Soul Suite

Track Listings

1. Soul Suite

2. Longsong

3. Dreams

4. Changes

5. Promise

6. Remembering

7. Source

8. Beauty

9. Balance

10. Quiet Moments

Soul Suite,Various Artists,Peter Pan,Meditation,New Age / Meditation,Pop

Soul Suite

Tracks:

The Urban Theme
Welcome
Sumthin' Sumthin'
Ascension (Don't Ever Wonder)
Dancewitme
...Til The Cops Come Knockin'
Whenever Wherever Whatever
Lonely's The Only Company (I&II)
Reunion
Suitelady (The Proposal Jam)
The Suite Theme

Amazon.com

Handsome in his designer clothes and angelic, nappy dreads, Maxwell styles himself a modern-day urban love prophet in the tradition of Marvin Gaye. He concocts a conceptual music suite that purports to tell a fully rounded tale of meaningful love set in the tough but misunderstood inner city. What he delivers, however, contains only the faintest hints of what he promises. Instead we get a whole lot of the same tired R&B elevator slush and lyrics like "Gonna take you in the room suga'/ Lock you up and love for days." Maxwell's Urban Hang Suite is significant only in that it recasts the same old same old as something monumental, and nearly pulls it off.

Initially, there's a lot to like about Maxwell: On his openers, "Urban Theme" and "Welcome," the early '80s full-band R&B and jazz pop grooves are reminiscent of Maze's brightest days and Steely Dan's coolest nights. But soon even Maxwell's passionate voice gets lost in a flat mix that turns every song into faceless background music. While R&B is at no loss for suave and sexy personalities to take the stage, a dearth of new ideas keeps the genre for the most part floundering and visionless. In the end, Maxwell's urban hang suite is just another empty room. --Roni Sarig

Customer Reviews:

umph umph umph what a man!!!!!.......2007-07-10

Anything Maxwell is off the chain!!! Can't wait for his latest CD. By the way, wonder what's takin so long?

Oooh Maxwell!.......2007-07-09

THis album is a classic.If i were editor of an r&b version of the source I would give Maxwell 5 Mics. Every song on the ablum is sexy! This is the album you can groove to, make love to, listen to, sing to...whatever! It's the best I've ever heard. Any real neo soul or r&b fan should have this album in thier collection. My all time fav songs on this album are:
Ascention (Dont ever wonder), Sumthin Sumthin, Til The Cops Come Knocking, Lonely's The Only Company.....Oh my gosh!!!!Maxwell cant be touch...THis album is absolutely amazing!

The Start Of It All.......2007-06-17

He has two other cds with aroud five or so great tracks on each. For new fans, he has a track written by R.Kelly called Fortunate, different to his mucic style but a great song, its off a movie soundtrack called Life. I think if he sticks to his style of music but does one or two tracks like fortunate on his future cds, they would be even better.

Remarkable Debut.......2007-05-30

I was not in the cheering section when Maxwell made his debut with "Urban Hang Suite", a concept album, built around a weekend tryst. I remember watching the video for 'Til The Cops Come Knockin' believing he would be a one-hit wonder-if the song, which at the time I felt was mundane, became a hit at all. It wasn't until the song 'Sumthin' Sumthin' ' debuted that I began to step back and really take a listen. Using live instruments (of all things) and blending old school soul, R&B and Funk, Maxwell, along with co-conspirators D'Angelo and Erykah Badu, helped to give life support to the growing monotomy of R&B music and are often credited as founders of "Neo-Soul" Music. Although I prefer Maxwell's sophomore effort "Embrya", "Urban Hang Suite" was a remarkable debut, and deservedly became a critically acclaimed classic. And it will more than likely grow in appeal in the years to come.

Wonderful.......2007-03-29

Greetings,
Maxwell does a fantastic job of showing you how great of a singer he is. This is a c.d for the archives, one to keep around and one that every music fan should have regardless of what kind of music you listen to. Good music just wants to be heard!

