Barcelona Nights: The Best of Ottmar Liebert, Vol. 1
Editorial Reviews
Amazon.com
This compilation project's official title is already long enough, but for true accuracy it should read, The Best of Ottmar Liebert's First Two Recordings, Volume 1. Barcelona Nights strings together the more upbeat and animated selections from his two earliest recordings, Nouveau Flamenco (his famed debut) and Borrasca (plus one track, "Festival," from Poets and Angels). The package serves as the first installment in a two-disc series; the subsequent Surrender to Love will patch together romantically inclined selections of those early 1990s recordings. It's the same music, but with different sequencing and different packaging. As such, it offers graceful and pleasant listening, though the similarity in tempos gives the disc a slightly homogenous feel. Many like-minded guitarists have traveled the path that Liebert originally blazed, and Barcelona Nights offers an appealing reminder of the qualities that elicited such a huge initial reception: nimble, articulate fingerwork; charming, uncomplicated melodies; and just enough flamenco authenticity to convince maturing pop listeners that they had discovered something exotic. Highlights include the beckoning cheer of the well-known title track, and the earnest, uplifting energy of another early hit, "Heart Still/Beating." --Terry Wood
Barcelona Nights: The Best of Ottmar Liebert, Vol. 1,Ottmar Liebert,Higher Octave,Adult Alternative,Ethnic Fusion,Flamenco,Germany,New Age,New Age / Meditation,Pop
Barcelona Nights: The Best of Ottmar Liebert, Vol. 1
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Barcelona Nights: The Best of Ottmar Liebert, Vol. 1
Ottmar Liebert Manufacturer: Higher Octave ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059T5L Release Date: 2001-02-27 |
Tracks:
Amazon.com
This compilation project's official title is already long enough, but for true accuracy it should read, The Best of Ottmar Liebert's First Two Recordings, Volume 1. Barcelona Nights strings together the more upbeat and animated selections from his two earliest recordings, Nouveau Flamenco (his famed debut) and Borrasca (plus one track, "Festival," from Poets and Angels). The package serves as the first installment in a two-disc series; the subsequent Surrender to Love will patch together romantically inclined selections of those early 1990s recordings. It's the same music, but with different sequencing and different packaging. As such, it offers graceful and pleasant listening, though the similarity in tempos gives the disc a slightly homogenous feel. Many like-minded guitarists have traveled the path that Liebert originally blazed, and Barcelona Nights offers an appealing reminder of the qualities that elicited such a huge initial reception: nimble, articulate fingerwork; charming, uncomplicated melodies; and just enough flamenco authenticity to convince maturing pop listeners that they had discovered something exotic. Highlights include the beckoning cheer of the well-known title track, and the earnest, uplifting energy of another early hit, "Heart Still/Beating." --Terry WoodCustomer Reviews:
Great High Octave Guitar Jazz.......2006-08-24
If you are looking for new sounds come and get it!.......2006-06-12
Very nice music, Ottmar is very talented!.......2004-02-09
Don't bother........2004-02-01
Cross-pollination angers Nationalists.......2003-09-30
In my estimation, Flamenco has always been an art form influenced by many different forces and subject to change and evolution. Why is there such a nationalistic pride among many of its fans that ends up precluding such visionaries as Liebert, who have devoted their lives to making wonderful music, from taking part? Is it because he is not 100% Spanish?
The same exclusionary mentality that wants to limit Flamenco works well in Bible music in the South. The irony is that a Latin talent is often more welcome in other genres than a Gringo's is to Flamenco. The entire genre of Flamenco suffers much more from exclusionary thinking than it does from cross-pollination. How sad that such a beautiful art form is tainted by control freaks. Those of you who bash the likes of Liebert bash one who is intensely accomplished and pays such homage and utmost respect (not to mention commercial attention and longevity) to the art form. Very sad, indeed. You should be bashing Ricky and Enrique first!
Those of you who are so close-minded (You're probably ignoring me because of my Gringo status, anyway) should check out a really cool blue grass band I know. You'll be made to feel much more welcome than Liebert has in the wild world of Flamenco "purists."
This album is a wonderful collection of soulful, technically masterful sounds from a true visionary who pays the highest tribute to Spanish guitar by infusing it with fresh blood and vouchsafing its wonders to the masses. And it's better quality Flamenco than lots of other stuff on the market! Oh, sweet blasphemy! This is no dilettante - this man lives and breathes his music.
Other genres should only be so lucky!
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