Missa

Track Listings
 
1. Dona Nobis Pacem
2. Gloria
3. Kyrie
4. Mea Culpa
5. Salva Me
6. Communio
7. Lux
8. Amen

Editorial Reviews
Lloyd Barde, Backroads Music, June, 2002
I enjoyed Barquee's earlier "Temple"...but "Missa" seems to reach a place even deeper and more expansive.

Product Description
Great music of any genre draws you into an experience of your own depth, to an exultation of the Divine or both. This is especially true of sacred music of all religions and spiritual traditions.

Now, Thomas Barquee, an artist of uncommon sensitivity, has woven a profoundly moving tapestry of Indian, Middle Eastern and Western musical elements, with Latin choral overtones, onto the form of the Catholic Mass. Missa (mass in Latin) is an experience of world church. It transforms this holy structure into a serious and reverential modern musical journey.

As our world continues to shrink, assuming more of the characteristics of a global village, music that crosses the boundaries of different genres, blending elements of East and West, North and South, gains an ever greater audience. The expanding interest in spiritual matters - especially Eastern spirituality -- attracts a larger audience for music with a sacred or inspirational theme. Missa nourishes this need.

Missa combines Eastern and Western approaches to life and spirituality. Its lyrics are drawn from the Roman Catholic service, as well as ancient Sanskrit texts and inspired by the wisdom of Kahlil Gibran, Rumi, the Bhagavad Gita, the Holy Bible and other immortal words. The result showcases Thomas Barquee's great skill as both composer and vocalist.

A call for peace, Missa seeks to tear down barriers between us, allowing emotional commonalties to emerge. The work uses our religious diversity as a vehicle to express human unity, transcending the limitations of individual spiritual and musical traditions. It is this desire to express unity that is the hallmark of Barquee's work.

Missa follows Barquee's previous World-inspired album, Temple, released in 2000 on Hearts of Space Records. A more Eastern-influenced work, Temple was the precursor for the more elaborate canvas Barquee used to create Missa. Barquee, who sees himself as both a composer and vocalist, wanted Missa to be a fuller integration of vocals and music than Temple, a more explicit blending of sacred text with crossover composition.

Missa

Missa,Thomas Barquee,Spirit Voyage Music,This CD spans the borders between sacred chant music and world music excursions with a profoundly moving tapestry of Indian, Middle Eastern and Western musical elements.

Missa

Missa
Immortal Beloved / Sir Georg Solti (film 1994)
Average customer rating: 5 out of 5 stars
  • Below Average Beethoven Performances
  • Immortal beloved film
  • Living Perfection
  • A wonderful tribute to the artist
  • Very emotional and moving!!
 Immortal Beloved / Sir Georg Solti (film 1994)
Ludwig van Beethoven , Georg Solti , Renée Fleming , Yo-Yo Ma , Murray Perahia , Emanuel Ax , Pamela Frank , Thomas Frost , Gidon Kremer , Vinson Cole , London Symphony Orchestra , and London Voices
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002AQD
Release Date: 1994-12-06

Tracks:

  1. Symphony No. 5 In C Minor, Op.67: Napoleon Shells Vienna
  2. Fur Elise: Childhood Dreams
  3. Symphony No. 3 In E-flat Major, Op. 55: Ludwig And Julia At Schonbrunn Palace Gardens
  4. Piano Sonata No. 14 (Quasi Una Fantasia) In C-sharp Minor, Op. 27, No. 2 'Moonlight': Julia And Her Father Secretly Watch
  5. Symphony No. 6 In F Major, Op.68 'Pastoral': Ludwig And Caspar Fight
  6. Piano Trio No. 4 In D Major, Op. 70 No. 1 'Ghost': Ludwig Consols Anna Marie
  7. Violin Concerto In D Major, Op. 61: The Beethoven Brothers In Baden
  8. Piano Sonata No. 8 In C Minor, Op. 13 'Pathetique': A Concert For Lichnowsky
  9. Piano Concerto No. 5 In E-Flat Major, Op. 73 'Emperor': The Letter
  10. Missa Solemnis In D Major, Op.123: The Funeral
  11. Symphony No. 7 In A Major, Op. 92: Karl At The Ruins
  12. Violin Sonata In A Major, Op. 47 'Kreutzer': The Carriage Stuck In The Mud
  13. Symphony No. 9 In D Minor, Op. 125: The Night Of The Premiere

Customer Reviews:

2 out of 5 stars Below Average Beethoven Performances.......2007-03-10

It is unfortunate that they chose Solti's direction for the symphonic pieces in this soundtrack as he is simply one of the worst conductors for Beethoven. His direction is so slow one would think he is leading a funeral procession instead of music inspired by the French Revolution.

Of all old school directors such as Karajan, Toscanini, etc., Solti's performances are simply morbidly slow to the point of killing the grieving attendants with boredom. The cacophony of the oversized orchestra doesn't help either. Solti's interpretations are even too slow for a requiem. You think a regular interpretation of the 7th's second movement is slow? Wait 'til you hear this one; you're going to need a massage you'll be so stiff. The 9th symphony march is supposed to be a brisk revolutionary march calling the citizens to arms and to join the militia marching through a town. With Solti you imagine only a funeral procession coming through the town. In the Fifth the whole orchestra is almost struggling to slow down to match the strings. Karajan's interpretations are not particularly fast either but at least he breathes some life into them and the orchestra. I personally like Toscanini in terms of the old 20th century symphonic conductors and Gardiner's traditional interpretations that are at least at a correct speed and give the listener the impression they are marching off as part of a revolutionary batallion to bring liberty to the oppressed instead of being rolled to the morgue. Beethoven was a revolutionary anti-monarchist and strongly supported the idea of political change. Although Periah is a great pianist for Beethoven's concertos, there are simply better performances by him that fortunately aren't conducted by Solti such as on Sony with Bernard Haitink and the Royal Concertgebouw Orchestra. The same goes for the performances with Axe and Yo-Yo Ma. Gidon Kramer's performance for the Violin Concerto in D is also mediocre at best: there are better violinists out there than Kremer for Beethoven.

This is just not the best CD to get quality performances of Beethoven's works. Overall, Solti's interpretations are simply too sluggish and indecipherable to represent the ideals of Beethoven's music. Solti would definitely be my last choice for anything. You won't lose anything by not buying this soundtrack that's for sure: Solti's interpretations are so slow they will simply fossilize you.

5 out of 5 stars Immortal beloved film.......2007-02-06

having watched a recording of Immortal beloved for a number of years the tape was past its best. now that i have the chance of ordering on line i did , and a good move it was. It was nice to see the film and things so clear, i had not see before, the writing on the love letter at the begining and tears that was shed. Iam very pleased with the dvd.

5 out of 5 stars Living Perfection.......2007-01-14

This is one of the most perfect CDs I own, it's one I come back to time and time again. The recording quality is excellent - even on the cassette, which I've finally replaced after 12 years - but even better, the musical interpretation is splendid. Anyone who thinks that classical music is no longer relevant in our culture needs to buy this CD.

5 out of 5 stars A wonderful tribute to the artist.......2005-05-25

This CD is perfect in my opinion. The recording is perfect, the pitch is perfect, the tempo is perfect, and the track selections are perfect. I think the album samples Beethoven's most remarkable pieces of work from his early years to his death. I have heard many recordings of the Ninth symphony that was just executed poorly; which is a shame because it is such a powerful piece. However, this album does it superbly. Sir Georg Solti and Murray Perahia did an amazing job with this album.

The album just flows really well from one piece to the next evoking a vast array of emotions along the way. Beethoven is timeless and forever will be. There is no comparison even to this day. This a wonderful tribute to the artist.

5 out of 5 stars Very emotional and moving!!.......2005-05-23

I am a big fan of classical music. Beethoven, in my opinion, was one of the best composers, Mozart 1st, Beethoven 2nd, etc. This album is very moving and filled with emotion. I am currently listening to Adagio Cantabile-from Piano Sonata No. 8-from the film album. This piece is so moving and emotional. Another piece was Moonlight Sonata which I especially liked. Beethoven loads this piece with love and emotion for his one true love. In my opinion, Beethoven was the best at writing emotional and moving music. Whenever I listen to his music, I am immersed in a world of emotion and feeling. His music is truly beautiful. Back to the album, Sir Georg Solti really captured Beethoven's genius and devotion to his music in this album. This album really accents the film. You cannot have one, you must have both the film and the soundtrack. This is a must have for classical music/Beethoven fanatics and people who want to get a great summary of Beethoven's genius. BUY THIS!!!!
Little Night Music - Ultimate Mozart Collection [20 CD Set]
Average customer rating: 4.5 out of 5 stars
  • A Wonderful Collection
  • Celebrate Mozart's 250th at a Budget Price
 Little Night Music - Ultimate Mozart Collection [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B00012QLTG
Release Date: 2003-12-09

Tracks:

  1. Eine Kleine Nachtmusik, K.525: Allegro - Herbert Kraus, Vienna Mozart Ensemble
  2. Eine Kleine Nachtmusik, K.525: Romance. Andante - Herbert Kraus, Vienna Mozart Ensemble
  3. Eine Kleine Nachtmusik, K.525: Menuetto. Allegretto - Herbert Kraus, Vienna Mozart Ensemble
  4. Eine Kleine Nachtmusik, K.525: Rondo. Allegro - Herbert Kraus, Vienna Mozart Ensemble
  5. Divertimento in D, K.136: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
  6. Divertimento in D, K.136: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
  7. Divertimento in D, K.136: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  8. Divertimento in B Flat, K.137: Allegro Di Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  9. Divertimento in B Flat, K.137: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
  10. Divertimento in B Flat, K.137: Allegro Assai - Camerata Academica of the Salzburg Mozarteum, Sandor V
  11. Divertimento in F, K.138: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
  12. Divertimento in F, K.138: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
  13. Divertimento in F, K.138: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  14. Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
  15. Divertimento in E Flat, K.113: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
  16. Divertimento in E Flat, K.113: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  17. Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

  1. Serenata Notturna in D, K.239: Marcia. Maestoso - The Berlin Chamber Orchestra, Peter Wohlert
  2. Serenata Notturna in D, K.239: Menuetto - The Berlin Chamber Orchestra, Peter Wohlert
  3. Serenata Notturna in D, K.239: Rondeau. Allegretto - The Berlin Chamber Orchestra, Peter Wohlert
  4. Divertimento in D, K.131: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
  5. Divertimento in D, K.131: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
  6. Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  7. Divertimento in D, K.131: Allegretto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  8. Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  9. Divertimento in D, K.131: Adagio- Allegro Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  10. Divertimento in D, K.205: Largo-Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
  11. Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  12. Divertimento in D, K.205: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
  13. Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
  14. Divertimento in D, K.205: Finale. Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

  1. Symphony No. 34 in C, K.388: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  2. Symphony No. 34 in C, K.388: Andante Di Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  3. Symphony No. 34 in C, K.388: Finale. Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  4. Symphony No. 35 in D, K.285, Haffner: Allegro Con Spirito - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  5. Symphony No. 35 in D, K.285, Haffner: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  6. Symphony No. 35 in D, K.285, Haffner: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  7. Symphony No. 35 in D, K.285, Haffner: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  8. Symphony No. 36 in C, K.425, Linz: Adagio/Allegro Spiritoso - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  9. Symphony No. 36 in C, K.425, Linz: Poco Adagio - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  10. Symphony No. 36 in C, K.425, Linz: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  11. Symphony No. 36 in C, K.425, Linz: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

  1. Symphony No. 38 in D, K.504, Prague: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  2. Symphony No. 38 in D, K.504, Prague: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  3. Symphony No. 38 in D, K.504, Prague: Finale. Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  4. Symphony No. 39 in E Flat, K.543: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  5. Symphony No. 39 in E Flat, K.543: Andante Con Moto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  6. Symphony No. 39 in E Flat, K.543: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  7. Symphony No. 39 in E Flat, K.543: Finale. Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

  1. Symphony No. 40 in G Minor, K.550: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  2. Symphony No. 40 in G Minor, K.550: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  3. Symphony No. 40 in G Minor, K.550: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  4. Symphony No. 40 in G Minor, K.550: Allegro Assai - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  5. Symphony No. 41 in C, K.551, Jupiter: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  6. Symphony No. 41 in C, K.551, Jupiter: Andante Cantabile - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  7. Symphony No. 41 in C, K.551, Jupiter: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  8. Symphony No. 41 in C, K.551, Jupiter: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

  1. Symphony No. 9 in C, K. 73 (75a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  2. Symphony No. 9 in C, K. 73 (75a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  3. Symphony No. 9 in C, K. 73 (75a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  4. Symphony No. 9 in C, K. 73 (75a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  5. Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  6. Symphony No. 10 in G, K.74: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  7. Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  8. Symphony No. 10 in D, K. 81 (73l): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  9. Symphony No. 10 in D, K. 81 (73l): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  10. Symphony No. 10 in D, K. 81 (73l): Allegreo Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  11. Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  12. Symphony No. 11 in D, K. 84 (73g): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  13. Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  14. Symphony in D, K. 95 (73a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  15. Symphony in D, K. 95 (73a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  16. Symphony in D, K. 95 (73a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  17. Symphony in D, K. 95 (73a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  18. Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  19. Symphony in F, K.75: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  20. Symphony in F, K.75: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  21. Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

  1. Piano Concerto No. 12 in A, K.414: Allegro - Capella Coloniensis, Marian Migdal
  2. Piano Concerto No. 12 in A, K.414: Andante - Capella Coloniensis, Marian Migdal
  3. Piano Concerto No. 12 in A, K.414: Allegretto - Capella Coloniensis, Marian Migdal
  4. Piano Concerto No. 25 in C, K.503: Allegro Maestoso - Capella Coloniensis, Marian Migdal
  5. Piano Concerto No. 25 in C, K.503: Andante - Capella Coloniensis, Marian Migdal
  6. Piano Concerto No. 25 in C, K.503: Allegretto - Capella Coloniensis, Marian Migdal

Tracks:

  1. Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
  2. Piano Concerto No. 13 in C, K.415: Andante - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
  3. Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
  4. Piano Concerto No. 23 in A, K.488: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
  5. Piano Concerto No. 23 in A, K.488: Adagio - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
  6. Piano Concerto No. 23 in A, K.488: Allegro Assai - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson

Tracks:

  1. Flute Concerto in G Major, K.313: Allegro Maestoso - Hungarian State Orchestra, , Ervin Lukacs
  2. Flute Concerto in G Major, K.313: Adagio Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
  3. Flute Concerto in G Major, K.313: Rondo: Tempo Di Minuetto - Hungarian State Orchestra, , Ervin Lukacs
  4. Flute Concerto in D Major, K.314: Allegro Aperto - Hungarian State Orchestra, , Ervin Lukacs
  5. Flute Concerto in D Major, K.314: Andante Ma Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
  6. Flute Concerto in D Major, K.314: Rondo. Allegro - Hungarian State Orchestra, , Ervin Lukacs
  7. Concerto for Flute and Harp in C, K.299: Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff
  8. Concerto for Flute and Harp in C, K.299: Andantino - Cologne Concerto, Saskia Kwast, Martin Sandhoff
  9. Concerto for Flute and Harp in C, K.299: Rondo. Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff

Tracks:

  1. Clarinet Concerto in A, K.622: Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
  2. Clarinet Concerto in A, K.622: Adagio - English Chamber Orchestra, David Glasser, Geoffrey Simon
  3. Clarinet Concerto in A, K.622: Rondo. Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
  4. Oboe Concerto in C, K.314: Allegro Aperto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
  5. Oboe Concerto in C, K.314: Adagio Non Troppo - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
  6. Oboe Concerto in C, K.314: Rondo, Allegretto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
  7. Bassoon Concerto in B Flat, K.191: Allegro - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
  8. Bassoon Concerto in B Flat, K.191: Andante Ma Adagio - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
  9. Bassoon Concerto in B Flat, K.191: Rondeau, Tempo Di Minuetto - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble

Tracks:

  1. String Quartet in a Major K.464: Allegro - Petersen Quartett
  2. String Quartet in a Major K.464: Menuetto - Petersen Quartett
  3. String Quartet in a Major K.464: Andante - Petersen Quartett
  4. String Quartet in a Major K.464: Allegro - Petersen Quartett
  5. String Quartet in C Major K.465 Dissonant: Adagio, Allegro - Petersen Quartett
  6. String Quartet in C Major K.465 Dissonant: Andante Cantabile - Petersen Quartett
  7. String Quartet in C Major K.465 Dissonant: Menuetto. Allegro - Petersen Quartett
  8. String Quartet in C Major K.465 Dissonant: Allegro - Petersen Quartett

Tracks:

  1. Vioin Concerto No. 3 in G, K.216: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  2. Vioin Concerto No. 3 in G, K.216: Adagio - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  3. Vioin Concerto No. 3 in G, K.216: Rondo. Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  4. Vioin Concerto No. 4 in D, K.218: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  5. Vioin Concerto No. 4 in D, K.218: Andante Cantabile - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  6. Vioin Concerto No. 4 in D, K.218: Rondeau. Andante Grazioso - Christian Altenburger, German Bach Soloists, Helmut Winschermann
  7. Fantasy in F Minor, K.608 - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

  1. Violin Concerto No. 5 in A, K.219: Allegro Aperto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
  2. Violin Concerto No. 5 in A, K.219: Adagio - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
  3. Violin Concerto No. 5 in A, K.219: Rondeau, Tempo Di Minuetto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
  4. Sinfonia Concertante in E Flat for Violin and Viola, K.364: ... - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
  5. Sinfonia Concertante in E Flat for Violin and Viola, K.364: Andante - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
  6. Sinfonia Concertante in E Flat for Violin and Viola, K.364: Presto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann

Tracks:

  1. Requiem, K.626: Requiem - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  2. Requiem, K.626: Dies Irae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  3. Requiem, K.626: Tuba Mirum - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  4. Requiem, K.626: Rex Tremendae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  5. Requiem, K.626: Recordare - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  6. Requiem, K.626: Confutatis - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  7. Requiem, K.626: Lacrimosa - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  8. Requiem, K.626: Domine Jesu - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  9. Requiem, K.626: Hostias - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  10. Requiem, K.626: Sanctus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  11. Requiem, K.626: Benedictus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  12. Requiem, K.626: Agnus Dei - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  13. Requiem, K.626: Lux Aeterna - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
  14. Laudate Dominum - Budapest Philharmonic Orchestra, Ivan Fischer, Jeunesses Musicales Chorus, Maria Zadori

Tracks:

  1. Missa Solembis in C Minor, K.139: Kyrie - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  2. Missa Solembis in C Minor, K.139: Gloria - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  3. Missa Solembis in C Minor, K.139: Credo - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  4. Missa Solembis in C Minor, K.139: Sanctus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  5. Missa Solembis in C Minor, K.139: Benedictus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  6. Missa Solembis in C Minor, K.139: Agnus Dei - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  7. Misericordias Domini, K.222 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  8. Inter Natos Mulierum, K.72 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  9. Sancta Maria, Mater Dei, K.273 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
  10. Venite Populi, K.260 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach

Tracks:

  1. Ave Verum Corpus [From Lorenzo's Oil] - Berlin Radio Symphony Orchestra, Marcus Creed, Rias Chamber Chorus
  2. Exsultate, Jubilate, K.165 - Gabrielle Fuchs
  3. Church Sonata in C, K.328 - Robert Kuppelwieser
  4. Laudate Dominum - Camerata Academica of the Salzburg Mozarteum, Gabrielle Fuchs, Ernst Hinreiner
  5. Fantasy in F Minor, K.608
  6. Ah, Lo Previdi...Ah, T'Invola Agl'occhi Miei, K.272 - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass

Tracks:

  1. Magic Flute, K.620 - Staatskapelle Dresden, Hans Vonk
  2. Marriage of Figaro, K.492 - Staatskapelle Dresden, Hans Vonk
  3. Ascanio in Alba, K.111 - Staatskapelle Dresden, Hans Vonk
  4. Idomeneo, K.366 - Staatskapelle Dresden, Hans Vonk
  5. Impresario, K.486 - Staatskapelle Dresden, Hans Vonk
  6. Cosi Fan Tutte, K.588 - Staatskapelle Dresden, Hans Vonk
  7. Abduction from the Seraglio, K.384 - Staatskapelle Dresden, Hans Vonk
  8. Finta Giardiniera, K.196 - Staatskapelle Dresden, Hans Vonk
  9. Lucio Silla, K.135 - Staatskapelle Dresden, Hans Vonk
  10. Clemenza Di Tito, K.621 - Staatskapelle Dresden, Hans Vonk
  11. Don Giovanni, K.527 - Staatskapelle Dresden, Hans Vonk

Tracks:

  1. Five Minuets, K.461: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  2. Five Minuets, K.461: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  3. Five Minuets, K.461: No. 3 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  4. Five Minuets, K.461: No. 4 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  5. Five Minuets, K.461: No. 5 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  6. Six Contredances, K.462: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  7. Six Contredances, K.462: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  8. Six Contredances, K.462: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  9. Six Contredances, K.462: No. 4 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  10. Six Contredances, K.462: No. 5 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  11. Six Contredances, K.462: No. 6 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  12. Two Quadriles, K.463: No. 1 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  13. Two Quadriles, K.463: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  14. Six German Dances, K.509 - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  15. Contredanse, K.534, Das Donnerwetter - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  16. Contredanse, K.535 la Bataille - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  17. Contredanse, K.587 Der Sieg Vom Helden Koburg - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  18. Six German Dances, K.600: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  19. Six German Dances, K.600: No. 2 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  20. Six German Dances, K.600: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  21. Six German Dances, K.600: No. 4 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  22. Six German Dances, K.600: No. 5 in G, The Canary - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  23. Six German Dances, K.600: No. 6 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  24. Two Contredanses, K.603: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  25. Two Contredanses, K.603: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  26. Three German Dances, K.605: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  27. Three German Dances, K.605: No. 2 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
  28. Three German Dances, K.605: No. 3 in C, The Sleighride - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

  1. Magic Flute, K.620 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
  2. Magic Flute, K.620 Highlights: Der Vogelfer Bin Ich Ja, ... - Bratislava Philharmonic, Hermann Prey
  3. Magic Flute, K.620 Highlights: O Isis and Osiris, The Priest's Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
  4. Magic Flute, K.620 Highlights: Der H Rache, Queen of the ... - Berlin Radio Symphony Orchestra, Sumi Jo, Roberto Paternostro
  5. Magic Flute, K.620 Highlights: Ies Bildnis Ist Bezaubernd Sch... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
  6. Magic Flute, K.620 Highlights: Ein Mhen Oder Weibchen, ... - Bratislava Philharmonic, Hermann Prey,
  7. Magic Flute, K.620 Highlights: Heil Sei Euch Geweihten, Final Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
  8. Idomeneo, K.366 Highlights: Vedrommi Intorno, Idomeneo's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
  9. Idomeneo, K.366 Highlights: Ballet Music - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
  10. Idomeneo, K.366 Highlights: Il Padre Adorato, Idamente's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
  11. Idomeneo, K.366 Highlights: d'Oreste, d'Ajace, Electra's Aria - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass
  12. Idomeneo, K.366 Highlights: Torna la Pace, Idomenco's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka

Tracks:

  1. Don Giovanni, K.527 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
  2. Don Giovanni, K.527 Highlights: Madamina, Il Catalogo Questo, ... - Renato Bruson, NHK Chamber Soloists, Roberto Paternostro
  3. Don Giovanni, K.527 Highlights: Li Darem la Mano, Duet ... - Renato Bruson, Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
  4. Don Giovanni, K.527 Highlights: Dalla Sua Pace, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
  5. Don Giovanni, K.527 Highlights: Mi Traduell'alma Ingrata, ... - Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
  6. Don Giovanni, K.527 Highlights: Il Mio Tesoro, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
  7. Abduction from the Seraglio, K.384: Ich Baue Ganz Auf Deine ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
  8. Abduction from the Seraglio, K.384: Singt Dem Gron Bassa Lieder, ... - Berlin Radio Symphony Orchestra, Rias Chamber Chorus, Hanns Martin Schneidt
  9. Abduction from the Seraglio, K.384: Wenn Der Freude Trn ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
  10. Cosan Tutte, K. 588: Come Scoglio, Fiordiligi's Aria - Bulgarian Radio Symphony Orchestra, Vassil Stefanov, Anna Tomowa Sintow
  11. Cosan Tutte, K. 588: Un'aura Amorosa, Ferrando's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
  12. Clemenza Di Tito, K.621: Ah Se Fosse Intorno Al Trono, Tito's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini

Album Description

Enjoy a little night music with Mozart and this ultimate collection of his music. This incredible 20-CD set presents the listener with all of Mozart's most famous works, from Symphonies and Concertos, to highlights of his best operas The Magic Flute and Don Giovanni. Take in his Missa Solemnis, Ave Verum and Requiem and don't forget Eine Kleine Nachtmusik...this set truly is the most definitive Mozart collection ever assembled!

Customer Reviews:

5 out of 5 stars A Wonderful Collection.......2007-04-11

As a selection, this is highly representative of Mozart's music. Just seeing the volume of work makes one marvel at Mozart's genius. Hear everything from piano to woodwinds, symphonies to concertos as well as religious pieces and operas. On my cd player, which is not a very expensive model, I get fine tonal quality and dynamics. I would highly recommend this box set to any fan of Mozart's work.

4 out of 5 stars Celebrate Mozart's 250th at a Budget Price.......2006-01-11

This month will mark the 250th anniversary of the birth of one of the giants of the classical music world. While I am certainly not a classical music snob (the only Mozart piece I can identify is "Eine Kleine Nachtmusik," and what little I know of his life came from the 1984 movie "Amadeus"), I recognize his genius and the significance of his music.

This 20-CD box set gathers all of his major symphonies, concertos and operas into one massive collection. All of the selections are performed by European musicians (eg. the Budapest Philharmonic Orchestra, the Berliner Kammerorchester, etc.). While not household names, the music is uniformly excellent.

If you're looking for an inexpensive purchase (I got mine at a national retailer that rhymes with "Clam's Tub" for under $20!) to kick off your "Rock Me Amadeus" party, this is a great choice. RECOMMENDED
The Story Of Haydn
Average customer rating: Not rated
    		The Story Of Haydn

    Manufacturer: Vox (Classical)
    ProductGroup: Music
    Binding: Audio CD

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    TrumpetTrumpet | Brass | Instruments | Classical | Styles | Music
    BarytonBaryton | Strings | Instruments | Classical | Styles | Music
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    ViolinViolin | Strings | Instruments | Classical | Styles | Music
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    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    Classical (c.1770-1830)Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances
    GermanGerman | Languages | Opera & Vocal | Styles | Music
    OratoriosOratorios | Opera & Vocal | Styles | Music
    MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
    OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
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    Similar Items:
    1. The Story of Beethoven
    2. The Story Of Handel
    3. The Story of Mozart
    4. The Story of Bach
    5. The Story of Schubert

    ASIN: B000001KD1
    Release Date: 1995-04-16

    Tracks:

    1. Symphony No. 104 In D Major 'London': Menuetto - Allegro
    2. Harpsicord Concerto In D Major: Vivace
    3. Symphony No. 100 In G Major 'Miltary': Allegretto
    4. Mass No. 2 In E- Flat Major: Great Organ Mass
    5. Symphony No. 82 In C Major 'The Bear': Vivace assai
    6. Keyboard Sonata No. 48 In C Major: Allegro con brio
    7. Symphony No. 45 In F-Sharp Minor 'Farewell': Allegro assai
    8. Violin Concerto No. 1 In C Major: Allegro moderato
    9. Allegro con spirito
    10. Symphony No. 96 In D Major 'Miracle': Allegro
    11. Symphony No. 96 In D Major 'Miracle': Andante
    12. Baryton Divertimento No. 107 In D Major: Minuet and Trio
    13. Music Clock
    14. Trumpet Concerto In E-Flat Major: Adagio
    15. Symphony No. 45 In F-Sharp Minor 'Farewell': Adagio
    16. Symphony No. 82 In C Major 'The Bear': Vivace
    17. Symphony No.11 In G Major 'Miltary': Excerpts
    18. Philemon And Baucis: Tenor Aria 'Nemo'
    19. Symphony No. 104 In D Major 'London': Allegro spiritoso
    20. Horn Concerto No. 2 In D Major: Allegro
    21. Symphony No. 101 In D Major 'Clock': Presto; Menuetto (Allegretto)
    22. Symphony No. 94 In G Major 'Surprise': Andante
    23. Symphony No. 96 In D Major 'Miracle': Vivace assai
    24. Symphony No. 101 In D Major 'Clock': Andante
    25. Symphony No. 104 In D Major 'London': Andante
    26. Mass in D-flat Major: Gloria
    27. String Quartet in C Major, Op. 76 No. 3 Emperor
    28. The Creation: Chrous: 'The Heavens are Telling'
    29. Austrian National Anthem
    30. Cello Concerto In D Major, Hob. VIIb, No. 2: Moderato
    31. Cello Concerto In D Major, Hob. VIIb, No. 2: Adagio
    32. Cello Concerto In D Major, Hob. VIIb, No. 2: Allegro molto
    Palestrina: Missa Papae Marcelli, Missa Aeterna
    Average customer rating: 5 out of 5 stars
    • Something familiar, something new
    • Palestrina's a giant in renaissance counterpoint
    • Outstanding - music of the spheres.
    • Palestrina's Masses...I love them all...
    • Not just a bargain disc...
    		 Palestrina: Missa Papae Marcelli, Missa Aeterna

    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

    Sacred & ReligiousSacred & Religious | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
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    5. The Greatest Choral Music of Palestrina: Prince of Music

    ASIN: B0000013U7
    Release Date: 1994-02-15

    Tracks:

    1. Kyrie
    2. Gloria
    3. Credo
    4. Sanctus
    5. Agnus Dei
    6. Kyrie
    7. Gloria
    8. Credo
    9. Sanctus
    10. Agnus Dei

    Amazon.com

    There's a wonderful legend, retold by (among others) Pfitzner's opera Palestrina, attached to the "Pope Marcellus" Mass: the Council of Trent, ground zero of the Counter Reformation, was about to ban all music but chant from the liturgy when Palestrina submitted this Mass, thereby changing the prelates' minds and saving church music. The writing is beautiful enough to deserve such a story: cheerful yet devout, comprehensible but not simplistic, without the complexity and secular borrowings (very prevalent in the preceding decades) that so perturbed the Council. The Missa Papae Marcelli has been recorded by choirs from Westminster Abbey to the Tallis Scholars, yet the Oxford Camerata does itself proud: Jeremy Summerly's reading of the music is reverently sweet, yet he's not afraid to make a joyful noise when appropriate--and the various voices are unusually clear. The equally radiant Missa Aeterna Christi Munera gets a similarly pleasing performance. Amidst serious competition, Summerly's readings of these Masses are among the best available--and, at Naxos's superbudget price, definitely the best value. --Matthew Westphal

    Customer Reviews:

    5 out of 5 stars Something familiar, something new.......2005-10-19

    --Palestrina--
    Giovanni Pierluigi de Palestrina is sometimes called the greatest composer of the Roman Catholic church. Born in 1525 near Rome, he spent the better part of his career in service to the church as a choir member, choir master, conductor, composer and school master. He was sought after by many churches, and sometimes his popularity and skill got him into trouble both with his clerical patrons and with fellow musicians. He was offered prestigious positions in Rome and Vienna which were ultimately withdrawn because Palestrina's salary and conditions requirements were too high. He had some influence on the Council of Trent's musical decisions for reform of the Catholic worship practices, and was involved intimately with revising the Gradual and produced a harmonised version of the Latin Hymnal in 1589. He died in 1594.

    --Masses--
    The first mass presented here is Missa Papae Marcelli. Written in the 1550s, it wasn't published until the next decade. Pope Marcellus was only pope for a few weeks, but managed to endear himself to composers and conductors by insisting upon clarity as the highest of virtues for choristers. There is a joy to this, as Palestrina is definitely in the mode of celebrating the life of Pope Marcellus. This is one of Palestrina's most recorded works.

    The second mass, Missa Aeterna Christi Munera is likewise a strong composition, although it is much less known than the first. Palestrina wrote over 100 masses in his lifetime (in addition to a wide range of other pieces), so it is not surprising that there might be some relatively overlooked. This particular mass has a more solemn tone to it, but still soars magnificently, and has no real flaws in composition.

    --Oxford Camerata and Jeremy Summerly--
    The performance of both of these pieces is superb. Perhaps the better performance belongs to the second mass; the Camerata has twelve singers, who double on the six-voice Missa Papae Marcelli, but are able to triple on the four-voice Missa Aeterna Christi Munera. They play with tempo and expression in new ways. The Oxford Camerata was formed in the early 1990s under the direction of Jeremy Summerly - this disc is their second recording. (Legend has it there was a cement mixer just outside the Dorchester Abbey, and that the recording engineers missed the first session for recording due to car trouble.)

    Summerly's direction and selection of material and interpretation is such that it bears watching in the future.

    5 out of 5 stars Palestrina's a giant in renaissance counterpoint.......2005-10-14

    Beautifully performed CD of 2 beautiful Masses written by G. Palestrina. Worth listening to and adding to album collection. Palestrina definitely is unsurpassed in Renaissance Counterpoint and is rightfully called the Prince of Music.

    5 out of 5 stars Outstanding - music of the spheres........2005-10-12

    I've sung much renaissance polyphony, especially Palestrina, and this is about as good as recording gets. The musicality of the entire album, the perfect blend of voices (as well as a the utterly exquisite quality of that of the second tenor) and the perfection of the composition are all factors which contribute to something nonetheless mysteriously holy and beautiful about this recording; maybe what the music was really meant to be.

    5 out of 5 stars Palestrina's Masses...I love them all..........2004-11-18

    I don't think is a good idea to compare composers
    from three different musical periods; because of
    their different mentalities, different cultures,
    and different resources at their disposal...The
    Missa Papae Marcelli is of interest because is
    one of the earliest works to challange the regulations
    in music of the Counter-Reformation; but yet in
    other aspects it stays very close to what was expected
    of Palestrina...Of special interest of the
    Missa Papae Marcelli is the Mass'Gloria....
    The Missa Aeterna...is a work that is based
    on a motet a procedure that at the time
    was a "BIG NO, NO" to the Counter-Reformation
    movement...As all of the Palestrina Masses these
    works are all full of beauty and serenity...
    Oxford Camerata does a wonderful job....

    5 out of 5 stars Not just a bargain disc..........2001-03-12

    This disc might actually make a good Palestrina sampler, of sorts - at least a good sampler of his masses. The Pope Marcellus Mass is probably his best known mass, and both this mass and the Missa Aeterna Christi Munera are models of elegance and serenity. The latter piece is not recorded very often, so you would be advised to pick up this disc, which contains both of these splendid pieces.

    Normally in a review like this I would give some contextual/historical information about the pieces, but Palestrina and his Missa Papae Marcelli probably need little of this. It is often pointed out that this mass was written partly as model for textual intelligibility in polyphonic music; it is, though, even more than that: it is a model for perfection in Renaissance form.

    I have three other recordings of the Marcellus Mass - two are by the Tallis scholars (one on the Palestrina 400 collection and the other on another separate recording) and one is by a German Baroque choir that I can't and won't take the time to remember (the recording isn't very good). Of the two T. Scholars recordings, the one on the 400 collection is preferable for its tempo, the other for the better acoustics of the recording venue. Both are fine recordings - typical Tallis Scholars. I haven't heard the Voices of Ascension or Westminster Choir recordings of this mass, but they are probably good.

    I would recommend this present recording over the T. Scholars ones, though, for different reasons. First, the acoustics are preferable - there's more resonance in this one. The most importance difference is not really in interpretation (both groups render the music as flowing smoothly and slowly) but in the choral sound. Summerly's choir simply sounds fuller. For all their precision, the Tallis Scholars recordings sound thin - their sound lacks body, compared to the Oxford Camerata, although the former does seem to carry with it, as I said, the singular advantage of linear precision. In any case, the Oxford group sounds less pinched and more full-voiced.

    This really is a splendid recording - I only bought it to get the Aeterna Christi Munera mass, but was more than pleasantly surprised by the quality of both masses. This disc provides much more than you have a right to expect for 6 dollars. Strongest recommendations...
    The Essential Tallis Scholars
    Average customer rating: 5 out of 5 stars
    • Great choral music CD
    • a voice teacher and early music fan
    • Lovely!!!
    • Beautiful, but a little cold
    • The Greatest Hits of a Pioneer Ensemble
    		 The Essential Tallis Scholars

    Manufacturer: Gimell UK
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00009NJ20
    Release Date: 2003-09-09

    Tracks:

    1. Miserere
    2. Ave Maria For Double Choir
    3. Sicut Lilium I
    4. Praeter Rerum Seriem
    5. Pater Peccavi
    6. Ego Flos Campi
    7. Tota Pulchra Es
    8. Descendi In Hortum Meum
    9. Alma Redemptoris Mater
    10. Salve Regina
    11. Ave Regina Caelorum
    12. Gloria

    Tracks:

    1. Media Vita
    2. In Manus Tuas
    3. O Nata Lux
    4. Audivi Vocem
    5. Exaudiat Te Dominus
    6. Ah, Robin
    7. Salve Regina
    8. Kyrie
    9. Gloria
    10. Credo
    11. Sanctus
    12. Agnus Dei

    Customer Reviews:

    5 out of 5 stars Great choral music CD.......2007-01-26

    This CD is excellent - a "must have" for every collection. Beautiful voices, relaxing music.

    5 out of 5 stars a voice teacher and early music fan.......2007-01-08

    The pieces on these two discs are taken from over fifteen years of recording by the Tallis Scholars, startng with the now-famous recording of Allegri's 'Miserere' from 1980. Allegri lived well into the Baroque era, dying in 1562, Therefore, he did not write the 'Miserere' in renaissance polyphony; and his chordal structure leaned toward the Baroque.
    Victoria's 8-part 'Ave Maria' and Palestrina's 'Sicut lilium' are both pieces iln a contemplative mood, the first making direct reference to the Virgin Mary, and the second indirect reference to her via the poetry of the 'Song of Songs'. The remaining selections on Disc l, maintain the consistent, intense sonority of Flemish polyphony.
    Disc 2 falls into two parts. The pieces by Sheppard, Tallis,White and Cornysh come from the first half of the sixteenth century and are part of the 'English School' of writing. Here the music is made up of long lines, more notes than syllables, with the emphasis on the part-writing and not the harmonic background.
    The second part of Disc 2 is Byrd's five-part Mass, which was written in the 1590's for a recusant Catholic community. Byrd's music has drawn closer to the Flemish style; that is imitative voice parts, largely syllabic in setting with the occasional examples of word-paintings, and the voice parts closer together. But the mood has a different intensity than the writing on Disc one; darker and more questioning. Never was polyphony more passionate than in Byrd's masses,of which the five-part is the crowning achievement.
    The members of the Tallis Scholars vary from year to year, and the list of participating singers is included in the accompanying booklet; but it does not tell you which singers are singing each year. That bothered me somewhat because I like to know to whom I am listening specifically. It does mention, however, that the solo group in Allegi's 'Miserere' is Alison Stamp (treble), Michael Chance (countertenor) Jane Armstrong and Julian Walker.
    The recording is outstanding in every way. Perfect balance between the voices, perfect emotional investment, flawless dicton and the most beautiful vocal sounds you will ever hear; just Two and One-half hours of pure pleasure!!!!!

    4 out of 5 stars Lovely!!!.......2006-06-02

    This set of CDs is truly wonderful. I am fond of sacred choral music and purchased the CD mostly to obtain the recording of Gregorio Allegri's "Miserere Mei." This song alone is worth buying the set. I heard it live by an excellent college choir in my hometown and immediately set out to find the best recording of it. Most buyers recommended this recording over the others. (By the way "Miserere Mei: by Gregorio is hard to find.) Additionally the other songs are also so relaxing, flowing, and meditative. I will be honest . . .the Tallis Scholars sing well but not as flawlessly as the Cambridge Singers. You will note that not every consanant is hit in unison, but this is not overly disturbing. (Still that is the only reason for giving four stars instead of five.) The sound is still lovely and the songs gorgeous. In Media Vita is another gorgeous song (first on second CD). If you haven't heard it, I'm sure you'll love the flowing melody!

    5 out of 5 stars Beautiful, but a little cold.......2006-02-06

    The Tallis Scholars are the zenith of this type of singing, but sometimes they lack the vocal warmth that they probably could achieve if they were guided to do so. Still, this is a great CD, and even better for the 2 CDs of fine and uplifting singing.

    5 out of 5 stars The Greatest Hits of a Pioneer Ensemble.......2005-09-27

    For years, Tallis Scholars have been quietly revolutionizing our recovery of sacred music. This is their "greatest hits" collection and quite great indeed. The Miserere which begins the set is alone worth the price of the set. The only fault with it is that it is so startling, so obviously genuine, that you will still be hearing it as you play through the rest of the set. The Scholars' ongoing recovery project only proves how integral music is to the human psyche, how essential the sacred is to basic human sanity. And how the severence of the two in the public space and the popular imagination -- the sacred from music -- has severely damaged us all en masse.
    The Story of Schubert
    Average customer rating: 5 out of 5 stars
    • inspired performance !!!
    		 The Story of Schubert

    Manufacturer: Vox (Classical)
    ProductGroup: Music
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    ASIN: B000001KCT
    Release Date: 1994-02-28

    Tracks:

    1. Rosamunde, D. 797: Overture
    2. Mozart: String Quartet In B-Flat Major, K. 172
    3. Marche Militaire, D. 733, No. 1
    4. Hark, Hark, The Lark!, D. 889
    5. Mass No. 5 In A-Flat Major, D. 678: Credo
    6. Symphony No. 5 In B-Flat Major, D. 485: Allegro
    7. Symphony No. 4 In C Minor, D. 417 'Tragic': Finale: Allegro
    8. Moment Musicaux No. 3 In F Minor, D. 780
    9. Piano Sonata In A Minor, D. 845: Moderato
    10. The Erl King, D. 328
    11. Symphony No. 2 In B-Flat Major, D. 125: Allegro
    12. Symphony No. 6 In C Major, D. 589 'Little': Andante
    13. Symphony No. 6 In C Major, D. 589 'Little': Scherzo
    14. To Music, D. 547
    15. The Trout, D. 550
    16. Piano Quintet In A Major, D. 667 'Trout': Theme And Variations
    17. Octet In F Major, D. 803: Finale
    18. Impromptu In B-Flat Major, D. 935 No. 3
    19. String Quintet In C Major, D. 956: Allegro ma non troppo
    20. Wanderer Fantasy In C Major, D. 760
    21. Symphony No. 8 In B Minor, D. 759 'Unfinished': Allegro moderato
    22. Symphony No. 9 In C Major, D. 944 'Great': Andante-Allegro ma non troppo
    23. Mass No. 6 IN E-Flat Major, D. 950: Gloria
    24. String Quartet No. 14 In D Minor, D. 810 'Death And The Maiden': Andante con moto
    25. Symphony No. 8 In B Minor, D. 759 'Unfinished': Andante
    26. Ave Maria, D. 839
    27. Symphony No. 5 In B-Flat Major, D. 485 (Complete): Allegro
    28. Symphony No. 5 In B-Flat Major, D. 485 (Complete): Andante con moto
    29. Symphony No. 5 In B-Flat Major, D. 485 (Complete): Menuetto: Allegro molto
    30. Symphony No. 5 In B-Flat Major, D. 485 (Complete): Allegro vivace

    Customer Reviews:

    5 out of 5 stars inspired performance !!!.......2001-09-02

    this collection deserves more than 5 stars.peter maag and the philharmonica hungarica are in top form.this is the best ever of schubert's fifth and eigth i have ever listened to.it is not karl bohm or leonard bernstein or george szell or lorin maazel.
    truly the hungarians inspired by maag easily beat all the other top orchestras.
    the orchestral texture is transparent with a perfect balance among the string sections ,the woodwind and the brass sections.peter maag obviously loves this music and brings out the heavenly beauty ,the pathos and the monumental dramatic quality of these works.
    just listen to schubert's fifth second movement which ends with a heart rending cello phrase.
    it is a shame that the well established record companies have not thought it fit to record more of peter maag.in my opinion he is one of the greatest ever conductors.
    i will not exchange these performances for any other!
    Renaissance: Music for Inner Peace
    Average customer rating: 4.5 out of 5 stars
    • Ethereal Album
    • Great Music, Fine Performances
    • Music for Inner Peace Indeed!
    • Too much choral can tire, but it's still good.
    • Very relaxing!
    		 Renaissance: Music for Inner Peace
    The Sixteen
    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00076SJE6
    Release Date: 2005-04-12

    Tracks:

    1. Miserere
    2. Agnus Dei Opus 11
    3. Crucifixus (8-Part)
    4. The Lamb
    5. Christe adoramus te
    6. Kyrie
    7. If Ye Love Me
    8. Totus Tuus, Op.60
    9. Locus Iste
    10. When David heard - (Anthem)
    11. Iustorum animae, 5vv
    12. Salvator mundi (Cantiones sacrae 1575)
    13. Agnus Dei
    14. Ave Maria - (4vv)
    15. Salve Regina
    16. Libera nos, salva nos 1 - antiphon:7vv

    Amazon.com

    This new release is somewhat mistitled: while most of the pieces are, in fact, from the Renaissance (or early Baroque), there are works here also by Samuel Barber, Poulenc, John Tavener, Bruckne,r and Gorecki. What they all have in common is their beauty and serenity. Perhaps the CDs subtitle, "Music for Inner Peace," also refers to a type of renaissance, i.e., spiritual re-birth: in which case, they're right on the money. The Sixteen, led by Harry Christophers, is one of the greatest proponents of this sort of choral music in the world, and they don't disappoint here: The Allegri "Miserere," with its wickedly beautiful ascent to high C by soprano soloist, is ravishing; Barber's own arrangement of his "Adagio for strings" for chorus (1967) is polyphony at its most "renaissance" without actually being so, and Gorecki's "Totos Tuus" is otherworldly in it mysticism. The selections by Byrd, Tomkins, et al., are, like the others, impeccably performed. Even an early piece by contemporary composer John Tavener, normally the master of excruciatingly pretentiousness, is lovely. This recording is a gem. --Robert Levine

    Customer Reviews:

    5 out of 5 stars Ethereal Album.......2005-11-09

    I heard this album played on my local PBS station one morning and was in immediate love. It's worth every cent you'll pay for it.

    5 out of 5 stars Great Music, Fine Performances.......2005-11-02

    First off, the title of this album is misleading. Only one of the tracks stems from the high Renaisance. The rest span from the Reformation period to contemporary. All of them are liturgical, all of a certain calm and meditative style--which could be inferred from the subtitle: "Music for Inner Peace."

    But those are quibbles. The voices are excellent. The direction impeccable. The recording technique outstanding. And the program--given its self-immposed limitations of peaceful liturgical pieces--is very good. It was a stroke of programming genius to put the "miserere" of Gregorio Allegri (1582-1652) back to back with the "agnus dei" of Samuel Barber (1910-1981). The untrained ear might think the two pieces contemporary, even from the same composer, but for one trained in this genre of music, the differences of nuance are delightful and exhilirating.

    I tend to prefer complete works, and listening through this album I sometimes wished for some livelier moments, but those quibbles aside, I am happy to assign a full five stars to this excellent recording. One of the advantages of a potpourri album such as this is that one gets to hear works from composers who might otherwise escape notice.

    5 out of 5 stars Music for Inner Peace Indeed!.......2005-08-29

    Though there is somewhat of a sameness to the mood of this beautifully performed and recorded album of choral works that span centuries, that uniformity of message is the creative force for this survey of music by various and varied composers. The works were selected to provide a parcel of time away from the noise outside the spirit, a place for meditation and solace so desperately needed today.

    Harry Christophers conducts the inordinately talented Sixteen singers with support where indicated from early instruments ensemble, The Symphony of Harmony And Invention, in an organic, crystalline, seamless range of songs from the Renaissance to the present. Works include Monteverdi, Tallis, Byrd, Palestrina, Allegri and travel through time to Bruckner, Poulenc, Taverner, Gorecki, and Barber. Each work is lovingly rendered in perfect intonation and control, setting aside the 'individual' for the sonorous, anonymous, other-worldly sound only found in the great choral works through the ages. Christophers' tempi tend toward the languorous - the 'Agnus Dei' Samuel Barber set to his famous 'Adagio for Strings' has to be the slowest on record! - but this tendency further creates a sense of spaciousness found in the great old cathedrals of Europe.

    For quality of sound and polish of performance this recording has already won awards. For the food for the soul that it provides there can be no greater 'award' than successfully fulfilling its promise as being Music for Inner Peace. Highly recommended. Grady Harp, August 05

    3 out of 5 stars Too much choral can tire, but it's still good........2005-05-05

    If you enjoy choral music this offering of 16 choral arrangements, conducted by Harry Christophers for DECCA won't offend. Indeed, you might find it rather enjoyable. The selections from various composers capture the essence of the Renaissance-Baroque sound as well as any recording I have head. However, it can, like any steady diet of choral, overwhelm and drag one down as much as inspire. That's not a comment on the quality or selection of songs of this CD as much as an observation about the genre itself. So, this CD has its positives and negatives. One minus is the orchestral accompaniment. When used, "The Symphony of Harmony and Invention" tends to be weaker than I would have preferred when listening to this style of music. Sometimes a nice contrast can actually elevate the tone and texture of the human voice -- and when it's missing, its absence is noticed. You will note for example in Monteverdi's "Christie, Adoramus Te" the orchestration is underplayed - subtle, almost not perceptible. This becomes problematic throughout the recording. Some listeners will like it, some won't. One of the features of this CD that I did enjoy was the synopsis of each song that explains its origin and focus. The notations are brief and to the point, but helpful in guiding the listener along from selection to selection. As for mood, well it's hard to pinpoint exactly: these are hymnals meant for a specific place - not necessarily one's automobile or living room, and hence, a listener may find it difficult finding a place or right time in one's home. If, however, you are in the mood for choral music, and you close your eyes and let your senses flow freely while listening, you might just get carried to that proper place and find "Music for Inner Peace" your cup of tea. The selections are thematic and even in moodiness. I recommend it with the reminder that it is a steady diet of solemn choral. It can be both tedious as elevating.

    4 out of 5 stars Very relaxing!.......2005-04-27

    I downloaded this album from iTunes, and I'm very glad I did. I was looking for some soothing music to play in the background while I try to grade papers, and this one did the trick. My favorite tracks are #2 and #5 -- both are beautiful songs.

    If you like vocal music, particularly chamber-type music, then this CD is for you.
    Misa Criolla/Missa Luba/Misa Flamenca
    Average customer rating: 4.5 out of 5 stars
    • Misa Luba 5 stars, everything else 0 stars
    • Ahhhhh, Missa Luba!
    • Almost missed the Luba!
    		 Misa Criolla/Missa Luba/Misa Flamenca

    Manufacturer: Philips
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0002JZ28O
    Release Date: 2004-08-10

    Tracks:

    1. Misa Criolla: Kyrie (Vidala-Baguala)
    2. Misa Criolla: Gloria - Boniface Mganga, Muungano National Choir
    3. Misa Criolla: Credo
    4. Misa Criolla: Sanctus
    5. Misa Criolla: Agnus Dei (Estilo Pampeano)
    6. Missa Luba: Kyrie
    7. Missa Luba: Gloria
    8. Missa Luba: Credo
    9. Missa Luba: Sanctus
    10. Missa Luba: Benedictus
    11. Missa Luba: Agnus Dei
    12. Misa Flamenca: Kyrie (La Ca
    13. Misa Flamenca: Gloria (Cantes de Mga) - Boniface Mganga, Muungano National Choir
    14. Misa Flamenca: Credo (Cantes Gitanos) - Boniface Mganga, Muungano National Choir
    15. Misa Flamenca: Sanctus (Cantes del Campo) - Boniface Mganga, Muungano National Choir
    16. Misa Flamenca: Agnus Dei (Cantes de Cz)

    Tracks:

    1. Missa Luba: Titles and Introduction - "Mgondo Dora" [DVD] - Boniface Mganga, Muungano National Choir
    2. Missa Luba: Kyrie [DVD] - Boniface Mganga, Muungano National Choir
    3. Missa Luba: Gloria [DVD] - Boniface Mganga, Muungano National Choir
    4. Missa Luba: Visit to Namyeri [DVD] - Boniface Mganga, Muungano National Choir
    5. Missa Luba: Credo [DVD] - Boniface Mganga, Muungano National Choir
    6. Missa Luba: Visit to Oyugis [DVD] - Boniface Mganga, Muungano National Choir
    7. Missa Luba: Sanctus [DVD] - Boniface Mganga, Muungano National Choir
    8. Missa Luba: Visit to Nyeri [DVD] - Boniface Mganga, Muungano National Choir
    9. Missa Luba: Agnus Dei [DVD] - Boniface Mganga, Muungano National Choir
    10. Missa Luba: Visit to Wundanyi [DVD]
    11. Missa Luba: Bwana Ni Nani [DVD] - Boniface Mganga, Muungano National Choir
    12. Missa Luba: Visit to Mzeras [DVD] - Boniface Mganga, Muungano National Choir
    13. Missa Luba: Kyrie (Reprise) [DVD]
    14. Missa Luba: Nyenyeki [DVD]
    15. Missa Luba: Sanctus (Reprise) [DVD]

    Customer Reviews:

    4 out of 5 stars Misa Luba 5 stars, everything else 0 stars.......2007-03-12

    Finally the original (circa 1960's) Misa Luba is available on CD. That makes this CD well worth owning. The Misa Crolla and Misa Flamenca that are also on this CD are no more than filler and add nothing except inconvenience to the CD. I would much prefer a CD that contains both sides of the original LP of the Misa Luba and nothing else. Unfortunately, this CD omits the off side of the LP.

    The DVD contained in this package is about the Kenya National Choir production of the Misa Luba (circa 1990), a much inferior rendition compared to the original which is contained in this CD, and is of virtually no interest. Why would the consumer care about a biopic of a poor impersonation?

    Despite all the filler, this is definitely worth owning.

    5 out of 5 stars Ahhhhh, Missa Luba!.......2006-12-23

    My much-loved LP was lost in a move a few years ago, and now after much prodding Philips has reissued the original Missa Luba on an absolutely glorious CD -- with a DVD kicker to boot. Thank you, Philips! The sound is spectacular; the purity and enthusiasm of the voices inspiring. The accompanying Misa Criolla (based on South American folk songs) and Misa Flamenca (Andalusian) are added treats. [Not being familiar with Misa Criolla, I can't comment on RJHamilton's review, but I found the entire disc enthralling.]

    Buy it ... you'll love it.

    4 out of 5 stars Almost missed the Luba!.......2006-03-02

    The music is great, comes with a DVD of the Missa Luba's origins in Africa (nice touch). The only problem is that whilst the Missa Creola has been produced extremely well it now, it now features Jose Carrera and the producers have 'remodelled' parts of the mass to demonstrate his voice. Unfortunately, in my opinion, neither Mr Carrera's voice nor the remodelling have proved to be adequate foils to the previous issues of this mass.
    A to Z of Classical Music
    Average customer rating: 4.5 out of 5 stars
    • LETTER PERFECT CLASS(ICAL) ACT!
    • Great Tracks -- Great Value -- Great Book, Who Can Complain?
    • At this price, how can one complain?
    		 A to Z of Classical Music

    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

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