Gentle Images
Track Listings
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1. Gentle Images
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2. Private Thoughts
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3. Portraits of Summer
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4. Timescapes
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5. Gwen's Song
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6. Dreamflight
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7. Intimate Interlude
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8. Friends
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9. Just Between Us
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10. Europa
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Editorial Reviews
CD
Will send with pakacage.
Product Description
An Intimate collection of ten solo piano compositions by new-age pianist Jim Bajor.
Gentle Images
Gentle Images,Jim Bajor,JBX Records,Solo Acoustic New-Age Piano Music. From Ambient to melodic to almost intense. Many people say it reminds them of George Winston.
Gentle Images
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- Study of Orchestration, Third Edition
- The Life and Works of Ludwig van Beethoven
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Disappointed
- Spellbinding
- The fairies are closer than ever now
- Brilliant.
- ANOTHER GREAT ALBUM!
|
Deep Within a Faerie Forest
Gary Stadler & Wendy Rule
Manufacturer: Sequoia Records
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
| Styles
| Music
General
| New Age
| Styles
| Music
Meditation
| New Age
| Styles
| Music
Electronic
| Progressive
| Rock
| Styles
| Music
Similar Items:
- Reflections of Faerie
- Fairy Night Songs
- Fairy Heart Magic
- Fairy Lullabies
- Fairy of the Woods
ASIN: B0002SPPP0
Release Date: 2004-08-17 |
Tracks:
- Invocation
- FlyAway
- Dance of the Wild Faes
- Are You Coming with Us?
- Uyll
- Lus y Vaaish
- Midwinter
- The Infinite Shore
- L'Pavane
- Deep Within the Forest
Album Description
Rediscover the magic - Become filled with exquisite beauty as you journey into a mystical land of dreams. This new collaboration from bestselling composer Gary Stadler (Fairy HeartMagic) and Australian vocalist Wendy Rule leads you through landscapes of forest, deep into the heart of nature. Those who are familiar with Gary's previous albums will recognize the soulful beauty of his piano based soundscapes. To this Gary now adds artful Cello, Uilleann Pipes, and classical guitar. Combine that with the magical voice and gentle guitar of Australian singer/songwriter Wendy Rule and the lovely Celtic harp of Lisa Lynne, and the result is absolutely breathtaking. While their music can be compared to Enya or Loreena Mckennitt, they have crafted their own special style. Come along with them on this serene and spellbinding journey, as images of the ancient Celtic Faerie realm come alive once more and touch you with enchantment.
Customer Reviews:
Disappointed.......2006-08-29
I was hoping for more of an ethereal sound. The CD isn't bad, just not what I expected.
Spellbinding.......2006-02-26
I absolutely LOVE this album. It is magical, spellbinding, and very calming. My grandson, age 6, also loves the CD. It is his and my favorite CD, and we play it often.
The fairies are closer than ever now.......2005-03-18
Beautiful, magical album that really sends my consciousness to dance with fairies and gets me dreaming of living in a green woods with lovely people around. For the one who was blaming the album I would say that you yourself are a freak, because your senses are so dull that you can't feel this magic anymore. And if you ask enlightened people, they say that fairies exist, but only in the right side of a brain... So only your feminine, intuitive part can see the fairies, and ghosts and other spirits that co-exist in another dimension parallel to our own. Small children can also see them. But if you live too much in your head you can't feel any of these things...
The artists in this records sure have experienced themselves and they share it in such a beautiful way that brings tears of gratitude to my eyes. So maximum respect to them!
Brilliant........2005-01-24
This is the most "Gothic" or "dark" sounding album of Stadler's. I'm not familliar with Rule's other work, but this disk is my favourite of the Faerie series. It's absolutely gorgeous, with transcendental musick and divine near-operetic aethereal vocals atop. She does sound like a Fae queen. I would recommend this to anyone who embraces the more dark side of Fae; someone big on introspection and meditation. This is a great release.. thanks you guys for such a gift.
~DJ Raven~
KBGA 89.9fm
Missoula, MT
ANOTHER GREAT ALBUM!.......2005-01-05
Another lovely addition to Gary Stadler's fairy albums. He has joined with another enthralling female vocalist to produce very soothing songs and a magical mood throughout!!
Average customer rating:
- Too Much of a Good Thing?
- Outstanding collection of orginal piano work
- Great CD for easy listening
|
Piano Portraits
Manufacturer: Sugo Records
ProductGroup: Music
Binding: Audio CD
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| New Age
| Styles
| Music
General
| Classical
| Styles
| Music
General
| New Age
| Indie Music
| Stores
| Music
Similar Items:
- Somewhere In Time
ASIN: B0000005YW
Release Date: 1993-03-15 |
Tracks:
- Gentle Images - Jim Bajor
- Rapture - Jim Bajor
- Nancita - Stephen Jacob
- The Journey - Stephen Jacob
- Inner Peace - Tom Barabas
- Moon Dust - Tom Barabas
- Yasawa Blue - Christine Brown
- Silent Tears - Christine Brown
- Eykes - Jim Bajor
- Friends - Jim Bajor
- Magic In December - Tom Barabas
- Pure Light - Tom Barabas
- Romanza - Stephen Jacob
- Your LIght - Stephen Jacob
- Hiding Places - Christine Brown
- The Secret Garden - Christine Brown
Product Description
Sugo Records is proud to present this collection of sixteen heart warming inpired solo piano works from four of the most gifted pianist in the United States, who have rendered their musical portraits of friends, family, lovers and life's precious moments.
Customer Reviews:
Too Much of a Good Thing?.......2003-10-24
I'm fairly familiar with two of the pianists in this collection - Jim Bajor, who is local, and Tom Barabas, to whom I have listened for several years. Until this album I haven't had the opportunity to listen to Stephen Jacob and Christine Brown. They all do their work in the styling of light jazz and easy listening that is often labeled incorrectly as New Age. Sometimes I feel that that phrase is used as a euphemism for anything that is pleasant, rather than its original definition, which had more to do with the meditative nature of the composition. In any case they are all accomplished at their art and worth listening to.
It is fair to report that all four musicians produce work that is melodic, technically interesting, and, yes, pleasant to here. None of the pieces demonstrate what I would call the technical brilliance of someone like Jordan Rudess, who drifts in and out of this genre but has a tendency towards keyboeard pyrotechnics. But neither is any of their work plodding or monotonic. 'Very listenable' may not be the highest compliment one can pay a musician, but it is way ahead of whatever is in third place.
If I have a complaint to make, it is that, despite different recording studios and instruments, the tonalities are so close that the entire album could have been the product of a single person. Barabas is slightly more adept, Bajor slightly more melodic, Jacob more controlled, etc., but there are no glaring contrasts. I'm not sure if this is a fault or not, since the result is certainly more than acceptable. Given all the overloads that life throws at us, I'm not sure complaining about too much goodness is entirely fair.
Outstanding collection of orginal piano work.......1998-10-22
This collection of original piano pieces is simply excellent. This instrumental is melodic, sweet, romantic, soothing and timeless. I find myself leaving this CD in my car day after day without tiring of the melodies. Beautiful!
Great CD for easy listening.......1998-08-24
I really find this music conducive to relaxation - I use it in my Shiatsu clinic.
Average customer rating:
|
The Blue Estuaries: American Choral Music
Manufacturer: Zephyr Records
ProductGroup: Music
Binding: Audio CD
All Works by Copland
| Copland, Aaron
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Foster, Stephen
| ( F )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Folk
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Folk Songs
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Motets
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Similar Items:
- Song of Home
ASIN: B00005TS12
Release Date: 2001-11-27 |
Tracks:
- The Choir Invisible
- Songs Of Nature: God Is At The Anvil
- Songs Of Nature: Deep Wet Moss
- Songs Of Nature: Hang Me Among Your Winds
- Come Away To The Skies
- Hark, I Hear The Harps Eternal
- Oh, Shenandoah
- Three Portraits: Three Portraits: I. Laura Lee
- Three Portraits: Three Portraits: II. Oh! Susanna
- Three Portraits: Three Portraits: III. Gentle Annie
- Nelly Bly
- Four Motets: Help Us, O Lord
- Lark
- The Blue Estuaries: Evening-Star
- The Blue Estuaries: I Saw Eternity
- The Blue Estuaries: To Be Sung On The Water
- The Blue Estuaries: Train Tune
- The Blue Estuaries: Night
- Images: Images (For Jazz Trio And Choir)
- Images: Images (For Jazz Trio And Choir)
- Images: Images (For Jazz Trio And Choir)
- Images: Images (For Jazz Trio And Choir)
Average customer rating:
|
The Sugo Collection, Vol. 1
Manufacturer: Sugo Records
ProductGroup: Music
Binding: Audio CD
Ballets
| Ballets & Dances
| Classical
| Styles
| Music
Baroque Dance Suites
| Ballets & Dances
| Classical
| Styles
| Music
| Allemandes
| Courantes
| Gigue
| Sarabande
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Pachelbel
| Pachelbel, Johann
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Satie
| Satie, Erik
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Debussy
| Debussy, Claude
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Divertimentos
| Serenades & Divertimentos
| Forms & Genres
| Classical
| Styles
| Music
Character Pieces
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Ballets & Dances
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Baroque (c.1600-1750)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
General
| New Age
| Styles
| Music
Classical
| Indie Music
| Stores
| Music
General
| New Age
| Indie Music
| Stores
| Music
Similar Items:
- Sugo Collection, Vol. 3
- Sugo Music Collection Volume Two
- Somewhere In Time
ASIN: B0000005ZA
Release Date: 1993-03-15 |
Tracks:
- Gentle Images - Jim Bajor
- Butterfly Jig - Kim Robertson
- Prayer For The Rainforest - Stevan Pasero/Chm Nouveau
- Gymnopedie No.1 - Stevan Pasero
- Air On A G Str - WARE-PATTERSON DUO
- Perpetual Passion - Stevan Pasero
- Eine Kleine Nachtmusik - Prague Festival Strs
- Sleeping Beauty - Stevan Pasero
- Nancita - Stephen Jacob
- Road To Half Moon Bay - Stevan Pasero/Chm Nouveau
- Reverie - WARE-PATTERSON DUO
- Carmen - Stevan Pasero
- Four Seasons - Prague Festival Strs
- Canon In D - Stevan Pasero
- My Sweet Colleen - Carlos Reyes
- Clare De Lune - Stevan Pasero
Average customer rating:
- From Simple to Sublime
- Complex yet understated exquiste solo piano
- Gentle Images
- Gentle Images by Pianist Jim Bajor
|
Gentle Images
Manufacturer: JBX Records
ProductGroup: Music
Binding: Audio CD
General
| New Age
| Styles
| Music
Jazz
| New Age
| Indie Music
| Stores
| Music
Similar Items:
- Somewhere In Time
ASIN: B0000589Z5
Release Date: 1988-09-09 |
Tracks:
- Gentle Images
- Private Thoughts
- Portraits of Summer
- Timescapes
- Gwen's Song
- Dreamflight
- Intimate Interlude
- Friends
- Just Between Us
- Europa
Album Description
An Intimate collection of ten solo piano compositions by new-age pianist Jim Bajor.
Customer Reviews:
From Simple to Sublime.......2003-01-05
Gentle Images by Jim Bajor is a masterpice of solo piano music. It is impeccable perfomed on a Steinway Grand Piano and the recording is a state of the art all digital recording. The music takes the listener on an emotional journey from contemplative to extremely expressive. This CD runs the gamut of emotions. It ends with a very seductive sounding piece called "Europa." This last song reminds me of a Gershwin composition it is melodic and has a haunting bass line that really catches the listeners ear. If you like solo piano this CD is a must for your collection. I give it five stars.
John Allagor
Salt Lake City, Utah
Complex yet understated exquiste solo piano.......2002-12-14
Jim Bajor has the unique ability of being complex yet understated at the same time. This CD takes you through the gamet of emotions. It is a profound CD that is a real joy to listen to. From melancholy to sublime to spirited it takes you on a journey of the soul. It leaves you feeling refreshed and at peace. Mr. Bajor is a masterful pianist and writer. The sound quality of the Steinway is meticulousy digitally recorded and all the nuances are very present. I would highly reccommend this outstanding CD. It is truly a musical gem and a must for piano lovers.
Craig Cox
Lansing, Michigan
Gentle Images.......2001-01-27
Close your eyes and listen and you'll hear nothing but pure unadulterated acoustic piano. This recording for so reason stirs up a lot of emotions in me. The playing is impecabble with many surprrises in it. It can go from a rather repitious pharase that is like a lullabuy then take a turn into a beautiful melody that sounds like a movie theme. If you love piano music you'll want to add this CD to your collection. The last cut Europa is a rather mysterious sounding piece that I realy enjoy.
Gentle Images by Pianist Jim Bajor.......2001-01-18
Gentle Images is a collection of ten solo piano songs recorded impeccably on a Steinway piano in all digital. The songs range from very ambient to quite melodic. The music is relaxing and is perfect for just that. It is good to unwind to after a hard day at work. The songs stand seperately but they also are cohesive through a unique tapestry that Mr. Bajor somehow pulls off. I would highly reccommend this CD if you like new-age piano music.
Average customer rating:
|
Jewels of Light
Manufacturer: Joyous Laughter Music
ProductGroup: Music
Binding: Audio CD
General
| New Age
| Styles
| Music
General
| New Age
| Indie Music
| Stores
| Music
ASIN: B00067WGKO
Release Date: 2004-09-26 |
Tracks:
- Garnet Prayer
- Topaz Fire
- Citrine Glow
- Emerald Heart
- Aquamarine Song
- Sapphire Mood
- Amethyst Dream
- Diamond Light
Average customer rating:
|
Teton Seasons - Images for Solo Piano
Manufacturer: JL Music
ProductGroup: Music
Binding: Audio CD
General
| New Age
| Styles
| Music
General
| Classical
| Styles
| Music
General
| New Age
| Indie Music
| Stores
| Music
ASIN: B00004TCQL
Release Date: 2000-04-20 |
Tracks:
- Reflections
- The Cascade
- On Angels Wings
- The Search
- Teewinot
- Riverbend
- Amethyst
- Dreams
- Sapphire
- Divine Lullaby
- Serenity
- Luna
- In Fields of Dreams
- Winter
Album Description
New Age solo piano music inspired by the Grand Teton mountain range. Perfect for meditation, yogo, retreats and massage.
Average customer rating:
|
Iannaccone: Sea Drift, etc.
Manufacturer: Albany Records
ProductGroup: Music
Binding: Audio CD
General
| Classical
| Styles
| Music
ASIN: B000006A6N
Release Date: 1998-03-17 |
Tracks:
- Sea Drift: Out of the Cradle, Endlessly Rocking
- Sea Drift: On the Beach at Night
- Sea Drift: Song for All Seas
- Apparitions
- Toccata Fanfares: Volume I, No. 1
- Toccata Fanfares: Volume I, No. 3
- Toccata Fanfares: Volume II, No. 4
- After a Gentle Rain: The Dark Green Glistens with Old Reflections
- After a Gentle Rain: Sparkling Air Bursts with Dancing Sunlight
- Antiphonies
- Images of Song and Dance, No. 2: Terpsichore
Pop Music:
- Gentle Music For Massage, Vol. 2
- Guardians of Atlantis [Enhanced]
- Heart of Zen: Simplicity & Serenity
- Hunting Magic [Import]
- Hymns Vol. II
- Inner Worlds
- Introspection
- Jazz by Twilight [Enhanced]
- Laulu Voim: The Power of Song [Live]
- Let Me Take You Back Volume 2
Pop Music
pop music
Recommended Music:
Totally Bad Boys Blue [Import]
John Salmon Plays Dave Brubeck
It Had To Be You [Import]
Music: Soul On Fire
Future Sound of Scandinavia [Box set]
Horses & Hawgs
International Music: 60 Wereldsuccessen [Import]
Greatest Hitz [Clean]
Home for An Island [Import]
Handel: Utrecht Te Deum & Jubilate [Import]
Garage Flower [Import]
Ian McNabb
Las Mas Pegadas de Durango y Tierra Caliente
Break Every Rule
Nancy & Phil Tobias Play the Hits