Evening Snow

Track Listings
 
1. Graceful Spring
2. Midare
3. Evening Snow
4. Children's Song Medley
5. Plover
6. Dream of the Bird
7. Farewell Dance

Evening Snow,Tani Senzan,Oasis,New Age / Meditation,Pop

Evening Snow

Evening Snow
Instruments of the Orchestra
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Manufacturer: Naxos
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Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Ludwig van Beethoven

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
Average customer rating: 5 out of 5 stars
  • Irresistible
  • "Some Enchanted Evening" with Kunzel and the Cincinnati Pops
  • Excellent!
  • Great Arrangments
 Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
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Similar Items:
  1. Lerner & Loewe Songbook for Orchestra
  2. Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri
  3. Puttin' on the Ritz: The Great Hollywood Musicals
  4. The Sound Of Music (1987 Studio Cast)
  5. Classics of the Silver Screen

ASIN: B000003CXQ
Release Date: 1992-01-28

Tracks:

  1. Oklahoma!
  2. Carousel
  3. State Fair
  4. South Pacific
  5. The King And I
  6. Cinderella Waltz
  7. Flower Drum Song
  8. The Sound Of Music

Customer Reviews:

5 out of 5 stars Irresistible.......2005-07-29

From beginning to end this CD is pure delight. A great recording has great music, a great performance, and great sound; this one scores on all three counts.

Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.

This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).

In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.

5 out of 5 stars "Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26

Erich Kunzel's Rodgers and Hammerstein anthology with the Cincinatti Pops Orchestra is one of the best and most ravishing instrumental Rodgers and Hammerstein albums of all time. With sumptuous arrangements and warm, natural Telarc recording, this glorious 77-minute CD presents sweeping, melodic arrangements of over 60 Rodgers and Hammerstein selections, spanning eight scores, and Kunzel allows the Pops to play with a characterful and polished understanding of the Rodgers and Hammerstein idiom. The disc is enough to cheer you up on a dull day and make you smile, and it might even want to make you feel like a convert to Rodgers and Hammerstein musicals.

This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.

After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.

Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.

By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.

5 out of 5 stars Excellent!.......2003-04-08

This is one of the best Erich Kunzel/Cincinnati Pops collections we own! A must for Rodgers and Hammerstein fans, too.

5 out of 5 stars Great Arrangments.......2001-09-02

This is a first rate album with great arrangments and orchestrations. If you're a Rodgers and Hammerstein fan, you can't afford to miss this specatacular album
Bernadette Peters Loves Rodgers & Hammerstein
Average customer rating: 3.5 out of 5 stars
  • A Great Recording by A Great Artist.
  • To the critics of "BP Loves RH"...
  • Not Totally Awful, but She is Much Better than This
  • Am I missing something?
  • The Fabulous Miss B Does It Again!!!
 Bernadette Peters Loves Rodgers & Hammerstein
Bernadette Peters
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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  1. Sondheim, Etc.: Bernadette Peters Live at Carnegie Hall
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  5. Bernadette Peters in Concert

ASIN: B000062R9C
Release Date: 2002-06-10

Tracks:

  1. It's a Grand Night for Singing
  2. If I Loved You
  3. The Gentleman Is a Dope
  4. It Might as Well Be Spring
  5. Out of My Dreams
  6. So Far
  7. Something Wonderful
  8. I Haven't Got a Worry in the World
  9. Mister Snow
  10. Some Enchanted Evening
  11. There Is Nothin' Like a Dame
  12. You'll Never Walk Alone
  13. Something Good

Amazon.com

Bernadette Peters Loves Rodgers & Hammerstein ... and if they could hear this collection, they would love her right back. The curly-haired, honey-voiced Tony-winning star has been more closely associated throughout her career with Stephen Sondheim and Jerry Herman, but she's perfectly suited to the grand waltzes and introspective moments of the R&H canon. "If I Loved You," "It Might As Well Be Spring," and "Something Wonderful" would probably make anyone's wish list for this combination of star and songs (a list that would also last much longer than 46 minutes). Other welcome selections include "Some Enchanted Evening," "Out of My Dreams," the little-known "I Haven't Got a Worry in the World" (from the play Happy Birthday), and the inside joke of "There Is Nothing Like a Dame," all supported by the baton and orchestrations of Sondheim favorite Jonathan Tunick. This is a warm valentine to the beloved songwriting team. --David Horiuchi

Customer Reviews:

5 out of 5 stars A Great Recording by A Great Artist........2004-10-14

I totally disagree with the previous negative reviews of this cd. What were they listening to anyway? Certainly not this recording. First,Bernadette Peters is THE greatest Broadway musical performer of our time. I rate her right up there with Merman,Martin,Verdon,and Channing. She has a beautiful and distinctive voice,and her acting ability shines through every song. One reviewer said that these songs were originally written for large,operatic voices. What??? With the exception of Pinza,this is simply not true. When I have heard opera singers perform R&H songs,it just doesn't work. Too big. Actually,Bernadette suits these songs perfectly. Her somewhat softer voice gives a new dimension and insight to the grand old standards. I will give special praise for her performance of the songs: IF I LOVED YOU, OUT OF MY DREAMS, SOMETHING WONDERFUL, and SOME ENCHANTED EVENING. And extra special praise for SOMETHING GOOD. She brings life and passion to this song;I have never heard it performed better. I was greatly moved by it. If you love Rodgers & Hammerstein and if you love Bernadette Peters, BUY THIS ALBUM! You will love it.

4 out of 5 stars To the critics of "BP Loves RH"..........2004-04-17

I would ask detractors of this CD to consider the dates and location when and where this album was recorded: Sept 19, 21 and 24, 2001 at the Record Plant(sic)in NYC. Get it yet?

What if you were BP and Tunick, professionals as you are, recording a RH album for Angel eight days after 9/11? Would you be at your best? And singing "well worn, sentimental" RH songs recalling a time when NYC was the Great Big Apple of the World. Wouldn't a lump be in your throat? Listen to "It Might as Well Be Spring" again. Does it sound cheerful and relaxed? Or a little sad?

My friends, this is BP's 9/11 tribute to a City that has treated her like royalty. With Dame and Dope being the only exceptions, perhaps Tunick's otherwise subdued orchestrations reflect the mood of the day and of the performers and engineers present at the studio. This is why I heartily recommend this recording to BP fans. I didn't get it either until I read the stats.

2 out of 5 stars Not Totally Awful, but She is Much Better than This.......2003-11-21

Bernadette Peters is a legend; one of the few true Broadway musical legends still performing today; and that's why it pains me to say that her latest album is also her weakest work.

While her beautiful voice is still intact and capable of being as gorgeous as ever, she just doesn't seem to breath life into any of these songs. Even "Some Enchanted Evening" and "You'll Never Walk Alone" -- two songs that beg for emotion -- don't even get near the credit they deserve. And during some of the tunes, her voice seems to almost crack, although it never quite does.

I don't want to sound mean here. I love Bernadette Peters; but I also know she is much better than this album. Want proof? Purchase the cast recording of Gypsy :)

Her masterful concert for PBS was done just a couple years earlier. It's almost hard to believe this is the same energetic and spunky singer.

It's a grand night for singing? One wouldn't think so by listening to this.

2 out of 5 stars Am I missing something?.......2002-12-31

I received my copy of this CD the day after watching an American Masters bio of Richard Rogers, and I was psyched. I love Bernadette Peters and I adore Rogers & Hammerstein - but I was sorely disappointed in this album. All the way through it I kept having the feeling they had to wake Ms. Peters up between cuts. Even songs like "It's a Grand Night for Singing" had about as much spark as a wet match. The arrangements just did not do justice to either Ms. Peters or Rogers and Hammerstein.

I feel like a traitor, but I just cannot recommend this CD.

5 out of 5 stars The Fabulous Miss B Does It Again!!!.......2002-11-21

Not that I ever, EVER doubted it, but this album just reaffirms in my mind that Bernadette Peters can do ANYTHING! Every single song is gorgeous. Each note sung with extraordinary passion. And she has colored each lyric with layers and layers of meaning and subtext, a skill that has led to her being known as the foremost interpreter of the works of Stephen Sondehim.

Not that there's not some fun in there, too. "The Gentleman is a Dope" and her version of "There Is Nothin' Like a Dame" (she is the first female to record this, I might add!) are great examples of how she is able to bring her wonderful comic abilities into the music of perhaps the greatest team of composers ever.

Her renditions of songs like "Something Good", "Some Enchanted Evening" and "If I Loved You" are enough to make you believe in love all over again. Then, you have the playful "Mister Snow", which seems like it was written just for Bernadette, and "You'll Never Walk Alone", which still sends chills up my spine every time I hear it.

But let's not forget the fabulous opening tune "It's A Grand Night for Singing", her beautiful version of "It Might As Well Be Spring", the light and lovely "Out Of My Dreams", the extremely enjoyable "So Far", a terrific interpretation of the classic "Something Wonderful" and the carefree "I Haven't Got A Worry in the World".

Each and every one of these tunes is a treasure. This is a wonderful mixture of some well-known and some more obscure Rodgers and Hammerstein melodies... a mixture which is only made better by Bernadette's extraordinary ability to interpret a song- a skill that has helped to make her the Broadway legend she is. It is a must for not only musical theatre fans, not only R&H fans, not only fans of Bernadette, but anyone who is looking for something that's really worth listening to!
101 Dalmatians (Original Soundtrack)
Average customer rating: 5 out of 5 stars
  • Track List
 101 Dalmatians (Original Soundtrack)
Various Artists
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006EXG0
Release Date: 2002-08-13

Amazon.com

Given the two belated live-action sequels and numerous other TV and video spinoffs spawned by Disney's charming 1961 animated original, the Dalmatian count is more like 1,001 by now. This reissued soundtrack (admirably restored in the late '90s by producer Randy Thornton) showcases the original orchestral film cues of George Bruns to good effect. While the composer's bright, lively work was largely fragmentary (originally written as punctuation for the film's turns of action and comedy), its components have been skillfully sequenced and gently edited here for a more cohesive listening experience. The film's most memorable musical moments remain Mel Levin's delightful trio of songs, "Kanine Krunchies," "Dalmatian Plantation," and, of course, the classic villainess romp "Cruella DeVil." Bonus cuts include both a bluesy piano rendition and Levin's decidedly goofy piano/vocal demo of the latter tune. A great primer to Disney's animation underscore philosophy, seasoned with one of the studio's most memorable songs. --Jerry McCulley

Customer Reviews:

5 out of 5 stars Track List.......2007-02-14

Track Listing
1. Overture
2. Beautiful Spring Day, A
3. What's All The Hurry / A Perfect Situation / Stir Things Up
4. Cruella De Vil
5. Don't Worry, Perdy / The Puppies Are Here / Lucky / How Marvelous / Not One / A Bloomin' Hero
6. Ol' Thunder Always Wins
7. Kanine Krunchies
8. Bedtime / An Evening Constitutional / A Job To Do / They're Gone!
9. Dognapped! / Anita Darling / What'll We Do?
10. All Dog Alert
11. Sergeant Tibs' Recon / Cat Casserole
12. Can You Leave Tonight? / Arduous Trek / Any News, Colonel? / I Want The Job Done
13. Pulling A Snitch / Big Hullabaloo / Battling The Baduns
14. My Darlings / 99 / Better Be Off / Fire One / All Clear
15. Through The Snow / Shelter
16. I'm Hungry / Get Some Rest / Back On The Road / Spotted!
17. Dinsford / Cruella / A Roll In The Soot / To The Van / It Can't Be / Crazed / You Fools!
18. Puppies Everywhere
19. Dalmatian Plantation / Finale
20. Cruella De Vil - (Nonsense Version Demo)

Sibelius Songs
Average customer rating: 4 out of 5 stars
  • Beautiful Sibelius
 Sibelius Songs

Manufacturer: Ondine
ProductGroup: Music
Binding: Audio CD

All Works by SibeliusAll Works by Sibelius | Sibelius, Jean | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B00000377Z
Release Date: 1994-07-26

Tracks:

  1. Black Roses Op.36/1
  2. Sigh, Rushes, Sigh Op.36/4
  3. The Diamond On The March Show Op.36/6
  4. On A Veranda By The Sea Op.38/2
  5. Under The Firtrees On The Shore Op.13/1
  6. Spring Fleets Fast Op.13/4
  7. Come Away, Death Op.60/1
  8. Did I Just Dream? Op.37/4
  9. The Tryst Op.37/5
  10. A Maiden Yonder Sings Op.50/3
  11. The Silent Town Op.50/5
  12. O, Wert Thou Here Op.50/4
  13. The Rapids-Shooter's Brides Op.33
  14. Driftwood Op.17/7
  15. To Evening Op.17/6
  16. Swim, Duck, Swim
  17. The Echo-Nymph Op.72/4
  18. The Song Of The Cross-Spider Op.27/4

Amazon.com

Sibelius wrote a large number of songs, but they are not terribly well known, nor are there very many great ones. Like his piano music, he wrote them primarily for the money. Nevertheless, there are some masterpieces, particularly the lengthy orchestral ballad, "The Rapids- Rider's Brides," which has its own opus number (33), and which directly foreshadows the music of the evocative tone poem Luonnotar. Sibelius and several other composers orchestrated a fair number of his songs, which is a good thing because his piano writing was seldom very effective, his musical ideas being naturally orchestral in nature. This award-winning collection offers 18 orchestral arrangements of Sibelius's finest efforts in the genre, excellently sung by Jorma Hynninen, the great Finnish baritone of his generation. The music is well worth knowing. --David Hurwitz

Customer Reviews:

4 out of 5 stars Beautiful Sibelius.......2000-11-17

Many of these songs were not originally written with an orchestral accompaniment in mind. But orchestra brings out new colors in these works, that I hadn't realized before when listening to them with piano accompaniment.

Hynninen sings beautifully throughout, and is in my opinion at his best in these songs. He has a special kind of light high baritone voice, that doesn't always work well in opera, but in Sibelius it works fantastically. Understanding the language and the cultural background of these songs helps as well.

Buy This!
Ritorna vincitor! - The Legendary Birgit Nilsson (2 CDs)
Average customer rating: 5 out of 5 stars
  • Return to Valhalla OhValhalla Goddess
  • Birgit Nilsson Now Sings In Heaven
  • Ave Atque Vale, Birgit Nilsson
  • RIP BIRGIT NILSSON - 5/17/1918 - 12/25/2005
 Ritorna vincitor! - The Legendary Birgit Nilsson (2 CDs)

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Wagner: Opera Arias & Duets
  2. Birgit Nilsson
  3. Nilsson Sings Verdi

ASIN: B00008MLU4
Release Date: 2003-05-13

Tracks:

  1. Ritorna Vincitor! - John Pritchard
  2. O Don Fatale - Aregeo Quadri
  3. Pace, Pace, Mio Dio! - Argeo Quadri
  4. Nel Di Della Vittoria Io Le Incontrai... Ambizioso Spirto... Vieni T'affretta! - VIRGILIO CARBONARI
  5. Vissi D'arte - Lorin Maazel
  6. Einsam In Truben Tagen - Edward Downes
  7. Starke Scheite Schichtet Mir Dort - Sir Georg Solti
  8. Allein! Weh, Ganz Allein - Sir Georg Solti
  9. Ein Handwerk Verstehst Du Sicher Nicht - Walter Berry
  10. Ah! Du Wolltest Mich Nicht Deinen Mund Kussen Lassen, Jokanaan!... Sie Ist Ein Ungeheuer, Deine Tochter... Ah! Ich Habe Deinen Mund Gekusst - Gerhard Stolze

Tracks:

  1. Dich, Teure Halle - Edward Downes
  2. Mild Und Leise Wie Er Lachelt - Hans Knappertsbusch
  3. I Der Engel - 'In Der Kindheit Fruhen Tagen' - Sir Colin Davis
  4. II Stehe Still! - 'Sausendes, Brausendes Rad Der Zeit' - Sir Colin Davis
  5. III Im Treibhaus - 'Hochgewolbte Blatterkronen' - Sir Colin Davis
  6. IV Schmerzen - 'Sonne, Weinsest Jeden Abend Dir Die Schonen Augen Rot' - Sir Colin Davis
  7. V Traume - 'Sag', Welch Wunderbare Traume' - Sir Colin Davis
  8. Var Det En Drom? (Was It A Dream?) - Bertil Bokstedt
  9. Flickan Kom Ifran Sin Alsklings Mote (The Tryst) - Bertil Bokstedt
  10. Svarta Rosor (Black Roses) - Bertil Bokstedt
  11. Sav, Sav, Susa (Sigh, Rushes, Sigh) - Bertil Bokstedt
  12. Diamanten Pa Marssnon (The Diamond On The March Snow) - Bertil Bokstedt
  13. Hostkvall (Autumn Evening) - Bertil Bokstedt
  14. Varen Flyktar Hastigt (Spring Flies Fast) - Bertil Bokstedt
  15. En Svane (A Swan) - Bertil Bokstedt
  16. Fra Monte Pincio - Bertil Bokstedt
  17. Varen (Spring) - Bertil Bokstedt
  18. Melodi (Melody) - Bertil Bokstedt
  19. Bon Till Natten (Prayer To Night) - Bertil Bokstedt
  20. Skoldmon (Valkyrie) - Bertil Bokstedt
  21. En Gammal Dansrytm (An Old Dance Rhythm) - Bertil Bokstedt
  22. I Could Have Danced All Night - Herbert Von Karajan

Customer Reviews:

5 out of 5 stars Return to Valhalla OhValhalla Goddess.......2006-03-11

Birgit Nilsson was without a doubt the most powerful soprano of the 20th century, even a greater singer than Maria Callas, despite the fact that audiences loved Callas a lot more. Since her death on December 25th, 2005, I've listened to many of her recordings (and there are plenty, she was well-documented on recording). Nilsson was a versatile singer, and not just a Wagnerian specialist. This recording album of various arias represent her versatility and flexibility and even with all these arias of diverse repertoire, it's still not enough to capture her vast prowess. Not featured on here are her accounts of the Baker's Wife in Strauss' Die Frau Ohne Schatten and Minnie in Puccini's La Fanciulla Del West, or Agathe from Weber's Die Freischutz, not to mention her interpretation of Beethoven's heroine Leonore in Fidelio and Venus from Tannhauser. She was known for her ability to sing both Elisabeth (soprano) and Venus (mezzo-soprano) in Tannhauser!!

What we have here are wonderful accounts of arias from diverse operas. Let's analyze some of them, in hopes you can get hooked on Nilsson and check out her full-length opera recordings.

Wagner: Ring Des Nibelungen: Every opera connoisseur knows that Birgit Nilsson was the heir to Kirsten Flagstad's throne when it came to singing Brunhilde. Possessing a superhuman and radiant voice, she found a bit of her Swedish self in the mythic character of the Valkyrie Brunhilde. To me, there is no greater Brunhilde. She had a heroic voice so that the Immolation Scene in Gotterdammerung (featured here) is by far the best account. She appears in the Karl Bohm recordings of the Ring and the studio engineered Ring under the baton of George Solti. TRISTAN UND ISOLDE: Her debut role at the Metropolitan Opera was as Isolde. She masters the role, which is possibly the most difficult in Wagner opera, and essays the high tessitura with great aplomb. Not featured here is the great Curse Aria. The Liebestod was a piece of cake for Isolde, and it is featured here. She sings this well, no doubt, but her only fault is that she could never quiet her voice the way some sopranos could. If anyone had trouble hearing Nilssons' mega voice, something was wrong with their hearing! TANNHAUSER: She was able to sing Elisabeth and Venus, and she got into the character's romantic nature. The Hall Aria is on here and it's great.

STRAUSS: As excting as her Wagner heroines were, her Strauss heroines were just as impressive. She understood the intensity of the music and delved into the character's psyches, even more so than the Wagner roles. As such, her SALOME is largely regarded as the best on record. While she could not physically convince us as a teenage nubile princess who inflammes the passions of her pagan father, she was able to sing the role with electrifying power and frightening madness. If you listen to the Solti recording, you will note how she could get into Salome's twisted mentality starting from the scene in which she asks for Jochanaan's head and the finale in which she kisses the severed head. This final scene is on here, thank God. Her interpretation of ELEKTRA set the bar high for all subsequent sopranos. She once again got into the character's depravity and lunacy. The intensity of the role never took its toll on her and she tirelessly sings the part in a combo of dramatic power and beautiful singing. Please check out her Elektra recording under Solti again, where she is paired with Regina Resnik.

PUCCINI: Yes, Birgit Nilsson sang Puccini and she did a damn good job of it too. Very few critics gave her credit for her superb Puccini heroines. At the Met in the 60's, audiences saw her stage performances of Tosca, Turandot and Minnie from La Fanciulla Del West. Her TOSCA is powerful, unsubtle but dramatically compelling. In the Lorin Maazel recoding opposite Franco Corelli, she was able to make her voice sound more round, warmer and more "Italian". Here we have her "Vissi D'Arte" but she could really deliver in such moments as the Death of Scarpia, the Torture/Interrogation Scene and the Finale. In fact her cry "O Scarpia Avanti Addio!" is possibly the best on record. She sang TURANDOT at the Met opposite Franco Corelli in riveting performances, rivaling any other soprano who sang Turandot at the time. The size of her voice, her regal presence (fashion designer Cecil Beaton made a Chinese Empress costume, complete with a decorative crown, especially for her) and her command of the music made for a stunning Turandot. Check out the EMI recording with Corelli and Scotto.

Verdi: She sang Verdi, though it was not a repertoire she followed up on extensively. Audiences saw her as Lady Macbeth, Princess Eboli, Elisabeth Di Valois (from Don Carlos) and Leonora from Forza del Destino. And of course as AIDA. Her Aida is not the most beautifully sung or the warmest, but in sheer volume and grandness she takes the crown. There is a studio recording she sang opposite Franco Corelli and Grace Bumbry. At the Met, audiences saw her paired with Jon Vickers' Radames. Ritorna Vincitor! Aida's first great aria in Act 1 is on here and it's the title of the album. Her LADY MACBETH is by far her greatest Verdi role. The cold, icy, unfeeling way she sings the part makes her Lady Macbeth by far the most wicked and dramatically convincing. Even without the Italian fire in the belly, she could get into character as good as the rest of them.

SWEDISH SONGS, BROADWAY AND MOZART: Her account of her native Swedish folk songs are lovely, and in her time, legendary, and even in her heyday as an opera singer she would sing Swedish songs on Swedish radio. As a girl growing up in her father's farm, she sung these folk songs which eventually drew the attention of Conservatory instructors and operatic voice coaches. Broadway ? I'm sorry. This is cute and experimental of her to sing "I Could Have Danced All Night" from My Fair Lady but this is not her forte. Her voice is too big for the role of Liza Doolittle and the waltz-like/operetta song is way out of her league. On a final note, Nilsson sang Mozart, namely the part of Dona Ana in Don Giovanni, which is found on at least two studio recordings, the famous one being the one with Cesare Siepi as Don Giovanni and Leontyne Price as Elvira under the baton of Erich Leinsdorf. Her Dona Ana is neither beautiful nor mannered, she sings with the usual Nilsson bravura and attempts to soften her voice but she shows no real command for the Mozart reperotire and again this was purely experimental for her.

LONG LIVE BIRGIT NILSSON! I WILL FOREVER REMEMBER HER AS BRUNHILDE, SINGING WITH SUPERHUMAN POWER AND PASSION IN THAT CLIMATIC IMMOLATION SCENE AT THE END OF GOTTERDAMMERUNG. NO ONE CAN MASTER THAT GRAND SCENE "Fleight Hom, Ih Rabens (Fly home you Ravens!) .."GRANE..MEIN ROSS (Grane My Horse!) HER VOICE GETS STRONGER, HIGHER AND MORE INTENSE, FLYING, FLYING EVER UPWARD TO VALHALLA.

5 out of 5 stars Birgit Nilsson Now Sings In Heaven.......2006-01-22

On December 25th, 2005, the great soprano Birgit Nilsson passed away, and an era went with her. She was singing at a time in the mid 20th century just after World War II when other golden-age singers had made it big at the Met- among them Maria Callas, Renata Tebaldi and Victoria De Los Angeles, the latter two which also died only recently. Nilsson will forever be remembered for her Wagnerian heroines- the Valkyrie Brunhilde, Isolde, and for her outstanding Turandot. But Nilsson sang a variety of repertoire, though critics snubbed her in such terrific roles as Beethoven's Leonore in Fidelio, Verdi's Lady Macbeth and Puccini's Tosca, roles which I think suited her well and she sang wonderfully. She also sang Mozart's Dona Anna, though this role for me was not suited to her voice. This album is a tribute to her supreme artistry. Here we have Aida's great aria Ritorna Vincitor! - an aria which is more stentorian and heroic sounding than the lush, lyrico-spinto renditions of such fine Aidas as Renata Tebaldi and Leontyne Price. The aria " O Don Fatale" belongs to Princess Eboli in Verdi's Don Carlo and should rightly be sung by a dramatic mezzo soprano. Nilsson handles the music to this quite well, however. Although she never performed Leonora in Forza Del Destino, the "Pace Pace Mio Dio" in this album is sublime. The rest of the arias include arias from Strauss' Salome, Elektra and Wagner's Gotterdammerung and Tristan And Isolde. Her distinctive voice is well captured on this album and any true fan of the late diva will want to buy this.

5 out of 5 stars Ave Atque Vale, Birgit Nilsson.......2006-01-13

Every opera lover in the world met the news today of the December 25, 2005 passing of Birgit Nilsson with sadness. She was surely one of the greatest opera singers of the 20th century, and in Wagnerian roles alone she was the equal of the great Kirsten Flagstadt. From her beginnings as a simple farm girl in Sweden she rose to the top of all of the international opera houses in the three decades when her voice was in full bloom. Her last public performance was in 1984 but she continued her legend in her masterclasses. She was a phenomenon whose glorious voice and presence will be much missed, but at least she has a huge recorded legacy that adds to her immortality.

This 2 CD set is a gathering of excerpts form many recordings and while it does not have the impact of, say, a full performance as Isolde or Brunnhilde or Turandot or Salome, it does offer a generous sampling of the many roles she mastered. Included on this set are arias form 'Macbeth', 'Aida', 'La Forza del Destino', 'Don Carlo', 'Tosca', 'Lohengrin', 'Die Götterdämmerung', 'Elektra', 'Salome', 'Die Frau ohne Schatten', 'Tannhäuser', 'Tristan und Isolde' and songs by Wagner ('Wesendonk Lieder'), Sibelius, Grieg, and Ture Rangström, and yes, even Frederick Lowe! She performs with various orchestras and conductors and pianists.

Not usually one for these 'best of' albums, this one is special, especially with the news that this extraordinary artist whose voice could reach the heavens is gone. An aptly titled memento -Highly Recommended. Grady Harp, January 06


4 out of 5 stars RIP BIRGIT NILSSON - 5/17/1918 - 12/25/2005.......2006-01-12

The opera world mourns the passing of the great dramatic soprano. I never had the fortune to experience her performances live, but her many complete opera recordings and recitals are part of my CD library. This set is a perfect introduction to this diva's art and versatility.

Thank you for the music, Madame Nilsson.
Larsen: Symphony No4; Songs from Letters No5
Average customer rating: 5 out of 5 stars
  • Elegance and Beauty
 Larsen: Symphony No4; Songs from Letters No5

Manufacturer: Koch Int'l Classics
ProductGroup: Music
Binding: Audio CD

Larsen, LibbyLarsen, Libby | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Similar Items:
  1. Larsen: Solo Symphony; Marimba Concerto: After Hampton
  2. Larsen: Missa Gaia: Mass for the Earth / Paulus: Echoes Between the Silent Peaks / Barber: Twelfth Night / To Be Sung on the Water
  3. Zwilich: Symphony No. 1 / Celebration / Prologue & Variations
  4. Musik Fur Streichinstrumente

ASIN: B00004T8MH
Release Date: 2000-06-27

Tracks:

  1. Sym No.4 'Str Sym': I. Elegance - Scottish CO/Joel Revzen
  2. Sym No.4 'Str Sym': II. Beauty Alone - Scottish CO/Joel Revzen
  3. Sym No.4 'Str Sym': III. Ferocious Rhythm - Scottish CO/Joel Revzen
  4. Songs Of Light And Love: I. Invocation (A Summoning)
  5. Songs Of Light And Love: II. The Snow Light (A Rapture)
  6. Songs Of Light And Love: III. A Light Left On (A Quietude)
  7. Songs Of Light And Love: IV. The Fear Of Angels (A Beatitude)
  8. Songs Of Light And Love: V. Evening Walk In France (A Gymnopedie)
  9. Songs From Letters: So Like Your Father
  10. Songs From Letters: He Never Misses
  11. Songs From Letters: A Man Can Love Two Women
  12. Songs From Letters: A Working Woman
  13. Songs From Letters: All I Have

Amazon.com

Hold onto your hats--this one's a real showstopper. Libby Larsen is one of a handful of American composers working entirely outside the mainstream (i.e., the Minimalist vein), and she is doing so quite successfully. Her works are characterized by their intelligence and their accessibility. Larsen tends to work on smaller canvases, and her String Symphony (1998) here is a good example. It's a robust, somewhat acerbic work that is reminiscent of (but not derivative from) Ned Rorem's 1985 String Symphony. The two collections of songs on the disc have the same bitter sweetness as the String Symphony, but they are more melodically enhanced by Larsen's distinct lyricism. Songs of Light and Love are based on the poems of May Sarton. Songs from Letters (1999) are from the letters of Calamity Jane to her daughter, Janey. Soprano Benita Valente simply dazzles here. This is an excellent introduction to a fine composer. --Paul Cook

Customer Reviews:

5 out of 5 stars Elegance and Beauty.......2000-08-24

I've always been a fan of Libby Larsen's writing, but she has surpassed everything else I've ever heard with the pieces selected for this recording. The string symphony took me through many different emotions, from the first sun of the morning, to the setting sun. Songs of Light and Love is just a masterpiece; the writing complements the poetry perfectly, and the performances are first rate. My favorite thing on this recording, though, is the last movement of the Songs from Letters. Benita Valente sounds as if she understands exactly what it means to have love and lost.
Tchaikovsky The Complete Songs Volume 3
Average customer rating: Not rated
    		Tchaikovsky The Complete Songs Volume 3

    Manufacturer: Conifer
    ProductGroup: Music
    Binding: Audio CD

    All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
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    CDs $7 - $10CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music
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    Similar Items:
    1. Tchaikovsky The Complete Songs Volume 1
    2. Tchaikovsky The Complete Songs Volume 2

    ASIN: B0000024EF
    Release Date: 1997-02-11

    Tracks:

    1. I. Grandmother And Grandson, No.1
    2. II. The Little Bird, No.2
    3. III. Spring, No.3
    4. IV. My Little Garden, No.4
    5. V. Legends, No.5
    6. VI. On The Bank, No.6
    7. VII. Winter Evening, No.7
    8. VIII. The Cuckoo, No.8
    9. IX. Spring: The Snow Is Already Melting, No.9
    10. X. Lullaby In A Storm, No.10
    11. XI. The Flower, No.11
    12. XII. Winter, No.12
    13. XIII. Spring Song, No.13
    14. XIV. Autumn, No.14
    15. XV. The Swallow, No.15
    16. XVI. Child's Song, No.16
    17. Last Night
    18. I'll Tell You Nothing
    19. O, If Only You Knew
    20. Simple Words
    21. Behind The Window In The Shadow
    22. Why Did I Dream Of You?
    John McCormack: The Acoustic Victor and HMV Recordings (1910-11)
    Average customer rating: 3.5 out of 5 stars
    • Excellent
    • not enough bang for the buck
    		 John McCormack: The Acoustic Victor and HMV Recordings (1910-11)

    Manufacturer: Romophone
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000001S41
    Release Date: 1996-01-23

    Tracks:

    1. Lucia Di Lammermoor: Fra Poco A Me Ricovero
    2. Lucia Di Lammermoor: Tu Che A Dio Spiegasti I'ali
    3. Kilarney
    4. Carmen: Il Fior Che Avevi A Me To Dato
    5. Come Back To Erin
    6. La Boheme: Che Gelida Manina
    7. L'elisir D'amore: Una Furtiva Lagrima
    8. The Minstrel Boy
    9. Drink To Me Only With Thine Eyes
    10. Annie Laurie
    11. La Traviata: Lunge Da Lei...De' Miei Bollenti Spiriti
    12. Faust: Salve Dimora, Casta E Pura
    13. I Hear You Calling Me
    14. When Shadows Gather
    15. La Boheme: O, Mimi, Tu Piu Non Torni
    16. La Fille Du Regiment: Per Viver Vicino A Maria
    17. The Snowy Breasted Pearl
    18. Lakme: Immenso Vienteso...Ah, Vien Al Boscaglia
    19. My Lagan Love
    20. Molly Bawn
    21. Has Sorrow ThyYoung Days Shaded?

    Tracks:

    1. Dear Little Shamrock
    2. Rigoletto: Bella Figlia Dell'amore - John McCormack/Nellie Melba/Edna Thornton/Mario Sammarco
    3. Faust: All'erta! All'erta - John McCormack/Nellie Melba/Mario Sammarco
    4. Faust: All'erta! All'erta - John McCormack/Nellie Melba/Mario Sammarco
    5. The Irish Immigrant
    6. Kathleen Mavourneen
    7. I Hear You Calling Me
    8. Believe Me If All Those Enduring Young Charms
    9. In A Persian Garden: Ah! Moon Of My Delight
    10. Molly Bawn
    11. Mother Machree
    12. I'm Falling In Love With Someone
    13. Macushla
    14. An Evening Song
    15. She Is Far From The Land
    16. The Happy Morning Waits
    17. Les Pecheurs De Perles: Del Tempio Al Limitar - John McCormack/Mario Sammarco
    18. Les Pecheurs De Perles: Del Tempio Al Limitar - John McCormack/Mario Sammarco
    19. Li Marinari [No.12 From Les Soirees Musicales] - John McCormack/Mario Sammarco
    20. Mira La Bianca Luna [No.11 From Les Soirees Musicales] - John McCormack/Emmy Destinn
    21. Il Barbiere Di Siviglia: O Il Meglio Mi Scordavo...Numero Quindici - John McCormack/Mario Sammarco
    22. La Gioconda: Badoer Questa Notte...O Grido Di Quest'anima - John McCormack/Mario Sammarco

    Customer Reviews:

    5 out of 5 stars Excellent.......2006-06-25

    These are old recordings, so quality isn't perfect, but these are beautiful songs, beautifully sung. Considering you get two discs, it's a bargain.

    2 out of 5 stars not enough bang for the buck.......2006-04-28

    It seems a crime that, in order to get John McCormack singing "I'm Falling in Love with Some One," you have to shell out big bucks for this CD. I can't abide opera, and there are too many arias here sung in foreign languages to justify a capital investment. McCormack also does a striking rendition of "Because," which is missing from this CD. maybe we'll get lucky and Archeophone will put together a few disks, all in English, and I'd pay their price, steep though it usually is.
    Sibelius Songs
    Average customer rating: 5 out of 5 stars
    • I discovered Sibelius with this CD
    • Beautiful Voice - Beautiful Music
    		 Sibelius Songs

    Manufacturer: Ondine
    ProductGroup: Music
    Binding: Audio CD

    All Works by SibeliusAll Works by Sibelius | Sibelius, Jean | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
    ASIN: B00000378O
    Release Date: 1996-01-23

    Tracks:

    1. To Evening, Op.17/6
    2. Did I Just Dream?, Op.37/4
    3. The Diamond On The March Snow, Op.36/6
    4. Play Of The Birds, Op.17/3
    5. Driftwood, Op.17/7
    6. Swim, Duck, Swim
    7. Spring Fleets Fast, Op.13/4
    8. The First Kiss, Op.37/1
    9. But My Bird Is Nowhere To Be Seen, Op.36/2
    10. The Tryst, Op.37/5
    11. Arioso, Op.3
    12. Vain Hopes, Op.61/7
    13. Flower Songs, Song Cycle, Op.88: 1. The Blue Anemone
    14. Flower Songs, Song Cycle, Op.88: 2. The Two Roses
    15. Flower Songs, Song Cycle, Op.88: 3. The White Anemone
    16. Flower Songs, Song Cycle, Op.88: 4. The Anemone
    17. Flower Songs, Song Cycle, Op.88: 5. The Thorn, Op.88/5
    18. Flower Songs, Song Cycle, Op.88: 6. The Flower's Destiny
    19. The North, Op.90/1
    20. The Echo-Nymph, Op.72/4
    21. A Dragonfly, Op.17/5
    22. Black Roses, Op.36/1
    23. May, Op.57/4
    24. Jubal, Op.35/1

    Customer Reviews:

    5 out of 5 stars I discovered Sibelius with this CD.......2001-03-18

    I'm a big fan of Mattila and of art song. But Sibelius was mostly unfamiliar to me (except for some of his symphonies) until this disc. I especially liked the final cut, Jubal. The accompaniment here is minimalist with Mahlerian touches. Mattila sings exquisitely throughout. If you like songs by Brahms, Mahler, or Strauss, expand your knowledge horizon with this CD.

    5 out of 5 stars Beautiful Voice - Beautiful Music.......2000-11-17

    I especially liked the songs "Var det en dröm?" and "Norden", but all of these songs are beautifully sung throughout. Karita Mattila has the perfect voice for these songs. Her voice is soft, yet strong, and the cool color is used well especially in "Norden". It is also clear that she understands every word she is singing.

    This record is also a great introduction to Sibelius songs, for those who are not already familiar with them. There are also wonderful recordings of Sibelius songs by Jorma Hynninen, Tom Krause and Anne-Sofie von Otter, that I highly recommend.

    Pop Music:

    1. Footsteps in the Sand
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    5. Heart of a Gypsy
    6. In Search of the Magic
    7. Into the Labyrinth
    8. Island of Bows
    9. Jiva Mukti
    10. Kiva

    Pop Music

    pop music

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