you can recognize that something's happening at the moment and something's happening on this recording.

John: Yeah, definitely. It's a beautiful thing.

Amazon: Tell me some of your thoughts on your new record, which is now your third full-length, how is it similar to some of the other things and how is it a departure?

John: Well golly, how is it similar? Gosh, you know, it's just…it's me as usual kind of speaking my mind and my experiences and my stories, you know? That's always going to be a common denominator with everything I do, you know?

I guess it's also a development of some ideas and sounds that I thought really belonged together and really would be a beautiful marriage, like kind of the blues/country/folk/reggae thing? They kind of all sound really good together, I reckon.

I love the reggae beat, you know, a good one job could always go good to a country song, you know? (singing sounds) And they just go right together. So you know, I love those marriages of reggae/blues and reggae and hip-hop, and bits in between, you know? Hillbilly Ska, whatever you want to call it. I like it.

It's on that album, and I really heard things when I was writing songs, and I heard all these things coming to together, it wasn't so much I needed to have a fusion album, it was just that I heard those influences coming together in a way that was really harmonious, and so I really went out to make sure that what was in my head was achieved on disk.

And I worked with some great players then, Nicky Balmer on drums, Michael Barker on percussion, and Shannon Birch on double-bass and electric bass, and they were just awesome! And it's what I'm most proud of, and it's the best album I've ever done, you know? Mind you it's only my third, but it's really… I think some albums you can almost cringe when you listen back to them, and I really enjoy listening to it and I'm really proud of it.

Amazon: I think at times this record is very lush.

John: It's very rich.

Amazon: It really is. And a great number of your contemporaries, be they the North Mississippi Allstars, or even as far out as the White Stripes, or back into Big Head Todd, or back out to the Black Keys, you know, people showing a similar blues influence, throwing in some jammy-reggae style. But, they're not doing much with string arrangements like what you're doing on a song such as "What You Want." I think that's one place on the record where you really kind of set yourself out, and really that song seems really less to me. Talk about what led up to that?

John: Well first, I don't see us as being kind of a blues act, I mean we definitely are roots influenced, but it's like…I mean that song in particular it's really obvious that we don't really pigeon-hole ourselves very much. I mean that song, I heard strings when I wrote it, you know? Like just really lush chords just by themselves, really rich and really…what's the word? Just really somber chords.

And then I heard these strings and so me and the bass player got together and went out to make sure that we could get them on the album. The bass player has played in symphony orchestras, so he had a lot of experience with writing music and arranging it, and I knew what I wanted to hear. So it kind of was a very trial by process, I guess you can say, as far as, you know, things didn't work and we just kind of kept on going until it was the right thing.

And yeah, influenced by, I guess Led Zeppelin, and the Verve, or Coldplay and things like that, just those really wide sounds, you know? Very rich, you know?

So yeah, that's just what I heard. When it comes to an album, I just really, whether we're a trio or whatever, I really feel like, you know, it's about painting the picture, and when the picture's complete then it's complete. It's not about, hey man, we're a trio, we can only have three instruments, that's probably a little bit limiting to me as an artist, you know, who just wants to get out what's in my head, you know? And I love working in a trio.

So yeah, there's lots of lushness on the album, and what I was really proud of as well, that was the first time I've ever arranged a thing, so that was really cool.

Amazon: Well What kind of things are you doing when you take that out live as a trio? You know, are you feeling like you need to kind of focus on being lush? Or are you just letting that be the record when you're performing live?

John: Well Well we…I had an idea of maybe for… to have a Hammond player, so I worked with a Hammond player for awhile. And that was cool for things like "What You Want" which he kind of did the voicings of the strings, but with a Hammond. You know, he could have easily done string sounds, but that wasn't right, not for what we were doing. If you want strings you get strings in, you know?

We did that for awhile and that was cool, but I found it um…he was a great player, I had a lot of fun playing with him, but electronically it was a bit too much competition for the trio. Like my 12-string is very lush and widely harmonic, it has a huge harmonic range, and then it goes through a Marshall as well. So there's all these overtones that are going on, and then you mix that Leslie speaker sound with it, you know, a Hammond, which is extremely much the same way, and I think we were stepping on each other's toes a bit.

Definitely there's things on the album I like to hear, and so if I want to hear them I just sometimes make it happen on my guitar as much as I possibly can, you know? And if I can do a chord and stick in maybe what I heard the strings doing and the voicing in-between chords sort of like that, I try to do it, you know?

And other times you have to go, hey, well that's the album and this is live, you know? And I want to play with the Hammond player or quartet in the corner, you know? So it is what it is.

And there's a beautiful thing that happens with live, which is oral distortion (laughing) which makes things sound really good, you know? When you have overtones of a guitar and cymbals and a double-bass and drums, and they start, you know, reflecting around the room and making your ears virtually distort, it's amazing what kind of padding happens live, you know? Like the padding which is strange, and all those things that are used for it. It's amazing what kind of padding can happen from just the mesh of harmonics, you know? There's still a full sound, it's just a different sound I guess.

Amazon: Talk about what's going on back home? Tell me about some of the shows and what it's like to be John Butler on your turf.

John: Well, it's different than here, you know? I mean we're a lot more well-known over there, and you know, we've paid our dues over there a lot longer. So it's different, you know, we play bigger shows, you know? Get better slots and blah, blah, blah. It's all relative really. We love coming over here and playing small shows, we love intimate shows as well, you know? And it's nice to go with a cocktail kit and a small battery-powered amp and play at a radio-station, we really love doing that! So it's all good, you know?

I love Australia and I love playing there, but I love playing everywhere. We just love sharing our music, that's what made me want to leave my living room, and then leave my town, and then leave my state, and then leave the country, just because you just want to keep on sharing. I still go back to all those places, you know? But yeah…Australia's great!

And I have a beautiful family over there, and it's a beautiful country. I am intrinsically linked to that land, I love it. Even though I wasn't born there, it's where my roots are. It's a really beautiful place and it's really nice not to be connected to another country in a lot of ways. The isolation is just a real cool thing, you know? And it also hinders government policy as well, but yeah, it's a beautiful country.

Amazon.com: Who are some of the artists who we should be keeping our eyes on from that part of the world? Who are some of the people who you would like to come over, maybe who you'd like to bring over on a tour the next time you're here? Any secrets you'd like to divulge of the Australian music scene?

John: There are some great acts. The Cat Empire is a great act. Bomba is a great act for the reggae band. A young lady named Missy Higgins, she's doing really well over there, she's got a hit single and is a good musician on top of it, which is a nice change. Powderfinger, you probably have heard of them. They've got this great new album, I don't think it's come out here.

