Cast in Stone [Import]

Cast in Stone [Import]

Track Listings

1. Bleeding

2. Destroyed And Damned

3. Domus Mundi

4. Flight Of The Hydra

5. God's Forsaken

6. Mortals

7. Infectious

8. Kings Of Evil

9. You're All Going To Die

10. Judgement Day

11. Swarm

12. Intro

13. Bloodlust

14. Die Hard

15. Acid Queen

16. Burstin' Out

17. Warhead

18. Ladylust

19. The Evil One

20. Raised In Hell

See all 24 tracks on this disc

Editorial Reviews
Product Description
The dark metal veteran's 1997 album for Steamhammer, plus the 10 track 'Venom Classics Re-Recorded' bonus CD! 24 tracks total. Double slimline jewel case.

Cast in Stone,Venom,Steamhammer,Britain,British Metal,Death Metal/Black Metal,Hard Rock,Heavy Metal,Thrash

Jacques Brel Is Alive and Well and Living in Paris (1966 Original Off-Broadway Cast)
Average customer rating:

Jaques Brel still lives

Fabulous Show

Jacques Brel lives on through English Translation of his songs

A Little Night Music....

Fine Singer / Actors Do Brel Justice

Jacques Brel Is Alive and Well and Living in Paris (1966 Original Off-Broadway Cast)
Jacques Brel , Ocr , Elly Stone , and Mort Shuman
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Brel Vol. 1 (Master Serie)

Infiniment

Jacques Brel Is Alive and Well and Living in Paris

Jacques Brel Is Alive and Well and Living in Paris

The Fantasticks (Original 1960 Off-Off Broadway Cast)

ASIN: B000067AS5
Release Date: 2002-05-28

Tracks:

Marathon
Alone
Madeleine
I Loved
Mathilde
Bachelor's Dance
Timid Frieda
My Death
Jackie
Desperate Ones
Sons Of.
Amsterdam
The Bulls
Old Folks
Marieke
Brussels
Fanette
Funeral Tango
The Middle Class
You're Not Alone
Next
Carousel
If We Only Have Love

Amazon.com

At the time of this show's 1968 Greenwich Village debut, French singer-songwriter Jacques Brel's body of theatrically insightful ballads was already an obscure but deeply influential treasure trove for many American musicians. The revue's success would go on to influence artists as diverse as Leonard Cohen, Bowie (who covered "Amsterdam" shortly thereafter), and Sinatra, and it may even be responsible for one-hit wonder Terry Jacks's revival of "Seasons in the Sun".

More important, the pioneering musical-without-a-book helped introduce Brel's oft-brooding, ever evocative art to a wider American audience--and arguably had an evolutionary influence on Broadway itself. This complete reissue of the 1968 boxed set cast album offers up a rich cross-section of Brel's songs about life, death, and love--and typically sharp-eyed observations about the human follies that season them--deftly performed by a cast that includes Elly Stone, Alice Whitfield, Shawn Elliott, and, crucially, rock pioneer, Brel associate, and co-producer Mort Shuman. This new edition fleshes out the set with the sessions' only unreleased song, a sprightly take on the deliciously cynical "The Middle Class." --Jerry McCulley

Customer Reviews:

Jaques Brel still lives.......2007-04-02

The CD of the original cast is still fresh and still gives Brel's music the most fitting rendition

Fabulous Show.......2007-02-22

This compilation of Brel's songs remains one of my favorite musicals. I would recommend it to everyone!

Jacques Brel lives on through English Translation of his songs.......2007-02-12

Although I've never heard but one Jacques Brel song in French (song by he, himself on the DVD - which is a MUST BUY), I heard this "album" shortly after it came out, in the early 70's. My dad got me turned on to this music and it's stayed with me all these 40+ years. This is very special music to me and I'm thrilled to have both the CD and the DVD.

A Little Night Music...........2007-01-23

I can't explain why I might review this...it's been a long while since listening. Yet it was a show that was transformative obviously not just for me. I'm thinking Bowie and other thoughts that way...and it shaped my hopes and dreams and now, older and not so well, I listened to this tonight at 2AM, not sleeping again, recalling how I heard it then, how I hear it now.
I had a good friend who was in the show for one summer, maybe 79 or 80. Just a sad staging in a little town in Appalachia trying on some Paris. We had a dinner theater in our town, which meant an old building , some tables, small area and a stage kind of and some curtains. Rather ambitious for the town, they staged summer shows of Brel. And other things too, finally. My girlfriend as she often did hooked me into her evenings and I made drinks there as well as gave a few musical efforts and some easily forgotten attempts at choral support. On nights someone didn't show. You actually also made the food and sang the show, in those days for your audience, who tended to tip fairly poorly and be the local lawyers and med school doctors dragged out by wives seeking a cultural night of dinner theater. It was a kind of starving kids for ten bucks sing, act, cook, serve vodka/tonics, smoke and tell you the story of Boheme life while mixing blue cheese from packets of powder and creme in a frenzy preparing to figure out who plays the piano well enough as the player won't being pissed over low wages and a remark made about his big derrière. That kind of a summer. Songs probably wasted on the young.

All that said, it was/is a lovely collection of songs. Even better an experience when you learn and sing the French and can then argue incessantly about the translations and "feel" of the shows on two continents. I loved then to sing them, and find a tune floating in my head tonight from no where-just there- when "No. Love You're Not Alone" actually woke me. The American film was awful, the show best seen in revival and smoky nights in clubs. Then, in 1980 or so, it made my life richer, it's probably a good thing Susanna was such a friend...though I didn't understand, we dragged ourselves to a lot of meaning.And that rather odious experience in the Bahamas.

I think this worthy of time and listening. And a big moon would be cool, to walk on the shore and hear it once more. Think I'll slip out awhile.

Fine Singer / Actors Do Brel Justice.......2007-01-15

In 1966, an American producer named Nat Shapiro introduced Eric Blau to Mort Shuman. Five years earlier, Mr. Shapiro had introduced Mr. Blau and his wife, Elly Stone, to the songs of Jacques Brel. After hearing a recording of one of Brel's concerts, Elly Stone informed her husband that Brel was the greatest songwriter of the 20th century, and she induced him to be the very first to translate Brel into English. Shortly thereafter, Elly Stone premiered Brel's love song, Ne me quitte pas (Don't Leave Me) to American audiences in the off-Broadway revue, O Oysters, along with the first English Brel translation, Carousel, showcasing Brel's melody for La valse a mille temps (The Waltz A Thousand Times As Fast) and loosely translated lyrics.

Unbeknownst to them, about the same time Elly Stone heard her first Brel recording, Mort Shuman was undergoing something of a revelation across the Atlantic. In the midst of a successful career writing rock and roll songs (including hits for Elvis Presley, and the ubiquitous teenage anthem, Save The last Dance For Me), Mort Shuman had been wandering restlessly around Europe, and came to settle for a time in Paris. There, he became acquainted with Brel's music, and, later, with the man himself, and the two became close friends. Shuman convinced Brel that he should be allowed to translate some of his better-known songs into English, and bring them to America. More on the strength of their friendship than Shuman's reputation as a songwriter, Brel agreed, but a problem soon emerged. Although Shuman had mastered French surprisingly well, he was finding the task of translating Brel's songs quite daunting. After several attempts, Shuman found his English versions sorely lacking. He realized that it was not only that he had become too enraptured with Brel's work to find the objectivity required to do them justice, but it also became apparent that Brel's songs reflected too much of the French philosophy and politics to appeal to an American public largely besotted on syrupy, trite love songs.

Shuman returned to America, vowing to find a way to introduce Brel's songs to an English speaking public. By this time, Nat Shapiro had heard Elly Stone perform Eric Blau's first translations of Brel, and wanted more. In November 1966, Nat Shapiro persuaded Mort Shuman to hear Elly Stone perform at Julius Monk's Plaza 9, despite Shuman's reluctance, which derived from his belief that only a male singer could do Brel justice. At a table with Shapiro and a very nervous Eric Blau, Shuman applauded politely. "She's good", he told Blau, "the translations are real good". It must have rankled him somewhat that it was Blau and not Shuman who first successfully translated Brel to English.

Nat Shapiro also had the idea for the perfect venue to introduce Brel to America - an off-Broadway show. Not exactly a revue, since that implied that the songs had been heard before, what eventually took shape was the first "libretto-less" musical, Jacques Brel Is Alive and Well and Living in Paris. In addition to Elly Stone and Eric Blau's enthusiasm for Brel's music, Elly's amazing talent had won Shuman over and convinced him to work with Blau on the translations. Two years later, their labor of love finally introduced Brel's songs to an American public that was as ready for Brel, as Brel's songs were ready for America.

I am somewhat puzzled by the negative reviews by those who insist that Brel's songs can never be appreciated in anything but the original French. When Eric Blau realized, as Mort Shuman had earlier, that Brel's songs could never be translated exactly to American English (steeped as they were in French life and politics), they agreed to go for the next best thing. They opted to translate Brel's songs as closely as they could, but, when this was not possible, they kept Brel's melodies while attempting to retain the spirit of his writing, if not his actual words. What resulted were often very good translations indeed. One only has to compare the French text of songs that became Jackie, the Old Folks, Brussels, the Middle Class, Madeleine or Amsterdam to realize that, for the most part, the narrative and spirit (and sometimes even the lyrics) closely matched Brel's originals. Two additional translations, Song For Old Lovers and My Childhood, which also resembled the originals, were recorded by Elly Stone on her (now very rare) self-titled Columbia album. Miss Stone also recorded Goodbye My Friends for her second album, which was arguably a superior version of Brel's Le Moribond than the dreadful version by Rod McKuen, Seasons In the Sun.

In other cases, the translations altered Brel's songs in such a way as to make them more palatable to American tastes, while retaining Brel's concept. Thus, Jef, a song in which a man tries to cheer up a drinking buddy who has lost a great love, becomes a love song, in which one partner attempts to bolster the melancholy spirit of their beloved. In fact, some would argue that the beautiful prose of No Love You're Not Alone not only equals the poetic imagery of Brel's original lyrics quite adequately, they are actually an improvement. Conversely, When We Only Have Love was transformed from a love song to an anthem for brotherly love, yet did not destroy Brel's concept or his "poetry", but successfully built on it. Brel, by the way, often pointed out that, in his culture, it would be unforgivably vain for a songwriter to compare himself to a poet. To the French, poetry is not only a much higher art form than songwriting, Brel did not consider songwriting an art at all, but merely "a craft". All told, there are, in fact, only a few songs in this show where the lyrics, content, spirit, tone and / or subject matter were completely altered from Brel's originals.

When the show premiered in Canada, the creators were terrified that they would be taken to task by the French Canadian press for daring to present Brel in English there, as Brel is highly prized in Canada. Instead, it was the English Canadian press who savaged the show. But the French Canadian journalist, Rudel-Tessier (a bi-lingual writer, quite familiar with Brel in French) stated flatly that, although in translating the work, some of Blau / Shuman went in and some of Brel came out, he found it marvelous to have Brel in English at all. And, he gently chided his peers by pointing out that, while Shakespeare is quite popular in French, the Bard will never be quite the same in French as he is in English. So, to those who say you cannot appreciate Brel's songs in anything but French I reply, this show was written for those who never have, and never will, understand a single word of French. Does anyone really think that those who only speak French should be deprived of Shakespeare?

Even if none of this were true, I would like to point out that Jacques Brel himself, armed with exact French translations of the English lyrics, personally approved every song that was written for the show before the decision to produce it was finalized.

Besides, the passion and reverence that these performers feel for Brel and this material is evident in every song, and to those who claim that this show is an insult to Brel, I answer that it's an insult to the efforts of this fine cast to suggest that they had anything but his best interests at heart, and, as someone who is quite familiar with Brel in French, I believe they succeeded brilliantly. And as fine a songwriter as you can argue that Brel is in French, well, Elly Stone is equally as fine a singer in any language, and I bemoan the fact that she virtually squandered the balance of her career championing Brel's work, when she could have made a major name for herself, based solely on her own talent. Having seen Elly Stone perform live many times (in and out of this show), I will attest to the fact that, in her prime, she had the most impressive voice I have ever heard in a concert hall.

And in the end, it was Brel himself who gave the supreme complement to this effort. At one point, Eric Blau fretted when, in order to more closely translate Brel's lyrics to la Mort (My Death), he and Shuman had to alter Brel's melody. When they sent the new song to Brel, he responded, "You have improved it; it's better than mine". A year after the show opened, Brel flew in to New York to see it. That night, he led a standing ovation for the performers, and modestly told Blau and Shuman repeatedly that they had not only exceeded his expectations, in many instances, they had improved his work. He also told Elly Stone that she was, "the finest lady performer" he had ever seen (including Piaf, whom she was often compared to unfairly) and he told her that he wanted to write new songs specifically for her. Unfortunately for us, he never had time, but it was a testament to her talent and artistic integrity that Brel offered.

And if Brel himself was pleased with the translations featured in this glorious production, why should anyone quarrel with that?

Average customer rating:

great singers, great songs

Encores from Encores!

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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Great Musicals

ASIN: B00008XERI
Release Date: 2003-05-06

Tracks:

Overture [From Do Re Mi]
Make Someone Happy [From Do Re Mi] - Heather Headley, Brian Stokes Mitchell
All My Life [From Do Re Mi] - Nathan Lane
Tommy, Tommy [From Tenderloin] - Sarah Uriarte Berry, Patrick Wilson
Good Clean Fun [From Tenderloin] - David Ogden Stiers
My Gentle Young Johnny - Debbie Gravitte
Hostess With the Mostes' on the Ball [From Call Me Madam] - Tyne Daly
It's a Lovely Day [From Call Me Madam] - Lewis Cleale, Melissa Errico
Where or When [From Babes in Arms] - David Campbell, Erin Dilly
Johnny One Note [From Babes in Arms] - Melissa Rain Anderson
I Wish I Were in Love Again [From Babes in Arms] - Christopher Fitzgerald, Jessica Stone, Jessica Stone
Bewitched, Bothered and Bewildered [From Pal Joey] - Patti LuPone
Zip [From Pal Joey] - Bebe Neuwirth
I'm Talkin' to My Pal [From Pal Joey] - Peter Gallagher
I Am Loved [From Out of This World] - Marin Mazzie
Nobody's Chasing Me [From Out of This World] - Andrea Martin
From This Moment On [From Out of This World] - Gregg Edelman, Marin Mazzie
Falling in Love With Love [From the Boys from Syracuse] - Rebecca Luker
He and She [From the Boys from Syracuse] - Mario Cantone, Debbie Gravitte
Sing for Your Supper [From the Boys from Syracuse] - Sarah Uriarte Berry, Debbie Gravitte, Rebecca Luker

Customer Reviews:

great singers, great songs.......2006-05-03

Some of broadway's best singers are on this album, including Brian Stokes Mitchell, Debbie Gravitte, Marin Mazzie, and Rebecca Luker. (The cd is worth buying for Rebecca Luker's song alone!) The songs are beautifully orchestrated and sung. Most are light hearted and fun, leaving me with a good feeling when listening.
If you're a fan of broadway showtunes, I believe you'll enjoy this album.

Average customer rating:

POWERFUL VOICES
Best discovery in music in a quite some time.
Larger Than Life
very good
"brilliant arrangements and performances ~ The Ten Tenors"

Larger Than Life

Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002SPPG4
Release Date: 2004-09-21

Tracks:

Water/Va Pensiero
Stonde
The Way Away From You
Angel
Por Una Cabeza
Together
Feet Lift Off The Ground
Cast In Stone
Sundance
World Anthem
Destiny Lies
Thunder Point
Conquest Of Paradise
Bicycle Race

Customer Reviews:

POWERFUL VOICES.......2006-02-28

Young tenors at their individual and collective best. Powerful, dynamic, and emotionally charged performance.
Good selection of vocal works for the newcomer, some light, some heavy.

Best discovery in music in a quite some time........2005-07-08

I happened to see this ensemble perform in concert on PBS one night last winter during a fund raiser.

