Remember Me

Track Listings

1. Someone to Watch Over Me

2. September Song

3. Stella By Starlight

4. My Funny Valentine

5. Laura

6. A Nightingale Sang in Berkeley Square

7. Somewhere Over the Rainbow

8. La Vie En Rose

9. Dream

10. Where or When

11. Two Sleepy People

Editorial Reviews
About the Artist
Emile Pandolfi is an extraordinary pianist and engaging performer. His passion for the piano is strikingly evident when he shares his feelings about performing and recording. "I always loved to practice, and I never really considered doing anything but playing the piano."

Emile is also the ultimate entertainer. He wraps his audiences in a magical, musical experience by combining his sophisticated arrangements and skillful prestidigitation with easy humor and delightful rapport. He is a rare talent whose music and magic extend well beyond the limits of any keyboard. His combined skills and technique are reflected perfectly in the name of his personal recording label, MagicMusic.

Product Description
The songs in this collection were chosen with care from the wealth of beautiful music that came out of the 30's and 40's. For Emile, these tender and sweet pieces are indelibly associated with fond memories of his Mom and Dad who often filled their home with such music.

Emile has presented these pieces in a romantic and gentle style in the hopes that you, the listener, may find yourself recalling pleasant moments from your own past, or perhaps creating wonderful moments in your present and future.

Remember Me,Emile Pandolfi,Magic Music,Easy Listening,Pop

Remember Me

Tracks:

Oceano
My Confession
Il Postino (Mi Mancherai)
Si Volvieras a Mi
When You Say You Love Me
Per Te
All Improvviso Amore
Broken Vow
Caruso
Remember When It Rained
Hymne a l'Amour
You Raise Me Up
Never Let Go

Amazon.com

Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessor's more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase his true dramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet. --Jerry McCulley

Customer Reviews:

A Heavenly Voice.......2007-07-31

I had never heard of Josh Groban until one night I was looking at the
PBS series, "Distant Shores" with Peter Davison and this backgroun music came up. I had to search for the voice and the composer. It took me awhile to find Josh Groban. I am very old(veery!), studied music for years and he has one of the most beautiful voices I have ever heard.
From such a young man it seems unbelievable. He reminds me of beautiful voices of yesteryear- a pleasure to remember.

Beautiful Soul.......2007-07-13

Josh Groban is such a wonderful and soothing artist. If you are in need of meditative 'deliciousness' buy this album!

Happy listening.......2007-06-27

A wonderful music CD with one of the best voices in the world today.The bonus "you raise me up"makes it a must have CD.

fantastic voice.......2007-06-01

Wow. What a voice. This is a great cd. I would definitely buy it again.

CLOSER-JOSH GROBIN.......2007-05-14

THIS YOUNG MAN HAS A VOICE EQUAL TO ANDREA BOCELLI AND IS A GOOD EXAMPLE FOR YOUNG SINGERS TODAY.

Average customer rating:

Josh is even better in live!
Very Good!
Let me explain...
Re-Live the Concert Experience!
DVD is so worth the price

Josh Groban Live at The Greek (CD/DVD)
Josh Groban
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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Josh Groban in Concert (with Bonus DVD)
Closer
Josh Groban
Awake
With You

ASIN: B00063LTH4
Release Date: 2004-11-30

Tracks:

Oceano
Mi Mancherai (il postino)
Mi Morena
Canto Alla Vita
Remember When It Rained
Remember
America
Never Let Go

Tracks:

Oceano
Per Te
To Where You Are
Mi Mancherai (il postino)
Mi Morena
Alejate
Canto Alla Vita
Nocturne/Bohemian Rhapsody (performed by Lucia Micarelli)
Alla Luce Del Sole (special guest artist: Bela Fleck)
My December
Caruso
Remember When It Rained
Vincent (Starry, Starry Night)
Remember
You Raise Me Up
America
Never Let Go

Amazon.com

If Josh Groban's unabashedly melodramatic musical fusion inspires grousing on both sides of the classical/pop pundit divide, the screams of the (mostly) young female fans that punctuate these 2004 performances at L.A.'s historic Greek theater better underscore the real point. This set's CD and more expansive DVD complement each other well; if anything, supplemented by a live string ensemble and crack backing band, they're a warmer, more focused showcase for the singer's talents than the studio albums that made his meteoric fame. In peak form, Groban variously delivers forceful renditions of his pop-operatic powerhouses "Canto Alla Vita" and "Anna Luce Del Sole" (the former featuring a drum solo [!] from Groban, the latter a fine guest turn by Bela Fleck on banjo), takes a surprising solo piano break on Paul Simon's "America," waxes Central Asian on Troy's "Remember" and brings the crowd to its feet with the heart-on-his-sleeve dramatics of Closer's "Never Let Go." They're all informed by the singer's insouciant, youthful enthusiasm, arguing that Groban is gifted with more than just a magnificent voice; he's a complete natural as a performer as well. The DVD also includes a tour diary narrated with typical charm by the singer, as well as bonus live performance of "Believe" from the Polar Express soundtrack. --Jerry McCulley

Album Description

Josh Groban's 2002 PBS "Great Performances" special was a #1 selling DVD and the best-selling long-form music video of 2003. His second "Great Performances" special was taped at L.A.'s Greek Theater in the summer of 2004. For fans of the young sophisticated pop phenomenon who has sold more than 8 million albums, this CD+DVD package is just the latest great performance in the career of Josh Groban. DVD Extras: On the road with Josh for Summer 2004 Tour and a special performance of "Believe" from The Polar Express (it's PBS footage mixed w/ film footage).

Customer Reviews:

Josh is even better in live!.......2007-04-14

I recently saw Josh on his new tour with Awake, and it was so awesome that inspired me to buy this DVD to replicate the experience a little bit. I loved it! Especially loved the few extra songs I've never heard before (Mi Morena, America). Some people were complaining about the nasal sound and quality, but this is a live show so of course it sounds a little different. Bottom line is I think Josh is a great preformer and his very funny also :)

Very Good!.......2007-02-09

This CD/DVD was very good. I watched the DVD and was impresed with the way He handles the "spot light." He seems to be a very humble person and I think that is what makes his music so enjoyable to listen to. Not forgetting his awesome voice!

Let me explain..........2007-01-14

There are several reviews that talk about how annoying it is for the fans to wave light sticks and/or American flags in this DVD. Perhaps if I explain why, it will seem less annoying.

The waving of the light sticks was started at the very beginning of his first tour, mainly to show him how much the fans appreciated the concerts. The first idea was to wave them during the last verse of "You Raise Me Up," when the choir came out. Later, fans added another show of support by waving blue light sticks during "Vincent (Starry Starry Night."

OK, if you still find that annoying, that's your right. However, the flag waving at the end of "To Where You Are" was special. This concert was filmed on September 11, and the flags were waved at the end of "To Where You Are" for those who were lost, and the families of those who were lost, on 9/11/2001.

It's your right if you still find these things annoying. I just thought I'd try to help you to understand.

Since this is a forum for giving our opinions of the DVD, I have to say that I love it. He has a beautiful voice and I love listening to him under any circumstance. The DVD is wonderful, IMHO.

Re-Live the Concert Experience!.......2007-01-09

Was fortunate enough to attend Josh's "Closer" concert tour date at Jones Beach--amazing voice. Getting this album brought back all of the memories of that amazing evening outdoors under a "Starry, Starry Night." I used to not bother purchasing live albums because they had poor audio quality, but not anymore. Love this album! (Actually, I love all of his stuff.)

DVD is so worth the price.......2007-01-08

I disagree with some of the reviewers complaining about a nasal sounding CD. Yes, there are few parts where it may sound a little nasal but people have to remember that this a LIVE concert and if they wanted perfect sound they should buy the studio album instead. He still sounded brilliant and great. The DVD is fantastic for all those who don't have the luck or means to attend a Groban concert. It captures the energy and pure joy of a concert. Sometimes its even better than being at the concert because you can see Groban close up. I hope that there will be a concert DVD released for the AWAKE concerts.

Average customer rating:

The Best Posthumous Pac Album.............
What would Jezus do?
Real Life
The Last Great Pac Album
Hip Hop

R U Still Down? (Remember Me)
2Pac
Manufacturer: Jive
ProductGroup: Music
Binding: Audio CD

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Me Against the World
Until The End Of Time
Better Dayz
Strictly 4 My N.I.G.G.A.Z.
All Eyez on Me

ASIN: B00000055E
Release Date: 1997-11-25

Tracks:

Redemption
Open Fire
R U Still Down? (Remember Me)
Hellrazor
Thug Style
Where Do We Go From Here (Interlude)
I Wonder If Heaven Got A Ghetto
Nothing To Lose
I'm Gettin Money
Lie To Kick It
F**k All Y'All
Let Them Thangs Go
Definition Of A Thug N**ga

Tracks:

Ready 4 Whatever
When I Get Free
Hold On Be Strong
I'm Losin It
Fake Ass Bitches
Do For Love
Enemies With Me
Nothin But Love
16 On Death Row
I Wonder If Heaven Got A Ghetto (Hip-Hop Version)
When I Get Free II
Black Starry Night (Interlude)
Only Fear Of Death

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26 cuts of "gangsta rap" that only increase in doom when you realize the guy talking it didn't live to laugh about it. Perhaps he now knows the answer to his question, "I Wonder If Heaven Got a Ghetto," which shows up here twice. Shakur, like most hard rappers, liked to sound tough, kicking it with song titles unprintable in a family newspaper. But, underneath the braggadocio, there was fear. "Only Fear of Death," "Nothing to Lose," and "I'm Losin' It" tell a far different story than "Fake Ass Bitches." His artistry could never, however, catch up to the sad fate of his life. --Rob O'Connor

Customer Reviews:

The Best Posthumous Pac Album....................2007-04-19

Top Joints:
R U Still Down? (Remember Me)
Hellrazor
Thug Style
I Wonder If Heaven Got A Ghetto
Nothing To Lose
I'm Gettin Money
Lie To Kick It
F**k All Y'All
Definition Of A Thug N**ga
When I Get Free
Do For Love
Nothin But Love

What would Jezus do?.......2007-02-03

If Jezus was riding alongside 2Pac would he have shot back at the snipers who took down hip/hop's only real martyr? Ok, Biggie's a martyr too, and Jezus would not have taken Biggie out either. The hits on these two men were not by true hip/hop fans. But Jezus would have picked this CD up if he was shopping at Circuit City when it came out, without having listened to it just because 2Pac was praying on the cover, and we all know who he was praying to. 2Pac made a lot more sense to ghetto youth than some white guy from 2000 years ago, plain and simple, so Jezus owes him respect!

Real Life.......2007-01-24

This is Tupac's third best album. #1 All eyez on me, #2 Until the End of Time. Put this cd in the player and listen to it from start to finish. If you dont get goosepimples, check your pulse! This cd got me through many hard times growin up, its that real.

The Last Great Pac Album.......2006-09-07

RU Still Down first posthumus 2pac album is my favorite one created after he died. Pacs vocals are not sped up and the production sounds like a 2pac album. I could list this whole album as the best songs but the standouts to me are RU Still Down, Hellrazor, Wonder If Heaven Got A Ghetto hip hop version, Open Fire, When I Get Free 1 and 2, Do For Love, F=== All Yall, well just forget it. Every song on here is a standout in my eyes. Pac's albums would go downhill from here.

Hip Hop.......2006-07-09

I'm surprised how this album has been accepted. Lets not get carried away with "his legacy" and his tragic death and all the controversy surrounding 2Pac. Everybody already knows about all that.

R U Still Down is my favorite album by 2Pac. Makaveli and All Eyez are both 5 stars to me, but R U Still Down is more raw. Especially as far as the production is concerned. A lot of people are apparently disappointed by the production on this album. I find it to have a sense of being more genuine, and more fitting than the other posthumous releases. This is probably since Pac actually had some input on creating these tracks. Overall, the sound of the album (and individual tracks) is more whole. Listening to R U Still Down helps to show how much of a project Makaveli and All Eyez On Me were. Those two albums were obviously much more orchestrated and calculated, and designed to provoke in every way. They were much more surgical and precise.

R U Still Down, however, is just straight hip-hop. There's scratching on here! There's no name dropping, or disses aimed at specific people. Just general expression of different emotions. Instead of a song about Tipper Gore or Bad Boy (for example) specificly, you get the more general (and undated) song about the struggles in general with government oppression or social commentary or anger or whatever. This is technically easier for a listener to relate to, since hardly any of us actually know Tipper Gore or Puffy, etc.....but somehow the audience doesn't want that. wtf?

"Thug Style" is probably the single song by Pac to most adhere to the street chronicling and nostalgic waxing scenarios in hip-hop. And at the same time, he's replying directly to everybody giving this album bad reviews: 'you don't know my style.'
Just because All Eyez sounded one way, or Makaveli sounded one way, or Strictly 4 My sounded one way....don't get it twisted. Its art. You gotta be open. Don't expect artists to be how you want them to be. You cannot expect anything from art, all that does is turn it into a product instead of art.

The lyrics on this album are of things more accesible to the common listener. The production is reminiscent of earlier 2Pac and more of a east-coast style of the early 90's (pre-Death Row). There's more lyrical acrobatics than usual (Let Them Thangs Go), and more of the same techincal (Lie to Kick It) and simple formats (F*** All Y'All) we're used to from 2Pac.

If you ignore all the hype and controversy surrounding the artist, and drop your expectations of him...just listen to the music on R U Still Down for the music, then maybe you can re-discover the best MC with this album.

Average customer rating:

wallpaper
simply beautiful, so just enjoy it
Sloppy renditions and amateurish
Great songs reinvented, with a twist
Praise for Beyond Imagination

Beyond Imagination
Opera Babes
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Opera Band
Defined
Renaissance (Eng)
Summer
Etterna

ASIN: B00007MB2F
Release Date: 2003-01-14

Tracks:

One Fine Day (Un Bel Di From Madame Butterfly)
Sempre Ricordo (Piano Concerto in A minor)
There's A Place (From The New World Symphony)
Beyond Imagination (From A Midsummer Nights Dream)
O Fortuna (From Carmina Burana)
Lakm2O (Flower Duet)
Ebben?..Ne Andro Lontano (from La Wally)
You Live On In My Heart (Cinema Paradiso)
Chanson Boh (From Carmen)
Remember Me
Stranger In Paradise (From Kismet)
Ode II Joy (From Symphony No. 9)
1001 Nights (From The Nutcracker Suite)
Barcarolle (From The Tales Of Hoffman)
LakmVibeTribe Mix)
Ave Maria
Vittoria! (Aida 2002)

Amazon.com

Plucked from a wet afternoon of busking Bizet and Puccini to passersby on the Piazza in Covent Garden in the spring of 2001, soprano Rebecca Knight and mezzo Karen England soon found themselves singing in slightly larger venues: the FA Cup and Champions League soccer finals. That the management company doing the plucking had recently performed a similar Cinderella crossover act for Russell Watson offered portent, and indeed the Babes--the moniker began as a joke--were soon on their way to this recording debut. The marketing shtick and its soccer connections may offend purists, but it's the football hooligans that the Babes are trying to win over here; can Borodin soothe the savage Manchester United fan? Their classically trained voices mesh gloriously, with England's warm mezzo showing particular character in her solo turns.

The repertoire choices here cover material that may already be familiar to fans of Charlotte Church (i.e., Delibes "Flower Duet") and other crossover acts, but they do include some pleasant surprises, like Offenbach's Barcarolle from The Tales of Hoffmann and "You Live On in My Heart," a reworking of Ennio Morricone's enchanting Cinema Paradiso theme with lyrics by Knight. But in a rush toward the musical middle of the road, it's the productions themselves that sometimes overwhelm the Babes with bathos ("Ave Maria"), hollow thunder ("Aida 2002"), and electro club kitsch (the 'Vibe Tribe' mix of "Flower Duet"). Former Art of Noise mainstay Anne Dudley's tastefully restrained coloring of Tchaikovsky's "1001 Nights" is one of the notable exceptions. They're babes, they sing opera--with fair promise--for the masses, and if they turn one in a hundred from football hooliganism to a well-mannered appreciation of Grieg and Dvorák, won't it all have been worth it? --Jerry McCulley

Customer Reviews:

wallpaper.......2007-07-12

overorchestrated, overproduced aural wallpaper...that said, still, these women have wonderful voices and are worth hearing. They are oversold,too...Opera Babes! Indeed. Folks who like Enya will like this.

simply beautiful, so just enjoy it.......2007-06-11

my daughter has taught me to love opera. this immediately captured me. the Babes' voices blend so beautifully. I love it! who cares about Puccini, Classic Opera, blah, blah, woof, woof. I love this album

Sloppy renditions and amateurish.......2007-05-15

I heard one of the selections on Sirius and liked it so I bought the CD. Upon hearing the entire CD I was disappointed that the only selection I liked was the one that prompted me to buy the product. The voices are nice but they are simply adding voice to opera masterpieces that do not fit. They are certainly not of the caliber of Sarah Brightman or Charlotte Church and don't look for that. Their sound is mellow, dim and without the emotion that does an inservice to the opera pieces they sing. I found the CD lackluster and in all honestly very "amateurish".

Great songs reinvented, with a twist.......2006-09-30

Expanding upon the recent interest in Gregorian chant fusion as well as rich-voiced solo vocalists such as Josh Groban, operatic soprano Rebecca Knight and mezzo soprano Karen England offer full-vibratoed, somewhat modernized interpretations of favorite classical themes. Backed by chorus, orchestras, keyboards and drums, they draw from such diversely satisfying works as Puccini's opera "Madame Butterfly," Grieg's "Piano Concerto in a minor," Dvorak's "New World Symphony," Mendelssohn's "Midsummer Night's Dream," Orff's "Carmina Burana," Delibe's "Lakme," Beethoven's "Ode to Joy," Tchaikovsky's "Nutcracker Suite," Offenbach's "The Tales of Hoffman," Schubert's "Ave Maria," and Verdi's "Aida." Some of the arrangements are fairly traditional, while others are noticeably enhanced. The emphasis tends to be on pretty pieces with sweet melodies, though a few are more intense in nature (#1, 4, 5, 15 and 17). A couple of pop songs, still sung in operatic style, are thrown in for good measure, although they don't have the same appeal and mystique as the old favorites. All of the selections feature both vocalists together, singing in lovely, close harmony. The arrangers of this elegantly hip music include Jon Cohen, Noely, Frank Gallagher, Deni Lew and Anne Dudley, with multi-language lyrics (for the adaptations of instrumental works) by Rebecca Knight and others. I have to admit that I occasionally found myself longing for the modern additions to be more consistently interesting and distinctive--in other words, equaling the artistry of the classics that they're accompanying. Track #1, which really shines, is a well-done example. Alternately, perhaps the source songs might have been better off left in their pure, original styles rather than watered down with schmaltzy, predictable underpinnings that don't add much to the music. But like Enigma did for medieval chant, the Opera Babes are endeavoring to bring some wonderful, time-tested music to a wider audience, fusing it with modern idioms in way that is artistic and generally appealing. For more opera fusion, compare the work of Amici Forever (a group of five singers, both male and female), and the oddly packaged but similar-in-concept album "Coco de Mer" by Adam Plack.

Praise for Beyond Imagination.......2006-02-26

What I really enjoyed about this album was its distinctive sound and arrangement of the material. I enjoy classically performed opera and was surprised how much I like the Opera Babes' versions. Of course, the wonderful voices added immensely to the high quality of this product.

Broadway - The American Musical (PBS Series)

Average customer rating:

Fabulous for any Broadway-lover
Top Shelf
TERRIFIC CD'S
Great Collection of Broadways greatest Songs
Great Compilation!

Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Best of Broadway - The American Musical (PBS Series)
Broadway: The American Musical
Broadway: The American Musical
Broadway - The American Musical (PBS Series)
Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Troy: Music From The Motion Picture (Score)

Average customer rating:

Troy, The Music
Music for a Certain Mood
Coming from an unbiased fan of the Yared soundtrack...
Excellent Soundtrack, But Missing Some Cuts
The Studio Must Be Crazy...Or Deaf

Troy: Music From The Motion Picture (Score)
James Horner
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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King Arthur
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The Last Samurai

ASIN: B000244F7I
Release Date: 2004-05-11

Tracks:

3200 Years Ago
Troy
Achilles Leads The Myrmidons
The Temple Of Poseidon
The Night Before
The Greek Army And Its Defeat
Briseis And Achilles
The Trojans Attack
Hectors Death
The Wooden Horse And The Sacking Of Troy
Through The Fires, Achilles . . . And Immortality
Remember - Performed by Josh Groban with Tanja Tzarovska

Amazon.com

Director Wolfgang Peterson took Homer's The Iliad, excerpted the epic Trojan Wars, ditched those troublesome Greek gods, and largely hung his film's fortunes on copious amount of CGI wizardry and Brad Pitt. Immersing himself in the sword 'n' sandal genre largely revived by Gladiator composer James Horner (whose work here replaced the original score of Gabriel Yared) faced some challenging musical choices: Employ the dark synthetic goth textures of Hans Zimmer, or evoke a more traditional, heroic orchestral tack? The veteran scorer's "3200 Years Ago" arguably goes Zimmer one better, its dissonance-laced textures and dark percussion evoking an ancient, frightening world. There are similar intrigues ("The Temple of Poseidon," "Hector's Death," "The Wooded Horse...") elsewhere, but whether because of the haste with which he composed the score or other filmmaking pressures, Horner also dispenses some cliched, orchestral heroism more worthy of Steve Reeves or Ah-nold. Aficionados often accuse the composer of repeating himself, and the repetitive brass arpeggios he uses as frequent punctuation here do seem straight from the playbook, not to mention Enemy at the Gates; at least he's thematically apropos. There's a closing nod to Jarre's Lawrence of Arabia lyricism, and then Josh Groban gets to burnish his career with a suitably melodramatic take on David Foster's bathetic, neo-exotica ballad Remember Me. -- Jerry McCulley

Customer Reviews:

Troy, The Music.......2007-08-03

The music has enough of a Middle Eastern flavour to be appropriate, rolling drums, trumpets and haunting melodies. Love the song over the end credits, 'Remember'.

Music for a Certain Mood.......2007-07-05

First of all, I am just happy that this score sounds nothing like Horner's scores in the 90's, because Horner has a tendency to recycle himself when he creates a new musical score.------Taken on its own terms, this score goes into the 'rousing' category.-------If you need something to help you get up in the morning this is it.--------I own scores for all my different moods, and this one really does the job when you want something relatively simple with a lot of horns! Of course, having Josh Groban sing a rousing 'Remember Me' during the end credits does not hurt at all!-------Truly, if you are an eclectic music listener, you will be able to gladly fit this into your collection for a certain mood that wants a 'wake-up' call. 'Remember', this is James Horner afterall------no shoddy orchestration here!------------------ Still uncertain, wait for the 'used' price to drop another dollar or two. Yet, definitely put it on your future purchase list.----There are times when we all feel like some rousing 'epic like' music that does not beat around the bush!

Coming from an unbiased fan of the Yared soundtrack..........2007-01-30

NOTE: People often give four or even five stars to film scores that don't deserve it. By awarding this score three stars, I am not saying it is significantly lacking or intrinsically flawed. This is a worthy collection of music we're dealing with.

Horner's score for Troy was an earsore for some. The word most frequently employed by his detractors to describe this CD is "bombastic." I can tell you with authority that Yared's score is much subtler in comparison, but it does not render this CD worthless. It's good, but not THAT good. Though I have recently acquired the Yared score and thoroughly enjoyed most of it, my sympathies lie with Horner. Now that I've compared the two, Horner's score lack finesse in many areas yet proves to be more memorable than anybody cares to admit. I've been courted by all the hype surrounding Yared's score for well over a year now, but now that I have listened to it I still appreciate Horner's work. If things were my way, I'd have tracks pulled from both scores for use in the film. Yared's work certainly does have its highlights (Although if it were up to him, Troy's sacking wouldn't have been nearly as poignant. Unlike Horner, who chose to include the wailing women we all know and love during the attack, Yared was content just using the orchestra).

Horner's score is much more straightforward than Yared's at times. Its occasional bluntness compliments the epic nature of Troy well. It has everything Troy needed: exciting battle themes, a good deal of exotic instrumentals and vocals, and subdued themes that convey the loss and sorrow characteristic of any war. I was perfectly content with this score's use in the film and it's just as good in CD form. If you enjoyed Troy, the music is obviously evocative of the film and therefore is a must-buy. And, not that this is relevant at all, but I can't believe this CD is rated lower than the score for Batman Begins.

I do have ONE gripe about this particular CD's contents:

Remember, sung by Josh Groban, is utterly passable. He has a good singing voice, but this isn't the Prince of Egypt. This is Troy. His poppish vocals and the background beat don't belong on this CD or in the credits. Give me ethnic instrumentals and wailing women any day, but this is the only track here I really despise.

Excellent Soundtrack, But Missing Some Cuts.......2006-08-15

This stirring soundtrack contains all the music for the lengthy battle scenes in the film but omits some of the shorter pieces. I was especially sorry that the rendition of what appears to be the theme for Achilles only appears briefly within the battle sequences; the stand-alone version that occurred early on in the film isn't included on the soundtrack album.

The Studio Must Be Crazy...Or Deaf.......2006-08-07

At first I wasn't that excited about the fact that Gabriel Yared was going to write the score for "Troy" because I thought he was not the kind of composer who could create a colossal score. Then there came the controversy regarding the rejection of his composition in favor of one written by James Horner. I must say that I was not surprised about that decision.
Then my concerns were confirmed: James Horner went back to his usual tricks. The "danger motif" -as heard before on "Star Trek II-The Wrath Of Khan", "Krull", "Brainstorm", "Willow" and, in a very infamous and repetitive way, "Enemy At The Gates" -is once again here. But unlike "Enemy At The Gates", there are three different themes that are really quite catchy. The most impressive one is the theme for Achilles and his Myrmidorns, very epic and triumphant. Then there is an exhultant motif for the city of Troy. And I don't want to forget the love theme, which is later turned into a song sung by Josh Groban. The action music is quite enjoyable, but they would be great if the "danger" music didn't interfere. Another thing that bothers me about this work is the use of a wailing woman; you know, I'm getting tired of the endless use of that technique.
After the release of the movie and the soundtrack CD, I got the chance to listen to Gabriel Yared's sample music, and I must ask myself "Is the studio crazy...or deaf?" Because what I heard blew me away. Yared's music is more lyrical and impressive than Horner's. Unfortunately, we have to stick with this CD until somebody at the studio opens his/her eyes and ears to see and hear the real music for "Troy".

Average customer rating:

Delightful
A Master Class in Singing
Bryn is swell, but the bombast is annoying
Surprisingly Fine Crossover from Fleming and Terfel
BREATHTAKING VOCAL MAGNIFICENCE~BRAVO!!!

Renee and Bryn: Under the Stars
John Harold Kander , Andrew Lloyd Webber , Claude-Michel Schoenberg , Richard Rodgers , Gerard Presgurvic , Jason Robert Brown , Meredith Willson , Lucy Simon , Cole Porter , Stephen Flaherty , Ralph Salmins , and David Hartley
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Bryn Terfel - Opera Arias / MET, Levine

ASIN: B000088E7D
Release Date: 2003-02-11

Tracks:

"Not While I'm Around" (from Sweeney Todd by Stephen Sondheim)
"Moonfall" (from The Mystery of Edwin Drood by R. Holmes)
"I Don't Remember You The Happy Tim" and "Sometimes a Day Goes By" (from Woman of the Year by Kander & Ebb)
"All the Love I Have" (from The Beautiful Game by Ben Elton & Andrew Lloyd Webber)
"I Wish I Could Forget You / Loving You" (from Passion by Stephen Sondheim)
"Stars" (from Les Misirables by Boublil & Schvnberg)
"All I Ask of You" (from The Phantom of the Opera by Andrew Lloyd Webber)
"Hello, Young Lovers" (from The King and I by Rodgers & Hammerstein)
"Pretty Women" (from Sweeney Todd by Stephen Sondheim)
"Aimer" (from Romio et Juliette by Presgurvic)
"All the Wasted Time" (from Parade by J. Brown)
"Seventy-Six Trombones" (from The Music Man by Willson)
"How Could I Ever Know" (from The Secret Garden by Simon and Norman)
"So In Love" (from Kiss Me Kate by Cole Porter)
"Wheels Of a Dream" (from Ragtime by Ahrens & Flaherty)

Amazon.com

In these days of the crossover, it is hardly surprising to find two great opera singers making a foray into numbers from Broadway musicals by such composers as Cole Porter, Stephen Sondheim, and Andrew Lloyd Webber. What's remarkable is that they seem completely at home in this music. Both say they grew up listening to it, and indeed they approach these songs with no less care and seriousness than they'd give the most demanding operatic arias, and without a trace of condescension. However, their vocal, expressive, and interpretive styles are very different, both in the solos and the duets. Terfel projects assertive manliness, tender, intimate affection, and rollicking humor without external effects, using only his incomparably sonorous voice and powerful personality. His diction is impeccably clear, and though he has sometimes let his theatrical flair spill over into Schubert songs, he is the soul of simplicity here. This is in stark contrast to Fleming's tendency to exaggerate colors and dynamics and to turn sentiment into sentimentality. Moreover, though she claims a background as a jazz singer, her "crooning" sounds artificial and unnatural. However, her top notes, culminating in a triumphant high C at the end of the final number, ring gloriously. Her voice glows and shimmers with irresistible luster, soaring from seductive whispers to thrilling climaxes. The program features a great variety of love songs, and includes an antiwar protest (from Beautiful Game), a celebration of the American dream (from Ragtime), and a rousing fun piece (from The Music Man). Unfortunately, even the best songs are marred by thoroughly corny arrangements. Listeners will find their own favorites, but the real "stars" on this record are the two singers. --Edith Eisler

Customer Reviews:

Delightful .......2006-07-24

I truly enjoy Terfel's vocal talent and found it to be well suited for this genre. Fleming's impeccable soprano voice is a bit overpowering for this style of music. (I own this CD)

A Master Class in Singing.......2006-06-20

This CD is a must-have for any person interested in the singing art. Ms. Fleming and Mr. Terfel gives new light to these Musical Theatre classics. Their fine vocalism in the musical theatre genre coupled with the depth of musicality and dramatic phrasing in each of the selections is truly a breath of fresh air. This recording is indeed a Master Class!

Bryn is swell, but the bombast is annoying.......2006-05-03

Love Bryn Terfel, the finest bass-baritone in Opera. Love Renee Fleming's luscious soprano. But the arrangements! Kettle drums and bombast and bang, bang, bang! Once Renee starts swooping, things go downhill, with little redemption.

It starts out beautifully. "Not While I'm Around" has never sounded more intimate to me than Terfel's caressing pianissimo. Fleming's "Moonglow" is stunningly good. Terfel makes a medley out of "I Don't Remember You and Sometimes a Day Goes By" that makes you want to cheer, and Fleming does a lovely Sondheim medley as well. Bryn sings "Stars" and makes me long for him in Les Mis. And then...things tend to go downhill. The bombast takes over and gets to you - it overwhelms two of the biggest voices now recording. Then Fleming begins to swoop and scoop, over-coloring and often coming off as simply self-indulgent, reminding one of a kid who makes a point of putting his face in a camera shot.

I don't mind Bryn as Prof. Harold Hill - I frankly think the Welsh accent is kinda cute - and it doesn't bother me on "Wheels of Dream," either, but Fleming seems to have lost her mind on that great song, and rather than indulging her, it would have simply been better left off the album. Ditto "All that Wasted Time" which is pretty much unlistenable. Ms. Fleming needs to stop thinking she is a jazz singer.

The four stars are because this album does contain some truly GLORIOUS moments, particularly in the duets, and in Terfel's solo's which are warm and memorable. Without him, the kettle drums and Fleming's self-indulgence would have made the whole endeavor unbearable.

Surprisingly Fine Crossover from Fleming and Terfel.......2006-04-18

Bryn Terfel and Renee Fleming are two of the most acclaimed opera singers of our day. But the musical theatre fan who puts on their Broadway CD, RENEE AND BRYN: UNDER THE STARS, expecting to hear a carelessly compiled hodgepodge of songs sung by voices ill-suited to them is in for a big surprise, beginning with the first phrases of the duo's warmly sung "Not While I'm Around" from SWEENEY TODD. True, these singers' beautiful voices have greater power and range than even the best of the Broadway stars', but this is an asset in these songs, most of which are either semi-operatic in nature or call (like THE MUSIC MAN's "Seventy-Six Trombones") for such an outsize personality as Terfel's. Fleming's sensuous and tonally gorgeous rendition of "Moonfall" from THE MYSTERY OF EDWIN DROOD can be placed among her very finest recordings, operatic and otherwise. And Terfel is ideally suited to both "Pretty Women" from SWEENEY TODD and "Stars" from LES MISERABLES; few if any Broadway Javerts could match the impact of his "This I swear by the stars!" Kander and Ebb's "I Don't Remember You" and "Sometimes a Day Goes By" make a perfect medley here, as do Sondheim's "I Wish I Could Forget You" and "Loving You" from PASSION. And though I don't care for the Andrew Lloyd Webber selections (ersatz Puccini) or the Jason Robert Brown one (which sounds too much like a pop song), Terfel and Fleming's singing of them is beyond reproach. The program ends with a bang: a rendition of "Wheels of a Dream" worthy to stand beside the now-classic one by Brian Stokes Mitchell and Audra McDonald on the original cast album of RAGTIME. Welshman Terfel's natural accent is noticeable here; but if one imagines him as, say, an Irish immigrant married to an African-American woman (as Fleming here sounds uncannily like McDonald or like Leontyne Price) his accent is appropriate and his voicing of the "bridge" section ("Oh Sarah, it's more than promises/Sarah, it must be true...") especially moving. Fleming's ecstatic final high note makes one want to applaud and cheer, both for the song and for the successful "crossover" effort.

BREATHTAKING VOCAL MAGNIFICENCE~BRAVO!!!.......2004-10-11

So captivating are these incredible singers in the glorious live concert "Under The Stars" creating an unforgettable musical masterpiece of epic proportions that is so moving and great to watch that I ran out and purchased this studio recorded Compact Disc the next day!! The brilliance of the live broadcast carried over into the recording studio capturing Renee and Bryn at the peak of their incredible powers emotionally and vocally making them the most effective crossover artists since the great Barbara Cook who like Miss Cook sing with emotion that is accurate for this type of material which is usually not the case with classical voices. Renee Fleming sings with genuine passion and stirring emotions and her timing is absolutely flawless and this lady has alot of soul and the Torrie Zito arranged "Moonfall" is a stunning masterpiece that clearly illustrates this. A dazzling medley each show both singers in glorious peak form with Bryn splendid in the enchanting "I Don't Remember You/Sometimes A Day Goes By" and Renee spellbinding and haunting in the gorgeous "I Wish I Could Forget You/Loving You" which will make anyone who loves a great voice fall in love with this amazingly gifted singer. "Stars" features a commanding performance from Bryn that raises the roof and this is so refreshing and inspired in these musically tired times!!! This superb showcase is full of wonderfully exciting performances which are capable of making people feel again and this is what is sorely needed in music today and BRAVO to Bryn Terfel and the gorgeous Renee Fleming for achieving this with complete artistic brilliance. Captivating duets fill this wonderous collection and never have classics such as "Not While I'm Around" or "All I Ask Of You" been sung more brilliantly than here. Renee is magical with "Hello, Young Lovers" while Bryn is commanding and winning with "Pretty Women". Renee's stunning "All The Wasted Time" is a vocal and emotional tour-de-force that is like a wild roller-coaster ride that you won't want to end as this is one of the most riveting songs that I have ever heard from a Broadway score and this certainly must be the definitive performance of this great song. This lady can really really sing and this is some deeply serious singing~WOW!!! Gorgeous together again in the beautiful "How Could I Ever Know" which is hair-raising and wonderfully soulful and sophisicated together in Cole Porter's "So In Love". A grand finale by these two awesome vocal wonders lives up to expectations being a complete blowout vocal festival and they definitely do not disappoint here!!! "Wheels Of A Dream" is mesmerizing and soars to magnificent heights with Bryn and Renee in peak form singing to the skies and hitting notes that I swear I have never heard before~BRAVO!!!!!!! You are both magically inspired and simply put as good as it gets!!!! Highly recommended if you love two awesome vocal wonders at their absolute peak in a magnificent beautifully orchestrated setting!!! Thank you Bryn & Renee...

Average customer rating:

Impeccable English Style
The Tallis Scholars do their namesake proud

The Tallis Scholars Sing Thomas Tallis

Manufacturer: Gimell UK
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

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Tallis: Spem in Alium

ASIN: B00026W65E
Release Date: 2004-09-14

Tracks:

Spem In Alium
Sancte Deus
Salvator Mundi, Salva Nos I
Salvator Mundi, Salva Nos II
Gaude Gloriosa
Miserere Nostri
Loquebantur Variis Linguis
If Ye Love Me
Hear The Voice And Prayer
A New Commandment
O Lord, Give Thy Holy Spirit
Purge Me, O Lord
Verily, Verily I Say Unto You
Remember Not, O Lord God
Tunes For Archbishop Parker's Psalter
O Lord, In Thee Is All My Trust
Christ Rising Again
Blessed Are Those That Be Undefiled

Tracks:

Lamentations Of Jeremiah I
Lamentations Of Jeremiah II
Absterge Domine
O Sacrum Convivium
In Manus Tuas
Salve Intemerata
Magnificat For 4 Voices
Ave, Dei Patris Filia

Customer Reviews:

Impeccable English Style.......2007-07-13

If you favor blend, balance, pitch, and all the other parameters of the English traditional choral style, you'll be very impressed with the Tallis Scholars' refined presentation. the music speaks for itself.

The Tallis Scholars do their namesake proud.......2006-07-27

In the last couple of years, the Tallis Scholars have been compiling their sizeable recording output into attractive two-disc editions. Here, they've collected a large number of their interpretations of their namesake, Thomas Tallis. Tallis (c. 1505-1585) is, of course, one of the giants of Renaissance music, and he was certainly the greatest English composer of liturgical music between John Dunstable and William Byrd. I personally consider him the second-greatest Renaissance composer after Palestrina, but I'm not dogmatic about it. I love the music of Josquin, Victoria, and Byrd almost as much. Let's just say that, if you're interested in immersing yourself in the work of a single Renaissance composer, you can't do much better than Tallis.

These recordings were made 1985-1998, and they all sound great. Included in this collection are most of Tallis best and best-known works: the two Lamentations of Jeremiah, O Sacrum Convivium, Gaude Gloriosa, Tunes for Archbishop Parker's Psalter (which contains the theme that inspired Ralph Vaughan Williams' famous Fantasia), and the incredible 40-part motet Spem In Alium (which is one of the supreme masterpieces of the 16th century). Unfortunately, there are some notable absences, such as the Tallis Scholars' own recording of O Nata Lux. The Mass for 4 Voices, certainly one of Tallis' major works, is also nowhere to be found. Of course, there's only so much music that will fit onto two CDs, but it's still a shame that they couldn't fit at least one of Tallis' masses. Nevertheless, the music that's here is beautiful and powerful.

The Tallis Scholars themselves need no introduction. They're one of the most famous groups specializing in Renaissance music. It needs to be said, however, that if you're looking for "authentic" recordings (that is, recordings that approximate what the music originally sounded like in the 16th century), you might want to look elsewhere. The Tallis Scholars use female singers instead of boys or (ahem!) castrati (though it's doubtful that Tallis would have used or written for castrati himself). And one could complain that these recordings use too many singers for some of the smaller pieces or that the sopranos overpower some of the larger ones (like Spem In Alium). I'm neither an enthusiast nor an opponent of the authentic-performance movement; since we're listening to recorded music anyway, these issues strike me as moot. The Tallis Scholars are experienced and accomplished singers, and they achieve their primary goal: to provide superlative-sounding recordings of important early choral compositions. If you're looking for a fine compilation of Tallis' music or an excellent introduction to Renaissance music, this is it.

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Selections from the Greatest Voice of the Last Hundred Years
A Must Have
The Mario Lanza Collection
The MARIO LANZA Collection
WONDERFUL!!!!!

The MARIO LANZA Collection

Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD

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Lanza: Greatest Hits

ASIN: B000003F6V
Release Date: 1991-11-12

Tracks:

Be My Love
I'll Never Love You
Because You're Mine
The Song Angels Sing
Drink, Drink, Drink
Serenade
The Loveliest Night of the Year
La Donna E Mobile
Because
For You Alone
Golden Days
Deep In My Heart, Dear
If I Loved You
Yours Is My Heart Alone
One Night Of Love
Beloved
Beautiful Love
With A Song In My Heart
You Are My Love
Call Me Fool

Tracks:

All The Things You Are
My Song,My Love
Love Is The Sweetest Thing
Will You Remember
Granada
Lolita
Serenade
Temptation
Lygia
Lady of Spain
This Land
Lee-Ah-Loo
Tina-Lina
Boom Biddy Boom Boom
The Bayou Lullaby
The Lord's Prayer
And Here You Are
Song of Songs
Somewhere A Voice Is Calling
I Never Knew

Tracks:

Ciribiribin
Wonder Why
Come Dance With Me
O Sole Mio
Younger Than Springtime
For the First Time (Come Prima)
Never Till Now
Arrivederci, Roma
If You Were Mine
Behold!
A Night to Remember
Love in a Home
Do You Wonder
Softly as in a Morning Sunrise
One Alone
Aida:Celeste Aida
Carmen: Flower Song
La Traviata: Brindisi
Rigoletto:Questa O Quella
Pagliacci:Vesti La Giubba
Cavalleria Rusticana: Addio Alla Madre

Customer Reviews:

Selections from the Greatest Voice of the Last Hundred Years.......2007-03-13

Mario Lanza was, arguably, the greatest tenor and greatest singer of this and the last century. It is difficult to appreciate him without listening to a variety of selections. This collection has some of his best recordings and exhibits the versatility and variety that he possessed that permitted him to "crossover" from opera to popular music with a ease.

I recommend this for those who already know Lanza to some extent but want to go into more depth and understand his marvelous skills.

A Must Have .......2006-12-12

I had forgotten what a beautiful voice Mario Lanza had. This collection contains opera and pop selections that exhibit the power yet sweetness of his voice. Fortunately, we have his CD's and videos so we can remember and listen to his gorgeous, vibrant voice and personality. I highly recommend this collection along with his wonderful movies, especially The Great Caruso.

The Mario Lanza Collection.......2006-11-10

I had forgotten just how beautiful a voice from the past was. It is a wonderful collection

The MARIO LANZA Collection.......2006-08-19

extract from most important LPs. Brilliant sound quality from RCA. Also included are soundtrack recordings from some of his movies. The are several reissues from Mario Lanza but this one is a collection you should have.

WONDERFUL!!!!!.......2005-10-19

The Mario Lanza Collection is a three CD set and it has 61 songs and they all sound great. The mastering on this set is excellent and the song choice is very very good. It would have been perfect if they added a forth CD with more Arias, Italian songs and Sacred Arias. BUT still this set is a great introduction to Lanza. Lanza's voice was powerful and beautiful; if you are a fan of great singing, you will love Lanza. Highlights on this CD set are; Be my Love, Because your Mine, Serenade, With a Song in My Heart, Temptation, The Lord's Prayer, Ciribirbin, O Solo Mio, Ariverducci Roma, and on and on. They are many many great songs on this set, and I highly recommend it.

Average customer rating:

I SURE DO REMEMBER MARION WILLIAMS !
On My Top 10 of the Year
No shouting, please.
Unforgettable Singer
Never Better

Remember Me
Marion Williams
Manufacturer: Shanachie
ProductGroup: Music
Binding: Audio CD

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When Gospel Was Gospel
Gospel Soul of Marion Williams
Precious Lord: The Great Gospel Songs of Thomas A. Dorsey
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My Soul Looks Back: The Genius of Marion Williams 1962-1992

ASIN: B00080Z79G
Release Date: 2005-05-24

Tracks:

How I Got Over
God Bless the Child
Standing Here Wondering Which Way to Go
Take My Hand Precious Lord
Drunkards Down There
City Called Heaven
Surely God is Able
Just Over the Hill
Jesus is All and All
The Storm is Passing Over
Bad News, Bad Times
Remember Me
The Lord Will Make a Way Somehow
O Death (Death in the Morning)
Ain't That Just Like Him
O Lord, Remember Me
Sometimes I Feel Like a Motherless Child
Born to Sing the Gospel
A Charge to Keep I Have
All Along the Highway
Strong Again
Jesus Remembers
Press on Like the Bible Said
The Day is Past and Gone

Customer Reviews:

I SURE DO REMEMBER MARION WILLIAMS !.......2006-07-02

This is her best work. She was one of the best gospel singers of all time. Rest in gospel heaven !!

On My Top 10 of the Year.......2005-10-03

Not quite sure what the reviewer just before me was thinking....This album is by far the BEST collection I have heard of Marion's work. I have all of the collections that Anthony Heilbut has compiled and they are all amazing, but he has outdone himself with this one. As he stated in the liner notes, THIS collection showcases Marion in her element...in the church...singing and yes, shouting, to her heart's content...and to ours as well. They don't make singers like this anymore...and this album makes me wish that they did. I cannot pick a favorite, but I have to make special mention of the album's opening cut, "How I Got Over", which was recorded live with James Cleveland accompanying her on the piano. Marion IS at her best here...and you would think that she recorded this during her hay-day with the Wards...but it was only 20 some odd years ago! I also must say that the inclusion of the old Watts hymns was brilliant...This is the history of gospel that must be preserved as we get bogged down in more and more drum programming, sequenced vocals and nothing lyrics. Thank you Marion for the reminder...

No shouting, please........2005-09-26

Ms Wiiliams is a very moving artist, and this recording starts out wiht too much shooouting for my taste. Singing is supereb; selections not up to earlier recordings I hve of her performances.

Unforgettable Singer.......2005-08-15

The record of the year? It's got to be "Remember Me," a collection of 24 songs by the late gospel singer Marion Williams. The MacArthur Foundation gave her a genius award, the Kennedy Center honored her--it's time for the record industry to do the same. She was, as one of her songs says, born to sing the gospel, but with her rich, emotional voice, she is not confined by the genre. She sings of life, death, God, pain, and passion. She is rapturous, vulnerable, and comforting. No wonder critics have called her the greatest singer ever.

Never Better.......2005-08-04

Marion has never sounded better than she does on this new CD. If you heard cuts from it on All Things Considered last night (August 3) you got a small sample of the power and range of her voice. Even if you know nothing about Gospel, buy this. It will open up a whole new musical universe for you.

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