Colours [CD-single]

Track Listings

1. Colours [Original Style Mix]

2. Alright

3. Smooth

4. Colours [Thunder Mix]

5. Wildlife

6. Colours [Club Mix]

7. Ex

Colours,Cabaret Voltaire,Mute,Electronic,Experimental,Post-Punk

Colours [CD-single]

Tracks:

Crazy
Electric Blue
Nothing Too Serious
Man of Colours
Heartbreak Kid
Kingdom
My Obsession
Girl in the Moon
Anybody's War
Sunrise
Crazy [12" Version]
Crazy [Midnight Mix]
Shakin' the Cage [*]
Over My Head [*]
Touch the Fire [*]
Jimmy Dean [*]
Electric Blue [Extended Mix][*]

Album Details

Digitally Remastered with Bonus Tracks.

Customer Reviews:

Icehouse .......2007-03-31

Great 80's music. Seller was Very Pleasant to deal with . Service was really fast. Would reccomend dealing with this seller!

As an Aussie I Think...........2006-06-07

Iva Davies is a genius!Crazy is awesome, Nothin too serious is just one of those geniune Aussie rockers that has nothin to do with anything but a good time,Electric Blue is just pure pop escapism at it's best. Need a time line? See Aussie Crawl,Cold Chisel,INXS etc. But for pure enjoyment after 15 years? Put Iva Davies on and turn it up

Remastered or tampered with??.......2006-04-07

I first heard the Man Of Colours album in the late eighties and fell in love with it. It was never off my walkman and as soon as I got a CD player it was one of my first purchases. I have to say however that I'm a little disappointed with this remastered release.

The version of 'Crazy' is the single version and as such is shorter. The song 'Electric Blue' has been subtly tampered with, with the sound of the background synthesizers and some of the songs arrangement, (i.e.- going into the first chorus it used to say 'In those eyes', now it says 'I just freeze'). I now have two versions on my digital music player, the original and the remastered.

This album I would normally give 5 stars, but I'm giving this remastered version just four. Remastering in my opinion is about cleaning up the sound and removing background noise, leaving a sharper clearer sound. I have the greatest of respect for Iva Davies and his work, but an album should be left untouched once it's in the public domain.

music to drive around late at night to...seriously.......2006-03-15

Easily their strongest album since the Flowers' debut, Man of Colours was to become Icehouse's commercial and creative high point. Had you seen them back in the day, you may remember the ladies swooning for frontman Iva Davies. Beyond the rock star good looks, he is a talented songwriter who, as the album title suggests, can paint a vivid picture with simple words.

Like much of Icehouse's work, the overall feel of the record is somewhat moody and melancholy, but with hints of optimism. The melodies are consistently catchy and moments of pure pop abound throughout. "My Obsession" is a slice of radio-ready pop heaven about being in denial over lost love. The album tracks reveal even deeper treasure, from up-tempo rocker "Nothing Too Serious" to the neo-Western setting of "Heartbreak Kid". Man of Colours has an almost voyeuristic feel, as if walking downtown from window to window, peering in on the characters inside and getting a different story each time - good, bad and ugly - then hopping in the car on a warm, overcast night and going for a slow drive with the top down.

Time has not necessarily been kind to the production here. In particular, cheesy synths and the big, echoey snare sound can ocassionally be distracting and place the album firmly in the 80's, dating it somewhat. But beyond those minor missteps, the record remains as enjoyable a listen today as it did in 1987.

For those familiar with the original U.S. version of this album, you'll notice a few differences on this imported reissue. Firstly, the remastering is superb and very warm-sounding, revealing depth in fidelity not heard when this album was first issued on CD early in the digital age. "Crazy" is present in its shorter, single remix, and "Electric Blue" is likewise a slightly different mix (possibly also a single remix). Two of the bonus tracks come from 1989's Great Southern Land and were exclusive to that compilation, now out of print, so it's nice they included them here. Some of the relevant b-sides are also present but it would have been more rewarding to round up all of the stray, long-lost b-sides rather than including mostly boring, extended mixes of the album's biggest hits.

If you haven't heard this album in years or are looking for an entry into romantic pop, this is an excellent starting point.

Icehouse--way too underrated.......2006-01-14

Oh, 1987, not a happy time in my life, but there was Man of
Colours, and it seemed that listening to it helped me believe
that joy and happiness were still out there. It is a great
CD, Heartbreak Kid, Man of Colours, My Obsession, songs
that still sound sweet to my ear these many years later. Lucky
Australia, you can claim Iva Davies as your own.

