Advent

On this CD: 1. Advent, for piano, voice, oboe & electric guitar
Composed by Richard Youngs
with Richard Youngs

Editorial Reviews
Halana
"...Advent indicated signs of life in a genre long dormant in the 80s 'experimental' scene..."

Product Description
Jagjaguwar is excited to reissue Richard Youngs' Advent, his very first vinyl originally released in 1990 his own No Fans label. Only 300 LPs were released initially. It was then later released on the Table Of The Elements label and quickly went out of print. The record has became a true underground success story and a critical darling, with Alan Licht putting it on his "Minimal Top Ten" list in Halana. Simply put, it is essential. Excerpts from Richard Youngs' essay, accompanying the CD, provide the best backdrop to this very special record. Youngs has since become the king of the progressive minimalists and his output has remained prolific. Since 2000, he has released five full-length records on Jagjaguwar alone, in addition to multiple collaborations with other artists such as Makoto Kawabata (Acid Mothers Temple), Simon Wickham-Smith and Neil Campbell.

Advent,Richard Youngs,Richard Youngs,Jagjaguwar,Electronic/Avant-Garde/Minimalist Music,New Age,Pop,Rock

Advent

Tracks:

Introitus: Ecce advenit
Graduale: Onmes de Saba
Communio: Omnes qui in Christo
Halleluja: Dies sanctificatus
Ofertorium: Tui sunt caeli
Hymnus: Creator alme siderum
Introitus: Gaudens gaudebo
Halleluja: Leatatus sum
Communio: Dicite Pusillanimes
Tractus Deus: Deus meus
Introitus: Misereris
Antiphon: Pueri Hebraeorum
Hymnus: Gloria
Graduale: Christus factus est
Halleluja: Hallelujah
Introitus: Resurrexi
Sequenz: Victimae paschalis laudes
Hymnus: Veni creator

Customer Reviews:

Excellent for Meditation.......2007-08-01

It wonderful to hear the voices and to sit in a quiet room. Thank you.

Relaxing..........2007-07-22

If you like gregorian chants... you will love this cd. Its perfect to just sit on you own... and meditate.

Great music, great price.......2007-05-07

I ordered this cd for a book club I was hosting on the book "The Pillars of the Earth" by Ken Follett. It was perfect "mood" music for the discussion and the price was unbeatable!

Definitely Meditative.......2007-03-09

The gift that these men are able to share is worth listening to. To be quiet in yourself and allow space for this soulful chanting is an experience in itself.

Gregorian Meditation.......2007-01-13

Great CD. My wife and I listen to it almost daily. We even use it for prayer sessions. Also the product was in perfect condition and and was as advertised. We're totaly satified.

Average customer rating:

Shines like the noon day sun
Soundtrack, FF VII Advent Children
FF:Advent Children DVD
FFVII - Nobuo Uematsu THE BEST
amazing music!!

Final Fantasy VII: Advent Children
Original Game Soundtrack
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Final Fantasy VII - Advent Children (Two-Disc Special Edition)
Kingdom Hearts, Vol. 2
Kingdom Hearts
Final Fantasy VII
The Black Mages: Final Fantasy

ASIN: B000AO8CH4
Release Date: 2005-10-10

Tracks:

Opening
Promised Land
Beyond The Wasteland
Sign
Japanese Title (Piano Version)
For The Reunion
Japanese Title (Piano Version)
Water
Materia
Black Water
Japanese Title (Piano Version)
Battle In The Forgotten City
Violator
Japanese Title (Ffvh Ac Version)
Divinity I
Japanese Title (Ffvh Ac Version)
Japanese Title (Ffvh Ac Version)
Divinity Ii
Encounter
Chase Of Highway
Savior
J-E-N-O-V-A (Ffvh Ac Version)
Japanese Title Advent: One-Winged Angel
Cloud Smiles
End Credits
Calling

Album Details

Includes a booklet.

Customer Reviews:

Shines like the noon day sun.......2007-03-08

Wow with glory this cd shines, The music is ever so awesome :)

Soundtrack, FF VII Advent Children.......2007-02-20

Exactly like in the movie. I do like how they re-do the One Winged Angel.

FF:Advent Children DVD.......2007-01-03

Awesome movie! A must see for any FF fan!
::WARNING-POSSIBLE SPOILER::
But as a particular Aeris/Aerith lover, don't hope for any truth to those ressurection rumours floating around. Just like the game itself (which has been proved to be incomplete and had originally been programed to accomodate the resurrection), its bogus. But she still gets some interesting screen time. Evidently, Tifa's CGI character looks almost exactly like her English voice actress, Rachel Leigh Cook!

