Soul of the Beloved

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Product Description
Soul of the Beloved is an evocative and beautiful collection of pastoral and sound healing music. It has been fashioned to help bring its listeners into states of trance and deep relaxation for meditation, yoga and shamanism practices.

Soul of the Beloved,Uma,Domo Records,New Age,New Age / Meditation,Pop


Soul of the Beloved

Soul of the Beloved
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Ludwig van Beethoven

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
100 Hymns & Songs of Inspiration
Average customer rating: 5 out of 5 stars
  • The picture
100 Hymns & Songs of Inspiration

Manufacturer: Castle Music UK
ProductGroup: Music
Binding: Audio CD

All Works by ArneAll Works by Arne | Arne, Thomas Augustin | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Duruflé, Maurice | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
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Monk, William HenryMonk, William Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RutterAll Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SullivanAll Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
Vaughan Williams, RalphVaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
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Christian Contemporary MusicChristian Contemporary Music | Christian & Gospel | Styles | Music
Praise & WorshipPraise & Worship | Christian & Gospel | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
AnthemsAnthems | Vocal Non-Opera | Opera & Vocal | Styles | Music
ChorusesChoruses | Vocal Non-Opera | Opera & Vocal | Styles | Music
HymnsHymns | Vocal Non-Opera | Opera & Vocal | Styles | Music
MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
NoelsNoels | Vocal Non-Opera | Opera & Vocal | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
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Similar Items:
  1. A Heritage of Hymns: Classic Recordings of the Great Songs of Faith and Inspiration
  2. Abide with Me and other favourite hymns
  3. Best Loved Hymns
  4. Praise to the Lord - Hymns From St. Paul's Cathedral
  5. Hymns Triumphant 1 & 2

ASIN: B00008GEKT
Release Date: 2003-04-14

Tracks:

  1. Love Divine All Loves Excelling - Choir Of Gloucester Cathedral
  2. Father Hear the Prayer We Offer - Choir Of Gloucester Cathedral
  3. Now Thank We All Our God - Choir Of Gloucester Cathedral
  4. This Day, The First of Days - Choir Of Gloucester Cathedral
  5. Stars of the Morning So Gloriously Bright - Choir Of Gloucester Cathedral
  6. God Save the Queen - Choir Of Gloucester Cathedral
  7. Day of Resurrection - Choir Of Gloucester Cathedral
  8. God Rest You Merry Gentlemen - Choir Of Gloucester Cathedral
  9. Of the Father's Heart Begotten - Choir Of Gloucester Cathedral
  10. O Come All Ye Faithful - Choir Of Gloucester Cathedral
  11. Awake My Soul and With the Sun - Choir Of Norwich Cathedral
  12. Thine Arm O Lord in Days of Old - Choir Of Norwich Cathedral
  13. All People That on Earth Do Dwell - Choir Of Norwich Cathedral
  14. Good Christian Men Rejoice and Sing - Choir Of Norwich Cathedral
  15. There Is a Green Hill - Choir Of Norwich Cathedral
  16. Lord of Beauty - Choir Of Sheffield Cathedral
  17. Rejoice Today With One Accord - Choir Of Sheffield Cathedral
  18. New Every Morning - Choir Of Sheffield Cathedral
  19. Lead Us Heavenly Father Lead Us - Choir Of Sheffield Cathedral
  20. O God Our Help in Ages Past - Choir Of Sheffield Cathedral

Tracks:

  1. Morning Has Broken - Choir Of Marlborough College Chapel
  2. Happy Are They - Choir Of Marlborough College Chapel
  3. In Christ There Is No East or West - Choir Of Marlborough College Chapel
  4. Silent Night - Choir Of Marlborough College Chapel
  5. Be Thou My Guardian - Choir Of Marlborough College Chapel
  6. Ye Servants of the Lord - Choir Of Marlborough College Chapel
  7. At the Name of Jesus Every Knee Shall Bow - Choir Of Marlborough College Chapel
  8. To Thee O Lord Our Hearts We Raise - Choir Of Marlborough College Chapel
  9. Behold the Great Creator Makes - Choir Of Marlborough College Chapel
  10. Rejoice the Lord Is King - Choir Of Marlborough College Chapel
  11. Creator of the Stars of Night - Ely Cathedral Choir
  12. He Comes With Clouds Descending - Ely Cathedral Choir
  13. O Little Town of Bethlehem - Ely Cathedral Choir
  14. Alleluya Alleyluya Alleyluya - Ely Cathedral Choir
  15. This Is the Day the Lord Hath Made - Ely Cathedral Choir
  16. How Sweet the Name of Jesus Sounds - Ely Cathedral Choir
  17. Lord Thy Word Abideth - Ely Cathedral Choir
  18. Jesus Lord We Look to Thee - Ely Cathedral Choir
  19. O Lord Our God Arise - Ely Cathedral Choir
  20. Lord of All Hopefulness - Ely Cathedral Choir

Tracks:

