Shelter

Editorial Reviews
Amazon.com
Rarely have prayers to Krishna sounded so serene and so sensual at the same time. This is the fourth album from Rasa, the duo of singer Kim Waters and multi-instrumentalist Hans Christian. Overall, there's little to differentiate this disc from the other three. Waters sings Indian chants and prayers in a voice that is soothing and serene, like velvet smoke curling around these adapted melodies. Using sophisticated programming, cello, electric bass, Indian sarangi, and Swedish nyckelharpa, Christian embeds her voice in translucent layers. Each time he touches an instrument, adding it to his textured arrangements, it's like unlocking the key to a serpentine journey. He also brings the rhythms slightly to the fore, reinforcing the tablas of Girish Gambhira with subtle electronica grooves. But there's no thud-thud, four-on-the-floor sell-out to a dance music subset. Waters's voice is so serene and the grooves so relentlessly languid that Shelter becomes like a long bath. Soothing, even enlightening, but the skin gets wrinkled if you stay with it too long. --John Diliberto

Shelter,Rasa,New Earth Records,New Age,New Age / Meditation,Pop

Shelter

Shelter

Leon Russell and the Shelter People
Average customer rating:

An Old GEM

Sing it one more time...I didn't hear ya!

Arguably Leon Russell's Best studio album.

A pure primal bluesy rock n' roll voice and the funkiest of rock n' roll piano players.

Top class remix with bonus tracks

Leon Russell and the Shelter People
Leon Russell
Manufacturer: The Right Stuff
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music
Singer-Songwriters | Pop | Styles | Music
Pop Rock | Pop | Styles | Music
General | Rock | Styles | Music
Album-Oriented Rock (AOR) | Classic Rock | Styles | Music
Similar Items:

Leon Russell

Carney

Will O' the Wisp

Retrospective

Asylum Choir II

ASIN: B000002TYO
Release Date: 1995-07-03

Tracks:

Stranger In A Strange Land
Of Thee I Sing
It's A Hard Rain Gonna Fall
Crystal Closet Queen
Home Sweet Oklahoma
Alcatraz
The Ballad Of Mad Dogs And Englishmen
It Takes A Lot To Laugh, It Takes A Train To Cry
She Smiles Like A River
Sweet Emily
Beware Of Darkness
It's All Over Now, Baby Blue
Love Minus Zero/No Limit
She Belongs To Me

Customer Reviews:

An Old GEM.......2007-03-09

Buy this and Asylum Choir II and you will have a taste of Make Love Not War Boogie from the mid 60s to the early 70s. Two of my favorite albums back then. They haven't lost a thing over 40+ years.

Sing it one more time...I didn't hear ya!.......2007-01-05

This follow up to Leon's self-titled debut album finds the Master of Space and Time in a more focused songwriting mood than before, and a slightly more polished overall sound. I wouldn't say it's better than his first one, since that had too many great songs to be truly topped, but Shelter People is certainly an album that grows on you. It is more consistently interesting than its predecessor. The songs are longer and more thoughtful. Leon Russell was an amazing album with a lot of awesome songs, but there's no doubt Russell was using the shotgun approach when it came to song styles. Just about everything plus the kitchen sink made it on the album. This is not the case on Shelter People. It starts with what is probably my all-time favorite ballad, "Stranger in a Strange Land." This unlikely album opener is the best song on the album, mostly due to Leon's outstanding vocal work. I have often wondered how a voice as unique and awesome as his could really exist, but every time I listen to his albums there it is again. "Of Thee I Sing" is another great song, much more upbeat (might have been a better opener than the ballad but whatever). The compelling piano work and backup singers give it loads of energy. The album moves along very solidly with one rockin tune after another until after "The Ballad of Mad Dogs and Englishmen." Things get a little less solid after this lovely tribute to the infamous Joe Cocker Rock and Roll road show of the same name. The songs are still good, but it just seems to lose some of its focus with a lot of experimental sounding cover songs from Dylan and Harrison. Regardless of its faults, Shelter People is, along with Leon Russell, one of the two "must have" Leon Russell studio albums.

Arguably Leon Russell's Best studio album. .......2006-05-09

During the time period of this album (1970 - 1972) Leon Russell was the top rock concert act in the world. Back in the day when most rock groups had four or five members, Leon Russell hit the road with no less than ten top of the line performers, including Derek and the Dominos bassist Carl Radle, and Rev. Patrick Henderson and Black Grass.

On Leon Russell and The Shelter, you get a studio recording that captures much of Leon's concert feel - but where you can understand the words, and the instruments are balanced well. I don't remember if the the personnel are the same, but the feel is right there! Starting with "Of Thee I Sing," and through to the end of the album you'll be looking for a flat peice of ground so you can dance. The piano work is awesome, combining Leon's Black Gospel style (he also played on some of Andrae Crouch's albums) with a bit of blues, honky and country.

If you're a musician, you'll want this album for the "utility licks" and turn arounds and the gold nuggets of playing that Leon throws out there. This album is the one I learned to play pianq from, by listening to it over and over and picking it out bit by bit.

All in all, it's a great selection of a genre of music that is timeless and will make you feel good - and you definitely won't get an inferiority complex as you sing along with Leon! It's about the feeling rather than having a velvety smooth David Gates (Leon also played with him, in the sixties, prior to Bread) voice. Get it!

