Soothe Song

Track Listings

1. Soothe Song

2. Eternal

3. Drifting

4. Great Peace

5. Dreamscapes

6. Past Lives

7. Healing Force

8. Journey

Soothe Song,Various Artists,Peter Pan,Environmental,Meditation,New Age / Meditation,Pop

Soothe Song

Tracks:

Adagio
Geistliches Lied, Op.30
Agnus Dei
Ave Verum Corpus
Libera Me
Ave Verum Corpus, Op. 65-1
Agnus Dei
Gott Ist Mein Hirt (Psalm 23)
Crucifixus A 8
Beatus Vir (Psalm 112)
Christus Factus Est (Philippians 2: 8-9)
Pie Jesu
Hear My Prayer, O Lord (Psalm 102, V. 1)
Ruht Wohl

Amazon.com

Building on the enormous success of the first Agnus Dei disc, its successor offers more of the same musical mood, but with a few surprises too. One of the hits of the first album was John Cameron's arrangement of Elgar's Nimrod, using the words of the Lux Aeterna. Here he really rolls his sleeves up and similarly tackles the Albinoni-Giazzoto Adagio (using the words of the Beatitudes) and the Intermezzo from Bizet's second L'Arlésienne Suite (using the text of the Agnus Dei). The role of the orchestra (the excellent ensemble Capricorn) has been expanded, and Edward Higginbottom himself has arranged a delicious string septet accompaniment to Brahms's Geistliches Lied. Much of the music is of the kind that the choir obviously eats for breakfast--which is not to say that they ever sound bland or tired, just at home. The one weak track is Monteverdi's Beatus Vir, which needs voices of more sophistication and agility than the boys can provide. That aside, this is another album that should do their reputation no harm. --Warwick Thompson

Customer Reviews:

Could be better.......2006-07-08

After owning Agnus Dei I for years, and somehow misplacing the CD, I decided to buy both I and II from Amazon. Of the CD's, I is still my favorite. Agnus Dei II is a decent CD, but it doesn't have the fluidity or the dynamics that the first disk has. I guess I got spoiled with the first disk.

Good choral CD, but . . . .......2006-01-22

Agnus Dei II is a really good choral CD with a more otherworldly sound than most choral offerings. But the first Agnus Dei is better, amazing really. Own both, but if you only want one, get the first one.

WTH?.......2005-07-14

I bought this CD because it said Eamon as an artist. WTH? I can't find Eamon anywhere on this CD. It says Eamon on the other one, but I'm not even going to try. Never again will a buy a CD associated with Agnus Dei.

LAST WORD: Don't buy this if your buying it for Eamon music.

Albonini's Adagio (Beatitudes) is an Italianate emotion feas.......1999-06-11

I happened upon this album while looking for some choral works for a church choir. Not schooled in the literature, I had never heard of Tomaso Albinoni. His Adagio ("Beatitudes") is a choral emotion feast in Italian style, the likes of which I have never heard before. Unless...did the Coppollas (pere et fils) use it in the soundtrack to Godfather 3? I'm not sure. Great piece. The rest of the album is okay. Standard fare.

Awesome music - fidelity a bit lacking.......1999-02-16

The opening song "The Beatitudes" by Albinoni is incredibly moving, so much so that the other songs have a hard time comparing. Overall, excellent, although the fidelity could be greatly improved. I had to crank up my volume 30-40% higher to achieve a comparable volume and noticed some distortion (in the recording, not my system) that was a bit distracting. Still, an outstanding CD.

