A Dream Come True
Editorial Reviews
About the Artist
From sensual, passionate love songs to piano interludes and sweeping orchestral soundtracks, Betsy creates magical themes that capture your soul, enrich it, and set it free.
Product Description
Betsy Foster's debut album comprises a collection of original works spanning twenty-five years, including sensual, passionate love songs, piano interludes, and sweeping orchestral soundtracks.
A Dream Come True,Betsy Foster,The Orchard,New Age,New Age / Meditation,Pop
A Dream Come True
Average customer rating:
- Excellent!!!
- good memories for me and fun "new" songs for my children
- memories
- TV Theme Songs
- TV themes
|
TV Land Presents: Favorite TV Theme Songs
Grecco, Cyndi , and Jones, Jack
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- TV Guide: 50 All-Time Favorite TV Themes
- All-Time Top 100 TV Themes
- Classic TV Game Show Themes
- One Hundred Greatest TV Themes
- NBC: A Soundtrack of Must See TV
ASIN: B00006EXIL
Release Date: 2002-08-20 |
Tracks:
- I Love Lucy Theme - Wilbur Hatch
- Dragnet - Ray Anthony
- The Twilight Zone - Rod Open
- Bonanza - Al Caiola & His Orchestra
- The Andy Griffith Theme - Earle Hagen
- The Ballad Of Jed Clampett - Earl Scruggs
- The Addams Family (Main Theme) - Vic Mizzy
- Munsters Theme - Jack Marshall
- The Ballad Of Gilligan's Isle - Morton Stevens
- Green Acres - Eddie Albert
- Jeannie - Hugo Montenegro
- Batman Theme - Neal Hefti
- (Theme From) The Monkees - The Monkees
- Star Trek (Main Title & Closing Theme) - The Royal Philharmonic Orchestra
- Mannix - Lalo Schifrin
- Hawaii Five-O - Mort Stevens & His Orchestra
- Theme From The Brady Bunch - The Brady Bunch
- Come On Get Happy - The Partridge Family
- Those Were The Days - Carroll O'Connor
- And Then There's Maude - Donny Hathaway
- Good Times - Jim Gilstrap
- Movin' On Up - Oren Waters
- The Rockford Files - Mike Post
- Them From S.W.A.T. - Rhythm Heritage
- Happy Days - Pratt & McClain
- Making Our Dreams Come True - Cyndi Grecco
- Chico And The Man - Jose Feliciano
- Welcome Back - John Sebastian
- What's Happening!! - Henry Mancini
- Barney Miller - Jack Elliott
- Charlie's Angels - Jack Elliott
- Love Boat Theme - Jack Jones
- Angela (Theme From 'Taxi') - Bob James
- It Takes Diff'rent Strokes - Gloria Loring
- Theme From Dukes Of Hazzard (Good Ol' Boys) - Waylon
- Theme From Magnum, P.I. - Mike Post
- The Theme From Hill Street Blues - Mike Post
- Theme From Dynasty - Bill Conti
- Theme From 'Greatest American Hero' (Believe It Or Not) - Joey Scarbury
- Thank You For Being A Friend - Cynthia Fee
Album Description
TV Land brings you 40 of your favorite evening show theme songs. Highlights include 'Happy Days', 'The Greatest American Hero', 'Dukes Of Hazzard (Good Ol' Boys)', 'Laverne & Shirley', 'I Dream Of Jeanie', 'I Love Lucy', 'Welcome Back, Kotter', 'The Love Boat', 'Hawaii Five-O', 'The Golden Girls' and many, many more. 2002. Rhino.
Customer Reviews:
Excellent!!!.......2007-08-02
Excellent transaction. Would not hesitate to buy again from this seller. Product was delivered promptly and as described.
good memories for me and fun "new" songs for my children.......2007-06-27
We had ordered this for "The Dukes of Hazzard" theme song for our 4yr old and our whole family has fallen in love with the cd. It makes me want to share some of the old fun and simple shows with my children. I forgot about some of those shows. It brings back good memories for my husband and me and the songs are new and exciting for our children. It's a nice change from children's cd's, but our children still think it's fun. The sound quality is good and the songs included on the cd are a great mix. I would definately recommend this one.
memories.......2007-02-22
This cd is excellent it has a lot of very good music and true to the original sound, Am getting a lot of enjoyment,highly recomended
TV Theme Songs.......2007-01-13
This is a great CD for people who watch a lot of TV -especially TV LAND and reruns of old shows when shows had actual theme songs. I took the CD to work and everyone loved trying to figure out what show the songs were from.
TV themes.......2006-07-05
Not all what I expected, not all of the tunes are the original recordings you remember as the TV themes.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
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Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- Study of Orchestration, Third Edition
- The Life and Works of Ludwig van Beethoven
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- The greatest songs ever?
- A musical treasure-box
- a beautiful journey into melancholy
|
Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Dowland: Complete Lute Works, Vol.1-5
- William Byrd: Consort Songs
- Bach: The Landowska Recordings
- Britten Conducts Britten
- Janácek: Operas
ASIN: B000004CYV
Release Date: 2007-03-13 |
Tracks:
- First Booke Of Songes: I. Unquiet Thoughts
- First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
- First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
- First Booke Of Songes: IV. If My Complaints Could Passions Move
- First Booke Of Songes: V. Can She Excuse My Wrongs
- First Booke Of Songes: VI. Now, O Now, I Needs Must Part
- First Booke Of Songes: VII. Dear, If You Change
- First Booke Of Songes: VIII. Burst Fourth My Tears
- First Booke Of Songes: IX. Go Crystal Tears
- First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
- First Booke Of Songes: XI. Come Away, Come Sweet Love
- First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
- First Booke Of Songes: XIII. Sleep, Wayward Thoughts
- First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
- First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
- First Booke Of Songes: XVI. Would My Conceit
- First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
- First Booke Of Songes: XVIII. His Golden Locks
- First Booke Of Songes: XIX. Awake, Sweet Love
- First Booke Of Songes: XX. Come, Heavy Sleep
- First Booke Of Songes: XXI. Away With These Self-Loving Lads
Tracks:
- Second Booke Of Songs: I. I Saw My Lady Weep
- Second Booke Of Songs: II. Flow My Tears
- Second Booke Of Songs: III. Sorrow, Stay
- Second Booke Of Songs: IV. Die Not Before Thy Day
- Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
- Second Booke Of Songs: VI. Time's Eldest Son
- Second Booke Of Songs: VII. Then Sit Thee Down
- Second Booke Of Songs: VIII. When Others Sing Venite
- Second Booke Of Songs: IX. Praise Blindness Eyes
- Second Booke Of Songs: X. O Sweet Woods
- Second Booke Of Songs: XI. If Floods Of Tears
- Second Booke Of Songs: XII. Fine Knacks For Ladies
- Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
- Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
- Second Booke Of Songs: XV. White As Lilies Was Her Face
- Second Booke Of Songs: XVI. Woeful Heart
- Second Booke Of Songs: XVII. A Shepherd In A Shade
- Second Booke Of Songs: XVIII. Faction That Ever Dwells
- Second Booke Of Songs: XIX. Shall I Sue
- Second Booke Of Songs: XX. Toss Not My Soul
- Second Booke Of Songs: XXI. Clear Or Cloudy
- Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here
Tracks:
- Third Booke Of Songs 1603: I. Farewell, Too Fair
- Third Booke Of Songs 1603: II. Time Stands Still
- Third Booke Of Songs 1603: III. Behold A Wonder Here
- Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
- Third Booke Of Songs 1603: V. Me, Me, And None But Me
- Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
- Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
- Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
- Third Booke Of Songs 1603: IX. What If I Never Speed?
- Third Booke Of Songs 1603: X. Love Stood Amazed
- Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
- Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
- Third Booke Of Songs 1603: XIII. O What Hath Overwrought
- Third Booke Of Songs 1603: XIV. Farewell, Unkind
- Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
- Third Booke Of Songs 1603: XVI. Fie On This Feigning!
- Third Booke Of Songs 1603: XVII. I Must Complain
- Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
- Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
- Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
- Third Booke Of Songs 1603: XXI. Come When I Call
Tracks:
- A Pilgrimes Solace: I. Disdain Me Still
- A Pilgrimes Solace: II. Sweet Stay Awhile
- A Pilgrimes Solace: III. To Ask For All Thy Love
- A Pilgrimes Solace: IV. Love, Those Beams That Breed
- A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
- A Pilgrimes Solace: VI. Were Every Thought An Eye
- A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
- A Pilgrimes Solace: VIII. Tell Me, True Love
- A Pilgrimes Solace: IX. Go Nightly Cares
- A Pilgrimes Solace: X. From Silent Night
- A Pilgrimes Solace: XI. Lasso vita mia
- A Pilgrimes Solace: XII. In This Trembling Shadow Cast
- A Pilgrimes Solace: XIII. If That A Sinner's Sights
- A Pilgrimes Solace: XIV. Thou Mighty God
- A Pilgrimes Solace: XV. When David's Life
- A Pilgrimes Solace: XVI. When The Poor Cripple
Tracks:
- A Pilgrimes Solace: XVII. Where Sin Sore Wounding
- A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
- A Pilgrimes Solace: XIX. Up Merry Mates
- A Pilgrimes Solace: XX. Welcome Black Night
- A Pilgrimes Solace: XXI. Cease, Cease These False Sports
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae
Tracks:
- Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
- Mr. Henry Noell Lamentations: II. Domine ne in furore
- Mr. Henry Noell Lamentations: III. Miserere mei Deus
- Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
- Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
- Mr. Henry Noell Lamentations: VI. De profundis
- Mr. Henry Noell Lamentations: VII. Domine exaudi
- Lachrimae: Lachrimae Antiquae
- Lachrimae: Lachrimae Antiquae Novae
- Lachrimae: Lachrimae Gementes
- Lachrimae: Lachrimae Tristes
- Lachrimae: Lachrimae Coactae
- Lachrimae: Lachrimae Amantis
- Lachrimae: Lachrimae Verae
- Lachrimae: Mr. John Langton's Pavan
- Lachrimae: Mr. Nicholas Gryffith His Galiard
- Lachrimae: Sir John Souch His Galiard
- Lachrimae: Semper Dowland Semper Dolens
- Lachrimae: Mr. Giles Hobies Galiard
- Lachrimae: The King Of Denmark's Galiard
- Lachrimae: Sir Henry Umpton's Funerall
- Lachrimae: Mr. Henry Noell His Galiard
- Lachrimae: The Earl Of Essex Galiard
- Lachrimae: Mr. Bucton His Galiard
- Lachrimae: Mr. George Whitehead His Almand
- Lachrimae: Captain Digorie Piper His Galiard
- Lachrimae: Mr. Thomas Collier His Galiard
- Lachrimae: Mrs. Nichols Almand
Tracks:
- Sacred Songs: Sorrow, Come!
- Sacred Songs: I Shame At Mine Unworthiness
- Sacred Songs: An Heart That's Broken And Contrite
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 38: Put Me Not To Rebuke O Lord
- Psalms: Psalm 130: Lord To Thee I Make My Moan
- Psalms: Psalm 104: My Soul Praise The Lord
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 134: Behold And Have Regard
- A Prayer For The Queen's Most Excellent Majesty
- Instrumental Music: Solus cum sola pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Galliard
- Instrumental Music: Pipers Pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Lady Rich Galliard
- Instrumental Music: Earl Of Essex Galliard
- Instrumental Music: If My Complaints
- Instrumental Music: Lachrimae Doolande
- Instrumental Music: Lord Willoughbie's Welcome Home
- Instrumental Music: My Lord Chamberlaine His Galliard
- Instrumental Music: Comagain
- Instrumental Music: Pavan Lachrymae
- Instrumental Music: Sorrow Stay
Tracks:
- Lute Music: Preludium
- Lute Music: Lachrimae
- Lute Music: Can She Excuse
- Lute Music: Dr. Case's Pavan
- Lute Music: Melancholy Galliard
- Lute Music: Sir John Smith, His Almain
- Lute Music: Fantasia
- Lute Music: A Dream
- Lute Music: Almain
- Lute Music: The Queen's Galliard
- Lute Music: Coranto
- Lute Music: Resolution
- Lute Music: Mrs. Vaux Galliard
- Lute Music: Almain
- Lute Music: Mr. Dowland's MIdnight
- Lute Music: Fantasia
- Lute Music: Loth To Depart
- Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
- Lute Music: The Earl Of Essex, His Galliard
- Lute Music: Pavan
- Lute Music: John Dowland's Galliard
- Lute Music: Aloe
- Lute Music: The Lady Clifton's Spirit
- Lute Music: What If A Day
- Lute Music: Mr. Giles Hobie's Galliard
- Lute Music: Come Away (Song arrangement)
- Lute Music: Galliard
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Lachrimae (Basic Version)
- Lute Music: Galliard To Lachrimae
- Lute Music: [Jig]
- Lute Music: Galliard On 'Wasingham'
- Lute Music: Complaint (Ballad Setting)
- Lute Music: Mignarda (Galliard)
- Lute Music: Semper Dowland Semper Dolens (Pavan)
- Lute Music: The Frog Galliard
- Lute Music: A Fancy (Fantasia)
- Lute Music: Fancy (Fantasia)
- Lute Music: Piper's Pavan
- Lute Music: Captain Digorie Piper's Galliard
- Lute Music: Lady Laiton's Almain
- Lute Music: Dowland's Galliard
- Lute Music: Dowland's First Galliard
- Lute Music: Tarleton's Jig
- Lute Music: Walsingham (ballad Setting)
- Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
- Lute Music: Sir Henry Guilforde, His Almain
- Lute Music: Pavan (Related To 'Lachrimae')
- Lute Music: Mr. Langton's Galliard
- Lute Music: Mrs. Clifton's Almain
- Lute Music: Galliard
- Lute Music: Lady Hunsdon's Puffe (Almain)
- Lute Music: Galliard
- Lute Music: Go From My Window (Ballad Setting)
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Pavana Johan Douland
- Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
- Lute Music: La mia Barbara
- Lute Music: Sir Henry Umpton's Funeral (Pavan)
- Lute Music: Lachrimae
- Lute Music: Farewell Fancy (Chromatic Fantasia)
- Lute Music: Farewell (On The 'In Nomine' Theme)
- Lute Music: The King of Denmark's Galliard
- Lute Music: Mrs. Vaux's Jig
- Lute Music: Mrs. Nichol's Almain
- Lute Music: Galliard
- Lute Music: Lord Strang's March
- Lute Music: Mrs. Winter's Jump
- Lute Music: Can She Excuse (Galliard)
- Lute Music: The Shoemaker's Wife, A Toy
- Lute Music: Mrs. Norrish's Delight
- Lute Music: Galliard
- Lute Music: Mrs. White's Thing (Almain)
- Lute Music: Mrs. White's Nothing
- Lute Music: The Frog Galliard
- Lute Music: Solus cum sola
- Lute Music: The Lord Viscount Lisle, His Galliard
- Lute Music: Orlando Sleepeth (Ballad Setting)
- Lute Music: Robin (Ballad Setting)
- Lute Music: Galliard (On A Galliard By Daniel Bacheler)
- Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)
Tracks:
- Lute Music: The Lady Russell's Pavan
- Lute Music: Fancy (Fantasia)
- Lute Music: Sir John Langton's Pavan
- Lute Music: Earl Of Derby, His Galliard
- Lute Music: A Coy Toy
- Lute Music: Fortune My Foe
- Lute Music: [Almain]
- Lute Music: Mr. Knight's Galliard
- Lute Music: Sir John Souch His Galliard
- Lute Music: Tarletone's Riserrectione
- Lute Music: The Lady Rich, Her Galliard
- Consort Music: Lachrimae Pavan
- Consort Music: Can She Excuse Galliard
- Consort Music: Captain Piper's Pavan And Galliard
- Consort Music: The Frog Galliard
- Consort Music: Round Battell Galliard
- Consort Music: Fortune My Foe
- Consort Music: Dowland's First Galliard
- Consort Music: Katherine Darcie's Galliard
- Consort Music: Tarleton's Jigge
- Consort Music: Almain a 2
- Consort Music: Mistress Nichols Almain a 2
- Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
- Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
- Opusculum: Mr. John Langton Pavan And Galliard
- Opusculum: La mia Barbara Pavan and Galliard
- Opusculum: Lachrimae Antiquae Novae Pavan and Galliard
Tracks:
- Consort Music: Mistress NIchols Almain
- Consort Music: Volta a 4 ('Ioh. Douland')
- Consort Music: Were Every Thought an Eye
- Consort Music: Lady If You So Spite Me
- Consort Music: Pavan a 4
- A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
- A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
- A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
- A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
- A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
- A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
- A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
- A Musicall Banquet: VIII. Far From Triumphing Court
- A Musicall Banquet: IX. Lady, If You So Spite Me
- A Musicall Banquet: X. In Darkness Let Me Dwell
- A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
- A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
- A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
- A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
- A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
- A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
- A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
- A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
- A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
- A Musicall Banquet: XX. O bella piu (Anon, Italian)
Customer Reviews:
The greatest songs ever?.......2007-07-26
I heard 'clear or cloudy', from this recording, on the radio recently and had to purchase it. It is strange but it is the sort of song that makes life prior to listening to it different from life after. I find it sad that so many people haven't heard it. There are also many other wonderful works in this collection. Given you get twelve well recorded CDs with top quality performances, this has to be one of the bargains of the age.
Please buy it.
A musical treasure-box.......2006-09-10
Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.
The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).
This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.
I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.
a beautiful journey into melancholy.......2001-06-15
I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.
Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Average customer rating:
- She's not the new Charlotte Church- She's Better!
- Certainly a Dream Come True
- Phenomenal!!!!!!!!!
- Classic Gace.
- Classic Gace.
|
A Dream Come True
Becky Taylor
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD
General
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General
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Similar Items:
- By Your Side
- Walking in the Air
- Celtic Woman: A Christmas Celebration
- Hayley Westenra
- Odyssey
ASIN: B00005K3Q2
Release Date: 2001-07-23 |
Tracks:
- Peter Pan: Just Beyond The Stars
- Anastasia: Once Upon A December
- The Wizard Of Oz: Over The Rainbow
- Peter Pan: I'm Flying
- Whistle Down The Wind: Whistle Down The Wind
- Beat Girl: A Handful Of Songs
- Song Of Dreams
- My Fair Lady: I Could Have Danced All Night
- Sweeney Todd: Not While I'm Around
- The Rescuers: Someone's Waiting For You
- Watership Down: Thank You, Stars
- Mary Poppins: Stay Awake
- Butch Cassidy And The Sundance Kid: Raindrops Keep Falling On My Head
- The Secret Garden: Winter Light
Amazon.com
Making A Dream Come True must certainly have been just that for 12-year-old Becky Taylor, balancing singing with a symphony orchestra one day with being back at school the next. Having appeared in Les Misérables at age 7, she won the Thorndyke Theatre Talent Competition at 8 and the British Arts Award two years later. Inevitably dubbed the "new Charlotte Church," Taylor nevertheless avoids hymns and classical arrangements, offering an appropriately youthful selection from movies and musicals. Several of these, including the specially written "Song of Dreams," continue the theme of dreaming or have fantastical, magical connotations. With a Hollywood-style production and numbers from Peter Pan ("Just Beyond the Stars" and "I'm Flying"), Mary Poppins ("Stay Awake"), and The Rescuers ("Someone's Waiting for You"), there is a Disney-sweet sensibility throughout. Taylor makes a fine job of "Over the Rainbow," being a much more appropriate age for Dorothy than Judy Garland was. Moreover, she is surprisingly comfortable with "I Could Have Danced All Night" from My Fair Lady, though anyone would struggle to make much of "Thank You, Stars" from Watership Down. Demonstrating a voice years ahead of its time, this cute and innocent album promises much for Becky Taylor's future as a major stage-musical star. --Gary S Dalkin
Customer Reviews:
She's not the new Charlotte Church- She's Better!.......2006-11-02
It seems as if every young singer in the crossover genre is compared to Charlotte Church. I've always found comparisons odious and this one particularly so becuase Chruch is not that good of a singer. She was given opera to sing at an age when her vocal chords were no where near ready for it and as a result her voice has suffered. Becky Taylor on the other hand chooses very age appropraite material for her debut album recorded at the age of 12. Becky Taylor selects songs mostly from the stange and screen. Her tone is sweet and she doesn't push her voice to high notes that she shouldn't be trying to sing at such a young age. That doesn't mean this album is dull by any means. Taylor's voice is reminicient of a young Julie Andrews (especially on "I Could Have Danced All Night" from "My Fair Lady") and her "Over the Rainbow" surpasses a young Judy Garland. Other highlights are "Once Upon A December" from "Anastasia" and "Not While I'm Around" from "Sweeney Todd" More than anything else, "A Dream Come True" is an exciting introduction to a young vocalist to watch
Certainly a Dream Come True.......2004-12-06
I recently discovered this cd, and all I can say is I listen to it more than I listen to some of the adult singers I have on cd. She has an amazing voice, and she was only 12 when she recorded this. Some of what she does in "Once Upon a December" would be impressive for a 20-year-old! She also has a lot of fun in songs like "I'm Flying" and "Handful of Songs," which allows the listener to have fun, as well.
This is a perfect combination of classical training and Broadway sound. I look forward to much much more from Ms. Taylor.
Phenomenal!!!!!!!!!.......2004-01-06
Becky Taylor-A Dream Come True
Becky Taylor is a phenomenal Broadway singer. This girl blew my socks off. She's got to
be the most talented 12 year-old Broadway singer out there. It's a pity she didn't hit
platinum and become a superstar.
This album should have gone double platinum in no time. This should have been on of the
most successful debut albums ever.
Unfortunately because of wrong way it was marketed, and all the other complications this CD
didn't do as well as it should and could have. Unfortunately the media's tying of her and
Charlotte Church only hurt her. The media made her out to be the "new Charlotte Church,"
and perhaps that would have been well excepted now, but....Charlotte was at the height of
her career, and people didn't want a "new Charlotte." If they wanted to market her as a
"new so and so" they should have marketed her as the new Julie Andrews, or at least they
should have compared her to Julie, who was in her field. However the preferred to place her
along with Charlotte, event though they were in totally different genres.
My advice would be to re-release it, and spend big bucks on promotion. I heard EMI spent
$100,000. I think the should have doubled that.
Event with all the technicalities and sadness, of what could have been, I strongly
encourage people to buy this CD. It is phenomenal. I listen to it every single day several
times. It's amazing. My favorite's are,
1. Just Beyond the Stars
2. Once upon a December
3. Over the Rainbow
7. Song of Dreams
8. I could have danced all night
9. Not while I'm around
Although Becky does an unbeatable job on all her songs. I wish her all the luck on her new
album, "Shine." ...
Classic Gace........2003-01-22
Becky Taylor has a beautiful voice. I can easily see the comparison, to Charlotte Church. I really liked "Over the Rainbow". I have heard many renditions of this song, and her's is the best so far. I myself have recorded a CD. And I'm twelve to. I know people, tend to complain on younger people's singing more. I'm very classical, so I get lots of people saying things about me. But Becky did a great job. I just feel sorry for her, that she didn't get sighned up with Sony Classical. All I have to say is, great job Beacky! It would be a "Dream come true" to sing with you!
Classic Gace........2003-01-22
Becky Taylor has a beautiful voice. I can easily see the comparison, to Charlotte Church. I really liked "Over the Rainbow". I have heard many renditions of this song, and her's is the best so far. I myself have recorded a CD. And I'm twelve to. I know people, tend to complain on younger people's singing more. I'm very classical, so I get lots of people saying things about me. But Becky did a great job. I just feel sorry for her, that she didn't get sighned up with Sony Classical. All I have to say is, great job Beacky! It would be a "Dream come true" to sing with you!
Average customer rating:
- SHOCKING!!!
- For fans only
- From New Wave To Late 1980s Dance
- Where The Seagulls Went To Die (but not until after a last gasp)...
- The Worst of A Flock Of Seagulls...
|
Dream Come True
A Flock of Seagulls
Manufacturer: Almacantar Records
ProductGroup: Music
Binding: Audio CD
New Wave
| New Wave & Post-Punk
| Alternative Rock
| Styles
| Music
General
| Pop
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Pop Rock
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General
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Dance Pop
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Similar Items:
- Listen
- A Flock of Seagulls
- Walkabout
- Quick Step & Side Kick
- Astra
ASIN: B000667QKU
Release Date: 2005-05-10 |
Tracks:
- Better & Better
- Heartbeat Like A Drum
- Who's That Girl (She's Got It)
- Hot Tonight
- Cry Like A Baby
- Say So Much
- Love On Your Knees
- How Could You Ever Leave Me
- Whole Lot Of Loving
Product Description
Now on CD.
Customer Reviews:
SHOCKING!!!.......2007-06-06
I am amazed they reissued this without adding bonus tracks like probably their best song 'Cosmos (Effect of the Sun)' b-side to 'Heartbeat like a Drum' 12inch. HOW? I don't care since I perfectly transferred that song to CD. You truly don't know Flock without hearing Cosmos.
Sad pathetic reissue to a poor album to begin with. Outright embarrassing corny lyrics displayed here. I don't mind the attempt at a new style of sound here, I have a soft spot for 'Heartbeat like a Drum' but Mike Score truly has nothing left to say. 'Dream Come True' represents the complete end of this once brilliant band.
For fans only.......2007-03-15
This album has it's moments. I actually don't mind listening to it now, but if this was 1986 and they just released this album, I would have pissed on it, especially knowing it would have been one of their last.
With their first 3 records, I think their sound was a little too weird for most music buyers at the time. Although they are a talented band, it was total luck they scored a hit with "I Ran" because the industry was just not ready for that kind of stuff back then. I believe this 4th release was an attempt to make an album a little easier on the ears for the more conservative, average music listener. Comparing this to their first album is a huge departure where that album played on a vibe rooted in punk rock with dark synth overtones and a concept story line about alien abduction. (((The cloud is moving nearer still. Aurora borealis comes in view. .......Aurora comes in view)))
AFOS is one of my favorite bands and I consider myself a loyal fan which is why I own this album. There are at least a few really awesome tracks on this record like "Hot Tonight", "Say So Much" and "How Could You Ever Leave Me" being some of the best songs of their career, in my opinion.
There are 2 types of people when it comes to this band: Those who really love their bizare, science fiction themed weirdness and own everything they've released and those who are only looking for "I Ran". Well, "I Ran" is not on this album which means you're probably wasting your time and money with this record unless you really love 80's synth-dance music like I do.
The thing is, the last time you heard this album was probably in the mid 80's while high on coke in some modish nightclub and 20 years younger. Now that you're older, and sober, this album might not sound as good as it used to.
From New Wave To Late 1980s Dance.......2007-02-06
This Flock of Seagulls album is a drastic shift from their spacy-sounding New Wave sound they were best remembered for to sounding like every late 1980s dance act group. Not that it's their worst effort for such a shift in music styles, though their weakest song here is "Whole Lot Of Loving".
Where The Seagulls Went To Die (but not until after a last gasp)..........2006-02-27
First, the criticism: The departure of guitar virtuoso Paul Reynolds is what really finished off The Gulls, and the release of this album sure didn't help them stay around any longer than they should have or could have. Just about all the material on Dream Come True is light-years away from the brilliance of "I Ran", "Space-Age Love Song" or "DNA". Actually it's just a continuance of the slide that began with the Flock's second album, "Listen," which was still excellent, just not on the same level as the group's debut. The Third album, "The Story Of A Young Heart" had several genuine gems (such as "Never Again," possibly their very best song), and the potential to be a stirring and emotional opus, yet didn't quite live up to the standards of the first two albums. And the void left by Reynolds' absence must have swallowed up just about whatever creativity the band had left.
Now, the good: Dream Come True isn't a total disaster. And, if you're reading this, you must either be a new fan of the group or already own this album on vinyl or cassette. So, I do believe I can recommend this disc for any Seagulls fan without guilt or remorse. It's like that one bad album that just about any group or artist records. As a fan, you want to have it, and listening to it once in a while helps you appreciate just how great the previous (or later) releases are.
After reevaluating the album as a whole, I've come to agree with most fans that "Hot Tonight" is the best song here. That in itself wouldn't be saying much, but it is really a good song, worthy of being on their second or third albums had it been written during those times. It's a solid, bass-heavy rocker, with some surprisingly good vocals throughout, especially at the end.
I've always questioned why "Who's That Girl" was the single from the LP, it just doesn't do anything for me. "How Could You Ever Leave Me" is far superior, with some fat guitar work that's (slightly) reminiscent of Paul Reynolds. That should have been the single. "Whole Lot of Loving" follows to close out the album, and it's a nice little ballad. Not quite as good as, say, "Transfer Affection" from "Listen" but a good song nonetheless. I can't say much about the other songs, except to mention "Love On Your Knees." Most fans would agree this is the Flock's worst song ever, but again after re-listening to it, it made me think, if Prince had wrote this song (and he could have, given the sexual innuendo) no one would say one bad thing about it. I say that "Heartbeat Like A Drum" and "Cry Like A Baby" are just plain awful, and should have never seen the light of day.
Conclusion: if you know these songs and like them, (or are just a loyal fan), get the disc. The remastering does sound good. There are no extras here, though. No b-sides or rare demos, nada. Not even lyrics or commentary. Makes you wonder why sometimes record companies can't go that extra step and give the customer a little more value for their money.
The Worst of A Flock Of Seagulls..........2006-01-28
I remember being a high school senior back in 1985, and listening to AFOS first two albums nearly nonstop. Then "Story of A Young Heart" came out, and although I didn't (initially) regard it as highly as the previous two discs, I gradually warmed to it and gave it a spot in my musical pantheon alongside A Flock's previous albums.
So obviously, I purchased "Dream Come True" when it was released and...was stunned by just how bad it was. I mean, how could their talent have deteriorated so rapidly between albums 3 and 4? A lot of this, I think, had to do with the departure of guitarist Paul Reynolds - a very underrated player, in my opinion. At any rate, "Dream Come True" pretty much marked the end of AFOS. (Mike Score still performs - with an ever-changing lineup of musicians - as A Flock Of Seagulls, and I continue to hear rumors about a tour featuring some original members, but nothing concrete.)
Ultimately, I'm left with a question about the re-release of "Dream Come True": Why release this abomination while "Story Of A Young Heart" remains unavailable?
Product Description
JUST BELIEVE * IF ONLY * IBULONG MO SA HANGIN * FOREVER'S NOT ENOUGH * IT'S ALL COMING BACK TO ME * SA IYO * NARITO * I WILL DO ANYTHING FOR LOVE * TWIN HEARTS (FEAT. DEVOTION) * WHEN I MET YOU * BROKEN VOW (DUET WITH MARK BAUTISTA) * NANANAGINIP NG GISING * WE ARE TOMORROW * PAANO KITA MAPASASALAMATAN * TO LOVE YOU MORE
Average customer rating:
- An excellent exploration of Arlen
- fascinating, multi layered performance, never boring
|
Julie Wilson Sings the Harold Arlen Songbook
Harold Arlen , Julie Wilson , and William Roy
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
Vocal Jazz General
| Vocal Jazz
| Jazz
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Cabaret
| Broadway & Vocalists
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Traditional Pop
| Oldies
| Pop
| Styles
| Music
ASIN: B000000PFE
Release Date: 1992-06-30 |
Tracks:
- Blues In The Night
- Fun To Be Fooled/This Time the Dreams On Me
- Buds Won't Bud/You're A Builder Upper/Between The Devil And The Deep Blue Sea..
- Last Night When WE Were Young
- One For My Baby/The Man That Got Away
- Lydia The Tatooed Lady
- Out Of This World/That Old Black Magic
- I've Got The World On A String
- Mianin' In The Mornin'/Down With Love
- A Sleepin' Bee
- It's only A Paper Moon
- Push De Button
- I've Got A Right To Sing The Blues/Stormy Weather/When The Sun Comes Out
- Stay Out Of My Dreams
- horray For Love/Ac-cent-tchu-ate The Positive
- Anyplace I Hang My Hat Is Home, Come Rain Or Come Shine, I Had Myself A True Love
Customer Reviews:
An excellent exploration of Arlen.......1999-07-20
Julie Wilson offers another masterclass performance of songs by Harold Arlen with his numerous lyricists. Arlen's name is not as well known as some of his contemporaries, but his talents as a songwriter were magnificent. Julie Wilson and William Roy mine the Arlen songbook to produce an album of sterling quality, delivering delightful duets on such gems as 'Push De Button' and 'Lydia The Tattooed Lady'. Wilson offers brilliant readings of ballads and rhythm songs, capturing the mood and flavour of each song perfectly. Her sensuous take on 'Last Night When We Were Young' is particularly compelling. Roy's piano embellishments are, as ever, full of wit, sensitivity and formidable musicianship. A stunning offering.
fascinating, multi layered performance, never boring.......1999-03-15
no matter how many time you listen to her, you'll hear something new each time. Julie Wilson is the consumate cabaret singer.
Average customer rating:
- from Solo Piano Publications
- A tranquil and serene respite from a hectic world
- THE FIRST HOME THEATURE ARTIST:MAGNIFICENT!!
|
A Dream Come True
Betsy Foster
Manufacturer: The Orchard
ProductGroup: Music
Binding: Audio CD
General
| New Age
| Styles
| Music
Meditation
| New Age
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Vocal Jazz
| Jazz
| Indie Music
| Stores
| Music
General
| New Age
| Indie Music
| Stores
| Music
ASIN: B0000UYTLQ
Release Date: 2003-10-28 |
Tracks:
- Mark''s Song
- The Christmas Waltz
- She Will Rise Again
- Music Box
- Make a Joyful Noise
- Loving You
- Long, Long Ago
- Chances
- Have I Told You Lately
- Monday Morning, A Rainy Day & You
- Loving You (Instrumental)
- Longing
- Hope
- The Highlands
- Going Home
Album Description
Betsy Foster's debut album comprises a collection of original works spanning twenty-five years, including sensual, passionate love songs, piano interludes, and sweeping orchestral soundtracks.
Customer Reviews:
from Solo Piano Publications.......2004-10-26
"A Dream Come True" is an eclectic album that showcases a variety of Betsy Foster's composing styles. From love ballads to piano pieces to sweeping soundtracks, she feels equally at home in many genres. One of the things that I found interesting about the layout of the CD is that it begins with five instrumental pieces that are primarily piano and would probably be filed under "new age," followed by five vocals that are in a more pop style, and then five much bigger orchestrations. What ties the styles together is the sincerity and honesty of the music, as well as the deeply-felt emotions. Personally, I like the first five tracks the best, but the whole album is fascinating and engaging, and it's fun to experience such a variety of music on one album. Catherine Styron plays piano and synth on all but two tracks, where Gene Rabbai takes over on the bench. Vocals are performed by Heather Blair Jones and Brian Glenn. Most of the other instrumentation is on acoustic instruments, so this CD has a very full, rich sound.
"Mark's Song" opens the CD with a soulful piece composed after the death of Princess Diana, and later named for Betsy Foster's husband. Oboe and violins combine with the piano to make this an exceptionally poignant piece. "The Christmas Waltz" is light and charming - it is easy to picture bundled up couples ice skating on a frozen lake or pond to this piece. I like the mysterious quality of "Music Box, a duet for flute and piano. "Make A Joyful Noise" starts out as a simple "song without words," but builds into a full orchestration full of happiness and optimism. The five vocals are very well done and enjoyable, but I prefer the instrumentals. I do like "Chances" a lot - the lyrics are kind of different, and Heather Blair Jones makes them very personal. The instrumental version of "Loving You" is very gentle and sweet, with kind of a country feel to it. "Longing" has the sweep of a powerful soundtrack and packs an emotional wallop - what a beauty! "Hope" starts out big and becomes a gorgeous piano piece with accompaniment by a rich variety of instruments, becoming bigger again as the piece develops. "The Highlands" is another departure, with a Celtic feel and expansive style - haunting and lyrical.
"A Dream Come True" is a most impressive debut, and gives us a fascinating sampling of what Betsy Foster is capable of as a composer. I'm sure we'll be hearing a lot more from her in the future!
A tranquil and serene respite from a hectic world.......2003-12-10
------------------------------------
Turn off the lights. Sit alone, quietly, as day fades into night. Listen with your heart to "Going Home", as it conjures the honor guard, in full-dress; the soldier's coffin, horse-drawn and flag-draped; the widow and child, proud in their grief; and the comrade, straining to trumpet a dirge through his tears. If you see naught, you are already dead yourself, or certainly your soul must be.
Turn off the lights. Sit alone, quietly, liqueur glass in hand with sweet amber anesthetic, and let "Long, Long Ago" take you back -- if only for a fleeting moment -- to that one great love you let slip away.
Turn off the.... Well, no, actually, turn on the lights. Gather the family round and decorate the tree to the airy tinkle of the "The Christmas Waltz". Or walk down the wedding aisle to "Loving You". Or simply enjoy the serene lushness of "Mark's Song".
Out of my 500+ CD collection, this is one of the few I can listen to over and over, never growing weary of its musical delights and variety. Containing five piano pieces, five vocals, and five instrumental arrangements, the CD is a wonderful and tantalizing sampling drawn from a deep well of talent. Unlike most albums that contain such a wide range of styles, "A Dream Comes True" never jars the listener with dissonant transitions. Whether light classical, smoky jazz, or Celtic, the serendipitous pieces remain true to an underlying theme of soft romantic emotion. Even the saddest, or the most stirring, are but ripples in a tranquil pool.
Although Betsy's health problems no longer permit her to perform, she has gathered together a wonderful ensemble of musical talent, and their performances burnish her compositions, as polish does a diamond. If I sound slightly prejudiced in my praise of Betsy's musical gift, it's probably because I am. But then again, that's only one of the reasons why I married her.
THE FIRST HOME THEATURE ARTIST:MAGNIFICENT!!.......2003-11-06
This is the long awaited release by composer Betsy Foster. There are 15 songs. Five are vocals. The running time is 55 minutes, 10 seconds. The sound, production--by Denny Martin, and graphics are outstanding: very professional. I especially like the 11 page cover booklet, with pictures of Betsy (that span her life), lyrics, song commentary, and credits. The piano is the main instrument. You will hear many instruments that are found in a classical orchestra, plus the usual pop music ones. Heard are pop vocal ballads, movie theme, and semi classical. Most of the tracks sound like a classical orchestra, many with percussion added. I like 13 of the 15 selections. Everyone will love the 4 vocal ballads by Heather Blair Jones, Marlene O'Neill, and Brian Glenn. They are well worth the price of the disc! The fifth vocal is a jazz piece which isn't my cup of tea. The instrumentals I like the best, in that order, are: SHE WILL RISE AGAIN, HOPE, THE HIGHLANDS, LONGING, AND GOING HOME. The vocal selections I like best are: CHANCES; MONDAY MORNING, A RAINY DAY, AND YOU; HAVE I TOLD YOU LATELY; AND LOVING YOU. LOVING YOU is played at weddings. It was made to sound like a folk song by Peter, Paul, and Mary. (Included, is an instrumental version of LOVING YOU.) Also, the piece, HOPE, is absolutely THE BEST composition, classical or otherwise! Nothing compares! Many composers can write complicated charts; not many can produce material with beautiful melodies and great emotion--and Betsy is the best!! This CD would make great holiday gifts. BUY THIS MAGNIFICENT OFFERING!!
Average customer rating:
- Still Dreaming about this album
- ...it was a "dream come true".....
- A career highlight that deserves to be reissued and enjoyed.
|
Dream Come True
Earl Klugh
Manufacturer: One Way Records Inc
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
Smooth Jazz
| Jazz
| Styles
| Music
General
| Pop
| Styles
| Music
Orchestral Pop
| Easy Listening
| Pop
| Styles
| Music
General
| Rock
| Styles
| Music
CDs $7 - $10
| Jazz General
| Jazz
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Jazz General
| Jazz
| Today's Deals in Music
| Formats
| Music
ASIN: B000002QZD
Release Date: 1993-09-07 |
Tracks:
- If It's in Your Heart (It's in Your Smile)
- Doc
- Amazon
- I Don't Want to Leave You Alone Anymore
- Spellbound
- Sweet Rum and Starlight
- Dream Come True
- Message to Michael
Customer Reviews:
Still Dreaming about this album.......2006-03-27
I picked this album up on cassette at Longs Drug Store in Monterey back in 1985ish, and was instantly hooked. So hooked that I picked up every one of Mr Klugh's albums religiously for the next 20 years. He is such an incredibly talented artist. I am ashamed to say that I've only now begun to convert my collection over to cd. The Dream Come True album holds so many special memories for me, in fact, in 1986, I named my new puppy "Doc", and that loyal pooch's personailty fit that tune's melody for his 13+ years on this Earth. The beautiful words at the end of "I Don't Want To Leave You Alone Anymore" still stir me up, and every single tune on this album takes me "there". Bravo and thanks to Mr. Klugh, thanks for sharing your dream with us.
...it was a "dream come true"............2003-06-22
...i've got most of his albums (LP's) and i'm almost done in "recollecting" them in CD versions...this particular album took a while to come out and i'm so glad that i've finally got one. my favorite song in this album is "DOC", but i really like, with no exaggerations, all his music in every album released. very classy, very soft...his songs are really "music to my ears"...
A career highlight that deserves to be reissued and enjoyed........1999-04-30
I owned the "Dream Come True" LP many long years ago, copied it onto audio tape and wore it out. It's easy for an album like this to get lost in the shuffle of 1970s-80s "funky smooth jazz" offerings. But there's always been more to Earl Klugh -- his choice of material, tasteful interpretations and unquestionable gift of talent.
If you're new to the territory, Earl Klugh (pronounced "Clue") is a Detroit-born guitarist who prefers an acoustic, nylon-string approach. Once you've heard him, his sound is instantly recognizable. He can play it fast, he can play it pretty, but always in service to the melody. Grandstanding ain't his style, but you know him when you hear him. He's staked out his territory.
"Dream Come True" brings on the funk, as well as beautiful ballads, light calypso touches, even a little countrified soul complete with steel guitar. Simply stated, this is my favorite Earl Klugh album in a long line of quality work.
"Dream Come True" deserves to be reissued and enjoyed by a new generation of music lovers. It stands the test of time.
Average customer rating:
- Gerald makes the sax sing.
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Dream Come True
Gerald Albright
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD
Contemporary Blues
| Blues
| Styles
| Music
General
| Jazz
| Styles
| Music
Smooth Jazz
| Jazz
| Styles
| Music
General
| Pop
| Styles
| Music
Orchestral Pop
| Easy Listening
| Pop
| Styles
| Music
General
| R&B
| Styles
| Music
General
| Soul
| R&B
| Styles
| Music
Similar Items:
- Giving Myself to You
- Smooth
- Live to Love
- The Very Best of Gerald Albright
- Groovology
ASIN: B000002IPE
Release Date: 1990-12-08 |
Tracks:
- My, My, My
- Front Street
- Say Yes
- Desire
- Sweet Dreams
- Kickin' It
- Dream Come True
- Can't You Feel
- Come A Little Closer
- Growing With Each Other
Customer Reviews:
Gerald makes the sax sing........1999-06-26
Whether it be a mellow song to relax the mood or a song that makes you want to jump up and dance, this album is a must. It is always a pleasure to listen to.
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