A pure primal bluesy rock n' roll voice and the funkiest of rock n' roll piano players........2006-03-20

He has the insight, the purity of rhythm, the soul, the inspiration, the voice, and the musical sensibility to place him up there with the greats: Carl Perkins, Elvis, Jerry Lee Lewis, Hank Williams. Check him out on George Harrison's "The Concert for Bangla Desh" (where he steals the show).

Top class remix with bonus tracks.......2006-02-28

I had a tape of the original recording in the 70's that is now long past its use by date. This remix is excellent, each instrument is bright and clear with no loss at the bass end (and no tape hiss). The liner notes list the performers on each track and the recording details. Not important for everyone but necessary for those who are interested in the music makers. This CD is a must for Leon Russell fans and comes with three bonus tracks each performed in Leon Russell's unmistakable style.

Average customer rating:

Wonderful entainment
Beyond words ...
Magnificent voices, songs and arrangements
Not their best album
Excellent !!

Sacred
Irish Anonymous , Joe / Sprague, Billy / Carroll, Bruce Beck , Nicholas Brodszky , Gregorian Chant , Henri F. Hemy , Chuck / Shamblin, Allen Jones , Charlie Landsborough , John Newton , Stuart Townsend , Traditional , Irish Traditional , Shaker Traditional , Stevie Wonder , Arnie Roth , Orchestr Ceská Filharmonie , Anthony Kearns , Finbar Wright , and Irish Tenors
Manufacturer: Razor & Tie
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Irish Folk | Traditional British & Celtic Folk | Folk | Styles | Music

General | Celtic | International | Styles | Music

General | Christian & Gospel | Styles | Music

Christian Contemporary Music | Christian & Gospel | Styles | Music

General | Opera & Vocal | Styles | Music

Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Classic | Vocal Pop | Pop | Styles | Music
Similar Items:

We Three Kings
Heritage
The Irish Tenors - In Concert With the Chicagoland Pops Orchestra
The Very Best of The Irish Tenors
Ronan

ASIN: B000A2GP2K
Release Date: 2005-09-13

Tracks:

Deus Meus
Be Thou My Vision
Morning Has Broken
My Love
If I Can Help Somebody
My Forever Friend
Shelter Me
Amazing Grace
To Do Your Will
Hail Glorious St. Patrick
How Deep The Father's Love
Lord Of The Dance
There's No Cross
I'll Walk With God
Salve Regina

From the Label

Sacred marks John McDermott's first recording with the Irish Tenors since rejoining fellow original member Anthony Kearns and Finbar Wright (who actually replaced McDermott in 2000). The Irish Tenors live up to their reputation as "gifted interpreters" with this collection, covering a wide range of spiritual material. Sacred was produced by the Irish Tenors' long-time musical director, Arnie Roth, who has also worked with Charlotte Church, Diana Ross, and Art Garfunkel. The album was produced in Prague at the Rudlofinum and ICN Studios.

More Recommended Titles

Ronan
Ellis Island
The Irish Tenors

Heritage
Rough Guide to Irish Music
My Life Belongs to You

Customer Reviews:

Wonderful entainment.......2007-07-25

We love the Irish Tenors. They are so great. We saw them in person and enjoyed the evening

Beyond words ..........2007-03-22

Having only recently discovered The Irish Tenors, nothing here was a repeat to me. And, even if it was, I can't imagine being disappointed.

If you are open to the idea that music can be a vehicle for a moment of sublime and sacred ecstacy, that may help convey what I find difficult to put into words.

While I live continuously and constantly in Our Father's presence, a music album such as this can certainly heighten the moment with Him.

Magnificent voices, songs and arrangements.......2006-06-17

This is an extraordinary collection. The songs are irresistible, the voices incredibly powerful and filled with appropriate emotion, and the orchestra is very simply great. You'll want to buy this album for others. Simply beautiful. A pure joy.

Not their best album.......2006-02-27

For the most part this is an enjoyable collections of sacred music. However the inclussion of "Lord of the Dance" and other modern tunes are dreary no matter who sings them.

Excellent !!.......2005-10-26

I recently went to a concert to hear The Irish Tenors. They did several songs from this CD and it was great. If you like John McDermott as much I do then you must have this CD. This is a triple good CD with 3 top tenors.

Average customer rating:

Ahh..
The gift
Doesn't sound like the debut because it's a different band,
A letdown
Not to be passed by...

Shelter
Lone Justice
Manufacturer: Geffen Gold Line Sp.
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Rock | Styles | Music

Rockabilly | Oldies & Retro | Rock | Styles | Music

Roots Rock | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

4-for-3 Alternative Rock | 4-for-3 Music | Stores | Music

4-for-3 Pop | 4-for-3 Music | Stores | Music

4-for-3 Rock | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Lone Justice
Maria McKee
You Gotta Sin to Get Saved
Peddlin' Dreams
Ultimate Collection

ASIN: B000000OYF
Release Date: 1996-03-19

Tracks:

I Found Love
Shelter
Reflected (On My Side)
Beacon
Wheels
Belfry
Dreams Come True (Stand Up And Take It)
The Gift
Inspiration
Dixie Storms

Amazon.com

Singer Maria McKee, a small woman with a gigantic voice, has always had trouble finding the appropriate backup band and production style--on Lone Justice's second and final album, E Street Band guitarist Little Steven tries to turn her into the female Bruce Springsteen. He's partially successful: on the opening song, "I Found Love," McKee belts like a countrified Aretha Franklin, and each of her five successive "yeahs" sounds more explosive than the next. But while McKee's voice is timeless, the tinkly keyboards and thudding electronic drums make Shelter an '80s period piece. (Guitarist Shane Fontayne, who joined Lone Justice for this album, later performed in Springsteen's post-E Street backup band.) --Steve Knopper

Customer Reviews:

Ahh.........2007-02-19

Sing to me. I can't get Belfry out of my head. You Lone JustiCe rider. A woman against the world is what this sounds like. Holy Shiite Batman..I think I want to own the world and take up much of the darkness with my love. I wonder if Sarolta has this. It might be good..(Wink..)I love this. The tiny woman with the big guitars and voice and drums and heart. Kind of like a Tom Petty "Southern Plantation" kind of album. Don't come around here no more..Love to those freakin rockers and Maria who saved my lifE tonight if I have a crises! Love..Ahh..Is it a strong enough expression? I wanted to buy a poetry book. But I just wanted inspiration. And here it is.."Inspiration"'s the song that put Maria on aN undeniable sacred place in the hearts of the loving life changers of ths worlD!

The gift.......2004-11-29

Back in the late eighties, early nineties, I was going through a transition in my taste in music. I was discovering new music that my peers in high school would never listen to. It was definitely an alternative to the metal and r&b/hip hop music that they listened to. One of the greatest discoveries was Lone Justice's "Shelter". I bought the cassette version not long after I heard the country-ish title track on a local radio station. What really stood out for me was the keyboards in this particular song. I still love listening to "Shelter" to this very day. I really didn't care for the opening track "I Found Love". It was one of the weaker tracks on the album I thought. It lacked the lush melodies of "Shelter" and "The Gift" (another great song). Maria McKee's vocals are a bit high pitched but compare her to Britney Spears, Maria sounds like Maria Callas. Maria McKee definitely had a distinct voice all her own that you rarely hear nowadays in music. The album itself doesn't really have one particular sound. At times it sounds rather country-ish with a little folk thrown in for good measure, and other times it is more rock. Some of the songs worked for me, and some like "Beacon" and "I Found Love" didn't work for me. Nevertheless, Lone Justice did have a sound of their own.

Doesn't sound like the debut because it's a different band,.......2004-06-22

And that isn't necessarily a bad thing. Someone decided to ditch the original members of Lone Justice after their killer 1985 debut and start all over with Maria McKee alone. Like I said, having Maria around is never a bad thing, but I wonder why they decided to issue this album as Lone Justice? This is really the first Maria McKee solo album and in that vein it's just fine. Gone are the inspired country-punks of 1985, and believe me, they'll be missed, but this album stand up pretty well all on it's own. High points are I Found Love, the title track, Reflected (On My Side), Wheels and Dixie Storms, but there isn't a bad apple in this bunch.

A letdown.......2003-12-16

The first Lone Justice album was a masterpiece. It was consistent and cohesive. But for a few songs, this one is, in contrast, an incoherent letdown. I'll never forget seeing this band perform in person or on SNL during the "Shelter" tour. They were distilled energy, absolutely brilliant, and Maria McKee prowling the stage or bouncing in place was ready to devour the world and the audience. "I Found Love", the first track on this CD, was the highlight of their shows. Despite the overproduction here, it remains a great song, and Lone Justice was one of the musical high points of the 80's. Maybe that doesn't say much, but I'd put the early Lone Justice in the same class as the early Pretenders or Pixies, without the commercial success of the former or the fan base of the latter. I thought one reviewer's comparison with Patti Smith's band was apt - Maria McKee shook up rock in the mid-80's for me about as much as Patti Smith did in the mid-70's.

Of course, Maria McKee turned out not to be a rocker at heart, and Lone Justice was soon gone. You can hear them fading on this CD. At the time, I didn't enjoy this recording much, with its departure from the band's original fiery sound, though "Shelter" and "Dixie Storms" seemed like good enough ballads. With the passage of time, listening to it today, it seems more consistently interesting, with moments of true pleasure in many songs, though none beyond the first are much more or much less than mediocre lyrically or musically. Bottom line - this doesn't begin to measure up to the first Lone Justice album, but then Lone Justice fans like me might think that Maria McKee's later, quieter work doesn't measure up to this CD. It's a middle ground or a transition point.

The reviewers below mention many good points about listening to "Shelter" in the 21st century. The production makes it sound dated, unlike their debut album. The quality of the songs is inconsistent. This was a stunning band live, but this recording didn't come close to capturing their sound. Still, underneath, there is Maria McKee's voice and passion. She is in fine voice here, and even if this was a poor Lone Justice album, hearing her remains worthwhile. If you're a fan of her later work, this may be a good addition to your collection. If you know the band only from the first Lone Justice album, this may be a disappointment. Then again, for $7 you really can't lose.

Not to be passed by..........2003-03-24

Let's get it out of the way - this is not Maria McKee's best record. However, it is far from being a bad record. Some of her most accessible songs and uplifting work is here.

I think Maria must've had her eyes on the pop prize, and in 1986, that meant dressing up your sound in whacking drum machines and icy synthesizers. Yet, if you're willing to cut through that mess, there's some very rewarding stuff here. Her producers replaced the country-rock of the first Lone Justice record entirely. The rock that results, however, results in letting her voice and lyrical ambitions reach to heights not possible in the old milieu.

Cases in point: "The Gift" and "Inspiration" revel in their reaches for a higher plane. On "Inspiration" especially, Maria's voice is the vehicle that's going to take you there. Her career is full of vocal high points, but this one stands out. She stretches her voice to reach over the rock wall and succeeds mightily. It's like Tina Turner battling Phil Spector's "Wall of Sound" on "River Deep Mountain High-" the artistic tension between the clash of styles results in amazing work.

Maria's songwriting stays on point, as well. "Shelter" should have been the hit that made her rich, but...the same thing that's wrong with radio today was the same thing that was wrong back then. "I Found Love" is a stomper, and "Dixie Storms" closes the record sweetly.

The "Maria McKee" record is probably the best distillation of her sound, but you won't go wrong with this one. Get it now before it goes out of print.

Blunted in the Bomb Shelter Mix
Average customer rating:

SESSION TUNES!!!

Works as a conceptual piece...Not for everyone

Rewind selekta !!!

Blunted in the Bomb Shelter Mix
Madlib
Manufacturer: Antidote
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music
General | Compilations | Rock | Styles | Music
Pop Rock | Pop | Styles | Music
Rock | Imports | Stores | Music
Similar Items:

Shades of Blue

Beat Konducta, Vols. 1-2

Angles Without Edges

Ruff Draft

Special Herbs: The Box Set

ASIN: B00006RYH6
Release Date: 2002-10-28

Tracks:

A Place In The Sun
Flat Foot Hustlin'
Jingle Lion
Walk Rastafaru Wat
Destruction Sound Battle
Public Jestering
A Better Version
Bad Da
Black Magic Woman
Throne Of Blood
Lottery Spin
Star Trek
Want Me Cook
Free Man
Man In The Street
Don't Deal With Folly
I Love Marijuana
Stop The Dubbing
Free From Chains
Sensimelia
Mission Impossible
Golden Chickens
Herth Vendor
Babylon Deh Pon Fire
Shaft
Sipreano
Girl Of My Dreams
Rhythm Pleasure
Cocaine
Love Life
(Only Rasta Know The) Voice Of Jah
Teacher, Teacher (Teach The Children)
Dj's Choice
King Tubby's Special
Reggae Makossa
A Rougher Version
Cool Down Version
Space Flight
On The Move
Guns Of Navarone
Popcorn
None Shall Escape The Judgment
Freedom Style
Starvation
African People

Customer Reviews:

SESSION TUNES!!!.......2005-05-26

Hence the title, getting blunted to this cd is truly an experience esp. if you dont have all the dopeass underground reggae/dub that madlib got his hands on..all tracks mix together seemlessly and you never have to skip a track. blaze the trees and bump this cd.

Works as a conceptual piece...Not for everyone.......2003-06-10

This one was highly anticipated. Almost lived up to expectations. Lots of wild sound effects distorts an otherwise amazing collage of singles. Eventually, when you can totally sink into the hodgepodge -- like when you're driving -- the assortment of bells and whistles coheres into something really unique and pretty special. Terrific headphone experience, but not the first choice for social listening.

Rewind selekta !!!.......2003-02-12

Exelent selection of some of the best reggae/dub classic. The record includ 45 songs mixed by the Mad Kid.
We allready knew is trumendous ears for rap, soul, jazz and and funk, well check out this album, this guy must have the most incredeble record collection ever.

Average customer rating:

I owe Ms Garrett an aplogy
If you don't buy any other CD, buy this one...
Much,Much Better
it's AWESOME !!
EXCELLENT album ! DON'T buy it!

Shelter
The Brand New Heavies
Manufacturer: Delicious Vinyl
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

Acid Jazz | Jazz | Styles | Music

General | Jazz | Styles | Music

General | R&B | Styles | Music

General | Soul | R&B | Styles | Music

General | Rap & Hip-Hop | Styles | Music

International Rap | Rap & Hip-Hop | Styles | Music

Pop Rap | Rap & Hip-Hop | Styles | Music
Similar Items:

Brother Sister
Get Used to It
The Brand New Heavies
Adventures in Black Sunshine
Trunk Funk: The Best of the Brand New Heavies

ASIN: B0000589TK
Release Date: 2001-02-20

Tracks:

I Like It
Sometimes
Shelter
Crying Water
Day By Day
Feels Like Right
Highest High
You Are The Universe
Stay Gone
Once Is Twice Enough
You Can Do It
After Forever
Last To Know
You've Got A Friend

Customer Reviews:

I owe Ms Garrett an aplogy.......2006-02-17

Like many others I was absolutely devastated when N'Dea left BNH. But being a fan of this band I bought Shelter and I think I listened to it all of 2 times and didn't care for it.

I tore Siedah Garrett to shreds and basically felt "how dare she try and replace N'Dea" cuz to me it was nowhere near the same. And I don't agree with the first reviewer here. N'Dea is what made that band and she will always be what made them. She was the gas to their engine. Anyway I was real disappointed in Siedah's voice because you cannot even compare the two.

Fast forward about 8 years and I was browsing for music and saw it sitting there and thought I should give it another chance. And I guess I just needed some time to get over N'Deas departure because he voice is nowhere near as bad as I remembered in my head. Actually quite the contrary, it was good.

And the songwriting on this album is among the strongest that they have ever done. I would put this as a classic among the first 2. BNH kinda fell downhill after that but I am such a fan of this band that I think I'd buy an album of farts set to their music : )

If you don't buy any other CD, buy this one..........2005-06-30

Smooth old school grooves, neo-funk, eclectic and classical jazz, and R & B all wrapped up in one. What is there to say except that this group's musical genius brilliantly and beautifully brings all these genres off into a wonderful blend of extraordinary musical melodies that moves the soul, the mind, and gives the listener a higher plane of listening pleasure to their senses. The Brand New Heavies is truly a group that could be mused as "The Underdog", "Musical Sleeper", and even "Under-Marketed" and truly needs props for their much deserved fame.

