A Time For Peace
Editorial Reviews
Wind & Wire
A Time for Peace is an apt title for this exemplary work, as every track exudes a calming influence.
Product Description
Prolific flautists and composer Terry Oldfield masterfully weaves a host of flute melodies, keyboards, harp, cello, and classical guitar with subtle world sounds in this fully instrumental release. Rich instrumentation and thoughtful tones establish a welcoming environment for inner focus and reflection.
A Time For Peace
A Time For Peace,Terry Oldfield,New Earth Records,New Age,New Age / Meditation,Pop,World Fusion
A Time For Peace
Average customer rating:
- Pure beauty
- WHAT A GIFT!
- Incredible voice - Incredible CD
- The Best
- Charlotte is NO match...
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Pure
Manufacturer: Decca
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- My Gift to You
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ASIN: B0000TCP9A
Release Date: 2003-11-10 |
Tracks:
- Across the Universe of Time
- Never Say Goodbye
- Beat of Your Heart
- Pokarekare Ana
- Who Painted the Moon Black?
- River of Dreams
- Benedictus
- Hine E Hine
- Dark Waltz
- Amazing Grace
- My Heart and I
- In Trutina
- Heaven
- Wuthering Heights
- Pokarekare Ana [*] - Russell Watson, Hayley Westenra
Tracks:
- Silent Night [*]
- Away in a Manger [*]
- Mary Did You Know? [*]
- Mummers' Dance [*]
Album Description
A major artist in her native New Zealand, with a performance portfolio that includes the Royal Philharmonic Orchestra & Russell Watson. Hayley's voice so inspired New Zealand opera diva Dame Malvina Major she offered to tutor her. The first edition of this album was one of the fastest selling records in the classical genre of all time, surpassing even Charlotte Church! This limited edition includes one bonus track on disc one, 'Pokareare Ana' (duet with Russell Watson), & a bonus four track Christmas CD featuring, 'Away In A Manger', 'The Mummers' Dance', 'Mary Did You Know?', & 'Silent Night'. 19 tracks in all. Decca. 2003.
Album Details
Limited Edition Version of the Debut Album from New Zealand Singer Hayley Westenra Comes with a Bonus Disc featuring Four Christmas Songs, Including a Version of the Loreena Mckennitt Song "The Mummer's Dance". Also Includes "my Heart and I" which Does Not Appear on the USA Version.
Customer Reviews:
Pure beauty.......2005-09-06
Ever since Charlotte Church turned into a tabloids' darling and a wannabe pop star, there's been a gap opened for a young, sweet-faced soprano. The best bet on filling it seems to be Hayley Westenra, a young singer/dancer from New Zealand.
The result: "Pure," an album that is reminiscent of early Sarah Brightman, back when she did folk songs and showtunes. Westenra sticks close to her classical sound with songs like the delicate "In Trutina" and the traditional New Zealand song "Pokarekare Ana," which is rendered with the backing of a a rather muddled male chorus and some swelling strings.
However, Westenra doesn't neglect more modern songs, and she does well in classical pop as well as straightforward classical. The big difference seems to be a bit of synth and a delicate guitar melody, in songs like the charming "Beat of Your Heart" and dreamy "Why Painted the Moon Black?" It's a smooth, thoroughly sweet crossover effect.
Westenra also eschews the usual round of classical-pop songs, like "Nella Fantasia." I love that song, but it's been done so many times. Instead, she opts for Maori lullabies, Vivaldi ballads, the neglected "Mummer's Dance" and the orchestral cathedral grandeur of "Benedictus." She even covers Kate Bush's "Wuthering Heights," adding a modern feel to the finale.
That is not to say that every choice is an excellent one. "Wuthering Heights" has Westenra trying to sound more Bush-ian, while "Amazing Grace" is too simple vocally. Aside from those, her choices of song are excellent -- rich, uplifting and beautiful, and backed by a wide range of orchestral musicians, especially the strings.
There is also an accompanying EP, in which Westenra covers four Christmas ballads, and does them all justice. Her vocals are well suited to the dignified lyrics of songs like "The Mummer's Dance" and "Silent Night," although a bit less for the still-lovely "Mary Did You Know" and "Away in a Manger."
Her vocals themselves are not operatic, but they are strong, clear and sweet, without pretensions or dramatic flourishes. The effect is stunning, more given to magic and sweetness than to keeping to classical standards. Since this was recorded when Westenra was only sixteen, one wonders how good she'll be in ten years.
Despite comparisons to Charlotte Church, Hayley Westenra is more like Sarah Brightman -- a sweet-voiced singer, straddling the fence between classical and pop. An enchanting experience.
WHAT A GIFT!.......2004-12-20
I RECEIVED THESE 2 CDS AS A GIFT AND I LISTEN TO THEM FREQUENTLY. HER PERFORMANCE WITH RUSSELL WATSON (ON DVD)ON HIS TOUR IS WONDERFUL. I CAN'T WAIT FOR A NEW ALBUM. WOULD LIKE TO GET HER NEW SONG, BRIDAL BALLAD, FROM THE SOUNDTRACK OF THE MERCHANT OF VENICE
Incredible voice - Incredible CD.......2004-04-29
I recently saw Hayley on TV and had to immediately buy this CD. Her voice is so clear and pure, and her songs are filled with lyrical emotion.
It is an absolutely incredible CD that any music lover should have in their collection. My favorite song is Wuthering Heights.
The Best.......2004-04-27
Her album is the best, voice of an angel.......you can totally relakes to her music.