  1. Soldiers of Christ Arise - Choir Of Wakefield Cathedral
  2. Lift Up Your Hearts - Choir Of Wakefield Cathedral
  3. Holy Father, Cheer Our Way - Choir Of Wakefield Cathedral
  4. Maker of the Sun - Choir Of Wakefield Cathedral
  5. O King Most High - Choir Of Wakefield Cathedral
  6. O Praise Our Great and Glorious Lord - Choir Of Wakefield Cathedral
  7. Forgive Our Sins as We Forgive - Choir Of Wakefield Cathedral
  8. We Love the Place O God - Choir Of Wakefield Cathedral
  9. Let Us With a Gladsome Mind - Choir Of Wakefield Cathedral
  10. Give Rest O Christ - Choir Of Wakefield Cathedral
  11. Come Holy Ghost Our Hearts Inspire - Choir Of Truro Cathedral
  12. O Thou in All Thy Might So Far - Choir Of Truro Cathedral
  13. O Christ, Who Art the Light and Day - Choir Of Truro Cathedral
  14. O God Thy Soldiers' Crown and Guard - Choir Of Truro Cathedral
  15. Strife Is O'er the Battle Done - Choir Of Truro Cathedral
  16. O Christ Our Hope, Our Hearts' Desire - Choir Of Truro Cathedral
  17. Jesus Shall Reign - Choir Of Truro Cathedral
  18. God of Love My Shepherd Is - Choir Of Truro Cathedral
  19. O Jesu Saviour of Mankind - Choir Of Truro Cathedral
  20. Immortal Invisible God Only Wise - Choir Of Truro Cathedral

Tracks:

  1. Ride on Ride on in Majesty - Choir Of All Saints - Margaret Street, London
  2. All Glory Laud and Honour - Choir Of All Saints - Margaret Street, London
  3. Come Rejoicing - Choir Of All Saints - Margaret Street, London
  4. God Is Love and Where True Love Is - Choir Of All Saints - Margaret Street, London
  5. Magnificat: The Great Advent Antiphons - Choir Of All Saints - Margaret Street, London
  6. Come, Christ's Beloved - Choir Of All Saints - Margaret Street, London
  7. Children of the Hebrews (Palm Procession) - Choir Of All Saints - Margaret Street, London
  8. Veneration of the Cross/The Reproaches (Veneratum and Reproaches) - Choir Of All Saints - Margaret Street, London
  9. Once in Royal David's City - Choir Of Keble College
  10. God Be in My Head - Choir Of Keble College
  11. O Thou Who Camest from Above - Choir Of Keble College
  12. Judge Eternal Throned in Splendour - Choir Of St Edmunsbury Cathedral
  13. Christ the Lord Is Risen Again - Choir Of St Edmunsbury Cathedral
  14. For All the Saints - Choir Of St Edmunsbury Cathedral
  15. Thy Hand O God Has Guided - Choir Of St Edmunsbury Cathedral
  16. Christ the Dawn of Our Salvation - Choir Of Eastbourne College Chapel
  17. I Was Glad - Choir Of Eastbourne College Chapel
  18. Dear Lord and Father of Mankind - Choir Of Eastbourne College Chapel
  19. Locus Iste - Choir Of Eastbourne College Chapel
  20. Praise My Soul the King of Heaven - Choir Of Eastbourne College Chapel

Tracks:

  1. Stand Up! Stand Up for Jesus! - The Choir of the Abbey School, Tewkesbury
  2. While Shepherds Watched Their Flocks - The Choir of the Abbey School, Tewkesbury
  3. O Worship the King - The Choir of the Abbey School, Tewkesbury
  4. O Heavenly Word of God on High - Choir Of The Collegiate Church Of St Mary
  5. Praise to the Lord, The Almighty - Choir Of The Collegiate Church Of St Mary
  6. Jesus Christ Is Risen Today - The Choir of York Minister
  7. First Nowell - The Choir of York Minister
  8. Abide with Me - The Choir of York Minister
  9. Breathe on Me Breath of God - Choir Of Keble College
  10. Rock of Ages - Choir Of Keble College
  11. On This Day, The First of Days - Choir Of Keble College
  12. Jesu Sweet and Mary - Choir Of Eastbourne College Chapel
  13. O Quam Gloriosum - Choir Of Eastbourne College Chapel
  14. Ye Holy Angels Bright - Choir Of Eastbourne College Chapel
  15. O for a Closer Walk With God - Choir Of Eastbourne College Chapel
  16. Prayer of St Patrick - Choir Of Eastbourne College Chapel
  17. Lord's Prayer - Choir Of Eastbourne College Chapel
  18. Blessed Be the God and Father - Choir Of Eastbourne College Chapel
  19. Day Thou Gavest Lord Is Ended - Choir Of Eastbourne College Chapel
  20. Jerusalem (And Did Those Feet in Ancient Times) - Choir Of Eastbourne College Chapel

Album Description

Full Title - 100 Hymns & Songs Of Inspiration. UK box-set featuring 100 tracks performed by Britain's finest Cathedral Choirs including, Gloucester Cathedral, Norwich Cathedral, Sheffield Cathedral, & many more. Five standard jewel cases housed in a slipbox. Castle Pulse. 2003.

Customer Reviews:

5 out of 5 stars The picture.......2006-12-11

I haven't purchased the CD but the picture of the inside of a church on the cover is not of a British church, like one would assume since it says its a recording of British choirs. This picture is of Notre Dame Basilica in Montreal, Quebec, Canada. Just thought i'd let you know. I'll be honest; I'm one to judge things by it's cover and if the company took such care to choose a 'British' church for their British choir CD, I'm willing to bet the music is equally well selected... I'm being sarcastic. But I gave the product 5 stars because I didn't want to hurt its ratings just because i'm cynical. But check out the church if you're ever in Montreal, it's truly beautiful... here I'm not being sarcastic.
Mountain to Climb
Average customer rating: 4.5 out of 5 stars
  • A lot of Gregg Allman on this CD
  • Top of the Mountain!
Mountain to Climb
Floyd Miles
Manufacturer: Beloved
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Blues | Styles | Music
Electric Blues GuitarElectric Blues Guitar | Blues | Styles | Music
Modern BluesModern Blues | Blues | Styles | Music
GeneralGeneral | Jazz | Styles | Music
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  1. Goin' Back To Daytona

ASIN: B00000JN0P
Release Date: 1999-08-17

Tracks:

  1. Canine Potential
  2. Mountain To Climb
  3. Little Bit Of You
  4. Not Like I Been Hurt By You
  5. Don't Need No Man
  6. Swamp Rose
  7. Goin' Fishin'
  8. Arthritis
  9. The More I Change
  10. Walked Out Slow
  11. Spending Christmas With The Blues

Customer Reviews:

4 out of 5 stars A lot of Gregg Allman on this CD.......2006-03-19

Miles has been on tour with "Gregg Allman and Friends". Allman is all over this CD, singing on 5 songs, cowriting 2, and playing organ on an unidentified number of songs. Overall the vocals might be divided up 70% Miles 30% Allman and that's a lot for a guest. This is an enjoyable CD with good songs and even a nice Christmas song to close. Fans of Gregg and the Allman Brothers will especially Gregg's many vocals here.

5 out of 5 stars Top of the Mountain!.......2001-11-07

Unlike most "friends" discs out today, Miles doesn't assemble many. In fact, Miles only needs six to get the job done. With the exception of Gregg Allman, and possibly Ace Moreland, the others are not household names even for blues fans. While Gregg Allman seems like he might be an oddity here, quite the opposite is true. According to the liner notes, the Allman-Miles relationship is quite old and Gregg even credits Miles for teaching him how to sing the blues and how Miles has deeply influenced his phrasing and delivery. The truth of that statement can be seen right from the opening track, "Canine Potential" where the similarities in the vocals is quite striking. Allman also assists by co-writing , playing organ and adding vocals to, two songs, "Not Like I Been Hurt By You" and "Don't Need No Man". The CD has many fine moments beginning with the title track, continuing through the slow blues number "Don't Need No Man", the slide guitar on "Arthritis" and the Country blues numbers " Goin' Fishin" and "Walked Out Slow". The CD ends with an original Christmas tune "Spending Christmas With The Blues".
Magdalena Kozená - Love Songs (Dvorak, Janacek, Martinu)
Average customer rating: 4.5 out of 5 stars
  • On the Subject of Intelligent and Sensitive Recitals
  • Lovely
  • A Beautiful Disc
  • A stunning burst onto the world stage
  • Wonderful songs, and a singer with great potential
Magdalena Kozená - Love Songs (Dvorak, Janacek, Martinu)
Antonin Dvorak , Bohuslav Martinu , Leos Janacek , Magdalena Kozená , and Graham Johnson
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
Janácek, LeosJanácek, Leos | ( J ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MartinuAll Works by Martinu | Martinu, Bohuslav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Folk | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Folk SongsFolk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
Deutsche Grammophon: MusicDeutsche Grammophon: Music | Specialty Stores | Music
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  1. Songs: Magdalena Kozena
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ASIN: B00004SDO1
Release Date: 2000-08-08

Tracks:

  1. Love Songs: Oh, Our Love Does Not Bloom
  2. Love Songs: Death Dwells In So Many A Heart
  3. Love Songs: Now I Stumble Past The House
  4. Love Songs: I Know That In Sweet Hope
  5. Love Songs: Gentle Slumber Reigns Over The Countryside
  6. Love Songs: Here In The Forest By A Brook
  7. Love Songs: In The Sweet Power Of Your Eyes
  8. Love Songs: Oh, Dear Matchless Soul
  9. New Miniatures: The Rich Sweetheart
  10. New Miniatures: The Forsaken Lover
  11. New Miniatures: Lounging
  12. New Miniatures: The Inquisitive Girl
  13. New Miniatures: The Cheerful Girl
  14. New Miniatures: The Unhappy Lover
  15. New Miniatures: The Request
  16. New Miniatures: The Tall Tower
  17. Songs For A Friend Of My Country: Ponies On The Fallow Land
  18. Songs For A Friend Of My Country: The Lost Little Slipper
  19. Songs For A Friend Of My Country: A Religious Song
  20. Songs For A Friend Of My Country: An Invitation
  21. Four Songs: You Heartfelt Songs
  22. Four Songs: Oh, That Was A Beautiful, Golden Dream
  23. Four Songs: In Pain, My Heart Often Broods
  24. Four Songs: Silence On The Mountains
  25. Lullaby
  26. Songs For One Page: Dew
  27. Songs For One Page: Unlocking With A Single Word
  28. Songs For One Page: Journey To The Beloved
  29. Songs For One Page: The Footpath
  30. Songs For One Page: At Mother's
  31. Songs For One Page: The Virgin Mary's Dream
  32. Songs For One Page: Rosemary
  33. New Slovak Songs: So Tell Me
  34. New Slovak Songs: I Had A Blouse
  35. Moravian Folk Poetry In Songs: Who Is The Posy For?
  36. Moravian Folk Poetry In Songs: A Lover's Picture
  37. Moravian Folk Poetry In Songs: Little Posy
  38. Moravian Folk Poetry In Songs: Constancy
  39. Moravian Folk Poetry In Songs: Love
  40. Moravian Folk Poetry In Songs: Parting
  41. Moravian Folk Poetry In Songs: My Lover's Horses
  42. Good Night, My Darling

Amazon.com

The composers Antonín Dvorák, Leos Janácek, and Bohuslav Martinu might not be the names that first spring to mind when love songs are mentioned, yet this fascinating collection gives us a taste of what delights we have been missing. They range from seven Moravian folk songs, collected by Janácek at the turn of the century, to songs written by Martinu in the U.S. in 1942. There's also early Martinu--including songs he collected in Slovakia in 1920--plus the world-premiere recording of Songs for a Friend of My Country, a cycle he wrote in France in 1940 on his way to America. All of these songs are of interest in giving us another aspect of each composer's work; most have much more to offer. Many are achingly lovely, especially those by Dvorák--including his Op. 2, a reworking of four songs from a cycle he had written almost 20 years earlier, and Love Songs, a revision of eight songs from the same cycle. "Good night, my darling," from his 1886 cycle In Folk Tone, is worth the price of this CD alone. Czech mezzo Magdalena Kozená, who put together the program, sings with pure, attractive tone. Graham Johnson is her excellent accompanist. --Richard Fawkes

Customer Reviews:

5 out of 5 stars On the Subject of Intelligent and Sensitive Recitals.......2005-05-19

Combing the recorded literature to find CDs that showcase singers who not only own brilliant vocal gifts but who also possess the intelligence to program recordings of lesser known works in a sequence that makes for intelligent recitals, it is becoming more obvious that there are many singers who opt for purity of purpose rather than 'salesmanship' of careers in the PR arena. Magdalena Kozená is one of these gifted singers whose intelligence and sensitivity match her physical and vocal beauty.

LOVE SONGS is a tastefully selected panorama of lesser-known songs by Kozená's fellow countrymen (Czech) Antonín Dvorák, Leos Janácek, and Bohuslav Martinu. And while many of the Dvorák and Janácek songs have been occasionally heard in recitals, the Martinu "Songs for a Friend of My Country", an exquisitely beautiful work written in 1940, here receives its World Premiere recording. Kozená's voice is in prime condition for these songs and she is ably accompanied by pianist Graham Johnson. The special flavor of these Slavic emotions and songs has rarely been so well captured.

But over and above the beauty of Kozená's performance of these neglected masterpieces shines the glow of her sensitive programming. Recordings such as these are rare and should be included in the libraries of those who appreciate the lieder genre. Highly recommended. Grady Harp, May 05

5 out of 5 stars Lovely.......2004-03-25

This is a beautifully performed selection of Czech lieder. Kozena has a lovely voice and sings with precision and nicely modulated emotion. The accompanying pianist, Graham Johnston, is excellent. Despite the title, not all these songs are love or romantic songs but all are well worth hearing. The selection of songs is excellent. Different listeners will prefer different songs. For me, the highlight of this recording are the rarely heard Martinu songs, many of which exhibit the lyrical aspect of his compositional style. Recommended strongly.

5 out of 5 stars A Beautiful Disc.......2002-01-06

This is simply a magnificent recording. I like it better every time I put it on. The voice is fresh, supple, and expressive. I even find myself trying to learn some of the Czech words (from the translation in the booklet) they sound so nice. Both Kozena and the brilliant piano contributions by Graham Johnson are faithfully caught on the recording. There is enough variety and contrast that one doesn't tire in the least (over the generous 67 minutes of playing time) of hearing these playful, sometimes poignant, songs. One of the best discs, in terms of programming, performance, and sound quality, of the past couple of years.

5 out of 5 stars A stunning burst onto the world stage.......2001-12-17

Magdalena Kozena is suddenly known around the world, thanks to this stunning disc of 42 lieder from her Czech homeland. Most of the songs are short - some come in under a minute, the longest 3-4 minutes. Each is a little gem and many have never been recorded before.

Kozena's voice is sheer delight. She does have resonances in her voice which are reminiscent of her compatriot, Lucia Popp, but is certainly a mezzo - although she has chosen her repertoire well so we hear no strain at the top. Her low resonances are delightful and consistent with her head voice. To compare Kozena's voice to that of the late diva (Popp), it is more pure, more consistent in tone from top to bottom, and doesn't have so much of the `squeezey' quality which Popp used to great effect in evincing the passion of her characters. Kozena can empty her voice of vibrato or let it out rich and full, and uses all her vocal resources to great effect in contrasting the individual songs. She has astoundingly mature lieder-singer's technique for such a young singer.

This recording rightly won a Gramophone award this year. Kozena deserves all the accolades she receives for this - doubtless all listeners will develop their own favourites from these delightful miniatures.

4 out of 5 stars Wonderful songs, and a singer with great potential.......2000-10-08

What a wonderful, carefully thought out CD! Kozena obviously revels in these rarely performed songs by Dvorak, Martinu, and Janacek, and Johnson accompanies with his usual ease and sensitivity. What a pity the piano is balanced distantly -- we hear little of Johnson's variety of touch and dynamics. As for Kozena, she is obviously an intelligent musician with a voice of great potential. It is qutie beautiful as it is, yet the colour is still rather pale. Yes, there is something of the late Lucia Popp's timbre, yet it has little of Popp's depth and range of colour. BBC Legends released a CD of Popp a year ago which includes three Dvorak songs also sung by Kozena. The differences are quite marked -- while Kozena's timbre and interpretation suggests a dreamy yet earnest youth, Popp brings out an autumnal glow and a sharp pain that pierces at least this listener's heart. Kozena has started a wonderful career. Only time will tell how her voice will develop. I do hope it goes in the direction of Popp's unique lyric timbre. No one could ever equal Popp (perhaps it's obvious by now that Popp is my favorite singer of all time), but perhaps Kozena will become something of Popp's heir, while still being her own person. I hope so. But her musicality is not in question. Let's keep our ears open!
Dupré: Works for Organ, Vol. 9
Average customer rating: Not rated
    Dupré: Works for Organ, Vol. 9

    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

    QuartetsQuartets | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Dupré, Marcel | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
    Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
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    Similar Items:
    1. Dupré: Works for Organ, Vol. 7
    2. Dupré: Works for Organ, Vol. 3
    3. Dupré: Works for Organ, Vol. 13
    4. Marcel Dupré: Works for Organ, Vol. 5
    5. Dupré: Organ Works Vol.10

    ASIN: B000038I7V
    Release Date: 2000-02-22

    Tracks:

    1. Son in a, Op.60: Allegro Marcato - Clyde Beavers/Bruce Neswick
    2. Son in a, Op.60: Allegro Moderato - Clyde Beavers/Bruce Neswick
    3. Son in a, Op.60: Allegro Ma Non Troppo - Clyde Beavers/Bruce Neswick
    4. Trio, Op.55: I. (Withoug Movt Indication) - Timothy Durbin/Clyde Beavers/Bruce Neswick
    5. Trio, Op.55: II. Lento - Timothy Durbin/Clyde Beavers/Bruce Neswick
    6. Trio, Op.55: III. (Energico-Largo-Presto) - Timothy Durbin/Clyde Beavers/Bruce Neswick
    7. Qt, Op.52: Prld - Timothy Durbin/Jennifer Rende/Clyde Beavers/Bruce Neswick
    8. Qt, Op.52: Scherzando - Timothy Durbin/Jennifer Rende/Clyde Beavers/Bruce Neswick
    9. Qt, Op.52: Larghetto - Timothy Durbin/Jennifer Rende/Clyde Beavers/Bruce Neswick
    10. Qt, Op.52: Rondo - Timothy Durbin/Jennifer Rende/Clyde Beavers/Bruce Neswick
    11. Chorales, Op.28, Nos.31-33, 48-54 & 57: 31. Lord God Now Open Wide Thy Heaven
    12. Chorales, Op.28, Nos.31-33, 48-54 & 57: 32. Lord Jesus Christ, Turn To Us
    13. Chorales, Op.28, Nos.31-33, 48-54 & 57: 33. My Soul Longeth To Depart In Peace
    14. Chorales, Op.28, Nos.31-33, 48-54 & 57: 48. Descend, O Jesus, From Heaven To Earth
    15. Chorales, Op.28, Nos.31-33, 48-54 & 57: 49. Kyrie, God The Everlasting Father
    16. Chorales, Op.28, Nos.31-33, 48-54 & 57: 50. Kyrie, Christ The Comforter Of The World
    17. Chorales, Op.28, Nos.31-33, 48-54 & 57: 51. Kyrie, God The Holy Ghost
    18. Chorales, Op.28, Nos.31-33, 48-54 & 57: 52. Beloved Jesus, Here We Stand
    19. Chorales, Op.28, Nos.31-33, 48-54 & 57: 53. Praise The Lord Almighty
    20. Chorales, Op.28, Nos.31-33, 48-54 & 57: 54. Praise God, All Ye Christians
    21. Chorales, Op.28, Nos.31-33, 48-54 & 57: 57. Now Thank We All Our God
    22. Regina Coeli, Op.64
    23. Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 58. Rejoice Now, Beloved Christians
    24. Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 59. Come Now, Saviour Of The Heathen
    25. Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 60. O Gracious God
    26. Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 63. The Child Was Born In Bethlehem
    27. Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 64. Deck Thyself, O Beloved Soul
    28. Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 68. Out Of High Heaven Have I Come
    29. Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 69. From Heaven Come Angels
    30. Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 70. I Will Never Part From God
    31. Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 71. Before Thy Throne I Will Appear
    32. Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 72. Awake! Hear The Call Of Watchmen
    33. Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 73. He That Suffereth God To Guide Him
    34. Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 74. How Bright Shineth The Day-Star
    35. Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 75. We Christians
    36. Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 76. We Thank Thee, Lord Jesus, For Thy Redemptive Death
    37. Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 77. We All Believe In One God
    38. Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 78. We All Believe In One God
    39. Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 79. Whither Shall I Flee?

    Amazon.com

    Marcel Dupré is an important historical as well as musical figure, his compositional freedom linking the golden age of Widor and Vierne with the radical rethinking that Messiaen saw through in his great organ cycles. Never doing things by halves, Naxos has reached Volume 9 of the complete organ works--mainly chamber pieces involving organ. Most substantial is the "Trio for Violin, Cello, and Organ," in one sense a throwback to the Baroque line of trio sonatas, but with a harmonic richness that indicates a late-19th-century inheritance--thoughtful, undemonstrative music, persuasively realized by Bruce Neswick and colleagues. The "Quartet" adds a viola to the lineup, but a delightful scherzando apart is a lesser affair, while the "Sonata for Cello and Organ" is a modest but interesting work (at least for the way Dupré makes a telling contrast between the sonorities of the two instruments). Again, perceptive playing from Neswick, whose Indiana organ has a clear, bright sound that makes the generous selection of Chorales interesting for the listener as well as the player. At the price, a worthwhile collection of some unusual repertoire. --Richard Whitehouse
    Sacred Music Complete
    Average customer rating: 5 out of 5 stars
    • great, great!!!
    • ALL THE MUSIC YOU EVER NEED!!
    Sacred Music Complete
    Purcell , King , and Kings Consort
    Manufacturer: Hyperion UK
    ProductGroup: Music
    Binding: Audio CD

    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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    Similar Items:
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    ASIN: B00006RHQJ
    Release Date: 2002-12-10

    Customer Reviews:

    5 out of 5 stars great, great!!!.......2006-12-05

    This is the way ,I think, Purcell should sound. No pomp and surcomstance but only great music.

    5 out of 5 stars ALL THE MUSIC YOU EVER NEED!!.......2003-05-23

    This boxed set is by far one of the best purchases I have ever made. As a Purcell freak, this hits every button I have. The cast of characters include the inequitable Robert King, New College Choir, Bowman, and a host of other venerable persons. Likewise the attention to period performance of these works makes it an essential addition to the library of any serious anglophile/Musicologist etc. Now if only the Britten Realizations of all Purcell's songs could be recorded alongside the originals! You will Love this set!
    Grand Larsen-y: Vocal Music of Libby Larsen
    Average customer rating: Not rated
      Grand Larsen-y: Vocal Music of Libby Larsen

      Manufacturer: Albany Records
      ProductGroup: Music
      Binding: Audio CD

      Larsen, LibbyLarsen, Libby | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
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      ASIN: B0001LJBSU
      Release Date: 2004-03-30
      Great Arias & Ensembles from Your Favorite Operas, Vol. 2
      Average customer rating: Not rated
        Great Arias & Ensembles from Your Favorite Operas, Vol. 2

        Manufacturer: Chandos
        ProductGroup: Music
        Binding: Audio CD

        All Works by DonizettiAll Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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        All Works by PucciniAll Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
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        GeneralGeneral | Classical | Styles | Music
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        National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
        RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
        Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
        Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
        Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
        GeneralGeneral | Arias | Opera & Vocal | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        GermanGerman | Languages | Opera & Vocal | Styles | Music
        ItalianItalian | Languages | Opera & Vocal | Styles | Music
        RussianRussian | Languages | Opera & Vocal | Styles | Music
        OperettasOperettas | Opera & Vocal | Styles | Music
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        1. Great Arias & Ensembles from Your Favorite Operas

        ASIN: B00005O6DA
        Release Date: 2001-09-25

        Tracks:

        1. Tosca: Act II: Life Has Taught Me Singing And Loving - Jane Eaglen/Gregory Yurisich
        2. Julius Caesar: Act I, Scene I: Tyrant, Avoid My Sight - Janet Baker
        3. Rigoletto: Act I, Scene 2: The Old Man Laid His Curse On Me! - John Rawnsley/John Tomlinson
        4. Pagliacci: Act I. Finale: Go On Stage - Dennis O'Neill
        5. Pagliacci: Act I. Finale: Put On Your Costume - Dennis O'Neill
        6. Ernani: Part I: Ernani! Ernani, Rescue Me - Susan Patterson/Helen Williams
        7. Ernani: Part III: Charlemagne Inspire Me - Alan Opie
        8. The Barber Of Seville: Act I, Scene 4: My Poor Heart Is So Full Of Emotion - Bruce Ford/Della Jones/Alan Opie
        9. Eugene Onegin: Act I, Scene 2. Letter Scene: Are You An Angel Sent To Guard Me...? - Kiri Te Kanawa
        10. Eugene Onegin: Act I, Scene 2. Letter Scene: No, Come What May, I'm Now Resolved - Kiri Te Kanawa
        11. Eugene Onegin: Act I, Scene 3: You Wrote A Letter - Thomas Hampson/Kiri Te Kanawa
        12. Eugene Onegin: Act I, Scene 3: Were I The Sort Who Had Intended - Thomas Hampson/Kiri Te Kanawa
        13. Il Trovatore: Part IV, Scene 1. Miserere: Lord, Have Mercy Upon A Soul Departing - Sharon Sweet/Dennis O'Neill/Geoffrey Mitchell Chor
        14. Mary Stuart: Act II: You Murmuring Breezes - Janet Baker/Angela Bostock/ENO Chor
        15. Mary Stuart: Act II: What Tumult! Those Voices! - Janet Baker/Angela Bostock/ENO Chor
        16. Mary Stuart: Act II: In The Peace Of My Gloomy Seclusion - Janet Baker/Angela Bostock/ENO Chor
        17. La Traviata: Act III: Forever I Must Leave Thee - Valerie Masterson
        18. La Boheme: Act I: Lovely Maid In The Moonlight - Dennis O'Neill/Cynthia Haymon
        19. Der Rosenkavalier: Act I: Ah, There He Goes - Yvonne Kenny
        20. Der Rosenkavalier: Act II. Waltz Song: Look For My Glasses There In My Jacket - John Tomlinson/Elizabeth Vaughan
        21. Turandot: Act III: None May Sleep! - Dennis O'Neill
        22. Gianni Schicchi: Oh, My Beloved Father - Yvonne Kenny
        Soul of the Beloved
        Average customer rating: 4.5 out of 5 stars
        • Caution: This is new age-y artist "Uma Sibley", NOT the pop group Uma that put out the album "Fare Well".
        • Peaceful Music
        • ya
        Soul of the Beloved
        Uma
        Manufacturer: Domo Records
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | New Age | Styles | Music
        MeditationMeditation | New Age | Styles | Music
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        ASIN: B0000658OV
        Release Date: 2002-05-07

        Tracks:

        1. Emergence
        2. Awakening
        3. Peaceful Heart
        4. Ocean Of Love
        5. Soul Dance
        6. Poigniant Love
        7. Tears Of Joy
        8. Garden Of Love
        9. Grace
        10. Soliloquy For Harp
        11. Joy

        Album Description

        Soul of the Beloved is an evocative and beautiful collection of pastoral and sound healing music. It has been fashioned to help bring its listeners into states of trance and deep relaxation for meditation, yoga and shamanism practices.

        Customer Reviews:

        3 out of 5 stars Caution: This is new age-y artist "Uma Sibley", NOT the pop group Uma that put out the album "Fare Well"........2007-06-09

        As the subject line says, the group Uma (that I was looking for, and had put out the decent album "Fare Well") is NOT this Uma. This Uma is new age artist, Uma Sibley. To me, it's rather boring, crystal/new age music best used for relaxation or just to play in the background, not something I'd actually seek out or try to hum along to. Music to watch a lava lamp to, not to nod your head or dance with.

        It would be nice if I had known beforehand. I wouldn't have bought the CD. So here's the warning for any others.

        5 out of 5 stars Peaceful Music.......2003-01-10

        The music is wonderful & relaxing. I would order again if the shipping box is changed. When I recieved the cd, the shipping box looked like it had been run over from a truck. I really think it was the US Postal System but, I still think the shipping should be changed. No damage to the cd but had some to the jewel case which was replaceable.
        Very speedy delivery too!

        5 out of 5 stars ya.......2002-07-15

        this cd is really good for a relaxing time. i love it alot and every one should buy it
        Rutter: Gloria, and other sacred music
        Average customer rating: 4.5 out of 5 stars
        • Gloria for the 2nd time, The Best grand recording !!!
        • Sweet but sturdy
        • Bravo!
        Rutter: Gloria, and other sacred music

        Manufacturer: Hyperion UK
        ProductGroup: Music
        Binding: Audio CD

        All Works by RutterAll Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
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        Te DeumTe Deum | Vocal Non-Opera | Opera & Vocal | Styles | Music
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        ASIN: B00005COXM
        Release Date: 2001-06-12

        Customer Reviews:

        5 out of 5 stars Gloria for the 2nd time, The Best grand recording !!!.......2001-10-18

        This CD is highly recomended the grandeure of the work is done perfecly by the wallace collections and the polyphony itself. The most dramatic recording of anthems of rutter, happy to listen too a happy recording.

        4 out of 5 stars Sweet but sturdy.......2001-07-02

        The music of John Rutter consistently provokes mixed reactions amongst musical circles. There are those who cannot stand it, seeing it as tasteless and even annoying; some enjoy certain aspects of his output but do not love it all; some can find nothing but praise for it. As one who has performed various works and arrangements of his, I feel that it certainly can be overly 'saccharine' in the light of the other serious classical music being written today - yet it is unfailingly well-written, offering genuine challenges to those who perform it. And beyond all the sugary melodies and soupy harmonies, Rutter is capable of producing moments of real heart-wrenching emotion. Indeed, it says much of him that he can create memorable, 'hummable' tunes in an age wherein such a skill is perhaps looked upon as anachronistic.

        It certainly says much of Rutter that this is now the second disc that the elite Hyperion company have devoted entirely to his music. Those who know and love his "Requiem" through its many commercially-available recordings will recognise many similar elements in "Gloria," obviously a more exubrant and joyful concert work, which is presented here with an effective scoring for organ, brass and percussion. It is at a glance reminiscent of a concerto, with three movements (two loud and fast ones, sandwiching a slower central movement) and recurring themes that are tossed between chorus and accompaniment. The opening is immediately characteristic of Rutter: the combined rhythms and fanfare-like motifs make it sound almost like the opening to some hit musical, and contrast is provided by utterances of unaccompanied chorus in which harmony is the most interesting element. The second movement - "Domine Deus" - features a gently undulating, flute-like solo from the organ, which is worked through gentle brass chorales and beautifully crafted sung passages, with a genuinely moving use of solo sopranos and altos. The third movement - "Quoniam tu solus sanctus" - brings back the boppy nature of the first movement, and quite startlingly includes what appears to be a fugue in the chorus parts! As a whole, it is easy to see why this work is not perhaps as popular as the "Requiem," but it is no less full of worthwhile things to listen out for.

        The rest of the disc is made up of various church pieces, several of which are widely used as church anthems throughout England and beyond - "As the bridegroom to his chosen" and "Thy perfect love" are especially popular for their memorable tunes. Two of the unaccompanied works are quite arresting: "Come down, O love Divine," with its echoes of Herbert Howells and 'open ended' concluding cadence, and the tiny "Clare Benediction," dating from Rutter's time as Director of Music at that Cambridge College Chapel - for this, he provided his own text and the result is as potent as any large-scale choral masterpiece could be. There are also a few that are less well-known, and indeed one which has only recently been premiered - "I my Best-Beloved's am," first performed by Polyphony under Stephen Layton. These pieces (with the exception of "Praise the Lord, O my soul" and "Te Deum," which are accompanied by the same forces as in "Gloria") feature Rutter's own orchestrations, which can either heighten or ruin their effectiveness, depending upon your point of view - I was hoping to hear these with organ accompaniment, as they would be heard in a typcial church service. On the other hand, these arrangements show a fine sense of orchestral colour and demonstrate Rutter's penchant for making his music as useful as possible to all manner of performers, whether they specialise in the church or the concert platform.

        Polyphony make light work of this programme. The works with organ, brass and percussion, recorded in the generous but subtle acoustics of Winchester Cathedral, suffer slightly from a poor balance: I am surprised that Hyperion were unable to save the choir from being drowned in the loudest and most climactic moments, wherein we lose not only the words but (nearly!) the voices themselves. Then again, the problem might also have been solved by augmenting the choir with extra singers - Polyphony is after all a chamber choir, whereas "Gloria" was clearly intended for choral societies with hundreds of massed voices. The anthems fare much better: recorded in the dry acoustics of a London church, supported by the small but potent forces of the City of London Sinfonia, Polyphony really get to the heart of these pieces. Stephen Layton directs well too - fast pieces are treated with vigour whereas the slower and more intimate ones are allowed to 'breathe' in a natural way that avoids sounding "hammy."

        If you're approaching Rutter for the first time, I wouldn't recommend starting with this disc; the "Requiem" is a far better work to begin with. However, if you're already a 'Rutterphile,' then there is no reason to hesitate: this makes for rewarding listening.

        5 out of 5 stars Bravo!.......2001-06-15

        Being a fan of John Rutter, I found this new recording, on Hyperion label, of the Gloria and sacred music, one of the best yet. The choir and orchestra are to be commended on the delicate and yet vibrant performance. The Polyphony choir, though only consisting of about 25 voices, produces a powerful and well rounded sound. I really enjoyed this recording and it was great to hear a few new anthems. The sound was very clear and the choir's annunciation was well articulated, so that you hear every word. I have most of his works and a great admirer of the Cambridge Singers, though I will put this Hyperion recording there, right next to John Rutter's choir. I was pleased to hear that the organ, especially in the Gloria and Te Deum could be clearly heard, but not dominating the voices or the orchestra. A very balanced sound throughout. The Wallace Collection, added to the City of London Sinfonia, gave that very `Ruttorian' brassy sound. Very impressive! This wonderful recording is a real joy to listen to. Bravo!!!

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