FFVII - Nobuo Uematsu THE BEST.......2006-12-17

Nobuo Uematsu is a composer I wish everyone could listen to. FFVII AC soundtrack is just incredible as everyones posted. Fans of FFVII will be taken back in time, to both the game and movie. Nonfans too can appreciate the music!

Nobuo just is a talented composer who can create any type of music fantastically, this track ranges from classical, gospel, hard rock, techno, operatic, just... he does any genre with ease.

This music and FFVII itself has a special place for me, and the music was at the forefront to make the story, characters and experience be unforgettable. Of course playing the game itself I am more emotionally attached to the music and even movie... All the characters themes, everything is here. Mostly from the game, there are original stuff here tho.

WORTH MENTIONG personally... (ending in my favorite on 2nd CD, "Cloud Smiles"

FIRST CD -

2. Promised Land - just great, gospel like, always inspiring and solemn at the same time.

3. Beyond the Wasteland - watch your house rumble! The bass beats during the first half are great. Then it turns into a great action set, gypsie like driving song, always fun to listen to!

4. (piano themes) Aerith's, Tifas... because beautifully done on piano, always takes me back to game. Just wonderful pieces by themselves, I mean Aerith, come on! =)

5.) Battle in Forgotten City - such a percussive, bass driven piece with rock and choir and Herman like violins. I can play this one over and over so fun and great.

2nd CD -

Divinity I - alwyas gives me shivers. Classic Nobuo deep choirical, operatic cinematic classical orchestral action!

Divinity II - Like I. But inpsiring as cloud flies high to save the day... and then Aerith's theme at the peak, just always gets me.

MY FAVORITE - CLOUD SMILES - This purely because it effects me emotionally everytime, takes me back to game, and then end of AC... Aerith such a big thing, just seeing how it ends now, makes you happy, and you feel exactly what Cloud does as she leaves to the music.

ANYWAYS... Long rant but just one of those things, as a fan of anything, the music makes it all come alive for ya! Anything that sends you back in time, effects you on an emotional level is worth raving about!

Nobuo Uematsu - as Barret would say, "You are the man!"

amazing music!!.......2006-08-06

i LOVE this cd very very much. the piano is amazing and the "rockish songs" are awsome...!!!! the piano songs are very peaceful. If u love the movie, then i know u will love this. oh my gosh !!! get this cd now! (i am listening to it now!!!!!!!!!)

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Mahler Symphonies: An Owner's Manual (includes 1 CD)
The Young Person's Guide to the Orchestra (Book & CD)
Study of Orchestration, Third Edition
The Life and Works of Ludwig van Beethoven

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Love Divine All Loves Excelling - Choir Of Gloucester Cathedral
Father Hear the Prayer We Offer - Choir Of Gloucester Cathedral
Now Thank We All Our God - Choir Of Gloucester Cathedral
This Day, The First of Days - Choir Of Gloucester Cathedral
Stars of the Morning So Gloriously Bright - Choir Of Gloucester Cathedral
God Save the Queen - Choir Of Gloucester Cathedral
Day of Resurrection - Choir Of Gloucester Cathedral
God Rest You Merry Gentlemen - Choir Of Gloucester Cathedral
Of the Father's Heart Begotten - Choir Of Gloucester Cathedral
O Come All Ye Faithful - Choir Of Gloucester Cathedral
Awake My Soul and With the Sun - Choir Of Norwich Cathedral
Thine Arm O Lord in Days of Old - Choir Of Norwich Cathedral
All People That on Earth Do Dwell - Choir Of Norwich Cathedral
Good Christian Men Rejoice and Sing - Choir Of Norwich Cathedral
There Is a Green Hill - Choir Of Norwich Cathedral
Lord of Beauty - Choir Of Sheffield Cathedral
Rejoice Today With One Accord - Choir Of Sheffield Cathedral
New Every Morning - Choir Of Sheffield Cathedral
Lead Us Heavenly Father Lead Us - Choir Of Sheffield Cathedral
O God Our Help in Ages Past - Choir Of Sheffield Cathedral

Tracks:

Morning Has Broken - Choir Of Marlborough College Chapel
Happy Are They - Choir Of Marlborough College Chapel
In Christ There Is No East or West - Choir Of Marlborough College Chapel
Silent Night - Choir Of Marlborough College Chapel
Be Thou My Guardian - Choir Of Marlborough College Chapel
Ye Servants of the Lord - Choir Of Marlborough College Chapel
At the Name of Jesus Every Knee Shall Bow - Choir Of Marlborough College Chapel
To Thee O Lord Our Hearts We Raise - Choir Of Marlborough College Chapel
Behold the Great Creator Makes - Choir Of Marlborough College Chapel
Rejoice the Lord Is King - Choir Of Marlborough College Chapel
Creator of the Stars of Night - Ely Cathedral Choir
He Comes With Clouds Descending - Ely Cathedral Choir
O Little Town of Bethlehem - Ely Cathedral Choir
Alleluya Alleyluya Alleyluya - Ely Cathedral Choir
This Is the Day the Lord Hath Made - Ely Cathedral Choir
How Sweet the Name of Jesus Sounds - Ely Cathedral Choir
Lord Thy Word Abideth - Ely Cathedral Choir
Jesus Lord We Look to Thee - Ely Cathedral Choir
O Lord Our God Arise - Ely Cathedral Choir
Lord of All Hopefulness - Ely Cathedral Choir

Tracks:

Soldiers of Christ Arise - Choir Of Wakefield Cathedral
Lift Up Your Hearts - Choir Of Wakefield Cathedral
Holy Father, Cheer Our Way - Choir Of Wakefield Cathedral
Maker of the Sun - Choir Of Wakefield Cathedral
O King Most High - Choir Of Wakefield Cathedral
O Praise Our Great and Glorious Lord - Choir Of Wakefield Cathedral
Forgive Our Sins as We Forgive - Choir Of Wakefield Cathedral
We Love the Place O God - Choir Of Wakefield Cathedral
Let Us With a Gladsome Mind - Choir Of Wakefield Cathedral
Give Rest O Christ - Choir Of Wakefield Cathedral
Come Holy Ghost Our Hearts Inspire - Choir Of Truro Cathedral
O Thou in All Thy Might So Far - Choir Of Truro Cathedral
O Christ, Who Art the Light and Day - Choir Of Truro Cathedral
O God Thy Soldiers' Crown and Guard - Choir Of Truro Cathedral
Strife Is O'er the Battle Done - Choir Of Truro Cathedral
O Christ Our Hope, Our Hearts' Desire - Choir Of Truro Cathedral
Jesus Shall Reign - Choir Of Truro Cathedral
God of Love My Shepherd Is - Choir Of Truro Cathedral
O Jesu Saviour of Mankind - Choir Of Truro Cathedral
Immortal Invisible God Only Wise - Choir Of Truro Cathedral

Tracks:

Ride on Ride on in Majesty - Choir Of All Saints - Margaret Street, London
All Glory Laud and Honour - Choir Of All Saints - Margaret Street, London
Come Rejoicing - Choir Of All Saints - Margaret Street, London
God Is Love and Where True Love Is - Choir Of All Saints - Margaret Street, London
Magnificat: The Great Advent Antiphons - Choir Of All Saints - Margaret Street, London
Come, Christ's Beloved - Choir Of All Saints - Margaret Street, London
Children of the Hebrews (Palm Procession) - Choir Of All Saints - Margaret Street, London
Veneration of the Cross/The Reproaches (Veneratum and Reproaches) - Choir Of All Saints - Margaret Street, London
Once in Royal David's City - Choir Of Keble College
God Be in My Head - Choir Of Keble College
O Thou Who Camest from Above - Choir Of Keble College
Judge Eternal Throned in Splendour - Choir Of St Edmunsbury Cathedral
Christ the Lord Is Risen Again - Choir Of St Edmunsbury Cathedral
For All the Saints - Choir Of St Edmunsbury Cathedral
Thy Hand O God Has Guided - Choir Of St Edmunsbury Cathedral
Christ the Dawn of Our Salvation - Choir Of Eastbourne College Chapel
I Was Glad - Choir Of Eastbourne College Chapel
Dear Lord and Father of Mankind - Choir Of Eastbourne College Chapel
Locus Iste - Choir Of Eastbourne College Chapel
Praise My Soul the King of Heaven - Choir Of Eastbourne College Chapel

Tracks:

Stand Up! Stand Up for Jesus! - The Choir of the Abbey School, Tewkesbury
While Shepherds Watched Their Flocks - The Choir of the Abbey School, Tewkesbury
O Worship the King - The Choir of the Abbey School, Tewkesbury
O Heavenly Word of God on High - Choir Of The Collegiate Church Of St Mary
Praise to the Lord, The Almighty - Choir Of The Collegiate Church Of St Mary
Jesus Christ Is Risen Today - The Choir of York Minister
First Nowell - The Choir of York Minister
Abide with Me - The Choir of York Minister
Breathe on Me Breath of God - Choir Of Keble College
Rock of Ages - Choir Of Keble College
On This Day, The First of Days - Choir Of Keble College
Jesu Sweet and Mary - Choir Of Eastbourne College Chapel
O Quam Gloriosum - Choir Of Eastbourne College Chapel
Ye Holy Angels Bright - Choir Of Eastbourne College Chapel
O for a Closer Walk With God - Choir Of Eastbourne College Chapel
Prayer of St Patrick - Choir Of Eastbourne College Chapel
Lord's Prayer - Choir Of Eastbourne College Chapel
Blessed Be the God and Father - Choir Of Eastbourne College Chapel
Day Thou Gavest Lord Is Ended - Choir Of Eastbourne College Chapel
Jerusalem (And Did Those Feet in Ancient Times) - Choir Of Eastbourne College Chapel

Album Description

Full Title - 100 Hymns & Songs Of Inspiration. UK box-set featuring 100 tracks performed by Britain's finest Cathedral Choirs including, Gloucester Cathedral, Norwich Cathedral, Sheffield Cathedral, & many more. Five standard jewel cases housed in a slipbox. Castle Pulse. 2003.

Customer Reviews:

The picture.......2006-12-11

I haven't purchased the CD but the picture of the inside of a church on the cover is not of a British church, like one would assume since it says its a recording of British choirs. This picture is of Notre Dame Basilica in Montreal, Quebec, Canada. Just thought i'd let you know. I'll be honest; I'm one to judge things by it's cover and if the company took such care to choose a 'British' church for their British choir CD, I'm willing to bet the music is equally well selected... I'm being sarcastic. But I gave the product 5 stars because I didn't want to hurt its ratings just because i'm cynical. But check out the church if you're ever in Montreal, it's truly beautiful... here I'm not being sarcastic.

Average customer rating:

An Avant-Garde Must Get
Crumb in poetic and eerilie beautiful mood
Exceptional
Just Listen
What is the Opposite of Music? Listen to this and find out!

Crumb: Ancient Voices Of Children

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Avant Garde & Free Jazz | Jazz | Styles | Music
Similar Items:

Black Angels
George Crumb: Songs, Drones, and Refrains of Death
American String Quartets, 1950-1970
Complete Crumb Edition, Vol. 6 - Echoes of Time and the River, Gnomic Variations, Four Nocturnes, Lux Aeterna
The Ligeti Project IV: Hamburg Concerto (Horn Concerto) / Double Concerto / Ramifications / Requiem

ASIN: B000005IY6
Release Date: 1990-10-25

Tracks:

Ancient Voices Of Children: El Nino Busca Su Voz
Ancient Voices Of Children: Dances Of The Ancient Earth
Ancient Voices Of Children: Me He Perdido Muchas Veces Por El Mar
Ancient Voices Of Children: De Done Vienes, Amor, Mi Nino? (Dance Of The Sacred Life Cycle)
Ancient Voices Of Children: Ghost Dance
Ancient Voices Of Children: Se Ha Llenado De Luces Mi Corazon De Seda
Music For A Summer Evening: Nocturnal Sounds (The Awakening)
Music For A Summer Evening: Wanderer-Fantasy
Music For A Summer Evening: The Advent
Music For A Summer Evening: Myth
Music For A Summer Evening: Music Of The Starry Night

Amazon.com

One of the most important and magical song cycles in contemporary music, Ancient Voices of Children, is the setting of a series of haunting texts by the Spanish poet Federico García Lorca for mezzo-soprano, boy soprano, and chamber orchestra. The piece made a huge impression on audiences at its initial performances. Indeed, this recording became something of a cult phenomenon, much like the Górecki Third Symphony today; and if you weren't around for the initial discovery, now's your chance. Music for a Summer Evening uses essentially the same forces as Bartók's Sonata for Two Pianos and Percussion, and creates an evocative, glittering nightscape. Great stuff.--David Hurwitz

Customer Reviews:

An Avant-Garde Must Get.......2003-05-07

I remember a time when I was at a flea market and was looking through some vinyl records (possibly about the time before I got my first CD player). One particular record got my attention. The cover sort of resembles a newspaper article with a picture insert of a nebula. What got my attention were "Makrokosmos" and that it was a Nonesuch record. I've heard a few Nonesuch records and notice how different the music tends to be. So I thought I buy it for $1 (if I recall correctly). When I listened to it at home, I knew I made a good choice. It had the strange 20th century music - rather atonal. It's a good thing the vinyl record was in good shape, especially when it came to the very quiet parts. I have that record today, still in good shape.

About a few years after buying the vinyl record, I was looking through some CDs in a store (after I got my first CD player). I've found the Nonesuch CD that had "Ancient Voices of Children" AND "Music for a Summer Evening (Makrokosmos III)." I didn't buy it because I wanted to get it on sale. Well, time passed. One day, I saw one up for bid on eBay. I think I was the only bidder on it. The jewel case may have a few scratches (which I wouldn't worry about) but the CD itself was like new.

I'm glad that I got it on CD. I could listen to the music without any clicks or pops you would hear from a vinyl LP (especially since the music gets very quiet at times). Although you wouldn't get the "warm analog sound" you get from the vinyl. Nevertheless, it does sound very good considering that it's AAD. Whoever likes avant-garde music may want to get this.

One thing I want to let you know. Whoever did the tracking on the CD must've misjudged about the beginnings of "Myth" and "Music of the Starry Night." "Myth" begins at index 8:02 on track 9. Tracks 10 and 11 are the last movement, "Music of the Starry Night." Take note of that when listening to this CD.

Crumb in poetic and eerilie beautiful mood.......2002-06-17

Those who know US composer George Crumb mainly from the terrifying musings of 'Black Angels' (made semi-famous by the Kronos Quartet) will probably be surprised by the haunting beauty of 'Ancient Voices'. Based on texts from Lorca, the rich but sparing instrumentation is complemented by evocative, floating soprano - sometimes sung into the piano to create an eerie, mystical ambient. My first exposure was at London's Roundhouse in 1976, where even the background rumbling of trains couldn't sublimate the extraordinary lure of Crumb's sound world. Truly gorgeous and thoughtfully composed.

Exceptional.......2002-06-15

This disc is flawless. The caliber of music making is extremely high, and the pieces themselves are among Crumb's absolute finest.

Music for a Summer Evening is, perhaps, the lesser signifigant work of the two presented here. Even so, it is an astounding presentation of of Crumb's effective use of extended tequniques, and the ability of his atmospheric writing to stir up strong emotions. Here, Crumb has significantly built on the two pianos/percussion format that Bartok made famous in his Sonata.

Ancient Voices of Children is an important song cycle in the post-WWII repertoire. His extended singing tecniques are used to great effect, and the haunting, mystical effects that he cojours within the limited instrumentation are amazing.

Crumb is one a handfull of composers that can write atmospheric music so well, and pull off these avant-garde tecniques so usefully. If you do not know his music, start with this disc; it's breathtaking.

Just Listen.......2002-06-08

I just recently reaquainted myself with this work after about thirty years. Ancient voice of Children retains all of the mystery and magic that I heard when I first encountered the piece at the age of 11. The work resembles not so much a conventional piece of music as a mystic ceremony. Set to fragments from the poetry of Frederico Garcia Lorca, the music captures the magical nature of the poet's verse. The unusual instrumental effects are haunting. Amoung my favorite is the quotation from Bist Du Bei Mir played on a toy piano as a haunting elegy for a dead child. The work builds in it's last section to a shattering climax.

The perfomance is quintessential. Jan DeGaetani was marvelous in this style of music and is sorely missed as a performer. The ensemble is spirited and very precise. The only thing that you miss on this CD is the visual choreography of a live performance, which is hypnotizing.

Macrocosmos III was a new piece to me and is every bit as haunting as other Crumb music. The ending is luminous...en eternal spinning out of music in the Lydian scale.

Be aware, this is avant garde music, though I feel it is quite assessible to those who listen without preconceptions. It is certainly more assessible than Elliot Carter or Boulez. It is not Part or Gorecki...but then not everything has to be. For me, this is not about style but about substance. Crumb moves me every bit as much as more assessible composers. You just have to listen with different ears, that's all.

What is the Opposite of Music? Listen to this and find out!.......2001-11-02

Here I am, the skeleton at the feast of 5* reviews proving again the old adage that "One man's meat is another man's poison". I hardly believe that even a small percentage of people (let's leave aside Professors of Avant-Garde Music for the time being) would be able to listen to, let alone enjoy, more than a few minutes of this music (I use that term in it's very loosest definition). It is ridiculous, therefore, that this should have a preponderance of 5* reviews. Consequently I believe that I am doing a service by standing up and pointing out "bad" music just as I do in applauding "good" music.

I came at this CD - which I bought thanks to some of the aforementioned 5* which I was foolish enough to believe - with the expectation that it would be modern, avant-garde and probably rather ineffable initially. I am prepared for this, believing that often the best music is not instantly grasped and needs careful auditioning. When I listened to it, however, I found that my expectations were not nearly extreme enough. This is music trying so hard to establish its originality that it appears to have progressed well beyond my definition of what music actually is. It is music as art, as a statement and not music to listen to - think about this a little! Hence my opening line - this is the opposite of music.

Instead, this production seems to be comprised of irrelevant and inconsequential noises, none of them musical. To save you the money, and more importantly the time, I will precis this CD for you:

A womans shriek followed by about 20 seconds of silence.
A sound rather like a large rodent being let loose inside a piano.
Some blocks of wood being banged together.
More shrieking.
More silence.
A voice making a strange sound as if copying a phone ringing.
More silence.
More wood being banged together.
More silence

Etcetera, etcetera, ad nauseam

At some point in this avant-garde nonsense somebody is going to blow the whistle and irreverently point out that the "Emperors New Clothes" do not actually exist. In the service of music, as opposed to "art", I am prepared to do the pointing! This production is nothing more that a deeply unmusical joke against those pseudo-intellectuals who completely miss the concepts of humanity and accessibility in music. "Composers" who write this stuff do so as to hide their lack of musical creativity behind an intellectual argument. Don't believe the hype, leave this one on the shelf!

For those aesthetes and enthusiasts who are intent on heading down a progressive route of "classical" music which yet retains any humanity and sympathy, Part and Gorecki appear to have been able to create music of originality and humanity, proving that it can be done.

Tracks:

Advent Cantatas: Nun Komm, Der Heiden Heiland, BWV 61: 1. Ov 'Nun Komm... - The Monteverdi Chor/John Eliot Gardiner
Advent Cantatas: Nun Komm, Der Heiden Heiland, BWV 61: 2. Recitative: 'Der... - Anthony Rolfe Johnson
Advent Cantatas: Nun Komm, Der Heiden Heiland, BWV 61: 3. Aria: 'Komm, Jesu... - Anthony Rolfe Johnson
Advent Cantatas: Nun Komm, Der Heiden Heiland, BWV 61: 4. Recitative: 'Siehe, Ich Stehe Vor Der Tur' - Olaf Bar
Advent Cantatas: Nun Komm, Der Heiden Heiland, BWV 61: 5. Aria: 'Offne Dich, Mein Ganzes Herze' - Nancy Argenta
Advent Cantatas: Nun Komm, Der Heiden Heiland, BWV 61: 6. Chorale: Amen - The Monteverdi Chor/John Eliot Gardiner
Advent Cantatas: Schwingt Freudig Euch Empor, BWV 36: First Part, 1.: Schwingt Freudig Euch Empor - The Monteverdi Chor/John Eliot Gardiner
Advent Cantatas: Schwingt Freudig Euch Empor, BWV 36: First Part, 2.: Nun Komm, Der Heiden Heiland - The Monteverdi Chor/John Eliot Gardiner
Advent Cantatas: Schwingt Freudig Euch Empor, BWV 36: First Part, 3. Aria: Die Liebe Zieht Mit... - Anthony Rolfe Johnson
Advent Cantatas: Schwingt Freudig Euch Empor, BWV 36: First Part, 4.: Zwingt Die Saiten in Cythara - The Monteverdi Chor/John Eliot Gardiner
Advent Cantatas: Schwingt Freudig Euch Empor, BWV 36: Second Part, 5. Aria: Willkommen, Werter Schat - Olaf Bar
Advent Cantatas: Schwingt Freudig Euch Empor, BWV 36: Second Part, 6.: Der Du Bist Dem Vater Gleich - Anthony Rolfe Johnson
Advent Cantatas: Schwingt Freudig Euch Empor, BWV 36: Second Part, 7. Aria: Auch Mit Gedampften... - Nancy Argenta
Advent Cantatas: Schwingt Freudig Euch Empor, BWV 36: Second Part, 8.: Lob Sei Gott, Dem Vater, Ton - The Monteverdi Chor/John Eliot Gardiner
Advent Cantatas: Nun Komm, Der Heiden Heiland BWV 62: 1.: Nun Komm, Der Heiden Heiland - The Monteverdi Chor/John Eliot Gardiner
Advent Cantatas: Nun Komm, Der Heiden Heiland BWV 62: 2. Aria: Bewundert, O Menschen, Dies Grosse... - Anthony Rolfe Johnson
Advent Cantatas: Nun Komm, Der Heiden Heiland BWV 62: 3. Recitative: So Geht Aus Gottes... - Olaf Bar
Advent Cantatas: Nun Komm, Der Heiden Heiland BWV 62: 4. Aria: Streite, Siege, Starker Held! - Olaf Bar
Advent Cantatas: Nun Komm, Der Heiden Heiland BWV 62: 5. Recitative: Wir Ehren Diese Herrlichkeit - Nancy Argenta/Petra Lang
Advent Cantatas: Nun Komm, Der Heiden Heiland BWV 62: 6.: Lob Sei Gott, Dem Vater, Ton - The Monteverdi Chor/John Eliot Gardiner

Customer Reviews:

Bach JS : Advent Cantatas with John Eliot Gardiner.......2007-01-25

A magnificent interpretation of JS Bach's Advent Cantatas by Sir John Eliot Gardiner, a great joy and companion for those wonderful Advent Sundays.

Very nice performances of Bach cantatas.......2006-01-09

Bach wrote two really good cantatas to the text "Nun komm, der heidend heiland and the Monteverdi Choir under the direction of John Eliot Gardiner does a wonderful job of performing these delightful cantatas. Both cantatas start with impressive choruses and are filled with nice arias.

Cantata BWV 36 "Swhings freudig euch empor" also provides some good classic Bach with a good interplay of various instruments with touching vocals. As a rule, look for Gardiner performances of Bach cantatas because they are performed well and are delightful to the ear. If Gardiner and the Monteverdi Choir have performed a Bach Cantata, snatch it up.

Spellbinding Performancesof Bach Led by Gardiner.......2003-07-16

I am not familiar with Bach's prodigious output of choral music, but this splendid CD will surely be the first of many in my collection. Sir John Eliot Gardiner leads his English Baroque Soloists and Monteverdi Choir in a set of spellbinding performances of J. S. Bach's cantatas composed in honor of Advent. These are lyrical, vibrant performances from both the original instruments and the choir, with special note given to Nancy Argenta's silky phrasing. I have no doubt that these will be viewed as the definitive recordings of Bach's Advent cantatas. The sound quality is exceptional for an early 1990's recording. Fans of historically correct performances, Sir John Eliot Gardiner, and of course, J. S. Bach, will not be disappointed with this CD.

A delight.......2001-01-25

J. S. Bach lavished his inventive genius on the cantatas he wrote for weekly church services, and they are altogether too little known. This recording features three cantatas for the First Sunday in Advent (the only Sunday in Advent at which concerted music was sung). All three are built around the great German Advent hymn "Nun komm der Heiden Heiland," written by Martin Luther. Despite their common reliance on this hymn, there is no tedium here; each cantata has its own distinctive voice and message.

Tracks:

March Carillon
Chorale And Alleluia
A Movement For Rosa
Chorale Prelude: Be Thou My Vision
Celebrations - For Chorus And Wind Ensemble: Stranger
Celebrations - For Chorus And Wind Ensemble: I Celebrate Myself
Celebrations - For Chorus And Wind Ensemble: You Who Celebrate Bygones
Celebrations - For Chorus And Wind Ensemble: There Is That In Me
Celebrations - For Chorus And Wind Ensemble: Sing Me The Universal
Celebrations - For Chorus And Wind Ensemble: Flaunt Out, O Sea
Celebrations - For Chorus And Wind Ensemble: I Sing The Body Electric
Celebrations - For Chorus And Wind Ensemble: Clear Midnight
Celebrations - For Chorus And Wind Ensemble: Voyage
Variants On An Advent Hymn: Theme And Variation I
Variants On An Advent Hymn: Variation II
Variants On An Advent Hymn: Variation III
Variants On An Advent Hymn: Variation IV
Themes From 'Greenbushes'
Escape From Plato's Cave: The Cave, The Struggle And The Man From The Light!
Escape From Plato's Cave: Message Of The Man (The Fragile Heart)
Escape From Plato's Cave: Escape...Into The Light!

Customer Reviews:

Beautiful wind ensemble music.......2003-06-29

This treasure of a CD features some beautiful wind ensemble music, which really should receive more attention in the mainstream. Not your typical Sousa CD, this features the wind ensemble at its best, with both sections of the full, gorgeous ensemble sound and solo sections featuring the individual tone colors that contribute to the unique ensemble sound. The emotional capacity of this type of ensemble is huge, and this CD demonstrates that well. I would certainly recommend this CD to any lovers of band music and classical music, particularly those who enjoy the Romantic and 20th century composers who tend to use the winds to a fuller extent.

Average customer rating:

Santiago De Murcia Codex

Manufacturer: Astree
ProductGroup: Music
Binding: Audio CD

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Folias & Canarios

ASIN: B0009PEYT4
Release Date: 2005-08-16

Average customer rating:

Heavenly
The Holy Grail of Choral Recordings
One Small Correction
Gorgeous music, gorgeous performances
Stunning collection suitable for music nuts or newbies alike

Choral Moods

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Agnus Dei: Music of Inner Harmony
The Only Choral CD You'll Ever Need
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Agnus Dei II: Music to soothe the soul

ASIN: B00000DFKO
Release Date: 1998-10-13

Tracks:

Miserere Mei, Deus
Deutsche Messe D.872: Sanctus
Hear My Prayer, Oh Lord
Timor Et Tremor
Videntes Stellam
Psalm 13, OP.27
O Salutaris Hostia
Salvette Flores
Evening Hymn
L'enfance du Christ: Shepherd's Farewell
Ave Maria
Advent Responsory
Ave Maria OP.93
Edi Beo Thu, Hevene Quene
Missa Cum Iubilo (Gregorian Chant): Kyrie
Missa Cum Iubilo (Gregorian Chant): Gloria
Missa Cum Iubilo (Gregorian Chant): Sanctus & Benedictus
Missa Cum Iubilo (Gregorian Chant): Agnus Dei
Requiem: In Paradisum
Agnus Dei

Tracks:

Nunc Dimittis
Mass In G: Agnus Dei
Ave Verum Corpus Op. 65 No. 1
O Ignis Spiritus Paracliti
Hear My Prayer
Ave Maria
Panis Angelicus
Eternal Father
Vom Himmel Hoch
Ave Maria
Messe basse: Kyrie
Messe basse: Sanctus
Messe basse: Benedictus
Messe basse: Agnus Dei
Rejoice, Rejoice
Salve Regina, Op. 67 No. 1
Ave, Verum Corpus
Laudi Alla Vergine Maria
Tenebrae Facta Sunt
O Sacrum Convivium

Customer Reviews:

Heavenly.......2007-03-29

This is the most uplifting music I have encountered. The angelic sounds of this choral group help me stay sane on California highways!

The Holy Grail of Choral Recordings.......2006-07-03

This was the first choral CD I've ever purchased when I started becomming involved with choir during my senior year of high school five years ago. My director was telling the choir that he had finally found his copy at a music store and referred to it as the "Holy Grail" of choral recordings. So, I went out to find my own copy and I'm still blown away by it today. I've even given copies as gifts. The music is certainly relaxing and such, but what I most value from it is the spiritual magic. The Choir of Trinity College, Cambridge (then and now my favorite choir in the world) brings every composition to life in such a way that's pure, elegant, and deep. Listening to this music and enjoying this choir has allowed me to set my own standard of singing and compositional excellence.

One Small Correction.......2004-03-06

I keep finding new things to love on this CD, including the fact that it has the first recording I found of Gabriel Faure's beautiful Soprano (or Soprano/Alto) duet Ave Maria., Opus 93. The same recording appears on another CD where the singers are named. The above description of this selection unaccountably adds a baritone. Incidentally, Faure also composed a shorter SATB Ave Maria, which John Rutter has recorded.

I only wish the recording included the complete text of Psalm 50/51 from Gregorio Allegri's Miserere Mei Deus. This might come from John Rutter's recently edited score, published by Oxford Press, if I'm not mistaken. I, for one, do not find this selection (or indeed the entire recording) too long and I believe that the embellishments at the end (mentioned in another review) are probably correct when considering performance conventions of the time of its composition.

Gorgeous music, gorgeous performances.......2003-06-19

I am a semi-professional singer with a BA in Music, and I bought this CD with some trepidation because it looked like one of those dreadful "pop classical" compilations that are everywhere lately. But it had lots of great repertoire all in on place, so I decided to risk it, and I was not disappointed! In fact, this is now one of my favorite choral CDs.

As usual, the Choir of Trinity College delivers stunning performances, and the music itself is just gorgeous. Lots of "church" favorites from a wide range of musical periods. The mood of the CD is definitely on the mellow side, but it's perfect for those quiet moods. I love this CD -- highly recommended!

Stunning collection suitable for music nuts or newbies alike.......2002-03-18

Even as an avid fan of classical music with very picky tastes, there was just so much good music packed on these two (cheap!) discs for me to take in at once!
The perfectly balanced and locked chords can really give you chills.