True musical genius is hard to find in this day and time in the Musical Entertainment World with everything digitized, and singers who sound as if your ears deserved some sort of punishment for enduring their unearthly sounds which we classify as "singing" these days; whereas these artists are racking up undeserved fame that breeds that unending question mark in one's sane musical mind of "How?"

Not so with the BNH's. I rarely have the opportunity to say anymore that I have bought a CD in which I can pop in and truly like and enjoy every song. And with my vast like of musical genres and a strong background in music, I believe I can say I know and hear true talent. The eclectic smooth groove of "Sometimes" and "Highest High" really moved me deep with not only the music composition and positive lyrics, but makes me zoom through my days faster with a more positive mood to boot. But the question is which song on this CD doesn't have its own magic?

I recommend this CD for anyone who enjoys musical tastes in R & B, most forms of jazz, and a touch of old-school soul and Pop. Trust me, you won't be disappointed!

Much,Much Better.......2005-05-25

I must disagree with critics and some fans-I much prefer Siedah Garret's singing over N'Dea-Garret has far more experience and doesn't try so hard to be convincing.And this being their third proper studio album The Brand New Heavies have grown a great deal as songwriters and have learned that crucial,unnamable ingrediant that made the funk of the 70's what it was.And it wasn't just real instruments either.By far the best song here is "You Are The Universe",an upbeat song with a genuinely positive message for people to keep control and revel in their given freedom.Not to mention th wonderful "I Like It","Highest High",well for that matter everything else here not only showcases musical professionalism and instrumentation but that songwriting has taken a priority over grooves and jamming,which to my ears is very much a saving grace.So if you are like me and believe that you can jam,groove AND write great songs too with your funk 'Shelter' will be the Brand New Heavies' album for you.

it's AWESOME !!.......2004-04-15

this CD is one of the best. whether or not you want to jam or chill out and dream, this is the CD for you...it's jazz with all the right emotion.

EXCELLENT album ! DON'T buy it!.......2003-12-28

This record is unbelievable ! It's truly any serious music lover's wonder why this band wasn't one of the biggest hits of the 90s. On top of being a first-class acid-jazz/new-soul/neo-funk/whatever-you-may-call-it band (leading the way in that style alongside other British-based band Incognito), the Brand New Heavies got a brand-new vocalist on that album who added a whole new dimension to their music.

Siedah Garrett was no newcomer though, having been a background singer for Michael Jackson for years (she also wrote "Man In The Mirror" and sang the famous duet "I Just Can't Stand Lovin' You" with him on the album "Bad"). She had a try at solo recordings under the auspices of her mentor Quincy Jones (with the great single "Refuse To Be Loose" and a debut album going completely unnoticed) and was one of the major protagonists of Q's "Back On The Block" album, singing side-by-side with Ella Fitzgerald, Bobby McFerrin, Al Jarreau, Sarah Vaughan and the likes, and even a duet with Chaka Khan !

On "Shelter", Siedah adds her inspired and soulful raspy singing which fits the band like a glove (I much prefer her contribution to that of N'Dea before her), making this album my favorite by the band. Sadly, Siedah departed after this one project with the Heavies, being now replaced by able Carleen Anderson from Young Disciples fame (and two superb solo albums in-between). What is Siedah up to nowadays? I really don't know.

Tracks:

Street Fighting Man
Paint It Black
Under My Thumb
As Tears Go By
Sympathy For The Devil
Dandelion
Ruby Tuesday
Angie
She's A Rainbow
Gimmie Shelter: Gimme Shelter
Jumpin' Jack Flash

Customer Reviews:

Classic[al] Stones.......2007-07-10

As both a huge Rolling Stones fan and a lover of classical music, I have to say this is one of the most enjoyable and interesting discs I own. Here are 11 of the Stones' best songs, as you have never heard them before. This cd is certainly a tribute to the melodic and lyrical genius of Mick Jagger, Keith Richards and crew, but the impeccable London Symphony Orchestra and guest vocalists transform these catchy rock tunes into incredibly haunting and powerful musical sagas. The versions of "Ruby Tuesday" and "As Tears Go By" are really amazing and even tragic. "Sympathy for the Devil" has an operatic feel to it. The child-like innocence of "Dandelion" is really quite entertaining. Considering the Stones were really a blues band at heart, one wouldn't think initially that their repertoire would translate well into a symphonic format. But it does. There is only one way to enjoy this rare musical treat-buy this cd now!

Best CD I own........2003-11-04

I've had this CD for what seems like a lifetime now, and I still can't put it away. By far the most timeless CD I own.

Classical classics.......2002-11-12

The lively levi clad rebel music of the Stones is traded in for high brow tuxedo's and an orchestral sound with mixed results. Through the years I've played this disc for a different rendering of the familiar rock anthems. As stated by another reviewer you must not compare because one is rock and one is a classical treatment of a rock song. The problem is that it is hard to seperate comparisons. Beginning with "Street Fighting Man" the Stones anthem that was banned because of the resulting violence it incited, the disc is a subdued and barely recognized shell of the original Richards and Jagger penned number. The translations work at times like the interesting versions of "Paint It Black"and the hauntingly beautifully dark "Symphony For the Devil" that sounds like a theme from play. For the most part the pure musical numbers are better than the others where vocals exist becuse of the inevitable vioce comparisons. An exception might be Marianne Fathfull's rendering of "Ruby Tuesday." Mick Jagger is featured on one song, "Angie," for a slightly different vocal interpretation that is slower and more dramatic. The London Symphony Orchestra produces a lush backdrop for the familiar songs associated with guitar and rock and roll. Taken alone it is a nice sampling of the Stones music but it is very hard to not make comparisons. They are two different genres and should be treated as such. Nonetheless I prefer the original versions but find these songs to be more soothing and sophisticated. As alternatives to the originals it sounds good but not great.