Soul of the Tango: The Music of Astor Piazzolla

Average customer rating:

A magnificent way to expand your musical horizons from typical classical or cultural music
Excellently performed, Not much Variety
A Classy CD
Great Music BUT - Stupid Sony CD
Very good but not what I heard live in Cerritos

Soul of the Tango: The Music of Astor Piazzolla

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Obrigado Brazil
Tango: Zero Hour
Astor Piazzolla - The Soul Of Tango: Greatest Hits
Silk Road Journeys: When Strangers Meet
Silk Road Journeys: Beyond the Horizon

ASIN: B0000029XQ
Release Date: 1997-10-02

Tracks:

Libertango
Tango Suite: Andante
Tango Suite: Allegro
Tango Suite: Sur: Regreso Al Amor
Tango Suite: Le Grand Tango
Tango Suite: Fugata
Tango Remembrances
Mumuki
Tres Minutos Con La Realidad
Milonga Del Angel
Cafe 1930

Amazon.com essential recording

Yo-Yo Ma might seem like an unlikely protagonist for the tango, but this intrepid musical explorer has taken his task seriously, collaborating with experienced tango musicians. Ma even participates in a posthumous collaboration with one 1987 Piazzolla recording. Furthermore, while he's obviously the headliner here, he doesn't dominate the arrangements nearly as much as he does the billing and photography of the disc. While the result isn't your essential Piazzolla album (that would have to include more of the composer's own playing), it's an atmospheric and convincing collection, perhaps a good introduction for those who don't know the music. --Leslie Gerber

Customer Reviews:

A magnificent way to expand your musical horizons from typical classical or cultural music.......2007-07-24

I had been lusting after this CD for a long time, and the main reason I bought it on Amazon is that the complete CD is not available for sale through the online music retailers, such as iTunes that I typically use. What makes this such a great CD is that it takes a Cello, an instrument that most people associate with Bach or large orchestras, and allows the instrument, through the talented playing of world-acclaimed cellist Yo-Yo Ma, to create beautiful, melodic and cultural music so passionately that at times one might mistake it for a human voice. The CD contains a very healthy variety of songs, and makes a valuable addition to any connoisseur's collection.

Excellently performed, Not much Variety.......2007-01-12

Yo-Yo Ma leads an all-star cast in his "Sould of the Tango" project. He offers fresh new arrangements of Piazzolla's masterpieces including "Libertango," "Tango Suite," "Fugatta," and more. The arrangements are expertly performed and the playing is exciting and energetic. There is a lush palatte of sound colors coming from guitars, cellos, pianos and the bandoneon. The music is beautiful and flashy. Pieces are reorchestrated such as the "Tango Suite" pieces which are originally guitar duos now with a cello in the mix and the last track on the album, "Cafe 1930" was originally flute and guitar but Ma performs it on cello and bandoneon. The result is freshly interpreted Piazzolla masterpieces that feature new sound color and new perspective. The music is really quite enchanting.

The only problem with this particular recording is that I think Piazzolla is better heard in moderation. Piazzolla wrote in such a constrianed genre, (classical tango), and thus a whole hour of Piazzolla is a little much to take. This great album doesn't make for much of a great straight through listen, but is much better as a plesant surprise when the computer library or iPod is on shuffle.

A Classy CD.......2004-06-23

Great intro to tango, great to relax and read to.

Great Music BUT - Stupid Sony CD.......2003-07-16

I love this music - plays great on my CD player, but when I tried to play it on my computer at work, I wouldn't work. Sony wanted me to install something that didn't work on my machine (my computer is farely new), so I ended up having a friend copy the music over to a new CD without all that SONY stuff they use to stop pirating probably. Now I can listen at work and it is wonderful. BUT BEWARE ON BUYING CDs like this!

Very good but not what I heard live in Cerritos.......2003-03-05

When I first heard Yo-Yo Ma live in Cerritos several years ago, his closing piece was from the yet released Soul of the Tango.
With that music, the subdued audience was enlightened. With only a Cello and a Piano, the music that was created was unbelievable. It was several months before the CD came out and I was a little disappointed that the energy that was present in the live concert did not translate to the CD. I hope that a Live recording or DVD will eventually be released which does capture the real Soul of the Tango.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
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The Soul Of The Violin Is In Song; But What About This Weird Passage?
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The Sleeping Beauty (Act II, No.15: Entr'Acte)
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Four Sea Interludes (Dawn) From 'Peter Grimes'
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Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
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Harold In Italy (Mvt 4)
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Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
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Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
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The Versatility And Agility Of The Flute
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Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
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An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
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The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
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The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
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The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

America the Beautiful
Me And My Friends
Any Dance'll Do
Look Around
Ray Of Hope
Island Of Love
Of Course
Love Was So Easy To Give
People Got To Be Free
Baby I'm Blue
Heaven
Adrian's Birthday
Boom
Cute

Average customer rating:

Handel: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music

Blowout Box Sets | Classical Music Blowout | Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music

Brilliant Classics | Amazon.com Label Stores | Stores | Music
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ASIN: B00062FLI8
Release Date: 2004-11-30

Average customer rating:

Thank you Montana Skies

Montana Skies
Jonathan Adams , Anonymous , Giuesseppe Farruato , John & Paul McCartney Lennon , Roberto di Marino , Turlough O'Carolan , Erik Satie , Andrew York , and Montana Skies
Manufacturer: Sonic Grapefruit
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | New Age | Styles | Music

Classical | Indie Music | Stores | Music
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Chasing the Sun
Lift
Sunset Meditation
Yo-Yo Ma Plays Ennio Morricone
Not Too Late

ASIN: B00007KUTN
Release Date: 2002-12-04

Tracks:

Montana Skies, Jonathan Adams
The Edge of Night, Jonathan Adams
Sunburst, Andrew York
Gymnopedie #1, Erik Satie
Morenita do Brazil, Giuesseppe Farruato
Prelude, Jonathan Adams
Danza, Jonathan Adams
Milonga, Roberto di Marino
The Nightfall, Roberto di Marino
Here, There and Everywhere, Lennon/McCartney
Eleanor Rigby, Lennon/McCartney
December Mourning, Jonathan Adams
Bridget O'Malley, Traditional
Lord Inchiquin, Turlough O'Carolan

Album Description

Montana Skies creates a unique new sound with the unusual pairing of cello and fingerstyle guitar. Combining classic with modern, the group has created their own "new acoustic" sound with innovative original compositions and arrangements. As the group moves ahead, they continue to stretch the boundaries of contemporary instrumental music.

Customer Reviews:

Thank you Montana Skies.......2005-01-26

I downloaded the free MP3 of "Danza" to play in our middle school media center, to give us all a little relief from classical piano pieces playing in the background. :) "Danza" sounded so fresh and invigorating, that I downloaded all the MP3's offered by Montana Sky. I love the blend of classical guitar and cello. It is not easy to find well played, well recorded, classical music with a world flavor that is not distracting in a library setting--and also does not make everyone sleepy. There are Celtic and Latin sounding pieces here.
The guitar and cello both are recorded with a very full sound and are exquisitely mixed and mastered. A very nice surprise. I've put both CDs on my wish list at home for myself too.
Mary Z. Cox
www.maryzcox.com

Average customer rating:

Could be better
Good choral CD, but . . .
WTH?
Albonini's Adagio (Beatitudes) is an Italianate emotion feas
Awesome music - fidelity a bit lacking

Agnus Dei II: Music to soothe the soul

Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music

Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Agnus Dei: Music of Inner Harmony
Tears from Heaven
Gloria: Music of Praise & Inspiration
Choral Moods
Sacred Classics - Messiah, Ave Maria, Pie Jesu, Zadok the Priest, L'enfance du Christ

ASIN: B000006Q25
Release Date: 1998-06-16

Tracks:

Adagio
Geistliches Lied, Op.30
Agnus Dei
Ave Verum Corpus
Libera Me
Ave Verum Corpus, Op. 65-1
Agnus Dei
Gott Ist Mein Hirt (Psalm 23)
Crucifixus A 8
Beatus Vir (Psalm 112)
Christus Factus Est (Philippians 2: 8-9)
Pie Jesu
Hear My Prayer, O Lord (Psalm 102, V. 1)
Ruht Wohl

Amazon.com

Building on the enormous success of the first Agnus Dei disc, its successor offers more of the same musical mood, but with a few surprises too. One of the hits of the first album was John Cameron's arrangement of Elgar's Nimrod, using the words of the Lux Aeterna. Here he really rolls his sleeves up and similarly tackles the Albinoni-Giazzoto Adagio (using the words of the Beatitudes) and the Intermezzo from Bizet's second L'Arlésienne Suite (using the text of the Agnus Dei). The role of the orchestra (the excellent ensemble Capricorn) has been expanded, and Edward Higginbottom himself has arranged a delicious string septet accompaniment to Brahms's Geistliches Lied. Much of the music is of the kind that the choir obviously eats for breakfast--which is not to say that they ever sound bland or tired, just at home. The one weak track is Monteverdi's Beatus Vir, which needs voices of more sophistication and agility than the boys can provide. That aside, this is another album that should do their reputation no harm. --Warwick Thompson

Customer Reviews:

Could be better.......2006-07-08

After owning Agnus Dei I for years, and somehow misplacing the CD, I decided to buy both I and II from Amazon. Of the CD's, I is still my favorite. Agnus Dei II is a decent CD, but it doesn't have the fluidity or the dynamics that the first disk has. I guess I got spoiled with the first disk.

