Cedar Song

Track Listings
 
1. Gathering
2. Calm
3. Longing
4. Woodlands
5. Brave
6. Ancestors
7. Ocarinas
8. Serenade
9. Canon
10. Luna
11. Loons

Editorial Reviews
Lifedance Distribution
A fine recording--one of the best of its genre.

Product Description
Cedar Song features Werner John, woodwind player par excellence and carver of Native American flutes, in his own compositions for Native flute. This is beautiful, moving music--some with flutes alone, some with flute, gentle keyboard and drum. Even people who have many Native flute albums count this among their favorites! (digital, 49 minutes)

Cedar Song

Cedar Song,Werner John


Cedar Song

Cedar Song
Glass Bead Games
Average customer rating: 5 out of 5 stars
  • A Love Supreme of the 1970s.
Glass Bead Games
Clifford Jordan
Manufacturer: Harvest Song
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
ASIN: B000NW2AGW

Album Description

2006 Harvest Song issue, which, unlike certain other CD reissues, contains all of the material released on the original 1974 Strata-East double LP. This is one of the finest jazz sides released in the '70's and Jordan is in superb form throughout. The tunes and personnel are as follows: Clifford Jordan (ts) and Billy Higgins (d) play on all tracks. Along with Stanley Cowell (p) and Bill Lee (b), they play Powerful Paul Robeson; Cal Massey; John Coltrane; Eddie Harris; Biskit; Maimoun and Alias Buster Henry. Along with Cedar Walton (p) and Sam Jones (b), they play Glass Bead Games; Prayer To The People; Shoulders; Bridgework and One For Amos.

Customer Reviews:

5 out of 5 stars A Love Supreme of the 1970s. .......2007-07-07

This is the first and only domestic reissue of the two-LP 1974 release under the leadership of tenor saxophonist Clifford Jordan. Fetching skyhigh prices on eBay, then reissued only as a pricey Japanese import, it's small wonder the session's reputation and following exceed the number who have actually heard it. Rest assured that the music is not simply a "cult" curiosity. Although the instrumententation mirrors that of Coltrane's quartet, the music is strikingly different from "A Love Supreme," admittedly a primary inspirational source. Compared to the predecessor, "Glass Bead Games" is less prayerful and more playful, less searching and more knowing, less focused on the religious quest than its rewards. The rapturous intensity of the earlier date is replaced by the quiet energies of the benefactors of the progenitor-hero's journey. On "John Coltrane" the musicians chant the words "John Coltrane, Black Spirit; John Coltrane, first new born," but rather than the torrential, monolithic incantation of "A Love Supreme," theirs is the song of the children of the forebearer, discretely delighting in their newfound jouissance.

The two sessions constitute a revelation on several levels. First, the decade of the seventies was not entirely the funk and fusion, country and disco cultural wasteland it's been portrayed as: it did produce genuinely creative, uncompromisingly "human" new music within the jazz mainstream--and without electronic assists; second, Bill Lee was more than Spike's dad: he's a bassist with a singularly powerful, deep groove; third, Billy Higgins was, as so many musicians insist, a once-in-a-lifetime drummer: I don't hear the relentless swinger that Stanley Crouch raves about in the liner notes but a musician who's more like the bellows inspiriting the collective flame.

Most importantly, the always underrated, now largely forgotten Clifford Jordan was not just a formidable tenor player: he was a creator of the first order, his playing so effortless, unselfconscious, mature and profound that at a time when altissimo fury was all the rage, his fate was to be the neglected, overlooked Lester Young of his era. All the more's the pity that his work on Horace Silver's most ambitious and rewarding album, "Further Explorations," is unlikely to be heard because, inexplicably (even with all the other RVG reissues), this Silver session remains out of print. Nonetheless, "Glass Bead Games" does't require corollary support--it's a self-sufficient work of rare beauty. Don't expect to be immediately or merely "impressed." It "intrigues" upon the first listen. With each successive listening the musical conversation yields fresh new discoveries--playful, profound, inexhaustible, and immensely satisfying.

Compared to a Wayne Shorter on a session like "Footprints Live" Jordan is at once a more assertive soloist and more enabling force. Compared to a Michael Brecker on "Pilgrimage" Jordan is far more relaxed and low key yet paradoxically a more directive and shaping influence. His tone has as much "bottom" as "top," yet he makes the transitions between the two registers so effortlessly that the listener isn't conscious of them, as is also true of the quick alterations in dynamics. The climaxes, rather than spelled out, are merely suggested so that they register with deep and lasting impact on the listener. He's not a man content with a mere musical "dialogue" with his fellow musicians nor is he about to take the initiative in pulling his troops up to his level. Instead he begins to tell a musical story so compelling that his three comrades cannot resist contributing equally to what becomes a collaborative narrative--rhythmically, harmonically, melodically. This is brilliant music-making by a Coltrane-influenced successor who feels no obligation to mime the predecessor. It may be the most significant saxophone performance on record since Coltrane and, providing the listener stays with it for any length of time and repeated listenings, the most successful, satisfying creative jazz recording of the past 25 or more years. Jordan's game--so effortless, unforced, and centered--is simply inexhaustible. It erases distinctions between composed and improvised, soloist and ensemble, narrator and narrative, musical language and verbal language and, most importantly, performer and listener. To call the playing "remarkable" is to do it an injustice: rather, like Shakespeare's uses of language, it's representative and exemplary as a record of one instance of tapping into and then realizing the potential of the vast energy field that is human consciousness.

The 2nd quartet, with Cedar Walton and Sam Jones replacing Stanley Cowell and Bill Lee, doesn't have the freshness and magic of the first--some of the playing is sufficiently "self"-intruding to impede, if ever so slightly, the untampered flow of the game itself. But a single scintillating glass bead game is more than enough to make this recording a singular, quintessential, and comparatively late example of an enduring though fragile art form that America was once not too proud or insensible to claim as its own.

[Be careful about ordering the right copy. The problem is that the program listed with the album on Amazon as well as on most other sites, including All Music Guide, is totally inaccurate. It's a program belonging with a Strata-East release from 1975, "First Impressions," featuring Shamek Farrah--one of those Eastern recordings with mystical incantations and theological aspirations if not pretensions. "Glass Bead Games," on the other hand, is a 13-tune treasure that scintillates with inexhaustible life and beauty in the present moment thanks to the collective skills of the players. Don't settle for less. The 2006 U.S. reissue on Harvest Song is the right one, the first-ever complete release, made available in early 2007 by Jordan's widow. It's available, for the present, from only one source. Go to [...], music department, and do a search. The price, moreover, is more reasonable than the Japanese imports or eBay auction copies.]
Cedar Song
Average customer rating: Not rated
    Cedar Song

    Manufacturer: Hearth Island Music
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | New Age | Styles | Music
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    1. The Healing Flute

    ASIN: B000056EW0
    Release Date: 1996-01-01

    Tracks:

    1. Gathering
    2. Calm
    3. Longing
    4. Woodlands
    5. Brave
    6. Ancestors
    7. Ocarinas
    8. Serenade
    9. Canon
    10. Luna
    11. Loons

    Album Description

    Cedar Song features Werner John, woodwind player par excellence and carver of Native American flutes, in his own compositions for Native flute. This is beautiful, moving music--some with flutes alone, some with flute, gentle keyboard and drum. Even people who have many Native flute albums count this among their favorites! (digital, 49 minutes)
    A Prairie Portrait
    Average customer rating: Not rated
      A Prairie Portrait
      Umberto Giordano , Percy Grainger , Stan Jones , Daniel E. Kelley , Kelly , Eugene O'Brien , Spoken Word , Traditional , American Traditional , Various Composers , John Giordano , and Fort Worth Symphony Orchestra
      Manufacturer: Dualtone Music Group
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B0002IQLJY
      Release Date: 2004-07-27

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      1. Texas Trilogy (Yellow Rose Of Texas, Streets Of Laredo, Deep In The Heart of Texas)
      2. Roundup In The Spring
      3. Sage & Cedar I
      4. Home On the Range
      5. Commutin
      6. Annie Laurie/Bad Half Hour
      7. Irish Tune From County Derry (Danny Boy)
      8. Santa Rose Serenade
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      11. (Ghost) Riders In the Sky
      12. Horses, Dogs, And Cowboys
      13. Cowboy Love Song
      14. Sage And Cedar II
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      16. Around the Campfire From A Prairie Portrait

      Product Description



      Format: CD
      American Classics - MacDowell: Complete Songs / Tharp, Barbagallo
      Average customer rating: 3 out of 5 stars
      • Good performance of good music
      • Tepid music, tepid performances
      American Classics - MacDowell: Complete Songs / Tharp, Barbagallo
      Edward MacDowell , James Barbagallo , and Steven Tharp
      Manufacturer: Naxos
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B00000IXIX
      Release Date: 1999-06-01

      Tracks:

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      2. Two Songs, Op.34: My Jean
      3. Drei Lieder, Op.33: Bitte (A Request)
      4. Drei Lieder, Op.33: Geistliches Wiegenlied (Cradle Hymn)
      5. Drei Lieder, Op.33: Idylle (Idyll)
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      7. Three Songs, Op.60: Fair Springtide
      8. Three Songs, Op.60: To The Golden Rod
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      10. Six Love Songs, Op.40: Sweetheart, Tell Me
      11. Six Love Songs, Op.40: Thy Beaming Eyes
      12. Six Love Songs, Op.40: For Sweet Love's Sake
      13. Six Love Songs, Op.40: O, Lovely Rose
      14. Six Love Songs, Op.40: I Ask But This
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      17. Drei Lieder, Op.11: The Skies, Where The Stars Are Glowing
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      19. Zwei Lieder, Op.12: The Band Of Roses
      20. From An Old Garden, Op.26: The Pansy
      21. From An Old Garden, Op.26: The Myrtle
      22. From An Old Garden, Op.26: The Clover
      23. From An Old Garden, Op.26: The Yellow Daisy
      24. From An Old Garden, Op.26: The Bluebell
      25. From An Old Garden, Op.26: The Mignonette
      26. Eight Songs, Op.47: The Robin Sings In The Apple Tree
      27. Eight Songs, Op.47: Midsummer Lullaby
      28. Eight Songs, Op.47: Folksong
      29. Eight Songs, Op.47: Confidence
      30. Eight Songs, Op.47: The West Wind Croons In The Cedar Trees
      31. Eight Songs, Op.47: In The Woods
      32. Eight Songs, Op.47: The Sea
      33. Eight Songs, Op.47: Through The Meadow
      34. Two Old Songs, Op.9: Deserted
      35. Two Old Songs, Op.9: Slumber Song
      36. Four Songs, Op.56: Long Ago, Sweetheart Mine
      37. Four Songs, Op.56: The Swan Bent Low To The Lily
      38. Four Songs, Op.56: A Maid Sings Light
      39. Four Songs, Op.56: As The Gloaming Shadows Creep
      40. Three Songs, Op.58: Constancy
      41. Three Songs, Op.58: Sunrise
      42. Three Songs, Op.58: Merry Maiden Spring