Britten: The Canticles; Ian Bostridge, David Daniels

Average customer rating:

Benjamin Britten and English as a Musical Language
Excellent
Three Amazing Voices at Their Peak
Literate, Schmiterate
Exquisite Singing in Lesser Known Britten

Britten: The Canticles; Ian Bostridge, David Daniels
Ian Bostridge , David Daniels , Christopher Maltman , Julius Drake , Aline Brewer , Timothy Brown , and Benjamin Britten
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

Britten: Holy Sonnets Op35 / Bostridge, Johnson
Britten: Serenade for Tenor, Horn & Strings; Les Illuminations; Nocturne
Britten: Seven Sonnets of Michelangelo; The Holy Sonnets of John Donne; Winter Words
Peter Lieberson: Neruda Songs
Ian Bostridge - Songs of Faure, Debussy & Poulenc

ASIN: B00005UV9G
Release Date: 2002-11-05

Tracks:

Canticle I: My Beloved is Mine
Canticle II: Abraham and Isaac
Canticle III: Still Falls the Rain
Canticle IV: Journey of the Magi
Canticle V: The Death of Saint Narcissus
The Plough Boy
The Salley Gardens
The foggy, foggy dew
There's none to soothe
O Waly, Waly
The Ash Grove
Greensleeves

Amazon.com

If you were assembling a latter-day dream team for a package program of all five Britten Canticles, this would probably be it. With one or two exceptions, it delivers everything you'd want. Ian Bostridge--the most literate tenor on God's earth--was born to sing this repertory, observing subtleties of text and niceties of diction without compromise to the beauty of fine-spun legato lines. David Daniels, an accomplished actor, sings the boy in Abraham and Isaac with exactly the right mix of pathos and restraint. Christopher Maltman provides the vocal equivalent of lithe, young, gym-toned muscularity in "Journey of the Magi" and the group of folk-song settings that pad out the disc. And Julius Drake homes in as if by instinct on what really tells in the accompaniments: a figure here that signals something to the voice, a chord there that transforms the color of a phrase. The two supporting instrumentalists (Timothy Brown, horn, and Aline Brewer, harp) add to the pleasure of it all. Just one reservation: Bostridge doesn't quite have the climactic roar of joy required for "My Beloved Is Mine" or the authoritative weight for Abraham, and Daniels can sound womanly, as well as overartful in the folk songs (although not everyone feels comfortable with countertenors singing folksongs). And in any case, it's not enough to counter the outstanding virtues of the disc. --Michael White

Customer Reviews:

Benjamin Britten and English as a Musical Language.......2007-01-22

Benjamin Britten was a prolific composer who managed to conquer every range of musical writing - chamber works, symphonies, operas, big choral works, song cycles for both soloist and orchestra and soloist and piano, children's works, ballets, works for amateur performers (such as the Church Parables), concerti, and works for solo instruments. There are few composers even today who understood the complexities of the English language as a source of lyrics as did Britten and though all of his works are penultimate examples of this talent, surely the Five Canticles are the zenith of this gift.

The Canticles were composed over a thirty-year period (1947 - 1974) and are a microcosm of Britten's development as a composer and philosopher. The five works are all inspired by religious themes and yet they also can be seen as occult references to Britten's own homage to his sexual proclivity. Here the canticles are sung impeccably by Ian Bostridge, tenor, David Daniels, countertenor, and Christopher Maltman, baritone and the series is beautifully united by the pianism of Julius Drake (with collaboration of harpist Aline Brewer and horn player Timothy Brown). To review each canticle would take far too much space, but at least some mention must be paid to the opening of the second canticle (Abraham and Isaac) in which the voice of God telling Abraham to sacrifice his beloved son is intoned by close harmony duet by Bostridge and Daniels: the effect is ethereal and wholly spiritual. Each of the five canticles is successful on every level.

Accompanying the Canticles are seven of Britten's Folksong arrangements and each of the three singers is given time and interpretive flair for each one. It would be difficult to imagine three better matched singers than Bostridge, Daniels, and Maltman - three artists who continue to grow in stature (these recordings were made in 2001). This CD contains some of Britten's more difficult works - but also some of his most sublime. Highly Recommended. Grady Harp, January 07

Excellent.......2006-09-03

This is a really nice recording of the Britten Canticles with some of the folk song arrangements added to fill out the CD. The quality of singing is excellent though some aspects of interpretation could be argued. Excellent accompaniment as well.

Three Amazing Voices at Their Peak .......2004-08-17

With tones alternately dream-like and discordant, Benjamin Britten could certainly write music that can challenge as well as soothe, and his five canticles are no exception. Amazingly, he wrote these canticles over a 26-year period, the first in 1947 and the last in 1973 near his death, yet in spite of each canticle's individuality, they feel very much like parts of a whole. The two longest canticles, "Abraham and Isaac" (Canticle 2) and "Journey of the Magi" (Canticle 4, based on the poem by T.S. Eliot), are the most dramatically effective. Canticle 2 is especially moving because of the touching story it tells of the sacrifice of the child Isaac for his father Abraham only to be spared at the last minute. Canticle 4 provides an emotional retelling of the Three Kings' journey to the Christ child heightened by the immaculate blending of the three distinct voice types. It is no coincidence that countertenor David Daniels plays a prominent role in both as he is a highly skilled and versatile actor when it comes to playing a king or evoking the pleas of an innocent child. The voice, of course, is unparalleled. Tenor Ian Bostridge sings prominently on all five canticles and does quite well throughout, in particular, with his diction and tone. He is called on to exhibit a wide variety of emotions, and he rises to the challenge despite the towering shadow of Peter Pears.

The last twenty minutes of the disc are devoted to a wide array of English folk songs, and this is where each singer gets an opportunity to shine in solo turns. In particular, baritone Christopher Maltman does a fine job on "The Plough Boy" and "The Salley Gardens". Although Britten is not for everyone's taste, this is a beautifully realized recording with three great singers at their peak, and special mention needs to go to pianist Julius Drake who accompanies with great skill.

Literate, Schmiterate.......2003-12-10

What you need is a tenor with gonads. These canticles rank among my favorite works by any composer, and I do like Bostridge sometimes, but I can't stand the hooting around I hear on this disc. I mostly agree with the editorial review in the details, but not at all with its recommendation. I think the negatives far outweight the positives. Try the Hyperion release with Anthony Rolfe Johnson. It's also flawed, but far more satisfactory.

Exquisite Singing in Lesser Known Britten.......2002-12-27

This may be the vocal CD of the year. Bostridge, Daniels and Maltman sing this repertoire with all of the conviction of the original London recordings. And the Canticles themselves are pinnacles of Britten's vocal art.

Neither art songs nor operatic scena, in the Canticles Britten fashions his own vocal form, based in part on the extended Baroque solo cantata as realized by Purcell. Each Canticle is based on a poem with religious overtones, and set with sensitivity to the prosody and shades of meaning conveyed by the poet. The first Canticle, set to a parody of the Song of Songs by Anglican poet Frances Quarles, is fashioned in the most Purcellian manner of the Canticles, complete with Baroque devices like the canon and the ground bass. Each stanza is given a different form, almost like a suite, though unified by melodic material. The second stanza is a setting of the story of Abraham and Isaac from the Chester Miracle plays for tenor and countertenor (originally for alto, the tendency now is to use countertenor.) The work is dramatic, a mini-scena with many sections forcasting a very different setting of this story in the War Requiem. Canticle III is composed for tenor and horn and uses the very beautiful Sitwell poem, Still Falls the Rain. Britten's music matches the deep pathos of the poem. The final two Canticles use poetry by T.S. Eliot. They are in Britten's late style, tonal and yet austere and richly dissonant. Canticle V in particular has overtones of the music Britten would use for his final operatic masterpiece, Death in Venice.

The performances on this CD are stupendous. Ian Bostridge is probably the finest interpreter of English art song alive today. His attention to diction, nuance of text, beauty of tone and intelligence make these for me even better than the marvelous Peter Pears performances of these works. David Daniels is the finest countertenor working today. His tone is honey-sweet but never weird or cloying as Alfred Deller could be. And he strikes the perfect tone as Isaac, both childlike and saintly. Maltman too is in fine form in Canticle IV. The instrumentalists are also superb. Special mention goes to Julius Drake, who is a technically brilliant and sensitive accompanist in music that sounds simple but is deceptively tricky.

Tracks:

Early One Morning
Come You Not From Newcastle?
Sweet Polly Oliver
The Trees They Grow So High
The Ash Grove
O Waly Waly
How Sweet The Answer
The Plough Boy
Voici Le Printemps
The Last Rose Of Summer
La Belle Est Au Jardin D'amour
Fileuse
Dear Harp Of My Country!
Little Sir William
O Can Ue Sew Cushions?
Oft In The Stilly Night
Quand J'etais Chez Mon Pere
There's None To Soothe
Oliver Cromwell

Album Description

52 minute long collection featuring 19 folk songs arranged by the late Benjamin Britten, including 'Early One Morning','Come You Not From Newcastle?' and 'Sweet Polly Oliver'. Full digital recording with Brightman accompanied only by pianist Geoffrey Parsons. 1998 EMI release.

Album Details

Originally Released in 1988 as "The Trees …", this Recording Was Reissued with an Alternate Title in 1995: "Early in the Morning". Re-released in 1998 under Current Title; Features the Handy Piano Work of Geoffrey Parsons and Arrangements by Benjamin Britten. Includes the Original Track ("Early in the Morning"), "The Last Rose of Summer" and Many More.

Customer Reviews:

NOT for Brightman fanboys :) .......2007-05-14

Guys, if you don't know, what it is - besides the obvious - don't buy it. I almost regretted the purchase and started to enjoy it only after I overcame the shock. On this LP Sarah Brightman sings English songs that were popular in the XIX century and the musical tastes changed since then rather dramatically. So check out the samples first!

A great showcase for Sarah's exceptional tone .......2007-01-29

While other people may think this collection of songs does not do Sarah's voice justice, I strongly disagree. Indeed, if anything her New Age-sounding albums (such as Luna or something or other) I find horrendous and I think they completely scatter the good qualities of her voice. Not so in this album. True, the songs here are not well-known nor are they decorated with operatic frills which Sarah has the well-known ability to perform, but there is a different beauty here, my friends. The legato, angelic quality of Sarah Brightman's voice can truly be heard in these simple melodies, light and free from the heavy chains of pulsed pop and mediocre attempts at an Enya-like portrayal. THESE songs she sings well, THIS is one of her better albums, and HERE is her beautiful sound which I missed in some of her other albums.

Sarah in Recital.......2006-06-08

I believe I own all of the CDs Sarah Brightman has put out and yes, this one is quite different from all the others she's done.

In this CD she sings (in a strictly classical style) some of the many British folksongs collected and arranged by Benjamin Britten; she is accompanied here by only a piano. Thus if you like classical singing and traditional Brit folksongs, then this is the CD for you. If you're wanting something more pop, hip, musical-theatrical, or celtic--look elsewhere.

Sarah has developed her voice over time and this CD is a good example of how all those singing lessons have paid off as she has a beautiful classical voice (amply evident on this CD) as well as the big, full belt style she delivers in musical theatre production numbers (on other CDs).

This is a great CD for these reasons, but not one for the masses.

Folk songs are not suited to The Divine Sarah's voice.......2005-08-24

When Sarah sings in her soprano voice, I describe her voice as "liquid silver notes of perfection." However, even though her voice sounded lovely, it isn't suited to folk songs and folk singing.

I am definetely a fan of English/Irish/Scottish folk songs and have a fairly large collection of them, but this album will be one of those albums I rarely play.

Because she does have such a gorgous voice, it has the effect of making these songs sound, for lack of a better phrase, artificial and somewhat forced. I think her voice might be a little too trained and operatic, even though she is not an opera singer, for these kinds of songs.

In other words, I think her voice might be too good to sing such simple songs, which is not meant to cast aspersions on people who have lovely voices and sing folk songs. Examples of these would be the Angel of Riverdance, Katie McMahon and Connie Dover! Both of these womyn have high, lovely, voices but they don't sound as trained as Sarah does.

So I can't really reccomend this album.

Unique and Distinct Voice Quality.......2005-02-25

There's a gallery of professional singing Sopranos today, and each has her own specific strengths, history of accomplishments, recognition and influence. The uniqueness that Sarah Brightman presents the listener and viewer is that of a totally dedicated artist who has expanded and refined her voice in an area that other Sopranos haven't - youthfulness, diction, control and width. Starting at an early age she succeeded and excelled in a variety of styles and genres. On this CD, with the simple piano accompaniment that enhances her distinctiveness, she's able to maintain the most melodious range, diction and duration. She enhances the meaning of the folklore (whether English or French) and the classics, as it has not been done before. The selection of music pieces offers and tests her voice skills exceptionally well. Any voice student and expert must not miss the opportunity to identify the voice features that Sarah Brightman's talent offers. Her voice uncovers Soprano skills that usually remain hidden.

Benjamin Britten: Purcell Arrangements / Tit for Tat / Folksong Arrangements

Average customer rating:

Benjamin Britten: Purcell Arrangements / Tit for Tat / Folksong Arrangements

Manufacturer: Et'Cetera
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
ASIN: B0000000OS
Release Date: 2004-03-22

Tracks:

Alleluia
Sweeter Than Roses
The Queen's Epicedium
Tit For Tat: I. A Song Of Enchantment
Tit For Tat: II. Autumn
Tit For Tat: III. Silver
Tit For Tat: IV. Vigil
Tit For Tat: V. Tit For Tat
Three Divine Hymns: I. Lord, What Is Man?
Three Divine Hymns: II. We Sing To Him
Three Divine Hymns: III. Evening Hymn
Friday Afternoons, Op.7: Fishing Song (No.8)
Friday Afternoons, Op.7: A New Year Carol (No.5)
There's None To Soothe
Little Sir William
O Waly Waly

Average customer rating:

Soothe Song
Various Artists
Manufacturer: Peter Pan
ProductGroup: Music
Binding: Audio CD

Environmental | New Age | Styles | Music

General | New Age | Styles | Music

Meditation | New Age | Styles | Music

Tracks:

Soothe Song
Eternal
Drifting
Great Peace
Dreamscapes
Past Lives
Healing Force
Journey

Average customer rating:

Facets of Benjamin Britten

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

General | Folk | Styles | Music

Tracks:

Allegro
Allegretto
Allegro Assai
Allegro
Larghetto
Allegretto
The Salley Gardens
Little Sir Willam
The Miller Of Dee
Sweet Polly Oliver
The Bonny Earl O' Moray
The Ash Grove
A Brisk Young Widow
There's None To Soothe
Oliver Cromwell

Average customer rating:

Earth Song: In Beauty
Bridget Wolf
Manufacturer: Bridget Wolf
ProductGroup: Music
Binding: Audio CD

General | New Age | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | New Age | Indie Music | Stores | Music
ASIN: B000068GOC
Release Date: 2000-04-22

Tracks:

Song of the Rising Sun
We Give Thanks
There Is None as Fair
Learning Again
Oceans and Trees
Autumn '83 and Autumn Revisited
Save Our Planet I
Save Our Planet II
Healing Time
I Never Get Enough of You
Song of the Four Elements
I'll Never Forget You

Song of the Sirens: Instrumental Favorites

Average customer rating:

Song of the Sirens: Instrumental Favorites
Renee Smith
Manufacturer: Song of the Sirens
ProductGroup: Music
Binding: Audio CD

General | Children's Music | Styles | Music

General | Easy Listening | Pop | Styles | Music
ASIN: B000CAEMUM
Release Date: 2005-09-27

Tracks:

Tulips
Princess Goodbye
Prayer
Anything
Daisy
Stuffed Rabbit
Mi Corazon
Forever
Rain
Little Princess
Historia Triste

Average customer rating:

Lullabies to Make You Feel My Love

Manufacturer: Essex Music & Entertainment, Inc.
ProductGroup: Music
Binding: Audio CD

General | Children's Music | Styles | Music
ASIN: B000CA9SEM
Release Date: 2002-02-26

Average customer rating:

Beethoven: Unknown Works, Vol. 2

Manufacturer: Berlin Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Duets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B0000035T4
Release Date: 1996-09-24

Tracks:

Christus Am Olberge Op.85: 1. Intro: Grave-Adagio - RSO Berlin/Helmut Koch
Christus Am Olberge Op.85: Recitative: 'Jehovah, Du, Mein Vater!' - Jozef Reti
Christus Am Olberge Op.85: Aria. Allegro: 'Meine Seele Ist Erschuttert' - Jozef Reti
Christus Am Olberge Op.85: 2. Recitative. Allegro: 'Erzittre, Erde, Jehovahs Sohn Liegt Hier' - Sylvia Geszty
Christus Am Olberge Op.85: Aria: Larghetto 'Preist Des Erlosers Gute' - Sylvia Geszty
Christus Am Olberge Op.85: Chor. Allegro: 'O Heil Euch! Ihr Erlosten' - Sylvia Geszty/Solitenvereinigung Und Grosser Chor Des Berliner Rundfunks/Gerhard Raker
Christus Am Olberge Op.85: 3. Recitative: 'Verkundet, Seraph, Mir Dein Mund' - Jozef Reti
Christus Am Olberge Op.85: Duet. Adagio Molto: 'So Ruhe Mit Ganzer Schwere' - Jozef Reti/Solitenvereinigung Und Grosser Chor Des Berliner Rundfunks/Gerhard Raker
Christus Am Olberge Op.85: 4. Recitative: 'Willkommen, Tod!' - Jozef Reti
Christus Am Olberge Op.85: Chor. Alla Marcia: 'Wir Haben Ihn Gesehen' - Solitenvereinigung Und Grosser Chor Des Berliner Rundfunks/Gerhard Raker
Christus Am Olberge Op.85: 5. Recitative. Tempo Della Marcia: 'Die Mich Zu Fangen Ausgezogen Sind' - Jozef Reti
Christus Am Olberge Op.85: Chor. Allegro Molto: 'Hier Ist Er, Hier Ist Er' - Solitenvereinigung Und Grosser Chor Des Berliner Rundfunks/Gerhard Raker
Christus Am Olberge Op.85: 6. Recitative. Molto Allegro: 'Nicht Ungestraft Soll Der Verwegnen Schar' - Jozef Reti/Hermann Christian Polster
Christus Am Olberge Op.85: Trio And Chor. Allegro Ma Non Troppo: 'In Meinen Adern Wuhlen' - Jozef Reti/Hermann Christian Polster/Sylvia Geszty
Christus Am Olberge Op.85: Final Chor. Maestoso-Allegro: 'Welten Singen'/'Prieset Ihn, Ihr... - Jozef Reti/Sylvia Geszty/hermann Christian Polster
Es Ist Vollbracht WoO 97: Final Song From 'Die Ehrenpforten' - Siegried Vogel/Chor Der Deutschen Staatsoper Berlin
Meeresstille Und Gluckliche Fahrt Op.112 - Siegried Vogel
Opferlied Op.121b - Ingeborg Springer/Grosser Chor Des Berliner Rundfunks/HemutKoch

Tracks:

12 Minuets, Wo0 7: 1. in D - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
12 Minuets, Wo0 7: 2. in B-Flat - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
12 Minuets, Wo0 7: 3. in G - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
12 Minuets, Wo0 7: 4. in E-Flat - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
12 Minuets, Wo0 7: 5. in C - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
12 Minuets, Wo0 7: 6. in A - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
12 Minuets, Wo0 7: 7. in D - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
12 Minuets, Wo0 7: 8. in B-Flat - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
12 Minuets, Wo0 7: 9. in G - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
12 Minuets, Wo0 7: 10. in E-Flat - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
12 Minuets, Wo0 7: 11. in C - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
12 Minuets, Wo0 7: 12. in F - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
Congratulation Minuet in E Flat, Wo0 3 - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
Pno Con in E-Flat, Wo0 4: 1. Allegro Moderato - Eva Ander
Pno Con in E-Flat, Wo0 4: 2. Larghetto - Eva Ander
Pno Con in E-Flat, Wo0 4: 3. Rondo. Allegretto - Eva Ander
Music For A Ballad Of Knights, Wo0 1: 1. Marsch - Staatskapelle Berlin/Gunther Herbig
Music For A Ballad Of Knights, Wo0 1: 2. Deutscher Gesang. Allegro Moderato - Staatskapelle Berlin/Gunther Herbig
Music For A Ballad Of Knights, Wo0 1: 3. Jagdlied. Allegretto-Deutscher Gesang d.C. - Staatskapelle Berlin/Gunther Herbig
Music For A Ballad Of Knights, Wo0 1: 4. Romanze. Andantino-Deutscher Gesang d.C. - Staatskapelle Berlin/Gunther Herbig
Music For A Ballad Of Knights, Wo0 1: 5. Kriegslied. Allegro Assai Con Brio-Deutscher Gesang d.C. - Staatskapelle Berlin/Gunther Herbig
Music For A Ballad Of Knights, Wo0 1: 6. Trinklied. Allegro Con Brio-Deutscher Gesang d.C. - Staatskapelle Berlin/Gunther Herbig
Music For A Ballad Of Knights, Wo0 1: 7. Deutscher Tanz. Walzer - Staatskapelle Berlin/Gunther Herbig
Music For A Ballad Of Knights, Wo0 1: 8. Coda. Allegro Vivace-Andantino-Tempo I - Staatskapelle Berlin/Gunther Herbig

Tracks:

Canons, Epigrams And Jokes: Lob Auf Den Dicken. 'Schuppanzigh Ist Ein Lump' WoO 100, Musical Joke - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Esel Aller Esel, Hi Ha Hess 277, Canon A 2 With Free Additional Part - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Graf, Liebster Graf, Liebstes Schaf WoO 101, Musical Joke - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Herr Graf, Ich Komme Zu Fragen Hess 276, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Bester Graf, Sie Sind Ein Schaf WoO 183, Canon A 4 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Es Muss Sein WoO 196, Joke Or Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Canon A 2 in G, Hess 274 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Das Ist Das Wek, Sorgt Um Das Geld! WoO 197, Canon A 5 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Glaube Und Hoffe WoO 174, Canonlike Movt - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Auf Einen, Welcher Hoffmann Geheissen WoO 180, 'Hoffmann, Sei Ja Kein... - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Anglaise in D, Hess 61 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Rasch Tritt Der Tod Den Menschen An WoO 104, Song Of The Monks... - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Ich War Hier, Doktor, Ich War Hier WoO 190, Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Signor Abate WoO 178, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Kurz Ist Der Scmerz, Und Ewig Ist Die Freude WoO 163, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Hol' Euch Der Teufel! B'hut Euch Gott! WoO 173, Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Gott Ist Eine Feste Burg WoO 188, Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Sankt Petrus War Ein Fels/Bernardus War Ein Sankt WoO 175, Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Tugend Ist Kein Leerer Name WoO 181 No.3, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Edel Sei Der Mensch, Hulfreich Und Gut WoO 185, Canon A 6 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Bester Magistrat, Ihr Friert WoO 177, Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Kuhl, Nicht Lau WoO 191, Canon A 5 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Wir Irren Allesamt WoO 198, Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Auf Einen, Welcher Schwenke Geheissen WoO 187, 'Schwenke Dich Ohne... - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Brauchle, Linke WoO 167, Canon A 4 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: O Tobias! WoO 182, Canon A 5 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Gedenket Heute An Baden WoO 181 No.1, Canon A 4 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Seiner Kaiserlichen Hoheit...Alles Gute, Alles Schone WoO 179, Intro... - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Gluck Fehl' Dir Vor Allem WoO 171, Canon A 4 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Gehabt Euch Wohl WoO 181 No.2, Canon A 4 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Freu Dich Des Lebens WoO 195, Canon A 2 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Gluck Zum Neuen Jahr WoO 165, Canon A 4 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Canon A 2 in A Flat - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Im Arm Der Liebe Ruht Sich's Wohl WoO 159, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Ich Kusse Sie WoO 169, Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Languisco E Moro Hess 229, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Te Solo Adoro WoO 186, Canon A 2 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Ewig Dein WoO 161, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Freundschaft Ist Der Quell Wahrer Gluckseligkeit WoO 164, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Canon A 4 Wo0 160 No.2 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Ta Ta Ta, Lieber Malzel WoO 162, Canon A 4 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Ich Bitt' Dich, Schreib' Mir Die Es-Scala Auf WoO 172, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Ars Longa, Vita Breevis WoO 192, Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Canon A 3, WoO 160 No.1 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Das Schweigen. 'Lerne Schwigen, O Freund' WoO 168 No.1, Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Das Reden 'Rede, Wenn's Um Einen Freund Dir Gilt' WoO 168 No.2, Canon... - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Falstrafferel WoO 184, Canon A 5 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Allegro in A, WoO 34 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
Canons, Epigrams And Jokes: Abschiedsgesang 'Die Stunde Schlagt' WoO 102 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
From: 25 Irish Songs, Wo0 152: No.2 Sweet Power Of Song - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 25 Irish Songs, Wo0 152: No.5 On The Massacre Of Glencoe 'O! Tell Me, Harper' - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 25 Irish Songs, Wo0 152: No.6 What Shall I Do To Shew How Much I Love Her? - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 25 Irish Songs, Wo0 152: No.8 Come Draw We Round A Cheerful Ring - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 25 Irish Songs, Wo0 152: No.10 The Deserter 'If Sadly Thinking' - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 25 Irish Songs, Wo0 152: No.11 Thou Emblem Of Faith - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 25 Irish Songs, Wo0 152: No.13 Musing On The Roaring Ocean - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 25 Irish Songs, Wo0 152: No.15 Let Brainspinning Swains - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 25 Irish Songs, Wo0 152: No.17 In Vain To This Desert - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 25 Irish Songs, Wo0 152: No.19 Wife, Children And Friends 'When The Blackletter'd List To... - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 25 Irish Songs, Wo0 152: No.20 Farewell Bliss And Farewell Nancy - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 25 Irish Songs, Wo0 152: No.21 Morning A Cruel Turmoiler Is - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 25 Irish Songs, Wo0 152: No.23 The Wand'ring Gypsy. 'A Wand'Ring Gyps, Sirs, Am I' - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 25 Irish Songs, Wo0 152: No.24 The Traugh Welcome. 'Shall A Son Of O'Donnel' - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 20 Irish Songs, Wo0 152: No.1 When Eve's Last Rays In Twilight Die - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 20 Irish Songs, Wo0 152: No.4 Since Greybeards Inform Us that Youth Will Decay - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 20 Irish Songs, Wo0 152: No.5 I Dream'd I Lay Where Flow'rs Were Springing - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 20 Irish Songs, Wo0 152: No.7 O Soothe Me, My Lyre - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 20 Irish Songs, Wo0 152: No.8 Norah Of Balamagairy. 'Farewell Mirth And Hilarity' - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 20 Irish Songs, Wo0 152: No.10 The Hapless Soldier. 'Oh, Thou Hapless Soldier' - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 20 Irish Songs, Wo0 152: No.15 'Tis But In Vain, For Nothing Thrives - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 20 Irish Songs, Wo0 152: No.17 Come, Darby Dear, Easy, Be Easy - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
From: 20 Irish Songs, Wo0 152: No.20 Thy Ship Must Sail, My Henry Dear - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz

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