Good choral CD, but . . . .......2006-01-22

Agnus Dei II is a really good choral CD with a more otherworldly sound than most choral offerings. But the first Agnus Dei is better, amazing really. Own both, but if you only want one, get the first one.

WTH?.......2005-07-14

I bought this CD because it said Eamon as an artist. WTH? I can't find Eamon anywhere on this CD. It says Eamon on the other one, but I'm not even going to try. Never again will a buy a CD associated with Agnus Dei.

LAST WORD: Don't buy this if your buying it for Eamon music.

Albonini's Adagio (Beatitudes) is an Italianate emotion feas.......1999-06-11

I happened upon this album while looking for some choral works for a church choir. Not schooled in the literature, I had never heard of Tomaso Albinoni. His Adagio ("Beatitudes") is a choral emotion feast in Italian style, the likes of which I have never heard before. Unless...did the Coppollas (pere et fils) use it in the soundtrack to Godfather 3? I'm not sure. Great piece. The rest of the album is okay. Standard fare.

Awesome music - fidelity a bit lacking.......1999-02-16

The opening song "The Beatitudes" by Albinoni is incredibly moving, so much so that the other songs have a hard time comparing. Overall, excellent, although the fidelity could be greatly improved. I had to crank up my volume 30-40% higher to achieve a comparable volume and noticed some distortion (in the recording, not my system) that was a bit distracting. Still, an outstanding CD.

Average customer rating:

TRACK LISTING (2 great cds, one package!)
Simply the Best

Urban Hang Suite/Embrya

ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

Contemporary R&B | R&B | Styles | Music

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General | Soul | R&B | Styles | Music

Neo-Soul | R&B | Styles | Music

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Now
Lifetime
Love Jones: The Music (1997 Film)
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Double Up

ASIN: B000ATJZC0
Release Date: 2006-01-31

Album Description

European only two-disc coupling of his smash hit debut album and his sophomore album. 23 tracks in all. Two standard jewel cases packaged in a slip case. Sony.

Customer Reviews:

TRACK LISTING (2 great cds, one package!).......2007-03-04

Urban Hang Suite:
1. Urban Theme, The
2. Welcome
3. Sumthin' Sumthin'
4. Ascension (Don't Ever Wonder)
5. Dancewitme
6. Til The Cops Come Knockin', ...
7. Whenever Wherever Whatever
8. Lonely's The Only Company (I&II)
9. Reunion
10. Suitelady (The Proposal Jam)
11. The Suite Theme / (untitled) - (hidden track)

Embrya:
1. Everwanting: To Want You To Want
2. I'm You: You Are Me And We Are You (Pt Me & You)
3. Luxury: Cococure
4. Drowndeep: Hula
5. Matrimony: Maybe You
6. Arroz Con Pollo
7. Know These Things: Shouldn't You
8. Submerge: Til We Become The Sun
9. Gravity: Pushing To Pull
10. Eachhoureachsecondeachminuteeachday: Of My Life
11. Embrya

Simply the Best .......2006-07-25

I love this compilation. Maxwell is one of the sexiest, smoothest, sultriest, mellowest artists out there. I hope he comes out with something new soon.

Average customer rating:

One of the best scores
An Underwater Masterpiece...
Classic (al ) Badelt
Music the masters would be proud to claim!
Another great Klaus Badelt score

K-19 the Widowmaker (Score)
Klaus Badelt
Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
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ASIN: B00006AATU
Release Date: 2002-07-16

Tracks:

Suite For Orchestra And Chorus In G Minor: I. Fear - Largo
Suite For Orchestra And Chorus In G Minor: II. Fate - Adagio
Suite For Orchestra And Chorus In G Minor: III. War - Allegro
Suite For Orchestra And Chorus In G Minor: IV. Soul - Misterioso
Home
Heroes
Journey
Capt. Alexi Vostrikov
Missle Launch - The Rescue
Reactor - Selections From 'Voices Of Light': 'Victory At Orleans', 'Interrogation', 'Abjuration', 'Relapse', 'Karitas', 'The Final Walk'
Reunion

Amazon.com

Given the film's fevered, rooted-in-cold-war-history nuclear tensions and claustrophobic, intensely Russian settings, promising newcomer/Hans Zimmer protégé Klaus Badelt (The Time Machine and contributions to Gladiator and Pearl Harbor) was saddled with more than a few expectations in scoring director Kathryn Bigelow's Soviet sub thriller. But Badelt has admirably risen to the occasion, conjuring up an orchestral score (masterfully performed by the Kirov Orchestra and Chorus under Valery Giergiev) rooted in moody Russian classicism--and a dash of Zimmer's favorite Holstian drama as well. The centerpiece here is the neo-classical Suite for Orchestra and Chorus in G Minor, its four movements ("Fear," "Fate," "War," "Soul") powerfully underscoring the film's unrelenting pressure cooker of drama and emotion. Badelt's use of excerpts from Richard Einhorn's Voices of Light suite ("Reactor") is equally inspired, its haunting choral touches and spare, evocative arrangements imparting some compelling gravitas to the story's dark sense of impending doom. A score as noble, if emotionally ominous, as the 20th-century Russian masters who inspired it. --Jerry McCulley

Customer Reviews:

One of the best scores .......2006-06-09

Klaus Badelt is another wonderful artist who can make the music be the movie. Rich with themes that fit the russian genre. The last track 'reunion' brings tears to my eyes picturing scenes from the movie. This music grabs you emotionally! Wonderful score.

An Underwater Masterpiece..........2004-02-01

My favorite one in my movie soundtrack collection! The music of K-19 made the movie even more moving. If you are looking for great music pieces for a "every goes wrong" russian submarine, and I mean the feel of the waves, tensions on board and the heroic efforts, this is "the" soundtrack. I have to admit, even thought I loved the movie, it`s wouldn`t been as great without the real struggling russian submarine music effect that Klaus Badelt created. The music moves me everytime I hear it...I close my eyes and I can see myself on board of this boat peeking out of the waves with the cold winds on my cheeks.

Classic (al ) Badelt.......2003-07-16

For decades there has been a fine line between classical based orchestral film score music and the true classical masters. Well for K-19 Klaus Badelt has become Tchaikovsky reincarnated. This is the most classical based score I have heard for many years (Horner does a fine Ralph Vaughn -Williams) and this is one the Russian master would be proud of. The first four tracks are even called "Suites for Orchestra and Chorus". Badelt has again shown that his first hit "Time Machine" was no one hit wonder story. Klaus Badelt has proven to be the new "wunderkind" of film scores and his music for the forthcoming "Ned Kelly" again proves that.But for now enjoy this one if you love both submarine scores "Hunt for Red October" and "Crimson Tide". K-19 makes it a fine trio.

Music the masters would be proud to claim!.......2003-03-21

This album is filled with music that the early master composers would be proud to claim as their own. The first six tracks are pure, sweet, pasionate Russian classical orchestra music, befitting any of the symphonic works of Tchaikovsky, Rimsky-Korsakov, and even more so, Rachmaniov. Klaus Badelt has written music which would please the Gods. My heartfelt thanks as a simple listener, for this musical treat.

Another great Klaus Badelt score.......2002-12-01

After his tremendous success with The Time Machine, Klaus Badelt returns once again with another great score to K-19: The Widowmaker. With an outstanding performance by The Kirov Orchestra and Chorus under the direction of conductor Valery Gergiev, Badelt proves that once again, he is one of the hottest new composers out there. Badelt starts with "Suite for Orchestra and Chorus in G Minor" which is a classical piece that he wrote which the score's main themes were developed. "Fear - Largo" contains a militaristic theme that reoccurs throughout the score several times. "Fate - Adagio" contains a dark string crescendo that resorts to a lovely piece of music. "War - Allegro" is an action cue that contains some excellent and difficult horn parts. "Soul - Mysterioso" is the best of the 4 with the themes occurring again in full force with the orchestra and chorus. The rest of the score is derived from these first 4 tracks and contains different versions of those themes each time you hear them, so they never get boring. "Home" is a waltz version of the theme heard in "Fear - Largo" and "Heroes" gives us the theme again in full force. "Journey" contains a male chorus chanting the main theme in Russian, much like Basil Poledouris used a chorus in The Hunt For Red October. "Missile Launch - The Rescue" is a long action cue that sounds a lot like "War - Allegro" with the difficult horn parts. "Reunion" ends the score in an excellent fashion with the main themes occurring one more time sending the listener off with great melodies. "Reactor - Selections from Voices of Light" is a low key piece composed by Richard Einhorn that fits in nicely with the score, but is nowhere near as good. I was hoping to give this score 5 stars, but for me, it just lacked that one little thing that makes it an outstanding score that you want to hear over and over again. It is a great score with a wonderful sound and great themes, however, and Klaus Badelt impresses me once again.

Average customer rating:

The Man from U.N.C.L.E., Vol. 3

Manufacturer: Film Score Monthly
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
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The Man from U.N.C.L.E. Book: The Behind-the-Scenes Story of a Television Classic

ASIN: B0006SSQ8O
Release Date: 2005-01-11

Tracks: