Autumn's Apple
Editorial Reviews
About the Artist
Michael Allison has been making ambient, electronic & experimental music for over 20 years now and he's been lucky enough to work with some of the finest musicians on the planet. Though he now works primarily alone, the influence of those great artists is ever present in his music.
"Since the early years of Nona Hendryx & Zero Cool, China Shop and ultimately Empty House I've enjoyed working with experimental sounds and eclectic pop compositions. Having been a bass player most of my career I decided to switch to synthesizers in order to realize my ideas more clearly."
He generally creates his pieces using sound loops at varying lengths. Sometimes searching for that gorgeous lost chord for hours before landing upon a certain gem and then proceeding to incorporate rhythms and melodies that suggest a certain nuance or dreamlike emotion mostly resembling the sort of music he heard in his head as a young boy.
Product Description
The long awaited release of darshan ambient's sequel to The Zen Master's Diary is here. Although not so much a concept album as the previous recording, Autumn's Apple is a dedication to family, children and love of tradition. There is a very different feel to Autumn's Apple that can be traced to Allison's love of soul records he collected as a child. That and a very distinct chill-out lounge flavor of the CD give this release a fascinating meld of soul-groove and ambient electronica. Also features the talents of Jeff Kowal (Terra Ambient) on guitar.
Autumn's Apple,Darshan Ambient,lotuspike llc,Ambient, floating, ethereal chords and melodies with some laid-back electronic grooves.
Autumn's Apple
Average customer rating:
- Allison pulls off a remarkable feat.
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Autumn's Apple
Darshan Ambient
Manufacturer: lotuspike llc
ProductGroup: Music
Binding: Audio CD
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ASIN: B00076V754
Release Date: 2004-12-20 |
Tracks:
- Azure Day
- Deep Garden
- Pastorale
- Acre of Sun
- Sea Stars for Tristen
- Rain Parade
- Pebble In My Shoe
- Autumn's Apple
- Man In the Window
Album Description
The long awaited release of darshan ambient's sequel to The Zen Master's Diary is here. Although not so much a concept album as the previous recording, Autumn's Apple is a dedication to family, children and love of tradition. There is a very different feel to Autumn's Apple that can be traced to Allison's love of soul records he collected as a child. That and a very distinct chill-out lounge flavor of the CD give this release a fascinating meld of soul-groove and ambient electronica. Also features the talents of Jeff Kowal (Terra Ambient) on guitar.
Customer Reviews:
Allison pulls off a remarkable feat........2005-01-26
Autumn's Apple
Darshan Ambient
Lotuspike
First things first. I mean talk about big shoes to fill!?! I gushed over the organic, multi-instrumental, world-ambient artistry of the inaugral Lotuspike release, The Gate by Terra Ambient, so my expectations were very, very high going into Autumn's Apple by Darshan Ambient(Michael Allison).
Would this record create its own voice? A voice as memorable and penetratingly original, as its label's predecessor?
In a word, yes.
In fact, I walk away firmly believing--I suspected as such on Darshan Ambient's self-released gem The Zen Master's Diary--but now I can honestly say: No ambient artist out there today has better understood and internalized the most influential ambient record of all time (IMHO), Brian Eno's 1978 release Ambient I: Music for Airports then Michael Allison.
This kind of discreet precise approach to note selection and soundscaping cannot be taught. And Allison demonstrates this once again with his simply virtuosic playing and composing on this release; not a single note on it is wasted or excessive.
What is even more impressive is that this is by no means Eno-redux (i.e., boringly minimalist music that drones on and on like musac). To the contrary, Allison caresses the listener with luminescent notes that circulate in, around, and through very dynamic, percussion infused arrangements...
One of the many pitfalls of this kind of music, of course, is that the rhythmic elements can swamp the piano thus undermining what is truly ambient about the work (I have heard many releases when this is the case and the songs invariably become forgettable and thus forgotten in the heap)...
Instead, Allison pulls off a remarkable feat: Each and every track, and thus the work as a whole, accomplishes a wonderfully balanced rhythmic and atmospheric ambience. But more than a demonstration of impressive technical skill, the sounds that emanate from the core of Autumn's Apple feel effortless.
A few specifics about each of Autumn's Apple's 9 tracks:
Autumn's Apple begins with "Azure Day," a composition of slowly evolving tone-scapes and an accompanying high hat that morphs into a groovier beat loop that itself expands. The conga-like percussion lends a nice organic feel that carries the listener into the twinklingly seductive daylight--a sky of deep azure, indeed.
"Deep Garden" has a wonderfully Enoesque opening of slow piano progressions. Once again the high hat that blossoms into a thickly layered backbeat propulses us forward deep into the garden's lush landscape. The synth, however, stays patiently focused--it breathes, disappears, and then reappears seemlessly throughout the mix. Allison really demonstrates his brilliant composer's ear on this track.
"Pastorale" is simply a beautiful track. I won't even try to spoil it with words. It is just too mesmerizing and must be experienced to be appreciated.
"Acre of Sun" starts with a very funky back beat that grows and then snakes around the patient twinkling of Allison's keys. The wonderful contrast between observation and movement is clearly realized once again.
"Sea Stars for Tristen" is the album's most epic sounding piece: Allison's tribute to his newborn son. The observation-movement dynamic remains: A proud father cradles his lightly sleeping newborn son. A feeling of wonderous awe.
"Rain Parade" opens with a nice tight, in-the-pocket back beat. The metallic, breathy drones grow slowly forward. The melody on this track may be as strong as "Pastorale." I'm undecided. The rhythmics are also quite fascinating on tis track: the stutters fall forward like rain drops against glass.
Listening to "Pebble in My Shoe" creates a very interesting sensation: I find myself both relaxing and tapping my foot. This track also has very effective bridge section--it is somehow constantly rhythmic and spacious at the same time.
The title track opens with soft blurps of atmospheric synth that slowly evolve into something much bigger: Life's inescapable inertia. We are constantly changing "colors" and nature is as well: Autumn. As the backbeat builds and propulses along with a lovely melody we, the listener, are reminded of this pronounced time for growth and change--from seed to tree to flower to apple. Allison's ode to the changing colors of this inescapable passage on the seasonal cycle is at once heartfelt and toe tapping.
The last track "Man in the Window" in many ways is an accurate reflection of the album as a whole. Here, Allison takes a very daring step for an ambient artist: He lends his soft, throaty Peter Gabrielesque vocals to the mix. I admit that I went into listening to this track just waiting on the edge of my chair to shake my head at the trite, new agey cliche that I thought would follow.
Surprisingly, these preconceptions were mistaken.
Allison uses his vocals very purposefully to add an additional layer of emotive resonance to the mix. In essence, the vocals on this track may be thought of as providing one perspective--the man looking out through the window. Taken together, the vocals behind "the glass" and the wide open sonic landscapes that the piano creates in front of it combine to form the song's central narrative: The relationship of man to the physical world. We, the listener, are both behind and in front of the glass that opens to these picturesque, beautiful vistas.
"The Man in the Window" succeeds because it, like the other eight tracks on Autumn's Apple, are heartflet infusions of sonic poetry.
Autumn's Apple is heartfelt poetry-in- effortless-motion. A poetry that does not shy away from its inspirations; the birth of Allison's son, Tristen, being Autumn's Apple's most audible. Strongly recommended to those who truly appreciate virtuosic ambient artistry and songmanship. ****1/2 (out of *****)
By Ben Fleury-Steiner
Average customer rating:
- One of my favorite records
- the britten is okay, but the rest is much better
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Music For Voice & Guitar
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003FG1
Release Date: 1996-05-21 |
Tracks:
- Songs From The Chinese, Op.58: The Big Chariot
- Songs From The Chinese, Op.58: The Old Lute
- Songs From The Chinese, Op.58: The Autumn Wind
- Songs From The Chinese, Op.58: The Herd-Boy
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- Songs From The Chinese, Op.58: Dance Song
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- Folk Song Arrangements: Sailor-Boy
- Folk Song Arrangements: I Will Give My Love An Apple
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- Gloriana: The Second Lt Song Of The Earl Of Essex
- Anon In Love: Fain Would I Change That Note
- Anon In Love: O Stay, Sweet Love
- Anon In Love: Lady, When I Behold The Roses
- Anon In Love: My Love In Her Attire
- Anon In Love: I Gave Her Cakes And I Gave Her Ale
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- Four French Folk Songs: Reveillez-Vous
- Four French Folk Songs: J'Ai Descendu
- Four French Folk Songs: Le Rossignol
- Four French Folk Songs: Marguerite, Elle Est Malade
- O Mistress Mine
- Nocturnal, Op.70
Customer Reviews:
One of my favorite records.......2005-04-18
I'm buying the CD now to replace my very-scratched LP. I'm no connoisseur of vocal music, but I am a big guitar fan (and player) and a Taoist, so "Big Chariot" speaks most eloquently to me... but the entire "Songs from the Chinese" set from Britten was a trememdous discovery to me the first time I heard the LP many years ago. And, as a bonus, you have those great ribald songs on it, like "To Couple is A Custom". Overall, a fabulous, unique find if your tastes run to voice+guitar+sense of humor.
the britten is okay, but the rest is much better.......2003-06-21
most people will get this cd for britten's songs from the chinese, nocturnal for solo guitar, and the folk song arrangements included here, but these works are not among his best. the nocturnal is a little too verbose, and the arrangements of the folk songs aren't particularly distinctive. the chinese cycle is worthwhile, although certainly not up to the caliber of winter words or the michelangelo sonnets cycle. still, all three have moments worth hearing, particularly among the slower sections. examples include "the autumn wind" in the songs from the chinese and the first movement, "musingly", of the nocturnal.
along with these works by britten, the disc also includes other songs for guitar and voice and these are what make the disc worth getting. bream is ideal and masterful. i believe this is one of pears' later recordings, and he gets a little too carried away at times (for example, at the end of "i gave her cakes"), but he really shines in the pensive, lyrical songs of each cycle presented here, recalling his role as peter grimes. of particular note are his performance in seiber's french folk song arrangements, the first half of the walton cycle, the second lute song from britten's gloriana, and the fricker setting of shakespeare.
the sound has a few spots of static where the vocal was too loud, but they may have been present on the original recording. the liner notes don't include any of the texts, which is a pity, nor is the nocturnal divided into 8 tracks for its 8 movements. still, all in all, worth having if you're a pears or bream fan, and if you're a fan of britten you probably have this disc already.