Excellent choice.......2002-08-27

If you enjoy Classical versions of rock music, this is one that you must get. I love it. They have excellent version of the songs. This album is THE album that turned me on with Classical version of Rock music.

Forget the original Stones stuff--just enjoy for itself.......1999-07-23

Interesting form of Stones music--definitely not for the Stones purist, but not bad if just taken as music to enjoy by itself.

Average customer rating:

Badelt's most underrated effort
4.5 Stars for Klaus Badelt's Most Underrated Score
4.5 Stars - Beautiful!

Ned Kelly
Various Artists
Manufacturer: Decadance UK
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Soundtracks | Imports | Stores | Music
Similar Items:

Ned Kelly
Beat The Drum
The New World
Kingdom of Heaven
Pan's Labyrinth

ASIN: B000091A6Y
Release Date: 2003-10-28

Tracks:

Shelter For My Soul - Bernard Fanning
Saving A Life
Ned Kelly
Destiny
The Light
Julia
Stringybark Creel
Back Home
Moreton Bay
Doomed
Outlaws
The Jerilderie Letter
Father
The Glenrowan Inn
Remembering Ned Kelly

Album Description

2003 soundtrack to the film starring Heath Ledger, Orlando Bloom, Naomi Watts and Geoffrey Watts. The soundtrack features a very warm and original folk song by Powderfinger's Bernard Fanning. 15 tracks. Decca.

Customer Reviews:

Badelt's most underrated effort.......2005-11-09

If you're any kind of film score fan, then you need to pick yourself up a copy of this album - even if it is second hand. The biggest problem with this album is that it isn't so readily available in the US as it is in Australia, and that does an injustice to Klaus Badelt, who here presents us with some extremely engaging and touching music.

The score is written mainly for a fairly decent sized orchestra with a strong emphasis on the strings, with the brass acting only as an accent on the strings, as evidenced in the third track 'Ned Kelly' where we have the main theme stated in full. It sounds so cliched, but everytime I listen to this track it sends shivers up my spine. Every single time. I love it!

The album also features two songs performed by Bernard Fanning. The first 'Shelter for my Soul', opens the album and fits in quite nicely with the themes and tone of Badelt's work (Badelt wrote and arranged the strings for this piece as well). The second piece is a traditional Australian folk piece called 'Moreton Bay'. Like the review below states, because this song is right in the middle of the album, it really detracts from the experience of Badelt's work, and should have been saved for the end of the album.

Badelt has written some very bittersweet themes that are both hopeful and mournful by turns. I believe Badelt is underrated for the many electronic and synth-influenced scores he has produced, but the writing in tracks such as 'Ned Kelly', 'The Light', 'Back Home' and 'The Jerilderie Letter' only confirm that he is a very deft hand at writing for a full orchestra. His solos are beautifully placed as well - an Irish whistle is used only occassionally, but is most appropriate when it does show up, and roots the score in its Australiana setting. The score also features viola and trumpet solos that are generally featured during the more character-driven moements of the film (of which there are many) and make for a fairly intimate score at times.

If you don't expect any big, racey action writing, and are after an orchestral score with heart, then Ned Kelly comes highly recommended.

4.5 Stars for Klaus Badelt's Most Underrated Score.......2003-11-01

I first heard the music to Ned Kelly when I travelled to Australia and watched the movie. While I was a tad dissappointed, I went out and bouth the CD immediately, and have been moved like no other score can do ever since. Klaus Badelt has been one of my favourite composers since his VERY early work on Extreme Days, but I found this CD to be something completely different. In the tracks such as Ned Kelly and my personal favourite, The Glenrowan Inn, Badelt uses such a tragic heroic musical theme that stands outside the movie as a work of art. Like the first reviewer stated, this is not typical action-music fare, which I can't get enough of, but it is so beautiful, haunting, and moving that I swear you will not be dissappointed by this score, although you might be by the movie.

4.5 Stars - Beautiful!.......2003-05-09

This is the music composed by Klaus Badelt for the 2003 released film 'Ned Kelly'. Klaus Badelt was also responsible for the music from The Time Machine, The Recruit and K-19: The Widowmaker and has a steadily increasing catalogue of very successful solo scores under his belt now. Don't expect the usual Media Ventures synth and percussion assault (which I love to death) but do expect some of the most well written film music of the last year or so. Synths have been used through the score, but the bulk of it is performed by a real orchestra and several solo instruemtns have beenemployed as well (violin, viola, cello, trumpet, flutes and pipes)

The music he has written for Ned Kelly is, in a word, beautiful. The film wasn't intended to be an action romp through the countryside of Victoria, but instead it made an attempt to reflect on Kelly's feelings, emotions and reasoning behind some of his actions, and Badelt's score suits this view perfectly.

The CD contains two songs by Bernard Fanning (lead singer/songwriter from the Australian band Powderfinger) and the disc opens with his track 'Shelter For My Soul' which is used in the end credits of the film. It's a well constructed piano piece that speaks about how actions have consequences. Badelt has also lent a hand on this piece by arranging the accompanying strings. This leads us into the next two tracks 'Saving a Life' and 'Ned Kelly' which are performed together to form one nine minute piece that sets up the main themes for the rest of the disc. It is a very bittersweet theme that brings to life the mistakes Ned makes, but the guilt and sorrow he feels for what he has done and the path it has led him to. It's a very moving theme and while it isn't a bombastic orchestral assault, it is very powerfully performed. These two pieces nearly have me in tears I find them so moving :P

'Destiny' is a very sombre theme that is used to set up that sense of foreboding in the film. It incorporates the use of an irish pipe which gives us a sense of the Kelly family's Irish ancestry, but the instrument isn't over used which was a sensible decision from Badelt. 'The Light' is a more upbeat piece which again uses the irish pipes in a very uplifting cue, and 'Julia' isn't the sweet feminine theme you'd usually associate with similarly titled pieces. The sense of foreboding picks up here as the orchestra builds on the theme set up in the previous piece.

'Stringybark Creek' features the solo trumpet and flute amongst the orchestra for a slower interpretation of the two main themes at the beginning of the disc, while 'Back Home' features more of the irish pipe from 'Destiny' and some short violin passages before it drops to a solo trumpet passage and the first of the real action cues from the film.

'Moreton Bay' is the second track offered by Bernard Fanning, and this is the only really dissapoint piece on the album. It is a reworking of a traditional Australian folk song and while the style has it's place some scenes of the film, it is totally out of context on this CD, especially in the middle of the disc. Bernard Fanning also probably wasn't the best choise either, but he is Austraian, and lends that particular quality to his viocal performance. This is where the album lost half a star for me.

From this point on, the situation the Kelly Gang finds themselves in is growing darker, and the score reflects this change by turning some of the themes upside down and. There is still that bittersweet theme running through out, but it is perhaps more accuate now as Ned realises that what he has done, even if he didn't want to or was forced todo it, is going to have consequences he can't escape. 'Doomed' and 'Outlaws' nicely capture the gang on the run and trying to find a way out as the law gets closer and closer to them.

'The Jerilderie Letter' is the scene in the bank where the hostage are offering up names to call the governer. It begins lightheartedly, but as Ned's speech get progressivly more serious, the tone of the music matches and the piece ends on a sharp rise.

'Father' is simply a short piece of reflection and quite before the storm of 'The Glenrowan Inn'. The piece charts the whole end scene from the gang arriving at the inn and anxiously waiting for the poilce, to the shoot out itself, and then the aftermath the next morning and Ned makes his last stand and is finally captured. Again, this piece is another watery-eyed experience for me. The album ends with 'Remembering Ned Kelly' which is a simple two minute solo from the viola. Again just a very retospective piece.

Tracks:

Heart Lies
People Who Think They Can
Shelter Me
Lest We Forget
Smith St
Time To Part
Sound The Alarm
Stuck
The River
Spotlight
Attention
Bonus Track

Customer Reviews:

'Shelter Me'; a little slower, but still The Waifs. .......2004-10-22

For any seasoned fans of The Waifs (or anyone out there with a predilection for folksy girl duets sporting brilliant guitar skills and voices to boot), 'Shelter Me' will be no departure --and no disapointment -- from what you've heard before. The album weighs heavily on The Waifs accoustical appeal. The majority of the songs carry themselves without backbeat or excessive instrumentation -- mostly it's just the girls, their guitars, and the usual, typically wonderful songwriting that comes from Josh Cunningham, the third member of this stellar folk ensemble. The title track 'Shelter Me' is a gorgeous, magnificently charged piece that will leave you reeling, "Take me now where shelter be/ before there's nothing left of me." Vikki's final track 'Spotlight' is a pure gem, emotional and raw but utterly beautiful. 'Attention' finishes the album well with that familliar Waify energy and pulse, almost blue grass, almost country, but totally wonderful.

Average customer rating:

Track List

101 Dalmatians (Original Soundtrack)
Various Artists
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Disney Records | Amazon.com Label Stores | Stores | Music
Similar Items:

The Aristocats
101 Dalmatians: An Original Walt Disney Records Soundtrack (1996 Version)
Jungle Book
101 Dalmatians (Limited Issue)
Walt Disney's Lady And The Tramp: Classic Soundtrack Series

ASIN: B00006EXG0
Release Date: 2002-08-13

Amazon.com

Given the two belated live-action sequels and numerous other TV and video spinoffs spawned by Disney's charming 1961 animated original, the Dalmatian count is more like 1,001 by now. This reissued soundtrack (admirably restored in the late '90s by producer Randy Thornton) showcases the original orchestral film cues of George Bruns to good effect. While the composer's bright, lively work was largely fragmentary (originally written as punctuation for the film's turns of action and comedy), its components have been skillfully sequenced and gently edited here for a more cohesive listening experience. The film's most memorable musical moments remain Mel Levin's delightful trio of songs, "Kanine Krunchies," "Dalmatian Plantation," and, of course, the classic villainess romp "Cruella DeVil." Bonus cuts include both a bluesy piano rendition and Levin's decidedly goofy piano/vocal demo of the latter tune. A great primer to Disney's animation underscore philosophy, seasoned with one of the studio's most memorable songs. --Jerry McCulley

Customer Reviews:

Track List.......2007-02-14

Track Listing
1. Overture
2. Beautiful Spring Day, A
3. What's All The Hurry / A Perfect Situation / Stir Things Up
4. Cruella De Vil
5. Don't Worry, Perdy / The Puppies Are Here / Lucky / How Marvelous / Not One / A Bloomin' Hero
6. Ol' Thunder Always Wins
7. Kanine Krunchies
8. Bedtime / An Evening Constitutional / A Job To Do / They're Gone!
9. Dognapped! / Anita Darling / What'll We Do?
10. All Dog Alert
11. Sergeant Tibs' Recon / Cat Casserole
12. Can You Leave Tonight? / Arduous Trek / Any News, Colonel? / I Want The Job Done
13. Pulling A Snitch / Big Hullabaloo / Battling The Baduns
14. My Darlings / 99 / Better Be Off / Fire One / All Clear
15. Through The Snow / Shelter
16. I'm Hungry / Get Some Rest / Back On The Road / Spotted!
17. Dinsford / Cruella / A Roll In The Soot / To The Van / It Can't Be / Crazed / You Fools!
18. Puppies Everywhere
19. Dalmatian Plantation / Finale
20. Cruella De Vil - (Nonsense Version Demo)

Average customer rating:

Eternal heartfelt gratitude for this amazing offering
Rasa Shelter
Edgy, hypnotic improvisations
Masterful.Beautiful.and truly Amazing.

Shelter
Rasa
Manufacturer: New Earth Records
ProductGroup: Music
Binding: Audio CD

General | New Age | Styles | Music

Meditation | New Age | Styles | Music
Similar Items:

Temple of Love
Saffron Blue
Feast of Silence
Dakshina
An Ancient Muse

ASIN: B0000C2389
Release Date: 2003-09-02

Tracks:

Guaranga Karuna
Ar Koto Kal
Narada Muni
Jaya Radha
Panduranga
Arunodaya
Dainyatmika
Vaishnava Vijnapti

Amazon.com

Rarely have prayers to Krishna sounded so serene and so sensual at the same time. This is the fourth album from Rasa, the duo of singer Kim Waters and multi-instrumentalist Hans Christian. Overall, there's little to differentiate this disc from the other three. Waters sings Indian chants and prayers in a voice that is soothing and serene, like velvet smoke curling around these adapted melodies. Using sophisticated programming, cello, electric bass, Indian sarangi, and Swedish nyckelharpa, Christian embeds her voice in translucent layers. Each time he touches an instrument, adding it to his textured arrangements, it's like unlocking the key to a serpentine journey. He also brings the rhythms slightly to the fore, reinforcing the tablas of Girish Gambhira with subtle electronica grooves. But there's no thud-thud, four-on-the-floor sell-out to a dance music subset. Waters's voice is so serene and the grooves so relentlessly languid that Shelter becomes like a long bath. Soothing, even enlightening, but the skin gets wrinkled if you stay with it too long. --John Diliberto

Customer Reviews:

Eternal heartfelt gratitude for this amazing offering.......2004-03-28

Once upon a time in the 80's, a series of chants came forward out of Arizona. These were called, "Healing Sounds of the Ancients" and they reflected the successful attempt of devotional musicians to touch into the love of Source via a Master and translate this energy into music. I have not heard (or felt) the effects of such an accomplishment since...until Rasa's Shelter. This album invites the listener to put everything aside and lift off into the energy of absolute love. The album can be examined for its technical merit (which is superb); it can be compared to earlier albums (also excellent) or other artists. For me, it stands alone as a consummate "heart-opener." I just ordered 15 copies for participants at a workshop I'm giving next week......

Rasa Shelter.......2004-01-05

It's Like a beautiful love story
a Devotional love Between Krishna and Radha
Passionate yet subte This Cd Is worth Buying
For.

Edgy, hypnotic improvisations.......2004-01-02

This, Rasa's third studio recording, finds them with a new label, more contemporary beats, and a wider range of approaches to their distinctive fusion music. Hans Christian and Girish Gambhira weave exotic instrumental tapestries on cello, sarangi, nyckelharpa, sitara, bass, usu, frame drums, shakers, synthesizers, tablas and mridangam as Kim Waters' light, mellow voice floats above them, singing devotional songs derived from the Indian tradition of Vaishnava. For only three musicians, even with overdubbing on multiple tracks, this incarnation of Rasa has a rich intensity of sound. Some of the tracks on "Shelter" are truly striking, such as the deep and moving "Gauranga Karuna", the ever-developing "Jaya Radha", and "Narada Muni, with its explorations of harmonic complexity and cool duets for strings (I'm betting it's the Indian sarangi and Scandinavian nyckelharpa playing, but they blend so well it's hard to tell!). "Arunodaya" is another interesting one--a bouncy, cheerful piece that seems to reinvent "Jiv Jago", a track from two albums ago, albeit in another key. The other selections, however, seem to revert back to Rasa's debut album in a different way--despite the addition of more contemporary backup techniques, the compositions lack that satisfying sense of harmonic and textural progression developed in the group's second recording, "Union". To be fair, this may be by design, since the music is designed to be a meditational aid, but when listening to songs that are so lushly and interestingly textured, I suppose I find more inspiration in being musically moved than musically lulled. If you like the work of Rasa, you may also enjoy another world fusion group with similar qualities: Vas, with singer/hammered-dulcimer player Azam Ali and percussionist Greg Ellis.

Masterful.Beautiful.and truly Amazing........2003-11-07

although this is their latest release, it is the first rasa album i've heard. and i adored every lovely second of it. since then i've purchased the 'live in concert' album and immediately fell in love with it as well. rasa has quickly become a personal favorite - i can't wait to see them live!!

Pop Music: