Hymns Vol. II
Track Listings
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1. Love At Home
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2. More Holiness Give Me
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3. Behold, The Great Redeemer Died
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4. I Know That My Redeemer Lives
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5. God, Our Father, Hear Us Pray
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6. I Feel My Savior's Love
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7. All Creatures of Our God and King
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8. Father In Heaven, We Do Believe
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9. Jesus, The Very Thought of Thee
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10. Father In Heaven
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11. In Humility, Our Savior
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12. How Gentle God's Command
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13. Journey Within* (original bonus track)
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Editorial Reviews
Product Description
Paul Cardall's new release "Hymns II" follows his successful 1997 CD "Hymns". Paul incorporates interpretive elements into his delivery of well-known hymns.
Paul utilizes the ideas of "theme" and "variation on the theme". There are moments when Paul's creativity renders the song uneasily recognized. You may think you are simply listening to a beautiful piano solo, and then suddenly it becomes recognizable again as one of the familiar hymns you sing each Sabbeth. This method of adding creativity while maintaining familiar elements is refreshing.
Paul understands the meaning of the name of the instrument he plays - the piano-forte. Musicians and non-musicians alike will appreciate his use of dynamic range, from the soft and sublime to the powerful and profound. The piano was designed to deliver this type of performance, and Paul utilizes this capability to its fullest.
Some selections are Paul and his piano alone, while others include additional instruments, such as strings and acoustic guitar. Paul includes one of his original compositions on the CD, entitled "Journey Within".
Hymns Vol. II,Paul Cardall,Stone Angel
Hymns Vol. II
Average customer rating:
- Must have!
- an artistic triumph
- Interpretations of Gurdjieff's Music
- Inspired Subjectivity Encounters An Objective Music
- Stunning
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Gurdjieff, Tsabropoulos: Chants, Hymns and Dances
Manufacturer: ECM
ProductGroup: Music
Binding: Audio CD
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- Seekers of the Truth: The Complete Piano Music of Georges I. Gurdjieff and Thomas de Hartmann, Volume One
ASIN: B0002ONC72
Release Date: 2004-09-28 |
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Amazon.com
Philosopher, seeker after the truth, reconciler of science and religion, teacher, guru to artists, writers and musicians, Gurdjieff was an enigmatic figure; even his birthdate is uncertain: 1866 or 1877. He taught movements "to alter or heighten consciousness" at his Institute for the Harmonious Development of Man, located outside Paris---a highly improvisatory process for which he composed equally improvisatory music. Technically untrained, he depended on skilled assistants to realize and write down his ideas, and found one in a devoted disciple: Ukranian pianist/composer Thomas de Hartmann, who selflessly suspended his own career and, after Gurdjieff's death in 1948, privately published and recorded some of their collaborations. As a composer, Gurdjieff, born at the border of Armenia and Turkey, was influenced by the region's ethnic and cultural diversity, by his childhood memories of the religious and philosophical songs improvised by his father, a Greek troubadour, by the hymns of the Greek Orthodox Church, and by his extensive travels through Europe and Asia. For this recording, the performers themselves arranged his compositions for cello and piano, adding five pieces by pianist Tsabropoulos, including three based on Byzantine hymns. Both players have been involved with Armenian, Ukranian and Greek Orthodox music; both are expert improvisers. Their strong feeling and affinity for the material allows them to approach it with both reverence and freedom; the playing is primarily subdued and inward. The piano texture ranges from delicate tinkling to full-blooded chords and arpeggios; the cello, playing mostly in the low and middle register, often in unison with the piano, sounds dark, warm and beautiful. The music, except for one lively dance, is slow, solemn, and mournful, in the minor mode. Melodies featuring oriental intervals are elaborated but not developed; based on single-note drones, harmonies are static or move in stepwise progressions but do not modulate. This lack of contrast and variety creates an otherworldly, disembodied atmosphere, despite several buildups of motion, dynamics, and intensity. --Edith Eisler
Customer Reviews:
Must have!.......2006-01-12
This amazingly beautiful album to me is the soundtrack of Anatolia, of an era gone by when Turks, Greeks, Armenians and other ethnic groups shared their lives peacefully and harmoniously. Its sadness inevitably reminds me of millions who unnecessarily died on this soil in many wars fought in early twentieth century, of people forced to leave the only land the knew for unknown destinations and destinies, of the unimaginable hardships endured by its people. And more personally it takes me fom New York and puts me right next to my father's grave in a forgotten Anatolian village, 6000 miles away.
an artistic triumph.......2005-12-28
Peaceful, meditative, sad, introspective, deceptively simple. Classical. Coming from a deep sense of inner peace, like all things from the Work, but NOT New Agey.
Mystical.
Mr Gurdjieff sang or hummed his songs and Thomas deHartmann "wrote them down and added harmony". Hard to tell where Mr. G stops and deHartmann starts, but we will never know. Mr G speaks of Objective Music and the vast majority pieces of subjective music. This is the former.
I must confess that many other peformances and arrangements of the music of Gurdjieff/de Hartmann, the way it was "supposed to be played", left me cold. Most of the other renditions I heard were played by those Drunk with Orthodoxy, amaturish or just plain lacking in musical ability.
This version is a revelation!
I think G would approve of this.
I like this, I think that the arrangements for cello and piano instead of just piano, as written, is an artistic triumph. The cello played by Anja Lechner expresses the peace and meditative sadness inherent in the music, even if that wasn't the way it's usually played. Composers are often not the best intepreters of their music.
That having been said there are three part to this music, pieces by G/deH, Tsabropoulos and then more G/deH and when the pianist sticks his own works in the middle of Mr G's the quality of composition falls somewhat. His compositions are or similar mood and type to G/deH, but really don't have the same achieve the same heights of depth and soul. (Mr G would say they are not Objective Music, I guess.) Perfomances of all pieces are uniformly good.
I would hope this group will arrange more of Mr G's music in this format in the future.
Recommended.
Interpretations of Gurdjieff's Music.......2005-12-14
You may want to pass this one up if you enjoy Gurdjieff's music as he intended it to be. To me these seem like rambling, flimsy interpretations of strong, articulate works (if you have heard any of the Kremski recordings, you know).
The arrangements do not seem to have captured the spirit of Gurdjieff's music very well. If someone did with Beethoven what has been done with Gurdjieff's music here, I don't think it would be taken seriously.
If you are interested in a new "twist" on Gurdjieff's music, then you may enjoy this. If you enjoy Gurdjieff's music closer to the way which he composed it, then you will want to look for a different recording.
Inspired Subjectivity Encounters An Objective Music.......2005-03-19
Georges Ivanovitch Gurdjieff's music was first given a broad public exposure with Keith Jarrett's recording "Sacred Hymns" in 1980. The public was perhaps already partly prepared for this music in 1979, due to the release of director Peter Brook's beautiful film on the life of G.I. Gurdjieff, "Meetings with Remarkable Men". The closing sequences of "Meetings with Remarkable Men" show the middle-aged Gurdjieff being taught about deep ontological truths through live performances of both music and dance.
In the 1920's, at his Institute for the Harmonious Development of Man, Gurdjieff continued this work by collaborating with Thomas de Hartmann on creating an "objective music". A music that "would work upon all listeners equally, focusing their mental life and bringing them to a new relationship with the living universe". It is probably Keith Jarrett, who has worked closely with the Gurdjieff Societies of both London and New York, that has produced the most "authentic" or "objective" reading of Gurdjieff's music in recent years.
On this ECM New Series disc of 2004, "Chants, Hymns and Dances", Anja Lechner and Vassilis Tsabropoulos decided to take a more liberal, "subjective", approach. Their interest in these compositions is perhaps more "musical than philosophical". Their suitability for this task should be apparent. Lechner's most recent work has involved interpreting the music of both Armenian Composer Tigran Mansurian and the Ukrainian Valentin Silvestrov. While Tsabropoulos, for his part, has worked with ancient Byzantine music and the music of the Greek Orthodox Church.
According to the informative liner notes by Steve Lake, "This music exists for the individual to make of it what he or she will, according to capacity". Lechner and Tsabropoulos both have deep experience with composed music and also with the process of free improvisation. Indeed, these two performers brilliantly interpret Gurdjieff's music with gentle assurance and a bright spontaneity. The five original compositions on this disc by Tsabropoulos even suggest an affinity with the Gurdjieff sensibility that borders on predestination.
"Chants, Hymns and Dances" is worthy of repeated encounter and remains serenely vital with each new audition. This is an ambiguous music that defies easy spiritual classification.
Stunning.......2005-03-02
This is one of the most moving records I have ever heard. It is a must have for any classical music lover or anyone who appreciates deeply emotional music. So simple, so powerful. Wow.
Average customer rating:
- An Elegant and Inspiring collection of arranged Hymns!
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Hymns Vol. II
Paul Cardall
Manufacturer: Deseret Books
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005LP07
Release Date: 2001-06-27 |
Tracks:
- Love At Home
- More Holiness Give Me
- Behold, The Great Redeemer Died
- I Know That My Redeemer Lives
- God, Our Father, Hear Us Pray
- I Feel My Savior's Love
- All Creatures of Our God and King
- Father In Heaven, We Do Believe
- Jesus, The Very Thought of Thee
- Father In Heaven
- In Humility, Our Savior
- How Gentle God's Command
- Journey Within* (original bonus track)
Album Description
Paul Cardall's new release "Hymns II" follows his successful 1997 CD "Hymns". Paul incorporates interpretive elements into his delivery of well-known hymns.
Paul utilizes the ideas of "theme" and "variation on the theme". There are moments when Paul's creativity renders the song uneasily recognized. You may think you are simply listening to a beautiful piano solo, and then suddenly it becomes recognizable again as one of the familiar hymns you sing each Sabbeth. This method of adding creativity while maintaining familiar elements is refreshing.
Paul understands the meaning of the name of the instrument he plays - the piano-forte. Musicians and non-musicians alike will appreciate his use of dynamic range, from the soft and sublime to the powerful and profound. The piano was designed to deliver this type of performance, and Paul utilizes this capability to its fullest.
Some selections are Paul and his piano alone, while others include additional instruments, such as strings and acoustic guitar. Paul includes one of his original compositions on the CD, entitled "Journey Within".
Customer Reviews:
An Elegant and Inspiring collection of arranged Hymns!.......2001-09-01
You can tell Mr. Cardall plays from his heart. Although I am not of his LDS faith - I can appreciate what he is doing in sharing the popular hymns of his faith. You don't have to be LDS to love this record. Anyone who loves solo piano music will enjoy this one. It's beautiful. The CD has quieted my day and been very healing. If you're a fan of Mr. Cardall's other albums you'll like this one.
Average customer rating:
- A GREAT collection of sacred music
- A little relief from rock 'n roll
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Classic Sacred Duets Vol. II / Festival Of Hymns
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ASIN: B00003XAWX
Release Date: 1999-10-12 |
Tracks:
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- My FaithHas Found A Resting Place
- Rise Up, O Men Of God
- Come Thou Fount Of Every Blessing
- Jesus, The Very Thout Of Thee
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- O, Could I Speak The Matchless Worth
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- Jesus, Lover of My Soul
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- Jesus Paid It All
- Jesus, I Am Resting, Resting
- Christ the Lord Is Risen Today
Album Description
FESTIVAL OF HYMNS / Classic Sacred Duets Vol. II is a memorable collection of more than twentyy magnificent duets sung by Bobert Hale and Dean Wilder in more than 4000 concertsin 20 years
For twenty years the extraordinary vocal duo of bass- baritone Robert Hale and tenor Dean Wilder thrilled Amer-ica from coast-to-coast and across the world with more than 4000 remarkable sacred concerts and over twenty recorded projects..
Their magnificent vocal talents combined with a rare level of musical artistry and a deep sensitivity to the depth of meaning found in their wide repetoire of hymns and sacred songs, made a Hale & Wilder program an unforgetable experience for the multiplied thousands priveledged enough to hear them in concert.
A series of more than fifteen recordings shared the joy of Hale and Wilder music across the world. Their recordings were put out of print and - until now - have never been available in digital sound on compact discs.
FORTRESS Records proudly presents Hale & Wilder / The LEGACY , a six volume set of recordings containing more than 100 of the historic recordings of Robert Hale & Dean Wilder not available anywhere for more than a decade and never before in enhanced digital sound on compact discs.
Customer Reviews:
A GREAT collection of sacred music.......2001-06-22
This collection of hymns is reverent, exalted in tone, and majestic. The blending of the voices of Hale and Wilder is absolutely incredible. They remain the best male duet in sacred music.
Some of the pieces, like "Jesus Paid it All," and "Brethren We Have Met to Worship" would more appropriately be called Gospel songs, though they are very hymn-like in their musical arrangement. It's a selection of music that will appeal to very conservative tastes or extremely refined tastes. The backbone of the accompaniment is usually piano in most of the songs, but I also noted a very nice violin and piano accompaniment in "O Could I Speak the Matchless Worth" (one of the very best pieces in the collection). "Amazing Grace" and one or two others had what sounded like a small orchestra for intro and finish.
The best pieces were "Sweet Will of God," and "O Could I Speak the Matchless Worth,", with strong and moving performances also given in "Rock of Ages" and "Jesus I am Resting, Resting." These four songs, with excellent arrangement and accompaniment, and the voices of both men used to their best advantage, possess a timeless beauty and a great sensitivity in their delivery to the listener.
"Jesus Shall Reign" and "Amazing Grace" struck me as a little bit "over-performed." They both had a ring of artificiality in them, which is unusual for Hale and Wilder. And "At the Cross" (also known as "Alas and Did My Savior Bleed") started very well, but they delivered the two middle stanzas with an arrangement of a rarely heard tune that really did the words a disservice.
All the same, these are minor flaws in an excellent CD that I highly recommend to listeners who equate "sacred music" with profound devotional content. The only other flaw is that in about three of the songs, two or three "pops" could not be removed from the remastered version. These were minimal interruptions, and I'd rather have the songs than lose them, but in one or two places the listener will hear a distinct "pop" from the old taped master.
Happy listening!
A little relief from rock 'n roll.......2000-07-26
In a day when the rock 'n roll genre seems to reign in CCM (contemporary Christian music), any relief from this is more than welcome. I was glad to hear that Hale & Wilder were finally available on CD.
Actually there are 3 artists represented here: Hale (baritone), Wilder (tenor), and Young (arranger and accompanist). All three have much to contribute, and the combination is dynamite.
One of the three, however, seems more concerned with the sound of his own voice than with any spiritual ministry the recording may have. I'll let the listener decide who this is.
The CD medium unfortunately reveals the lack of perfection more than the old vinyl disks. The voices sometimes are not exactly in sync; the first note of "Jesus Shall Reign" sounds like a solo; some closing consonants are not there or barely audible; the "ooooh" vowel doesn't seem to placed right. But, hey, I'm fussy.
Still better than anything coming out currently in the realm of Christian music.
Average customer rating:
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ASIN: B00005AWN1
Release Date: 2000-08-22 |
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Gospel Hymns, Vol. 3
Various Artists
Manufacturer: Sainte Partners II
ProductGroup: Music
Binding: Audio CD
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ASIN: B00008FM1P
Release Date: 1995-10-17 |
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A Book of Chorale-Settings for Johann Sebastian, Vol. 7: Patience & Serenity; Jesus Hymns
Manufacturer: Haenssler
ProductGroup: Music
Binding: Audio CD
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ASIN: B00004LMPK
Release Date: 1999-01-01 |
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Nativity - Christmas Music from Georgian England (English Orpheus, Vol 49) /Psalmody * Parley of Instruments * Holman
Manufacturer: Hyperion UK
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ASIN: B0000AZKK9
Release Date: 2003-12-09 |
Tracks:
- Strike! Seraphs, Strike Your Harps Of Gold
- Arise And Hail The Sacred Day
- The Branch, The Mighty Branch Behold
- The People That Walked In Darkness
- Lo! He Comes With Clouds Descending
- Angelic Hymns Thy Natal Day
- Variations On Adeste Fideles
- Come Celebrate Th' Auspicious Morn
- Hosanna To King David's Son
- In Bethlem Fields As Shepherds Kept
- Light Of Those Whose Dreary Dwelling
- How Beauteous Are Their Feet
- Joy To The World
- Hark! What Mean Those Holy Voices?
- Christians, Awake, Salute The Happy Morn
- Angels From The Realms Of Glory
- O Come, All Ye Faithful
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Gospel Hymns, Vol. 2: Timeless
Various Artists
Manufacturer: Sainte Partners II
ProductGroup: Music
Binding: Audio CD
General
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Gospel
| Christian & Gospel
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ASIN: B00008FM1E
Release Date: 1995-01-10 |
Product Description
Volume two of the Hymnmakers series. The St. Michael's Singers, directed by Paul Leddington Wright, perform 15 Charles Wesley hymns in the Coventry Cathedral on this CD released in 1996.
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