Average customer rating:
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Pablo Casals: The Complete Acoustic Recordings Vol. 3: 1920 - 25
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ASIN: B000001ZFJ
Release Date: 1997-09-16 |
Tracks:
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Manufacturer: Rondo Grammofon
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Release Date: 1995-03-23 |
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- Too beautiful for words
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ASIN: B000003FFV
Release Date: 1993-08-10 |
Tracks:
- Two Almaines
- Fant
- Walsingham
- Mignarda
- Almaine
- Galliard
- Greensleeves
- Galliard Upon A Galliard Of Daniel Bachelar
- Pavan
- Carman's Whistle
- Pavan
- Monsieur's Almaine
- Pavan
- Batell Galliard
- Galliard
- Pavana Bray
- Galliard
- Pavan
- My Lord Willoughby's Welcome Home
- Captain Piper's Galliard
- Queen Elizabeth's Galliard
- Sir John Langton's Pavan
- Tarleton's Ressurection
- Lady Clifton's Spirit
Tracks:
- Landgrave Of Hesse: Pavan
- Saltarello
- Ballo Detto Il Conte Orlando
- Saltarello
- Fant
- Chromatic Pavan And Galliard: Pavan
- Chromatic Pavan And Galliard: Galliard
- Fant
- Queen Elizabeth's Galliard
- Fant
- Fant
- Finale
- Villanella No.1
- Villanella No.2
- Finale 2
- Pavan
- Mein Herz Hat Sich Mit Lieb' Verpflicht
- Hie' Folget Ein Welscher Tanz
- Ich Klag' Den Tag
- Der Juden Tanz
- Fant
- Air De Cour
- Branle
- Guillemette
- Volte
- Forlorn Hope Fancy
- My Lord Willoughby's Welcome Home (For Two Lts)
Tracks:
- The Earl Of Essex Galliard
- Lachrimae Antiquae
- Galliard To Lachrimae
- My Lady Hunsdon's Puffe
- Lord De L'Isle's Galliard
- The Frog Galliard
- Lachrimae Verae
- The Shoemaker's Wife
- Lady Rich, Her Galliard
- Unnamed Piece (Almaine)
- Sir John Smith's Almaine
- Melancholy Galliard
- Sir Henry Gifford's Almaine
- Dowland's First Galliard
- Mrs Vaux's Gigge
- The Earl Of Derby, His Galliard
- Semper Dowland, Semper Dolens
- Captain Digorie Piper's Galliard
- My Lord Chamberlain, His Galliard
- Mr Langton's Galliard
- Sir John Souche's Galliard
- Piper's Pavan
- Resolution
Tracks:
- The Woods So Wild
- Fant I in c
- Packington's Pound
- Fant II in F
- Walsingham
- Fant III in g
- The Fairy Round
- Heigh Ho Holiday
- Fant IV (La Campagna)
- Go From My Window
- Fant V in C
- Greensleeves
- Fant VI in F
- Bonny Sweet Robin
- Fant VII in F
- Heart's Ease
- Fant VIII in G
- Loth To Depart
- A Fancy
- A Fancy
- Farewell
Tracks:
- Con in D, RV 93: Allegro Giusto - Juliam Bream
- Con in D, RV 93: Largo - Juliam Bream
- Con in D, RV 93: Allegro - Juliam Bream
- Con in F: Allegro - Juliam Bream
- Con in F: Adagio - Juliam Bream
- Con in F: Tempo Di Menuetto - Juliam Bream
- Con in B flat, Op.4 No.6: Allegro - Juliam Bream
- Con in B flat, Op.4 No.6: Larghetto - Juliam Bream
- Con in B flat, Op.4 No.6: Allegro Moderato - Juliam Bream
- Con in G, RV 532: Allegro - Juliam Bream
- Con in G, RV 532: Andante - Juliam Bream
- Con in G, RV 532: Allegro - Juliam Bream
- Son in C, RV 82: Allegro Non Molto - Julian Bream/George Malcom
- Son in C, RV 82: Larghetto - Julian Bream/George Malcom
- Son in C, RV 82: Allegro - Julian Bream/George Malcom
- Son in g, RV 85: Andante Molto - Julian Bream/George Malcom
- Son in g, RV 85: Larghetto - Julian Bream/George Malcom
- Son in g, RV 85: Allegro - Julian Bream/George Malcom
Tracks:
- Monsieur's Almaine - The Julian Bream Consort
- Pavin - The Julian Bream Consort
- My Lord Of Oxenford's Maske - The Julian Bream Consort
- The Flatt Pavin - The Julian Bream Consort
- The Bachelar's Delight - The Julian Bream Consort
- Kemp's Jig - The Julian Bream Consort
- Phillips Pavin - The Julian Bream Consort
- O Mistress Mine - The Julian Bream Consort
- Fant: La Rondinella - The Julian Bream Consort
- Joyne Hands - The Julian Bream Consort
- Lachrimae Pavin - The Julian Bream Consort
- Fant - The Julian Bream Consort
- De La Tromba Pavin - The Julian Bream Consort
- It Fell On A Summer's Day - The Julian Bream Consort
- Dowland's Adew - The Julian Bream Consort
- The Frog Galliard - The Julian Bream Consort
- La Rosignol - The Julian Bream Consort
- Tarleton's Resurrection - The Julian Bream Consort
- Galliard-Can She Excuse - The Julian Bream Consort
- Gloriana-Courtly Dances: March - The Julian Bream Consort
- Gloriana-Courtly Dances: Corante - The Julian Bream Consort
- Gloriana-Courtly Dances: Pavan - The Julian Bream Consort
- Gloriana-Courtly Dances: Morris Dance - The Julian Bream Consort
- Gloriana-Courtly Dances: Galliard - The Julian Bream Consort
- Gloriana-Courtly Dances: La Volta - The Julian Bream Consort
- Gloriana-Courtly Dances: March (Finale) - The Julian Bream Consort
- Con in D, RV 93: Allegro - The Julian Bream Consort
- Con in D, RV 93: Largo - The Julian Bream Consort
- Con in D, RV 93: Allegro - The Julian Bream Consort
Tracks:
- Joyne Hands - The Julian Bream Consort
- Phillips Pavin - The Julian Bream Consort
- The Frog Galliard - The Julian Bream Consort
- The Jew's Dance - The Julian Bream Consort
- Fant - The Julian Bream Consort
- The Bachelar's Delight - The Julian Bream Consort
- The Sacred End Pavin And Galliard: Pavin - The Julian Bream Consort
- The Sacred End Pavin And Galliard: Galliard - The Julian Bream Consort
- De La Tromba Pavin - The Julian Bream Consort
- Thirsis And Milla - The Julian Bream Consort
- Alison's Knell - The Julian Bream Consort
- Grimstock - The Julian Bream Consort
- Go From My Window - The Julian Bream Consort
- Go Nightly Cares - The Julian Bream Consort
- Daniel's Almain - The Julian Bream Consort
- In Nomine Pavin - The Julian Bream Consort
- Come Again - The Julian Bream Consort
- Lachrimae Pavin - The Julian Bream Consort
- Can She Excuse - The Julian Bream Consort
Tracks:
- Chor No.1 - Juilian Bream
- Etude in e - Juilian Bream
- Etude in c# - Juilian Bream
- Prld in e - Juilian Bream
- Schottische-Choro (From Ste Popolar Brasileira) - Juilian Bream
- Madronos - Juilian Bream
- Homenaje, Pour Le Tombeau De Debussy - Juilian Bream J
- The Miller's Dance (From The Three-Cornered Hat) - Juilian Bream
- Fandanguillo - Juilian Bream J
- El Testament D'Amelia - Juilian Bream
- Canarios - Juilian Bream
- Son - Juilian Bream
- En Los Trigales - Juilian Bream
- Larghetto - Juilian Bream
- Allegro, K.Anh.229 - Juilian Bream
- Son in C, Op.15, Allegro - Juilian Bream
- Rossiniana No.1, Op.119 - Juilian Bream
Tracks:
- Pavanas
- Galliardas
- Passacalles
- Canarios
- Villano
- Canario
- Prld in d, BWV 999
- Fugue in a, BWV 1000
- Passacaille
- Fant
- Tombeau Sur La Mort De M. Comte De Logy
- Ste in d: Prld
- Ste in d: Allemande
- Ste in d: Courante
- Ste in d: Sarabande
- Ste in d: Gavotte
- Ste in d: Menuets I And II
- Ste in d: Bourree
- Ste in d: Gigue
- Aria Con Var Detta La Frescobalda
- Son in e, K.11
- Son in e, K.87
- Son in c#
- Son in A
Tracks:
- Grand Ov, Op.61
- Grand Solo, Op.14: Intro
- Grand Solo, Op.14: Allegro
- Son in A: Allegro Moderato
- Son in A: Andante Sostenuto
- Son in A: Menuet-Scherzo
- Son in A: Rondo (Allegretto)
- Rossiniana No.3, Op.121
- Son in C, Op.25: Andante Largo; Allegro Non Troppo
- Son in C, Op.25: Andantino Grazioso
- Son in C, Op.25: Minuetto & Trio/Allegro
Tracks:
- Grand Son in A: Allegro Risoluto
- Grand Son in A: Romanze
- Grand Son in A: Andantino Variato
- Son in G, Op.78, D.894, Menuetto
- Song Without Words, Op.19, No.6 ('Venetian Boating Song')
- Str Qt, Op.12: Conzanetta
- Homenaje, Pour Le Tombeau De Debussy
- Pavane Pour Une Infante Defunte
- Ste Espanola, Op.47: Granada
- Ste Espanola, Op.47: Leyenda (Asturias)
- Lagrima (Prld)
- Three Mazurkas: Adelita
- Three Mazurkas: Mazurka in G
- Three Mazurkas: Marieta
Tracks:
- Sonatina, Op. 52, No.1: Allegretto
- Sonatina, Op. 52, No.1: Lento
- Sonatina, Op. 52, No.1: Rondo
- Segovia, Op.29
- El Polifemo De Oro (Four Fragments): Ben Adagio
- El Polifemo De Oro (Four Fragments): Allegretto
- El Polifemo De Oro (Four Fragments): Largo
- El Polifemo De Oro (Four Fragments): Ritmico E Vivo
- Quatre Pieces Breves: Prld
- Quatre Pieces Breves: Air
- Quatre Pieces Breves: Plainte
- Quatre Pieces Breves: Comme Une Gigue
- Drei Tentos (From 'Kammermusik'): 'Du Schones Bachlein' (Tranquilmente)
- Drei Tentos (From 'Kammermusik'): 'Es Findet Das Aug' Oft' (Allegro Rubato)
- Drei Tentos (From 'Kammermusik'): 'Sohn Laios' (Lento)
- Elegy
- Five Bagatelles: Allegro
- Five Bagatelles: Lento/Tempo Di Valse
- Five Bagatelles: Alla Cubana
- Five Bagatelles: Sempre Espressivo
- Five Bagatelles: Con Slancio
- Theme And Vars, Op.77
Tracks:
- Ste Compostellana: Prd
- Ste Compostellana: Coral
- Ste Compostellana: Cuna
- Ste Compostellana: Recitativo
- Ste Compostellana: Cancion
- Ste Compostellana: Muneira
- Tiento
- Son: Allegretto
- Son: Andante
- Son: Allegro
- Fant
- Ste Populaire Bresilienne: Mazurka-Choro
- Ste Populaire Bresilienne: Schottisch-Choro
- Ste Populaire Bresilienne: Valse-Choro
- Ste Populaire Bresilienne: Gavotte-Choro
- Etude No.5 in C
- Etude No.7 in E
Tracks:
- Five Impromptus: Recitative
- Five Impromptus: Agitato
- Five Impromptus: Elegiaco
- Five Impromptus: Con Fuoco
- Five Impromptus: Arioso
- Five Bagetelles: Allegro
- Five Bagetelles: Lento
- Five Bagetelles: Alla Cubana
- Five Bagetelles: Sempre Espressivo
- Five Bagetelles: Con Slancio
- Hill Runes
- Son No.1, Royal Winter Music: Gloucester (Majestically)
- Son No.1, Royal Winter Music: Romeo And Juliet (Singing Slowly, With Tenderness)
- Son No.1, Royal Winter Music: Ariel (Swiftly, Gently, Mysteriously)
- Son No.1, Royal Winter Music: Ophelia (Slowly)
- Son No.1, Royal Winter Music: Touchstone, Audrey And William (With Humor)
- Son No.1, Royal Winter Music: Oberon (Majestically)
Tracks:
- Gtr Con, Op.67: Allegro
- Gtr Con, Op.67: Lento
- Gtr Con, Op.67: Con Brio
- Con: Lento E Rubato/Vivo
- Con: Andante Lento
- Con: Con Brio
- Concierto De Aranjuez: Allegro Con Spirito
- Concierto De Aranjuez: Adagio
- Concierto De Aranjuez: Allegro Gentile
Tracks:
- Gtr Qnt in e, G.451: Allegro Moderato
- Gtr Qnt in e, G.451: Adagio
- Gtr Qnt in e, G.451: Menuetto
- Gtr Qnt in e, G.451: Allegretto
- Gtr Qnt in D, G.448: Intro And Fandango - Julian Bream/George Malcolm
- Qt in E, Op.2 No.2: Allegro
- Qt in E, Op.2 No.2: Adagio
- Qt in E, Op.2 No.2: Menuetteo E Trio
- Qt in E, Op.2 No.2: Finale: Presto
- Gtr Con in A, Op.30: Allegro Maestoso
- Gtr Con in A, Op.30: Andantino Siciliano
- Gtr Con in A, Op.30: Alla Polacca
Tracks:
- My Lady Hundson's Puffe - Dame Peggy Ashcroft/Julian Bream
- 'If Music And Sweey Poetry Agree' (Sonnet From The Passionate Pilgrim) - Dame Peggy Ashcroft/Julian Bream
- The King Of Denmark's Galliard - Dame Peggy Ashcroft/Julian Bream
- Envoi To The Phoenix And The Turtle - Dame Peggy Ashcroft/Julian Bream
- Mignarda - Dame Peggy Ashcroft/Julian Bream
- 'The Courser And The Genet' (From Venus And Adonis) - Dame Peggy Ashcroft/Julian Bream
- Queen Elizabeth's Galliard - Dame Peggy Ashcroft/Julian Bream
- Loth To Depart - Dame Peggy Ashcroft/Julian Bream
- 'She Looks Upon His Lips' (Death of Adaonis From Venus And Adonis) - Dame Peggy Ashcroft/Julian Bream
- The Earl Of Derby's Galliard - Dame Peggy Ashcroft/Julian Bream
- 'Orpheous With His Lute' (From King Henry VIII, Act III, Scene 1) - Dame Peggy Ashcroft/Julian Bream
- Lachrimae Pavin - Dame Peggy Ashcroft/Julian Bream
- 'Weary With Toil' (Sonnet No.27) - Dame Peggy Ashcroft/Julian Bream
- 'Is It Thy Will?' (Sonnet No.61) - Dame Peggy Ashcroft/Julian Bream
- 'O, Never Say That I Was False Of Heart' (Sonnet No.109) - Dame Peggy Ashcroft/Julian Bream
- Tarleton's Resurrection - Dame Peggy Ashcroft/Julian Bream
- 'My Mother Had A Maid Call'd Barbara' (From Othello, Act IV, Scene 3) - Dame Peggy Ashcroft/Julian Bream
- Tarleton's Resurrection - Dame Peggy Ashcroft/Julian Bream
- 'Come Away, Come Away, Death' (From Twelfth Night, Act II, Scene 4) - Dame Peggy Ashcroft/Julian Bream
- A Fancy - Dame Peggy Ashcroft/Julian Bream
- 'Two Loves I Have' (Sonnet No.144) - Dame Peggy Ashcroft/Julian Bream
- 'The Expense Of Spirit' (Sonnet No.129) - Dame Peggy Ashcroft/Julian Bream
- Melancholy Galliard - Dame Peggy Ashcroft/Julian Bream
- 'But She Hath Lost A Dearer Thing Than Life' (From The Rape Of Lucrece) - Dame Peggy Ashcroft/Julian Bream
- 'Ev'n In This Thought' (From The Rape Of Lucrece) - Dame Peggy Ashcroft/Julian Bream
- Semper Dowland, Semper Dolens - Dame Peggy Ashcroft/Julian Bream
- 'What Potions Have I Drunk' (Sonnet No.119) - Dame Peggy Ashcroft/Julian Bream
- 'When To The Sessions' (Sonnet No.30) - Dame Peggy Ashcroft/Julian Bream
- Orlando Sleepeth - Dame Peggy Ashcroft/Julian Bream
- 'Fear No More' (Dirge For Fidele From Cymbeline, Act IV, Scene 2) - Dame Peggy Ashcroft/Julian Bream
Tracks:
- Songs From The Chinese, Op.58: The Big Chariot - Julian Bream/Sir Peter Pears
- Songs From The Chinese, Op.58: The Old Lute - Julian Bream/Sir Peter Pears
- Songs From The Chinese, Op.58: The Autumn Wind - Julian Bream/Sir Peter Pears
- Songs From The Chinese, Op.58: The Herd-Boy - Julian Bream/Sir Peter Pears
- Songs From The Chinese, Op.58: Depression - Julian Bream/Sir Peter Pears
- Songs From The Chinese, Op.58: Dance Song - Julian Bream/Sir Peter Pears
- Folk Song Arrangements: Master Kilby - Julian Bream/Sir Peter Pears
- Folk Song Arrangements: The Shooting Of His Dear - Julian Bream/Sir Peter Pears
- Folk Song Arrangements: Sailor-Boy - Julian Bream/Sir Peter Pears
- Folk Song Arrangements: I Will Give My Love An Apple - Julian Bream/Sir Peter Pears
- Folk Song Arrangements: The Soldier And The Sailor - Julian Bream/Sir Peter Pears
- Gloriana: The Second Lt Song Of The Earl Of Essex - Julian Bream/Sir Peter Pears
- Anon In Love: Fain Would I Change That Note - Julian Bream/Sir Peter Pears
- Anon In Love: O Stay, Sweet Love - Julian Bream/Sir Peter Pears
- Anon In Love: Lady, When I Behold The Roses - Julian Bream/Sir Peter Pears
- Anon In Love: My Love In Her Attire - Julian Bream/Sir Peter Pears
- Anon In Love: I Gave Her Cakes And I Gave Her Ale - Julian Bream/Sir Peter Pears
- Anon In Love: To Couple Is A Custom - Julian Bream/Sir Peter Pears
- Four French Folk Songs: Reveillez-Vous - Julian Bream/Sir Peter Pears
- Four French Folk Songs: J'Ai Descendu - Julian Bream/Sir Peter Pears
- Four French Folk Songs: Le Rossignol - Julian Bream/Sir Peter Pears
- Four French Folk Songs: Marguerite, Elle Est Malade - Julian Bream/Sir Peter Pears
- O Mistress Mine - Julian Bream/Sir Peter Pears
- Nocturnal, Op.70 - Julian Bream/Sir Peter Pears
Tracks:
- Absence - Julian Bream/Sir Peter Pears
- What Then Is Love? - Julian Bream/Sir Peter Pears
- I Saw My Lady Weep - Julian Bream/Sir Peter Pears
- If She Forsake Me - Julian Bream/Sir Peter Pears
- Dear, If You Change - Julian Bream/Sir Peter Pears
- Come, Phyllis - Julian Bream/Sir Peter Pears
- Stay, Time - Julian Bream/Sir Peter Pears
- It Was A Lover And His Lass - Julian Bream/Sir Peter Pears
- Weep You No More - Julian Bream/Sir Peter Pears
- When Laura Smiles - Julian Bream/Sir Peter Pears
- Fair, Sweet, Cruel - Julian Bream/Sir Peter Pears
- Shall I Sue? - Julian Bream/Sir Peter Pears
- Sweet, Stay Awhile - Julian Bream/Sir Peter Pears
- Who Is It? - Julian Bream/Sir Peter Pears
- Can She Excuse? - Julian Bream/Sir Peter Pears
- Come, Heavy Sleep - Julian Bream/Sir Peter Pears
- Wilt Thou Unkind, Thus Leave Me? - Julian Bream/Sir Peter Pears
- Sorrow, Stay - Julian Bream/Sir Peter Pears
- The Lowest Trees Have Tops - Julian Bream/Sir Peter Pears
- Time's Eldest Son, Old Age - Julian Bream/Sir Peter Pears
- In Darkness Let Me Dwell - Julian Bream/Sir Peter Pears
- Say, Love, If Ever Thou Did'st Find - Julian Bream/Sir Peter Pears
Tracks:
- Lt Ste No.1, BWV 996: Prld
- Lt Ste No.1, BWV 996: Allemande
- Lt Ste No.1, BWV 996: Courante
- Lt Ste No.1, BWV 996: Sarabande
- Lt Ste No.1, BWV 996: Bourree
- Lt Ste No.1, BWV 996: Gigue
- Lt Ste No.2, BWV 997: Prld
- Lt Ste No.2, BWV 997: Fugue
- Lt Ste No.2, BWV 997: Sarabande
- Lt Ste No.2, BWV 997: Gigue
- Trio Son No.1 in E flat, BWV 525: Allegro Moderato - Julian Bream/George Malcolm
- Trio Son No.1 in E flat, BWV 525: Adagio - Julian Bream/George Malcolm
- Trio Son No.1 in E flat, BWV 525: Allegro - Julian Bream/George Malcolm
- Trio Son No.5 in C, BWV 529: Allegro - Julian Bream/George Malcolm
- Trio Son No.5 in C, BWV 529: Largo - Julian Bream/George Malcolm
- Trio Son No.5 in C, BWV 529: Allegro - Julian Bream/George Malcolm
Tracks:
- Con: Allegro Preciso
- Con: Andantino E Andante/Cadenza
- Con: Allegretto Non Troppo
- Five Prlds: No.1 in e: Andantino Espressivo
- Five Prlds: No.5 in E: Andantino
- Five Prlds:No.3 in a: Andante/Molto Adagio/Andante
- Five Prlds: No.4 in e: Lento/Animato/Moderato/Lento
- Five Prlds: No.2 in D: Poco Animato
- Twelve Etudes: No.1: Allegro Non Troppo/Lento
- Twelve Etudes: No.2: Allegro
- Twelve Etudes: No.3: Allegro Moderato
- Twelve Etudes: No.4: Poco Moderato/A Tempo/Grandioso
- Twelve Etudes: No.5: Andantino
- Twelve Etudes: No.6: Poco Allegro
- Twelve Etudes: No.7: Tres Anime/Piu Mosso
- Twelve Etudes: No.8: Moderato
- Twelve Etudes: No.9: Tres Peu Anime
- Twelve Etudes: No.10: Tres Anime/Vif/Un Peu Anime/Vif
- Twelve Etudes: No.11: Lent/Anime
- Twelve Etudes: No.12: Anime
Tracks:
- Concierto De Aranjuez: Allegro Con Spirito
- Concierto De Aranjuez: Adagio
- Concierto De Aranjuez: Allegro Gentile
- Gtr Con: Andantino; Allegretto
- Gtr Con: Lento
- Gtr Con: Allegro Con Brio
- Gtr Con No.3, Con Elegiaco: Tranquillo
- Gtr Con No.3, Con Elegiaco: Interlude
- Gtr Con No.3, Con Elegiaco: Finale: Toccata
Tracks:
- El Maestro: Pavana I
- El Maestro: Pavana V
- El Maestro: Pavana VI
- El Maestro: Fant XII
- El Maestro: Fant VIII
- El Maestro: Fant IX
- El Maestro: Tento I
- El Maestro: Pavana IV
- El Maestro: Fant XVI
- Los Seys Libros Del Delphin De Musica: Book I: Fant V
- Los Seys Libros Del Delphin De Musica: Book II: Fant V
- Los Seys Libros Del Delphin De Musica: Book III: La Cancion Del Emperador
- Los Seys Libros Del Delphin De Musica: Fant VI
- Los Seys Libros Del Delphin De Musica: Book V: Arde Coracon Arde
- Los Seys Libros Del Delphin De Musica: Book V: Ya Se Asiente El Rey Ramiro
- Los Seys Libros Del Delphin De Musica: Book IV: O Gloriosa Domina (Seys Diferencias)
- Los Seys Libros Del Delphin De Musica: Book VI: Conde Claros
- Los Seys Libros Del Delphin De Musica: Book VI: Guardame Las Vacas
- Los Seys Libros Del Delphin De Musica: Book VI: Tres Diferencias Por Otra Parte
- Los Seys Libros Del Delphin De Musica: Book VI: Baxa De Contrapunto
- Fant
Tracks:
- Fant, Op.30: Intro: Lentemente
- Fant, Op.30: Theme: Allegretto
- Fant, Op.30: Vars 1 To 5
- Fant, Op.7: Largo Non Tanto
- Fant, Op.7: Theme: Andante
- Fant, Op.7: Vars 1 To 7
- Vars On A Theme By Mozart, Op.9: Intro: Andante Largo
- Vars On A Theme By Mozart, Op.9: Theme: Andante Moderato
- Vars On A Theme By Mozart, Op.9: Vars 1 To 5
- Adagio, Op.2, No.1
- Polonaise, Op.2, No.2
- Intro And Rondo, Op.2, No.3: Andante/Allegro Moderato
Tracks:
- Cuentos Para La Juventud: Dedicatoria
- La Maja De Goya (Tonadilla)
- Danza Espanola No.4 (Villanesca)
- Valses Poeticos
- Danza Espanola No.5
- Mallorca, Op.202
- Ste Espanola, Op.47: Cataluna
- Ste Espanola, Op.47: Granada
- Ste Espanola, Op.47: Sevilla
- Ste Espanola, Op.47: Cadiz
- Cantos De Espana, Op.232 No.4: Cordoba
Tracks:
- Mazurka in G
- Etude in A
- Marieta
- Capricho Arabe
- Prld in a
- Recuerdos De La Alhambra
- Serenata
- Tango Espagnol
- Guajira
- Popular Catalan Songs: The Night Of Christmas
- Popular Catalan Songs: The Nightingale
- Popular Catalan Songs: The Master
- Popular Catalan Songs: The Girl At The Spinning Wheel
- Popular Catalan Songs: Amelia's Will
- Popular Catalan Songs: The Thief's Song
- Popular Catalan Songs: Lament
- Popular Catalan Songs: The Son Of The Virgin
- Popular Catalan Songs: Riera's Heir
- Fandanguillo, Op.36
- Sevillana, Op.29
- Homenaje A Tarrega, Op.69: Soleares
- Homenaje A Tarrega, Op.69: Garrotin
Tracks:
- Fant XIV
- Fant XXII
- La Cancion Del Emperador
- Conde Claros
- Fant X
- Prld And Allegro
- Gtr Qnt in D, G.448: Fandango
- Grand Solo, Op.14: Fernando Sor
- Rondo in a, Op.2 No.3
Customer Reviews:
Too beautiful for words.......2004-05-25
If Julian Bream's recordings were letters, his would all be hand written rather than typed.
Guitar History.......2004-02-15
Julian Bream not only plays the guitar, and the lute
(although purists and I suspect Bream himself would say rather unconventionally), but most of all, Bream plays MUSIC. This is very, very important. There are many fine guitarists around today, but I doubt any could match Bream's sheer musicality when these recordings were made.
This 28 CD box set is a lesson in music making, regardless of what instrument is being played. The recordings are the complete RCA Bream catalogue from 1959 to 1989. If you can find the complete box set or even any of the individual volumes, I suggest you make the purchase. (Shame on RCA and BMG for not keeping this box set and "all" the individual volumes in print.)
Some of the higlights of Breams remarkable talent are his
interpretations of Britten's "Nocturnal", Walton's "Five Bagatelles", the instrumental and vocal works (with tenor Peter Pears) of Dowland, the "first" complete guitar works of Villa-Lobos, a thorough history of the guitar in Spain from the Renaissance to the Present on period instruments, plus all the works that have become classical guitar standards by Bach, Sor, Giuliani, Albeniz, Rodrigo, plus the "new" standards by Brouwer, Arnold, Berkeley, Britten, Walton, etc.
Music making of this caliber is rare indeed. Buy it if you can find it. Good Luck !
Best deal there is!.......2002-05-06
If you can find this set buy it fast. There are not to many of these left out there. This has it all. Plus Julian Bream is the greatest guitarist of all time.
Most excellent.......2001-08-18
This a an wonderful collection of Julian Bream. He is the master of master . I always admire his talent as a genius of this centure.
Julian Bream, The Genius.......1999-01-09
Who don't want to have a wonderful classical guitar collection? Well, this pack consists in 28 CDs, more than 1.000 minutes of music, distribuited by different titles as Baroque Guitar, Spanish Guitar, etc. Some highlights are here, like Asturias, Fernando Sor variations on Mozart's Magic Flute, Paganini Grand Sonata, all Preludes and Etudes of Villa-Lobos, and, well, lots of really good things. Also, there are some cds Julian Bream plays Guitar with Orchestra, or with Harpsichords. Ah, he plays lute in some too. Unfortunately, there are 2 or 3 cds where a tenor sings and another which a woman says some poems, and those, in my opinion, are not very nice. So, it's a good collection, and if you can, buy it!!
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