Amazon: Yep, Hollywood Motel was recently released in the U.S.

John: I think that's a great album. And they're a great band, they're great guys. There's a guy named J.V. Rudd who's doing some cool stuff, you know? There's lots of inspiring acts.

Amazon:Let's get back to your record. I won't choose anything in particular here, but I'd like you to tell me about a song or two on the record, you know, pick any one and tell a story of the song.

John: "Bound to Ramble" is a song I'm really proud of for lots of different reasons. For one, because it's really slow, and playing really slow and basic is difficult for me. And I just captured the whole vibe. And that's a story about… I bought a van and I took my first tour out of the state of Western Australia to go on the road with a band called The Waifs.

And I drove across the plains, about three days drive, and then met the guys and played Victoria, all over Victoria and Sydney. And then I drove up to Byron and played a gig up there. And then I drove over the top end, across, up to Darwin, and then across the Brim where I was going to meet my band. So I kind of circumnavigated the whole country. And it was a magical time, you know? I drove across by myself and it was a really beautiful time.

The really interesting thing was, I wrote a song called "Betterman" in between Darwin and Broom. And that was about my ex-lover and how much she taught me, and there's this really letting go process of our relationship in this song. And we'd been apart for a year or so, and I wrote this song as… It was really strange because when I met with the Broom, I met my wife. That's where we met each other and connected and fell in love.

So that's a story about traveling this whole land and meeting my woman, and then this onward journey, this gypsy life that we lead.

Yeah, it's a huge part of my life, I tour all the time, that's what I do. Me and my family go on the road a lot and we're a real team, you know, and I work with my wife, with the business, and stuff... It's a story just about us, me meeting her and me just being on the road with her and I was always on the ramble.

We just nailed that song, that was the song, how that was recorded and how I heard it in my head. Or not even how I heard it in my head, how I heard it in my head, times that the band ended up… how they saw it and what they brought to it, and it's just something I'm really proud of, that we nailed that song.

A great time, you know? That drive and then meeting this woman that I fell in love with, got married and had a baby with, you know? And uh yeah…it's a beautiful thing.

Amazon: So driving from Sydney to Byron Bay to your show in Brisbane and then getting to Darwin, we're not talking about two-hour drives here.

John: No, we're talking about like week drives or something.

Amazon: How are you filling that time? Are you pulling off into little towns and setting up on the corner? Or are you just walking around and checking it out? I mean you love to play, are you bringing it to some of those remote areas of the country?

John: Well at time, no, I was just doing a lot of driving. And I'd stop off at interesting places and I climbed some rocks. I was fortunate to see some beautiful things, you know, up in the northern territory, some beautiful rock paintings, and be in some very sacred places at dusk, you know? And had some really beautiful times, you know?

Stopping by animals on the side of the road that had interesting feathers and that weren't alive anymore and collecting feathers and stuff like that. So yeah, just kind of really sucking up nature and the gifts it had to offer really.

Amazon: So it seems like you probably derive quite a bit of inspiration just from the land and from what's growing and living in Australia.

John: Yeah, I mean the land's really important to me. And beyond the land and beyond the country. The earth is really important to me, you know? It's what made me, you know? Other than my mom, it made me, you know? And it's what…what sustains life on this planet is this whole beautiful thing that's going on, you know? I have a deep respect for it, and an interesting relationship with it that is hard to put into words. But I find I draw a lot of inspiration from it and I find a lot of meaning and a lot of sense I can make, to be watching patterns in the environment in and around me and how that affects my life and how I can make sense of my life through it.

Amazon: Anything that you can point to where you really feel like you had a moment in a particular song that's pulled straight from this feeling?

John: Oh, things like "There'll Come A Time" or "Treat Yo Mama", I mean they're all songs about a relationship, an intrinsic relationship between man and earth, land and environment, and at the same time the overwhelming need to respect that relationship and to… I don't know, what's the right word? Rekindle it, I guess, and also just nurture that relationship. There's a lot of secrets to be learned from there, you know.

So yes, "There'll Come A Time", "Treat Yo Mama" those are the main ones, really. "Company Sin" as well, which is really an Australian kind of song in a lot of ways, you know?

Amazon: A message for the homies?

John: No, not for the homies, but a song that was…a series of stories I've been told by a lot of my aboriginal friends, about sacred land and places to go and places not to go. About tradition and what happens if you do. It's called "humbug", bad luck, or the curse, you know? Humbug? That's a really uniquely Australian story and it uses words like humbug and getting sacked and all these Australian kind of relationships with land and respect of land and respect of culture, and indigenous culture, you know?

Amazon: Do you feel that's part of your mission to inspire listeners to be aware of these things?

John: It's my mission as a human being to just be active and make sure I contribute to this planet in a positive way, and not be another liability. You know, whether that means supporting active groups like the Wilderness Society, or supporting humanitarian groups like Refugee Action Coalition against the mistreatment of refugees in their countries. Or funding certain, you know, actions, whether it be, you know, the Global Rescue Blockade in Tasmania, which is like the world's largest tree-sit done with Greenpeace and the Wilderness Society, and we funded a lot of that, to do that.

So I make sure I stay active as a human being and then I document it with my music. And if through speaking my truth, you know, I feel like I'm adding in some ways to the greater truth.

I think it's a fine line to then go, hey folks, I'm going to tell you what's going on, you don't know what's going on, I'm going to tell you what's going on, so you can be like me and be informed. I think that's really condescending, and it pushes a lot of people away, and it's really rude! Because there are a lot of informed people out there. So all I can do is kind of teach by example, you know? And really just look after what I'm doing, and speak my truth.

And I know just through watching my forefathers in music that, you know, if one person comes from the heart and speaks the truth, and he chooses the morals into this, to their ethics, it speaks usually for a lot of people, you know?

Amazon: That seems like very much a working class thought process--a one-person-at-a-time approach.

John: Yeah, I mean you've got to be pretty grounded, otherwise you just become a flake, you know, and really unrealistic. And you've got to stay active, and it's all about us individuals, you know? All about people-power, and it's about, you know, thinking globally and acting locally and all those other clichés, you know?

Amazon: I have to apologize…this discussion is reminding me of one of my favorite films of all time, an Australian picture called The Castle.

John: (laughs) It's about Mabo, it's about land rights, it's the vibe!

It's just one of the best movies ever! I'm glad you get it.

Amazon: I wanted to end it on that great note…

John: I'm glad you got it, because I watch those things sometimes I go, I wonder if Americans would understand this? Because it's pretty kind of inside humor, you know?