      Customer Reviews:

      4 out of 5 stars Good performance of good music.......2002-04-05

      I find less to criticize than others in this music and performance. If you know MacDowell, you know the kinds of things to expect from these songs. Not great music, but still beautiful genteel songs. MacDowell lets the lyricism flow smoothly. Most of the songs float along in the 6/8 rhythm MacDowell used so often. Concentrating on the melodic line, some of the occasional awkwardly thorny harmonies you can find in his miniatures fade into the background. Indeed, some may think the piano is too far in the background here. Too bad, because the late James Barbagallo obviously had quite a gift for MacDowell interpretation. Check out his recordings of MacDowell's solo piano works. What of tenor Tharp? Some may find his voice a little too thin, with a bit too much vibrato. But I say the songs are well sung regardless. Maybe the problem is that the songs really required a woman's voice. But what's done is done. These complete songs needed to be recorded, and this performance quite adequate, reservations notwithstanding. Over all, I wouldn't hesitate to recommend this recording.

      2 out of 5 stars Tepid music, tepid performances.......2000-03-26

      I'm sorry to have to say it, but this recording contains music that is undistinguished in performances that are competent only. The music is Grieg-and-water. The American tenor's voice is light-weight and charmless. The pianist is excellent. You can't beat the price, though, if you really want to hear this repertoire.
      Marvin Gaye : His Greatest Hits
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        ASIN: B000BH30FY

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        1.) I Heard It Through he Grapevine 2.) Come Get To This 3.) Let's Get It On 4.) God Is Love 5.) What's Going On 6.) Inner City Blues (Make Me Wanna Holler) 7.) Joy ---- Medley ---- a.) Ain't Nothing Like The Real Thing b.) Your Precious Love c.) Love Twins d.) If This World Were Mine 9.) Rockin' After Midnight 10.) Distant Love 11.) Sexual Healing
        Tiszta forrás (Pure Springs): Hungarian Folk Tunes and Their Arrangements in Works by Bartók and Kodály
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            Manufacturer: Hyperion
            ProductGroup: Music
            Binding: Audio CD

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            Piano Music of the Unknown Impressionists
            Average customer rating: 5 out of 5 stars
            • It's a treasure
            • Brilliant Musical Masterpiece!
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            Manufacturer: Fleur De Son
            ProductGroup: Music
            Binding: Audio CD

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            Release Date: 2001-04-24

            Customer Reviews:

            5 out of 5 stars It's a treasure .......2006-03-06

            The average person's music collection represents a very small percentage of the music literature, historically speaking. This is truly an opportunity. You can begin to broaden your viewpoint of impressionistic music with this recording, which is wonderful. If you ever wanted to hear the wind or sea, you can hear it in this recording. You'll be thrilled.

            5 out of 5 stars Brilliant Musical Masterpiece!.......2002-12-05

            For any person who loves classical music and impressionist composers, this is a MUST HAVE CD. The artist, David Reeves, does a magnificent performance and literally brings to life these pieces, some that have not been heard for decades. If you have never heard this type of music, this is the CD to start and finish your collection.
            THERE HAS TO BE A SONG
            Average customer rating: Not rated
              THERE HAS TO BE A SONG
              THE HUNTS
              Manufacturer: CEDAR HILL
              ProductGroup: Music
              Binding: Audio CD
              ASIN: B000ONA6SE
              Mellow Cello: Pure Classical Gold
              Average customer rating: Not rated
                Mellow Cello: Pure Classical Gold

                Manufacturer: Going for a Song/Cedar
                ProductGroup: Music
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                Product Description

                1. Sonatina: Bax 2. Sonata in F: Grazioli 3. Suite No. 3 in C Major BWV 1009 (Excerpts): JS Bach 4. Sevilla, Midnight on Holy Thursday: Turina 5. Asturienne from Suite Populaire Espanol: De Falla 6. Requiebros: Cassado 7. Etude: Scriabin 8. Sonata in F Major, Op 99: Brahms 9. Flight of the Bumblebee: Rimsky-Korsakov

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