Take Care

Track Listings

1. Watch. Take. Care.

2. A.B.C. Dicks Love

3. Could You

4. Tongueties

5. Screen

6. Not a Soul

7. Half Way House

8. Get Out of That Rain

9. He Said: She Said

10. Hole in the Sky

11. A.B.C. Dicks Love (Soft)

12. Suzanne

13. Could You? (Too)

Take Care,He Said,Old Mute,Electronic,Pop,Rock

Take Care

Tracks:

Kaddisch
Laudate Dominum
Ave Maria
Amazing Grace
Breit' Uber Mein Haupt
L'assedio Di Corinto: L' Ora Fatal S'appressa... Guisto Ciel !
Pie Jesu
Der Vierjahrige Posten: Gott! hore Meine Stimme!
Sanctus
Maria Stuarda: Preghiera Di Maria
Lacrimosa
1600 Pennsylvania Avenue: Take Care Of This House - Sumi Jo/Phil Chor Koln/Susan Graham
Nun's Chor/Casanova: Laura's Song
Gigi: Say A Prayer For me Tonight
Sometimes I Feel Like A Motherless Child

Amazon.com

This program seems designed primarily to display soprano Sumi Jo's fabulous singing and famous stylistic eclecticism. However, it also exhibits an admirable religious inclusiveness, encompassing expressions of faith from the Latin liturgy to Negro spirituals; there is even a Richard Strauss song that is essentially a paean to love. An incongruous note is struck by a nun's song from an operetta by Benatzky that is a corny Viennese waltz and by a soundtracklike arrangement of a 16th-century Ave Maria. Ranging from Mozart to Broadway, this musical mix is held together by Sumi Jo's ravishingly beautiful, pure, warm voice and the way she can color and inflect it, and by her mastery of every style (though not every language; her German in particular is unintelligible). Her intonation is impeccable, her breath control incredible. Jo's top notes soar triumphantly, and she can sustain them indefinitely, with enough power left to make a crescendo at the end. Highlights include Ravel's "Kaddisch," which sends shivers down the spine; arias from operas by Rossini and Donizetti; and arias from sacred works by Gounod and Fauré. Of two spirituals, the second one is simpler and more convincing. The accompanying forces are excellent; James Conlon doubles as pianist when not conducting. Susan Graham also makes an appearance in the moving invocation "Take Care of This House" from Bernstein's 1600 Pennsylvania Avenue. --Edith Eisler

Customer Reviews:

Nice Voice.......2007-05-06

Sumi Jo has a beautiful voice but her renditions of Motherless Child and Amazing Grace were not impressive at all. The vibrato was too uncontrollable. The Ave Maria was so,so. I did not hear the richeness others have declared in their assesments. Don't get me wrong, the instrument is quite beautiful but only in some selected selections.

a voice teacher and early music fan.......2007-02-17

"Music and poetry emerge from man's desire to give thanks, to praise and to pray to his gods. One of the magical powers of the human voice is that it can fly, on the wings of songs (a la Mendelssohn) to heaven and appear to be in direct communication with God." Therefore, it is no surprise that prayer is omnipresent throughout the history of music. Sumi Jo has chosen an excellent representation of songs including most styles and periods which include : Baroque (Caccini)-Classical (Mozart)-Contemporary (Preisner)-Romantic Opera (Rossini,Donizetti)-German 'Singspiel'(Schubert)-Lieder (Richard Strauss)-French church music (Gounod ,Faure)-traditional music (spiritual)-Jewish melodies (Ravel)-Viennese operetta (Johann Strauss) and the American musical (Bernstein).

Sumi Jo, born in Korea,is a much sought after coloratura soprano, having triumphed on stage, and in recitals all over the world. Not being fond of coloraturas, I make an exception for her voice, because of its depth along with the very high register. She shows a great deal of sensitivity to all of her varied selections on this disc, and each delivery is a 'gem' unto itself.

I must personally comment on those works that I particularly enjoy. Hearing her sing Mozart's 'Laudate Dominum' was a real treat; it doesn't matter how often one hears that lovely piece, just like all of his music, it 'wears' well. The 'Pie Jesu' was absolutely stunning as Sumi Jo sang it, and it is a pleasure for me to hear the selection from "GIGI" by Lerner & Loewe; not being a great broadway fan, I have always liked that specific musical. I think because it was well-done when I saw it years and years ago.

This disc is abolutely totally enjoyable. There is something for all musical tastes, and the conductor/pianist James Conlon does a great job pulling it together!!!!!

Sumi Jo- coloratura supreme.......2006-04-09

One word: Lacrimosa. It haunts you and will stay with you long after you hear it. I actually forced several if my coworkers to listen to it many of which are not opera fans and even they could not argue the beauty of it. One of my coworkers was actual on the verge of tears by the end of the song.

The rest of the album is enchanting as well as breath taking. I am a harsh critic when it comes to singers so I do not give those compliments very often, nor am I easily moved by singers but Sumi Jo has certainly done that with this album.

My only complaint is that I would have liked to hear her take of "Ave Maria" by Schubert which, while recorded many times over, would complimented her voice perfectly due to it's simplicity. "Sing low sweet chariot" would have been another great one to hear but as far as spirtuals are concerned I was very happy with her acepella version of "Amazing Grace." I was never a huge fan of "Amazing Grace" since it's been done a thousand times over but she brought such seetness and emotion to it. Of course I am kind of biased becuase I offically hate the "belting" version of this song and that's how it's usually done. It's nice to hear a simple, straight forward version.

My last comment is that it's nice to hear Sumi Jo sing less operatic pieces considering most opera singers are rarely bold enough to sing anything other than classical pieces, excluding Renee Fleming of recent.

Prayerful and beautiful.......2005-11-14

It is a refreshing change to have a collection of arias on a CD with a title that actually bears some relevance to the contents. This is indeed a prayerful collection. That means, of course, that you have to be in the appropriately contemplative mood in order to appreciate it.

Another nice change is that the orchestral accompaniment enhances the singing rather than just tagging along as an afterthought, which often seems to be the case. It is fitting that James Conlon gets equal billing here. This is splendid singing to splendid music.

Sumi Jo is comfortable in any language and in a broad range of styles. I was uncertain how she would tackle songs like Amazing Grace and Sometimes I Feel Like a Motherless Child. I need not have worried. In the latter she reveals a soulfulness that fits the lyrics perfectly.

The only track not worthy of this collection is Bernstein's Take Care of This House. I suppose, as it is a prayer, it was an obvious song to include, and Jo sings it very well, but it is just a very poor song. That still leaves 14 excellent tracks that, if you are a lover of good singing, you will want in your collection.

A spectalce of voice and vocalization.......2004-12-29

I bought this used from an Amazon.com dealer and it came with a cutout on the left side of the CD box. Can this specacular CD possibly have gone out of print by Christmas 2004? If so we have lost one of the benchmark recordings of this splendid artist.

Never is there a weak moment in this incredibly beautiful collection of classical bleeding chunks and spirituals. I don't think you'll confuse Sumi for your favorite spiritual singer in "Amazing Grace" and "Sometimes I feel like a motherless child" but she is magnificent singing the complete and incomplete tunes elsewhere on the CD by famous classical composers including Mozart, Richard Strauss, Rossini, Schubert and Donizetti, to name some of them.

She is in wonderful voice and fresh-faced for the Loewe-Lerner "Say a prayer for me tonight" and does an equally nice job with Susan Graham accompanying Leonard Bernstein's "Take care of this house" from "1600 Pennsylvania Avenue". I'm not much for this kind of music -- I bought this exclusively for her rendition of Mozart's "Laudate Dominum" -- but it adds a dimension to the concert that brings it into the realm of popular Broadway tunes.

This is a wonderful concert of familiar and not so familiar songs from a singer whose voice is eloquent, beautiful and rich, with significant range and span from PPP to FFF. Sumi Jo controls her voice well throughout the concert, giving everyone something to think about regardelss of musical preference. This might have been improved if she'd included a Beatles tune -- maybe "Elenor Rigby" or "Yesterday" -- accompanied by the orchestra and James Conlon's direction. But it stands with any similar collection by any singer as it is.

There Is No-One What Will Take Care of You

Average customer rating:

My Musical Epiphany....
A musical god
Good Job, Bad Plan
Old time music
Oh yes,

There Is No-One What Will Take Care of You
Palace Brothers
Manufacturer: Drag City
ProductGroup: Music
Binding: Audio CD

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Arise, Therefore
Hope
Viva Last Blues
I See a Darkness
Guarapero: Lost Blues 2

ASIN: B0000019PU
Release Date: 1993-06-07

Tracks:

Idle Hands Are The Devil's Playthings
Long Before
I Tried To Stay Health For You
The Cellar Song
(I was Drunk At The) Pulpit
There Is No-One what Will Take Care Of You
O Lord Are You In Need?
Merida
King Me
I Had A Good Mother And Father
Riding
O Paul

Amazon.com

It sounds as if it were recorded in the back of a barn or on the front porch of a farm in Kentucky with a single microphone to simulate the feel of an old Folkways field recording. The ensemble cast mixes and matches banjos and poorly strummed acoustic guitars with the occasional synthesizer piercing through the mix. The songs have an odd old-world fascination about them ("Riding," "I Had a Good Father and Mother," "I Tried to Stay Healthy For You") and the singer's delivery is untutored by pitch. --Rob O'Connor

Customer Reviews:

My Musical Epiphany...........2006-04-19

Ahem, I have some glorious memories attached to this record. I had just moved to Atlanta, Ga for school when it came out. I went into Wuxtry records(still the best record store ever!!) and was looking for something new, since the small town I had moved from had no indie stores. I was already a fan of Royal Trux, so I spotted the Drag City logo on the back and decided to buy it. I listened to that CD religously every day for about a year. I love everything about it. How the band sounds like they might fall apart at any second, but never really does. I imagined them playing in a barn on a red-dirt floor with only one mic to record into and the guitarist having to step up to the mic for his solo's. Will channels the southern-gothic ambience of Flannery O' Connor and Carson McCullers perfectly. This made me a life-long fan of Mr. Oldham and I have purchased every release of his since. But since this is the one that hooked me, I always find myself going back to it. Besides, in my opinion, he hasn't recorded a finer song than "Merida" since. I remember seeing him on the "I See A Darkness" tour and I asked him to play it, and he said he didn't remember how too, I was so shocked!! Will is still turning out the great tunes, I recomend this one first since it is one of the most primitive, if you enjoy it, then you will love them all!!

A musical god.......2005-01-16

Well, well. One can spend a lifetime searching for music like this. If you're ready, this album (and most of his others) will beckon you into a new state of being. Raw and alive, it simply issues from a depth of subtlety few artists even touch.

Good Job, Bad Plan.......2003-04-08

Pavement may have invented Indie but The Palace Brothers perfected it. The goal of Indie bands, of course, is to sound amateurish, and the Palace Brothers have it down to a science. From the crudely painted cover to the unwieldy album title to the ever changing name of the band, the Palace Brothers ooze that unfinished mastery that all Indie bands strive for. This album really sounds like a live album of a concert in your living room recorded with your old mono cassette deck. Even the vocals are to strained to be real, as if the vocalist blew out his voice singing in the parking lot of the Dairy Queen the night before. It really sounds like a tape you made when you were ten, but you have to ask yourself, do you really want to listen to that? The quandary of Indie is simply this, does amateurish equal good? In the end amateurish is just amateurish, and there is a reason that bands strive for `studio perfection'. If you're into Indie, you'll love it, no doubt, but if your into a more polished sound this album will not convert you. I did like the fiddle. Best tracks are `Idle Hands Are The Devil's Playthings' and (I Was Drunk At The) Pulpit'.

Old time music.......2001-03-27

Oldham tacks a "Brothers" onto the Palace monicker, perhaps intentionally harking back to a time when groups were thus forthrightly named. And indeed, the music this time around is more Bill Monroe than Sonic Youth - there's even a sort of yodel, or a feeble hooting anyway, on "I Had a Good Mother And Father." A more gloomy and daunting track is "Riding," a throwback to the darkest of folk ballads, voices from the grave that tell of incest, abductions and worse. Oldham relies on these old tales and draws deeply from the hillbilly's Pentacostal fear of God. God, sin, prayer, and walking with Jesus are the foundations of the album. "Idle Hands Are the Devil's Playthings" is told as a straightforward morality tale; "(I Was Drunk At the) Pulpit" is a rambling, breathless first-person tale of debauchery though "I knew it was wrong." However, Oldham is not a hick, but has a poet's gift of language. "The sunlight was stronger to my Church-dark

widened eyes," runs an early line in "Pulpit." It aptly encompasses Oldham's struggle with man's baser and nobler urges.

Oh yes,.......2000-12-01

This is good. Simple, honest, and nothing more. Very few people I know truly enjoy this album, most of the time I end up listening to it alone. "I Was Drunk at the Pulpit" proves that one can write a song using only one chord...

Average customer rating:

A great "first step" to the magic of "The Great White Way"

The Bernstein Songbook

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

General | Broadway & Vocalists | Styles | Music
Similar Items:

Peter Pan (2005 Studio Cast) - Leonard Bernstein
Kurt Weill: The Centennial

ASIN: B0000026OU
Release Date: 1990-10-25

Tracks:

On The Town: New York, New York
On The Town: Lonely Town
On The Town: Carried Away
PETER PAN: Build My House
PETER PAN: Plank Song
Trouble In Tahiti: I Was Standing In A Garden
Trouble In Tahiti: What A Movie!
Wonderful Town: Conga
Wonderful Town: Ohio
Wonderful Town: Wrong Note Rag
Candide: Best Of All Possible Worlds
Candide: Oh, Happy We
Candide: Glitter And Be Gay
Candide: Make Our Garden Grow
West Side Story: America
West Side Story: Maria
West Side Story: Tonight Quintet
West Side Story: Somewhere
Mass: Hymn And Psalm: A Simple Song
FINALE: ON THE TOWN: Some Other Time
ENCORE: 1600 HUNDRED PENNSYLVANIA AVENUE: Take Care Of This House

Customer Reviews:

A great "first step" to the magic of "The Great White Way".......2006-11-26

With the Thanksgiving passing of songwriter Betty Comden, I recalled that I had, in my album collection, this album, not just featuring her songs but Comden singing on "Carried Away" and "Some Other Time" from the Tony-award-winning "New York." Two other songs from the play are featured, culled from a 1960 recording.

This compilation has some of the best of Broadway, not just the songs but the performers as well. Familiar names like Boris Karloff, the legendary Rosalind Russell, Nancy Walker, Chita Rivera, and Carol Lawrence are showcased in various selections from the likes of "Peter Pan," "Trouble in Tahiti," "Wonderful Town," "Candide," "1600 Pennsylvania Avenue," and, in this writer's opinion, the best musical in the history of the stage, "West Side Story."

The liner notes provide brief but insightful descriptions of the various plays, including an introduction from Comden and her longtime collaborator Adolph Green, also heard on the album.

The music is definitely Bernstein with his uniquely American style, coupled with Old World influences.

Average customer rating:

A Little Sentimental
Another brilliant Mark Lanegan album
I'm looking for the light
Cigarretes, Whiskey and Lanegan
Taking care of your late night needs...

I'll Take Care Of You
Mark Lanegan
Manufacturer: Sub Pop
ProductGroup: Music
Binding: Audio CD

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Buzz Factory
Hit the City
It's Not How Far You Fall, It's the Way You Land
Clairvoyance
Uncle Anesthesia

ASIN: B00001OH2G
Release Date: 1999-09-21

Tracks:

Carry Home
I'll Take Care Of You
Shiloh Town
Creeping Coastline Of Lights
Badi-Da
Consider Me
On Jesus' Program
Little Sadie
Together Again
Shanty Man's Life
Boogie Boogie

Customer Reviews:

A Little Sentimental.......2007-08-02

I bought this album because I really liked Scraps at Midnight, which was so good and dark. I was kind of disappointed by I'll Take Care of You, though, it was kind of less consistent in tone, and the songs were a little more sentimental and less satisfyingly growly. So I only ended up listening to the album a few times before stowing it on the shelf where it will be gathering dust until the next time I'm culling my CD collection.

Another brilliant Mark Lanegan album.......2007-05-13

I've been a big Mark Lanegan fan since the eighties when he was the driving force behind the Screaming Trees. He has mellowed considerably since he produced some of the best hard rock in the world and in fact all of his solo albums are been more acoustic than electric (with the occasional but glorious exception like "Hit the City" from BUBBLEGUM). A substantial part of his appeal has been his gifts as a songwriter. Mark Lanegan is a great performer, but his songwriting is an integral part of who he is as a performer. Which makes I'LL TAKE CARE OF YOU, a album of covers, all the more shocking. He literally takes these songs and makes them his own.

I'm not sure that Lanegan is paying tribute to his roots. Some artists do that, but I get the sense here that he is simply choosing some marvelous, but neglected songs. Most are unfamiliar. The ones that are more familiar are perhaps the most surprising, like the Bobby Bland classic title track or mildly shocking inclusion of the Buck Owens's (pre-HEE HAW) "Together Again." I was delighted to see him cover the late Jeffrey Lee Pierce (of The Gun Club) song "Carry Home." It is a remarkably diverse body of material, but somehow Lanegan masterfully blends it all together.

My lone complaint with the album is that it is short. It may be the shortest album Lanegan has ever released apart from EPs. Nevertheless, this is one of his crucial albums. His greatest solo album is unquestionably WHISKEY FOR THE HOLY GHOST, but several others are definitely worth getting immersed in, in particular this fine album, BUBBLEGUM (with some of his best individual songs), and SCRAPS AT MIDNIGHT, though I also very highly recommend the great Isobel Campbell album on which Lanegan provides magnificent support (Campbell writes most of the songs, but Lanegan is magnificent throughout, especially in helping her cover Hank Williams's "Ramblin' Man" and singing Campbell's great "The Circus is Leaving Town").

I'm looking for the light.......2007-02-20

Lanegan's tribute to his roots follows the successful template of his solo albums: spare acoustics, tastefully brushed drums, moody flourishes of vibes and the occasional reverbed electric guitar stitched lovingly and intoxicatingly through songs by ...Buck Owens? It works, trust me, it works.

Boasting a superb song selection that covers everything from traditional folk songs to soul chestnuts to re-wired punk, Lanegan and company craft a moody, smokey, ultimately satisfying cover album that -- like the most comfortable beds -- sounds slept in.

Cigarretes, Whiskey and Lanegan.......2005-02-08

.......And a long nigth listening to this poet and his deep and rough voice delivering deligthfull cuts such as "ill take care of you" "consider me" "on Jesus program" "together again" after a while you will not be able to figure if you fell drunk because of the alcohol or because of the music, you gonna feel yor troath burn but you will not be able to tell if its because of the cigarrete or because song after song you will try to emulate Lanegan s voice since once you listen to him and his words you gonna feel related with his feelings and this is due to Lanegan thoughs are like the point of view of every intelligent man. the songs contained in this particular album are basically covers from bands and composers that have influenced Mark Lanegan and that in one way or other have had some effect in his music as well southern environments and grunge years, as a result Lanegan s album have becoming unique in composing and musical terms
HM

Taking care of your late night needs..........2004-08-04

Mark Lanegan has spent years honing his sound on his solo projects, and that sound has drifted further and further away from his previous band, The Screaming Trees, and is miles apart from his work with Queens of the Stone Age. With each subsequent album, Lanegan has become earthier and rootsier in his stylings. This album represents a break between albums and a chance to focus on some influences and to work on some favourite songs. The album is all cover songs but Lanegan has a way of making them sound like original compositions. The standout track on the album is the title song ''I'll Take Care Of You''. I wish I knew who did the original cause I'd love to hear it. If it's as good as this one, then I owe that singer a debt of gratitude. I've put this track on many times before and chicks just melt. It's a song filled with a weariness that comes out in every note, but it's a song of understanding. The song everyone would like sung to them. The arrangement is gorgeous, and the instruments evoke images of smoky, neon lit rooms. There's even a vibraphone and flute which take it beyond mere blues and add a touch of jazz. I am, however, familiar with Eddie Floyd's version of 'Consider Me' which Lanegan takes from a sweet soul lament and turns it into a sad, but hopeful plea. The album as a whole is a tribute to past masters long forgotten in the annals of popular music history. It spans the whole rich spectrum of Americana that's, thankfully, being noticed again these days. The album spans folk, country, blues, western, R & B; soul, rock n' roll and jazz and strips them all down to their basic root, proving that they all come from the same vein. Lanegan's voice is top notch, a deep, rich baritone with a damaged scratchiness that suggests pain, loss and weathered experience. 'Creeping Coastline Of Lights' is a spooky little track that would be perfect to listen to along a deserted Southern California highway. I like how Lanegan takes different singers and songwriters and connects them through his interpretations. An outstanding album that really should be in everyone's collection. File under 'mellow'.

Average customer rating:

Great singing
Only Roberta

Leonard Bernstein: Songs

Manufacturer: Et'Cetera
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Copland Songs
Songs by Roger Quilter
Just-Spring: Art Songs of John Duke
Mozart: Songs
Susan Graham - Songs of Ned Rorem

ASIN: B0000000NK
Release Date: 2004-03-22

Tracks:

I Hate Music! (A Cycle Of Five Kid Songs): My Name Is Barbara
I Hate Music! (A Cycle Of Five Kid Songs): Jupiter Has Seven Moons
I Hate Music! (A Cycle Of Five Kid Songs): I Hate Music!
I Hate Music! (A Cycle Of Five Kid Songs): A Big Indian And A Little Indian
I Hate Music! (A Cycle Of Five Kid Songs): I'm A Person Too
La Bonne Cuisine (From 'La Bonne Cuisine Francaise' ): Plum Pudding
La Bonne Cuisine (From 'La Bonne Cuisine Francaise' ): Queues De Boef
La Bonne Cuisine (From 'La Bonne Cuisine Francaise' ): Tavouk Gueuksis
La Bonne Cuisine (From 'La Bonne Cuisine Francaise' ): Civet A Toute Vitesse
La Bonne Cuisine (English Version): Plum Pudding
La Bonne Cuisine (English Version): Ox-Tails
La Bonne Cuisine (English Version): Tavouk Gueunksis
La Bonne Cuisine (English Version): Rabbit At Top Speed
Two Love Songs: Extinguish My Eyes
Two Love Songs: When My Soul Touches Yours
So Pretty
Piccola Ser
Silhouette (Galilee)
Mass: A Simple Song
Mass: I Go On
1600 Pennsylvania Avenue: Take Care Of This House
Candide: It Must Be So
Candide: Candide's Lament
Peter Pan: My House
Peter Pan: Peter, Peter
Peter Pan: Who Am I?
Peter Pan: Never-Land

Customer Reviews:

Great singing.......2006-03-01

Roberta Alexander is stunning in these songs of Bernstein. Her voice simply shimmers. Really beautiful.

Only Roberta.......2003-12-02

Roberta Alexander is right on top of this recording. She has a beautiful and strong voice, but more importantly, she has perfect command of the music and idiom of these and Ives' songs. The emotional range of the songs is very wide, ranging from playful to thoughtful to sorrowful but she makes all of them sound very natural.

The Five Kid Songs express the imagination of a small child (Jupiter has seven moons, or is it nine? Saturn has a million billion trillion sixty-nine) and it would be very easy to perform them in a childish way, talking down as many adults do - the composer expressly stated that they should not be performed this way and in fact Alexander sings them with a perfectly natural innocence. La Bonne Cuisine is sung with a strong drive, and although it's hard to imagine what anyone should do with excerpts from a cooking book it's still compelling music. The other songs are also nice but not as memorable - as for the songs from Candide, they are beautiful but get the complete recording on Deutsche Grammophon, directed by Bernstein himself (there are two; I prefer the live version, ASIN B000001GD2).

Tan Crone does more than just provide a background; she adds her own interpretation on piano to add even more feeling to the music.

Bernstein's songs do not have the depth of Ives', but this is still a very nice collection. I will have to check out the Barber and Copland recordings on the same label as well.

Wish Someone Would Care / Take A Look
Average customer rating:
Wish Someone Would Care / Take A Look
Irma Thomas
Manufacturer: Collectables Records
ProductGroup: Music
Binding: Audio CD

New Orleans Blues | Regional Blues | Blues | Styles | Music
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Hello Stranger / Workin' On A Groovy Thing

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How Much Can a Man Take

ASIN: B000K7UFNA
Release Date: 2006-12-05

Tracks:

Wish Someone Would Care
I Need Your Love So Bad
Without Love (There Is Nothing)
Please Send Me Someone to Love
Another Woman's Man
Sufferin' with the Blues
Time Is on My Side
While the City Sleeps
Straight from the Heart
I've Been There
I Need You So
Break-A-Way
Take a Look
Teasing, But You're Pleasing
I Haven't Got Time to Cry
You Don't Miss a Good Thing (Until It's Gone)
Some Things You Never Get Used To
Anyone Who Knows What Love Is (Will Understand)
It's Starting to Get to Me Now
Times Have Changed
He's My Guy
Baby Don't Look Down
What Are You Trying to Do
Wait, Wait, Wait

Marilyn Horne - I Will Breathe A Mountain ~ Songs of Barber, Bernstein & Bolcom / Martin Katz, Tokyo String Quartet

Average customer rating:

Exceptionally moving
Horne brings these wonderful masterpieces to life!

Marilyn Horne - I Will Breathe A Mountain ~ Songs of Barber, Bernstein & Bolcom / Martin Katz, Tokyo String Quartet
Samuel Barber , William Bolcom , Leonard Bernstein , Marilyn Horne , Martin Katz , Tokyo String Quartet , Kikuei Ikeda , Kazuhide Isomura , Peter Oundijian , and Sadao Harada
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Arias | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Horne, Marilyn | Divas | Opera & Vocal | Styles | Music

Tracks:

The Daisies, Op. 2 No. 1
A Nun Takes The Veil, Op. 13 No. 1
Bessie Bobtail, Op. 2 No. 3
The Secrets Of The Old, Op. 13 No. 2
Sure On This Shining Night, Op. 13 No. 3
Barber: I Hear An Army, Op. 10 No. 3
Dover Beach, Op. 3
I Will Breathe A Mountain: Pity Me Not Because The Light Of Day
I Will Breathe A Mountain: How To Swing Those Obbligatos Around
I Will Breathe A Mountain: The Crazy Woman
I Will Breathe A Mountain: Just Once
I Will Breathe A Mountain: Never More Will The Wind
I Will Breathe A Mountain: The Sage
I Will Breathe A Mountain: O To Be A Dragon
I Will Breathe A Mountain: The Bustle In A House
I Will Breathe A Mountain: I Saw Eternity
I Will Breathe A Mountain: Night Practice
I Will Breathe A Mountain: The Fish
My House
So Pretty
Greeting
Take Care Of This House
Rabbit At Top Speed
Sonnet: What Lips My Lips Have Kissed
Nachspiel
Dream With Me

Amazon.com

Though Horne is audibly at the end of her long and rich career, she did a good deed for American music with this disc, which consists of songs by Samuel Barber, Leonard Bernstein, and a new song cycle by William Bolcom, from which the disc takes its title. Horne's voice has a quiver, a lack of center, almost as if it refuses to stop singing Rossini (Horne's lifelong specialty). However, it's worth buying for the Bolcom cycle, which is one of his best vocal works, typically an eclectic, natural outgrowth of Bernstein's style with Horne gamely employing a wide range of vocal techniques with more eloquence than one could hope for. --David Patrick Stearns

Customer Reviews:

Exceptionally moving.......2003-10-16

This is AMERICAN SONGS at their most moving and emotional best, not to mention with great melody. Unlike a lot of American song literature (not broadway type, but "serious classical art songs"), these songs are actually quite beautiful, melodic, and can touch the heart of the listener easily. There is no strain to enjoy them. There is a bit of "sameness" between them, which is my only complaint about this recording; one piece starts to sound like another, especially if you are not listening carefully while listening. Even then, it is still very lovely.

It has been mentioned that Horne is now far past her prime, and that may be, but even far past her prime she is far better than most singers half her age. There is still vibrancy, life, and depth to her voice. It communicates on a very deep level. Martin Katz, her life long accompanist, is, as usual, a revelation as an accompanist. Unlike people think, the accompanist just doesn't play in the background, he is a very vital part of making a performance work. Accompaning singers is a very new art form, and many performers of earlier ages simply had very bad accompanist. With Gerald Moore we started to have people who knew how to support the singer, actually adding to the performance giving it depth and helping the singer shine. Now we are so used to good accompanist, and are so accustomed to their high level of performance, it is very easy to forget what they add.

Katz knows Horne well, and is fully aware of when she is having troubles supporting a phrase, or when she is in best voice. He gives so much to her awesome performance through his very sensitive way of playing this music.

I would recommend this for anyone to buy: fans of modern art songs, fans of Marilyn Horne, and simply fans of good singing.

Horne brings these wonderful masterpieces to life!.......1999-07-17

Throughout the Barber, Bolcom and Bernstein, Marilyn Horne uses her ability to combine technical definition with artistic movement and expansion. Having had the opportunity to see her perform this literature live was an emotionally elevating experience. The way Horne and Katz have reworked a few of the Berstein pieces brings new life and perspectuve to these already wonderful pieces. I highly recommend this recording for the casual classical listener, as well as, for the student that enjoys learning from a master through their art.

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Shakespeare's Songbook, Vols. 1 & 2

Manufacturer: Azica
ProductGroup: Music
Binding: Audio CD

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Shakespeare's Songbook
Songs and Dances from Shakespeare
Shakespeare Songs
Shakespeare's Musick (Songs & Dances from Shakespeare's Plays) / Pickett, Musicians of the Globe
William Shakespeare's Hamlet (Two-Disc Special Edition)

ASIN: B0002IQL08
Release Date: 2004-07-06

Tracks:

Ah Robin (Round)
And Let Me The Cannikin Clink
And Will He Not Come Again
Be Merry, Be Merry
Black Spirits
Blow, Blow Thou Winter Wind
Bonny Sweet Robin
But Shall I Go Mourn
Can'st Thou Not Hit It
Come Away
Come Away, Hecate
Come Live With Me
Come O'er The Burn
Come Thou Monarch (Version 2)(Round)
Come Unto These Yellow Sands
A Cup Of Wine
Farewell, Dear Heart
Fathers That Wear Rags
Fear No More
Fie On Sinful Fantasy
Fill The Cup (Round)
Flout 'Em And Cout 'Em (Round)
Fools Had Ne'er Less Grace
For I'll Cut My Green Coat
The Friar And The Nun
Full Fathom Five
The George Alow (Version 1)
Get You Hence
The God Of Love
Hark, Hark The Lark
Have I Caught My Heavenly Jewel
Heart's Ease
Hold Thy Peace (Version 2)(Round)
Honor, Riches
I Am Gone Sir
I Loathe The I Did Love
It Was A Lover And His Lass
Jepha
Jog On
Jolly Shepherd (Round)
King Stephen Was A Worthy Peer
Lawn As White
Love, Love, Nothing But Love (Version 2)
The Master, The Swabber (Version 2)
No More Dams
An Old Hare Hoar (Version 1)
O Mistress Mine (Version 1)
Orpheus With His Lute
O Sweet Oliver
Pardon Goddess Of The Night
Roses Their Sharp Spines
Sigh No More, Ladies
Some Men For Sudden Joy (Version 1)
Take, O Take Those Lips
Tell Me, Where Is Fancy Bred
That Sir Which Serves
There Dwelt A Man In Babylon (Version 1)
There Was Three Fools
Three Merry Men (Round)
Tomorrow Is St. Valentine's Day
Under The Greenwood Tree
Up And Down (Round)
Urns And Odours Bring Away
Walsingham
Was This Fair Face
Wedding Is Great Juno's Crown
What Shall He Have (Round)
When Arthur First In Court
When Daffodils Begin To Peer
When Daisies Pied
When Griping Grief
When Icicles Hang By The Wall
When That I Was And A Little Tyne Boy
Where The Bee Sucks
While You Here Do Snoring Lie
Who Is Silvia
Why Let The Strucken Deer
Willow, Willow (Version 1)
Will You Buy Any Tape
The Woosel Cock
You Spotted Snakes

Tracks:

Awake, Awake
Battle Of Agincourt
Bride's Goodmorrow
Broom
Callino
Carmen's Whitle
Chi Passa
Come Kiss Me, Kate (Round)
Come Thou Monarch (Version 1)
Cup Of Wine (Version 1)
Damon
Daphne
Diana (2 Versions)
Dulcina
Eglamore
Eighty-Eight
Fortune My Foe
George Alow (Version 2)
Glass Doth Run
Goddesses
Go From My Window
Greensleeves (2 Versions)
Guy Of Warwick
Hem Boys (2 Versions)
Hey Ho for A Husband (2 Versions)
Hobbyhorse
Hold Thy Peace (Versions 1 & 3)
Hunt's Up
I Cannot Come Every Day (2 Versions)
In Crete
In Peascod Time
Jack Boy (Round)
King Cophetua
King Lear
King Solomon
Light O Love
Loath To Depart (2 Versions)
Love, Love (Version 1)
Master, Swabber (Version 1)
Mounsier Mingo
Mounsieur's Almaine
My Mind To Me
Nutmegs (Of All The Birds)
Nutmegs (Wooing Of The Baker's Daughter)
O Death (2 Versions)
Old Hare Hoar (Version 2)
O Mistress Mine (Version 2)
O' The Twelfth Day Of December
Oyster Pie
Peg A Ramsey (2 Versions)
Phillida (3 Versions)
Please One
Pyramus
Queen Dido (2 Versions)
Ratcatcher
Rich Jew
Robin Goodfellow
Robin Hood
Rogero
Rowland
Sellenger's Round
Shore's Wife (2 Versions)
Sick, Sick (3 Vesions)
Some Men For Sudden Joy (Round)
There Dwelt A Man (Version 2)
Titus Andronicus
Tom A Bedlam (2 Versions)
Troilus
Troy Town
Wellady
Whenas We Sat In Babylon
Where Is The Life
Whoop
Why Let The Strucken (If Care Do Cause)
Willow, Willow (Version 2)
Will Ye Buy A Fine Dog
With A Fading

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The essence of a great entertainer catpured.

At The Hollywood Bowl + Encore

Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

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Live in London
16 Biggest Hits

ASIN: B00005Y8VW
Release Date: 2001-01-30

Tracks:

I'll Be Right Back
Alouette - Liberace, George Liberace, Los Angeles Philharmonic
Theme and Welcome Back
Gershwin Medley: Rhapsody in Blue/Embraceable You/Love Walked ...
Hillbilly Music
Hey Liberace
Intro
Liberace Boogie
Intro
Rosary
George and His Hot Fiddle
Sweet Sue, Just You
How About Another One?
Tea for Two
Sometimes I'm Ashamed to Take the Money
Alexander's Ragtime Band/Old Folks at Home
Taking Requests
Hollywood Bowl Concerto: Jalousie (Jealousy)/Star Dust/Walkin' My Baby
Closing Theme and Good Night

Album Description

2 CD set includes-At The Hollywood Bowl & Hollywood Bowl Encore. These two albums comprise a memorable 1954 performance including, for the first time, the entire concert, complete with Liberace's colorful monologues. Highlights include 'Beer Barrel Polka (Roll Out The Barrel)', 'Bumble Boogie' and 'Twelfth Street Rag'. 2002.

Customer Reviews:

The essence of a great entertainer catpured........2004-05-03

Liberace was a great showman and entertainer. This double CD is the best record of his classic act and demonstrates what Liberace was all about. Although recorded in 1954 the sound quality is fine and many of the elements from that period remained part of Liberace's act over more than 30 years. Interestingly - he was not yet using "I'll Be Seeing You" as his exit music. If there is anything you like about Liberace - get this CD.
NB Amazon (on 2/5/04) was only listing the tracks on the second CD.

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English is an asset and a drawback
You Will Love Opera After Hearing Carmen In English
A wholly credible "Carmen" -- finally!
I love Carmen!

Carmen (Sung in English)
Bizet , Bardon , Gavin , Plazas , Magee , and Parry
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

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Mozart: The Magic Flute
The Barber of Seville / B. Ford, D. Jones, A. Opie; G. Bellini [in English]
Verdi: La Traviata
Mozart: The Marriage of Figaro
Mozart - Don Giovanni / Garry Magee · Cullagh · Banks · Plazas · Shore · Tierny · PO · David Parry

ASIN: B00007JGRN
Release Date: 2003-03-11

Tracks:

Prelude
In The Plaza
Just Look At That Delicious Morsel
Here Come Our New Soldier Boys
Jose! There Was A Girl Here Looking For You Just Now
Off With You Old Soldier Boys
Corporal! Sir!
We Have Heard The Bell Summon Us To Meet Here
Ah, Just Look!
But Why Hasn't She Come, Our Carmencita?
Love's A Bird Wild As Any Rebel
Carmen! We Will Follow You High And Low!
The Cheek Of It!
Give Me News Of My Mother!
Your Dear Mother And I Were Leaving Church This Morning
I See My Mother's Face!
Wait A Moment - I'm Going To Read The Letter
Come And Help
So, Corporal: Tell Me What Happened
Well, Carmencita: What Do You Have To Say For Yourself?
Where Are You Taking Me?
There's An Old Bar In The City
Careful - It's Lieutenant!
Entr'acte
From Far Away Mysterious Sounds
Bravo, Bravo! More! Keep Dancing!
Hurrah! Hurrah! The Torero!
Who's That? It's Escamillo, The Bullfighter From Granada
Hurrah! Hurrah! The Torero!
You're Most Kind
We'll Come With You, Senor Torero
Toreador, Be Ready!
At Last! We Got Rid Of Them As Quickly As We Could
There's A Little Job That We're Starting!
Being In Love Is Not A Reason

Tracks:

To Bid You Welcome To Our Bar
La La La La La La La La...
Back To Camp!... Go At Once!
That Flow'r You Threw To Me I Treasured
No, It's Not Love At All!
Hello! Carmen!
Lieutenant Fair, It's True
The Sky Above The Open Road
Entr'acte
Keep Going, Dear Old Friend, Kep Going!
Right! Let's Stop For A While
Shuffle! Cut Them!
In Vain You Would Avoid The Bitter Things They're Saying
You're Back!
As For That Man, It Should Be Easy!
Is This The Place?
I Say That There's Nothing To Fear
It's Him! I'm Sure It's Him Over There!
Escamillo Is My Name, And I Come From Granada
She Had A Lover Here
Hola! Hola! Jose!
You Should Take Care, Carmen
Alas! Jose, Your Mother Is Ill
Entr'acte
A Few Cuartos! A Few Cuartos!
Here They Come! Here They Come!
If You Love Me, Carmen
It's You! It's Me!
Viva! Viva! What A Corrida!

Customer Reviews:

English is an asset and a drawback.......2004-07-20

The best thing about this recording of Carmen is the libretto. Conductor David Parry penned this facile and dramatic English translation. He avoids the pitfalls of literal translation to achieve an idiomatic flow that matches the rhythm of the original lyrics. I use this as a reference libretto for any of the French Carmens.

Unfortunately, the performance suffers from being sung in English. The singers declaim their parts with such proper British diction that Carmen comes across as a school marm. The spoken dialog is delivered beat for deliberate beat and is dripping with reverb. It makes the plaza, tavern and mountain pass all sound like a sewer pipe.

This is a good first Carmen for someone trying to understand the work. The libretto itself is a good investment for further listening. For an enjoyable performance with an emphasis on character and action, I recommend Regina Resnik on the London Double Decker set.

You Will Love Opera After Hearing Carmen In English.......2004-02-09

What a perfect introduction to opera. This newly released recording will surely get you hooked into opera. Carmen, a French opera by Georges Bizet, is the most recognizable and most popular in the opera world. It's famous melodies- the overture, the Habanera, The Toreador Song have all been featured in everything from cellular phone ring tones to Superbowl Commercial (last year's Superbowl with The "Opera In English" label has been making Italian operas into English for a number of years now. Also on the market are Verdi's La Traviata in English (with soprano Valerie Masterson as Violetta) Handel's Julius Caesar with Janet Baker and even Wagner's epic Ring Of The Nibeling sung in English. This is a terrific recording and I highly recommend it if you want to get into opera. Listen to this version first and then try the real, original French version Bizet had written. Patricia Bardon is sensational, sexy and dramatic as Carmen.

The real strength of this version is the dynamic drama. With the advantage of being sung in English, we get better insight on characters' emotions and motives, and we understand the drama a lot better. Carmen is all about great drama. Bizet drew the plot from the French writer Prosper Merimee's dark short story. Carmen is the ultimate femme fatale- a devil-may-care, sexy Gypsy living in Spain, seduces the conservatively raised soldier Don Jose, stealing him away from his fiancee, the passive Micaela, living a life of underground smuggling and rowdy taverns. "Habanera" and "The Gypsy Song and Dance" are very expressive of Carmen's extraordinarily liberal lifestyle. Don Jose, however, has fallen deeply in love- as he shows us in his song/aria "The Flower Song". But Carmen soon becomes tired of his constancy. Don Jose wants a committed, monogamous relationship with Carmen. But Carmen will not submit to love, since she is first and foremost a carnal creature. Eventually, she falls for the handsome Toreador Escamillo. Don Jose, consumed by jealousy, stabs Carmen at a bullfight after Carmen declares her love for Escamillo and rejects Don Jose's love. Don Jose's crazed, obscessive personality shines through in the English version as well. This tragedy has been done in English before so don't think this is the first time. Back in the 50's, there was a film, starring black actors "Carmen Jones" which was treated the same way as this opera- more like an English Broadway musical and with the dubbed singing voice of Marilyn Horne as Carmen. All in all, this recording is excellent.

A wholly credible "Carmen" -- finally!.......2003-09-17

This recording really sells "Carmen" as a drama. Although I have two other recordings of this opera and have seen it performed several times, it never quite worked for me dramatically. But thanks to the fine performances, conducting, and translation here, I've become a "Carmen" convert. Producing a good English-language performance of a foreign opera, especially a warhorse like "Carmen," is much more difficult than it might appear. You need performers who not only can sing the parts (of course) but also can sing *English* and make it halfway intelligible and make it sound like English and make it dramatically convincing to English-speakers. The singers on this recording do an excellent job all around. Don't be put off if you don't recognize their names -- they are up to the task musically and (especially) in their acting. Admittedly, as with *all* English-language recordings, some passages are very hard to understand without reading along, but most of the time the words are clear and effective. I would recommend this recording to any opera beginner or opera lover, even those who normally turn up their noses at performances in translation.

I love Carmen!.......2003-08-15

I do. I can think of no other opera with more melodic inventiveness, and few others with so sure a dramatic pulse. Carmen is popular and it thrills me to say that it is also a very good opera - not always true of popular things.

And what of this recording? Carmen sits well in English, so it is good to hear in translation, although some of the detais in the text jar. Escamillo refers to Jose as "my dear", which sounds rather peculiar, and the guide's line to Micaela: "it's not exactly inviting, is it?" sounds distinctly Middle England rather than Rural Spain. Some of the performers, not least Carmen herself, make the words work, although there are long tracts, especially with the chorus, where the language is distinctly indistinct.

The soloists are, by and large, strong. Patricia Bardon's deep, Handel-friendly voice adapts well to Carmen and she colours the music with phenomenal detail, sounding sexy and provocative from the start with an edge of pride and anger that emerges as the show goes on. She is out of her depth above the stave, though, and some extra top notes in the second act don't show her off to her best advantage. I have previously said that Julian Gavin is poorly served by recordings, though here he sounds much more even and gives a thrilling and musical performance (but his wooden spoken lines let him down). Mary Plazas is a lovely Micaela, rich-voiced and sincere (and word-perfect), but Garry Magee sounds miscast as Escamillo, lacking the ballast at the bottom of the voice to do justice to this tricky role.

The supporting cast is good (Mary Hegarty seems to do nothing but Frasquita these days!) but the really treasurable thing is the conducting. Stepping out of Italian Ottocento, David Parry turns his hand to this French Comedie with an appropriate lightness of touch. His pacing and handling of the set pieces is exemplary and the enrtractes go with a real swing.

A pleasure, then, for the Carmen naive or a novelty for the Carmen-acquainted. I nearly wrote Carmen-weary - but I don't think it's possible.

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