Album Description

Sunrise Over Sea may be the John Butler Trio's American major label debut, but it's hardly your typical introduction to a new artist. The album's mesmerizing 13 tracks deliver a perfect eclectic blend of blues, reggae, classic country, Appalachian folk, funk, rock and hip-hop beats in a form and style that can ony be classified as...well, the John Butler Trio.

Customer Reviews:

Infectious Music.......2007-07-13

I just picked this up on a whim...and it KNOCKED me out! The tunes are catchy, funky, rhythmically fresh and all around cool. I'll definitely get more JBT discs. He's a bit of a hippy, and I've long outgrown that, but this is just something I know will always be a pleasure to hear.

Sunrise Oversea and Grand National - JBT.......2007-06-13

Fabulous music. It is really hard to pick a favourite song... Catching a live performance by JBT....PRICELESS!!!!

I can't pick a favorite song.......2007-05-20

I first heard of the John Butler Trio on KGSR, Austin. They've since played at the Austin City Limits Music Festival and South by Southwest. Their music is rock, blues and funk fusion with an Aussie twist. If you need music that's different, you will want this CD.

Not as good as I had hoped.......2006-06-26

The music on this CD was not nearly as good as I had hoped for...Too much similarity from song to song...

a betterman.......2006-06-08

Sunrise over sea marks a great evolution in John Butler's music.
By the time i've purchased "three", I thought Now, that's a guy with lots of potencial, but he's not there yet. Maybe the point was the album sounds pretty much a long endless jam, and some tunes miss the point to put an end, the lyrics were somtimes very naif or poorly refined, although it is nice to have someone saying important things very straight, just like when he talks about Shell company.
Well, all these troubles were solved in this piece of gem here.
Butler improved very much his compositions, specially his sense of melody, his voice and guitar are mellower, without getting whimsical, fancy.
A ggod exemple of his development is "betterman". the song appears in both albuns, but it is more concise now, from 8 to 3 minutes lasting.
So now we have a guy strongly committed to MOther Earth (treat your mama), a family guy (peaches and trees), a political mind (company sin, damned to hell) a human being (betterman, zebra).
Sunrise over sea is one the greatest releases of 2005/2006 and i'm still digging this guy that reached much of his potential i believed he had before

In Search of Sunrise, Vol. 5 Los Angeles

Average customer rating:

another 5 star performance by tiesto
what an awesome arsenal for our ears
TIESTO GIVES US ONE MORE REASON TO HATE HIM!
Great CD
keeps me home

In Search of Sunrise, Vol. 5 Los Angeles
Tiesto
Manufacturer: Songbird
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

Electronica | Dance & DJ | Styles | Music

Trance | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

State of Trance 2006
In Search of Sunrise, Vol. 4: Latin America
Elements of Life
In Search of Sunrise
DJ in the Mix 3

ASIN: B000EGDBUQ
Release Date: 2006-04-25

Tracks:

Conil - Malibu Beach
Mark Norman Pres. Celine - Colour My Eyes
Late Night Alumni - Empty Streets
Electro Prompt - Beside Me (Gothek DC Remix)
Fonzarelli - Moonlight Party
Leama & Moor - Everything Matters (Matthew Dekay Remix)
Matthew Dekay Vs. Proluctors - Let The Game Begin
Karen Overton - Your Loving Arms (Club Mix)
Parker & Hanson - Let Me Be (Extended Mix)
Kalafut & Fugle - Novocaine (Mark Otten Remix)
Jes - People Will Go (Steve Forte Rio Remix)
Basic Perspective - Small Step On the Other Side
Tom Cloud - Told You So
A.M. - Arise (Hammer & Fubayashi Remix)
Cass - Little Bird

Tracks:

Pink Elephant - LAX
Alex Stealthy - Something Is Wrong
Shah & Laruso Pres. Global Experience - Zanzibar
Progression - Technophobia
A Boy Called Joni - Green Astronauts
Petter - These Days (Luke Chable's Those Days Mix)
Estuera - Tales From the South (Jonas Steur's Revision Flow)
?zg?r Can - Irony
Jonas Steur - Second Turn
Smith & Pledger Pres Aspekt - Hi Jack
Jaytech - Genesis (Jimbo's Afterburner Mix)
Super8 & DJ Tab - Helsinki Scorchin'
Way Out West - Don't Forget Me (Guy Ehmetores Remix)

Product Description

1. Global Experience - San Salvador
2. Way Out West - Don't Forget Me (Steve Forte Rio Mix)
3. Progression - Technofobia
4. Midway - Cobra
5. Estuera - Tales From The South 2006
6. A Boy Called Joni - Green Astronauts
7. 16BIT Lolita's & Johan Cyber - Like A Memory
8. Petter - These Days
9. Incolumis - One With Sanctuary9
10. Alex Stealthy - Deplorings
11. AM - Arise
12. Tom Cloud - Told You So
13. Base Perspective - Small Step On The Other Side
14. Parker & Hanson - Let Me Be
15. Leama & Moor - Everything Matters
16. Electroprompt - Beside Me
17. Ozgur Can - Irony

Format: CD

Amazon.com

Trance is about as Dutch as windmills, and more than any other DJ, Tiësto is its ambassador. His highly successful In Search of Sunrise series can claim much of the credit for this, and this fifth installment, Los Angeles, delivers in spades. As ever, the man finds his inspiration in the female voice; from Late Night Alumni's "Empty Streets," which pits a bassline that bounces like Silly Putty against Becky Jean Williams's dreamy vocals, to Karen Overton's dancefloor-destroying cover of Billie Ray Martin's "Your Loving Arms," Tiësto again proves himself a master at driving sets to soaring highs with well-placed siren songs. The second disc finds the Dutchman in more progressive territory, luring in the unsuspecting with Pink Elephant's effervescent "LAX" only to drop the hammer with Alex Stealthy's "Something Is Wrong," a track with a disorienting beat that seems to tumble over itself and a haunting melody that sounds as though it were trapped under ice. Tiësto also shows he hasn't lost his affinity for engaging the listener in a test of wills, as in A Boy Called Joni's vertiginous "Green Astronauts." Like all good mixes, the fifth in the ISoS series is after all a study in contrasts. Ironic, perhaps, that with the title Los Angeles the album makes a compelling case that the trance crown won't be leaving Holland anytime soon. --Brent Kallmer

Customer Reviews:

another 5 star performance by tiesto.......2007-07-19

this album is another in the line of great mixes by tiesto. if you love trance like i do then isos 5 is a must buy. i think 4 is still my personal fav due to disc one but i would recomend buying all 5 isos albums. they are worth the money in FULL

what an awesome arsenal for our ears.......2007-07-07

Tiesto, albeit ostentatious, is revolutionizing music, and ISOS5 is a clear example where dj's like him, and Armin are heading. His tracks are eloquent, driving and full of forcefullness, and flowing and no one, anywhere, can do it like Tiesto. People say he is a sell out, well Go ahead and sell out Tiesto, because if you can make albums like this for me and my 100 friends to enjoy, than so be it. Everyone I have given this cd to, really, everyone of them, can't believe how magical it is. Like the previous reviewer, I can be driving in rush hour from Boston and blast ISOS5 and never get sick of it, that is hard for a trance album to stand multiple plays after a year or so.

Tiesto is only starting his protege mixing. I cannot wait for more tracks from him. 'Tiesto IN Concert' is mind boggling, a life altering trance experience.

Anyone hestitating to buy this for perhaps a different dj like Armin B or Van Helden or the like, well they are good, but def. add this to your collection.

SO BRILLIANT!

thanks

TIESTO GIVES US ONE MORE REASON TO HATE HIM!.......2007-06-13

what else is there to say, except stay away- the almighty god of the sound of torment makes us want to rage some more. Please I beg you tiesto, go away and leave us all alone.

Great CD.......2007-05-03

This is a great CD by Tiesto. I love the mixes and sounds presented in Sunrise Vol. 5, and this was the first CD of his that I had ever owned. I especially loved the track "Helsinki Scorchin". Great track to drive to, by the way. I like the faster beat tracks that Tiesto creates/uses, and a lot of that is due to the fact that I like to listen to trance when I'm driving, and it's most fun to drive to fast tracks. The reason why I rated this four stars instead of five is because I have Sunrise Panama and Sunrise Latin America, and I think both of those albums are actually a little bit better that Sunrise Los Angeles, even though they were its predecessors.

keeps me home.......2007-05-02

This cd set of Tiesto's is really great i live in Los Angeles and driving at 80 on L.A.'s most known freeway you can understand that no matter during the day or at night its a really good energetic album my favorite is "moonlight party" because that brings the suspense of speed during the day or night and those loud hits are fantastic you have to pick up a copy

Average customer rating:

Topol is best as the Papa
Love it
CP as Grandmother Tzeitel
Never Ending Joy!
Great a classic

Fiddler on the Roof
Jerry Bock , Sheldon Harnick , and Topol
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

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Similar Items:

Fiddler on the Roof (Special Edition)
My Fair Lady (1964 Film Soundtrack)
The King and I (1956 Film Soundtrack)
The Music Man (1962 Film Soundtrack)
South Pacific (1958 Film Soundtrack)

ASIN: B00005OB07
Release Date: 2001-10-09

Tracks:

Prologue/Tradition/Main Title
Matchmaker
If I Were A Rich Man
Sabbath Prayer
To Life
Miracle Of Miracles
Tevye's Dream
Wedding Procession
Sunrise, Sunset
Wedding Celebration/The Bottle Dance
First Act Finale
Entr'acte
Do You Love Me?
Far From The Home I Love
Chava Ballet Sequence
The Rejection Scene
Anatevka
Finale
Any Day Now

Amazon.com

This new version of the Fiddler on the Roof soundtrack coincides with the movie's 30th anniversary (which is also celebrated by a special edition DVD). The CD is notable for several instrumental tracks by John Williams, as well as for "Any Day Now," a previously unreleased song performed by Perchik/Paul Michael Glaser (better known for his starring role in TV's Starsky and Hutch). The soundtrack is often compared unfavorably with the original 1964 cast album, in which Zero Mostel played the part of Tevye (here performed by Topol, who had been in the 1967 London production). But this CD has a lot going for it, including glossy remastering and, of course, Isaac Stern as the fiddler. In the end, whatever version you decide to pick up, Fiddler remains one of the most enduring musicals of all time. --Elisabeth Vincentelli

Customer Reviews:

Topol is best as the Papa.......2007-07-15

I have other versions of CDs of "The Fiddler of the Roof" but Topol is the best and this is one of the best CDs with Topol. As far as "The Fiddler On the Roof" goes, that is a thumbs up 5 star anytime story and songs.

Love it.......2007-05-16

I had looked everywhere for this CD. I am so happy to have found the "real" Fiddler on the Roof!

CP as Grandmother Tzeitel.......2007-03-30

At first, I thought this musical was weird but then I grew to like it. It has a sad ending but the thems in the movie are really interesting. Life really is like being a fiddler on the roof. In a musical coming up at my school, I am playign the part of Grandmother Tzeitel in Tevye's dream. I am excited to play the part and I think our musical will go very well!

Never Ending Joy!.......2006-11-22

The music from Fiddler on the Roof is exciting, fun, interesting and funny! This CD is mixed with humor, music from different cultures and a wide mix of different songs. Each song is so different that I can listen to it for hours. I was surprised how enjoyable and pleasent it really is. Although...it is easy to get this music stuck in your head!

-Christian Fobian, Author of Why Christ?

Great a classic.......2005-11-08

Totally enjoyable. After a few listens you can't help but sing along.

Average customer rating:

Good selection
thunderous applause
Good Music at a Great Price
You will like this!
Good for the novice

25 Thunderous Classics

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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25 Classical Favorites
Symphony (25) Favorites
25 Tchaikovsky Favorites
25 Mozart Favorites
25 Beethoven Favorites

ASIN: B00004Y6SQ
Release Date: 2000-09-05

Tracks:

Also Sprach Zarathustra (Sunrise) - R. Strauss
Mars (The Planets) - Holst
Overture 1812 - Tchaikovsky
Entry Of The Gladiadtors - Fucik
Sabre Dance - Khachaturian
Procession Of The Sardar - Ippolitov Ivanov
Night On Bald Mountain - Mussorgsky
Anvil Chor (II Trovatore) - Verdi
The Thunderer March - Sousa
Thunder & Lightening Polka - J. Strauss
Prelude To Act III : Lohengrin - Wagner
The Ride Of The Valkryies - Wagner
Montagues & Capulets (Romeo & Juliet Ballet Suite) - Prokofiev
The Storm: Symphony No. 6 In F Major, 'Pastorale' - Beethoven
Rondeau - Edward Carroll
Overture: Fireworks Music - Handel
March To The Scaffold: Symphonie Fantastique - Berlioz
LesToreadors - Bizet
William Tell Overture: Finale - Rossini
Revolutionary Study - Abbey Simon
Fanfare For The Common Man - Copland
Sym No. 1 'Titan' IV Sturmisch Bewegt (Excerpt) - Mahler
Augurs Of Spring From Rite Of Spring - Stravinsky
Russian Dance From Petrouchka - Stravinsky
The Great Gate At Kiev From Pictures At An Exhibition - Mussorgsky

Customer Reviews:

Good selection.......2005-10-02

I bought this CD to use in my classroom as listening examples. I'm not just a super big fan of some of the performances, but they are all good and for the price you can't beat it. That's why I gave it 5 stars. It's worth more than it costs by far.

thunderous applause.......2005-08-31

This is a who's-who of great pieces of music you have heard all of your life, and never knew the names and stories! I listened to it over and over in the car and had my own concert! A friend borrowed it to add music to his Home Movies and it was perfect!

Good Music at a Great Price.......2004-03-06

I bought this CD mostly for "Entry of the Gladiators," which everyone will recognize as classic circus music. The performance on this CD (by Erich Kunzel and the Cincinnati Pops) is the best available version of Entry of the Gladiators. The rest of the CD offers mostly excerpts of classical music.

You will like this!.......2004-02-19

I had purchased an abundance of the "Favorites" collection and some were better than others.

This CD is at the top of them all. They may be short, but not that short. Wondrous music.

I can almost guarantee that you will like this music.
Well worth the price!

Good for the novice.......2002-06-08

The recordings on this disc are pretty good. However, the editors selected only the *loud* parts, as indicated by the title. I was pretty disappointed to find that the pieces are, in many cases, edited to reflect the most famous themes, etc, instead of including the whole work. In general, I would recommend this to the classical music novice, or someone who wants to expand their knowledge of classical music in general. Those who already are familiar with these pieces will probably feel gypped.

Best of the Millennium: Top 40 Classical Hits

Average customer rating:

Waste of money
Great Music Compilation
If you like classical music don't buy this CD.
A must for anyone wanting the staples of classical music
A great compilation

Best of the Millennium: Top 40 Classical Hits

Manufacturer: Utv Records
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

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The Most Relaxing Classical Album in the World...Ever!
Classical Music for People Who Hate Classical Music
25 Classical Favorites
The Most Relaxing Classical Music in the Universe
The Most Relaxing Classical Album In the World Ever, Volume II

ASIN: B00004GOZA
Release Date: 2000-02-08

Tracks:

Adagio In G Minor
Jesu, Joy OF Man's Desiring
Moonlight Sonata - Adagio sostenuto
March Of The Toreadors (Carmen)
Celebrated Minuet
Polovtsian Dance No. 1 (Prince Igor)
Cradle Song
'Minute' Waltz
Suite Bergamasque: Clair de Lune
Largo
Pomp And Circumstance March No. 1
Rhapsody In Blue - Andante And Finale
Peer Gynt Suite: Morning
Messiah: Hallelujah Chorus
Liebestraum
Cavalleria Rusticana: Intermezzo
A Midsummer Night's Dream: Wedding March
'Masterpiece Theater' Theme: Rondau (First Symphonic Suite)
The Great Gate Of Kiev

Tracks:

Eine klein Nachtmusik - Allegro: Eine kleine Nachtmusik - Allegro
Orpheus In The Underworld: Cancan
Carmina Burana - O Fortuna
Canon In D
Lietenant Kije Suite - Troika
Turandot: Nessun dorma
Rhapsody On A Theme Of Paganini - 18th Variation: Rhapsody On A Theme Of Paganini- 18th Variation
Bolero - Conclusion
The Tale Of Czar Sultan: Flight Of The Bumblebee
William Tell Overture - Finale
Carnival Of The Animals: The Swan
Gymnopedie No. 3
Ave Maria
Blue Danube Waltz
Thus Spake Zarathustra - Sunrise
Firebird Suite - Finale
1812 Overture - Finale: 1812 Overtune - Finale
Fantasia On 'Greensleeves'
Anvil Chorus (II Trovatore)
The Four Seasons - Largo From 'Winter'
Die Walkure: Ride Of The Valkyries

Amazon.com

For those who want the most remembered passages of classical music's best-loved works, here's a package for you. On this bargain priced double-CD, you'll find music from 40 different classical composers; for the most part, the recordings excerpted here are some of the very best. Of course, you only get one Bach sampling (Jesu, Joy of Man's Desiring, played by the Orpheus Chamber Orchestra) and one Mozart (A Little Night Music conducted by Herbert von Karajan), but this is still a nice collection--perhaps the starting point for a budding collection of classical music. This set's downfall? Unfortunately, though the liner notes discuss the evolution of classical music chronologically, the tracks are programmed in alphabetical order by composer's last name. This makes for some startling transitions! Emil Gilels's reflective performance of the Adagio from Beethoven's "Moonlight" sonata is followed by the crashing cymbals and bombast of Carmen's "March of the Toreadors," a recipe for a heart attack if there ever was one. Still, there's something here for everyone and the liner notes even explain what movies this music can be found in. A nice touch. --Jason Verlinde

Customer Reviews:

Waste of money.......2006-01-12

Watch out for the volume leveling mentioned in another review. Surely the compliers could have come up with a better sort order than by composer. The change in tempo/volume between pieces makes it impossible to enjoy. My two CD's ended up in the trash.

Ken

Great Music Compilation.......2005-08-15

This is a great CD full of many songs that you will recognize and enjoy. If you are someone who likes classical music but doesn't necessarily know which songs or which composers you like, then this CD is for you. You will likely recognize many of the songs as the classical songs you would have picked out to be your favorites.

If you like classical music don't buy this CD........2005-03-11

Most of the tracks were chopped down to 3-4 minutes so some of the best parts of the compositions are missing. I don't know what I was thinking trying to buy 40 classical songs on two CD's. If you really want to enjoy the music you would do better to purchase a CD with fewer, but better quality tracks.

A must for anyone wanting the staples of classical music.......2005-02-23

In my years of experience teaching Fine Arts to high school students, I know that the majority, if not all, of the music included on this album is commonly used in collge music appreciation courses. This is an excellent sample of truly all the "greatest hits" of classical music. My students enjoy listening to the music and have later told me when take their required music apreciation courses in college that they "already know it all" because of this CD! The recordings are clear, the selections are passionate, and the listener will gain a familiarity with all of the most commonly heard classical music used in tv commercials, movies, etc.
I recommend this album, along with the boxed set, "Age of the Classics" for anyone who is interested in becoming familiar with the most famous staples of classical music.