Colours Are Brighter: Songs from Children (And Grown-Ups Too)

Average customer rating:

Fantastic. You'll be a hero to your kids and the other parents you know.
For parents who are tired of Raffie
mostly very good

Colours Are Brighter: Songs from Children (And Grown-Ups Too)
Various Artists
Manufacturer: Rough Trade
ProductGroup: Music
Binding: Audio CD

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Open Season

ASIN: B000HOMLNS
Release Date: 2006-12-19

Tracks:

Go Go Ninja Dinosaur - Four Tet,
Skeleton Bang
Jackie Jackson
I Am an Astronaut - Snow Patrol
Pooh Trilogy - The Divine Comedy
King & I - The Kooks
David Wainwright's Feet - Half Man Half Biscuit
Tidy Up Tidy Up [Edit] - Barcelona Pavilion
Our Dog Is Getting Older Now - Jonathan Richman
Monkeys Are Breaking out the Zoo - Belle & Sebastian
Mud
Big Ol' Bug Is the New Baby Now - The Flaming Lips
Night Baking - Kathryn Williams

Album Description

Includes tracks escpecially recorded for this collection from Snow Patrol, Franz Ferdinand, The Kooks, Belle & Sebastian, The Flaming Lips, Four Tet, Divine Comedy and many more. All UK profits and artist royalties are being donated to Save the Children chrity. Rough Trade. 2006.

Album Details

A Special Collection of Songs Recorded by Alt-indie Artists Especially for Children (And their Parents). Among the Bands Participating Are Divine Comedy, Franz Ferdinand, the Kooks, Belle and Sebastian, Rasputina, Snow Patrol and Many More. All Profits and Artist Royalties from the Record Being Donated to Save the Children's Rewrite the Future Campaign to Provide Quality Education for Eight Million Children in Areas around the World Affected by War and Conflict.

Customer Reviews:

Fantastic. You'll be a hero to your kids and the other parents you know........2007-06-19

It's unbelievable this collection is only in import! The whole disc is a real pleasure to listen to and some songs (Snow Patrol's "I am an Astronaut" and Belle and Sebastian's "Monkeys Are Breaking out the Zoo") are instant kid-friendly classics. You may not know all of the artists but it makes for a very well rounded collection for all age groups to enjoy.

For parents who are tired of Raffie.......2007-03-22

Your kids want to hear "Sharon, Lois and Bram" AGAIN, and you want to put on "Pulp"...the compromise is "Colours are Brighter". The whole family gets to rock it out in the living room to the likes of "The Flaming Lips" and "Franz Ferdinand". Our favouite tune is one by "The Barcelona Pavilion", a catchy little ditty called "Tidy Up Tidy Up (put it away!)" that makes even the most onerous task of putting toys back in the toy box, or making the bed, a real hoot. Highly recommended by our little tribe, and even if you haven't got one yet, you will still love some of these rare little gems done by some of today's best bands.

mostly very good.......2007-02-10

mostly good songs for children. some seem a little too discordant and not great for very young listeners.

Average customer rating:

I grew up on this album
The Ultimate Collection
Pre MTV
Best Pop Album of the 80's
Great Album!

True Colours
Split Enz
Manufacturer: A&M Super Budget
ProductGroup: Music
Binding: Audio CD

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History Never Repeats: The Best of Split Enz
Corroboree
Time and Tide
Corroboree
Time and Tide

ASIN: B000002GBQ
Release Date: 1990-10-25

Tracks:

I Got You
Shark Attack
What's The Matter With You
Double Happy
I Wouldn't Dream Of It
I Hope I Never
Nobody Takes Me Seriously
Missing Person
Poor Boy
How Can I Resist Her
The Choral Sea

Customer Reviews:

I grew up on this album.......2007-07-13

This odd blend of Nu Wave and quirkiness made this album, fun, memorable and fun to sing and jerk to. It was one of my favorite 80's albums and to this day, is a great one for me!

The Ultimate Collection.......2007-01-15

I love this album and believe this to be the highpoint of their career- so many good songs on here and each stands alone. The only disappointment is that they didn't recreate the beautiful laser-etched hologram design from the vinyl LP. But oh well, at least this is on cd. Check out the Crowded House catalog for more Finntastic music.

Pre MTV.......2005-11-17

The first time I heard - and saw -- "I Got You" was when I was in the 9th grade before MTV. Every Friday night, PBS would show 30 minutes of music videos on a program that I cant recall the name of. However, Split Enz "I Got You" was shown perhaps 6 Fridays in-a-row and it was awesome. At a time when I was just getting turned on to the likes of Devo, Kraftwerk, Misex, et.al., this song and group was transforming and just plain cool to a 14 year old kid. A lot of fun and so many great memories.

Best Pop Album of the 80's.......2005-09-09

For pure Pop pleasure this album just can't be beat. Everybody knows 'I Got You' but what about the manic fun of 'Shark Attack', the Schoolboy indignity of 'What's the matter with you' the slushy sentimentality of 'I Hope I Never', the hilariously self-pitying 'Nobody Takes me Seriously' the beautifully smooth and melancholy heartbreak of 'Missing Person' & the utterly fantastic instrumental ending of 'The Choral Sea'. Even though I have the best of Split Enz 'Spellbound' on CD I still need to grab this CD soon just for the 5 tracks missing off the greatest hits compilation, that's how good it is. For now I'm relying on my laser etched vinyl copy (ooh! Laser etched!). This album works on its own merits. It's a beautifully cohesive album. Beautifully observed Pop lyrics with wonderful sweeping synths and lovely piano work from Eddie Rayner. I saw them live in London back in 81 & it was one of the top 5 live concerts I ever saw in my life. These guys could deliver and this album is their opus. Time & Tide coming in 2nd I'd say. To end with, if you want to feel good this disc/cd makes a great pick-me-up!

Great Album!.......2003-02-10

Split Enz is certainly a major group that influenced many later artist. True Colours the album was also innovative. The original LP featured a laser etched design which looked cool on the turntable! The music is quite good. Tunes such as Shark Attack, I Got You, Double Happy, are clear progressive new wave, and a look at music, to at least where many thought is was headed in the 1980's. True Colours is a true gem!

Average customer rating:

Not bad second attempt for a young band
They're no Kylie Minogue, but I guess they're OK
Another step
This is the album that put INXS on the map
INXS' Indie Rock Album

Underneath the Colours
INXS
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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INXS
The Swing
Shabooh Shoobah
Listen Like Thieves
Full Moon, Dirty Hearts

ASIN: B000002JKM
Release Date: 1990-10-25

Tracks:

Stay Young
Horizons
Big Go Go
Underneath The Colours
Fair Weather Ahead
Night Of Rebellion
Follow
Barbarian
What Would You Do
Just To Learn Again

Customer Reviews:

Not bad second attempt for a young band.......2007-02-25

Not a bad second attempt for a young band at the time; very similar to their debut album. Basically a rough little rock album from the New Wave period. Some great stand out tracks like 'Stay Young' and 'Night of Rebellion', but many fillers as well.

This album and their debut album basically sound like warm up for their third album, 'Shabooh Shabah' which was to take the australian alternative music scene by storm in the early 80s.

This is a great buy for the serious Inxs fan, especially if you are not Australian as I doubt any of these tracks made it outside of Australian college radio at the time of release. Fans from their commercial period will be found wanting however, and I wouldn't suggest this is the Inxs album for you.

However it still gets several plays a year from me, and that was worth it in my book!

They're no Kylie Minogue, but I guess they're OK.......2004-12-12

(that's a joke, people)

Its always great when a band lasts long enough that you can look back over their catalog and see the changes the band went through. So is the case with INXS, and what is clearly their first album. They are young, their sound not yet matured, but still have great pop and dance sensibilities, with classics like 'Stay Young' (a minor hit that helped get them noticed) and 'Night of Rebellion.' A great nostalgic trip to 1981.

Another step.......2001-06-06

Originally released in the U.S. and Canada in 1984 on Atco. I have the original Australian LP on Deluxe/RCA. It's the only one I have as an import. The album goes a bit too fast, and then they realise they need a change of direction before taking on the rest of the world.

This is the album that put INXS on the map.......1999-09-29

Produced by Richard Clapton, this is the album that took INXS off the floor of Aussie beer barns, polished them off & prepared them for the world stage- which they promptly took over, for a very short time. Michael is not with us any longer, but these songs from the early eighties show him as the master- before he got the recognition.

INXS' Indie Rock Album.......1999-09-21

Stripped down, simple, with much sparer arrangements than on their later Aussie-funk-pop records, this is INXS' closest attempt at American early '80s indie rock. Sometimes it works, sometimes it doesn't. But when it does click (as on "Follow," and "Stay Young"), the results are as good as those sweaty kids in the garages of Athens, Georgia.

Average customer rating:

Seriously Deep, Seriously Beautiful.
It's True -- Weber's Best
Timeless masterpiece!
A real treasure
An unkown classic

Silent Feet
Eberhard Weber Colours
Manufacturer: Ecm Records
ProductGroup: Music
Binding: Audio CD

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Fluid Rustle
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ASIN: B0000260C8
Release Date: 2001-03-20

Tracks:

Seriously Deep
Silent Feet
Eyes That Can See In The Dark

Customer Reviews:

Seriously Deep, Seriously Beautiful........2007-03-01

This album oozes a lyrical beauty guaranteed to make your cortex throb for decades (around three for me so far). Further, I have still to hear a recording and production quality to better this - and I am an avid consumer of CD's and Vinyl.

Each piece is sumptuously produced and played by some of the planet's greatest living musicians - Eberhard Weber (bass), Rainer Bruninghaus (piano), Charlie Mariano (sax), and John Marshall (drums). In fact, Marshall's drumming here is so good that this album would still be worth the maximum stars had it been a totally solo performance. Together, the band produce music that would have made Mozart wet himself had he heard it. Take the finest moments from Jazz, Classical and Post-Rock, place in blender, add the rarest beauty of the universe, press play and await the arrival of your spirit. It won't take long.

If you are reading this and are capable of breathing and thinking at the same time, then you really must buy this album. It is at the very pinnacle of human artistic achievement and should be played to the aliens when they eventually turn up, as I am sure this is what they will come looking for.

It's True -- Weber's Best.......2005-07-01

This fantastic record is certainly the most focused band performance in Weber's admirable discography, with supremely beautiful compositions, and career-peak contributions from Rainer Bruninghaus, Charlie Mariano, and John Marshall. Bruninghaus' solo piano intro to "Seriously Deep" is one of the most haunting pieces of music I know.

Timeless masterpiece!.......2004-11-20

I bought this album (cassette tape) about 20 years ago and did not appreciate how good it was until recently. I was more into mainstream jazz and fusion at the time and it did not click with me on the first listen. It ended up in longterm storage in my bedroom. But, while going through the deadwood in my closet, I came upon it and thought I'd give it another listen. Even with the crappy tape fidelity and hiss, this recording blew me away. In terms of virtuoso talent and composition, I'd say it's on par with Mclaughlin's "Live at the Royal Festival Hall", another all time favorite. Each musician is a standout on this album. If you did not know what instrument Weber played, you would be hard pressed to guess. The piano, sax, and drums are all as flawless as the bass. Weber's bass lines come through clear and clean, ala Pastorius. Marshall's drumming throughout is astonishing, even on cymbals alone. If you appreciate good drumming, this album is a must have. It is much more uptempo than Fluid Rustle (also a favorite) and the arrangements more complex. Bruninghaus (piano) and Mariano (sax) are virtually unknown, although that is not unusual for countless great jazz musicians. Can't wait to get a copy on CD!

A real treasure.......2004-06-09

I've been listening to this recording for over twenty years now, first on vinyl LP, which I wore out, and then on CD. After all that time, this remains my favorite Weber album. The compositions are all first rate, and Weber's extended bass solo on "Seriously Deep" is a spectacular showcase for both his incredible virtuousity and the unique sound his instrument produces. Get it!

An unkown classic.......2004-02-19

This is absolutly one of my favorite jazz albums of all time. Eberhard's bass tone is so pure and perfect, and the compositions are just amazing. For me, the tune "Silent Feet" can bring me to tears it's so beautiful. After an extended introduction section the rythem starts to form as the piano lays out the chords. Then the soprano sax comes in with a bouncing little repeating phrase that comes out of nowhere and yet fits so perfectly. Under it all Eberhard plays a bass counter point that changes every time they play the phrase. It's just amazing.

This is an album you've probably not heard of, but if you take the risk and get it you'll discover music that goes way beyond what you've heard before. And yet, it's still very accessable.

True Colours
Average customer rating:

One of Split Enz most impressive outings 4 1/2 stars

True Colours
Split Enz
Manufacturer: Mushroom Records
ProductGroup: Music
Binding: Audio CD

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Corroboree

Time and Tide

Frenzy

Mental Notes

Conflicting Emotions

ASIN: B000M7FOI4
Release Date: 2007-02-12

Tracks:

Shark Attack
I Got You
What's the Matter With You
Double Happy
I Wouldn't Dream of It
I Hope I Never
Nobody Takes Me Seriously
Missing Person
Poor Boy
How Can I Resist Her
Choral Sea
Things [*]
Two of a Kind [*]

Customer Reviews:

One of Split Enz most impressive outings 4 1/2 stars.......2007-04-29

Although the "True Colours" doesn't sound quite as good Corroboree that probably has more to do with the fact that "Corroboree" was remxed and remastered. "True Colours" features Split Enz coming into its own. Remastered by band stalwart Eddie Rayner, "True Colours" extremely good here although I didn't do a head-to-head comparison to the previous U.S. release. The real reason to pick this up are the bonus tracks.

One of the Finn/Finn era's biggest albums in the United States album is among their eccentric and most eclectic releases featuring all the production touches common to the late 70's/early 80's but the song craft is far and away better than what most other bands were doing. Once Tim Finn invited his guitarist/vocalist brother Neil to join the band they produced a series of the band's most melodic and memorable albums. Buoyed by the success of "I Got You" (it actually broke into Billboard's singles charts at #53 only to be outdone with the next album's single also by Neil Finn "History Never Repeats" which charted at #33),"True Colours" came in at #40 on the album charts quite an achievement for a band that had previously been ignored in the United States.

The rest of the album is as impressive even if the album's production dates it a bit. "Shark Attack" is a catchy Tim Finn number and Tim checks in with one of his most effective ballads "I Hope I Never" which showcases his tenor voice. The album is supplemented by a pair of strong b-sides from the band's singles "Things" (by Tim) and "Two of a Kind" (by Neil) which were strong contenders for the album and add to the quality of this release.

The liner notes are nonexistant which is a pity--those who aren't as familair with the band will want to learn a bit about their history and this album's recording history. We do get complete lyrics (except for the bonus tracks). The original release had three different colored colors with the same design (the U.S. domestic version goes with the red and black design)but this CD release goes with the cover that adnorned subsequent releases.

"Corroborree" sounds better in its re-release than this album (primarily because Rayner went back and remixed the album cleaning it up quite a bit)with a less cluttered production, more detail than this album. While it is a comparable follow up with the highlights being better than the best songs here, it's a bit less consistent than "True Colours". If you pick up "Mental Notes", "True Colours", "Corroboree", "Time & Tide" and "Conflicting Emotions" (primarily for the gorgeous "Message to My Girl" and "Bon Voyage") you'll have the best music this underrated band produced. Recommended.

Mental Notesand Corroboree andFrenzyand Time and Tide

Average customer rating:

Icehouse Man of Colours (+ 2 Bonus Tracks)

Man of Colours (+2 Bonus Tracks)
Icehouse
Manufacturer: Chrys
ProductGroup: Music
Binding: Audio CD

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Measure for Measure
Great Southern Land
Sidewalk
Meltdown
All of This and Nothing

ASIN: B00005NQCB
Release Date: 2001-07-23

Tracks:

Crazy
Electric Blue
My Obsession
Man Of Colours
Heartbreak Kid
The Kingdom
Nothing Too Serious
Girl In The Moon
Anybody's War
Sunrise
Crazy (12' Mix)
Crazy (Midnight mix)

Album Details

Features Original Versions of 'crazy' and 'electric Blue'. Also features Two Bonus Mixes of 'crazy', Exclusive to this Release.

Customer Reviews:

Icehouse Man of Colours (+ 2 Bonus Tracks).......2007-01-19

This cd is great. Icehouse is a good Australian band, and I like them as much as I did in the eighties. Songs that stand out are their hits - Crazy and Electric Blue, as well as Nothing too Serious ( a very catchy song), and the title track Man of Colours. The whole cd is worth giving a listen to, and the bonus tracks of Crazy, are a great addition.

Average customer rating:

Top flight composer
Still Available!
a revolutionary CD and an anecdote
Eberhard Rules
They don't make them like this anymore.

The Colours of Chloë
Eberhard Weber
Manufacturer: Ecm Records
ProductGroup: Music
Binding: Audio CD

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Fluid Rustle
Silent Feet
Solstice
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Endless Days

ASIN: B0000260IE
Release Date: 2001-03-20

Tracks:

More Colours
The Colours Of Chloe
An Evening With Vincent Van Ritz
No Motion Picture

Customer Reviews:

Top flight composer.......2006-12-25

Thirty two years ago a bass player with the Indiana University School of Music who lived in my dorm introduced me to ECM'S Eberhard Weber and "Colours of Chloe". I don't remember his name but wish to thank him in this review. At the time, I had been listening to a lot of fusion and Mahavishnu Orchestra's "Birds of Fire", which in comparison seems harsh and unrelenting. I was mesmerized by the hypnotic sound of the piano, bass and horns on this album. Thirty two years later I continue to be hypnotized. Third Stream was never better than in 1974. Weber is one of the few innovative composers of modern music and a creative force behind bringing the bass "out of the closet". "Chloe" remains one of my favorite albums of all time.

Still Available!.......2004-01-14

Thanks to David Starns for his excellent reviews.

He, and others, may like to know that ECM claim
to keep all titles in print, in Munchen at least.

I ordered this title in the UK recently, and, of
course, amazon still list it in the US - so
hopefully it can now found there!

The album is really excellent. Although nominally
obscure, Weber's talent has been heard in the
mainstream, as he did session work with Kate Bush
in the [i think!] eighties. Check it out!

a revolutionary CD and an anecdote.......2001-12-31

This was Weber's first ECM album. It was revolutionary because it combined classical or Third Stream elements with fusion, something that hadn't been ecplored previously. The result is a whole new tonal pallette that since then has been explored by a number of ECM artists such as Egberto Gismonti and countless others. This is the record that started it all, and for the most part it has weathered time well. Not so for the long final piece, No Motion Picture, which was always my least favorite and now sounds dated to my ears. Still, "side 1" is worth the price of admission and hopefully will lead the listener to some of Mr Webers' other neglected gems such as Fluid Rustle (one of Pat Metheny's favorite albums,) and the Following morning to name a couple. These are masterful examples of Weber's ability to straddle the classical minimalist and jazz genres with spectacular results. Get them all!!

Bonus anecdote:

I had the pleasure of meeting Mr Weber when he was on tour with Jan Garbarek in 1987. Because of a mixup with transportation to the Russian River jazz festival in Guerneville CA ,my friend had the honor of picking them up at the airport and delivering them to their hotel after the gig. We hung out by the pool, and for the most part i listened in rapt attention to my heroes as they traded stories, or sat in cool eurpean silence while sipping strong coffee by the pool. As the hotel they were staying at had a reputation for car breakins, I drove my friend's van back to my little cottage in the country and parked it in my space in the garage. It was surreal. Sitting parked in my space were Jan Garbarek's sax and Eberhard weber's magical 5 string bass! I couldn't resit it. I opened the van and reverently carried the bass into my little house. Gingerly I laid it on the floor of my studio. Just one look, I thought but alas; the case was locked. Still, I can say with all certainty that Eberhard weber's bass slept in my house.

Eberhard Rules.......2000-11-24

I remember when I first picked up the cool cover and checked out the credits on the back. As soon as I saw the 5 string upright(I am a bass player by the way) I put it in the stack I was purchasing. I put it on (we are talking vinyl)as soon as I got home and was blown away. This album and Eberhard became a huge influence in both my musical and private life. I have all his works and as many albums and cds he has played on in my collection as I can find. I had the pleasure of meeting him after a Colours gig in the earley 80,s and seeing in 1999 with Jan Garberek. When people compare his work to Jaco, I think they have totally missed the point, Eberhard is a composer first and a virtouso second. Hs compostions have a timeless quality and are original in the extreme. I hope in the grand scheme of things he will be recognised as the grand master in all things relating to making the bass a leading melodic voice.

They don't make them like this anymore........2000-10-02

Maybe it's silly to review an album that's "no longer available," but I feel the need to vent. What kind of world is this when you can walk into a record store and buy 35 copies of the new Brittany Spears, but even Amazonfrikkin'dot com, the world's most complete record store, can't secure you a CD of what is arguably one of the best albums of all time?

If you've never heard Weber's work, I suggest you start with "Silent Feet" or maybe "Fluid Rustle," though that one is atypical stylistically. "The Colors of Chloe" hails from Weber's most fruitful period, the mid-70's, when he also recorded "Yellow Fields," "The Following Morning" (my personal favorite), and several teriffic albums with Gary Burton and Pat Metheny. His later work ("Chorus" onward) never quite put all the elements together as effectively.

This music typifies everything that was good about Manfred Eicher's ECM label. The music is complex without being technical; melancholy without being maudlin; reflective without being self-absorbed. This is the music that new age could've been, if it had been less concerned about soothing the listener and more concerned about saying something substantive. Every track on this album drips with atmosphere and intrigue. Like most truly great music, though, "The Colors of Chloe" provides the listener with cake under the icing; with some musically valid substance justifying the ear candy. If, on some glorious morn, you find that Weber's classic albums are once again in print, I suggest you sneak into your son or daughter's room, steal his or her N'sync CD's, and trade them in on a complete Eberhard Weber library. One day, the kid will thank you.

Colours
Average customer rating:

Amongst the finest "Intelligent Drum 'N' Bass albums ever...

A great compilation of original work

Unique masterpiece from the UK beat freak !

BUY IT!

The Mosth refreshing and soundful DnB album, so far

Colours
Adam F
Manufacturer: Astralwerks
ProductGroup: Music
Binding: Audio CD

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Modus Operandi

Logical Progression, Level 1

New Forms

Presents: Drum and Bass Warfare

Mysteries of Funk

ASIN: B000006783
Release Date: 1998-03-10

Tracks:

Intro
73
Metropolis
Music In My Mind (Album Version)
Jaxx
Mother Earth
The Tree Knows Everything (Clean Edit)
Circles (Album Edit)
Dirty Harry (Grooverider Remix)
F-Jam (Album Edit)
Aromatherapy (Edit)
Circles (Roni Size Mix)

Amazon.com

Certain to captivate drum & bass enthusiasts, Colours will also appeal to anyone interested in electronic synergies. This debut release from England's Adam F combines breakbeat influences with jazz fusion using synthesized chords, trumpets, and flutes. Wayward guitars and spooky organ tones creep in from the shadows as well. The wired sounds of "Music in My Mind" introduces an exotic vocoder effect which teases with robotic strokes. Rounding it out on the mic, guest vocalists Tracy Thorn, from Everything But the Girl, and L.T.J. Bukem's sidekick MC Conrad delight the senses. Come prepared. The techniques will have you reeling. --Lucas Hilbert

Customer Reviews:

Amongst the finest "Intelligent Drum 'N' Bass albums ever..........2003-10-29

As a Hip-Hop / Drum & Bass musician & Producer that has worked with some of Dance music's most revered artists (Goldie, Redman, LL Cool J), he burst onto the album scene with this his 1997 debut "Colours". Forget hard edged Drum & Bass...this album has its hand in the smooth Jazz-tinged 'LTJ Bukem' intelligent Drum & Bass end of this...."Metropolis" opens the album very strongly, with late night ambient Jazz layered over the D & B breaks. "Music in my mind" is a smooth synth-sampling breakbeat excursion of sublime structure. But it not until "The Tree knows everything" that the introduction of a accomplished vocalist is introduced (courtesy of "Everything But the Girls - Tracey Thorn") that the true melodic spirit of the album truly unleashes on the listener. And the inclusion of the astonishing atmospheric "Circles", easily matches anything produced by similar artists, and matches 'LTJ Bukem' seminal "Logical progression" for innovation, scope, production, atmosphere & downright influential tracks.

A great compilation of original work.......2002-10-09

Blah blah blah - just go buy it!

Unique masterpiece from the UK beat freak !.......2000-09-02

Warning: this album is addictive. If you happen to be getting started on the drum'n'bass scene, as many Brazillian fellows are; this album, pardon the cliché, is a MUST HAVE. It was not for nothing that "Circles", the best-selling single out of this piece, has been awarded worldwide acclaim ever since its release. This track welcomes you into Adam F's "beat craftmanship": very intricate patterns, smooth bass programming and dreamy-like ambiences push you towards an introspective mood, as the samples "check, check, check" (which my girlfriend simply loathes) announce tempo changes. May I suggest that listeners avoid "Circles" during daytime: it loses much of its magic. Also, the single "Metropolis" was responsible for the dark turn drum'n'bass took back in '97. It's more floor-oriented and features an impossibly dark, claustrophobic urban flavor with basslines so rough you will start wondering about the reliability of your speakers. I would also choose "Music in my mind" as one of the top tracks in the album: it teaches d'n'b producers the miracles which flutes, horns and sudden tempo changes can perform against the boredom provoked by the ever-so-linear typical d'n'b tracks (did anyone say Ed Rush ?).The jazz samples have an organic feel and are overall well placed (that is, you don't feel they're samples), melting gracefully with the ambient soundscapes. "Music in my mind" also features Adam F's own voice through a vocoder - and vocoders are so cool. 4th top track: "The tree knows everything". Although it sounds like a remix swap between Adam F and Tracey Thorn (since F has worked on EBTG's "Before today"), don't be bothered by the purists saying it's just too cheesy. The ambient-like vibe skillfully constructed sweetens Tracey's voice even more, making it a beautiful track, setting the mood for "Circles", which lies next. Last: "F jam". Acoustic drumming, electronic drum kits and MC Conrad (those familiar with LTJ Bukem will remember)take you on a future soul, jazz-influenced journey. My idea of a chill out tune. Well, record this album, steal it, buy it, but give it a try. It's unlikely to disappoint. (Almost forgot: try and look for the US edition. It has a Roni Size remix for "Circles" that you will miss should you buy the UK version).

BUY IT!.......2000-07-02

Hardcore DnB fans would choose to discard this,due to lack of the traditional,rough feel that is normally expected of the genre.This is an excellent album for people who are new to DnB.Very accessible,very clean feel.The music has been more focused on electronic danceability than complex breakbeats. It goes from jazz to funk to full- on techno and back again.Some excellent remixes as well.The US version contains a well done remix of "Circles" by Roni Size.Adam F has already made a huge impact on the underground circuit with seminal tracks such as "Circles", "Metropolis" and "Aromatherapy" and his presence on stage at nights like Goldie's legendary Metalheadz club and Promised Land at The End has given him a reputation second to none. The album will take you on a journey of Adam's emotions and musical taste.Buy it and let yourself be touched.

The Mosth refreshing and soundful DnB album, so far.......1999-09-25

Adam F is definitely going to be remembered for this album. Drum'n Bass has never sounded so "colourful". Mixture of ocenic dubs, along with powerful electrifying beats and eclectic voices (such as Tracey Thorn from EBTG, and Adam F himself behind a vocoder) are the essential plot of this album. Adam F's sensibility overcrosses the limits of the initial DnB and Jungle premisses, achieving an outstanding result. YOU'D BETTER BUY THIS RECORD !!!!

Average customer rating:

Planetary Observations: In Orbit with The Sadies
retro sixties style
Great songs. Great musicianship.
No Clouds
Byrds, CSN, etc.

Favourite Colours
The Sadies
Manufacturer: Yep Roc Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002MHESC
Release Date: 2004-08-24

Tracks:

Northhumberland West
Translucent Sparrow
1000 Cities Falling (Part 1)
Song Of The Chief Musician (Part 2)
The Curdled Journey
Why Be So Curious (Part 3)
The Iceberg
A Good Flying Day
Only You And Your Eyes
As Much As Such
A Burning Snowman
Coming Back
Why Would Anybody Live Here?

Amazon.com

At first glance, it may seem that Toronto's Sadies have merely stood pat with their trademark blend of psychedelic country and twangy surf rock. But theirs has been a sly evolution, and Favourite Colours, their fifth full-length (not including various collaborations), finds them masterfully honing and building on their core sound. There's an emerging depth and pensiveness to their songwriting, a growing sense of spirituality and drama. The imagery is grand and vivid, seemingly drifting from utopian to apocalyptic. The heart of the album is a three-part suite (broken up by a dense, cinematic instrumental) that perfectly exemplifies the Sadies' deft balance of the ominous and the uplifting. The gentle steel and delicate acoustic strumming of "1000 Cities Falling (Part 1)" gives way to the trippy, atmospheric "Song of the Chief Musician (Part 2)" before culminating with the bright, sunny, 12-string-driven "Why Be So Curious? (Part 3)" with its refrain: "why be so curious when nobody knows the truth?" In this balance between tension and consolation one can hear echoes of '60s "cosmic cowboys" the Byrds, Buffalo Springfield, and Flying Burrito Brothers. Exclusive company indeed, but with their sharp, fluid playing and broadening lyrical and musical scope, the Sadies are fast earning these comparisons. --Marc Greilsamer

Customer Reviews:

Planetary Observations: In Orbit with The Sadies.......2007-07-01

By now you know they're Canadian and if you don't, then the fact that they spell `Favorite' and `Colors' with a "u" should give you a clue. On their fifth full length album, Toronto's cosmic cowboys serve up their customary combination of psychedelic country-rock instrumentals and songs with dark and brooding lyrics. "Favourite Colours" opens with "Northumberland West", an instrumental that culls and blends Byrds and Outlaws chords. The Sadies then get right to the point of their observation in the next three songs, being that the world is in pretty bad shape what with global terrorism, unending regional wars and impending ecological disaster. That the Byrds influence is strongest on "Favourite Colours" adds sonic context to the consciousness-raising warnings embedded in these songs. A highlight is "Why Be So Curious (Part 3)", which borrows heavily not only from Blue Rodeo's 2002 tune "Already Undone" but also from the Seekers' electric folk-rock. Early Pink Floyd can also be heard in "As Much As Such". Robyn Hitchcock and Blue Rodeo's Greg Keelor add guest vocals to songs that wouldn't seem out of place had they been recorded in 1966.

That the Sadies are able to seamlessly weave all of their obviously favorite influences into a sound that is uniquely their own, reveals a band that is creating exciting and vital music that stands a bit outside of the alt-country genre. One gets the sense that their Canadian-ness allows them the freedom to not only assume the stance of not so neutral observers, but to gleefully ransack rock's vaults, garages and groove yards for neat riffs, melodies and styles that help to genuinely rekindle the spirit of the sixties, when speaking one's mind on record got people together and talking. And if you think the closer "Why Would Anybody Live Here?" is a downer, cheer up buckaroo, for The Sadies play such cool music that you definitely want to stick around...at least long enough for their next record! In the meantime, enjoy Favourite Colours now!

retro sixties style.......2006-02-15

The Sadies are new to me;I found this cd in the library. I picked it up because of the picture on the cover--these guys look cool. But to get to the review--if you like the Byrds country period-- you will like this. I liked the instrumentals--contrary to some of the other reviewers. They have a country hippy rock mixed with a strange surf rock guitar at times. The vocals are sort of like the Greatfull Dead meet the Byrds. Great dream trance like feeling when listening to this cd. So if you like Hippy country --get this you won't be disapointed.

Great songs. Great musicianship........2005-09-04

I first heard about these guys because of the Neko Case connection, but they really hold their own on this one. What great sound and musicianship. Bits remind me of a less "indie" The Red Thread, and there's some beautiful Byrdsy stuff on here.

No Clouds .......2005-05-09

On "Favourite Colours" this Toronto-based band turns in a good set. "Song of the Chief Musician (Part 2)" sounds like mid-flight Byrds with the Sadies climaxing in a thunderous guitar storm. "Why Be So Curious (Part 3)" plays at a midtempo pace with jangling guitars and then stops abruptly like a car right before the cliff. Blue Rodeo's Greg Keelor chimes in with backing vocals on "A Good Flying Day," "The sun is up, there's no clouds in your way." Of the instrumentals, "A Burning Snowman" stands out with a stately guitar twang that'd make Duane Eddy blush. This set by the Sadies is a good strong outing with sparkling moments, both vocally and instrumentally. Enjoy!

Byrds, CSN, etc........2005-03-06

I got turned on to the Sadies via Jim White's "Drill a hole in that substrate...." CD, since the Sadies help him out on a few tracks. Here, The Sadies plumb Byrds and Crosby, Stills & Nash, and do a pretty good job at it. The album also has a Grateful Dead "American Beauty" vibe. As far as I'm concerned, they should have ditched most of the instrumental tracks. The highlight here is the last track, "Why would anybody live here". This is really a Robyn Hitchcock song, where they wisely let him do the vocals. It's a good album, but from my perspective, they do a great job helping Jim White out, but the reason the Hitchcock tune is the highlight, is that Hitchcock, unlike the Sadies, takes The Byrds, CSN, etc., and throws them sideways instead of simply trying to recreate them. If you're a Sadies fan, be sure to cross pollinate and get the aforementioned Jim White CD if you don't already have it.

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