Without a Trace

Track Listings

1. Java Java

2. Vox Intrada (Prelude To The Road)

3. Every Road (...Leads To You)

4. Trace

5. Far On The Blue

6. Without A Trace

7. Hot Melts Ice

8. Second Sighting

9. Crazy Wind (...A Few More Miles)

Without a Trace,Opafire,Novus,Ethnic Fusion,Jazz,Jazz Music

Without a Trace

Product Description

Soul Asylum/ Without A Trace Track Title 1. Without A Trace (Edit) 2. Closer To The Stars (Unplugged) 3. Somebody To Shove (Unplugged) 4. Square Root

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Without a Trace
Opafire
Manufacturer: Novus
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

General | Jazz | Styles | Music

Jazz Fusion | Jazz | Styles | Music

General | New Age | Styles | Music
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Ricochet Sun

ASIN: B000008BXA
Release Date: 1991-07-23

Tracks:

Java Java
Vox Intrada (Prelude To The Road)
Every Road (...Leads To You)
Trace
Far On The Blue
Without A Trace
Hot Melts Ice
Second Sighting
Crazy Wind (...A Few More Miles)

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Orange county metalcore at it's finest

Gone Without Trace
Gone Without Trace
Manufacturer: Thorp Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Rock | Styles | Music

General | Hard Rock & Metal | Styles | Music
ASIN: B0001Z3TZC
Release Date: 2004-05-11

Tracks:

Intro
No One Will Remember
Everything's Bigger In Texas
This Time It's Mine
Eight-Four-Six
Her Scars Told The Story
Power And Greed
Battlefield Left In Ruin
World Of Tragedy
The Heavy Hand Part II

Customer Reviews:

Orange county metalcore at it's finest.......2004-07-29

The list of amazing bands signed on with Thorp Records keeps increasing with each passing month. In the past two years alone they have brought to you, the listener, bands like SCARS OF TOMORROW, MADBALL, BLOOD FOR BLOOD, THE NORTH SIDE KINGS, FOREVER IS FORGOTTEN (re-issue), HOW IT ENDS, PUNISHMENT, and now GONE WITHOUT TRACE from Orange County, CA. These are only a handful of an already impressive roster of metalcore styled bands. You can add GONE WITHOUT TRACE to that list as another extraordinary band with an incensed temperament and the heartiness of a caged lion. They employ some of the most dizzying, thickened breakdowns, red-hot searing vocals and an unblemished coordination of rhythms. This aurally abusive affair does not concede or diminish in intensity at any point throughout the record. What's impressive about such a record is that you aren't battered for the sake of being beaten because of how technically astute the development of the songs are. You can follow along in their path of destruction without feelings of it being excessive or too weighty. The ability to master such a task of symmetry on both the aggressive and accuracy front is something many have tried their hand at but inevitably failed. Conquering an impediment such as that in their produced CD leaves them with the one aspect of their music to be judged-a live show. If they play live nearly as well as their CD sounds, then there is nothing but success ahead of them in the future. If your list of "need-to-have" CD'S for 2004 doesn't include GONE WITHOUT TRACE then it's time to add it to the list (and put it on the top).

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Lost Patterns
Pleasurecraft
Manufacturer: Pleasurecraft Music
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music

General | Indie & Lo-Fi | Alternative Rock | Styles | Music

General | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

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General | Pop | Indie Music | Stores | Music
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This Is A Blackout

ASIN: B0002JAW5W
Release Date: 2004-07-06

Tracks:

Fixation
Simplicity
Closer
Save My Breath
All of a Sudden
Without a Sound
I Need You
Tiger Pearl
Matters Not Gray
Comfortable
To the Shore

Album Description

Pleasurecraft presents "Lost Patterns," the band's first since "Transmitter", the four-song EP, which laid the groundwork for their sound in 2002.

After developing their live show in their hometown (Seattle) and the Northwest, Pleasurecraft set their sites on creating a full-length CD of new material. Hunkering down in keyboardist/producer Kirk Bentley's Hair Salon home studio, they have emerged with a dazzling full-length. Without a trace of irony, Pleasurecraft brings you songs laden with snippets of the past. Right from the start, the album delivers dreamy pop bliss and dark, atmospheric undertones. Guitarists Bryan Manzo and Patrick Partington layer it on thick with guitar sounds of every make and model--adding an indie-rock feel to the din of computers. My Young and Kirk Bentley twist and tweak away at the sounds coming from their machines, and somehow still manage to sing melodies that nest in your brain at an almost alarming rate.

Product Description

14 tracks

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marvelous bagatelle-like piano album
Modern music made easy

Spectrum - Contemporary Works for Piano

Manufacturer: Nmc Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music
ASIN: B00000JPJ4
Release Date: 1999-12-13

Customer Reviews:

marvelous bagatelle-like piano album.......2001-09-09

This is a wonderful collection of piano bagatelle like durational envois, shibboleths,effacacious timbral meanderings,visionary,some ephemera, egregious. Yet all ponder an obsessive elan for the pure rarefied luv of piano timbre.And since modernity has passed out of itself,there is a freedom simply to create unencumbered,eremitical with pure devotion to piano timbre. Some works actually betray their asopted,intended/distended frames. That perhaps is a more interesting feature of postmodernity. Here as in Bedford's 'Toccata', scouring post-electronic tonality. It is a wonderful work diapasonal,diaphanous,orgasmic at times,yet direct and to the point. Also a prolific great piano practicioner-monger is Michael Finnissy with an excerpt from his 'Yvaropera 5', there are more,these are dedication to the marvelous new music pianist Yvar Mikashoff. Finnissy has finely woven threadbare lines. These works engage the challenge of the miniature, and the lyricism present here is like walking in a gallery with a predominance of no one particular musical language.
There are also some leftovers from the Tango Projekt.Perhaps the precursor of this Spectrum.
Howard Skempton the pre=eminent British miniaturist 'Cantilena' is here,hovering with an air of eridite presence,his voice is rather taciturn like,yet talismanic with a few purely wrought tones.
Andrew Toovey's 'Still'I found is not as remarkable as his brilliant chamber works,of dense complexity. Here the upper register clusters seemed overly labored,and unintentional within the context. Jonathan Harvey's 'haiku' is the ultimate effrontery for this miniscule musical parade, a mere single arpeggiated gesture, one press-down of the sustaining pedal, a mere 20 seconds, or as long as the envelope decay dies.
I found overall that it is the structural context that harbors the conceptual complexity,even the more pronounced examples as Roger Redgate's 'trace' is not as rhythmically forbidding as a measured particle exhumed from Ferneyhough,who is mirabile dictu absent from the proceedings here. Also the epigones of complexity, as Barrett, Dench,Fox are out of the picture.Why?.If you smite their faces do they not shed a tear,if you cut them, do they not bleed.
Neglected imaginative piano creator Dave Smith however is included. Smith has written,contributed greatly to solo literature, and his "tuesday" is included, a wonderfully crafted work with equisite voicings,ephemera.Additional I enjoyed Edward McGuire's "Foglie d'Autunno" a work satisfying the more song/canto,piano album dimensions of its generic frame. There are as well extroverted-like tone poem/paintings, as Edwin Roxburgh "Moonscape", Montague's "Mira",Hoddinott's "Dark March".
All these excursions into the finer particles of piano timbre leaves one empty, I found, not in an inferior way, but as Cornelius Cardew once quipped an eudaemonia,a felt perception,of something else,an emotive entity,a creative pathway missed, a wrong turn,a bad egg of structure,or concept,and that some unknowable espousal,some imaginative envoi should have been at the center of the music.

Modern music made easy.......2000-06-04

This double CD is a recording of "Spectrum" - two volumes of piano music by late twentieth century composers. The works were commissioned by Thalia Myers and the Associated Board of the Royal Schools of Music from a wide range of figures, well-known and otherwise, with a simple brief: to create short pieces in a contemporary style that could be accessed by pianists of any standard.

As a composer myself, I can safely say that such a brief is not as easy to follow as it may seem. Whilst it is true that short works are easier to write than long ones, it is never always easy to think of beginners or amateurs at primary school level when you're used to working with professionals and semi-professionals of more or less the same standard as yourself. In "Spectrum," the various composers have met the challenge impeccably, and the books are now proving to be a useful teaching tool with which to introduce young performers to contemporary music. With this recording, the same material can be made accessible to first-time listeners as well as performers.

The first volume is perhaps the harder of the two in terms of both listening and playing the music. Most of the composers featured in it returned to contribute to the second volume and it is clear (from listening) that some lessons were learned: you may find it more pleasant to put Disc Two on first when trying it out. To summarise all the pieces, short though they are, is beyond the scope of this review but among the names appearing are Jonathan Harvey, Diana Burrell, Michael Finnisey, Graham Fitkin, Philip Cashian, John Tavener, Howard Skempton and Stephen Montague. In the books, most of the pieces occupy single or double page spreads only; on disc, this makes each track less than two minutes long. (For the record, the absolute shortest work is Jonathan Harvey's "Haiku" from the second volume, which is two lines long on paper and takes just 30 seconds to play!)

Take the music as you will, but in all cases it is well-played: Thalia Myers commands a wonderful expressive range and captures the extreme subtlety of each and every piece. This really is the finest introduction to modern music around!

Present Without a Trace
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Present Without a Trace

Manufacturer: Anami
ProductGroup: Music
Binding: Audio CD
ASIN: B000E3BW82

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