A great compilation.......2005-02-09

This cd somes up some of the greatest pieces of instrumental (and is some cases choral) music ever written. It is a great starter for a beginning classical music lover or a quick and easy all-in-one for those of us who study classical music for a living. I highly recommend this cd to anyone who wants to love or already does love classical music.

In Search of Sunrise, Vol. 4: Latin America

Average customer rating:

Best (so far)
IF YOU LIKE TO LANGUISH IN PAIN, BUY THIS!!!!
More house than trance
Once again, great CD.
5 Stars for reeeaaalll!

In Search of Sunrise, Vol. 4: Latin America
DJ Tiësto
Manufacturer: Songbird
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

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In Search of Sunrise, Vol. 5 Los Angeles
A State of Trance Vol. 2
In Search of Sunrise
In Search of Sunrise 3: Panama
In Search of Sunrise, Vol. 2

ASIN: B0007TFI56
Release Date: 2005-06-21

Tracks:

Solarstone and JES - Like A Waterfall
ToneDepth & SoulTan - Moments
Ahmet Ertenu - Why
JASEfos feat Claire Van Der Boom - Do What U Want (Max Graham
Wighnomy Bros - Wurz + Blosse
Coca & Villa - La Noche
Tilt - Twelve (Dousk Mix)
Luminary - My World (Andy Moor Mix)
Steve May - Blend Forty 3 (Luke Chable & Steve May Remix)
Gabriel & Dresden - Arcadia
Split Second - Midnight Express
BT - The Force Of Gravity (Tio Remix)
Allure - The Loves We Lost
Blank & Jones feat Bobo - Perfect Silence (E-Craigs 212 Remix)

Tracks:

Estuera vs Re:Locate - Palma Solane
Leon Bolier presents Inner Stories - Beyond
POS - Gravity
LNQ - People I Used To Know
Mads Arp featuring Julie Harrington - Slow It Down (Mathilda Mix)
Dominic Plaza - Sounds Rushing
Matthew Dekay vs Proluctors - BAD
Electric Pulse - White Noise
Grayarea featuring Erik Shepard - Gravity
Tio featuring Matt Hales from Aqualung - UR (Junkie XL Air
Odyssee - Evolution
Progression - Sands Of Time
LSG - Netherworld (Oliver Prime Remix)
Sensorica vs Jin Key - Only One (Rave Mix)

Product Description

1. B.T. - Force Of Gravity (Ti?sto Remix)
2. L.S.G. - Netherworld
3. Odyssee - Evolution
4. Phynn - Solitude
5. Progression - Sands Of Time
6. Global Experience - Tennessee
7. Way Out West - Killa
8. Blank & Jones - Perfect Silence
9. Tone Depth & Soul Tan - Moments
10. Ti?sto featuring Matt Hales from Aqualung - UR (Junkie XL
11. Airguitar Remix)
12. Grey Area - Gravity
13. Leon Bollier - Beyond
14. Allure - Pearls
15. LNQ - People I Used To Know
16. *Final Tracklisting TBC

Format: CD

Amazon.com

Though he's as close to being the quintessential trance DJ as anyone, Tiësto has in the past used his mix records to drop new, sometimes challenging material (e.g., 2003's Nyana). But that's never been what the Sunrise records are about. Like 2004's Olympics-anthem release Parade of the Athletes, the vibe is all-inclusive, overtly positive, and infused with a strong orchestral bent that broadens its appeal. The first disc works up a lather after a lukewarm start, ending strongly with tracks from Gabriel & Dresden and BT ("Force of Gravity," spiffed up with a Tiësto remix). The second disc isn't so shy, though the Ibiza sheen gets a little glossy. If there's one thing this DJ can do, it's convincingly integrate a distinctive vocal ("Silence," anyone?), and his collaboration with Aqualung's Matt Hales on "UR" is no exception. One gets the sense that Sunrise 4 could have been just one disc and still delivered the essential punch--but even though it's a bit bloated, this collection unquestionably has the epic heft for which Tiësto is known and revered. --Matthew Cooke

Customer Reviews:

Best (so far).......2007-07-16

Of the 5 ISOS albums released, this is the best by far. BTW, ISOS5 sucks

IF YOU LIKE TO LANGUISH IN PAIN, BUY THIS!!!!.......2007-06-13

AGAIN TIESTO GIVES US ONE MORE REASON TO HATE HIM, WHY CAN"T HE JUST GO AWAY AND LEAVE US ALL ALONE?

More house than trance.......2007-06-06

This is my first Tiesto CD that I heard. IMO It's a very good House CD. Not as laid back as I would have liked to call it a trance CD.

Once again, great CD. .......2007-05-07

This is yet again, a great CD by Tiesto. However, I still liked Panama better, although just slightly, and so I think that this album deserved a four out of five stars. I love Tiesto's stuff, so I hope he keeps on pullin through!

5 Stars for reeeaaalll!.......2007-03-07

Alright I'll break it down to you due to the fact that you're debating about buying this CD right? Let me put it this way, if you love trance than you love this CD--honestly. Trance can't get better than this! Both discs are beyond solid. Go ahead and buy it! Trust me you won't regret. FYI, also check out vol. 5 and Armin Van Buuren's "In State of Trance 2006". They're both top notch just like this one!

Average customer rating:

I'm Still Searching...
ISOS - So good
Oldies but Gooooodies!!
The best ISOS album!
Classic Masterpiece

In Search of Sunrise
DJ Tiësto
Manufacturer: Songbird
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

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In Search of Sunrise, Vol. 2
In Search of Sunrise 3: Panama
In Search of Sunrise, Vol. 4: Latin America
In Search of Sunrise, Vol. 5 Los Angeles
Magik, Vol. 5: Heaven Beyond

ASIN: B00005NHKL
Release Date: 2001-08-02

Tracks:

Reachers of Civilisation - York
Anomaly: Calling Your Name [Ferry Corsten Remix]
Honey [Chicane Club Mix] - Billie Ray Martin
Time Gate [Update] - Marc Vision
Mercury and Solace [BT 12" Mastermix] - BT
Dark Blue - Cabala
I Trance You [Pappa and Gilbey Mix]
Going Up
Sun Is Shining [Mash Up Matt Remix] - Technique
Walhalla - Gouryella
Far From Over - Kamaya Painters
I Believe [DJ Tandu Remix] - Lange
Remember (To the Millennium) [Lange Mix]
Sparkles [Magikal Remake] - Tiesto, Montana & Storm

Product Description

1. Reachers Of Civilisation, The - (with York)
2. Anomaly: Calling Your Name - (Ferry Corsten remix, with Libra Presents Taylor)
3. Honey - (Chicane Club mix, with Billie Ray Martin)
4. Time Gate - (Update, with Marc Vision)
5. Mercury And Solace - (BT 12" Master mix, with BT)
6. Dark Blue - (with Cabala)
7. I Trance You - (Pappa & Gilbey mix, with Gypsy)
8. Going Up - (with Yahel & DJ Miss T)
9. Sun Is Shining - (Mash Up Matt remix, with Technique)
10. Walhalla - (with Gouryella)
11. Far From Over - (with Kamaya Painters)
12. I Believe - (DJ Tandu remix, with Lange)
13. Remember (To The Millenium) - (Lange remix, with The Morrighan)
14. Sparkles - (Magikal Remake)

Format: CD

Customer Reviews:

I'm Still Searching..........2007-06-11

I'm not going to elaborate very much on this purchase. I thought it was below par. The only mix I cared for was BT's "Mercury & Solace", which I already have. The rest of the CD was fair--nothing earthshaking as far as I'm concerned.

ISOS - So good.......2007-03-19

I now own all 5 in the ISOS saga, volume one being the last I acquired. It fits right in with the rest as far as quality Tiesto mixes.

Oldies but Gooooodies!!.......2006-07-06

Great stuff! Never gets old or tired. I listen to it over and over again, appreciating new things each time!

The best ISOS album!.......2006-03-02

Woot!
This album is great. For those that heard this and know anything about skills in mixing and in making a good mix knows that this should be on your hall of fame.

I don't like my music with vocals when I listen to trance.
I like my trance with great beats (Tranceport, Voyage Into Trance)

So I consider trance with vocals "gay music" cause mostly those female vocals be killing the originality of trance.

But this is just great, even though a lot of female vocals are here, I still love this. He also does a good job on switching from trance-only to trance-vocals.

All these songs easily can get a 5 out of 5 or up(except for the one of Calling Your Name).

YOU REALLY WILL BE LEFT IN SEARCH OF SUNRISE after this album ends. I like listening to this album when the sun rises and/or sets.

With a great blend of vocals and trance maybe people that listen to (pop, dance, and R&B) will want to listen to some actual trance.

Verdict: 7.5 out of 5.0 Its sooo good you need to get its A LOT better than the other 3 ISOS he has made. He really changed the way of my thoughts about "gay music". Well this is simply a must get!! What The Hell(WTH) you doing reading this review! Go buy it in stores! NOW!

P.S. This is still consider "gay music" to me but I really love it.

Classic Masterpiece.......2006-01-22

Although years have passed since the release of this work of art, this compilation along with the other ISOS series continue to dominate and define the utter best of the trance genre.

The genious in tiesto's music lies in the way it is layered and in the progression. If one is to listen carefully, it is noticable how the music follows a consistent up down up down approach. This kind of stucture is unique in that it takes the listener through musical highs and lows in such a way that it is completely hypnotic.

There have been many times where i would be dead focused on his music forgetting about the outside world. Yes its that good. Tiestos work is actually so good, that people are able to listen to his cds over and over and never get bored of them since the more you listen to them, the more you hear things you did not hear the previous time. I have already listened to all of the ISOS and magik series over 10 times each and its still not played out.

So far only Armin Van Buuren has been able to come close to the perfection that tiesto has achieved. If only tiesto's newer work posessed such beauty.

My personal favorite tracks are:
Honey
I believe

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Blowout Box Sets | Classical Music Blowout | Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

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Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Mahler Symphonies: An Owner's Manual (includes 1 CD)
The Young Person's Guide to the Orchestra (Book & CD)
Study of Orchestration, Third Edition
The Life and Works of Ludwig van Beethoven

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

In Search of Sunrise, Vol. 2
Average customer rating:

The Best ISOS

More Great Coding Music

The Successor To The Greatest Trance Mix Of All Time

awesome trance cd...

The best of In Search of a Sunrise series

In Search of Sunrise, Vol. 2
DJ Tiësto
Manufacturer: Songbird
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music
Electronica | Dance & DJ | Styles | Music
Trance | Dance & DJ | Styles | Music
General | Dance Pop | Dance & DJ | Styles | Music
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ASIN: B00005NHKO
Release Date: 2001-08-02

Tracks:

Tantrix - DJ Tio, Tastexperience
Golden Desert, Pt. 2 - DJ Tio,
Summerbreeze - DJ Tio, Kamaya Painters
Touch Me - DJ Tio, Rui Da Silva
Eugina (Michael Woods Remix) - DJ Tio, Salt Tank
Perception [New Vocal Mix] - Cass & Slide, DJ Tio
Diamondback - DJ Tio,
Dreaming [Lucid's 12" Club Mix] - BT, DJ Tio
Drio [Venus Mix]
Angel Saved My Life [Mark Shimmon and 3rd Degree Bern's Mix] - DJ Tio, Fortress
4am [Marc O'Tool Remix]
Home - Coast 2 Coast, DJ Tio, Discovery
Tyrantanic [Slacker's Kingdom Come Mix] - Breeder, DJ Tio
Airtight - DJ Tio, Max Graham

Product Description

1. Tantrix - (with Tastexperience)
2. Golden Desert Part 2 - (with LN Movement)
3. Summerbreeze - (with Kamaya Painters)
4. Touch Me - (with Rui Da Silva)
5. Eugina - (Michael Woods remix, with Salt Tank)
6. Perception - (New Vocal mix, with Cass & Slide)
7. Diamondback - (with Mekka)
8. Dreaming - (Lucid's 12" Club mix, with BT)
9. Delirio - (Venus mix, with Baracoa)
10. Angel Saved My Life, An - (Mark Shimmon & 3rd Degree Berns mix, with Fortress)
11. 4AM - (Mark O'Toole remix, with Ballroom)
12. Home - (with Coast 2 Coast/Discovery)
13. Tyrantanic - (Slacker's Kingdom Come mix, with Breeder)
14. Airtight - (with Max Graham)

Format: CD

Customer Reviews:

The Best ISOS.......2007-04-25

I think Tiesto hit the hammer on the nail with this one. I always find a few things to critique with his other ISOS, especially his latest (ISOS 5). But with ISOS 2, Tiesto got the formula just right. Of course, nowadays he doesn't mix music like this anymore. This is classic Tiesto trance--- and excellent trance at that. The song selection is impeccably well-placed and I think this ISOS does the best job at capturing the Summer-Ibiza feel Tiesto may have intended.

After several years of listening to this CD, it still sounds as fresh as it did the day I first purchased it. Tracks like TastExperience, Summerbreeze, Eugina, and Delirio just fit so well into what I believe is his best effort in the ISOS series.

More Great Coding Music.......2007-01-07

I am rapidly accumulating the complete works of DJ Tiësto. It is perfect trance-out music for those long programming sessions.

The Successor To The Greatest Trance Mix Of All Time.......2006-06-16

In Search Of Sunrise is the greatest trance compilation ever made. It is the eternal representation of great trance. Having said that, I can now review In Search Of Sunrise 2.

The album art is awesome. The movie poster concept is clever. Tiësto has a great marketing team.

As for the mix, I've found that it helps to divide DJ Tiësto's compilations into movements, because I'm sure he does. Some songs aren't meant to take you over the top. Some are. Some songs work together to build tension for a powerful, explosive song approaching. Some songs are powerful and explosive. Tiësto knows how to use different types of trance songs to create a mix that is HIS. He is a master at this.

The first movement is fantastic. It begins ethereal and dreamy, and through the first three tracks there is a brooding feeling.

Tastexperience by Tantrix is an excellent introduction to the mix. It represents the style and mood of the In Search Of Sunrise (ISOS) series. It has the island feel Tiësto is revered for. As it fades out and LN Movement's Golden Desert (Part 2) is revealed explosively, feelings of nostalgia for the first ISOS are evoked. At this point I am impressed. This is what I expect after the first ISOS. This is a summer mix. Once Kamaya Painter's Summerbreeze comes on, it's obvious that the first two tracks are only a build. Summerbreeze is beautiful. I have to give it up for Kamaya Painters on this track, which means I am actually praising Tiësto and Benno De Goeij, who together ARE Kamaya Painters. The melodies here are precisely what make great trance. The build, the clashes, the keys... this is the trance that I love. So far, the mixing is flawless. At the end of the first movement, the mix seems to transform from trance to house. Vocals are introduced. Rui Da Silva's Touch Me is a good track with a melody that allows it to mix well with this compilation, but it's not a great song. The vocals and lyrics are mediocre. I expect only the best from the ISOS series. This is good, but not Tiësto good. I did, however, smile when thinking about the song placement in comparison to the first ISOS; this song is similar to Billie Ray Martin's Honey, which is track three on that mix. Anyway, Touch Me made me skeptical. The mix seems to be going somewhere, then Tiësto takes a detour with Touch Me. Why? I don't know

As touch me ends the mixing gets heavy and dramatic I realize I'm being swept into the second movement. The Michael Woods mix of Eugina by Salt Tank scraps the previous song and takes the mix right back to where it belongs. This is amazing trance song! Echoing snares, soaring vocals, the ebb and flow of dense subterranean techno melodies... YES! I'd like to shake Michael Woods' hand. The mix into Cass & Slide's Perception is heavy like the last mix, and I dig the style. Tiësto cautiously mixed the songs through the first movement, but in the second movement he takes over and charges ahead boldly. Perception comes in, hits a break, and the game continues. You have to love the robotic sounds on this track. The bass line on this track is deep, even for trance. The song tricks you... you think it's going one way, then another break comes and in the vocals drop. Wow. Here is another beautiful vocal trance song. "Search and you will find the answer... if you look deep inside of your mind... you can see forever... rise up together." Now that is dance floor ecstasy. Perception ends almost abruptly and in drops Mekka's Diamondback. The vocal trance delight continues. This song is insane. Take a drive on a country road and listen to this song as loud as you can for an amazing experience. Lucid's mix of BT's Dreaming comes on next and the texture of the mix is changed again. The sound effects here are awesome. The ticking clock, the panning, the creaking doors, the chimes: I love this song. Tiësto knows how to compile great vocal trance songs like no other. With this song the second movement is ending...

And with the Venus Mix of Baracoa's Delirio the third movement blooms. This song... man... this song gives me goosebumps. The build is like no other. This is deep trance. This is a classic. Songs like this are what give the ISOS series it's enigmatic quality. You might as well just burn the house down for this one. The vocals are intoxicating. Delirio takes me away. At this point I'm sold on the mix. The next track is a remix of Fortress's An Angel Saved My Life. The sounds here remind me of Paul Oakenfold's Tranceport. The trance here is hard, heavy, and dense. It's good, but it's one of my least favorite tracks on the album. It gets serious quick, but there is no distinct build. It does however, mix superbly with the Marc O' Tool Remix of Ballroom's 4 AM, which I think is the reason why Tiësto used it. Ballroom is a cool song, but it doesn't have the power of the previous songs on the mix. It does have a unique style that makes this ISOS mix even more eclectic. As Coast 2 Coast's Home comes on, I understand the purpose of the previous two tracks. Tiësto was building. This is why I like to group his mixes into movements. Home is another great track because of its uplifting melody and its quick build to an all-business breakdown.

The business continues right into Slacker's Kingdom Come Mix of Breeder's Tyrantanic without a breath of air to relax. Then... BOOM! The beat drops and there is silence. The fourth and final movement is crowded, dense, heavy, busy, and every other adjective you can think of that is opposite of free and airy. Tiësto ends his mix with pure progressive trance. The builds aren't epic and sudden. They're constant and relentless. The beat just keeps going. The breaks don't even feel like breaks. The vocals are gone. This all describes Max Graham's Airtight, and the title fits perfectly. Tiësto suffocates you in the last movement. I just know that I can't stop bobbing my head. The song takes you higher and higher and higher and higher... then proceeds to the most elaborate breakdown of the entire mix. It doesn't send you away in the ecstatic build-explode-jump off way that trance typically does. It doesn't make you feel like you just got off like never before. It doesn't take you away with heavenly vocals and melodies.

It leaves you in a trance.

DJ Tiësto has done it again. He has left me In Search Of Sunrise.

awesome trance cd..........2006-06-11

this is my second review or comment on a tiesto compilation.. the first was on his parade of athletes cd.. this ISOS 2 cd is just awesome.. i never thought trance could sound so good!! i say this only because previously i dont pay much attention to the genre.. but now i know what i've been missing all this time.. i favor the tracks summerbreeze, diamondback, dreaming, and tyrantanic, but the rest are good too! just listen from start to finish because you may not appreciate how beautiful this cd is put together.. as i write this, im playing the cd!! yeah baby yeah!!! :-)

The best of In Search of a Sunrise series.......2006-05-01

I think this album is the best in Tiesto's In Search of a Sunrise series. Just beautiful trance music from the first track till the last.

Please note that this album is different from Tiesto's live sets and his other "hands in the air trance" compilations. ISOS 2 is a lot more mellow(though does get harder towards the end), and is much better suited as background music for your pre and after-party sessions.

Overall, a really awesome compilation.

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