Charlotte is NO match..........2003-12-15
Hayley is just phenomenal. There is no doubt that she surpasses every other female artist in her genre. This CD is astonishing. My two favorite songs are "Heaven" and "Wuthering Heights". The first Hayley Westenra song I ever heard was "Heaven". It would not be the last. Her voice is like that of an angel. She has a smooth, serene sound, and she has an incredible range. If you want a more classical sound, you want her. It's not that gaudy stuff that people generally think of. This stuff has a beat... and it's not pumping with bass. If you're a fan of Sarah Brightman, Josh Groban, Charlotte Church, or Mario Frangoulis... try Hayley Westenra, you won't regret it. I just can't wait 'til she comes to the states... that'll be a good day. She has a few Italian songs, but she's not heavy on the foreign stuff like some of the other artists of Opera / Classical. She's got a wonderful voice for a little girl... I'm a huge fan, Hayley! You roped me in, in about 2 minutes time!
Average customer rating:
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Classic Chillout, Vol. 2
Various Artists
Manufacturer: EMI Classics
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- Classical Chillout
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ASIN: B00005Y49H
Release Date: 2004-03-09 |
Tracks:
- Any Other Name - Nikolaj Bloch
- Vision - Richard Souther
- Song Of Tears - London Philharmonic Orchestra
- Largo - Reginald Kilbey And His Strings
- Hedwig's Theme - Nic Raine
- Sheep May Safely Graze - Sir Neville Marriner
- II. Adagio Un Poco Mosso - Philharmonia Orchestra
- Cavatina - Manuel Barrueco
- Eddie - Michael Nyman
- Espiritu - Thomas Otten
- Cinema Paradiso Love Theme - Ennio Morricone & His Orchestra
- Pavane - New Philharmonia Orchestra
- Pie Jesu - Choir Of King's College, Cambridge
- Goldberg Variations - Maria Tipo
- Agnus Dei - David Hill
- II. Adagio Sostenuto - Dame Moura Lympany
- Canzonetta Sull'Aria - Gianna Rolandi
Tracks:
- Time To Say Goodbye - Orchestra
- Aquarium - Katia & Marielle Labeque
- Barcarolle (Les Contes D'Hoffman) - Elisabeth Schwarzkopf
- Jean De Florette Theme - Toots Thielemans
- La Valse D'Amelie - Yann Tiersen
- Love In Slow Motion - The Planets
- Heart Of The Volunteer - David Temple
- II. Adagio - Ton Koopman
- Nimrod ('Enigma' Variations) - London Symphony Orchestra
- Going Home (Largo) - Izzy
- Sarabande - Academy Of St. Martin In The Fields
- Facades - John Harle
- Panis Angelicus - Halle Choir
- Teleplene And Rubber Band - Simon Jeffes
- Agnus Dei - National Youth Choir Of Great Britain
- II. Romance - Garrick Ohlsson
- Jesu, Joy Of Man's Desiring - Choir Of King's College, Cambridge
- II: Andantino - James Galway
- Rhapsody On A Theme Of Paganini - Cecile Ousset
- An Ending - Brian Eno
Album Details
Instrumental Chill Out of the Classical Variety, Not of the Dancefloor. Chill Baby!
Customer Reviews:
Great Classical Spectrum .......2005-03-21
These cd's are a great set of varied classical music. Pavane is my favorite. Additionally, Classical Chillout 2 offers theme music from Harry Potter and it is very well done.
Average customer rating:
- I waited for this for five years
- Excellent collection but BIG PUBLISHING MISTAKE!
- ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
- SUCH MAGICAL MUSIC OF THE NIGHT!
- A Must Have for Sir Andrew fans
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Andrew Lloyd Webber: Now & Forever
Various Artists
Manufacturer: Decca Broadway
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- Gold: The Definitive Hits Collection
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- Andrew Lloyd Webber - The Royal Albert Hall Celebration
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- Sunset Boulevard (1993 Original London Cast)
ASIN: B00005R5UJ
Release Date: 2001-11-20 |
Tracks:
- Jesus Christ Superstar: Overture - Andrew Lloyd Webber
- Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
- Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
- Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
- Jesus Christ Superstar: Superstar - Murray Head
- Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
- Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
- Evita: Another Suitcase In Another Hall - Barbara Dickson
- Evita: Don't Cry For Me Argentina - Julie Covington
- Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
- Cats: The Jellicle Ball - Andrew Lloyd Weber
- Cats: Memory - Elaine Paige
- Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
- Cats: Mr Mistoffelees - Paul Nicholas
- Song And Dance: Take That Look Off Your Face - Marti Webb
- Song And Dance: Tell Me On A Sunday - Marti Webb
- Song And Dance: Unexpected Song - Sarah Brightman
- Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
- Song And Dance: Introduction - Andrew Lloyd Webber
- Song And Dance: Variations 1 -4 - Andrew Lloyd Webber
Tracks:
- Starlight Express: Starlight Express - El Debarge
- Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
- Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
- Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
- Starlight Express: Light At The End Of The Tunnel - The Company
- Requiem: Hosanna - Placido Domingo
- Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
- The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
- The Phantom Of The Opera: The Music Of The Night - Michael Crawford
- The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
- The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
- The Phantom Of The Opera: Masquerade - The Company
- The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
- Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
- Aspects Of Love: Love Changes Everything - Michael Ball
- Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
- Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
- Aspects Of Love: Anything But Lonely - Sarah Brightman
- Aspects Of Love: Chanson D'Enfance - Sarah Brightman
Tracks:
- Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
- Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
- Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
- By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
- By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
- By Jeeves: Half A Moment - Sarah Brightman
- Sunset Boulevard: With One Look - Glenn Close
- Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
- Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
- Sunset Boulevard: Sunser Boulevard - Alan Campbell
- Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
- Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
- Whistle Down The Wind: Cold - Everly Brothers
- Whistle Down The Wind: No Matter What - Children/Adult Chorus
- Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
- The Beautiful Game: Overture - Andrew Lloyd Webber
- The Beautiful Game: The Beautiful Game - The Company
- The Beautiful Game: Our Kind Of Love - Hannah Waddingham
- The Beautiful Game: Dont Like You - Josie Walker/David Shannon
- The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir
Tracks:
- Oh What A Circus - David Essex
- Memory - Betty Buckley
- The Phantom Of The Opera - Sarah Brightman/Steve Harley
- All I Ask Of You - Sarah Brightman/Cliff Richard
- Love Changes Everything - Michael Ball
- Any Dream Will Do - Donny Osmond
- Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
- As If We Never Said Goodbye - Barbra Streisand
- The Perfect Year - Dina Carroll
- With One Look - Petula Clark
- You Must Love Me - Madonna
- The Heart Is Slow To Learn - Kiri Te Kanawa
- A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
- Whistle Down The Wind - Tina Arena
- No Matter What - Boyzone
- The Vaults Of Heaven - Tom Jones
- Try Not To Be Afraid - Boy George
- Pie Jesu - Charlotte Church
Tracks:
- Make Believe Love - Wes Sands
- Down Thru' Summer - Ross Hannaman
- I'll Give All My Love To Southend - Ross Hannaman
- Believe Me I Will - Sacha Distel
- Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
- Try It And See - Rita Pavone
- Come Back Richard Your Country Needs You - Time Rice And The Webber Group
- Goodbye Seattle - Paul Raven
- John 19:41 - The Andrew Lloyd Webber Orchestra
- What A Line To Go Out On - Yvonne Elliman
- Disillusion Me - Gary Band
- The Ballad Of Robert And Peter - Tim Rice
- Christmas Dream - Maynard Williams
- It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
- It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
- Magdalena - Tony Christie
- Buenos Aires - The Roja Rockers
- Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
- Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
- I Could Have Given You More - Petula Clark
- I've Been In Love Too Long - Marti Webb
- Benedicite - The Stephen Hill Singers
Album Description
Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance
Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love
Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game
CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church
Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers
Customer Reviews:
I waited for this for five years.......2006-06-30
Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.
The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.
I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.
There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."
But the selections on CDs 1-3 don't make sense.
First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.
Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?
On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?
The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).
There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.
With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?
Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.
In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.
Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10
Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21
Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.
Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.
Here are my basic impressions and comments regarding the material on the discs:
* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.
* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.
* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.
* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.
* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.
Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.
SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19
"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.
A Must Have for Sir Andrew fans.......2002-05-21
This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!
Average customer rating:
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Abide with Me and other favourite hymns
Manufacturer: Naxos
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Binding: Audio CD
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Similar Items:
- Abide With Me
- 100 Hymns & Songs of Inspiration
- Be Still My Soul: The Ultimate Hymns Collection
- A Heritage of Hymns: Classic Recordings of the Great Songs of Faith and Inspiration
- Hymns on the Crystal Cathedral Organ
ASIN: B000B6N69A
Release Date: 2005-10-18 |
Tracks:
- All People That On Earth Do Dwell
- Dear Lord And Father Of Mankind
- King Of Glory, King Of Peace
- Ye Watchers And Ye Holy Ones
- Let All Mortal Flesh Keep Silent
- Immortal, Invisible, God Only Wise
- All My Hope On God Is Founded
- The Lord's My Shepherd
- Tell Out, My Soul
- Christ Is Made The Sure Foundation
- Come Down, O Love Divine
- Praise To The Lord, The Almighty, The King Of Creation
- And Did Those Feet In Ancient Time (Jerusalem)
- Abide With Me
- Alleluya, Sing To Jesus!
- Ye Holy Angels Bright
- My Song Is Love Unknown
- Holy, Holy, Holy!
- Glorious Things Of Thee Are Spoken
- O For A Thousand Tongues To Sing
- Praise, My Soul, The King Of Heaven
- O Praise Ye Lord
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Music of Bill Evans
Manufacturer: Landmark
ProductGroup: Music
Binding: Audio CD
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
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ASIN: B000009K9B
Release Date: 1994-10-17 |
Tracks:
- Waltz For Debby
- Very Early
- Nardis
- Re: Person I Knew
- Time Remembered
- Walking Up
- Turn Out The Stars/ Guitar Improvisation
- Five
- Peace Piece
Customer Reviews:
Classy Set.......2003-10-23
The beautiful music of Bill Evans- reinterpreted here by the wonderful Kronos Quartet. This and the Thelonious Monk set are well worth accquiring.
Average customer rating:
- A worthwhile investment
- Excelent compilation!
- Amazingly Now Retrospective
- How Could You Not Listen?
- Good for help to know up-to-date contemporaly music
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25 Years: Retrospective
Suzanne Elder , Paul Hillier , David Krakauer , John Adams , Franguiz Ali-Zadeh , Ken Benshoof , George Crumb , Morton Feldman , Philip Glass , Osvaldo Golijov , Henryk Gorecki , Sofiya Gubaydulina , Arvo Part , P. Q. Phan , Astor Piazzolla , Steve Reich , Terry Riley , Alfred Schnittke , Peter Sculthorpe , Kevin Volans , Aki Takahashi , Ellen L. Hargis , Neal Rogers , and Kronos Quartet
Manufacturer: Nonesuch
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Similar Items:
- The John Adams Earbox: A 10-CD Retrospective
- Kronos Caravan
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ASIN: B00000DD9B
Release Date: 1998-10-27 |
Tracks:
- John's Book of Alleged Dances (1994): Judah to Ocean
- John's Book of Alleged Dances (1994): Toot Nipple
- John's Book of Alleged Dances (1994): Dogjam
- John's Book of Alleged Dances (1994): Pavane: She's So Fine
- John's Book of Alleged Dances (1994): Rag the Bone
- John's Book of Alleged Dances (1994): Habanera
- John's Book of Alleged Dances (1994): Stubble Crochet
- John's Book of Alleged Dances (1994): Hammer & Chisel
- John's Book of Alleged Dances (1994): Alligator Escalator
- John's Book of Alleged Dances (1994): Standchen: The Little Serenade
- John's Book of Alleged Dances (1994): Judah to Ocean (Reprise)
- John's Book of Alleged Dances (1994): Fratres
- John's Book of Alleged Dances (1994): Psalom
- John's Book of Alleged Dances (1994): Summa
- John's Book of Alleged Dances (1994): Missa Syllabica: Kyrie
- John's Book of Alleged Dances (1994): Gloria
- John's Book of Alleged Dances (1994): Credo
- John's Book of Alleged Dances (1994): Sanctus
- John's Book of Alleged Dances (1994): Agnus Dei
- John's Book of Alleged Dances (1994): Ite, missa est
Tracks:
- Traveling Music: 1. Gentle, easy
- Traveling Music: 2. Moderate
- Traveling Music: 3. Driving
- Song of Twenty Shadows
- Five Tango Sensations: Asleep
- Five Tango Sensations: Loving
- Five Tango Sensations: Anxiety
- Five Tango Sensations: Despertar
- Five Tango Sensations: Fear
- Five Tango Sensations: Four, for Tango
Tracks:
- Piano And String Quartet (1985) - Various Artists
Tracks:
- Quartet # 4 (Buczak, 1989): I
- Quartet # 4 (Buczak, 1989): II
- Quartet # 4 (Buczak, 1989): III
- Mishima Quartet, Quartet #3 (1985): 1957 - Award Montage
- Mishima Quartet, Quartet #3 (1985): November 25 - Ichigaya
- Mishima Quartet, Quartet #3 (1985): 1934 - Grandmother and Kimitake
- Mishima Quartet, Quartet #3 (1985): 192 - Body Building
- Mishima Quartet, Quartet #3 (1985): Blood Oath
- Mishima Quartet, Quartet #3 (1985): Mishima/Closing
- Company, Quartet #2 (1983): I
- Company, Quartet #2 (1983): II
- Company, Quartet #2 (1983): III
- Company, Quartet #2 (1983): IV
- Quartet #5 (1991): I
- Quartet #5 (1991): II
- Quartet #5 (1991): III
- Quartet #5 (1991): IV
- Quartet #5 (1991): V
Tracks:
- The Dreams & Prayers of Isaac the Blind: Prelude: Calmo, sospeso
- The Dreams & Prayers of Isaac the Blind: I. Agitato - Con fucco - Maestoso - Senza misura, oscilante
- The Dreams & Prayers of Isaac the Blind: II. Teneramente - Ruvido - Presto
- The Dreams & Prayers of Isaac the Blind: III. Calmo, sospeso - Allego pesante
- The Dreams & Prayers of Isaac the Blind: Postlude: Lento, liberamente
- Quartet #4 (1993)
- Mugam Sayagi (1993)
Tracks:
- Quasi una fantasia (Quartet #2), Op.64 (1990-91): I. Largo (Sostenuto - Mesto)
- Quasi una fantasia (Quartet #2), Op.64 (1990-91): II. DecisoEnergico (Marcatissimo sempre)
- Quasi una fantasia (Quartet #2), Op.64 (1990-91): III. Arioso: Adagio cantabile
- Quasi una fantasia (Quartet #2), Op.64 (1990-91): IV. Allegro (Sempre con grande passione e molto marcato)
- Already It is Dusk (Quartet #1), Op.62 (1988)
Tracks:
- Different Trains: America Before The War
- Different Trains: Europe During The War
- Different Trains: America After The War
- Black Angels: I. Departure - 1. Thenody I: Night Of The Electric Insects - 2. Sounds Of Bones And Flutes - 3. Lost Bells - 4. Devil-Music - 5. Danse Macabre
- Black Angels: II. Absence - 6. Pavana Lachrymae - 7. Threnody II: Black Angels! - 8. Sarabanda de la Muerte Oscura - 9. Losts Bells (Echo)
- Black Angels: III. Return - 10. God Music - 11. Ancient Voices - 12. Ancient Voices (Echo) - 13. Thenody III: Night Of The Electric Insects
Tracks:
- Cadenza on the Night Plain (1984): Introduction
- Cadenza on the Night Plain (1984): Cadenza: Violin I
- Cadenza on the Night Plain (1984): Where Was Wisdom When We Went West?
- Cadenza on the Night Plain (1984): Cadenza: Viola
- Cadenza on the Night Plain (1984): March of the Old Timers Reefer Division
- Cadenza on the Night Plain (1984): Cadenza: Violin II
- Cadenza on the Night Plain (1984): Tuning to Rolling Thunder
- Cadenza on the Night Plain (1984): The Night Cry of Black Buffalo Woman
- Cadenza on the Night Plain (1984): Cadenza: Cello
- Cadenza on the Night Plain (1984): Gathering of the Spiral Clan
- Cadenza on the Night Plain (1984): Captain Jack Has the Last Word
- Cadenza on the Night Plain (1984): G Song
- Salome Dances for Peace (1985-86) - III. The Gift: Echoes of Primordial Tim
- Salome Dances for Peace (1985-86) - III. The Gift: Mongolian Winds
- V. Good Medicine: Good Medicine Dance
Tracks:
- Quartet No. 2 (1981): I. Moderato
- Quartet No. 2 (1981): II. Agitato
- Quartet No. 2 (1981): III. Mesto
- Quartet No. 2 (1981): IV. Moderato
- Quartet No. 4 (1989): I. Lento
- Quartet No. 4 (1989): II. Allegro
- Quartet No. 4 (1989): III. Lento
- Quartet No. 4 (1989): IV. Vivace
- Quartet No. 4 (1989): V. Lento
- Collected Songs Where Every Verse Is Filled With Grief (1984-85)
Tracks:
- Jabiru Dreaming, Quartet #11 (1990): I. Deciso
- Jabiru Dreaming, Quartet #11 (1990): II. Amoroso
- Quartet #8 (1969): I. Con dolore
- Quartet #8 (1969): II. Risoluto; calmo
- Quartet #8 (1969): III. Con dolore
- Quartet #8 (1969): IV. Con precisione
- Quartet #8 (1969): V. Con dolore
- From Ubirr (1994)
- Tragedy at the Opera (1995)
- White Man Sleeps Quartet #1: First Dance
- White Man Sleeps Quartet #1: Second Dance
- White Man Sleeps Quartet #1: Third Dance
- White Man Sleeps Quartet #1: Fourth Dance
- White Man Sleeps Quartet #1: Fifth Dance
Amazon.com
Seems like only yesterday the Kronos Quartet stepped up their career as musical mavericks with a coveted, wide-open contract with Nonesuch Records. Now it's Nonesuch's turn to give Kronos the big-package nod, gathering key works recorded by the group--from younger composers and time-tested veterans alike--into this 10-CD box set. As one might expect, the set is stuffed with contrasts, from the first CD, with its 11-part, upstepping John Adams suite and then the far more solemn Missa Syllabica from Arvo Pärt. Nearly 20 of these pieces here were composed expressly for Kronos, pitched and sculpted for their easily-racked mixture of straightforward string quartet roles and intelligently restructured approaches to the even the simplest gestures. Perhaps most key here is George Crumb's Black Angels, in large part due to Crumb's role in inspiring David Harrington to form Kronos 25 years ago. Crumb's music spirals and chases through the air, engaging high pitches and fast pacings as if they were ends in themselves. Gone from this set are most of the short snippets that have filled some of Kronos's other fine single CD recordings. In abundance instead are some of the legendary works: Morton Feldman's long, endlessly patient Piano and String Quartet (with Aki Takahashi), Steve Reich's unnerving Different Trains, and Henryk Górecki's String Quartets Nos. 1 and 2. There are also some of the astounding Eastern European works from Night Prayers as well, including the stunning Quartet No. 4 from Sofia Gubaidulina. And of course there are the Kronos biggie pieces: Philip Glass's works fill one CD, and so do Terry Riley's. What's more, Riley's Cadenza on the Night Plain and "G Song" are presented here in entirely fresh, new recordings. What the listener gets is a huge block of music, full of shifting colors and textures but perfectly apt in giving a wide-angle vantage on what Kronos has done for contemporary music. --Andrew Bartlett
Customer Reviews:
A worthwhile investment.......2003-10-06
It would be an understatement to say that this is a fabulous box set. All 10 CDs are packed with some fabulous music that beautifull highlights the first 25 years of the Kronos Quartet, and the booklet included provides a great history of the group as well as nice blurbs on the composers and their pieces.
Equally nice about the box set is the inclusion of multiple new recordings, thus making this a worthwhile investment for fans. The Peter Sculthorpe Quartets are a particularly nice addition, as are the added Piazzolla, Part, and Riley compositions.
Along with this, the "classic" Kronos recordings are all here: "Black Angels" "Different Trains" "Salome Dances for Peace" (well, exceprts), and Feldman's Piano and String Quartet. Of particular note, I think is the inclusion of Gubaidulina's Quartet No 4, a fabulous recording that is otherwise hidden in Kronos' recording "Night Prayers."
Yes, this is quite an investment, but I firmly believe that it's worth it - longtime fans and newcomers alike have a lot to gain from this collection.
Excelent compilation!.......2001-09-09
I like more classic period, like Hayden, but Cronos does it very well, technicaly excelent. The ten sets are wonderful recordings and the selection is unique. It deserves the investment, If you buy it, youre going to have more than ten hours of joy.
Amazingly Now Retrospective.......2001-06-26
Since their youthful start in the NW back in the 70's, Kronos has collaborated with, commissioned, or just played such a breadth of musicians it almost seems that breadth - and especially non western world culture - is their mission. But, while this conservatively and esthetically designed 25-yr-retrospective box (with its increasingly sophisticated photo-portraits) belies the pulsation of social angst and conscience that underlies the bulk of the inclusions, the latter concern, its vitality and relevance - and not some stylish chasing after cultural breadth - is what overtakes the listener/reader, rather soon. I say reader, since the booklet is very helpful, especially to the relative novice, and well balanced in its coverage of composers, historical contexts, performers, individual texts, etc.
There are probably more non contemporaries performed by the Quartet over the years than this selection would indicate. That undercuts their ties with the sense of revolution in music throughout the ages, but it leaves more time for the present: and that is where one expects the group wishes to be, is most contributory and challenged, and is best and most fairly judged. Highly recommended, both for those who know Kronos's work well and wish a handsome tribute on their shelf, and for those who do not but are open and ready to be affected, whether impacted esthetically, reminded socio-morally, or whatever combination of both befits.
How Could You Not Listen?.......1998-12-19
My opinion pales when compared to this CD. Indeed the group's ingeniousness, its knowing and its balls are in full display here, hopefully to put to rest any lingering contention that there is little more to Kronos than form. To any person who accepts the merits of 20th-century music, this CD presents the genius of our culture and teaches that daring and ingenuity do not have to be sacrificed on the road to technical brilliance. My only regret is that the CD does not include Kronos's interpretation of Bartok. But, so what? Górecki's here, as are Part and Benshoof. Listen to this CD -- soar and struggle with it.
Good for help to know up-to-date contemporaly music.......1998-11-28
The Kronos Quartet has released many albums. There let us see what the quartet has tried new titles and arrenges in each period. But this is the best set for understand the quartet as summary of thier works. The CDs are distributed by each composers and we can see thier identities easily.Unfortunately this dose not include all but be enough to see what the quartet has been.I hope that every classical music fans(not only contemporaly music fans) listen this CDs.
Average customer rating:
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One More Time for Peace
Roger Chapman
Manufacturer: Mystic UK
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Britain
| British Isles
| Europe
| International
| Styles
| Music
General
| Rock
| Styles
| Music
Progressive Rock
| Progressive
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
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- Into the Afterlife
ASIN: B000NOK0OE
Release Date: 2007-04-23 |
Tracks:
- One More Time For Peace
- Heading Back To Storyville
- All Too Soon
- Oh Brother Take Me
- Hell Of A Lullaby
- All Night Paradise
- Naked Hearts
- Sweet Bird
- Devil Got A Son
- Same Old Loving You
- Jerusalem
Album Description
2007 studio album from one of the most powerful vocalists in Rock music. Chapman is best-known for his work with Family and the '70s R&B band Streetwalkers. In the pre-Punk era, Roger was an enormous cult figure on the British Rock scene, famed for his spectacular showmanship and soaring vibrato. John Peel, the evergreen Radio 1 DJ, vowed that he'd travel colossal distances to catch a Chapman gig. But in the late '70s/early '80s when '60s musicians were being indiscriminately pensioned off in this country, Roger poured his energies into performing abroad and thus becoming a Rock exile. Through talent and resilience, he rebuilt his career in Germany during the '80s, packing out venues, promoting a spate of successful albums and enjoying a huge European hit with his impassioned rendition of Mike Oldfield's 'Shadow on the Wall'.
Album Details
The ex-Family member's first release since 2001's live album `Rollin' & Tumblin'.
Average customer rating:
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Shakespeare's Songbook, Vols. 1 & 2
Manufacturer: Azica
ProductGroup: Music
Binding: Audio CD
General
| Opera & Vocal
| Styles
| Music
General
| Classical
| Styles
| Music
Similar Items:
- Shakespeare's Songbook
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ASIN: B0002IQL08
Release Date: 2004-07-06 |
Tracks:
- Ah Robin (Round)
- And Let Me The Cannikin Clink
- And Will He Not Come Again
- Be Merry, Be Merry
- Black Spirits
- Blow, Blow Thou Winter Wind
- Bonny Sweet Robin
- But Shall I Go Mourn
- Can'st Thou Not Hit It
- Come Away
- Come Away, Hecate
- Come Live With Me
- Come O'er The Burn
- Come Thou Monarch (Version 2)(Round)
- Come Unto These Yellow Sands
- A Cup Of Wine
- Farewell, Dear Heart
- Fathers That Wear Rags
- Fear No More
- Fie On Sinful Fantasy
- Fill The Cup (Round)
- Flout 'Em And Cout 'Em (Round)
- Fools Had Ne'er Less Grace
- For I'll Cut My Green Coat
- The Friar And The Nun
- Full Fathom Five
- The George Alow (Version 1)
- Get You Hence
- The God Of Love
- Hark, Hark The Lark
- Have I Caught My Heavenly Jewel
- Heart's Ease
- Hold Thy Peace (Version 2)(Round)
- Honor, Riches
- I Am Gone Sir
- I Loathe The I Did Love
- It Was A Lover And His Lass
- Jepha
- Jog On
- Jolly Shepherd (Round)
- King Stephen Was A Worthy Peer
- Lawn As White
- Love, Love, Nothing But Love (Version 2)
- The Master, The Swabber (Version 2)
- No More Dams
- An Old Hare Hoar (Version 1)
- O Mistress Mine (Version 1)
- Orpheus With His Lute
- O Sweet Oliver
- Pardon Goddess Of The Night
- Roses Their Sharp Spines
- Sigh No More, Ladies
- Some Men For Sudden Joy (Version 1)
- Take, O Take Those Lips
- Tell Me, Where Is Fancy Bred
- That Sir Which Serves
- There Dwelt A Man In Babylon (Version 1)
- There Was Three Fools
- Three Merry Men (Round)
- Tomorrow Is St. Valentine's Day
- Under The Greenwood Tree
- Up And Down (Round)
- Urns And Odours Bring Away
- Walsingham
- Was This Fair Face
- Wedding Is Great Juno's Crown
- What Shall He Have (Round)
- When Arthur First In Court
- When Daffodils Begin To Peer
- When Daisies Pied
- When Griping Grief
- When Icicles Hang By The Wall
- When That I Was And A Little Tyne Boy
- Where The Bee Sucks
- While You Here Do Snoring Lie
- Who Is Silvia
- Why Let The Strucken Deer
- Willow, Willow (Version 1)
- Will You Buy Any Tape
- The Woosel Cock
- You Spotted Snakes
Tracks:
- Awake, Awake
- Battle Of Agincourt
- Bride's Goodmorrow
- Broom
- Callino
- Carmen's Whitle
- Chi Passa
- Come Kiss Me, Kate (Round)
- Come Thou Monarch (Version 1)
- Cup Of Wine (Version 1)
- Damon
- Daphne
- Diana (2 Versions)
- Dulcina
- Eglamore
- Eighty-Eight
- Fortune My Foe
- George Alow (Version 2)
- Glass Doth Run
- Goddesses
- Go From My Window
- Greensleeves (2 Versions)
- Guy Of Warwick
- Hem Boys (2 Versions)
- Hey Ho for A Husband (2 Versions)
- Hobbyhorse
- Hold Thy Peace (Versions 1 & 3)
- Hunt's Up
- I Cannot Come Every Day (2 Versions)
- In Crete
- In Peascod Time
- Jack Boy (Round)
- King Cophetua
- King Lear
- King Solomon
- Light O Love
- Loath To Depart (2 Versions)
- Love, Love (Version 1)
- Master, Swabber (Version 1)
- Mounsier Mingo
- Mounsieur's Almaine
- My Mind To Me
- Nutmegs (Of All The Birds)
- Nutmegs (Wooing Of The Baker's Daughter)
- O Death (2 Versions)
- Old Hare Hoar (Version 2)
- O Mistress Mine (Version 2)
- O' The Twelfth Day Of December
- Oyster Pie
- Peg A Ramsey (2 Versions)
- Phillida (3 Versions)
- Please One
- Pyramus
- Queen Dido (2 Versions)
- Ratcatcher
- Rich Jew
- Robin Goodfellow
- Robin Hood
- Rogero
- Rowland
- Sellenger's Round
- Shore's Wife (2 Versions)
- Sick, Sick (3 Vesions)
- Some Men For Sudden Joy (Round)
- There Dwelt A Man (Version 2)
- Titus Andronicus
- Tom A Bedlam (2 Versions)
- Troilus
- Troy Town
- Wellady
- Whenas We Sat In Babylon
- Where Is The Life
- Whoop
- Why Let The Strucken (If Care Do Cause)
- Willow, Willow (Version 2)
- Will Ye Buy A Fine Dog
- With A Fading
Average customer rating:
- I HAVE seen this CD and really like it.
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This Sceptred Isle: Music Inspired By the Events of the 20th Century
Manufacturer: BBC Legends
ProductGroup: Music
Binding: Audio CD
All Works by Arnold
| Arnold, Malcolm
| ( A )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Elgar
| Elgar, Sir Edward
| ( E )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Grainger
| Grainger, Percy Aldridge
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Holst
| Holst, Gustav
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tavener
| Tavener, John Kenneth
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Vaughan Williams, Ralph
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Walton
| Walton, Sir William
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Marches
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
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Tone Poems
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Vaughan Williams, Ralph
| Composers
| Modern, 20th, & 21st Century
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| Classical
| Styles
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General Contemporary
| Modern, 20th, & 21st Century
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Piano
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| Instruments
| Classical
| Styles
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General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
National Philharmonic Orchestra London
| ( N )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
English
| Languages
| Opera & Vocal
| Styles
| Music
Anthems
| Vocal Non-Opera
| Opera & Vocal
| Styles
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Choruses
| Vocal Non-Opera
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Marches
| Miscellaneous
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General
| Soundtracks
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| Music
Classic Big Band
| Swing Jazz
| Jazz
| Styles
| Music
ASIN: B00004KDFI
Release Date: 2000-09-12 |
Customer Reviews:
I HAVE seen this CD and really like it........2003-10-31
This is a two CD set on which, though several of the cuts are edited, more than half appear in their entirety. What a splendid set they make! I've always been a fan of the musical grandeur evinced in British Imperial music. This album, particularly the first disc, offers music from this genre in spades, both instrumental and choral works. Hubert Parry's "I Was Glad" shines out in dazzling brilliance. Listening to Walton's warhorse "Crown Imperial" and Elgar's "Coronation March" we can visualize the full ceremony of state. And listening to Coates' "Dam Busters March" brings to mind all the hope of a proud people fighting, down to its last collective drop of blood, a mortal threat being wrought by an invader's ruthless forces. I'm sure this sounds melodramatic, but after all, total emotion is what this music is all about. I might ask for a cut or two less of Coates or Walton, not because those recordings were not excellent, but because, instead, I'd have liked a cut from Bridge, Tippett, or even Rutter. But, excepting that slight objection, this CD duo does its job most excellently and well.
Tracks:
- Symphony No.4 In F Minor: I. Allegro - Meno Mosso - Largamenet - Lento - London Symphony Orchestra
- Symphony No.4 In F Minor: II. Andante Moderato - Tranquillo - London Symphony Orchestra
- Symphony No.4 In F Minor: III. Scherzo. Allegro Molto - - London Symphony Orchestra
- Symphony No.4 In F Minor: IV. Finale Con Epilogo Fugato. Allegro Molto - Lento (Non Troppo) - Tempo I - Con Amima - Meno Mosso - London Symphony Orchestra
- Mass In G Minor: Kyrie. Slow - Richard Hickox Singers
- Mass In G Minor: Gloria. Lento - Allegro - Andante Con Moto - Richard Hickox Singers
- Mass In G Minor: Credo. Allegro Con Moto - Lento - Allegro Con Moto - Andante - Richard Hickox Singers
- Mass In G Minor: Sanctus. Andante Con Moto - Piu Mosso- Osanna I. Moderato Maestoso - Richard Hickox Singers
- Mass In G Minor: Benedictus. Moderato Tranquillo Osanna II. Moderato Maestoso - Richard Hickox Singers
- Mass In G Minor: Agnus Dei. Moderato - Richard Hickox Singers
- Six Choral Songs - To Be Sung In Time Of War: I. A Song Of Courage. Allegro Moderato - London Symphony Chorus
- Six Choral Songs - To Be Sung In Time Of War: II. A Song Of Liberty. Andante Alla Marcia - London Symphony Chorus
- Six Choral Songs - To Be Sung In Time Of War: III. A Song Of Healing. Andante Con Moto - London Symphony Chorus
- Six Choral Songs - To Be Sung In Time Of War: IV. A Song Of Victory. Andante Con Moto - London Symphony Chorus
- Six Choral Songs - To Be Sung In Time Of War: V. A Song Of Pity, Peace And Love. Andante Moderato - London Symphony Chorus
- Six Choral Songs - To Be Sung In Time Of War: VI. A Song Of The New Age. Andante Moderato - London Symphony Chorus
Customer Reviews:
Superb! Definitive........2003-08-13
AT LAST!! A near-definitive RVW 4th, in wonderful sound.
First, the performance. It's wonderful, to my ears the best since RVW's own some 70 years ago, but in rather better sound (!!). It's driven, tense, urgent, magnetic, mesmerizing, angry, powerful, searing, gut wrenching (literally) and disturbing. For the first time since you could first apprehend its power in RVW's and Mitropoulis recordings, this fourth comes across as being as motorific as Prokofiev, as visionary as Nielsen and as angry as Shostakovich, but adding the two qualities RVW's great teacher, Parry enjoined him to display, the temperament of an englishman and a democrat. The result is that the fourth finally takes its rightful place as a great 20th century symphony rather than a "fine" `or an "interesting" one. This is what RVW meant!!
I have owned the Mitropoulis, Previn and Handley recordings and heard the RVW, Boult and Thomson. I found Mitropoulis energetic and compelling, Handley a little light-on, to be honest (certainly compared to his marvellous 3rd and 5th), the Boult and Previn fine but ultimately unconvincing and the Thomson close to the best but a little rough. But this, ---- this is complete!!
The LSO plays brilliantly for Hickox, who gets more out of them in this piece than other fine conductors. Despite my words about energy, the LSO and Hickox also bring a subtlety to this recording which enhances the stature of both symphony and performance. Hear the "chill and eeriness" (to quote the Penguin guide yearbook) in the second movement and you'll get a taste for the range of their achievement here. And everywhere, even in the midst of the anger and passion, are the great tunes VW couldn't help but write, all played sublimely.
No wonder the Penguin guide awards this a Rosette.
As to the sound, I loved it. This 24 bit, PCM, 96 khz recording sounds wonderful. It captures the proper relationship of the instruments to each other and to the themes they're given.
One of my bugbears with all-DSD recordings has been that although dynamic range is wide, what we tend to get given is a differentiation between loud and soft, with even soft passages and soft playing still crystal clear and sometimes even "spotlit". That's fine when the theme or the instrument playing it is meant to be dominant (as opposed to just heard as part of the fabric) but, for me, can distort musical balances, presenting a crystal clear but fairly monochromatic picture.
What I like about this (and Hickox's recording of the "London" )is that instruments are present in context, - and are sometimes dominant and at others deliberately subordinate (not just "soft"). They are truly part of an orchestra and an orchestral sound and the internal emotional balance of the composition in a way which some (i hate to say this, Telarc) DSD recordings aren't. There is more to orchestral sound than dynamic range and there are good reasons why we use the word "sonority" instead of just "sound".
Anyway, I felt that the recording brings out the best of PCM and DSD with the result being a very natural orchestral sonority. At times the strings may be silkier and the brass may not blare as much as in some DSD derived recordings, but when the brass is meant to call out, it does, and when the strings are meant to sing out in visionary fashion in the middle of anger and betrayal, they do too!
I've over-run my usual self-imposed review length and still haven't mentioned the other 2 works, the lovely Mass in G minor and the six songs "In time of War", so I'll be brief. The Mass is sharp and dramatic as well as lovely, with, thankfully, women's voices instead of boys' (a purely personal taste, I know, but I HATE pre-pubescent boys' voices, and consequently, most recordings of English choral music). The songs are intense and lyrical. They are both also, to again quote the Penguin Guide, "given superb Chandos sound".
If I sound breathless at the end of this review, it's because that's exactly how I felt when the Symphony ended. Bravo, RVW, LSO, Hickox and Chandos. More, please, more !!!!!
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Grandes Exitos, Vol. 1: "En Castellano"