All that I can say is, "Wow".

Since that time I have purchased this CD for myself and as gift to three other music lovers; all of which have offered me their gratitude.

It is not very often that a musical experience of skill and talent surfaces. They hold us within the magic of voice, combined with musical stanzas and lyric, and the chemistry of TEAMWORK.
The gentlemen excel in such offerings as Vangelis' "Conquest of Paradise", "World Anthem", and the melancholy Irish "Thunderpoint", which sends chills down my spine.

If I can choose one group to open the next Olympics celebration it is The Ten Tenors.
I can only hope that they broaden their US tour.
I can also only hope that they continue to produce and record more albums.

Bravo

Larger Than Life.......2005-07-04

Yes, clearly the name alone is a homage/copy from the Three Tenors and, no, they aren't as operatic as the others. However, they are 10 guys who sing a cross between choir, Broadway, opera and a capella. That said, you'll find these guys encapitvating. First of all, the operatic aspect is a misnomer, because when they're having fun, they're at their best. Listen to them do their Dancing Queen Melody. Not only is it well done, it's fun and hysterical.

This all said, the CD contains a bonus DVD disc, which in my opinion blows away the CD. Not that it's as well produced; however, you need to see these 10 guys interact to get the idea of how good they are. Their faces express the emotion, as all 10 of them work together to take you across various musical genres. Their interaction is what makes them special, which is why I say, "Buy this CD for the DVD"

very good.......2005-07-04

Delta Air Lines featured most of this album on thier in-flight audio, and I heard it on a long flight and its equally long return. Bought the album after that. Not a fan of opera, classical, or pop, I was surprised to find that The Ten Tenors did all of these better then any of the three genres' more popular artists. I enjoy the album and recommend it as adult contemporary.

"brilliant arrangements and performances ~ The Ten Tenors".......2004-10-23

Rhino Records presents not just Three Tenors or Irish Tenors...but the latest surprise on the classical scene is The Ten Tenors with their new album "Larger Than Life", featuring a fourteen track compact disc and four cue bonus Live DVD...Australian gentlemen who will thrill you with classical vocal repertoire of ballads and even a classic rock tune or two.

Students in 1995 studying opera classics, they performed in 1998 while attending the University and began touring...haven't stopped since ~ their individuality and comradeship with close touching harmony will soon grab you and never let go ~ outstanding performances "STONDE" [Patrick Abrial/Jean Marc Grossi/Thierry Micaelli], beautiful beyond words, "POR UNA CABEZA" [Carlos Gardel/Alfredo Le Para], the tango from the film "Scent Of A Woman", the vocal is extraordinary, "SUNDANCE" [Andy Arthurs/Philip Chambon], folk genre beat with tempos that get completely under your skin, terrific arrangements by the composer, "DESTINY LIES" [Craig Atkinson/Stewart Morris], lead vocal by Jason Turbull reads like a Top Ten New Age Hit, full orchestra and chorus abound ~ "CONQUEST OF PARADISE" [Vangelis], non stop harmony and brilliant orchestration with the full voices of The Ten Tenors, enough power to light up a big city block ~ "BICYCLE RACE" [Freddie Mercury], the ultimate big hit of Queen, brilliant arrangements by Shannon Brown and Drew Graham.

If you love classical and outstanding vocals by young talent, then this one has your name on it...watch out world here comes some of the best of the best around today...hats off to Rhino and Warner Bros. for this one of a kind release...hope to see more of the same...piano, arranger and synthesizer by Steven Baker..the DVD is really a trip and a half...great job by one and all ~ The Ten Tenors

Total Time: 56:12 on 14 Tracks/DVD on 4 Tracks ~ Rhino Records 76525 ~ (9/21/2004)

Joseph And The Amazing Technicolor Dreamcoat (1992 Canadian Cast)

Average customer rating:

Fantastisc!!!!
Donny Osmondan as Joseph
Wonderful
Any Dream Will Do!
Great Music

Joseph And The Amazing Technicolor Dreamcoat (1992 Canadian Cast)
Tim Rice
Manufacturer: Polygram
ProductGroup: Music
Binding: Audio CD

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Joseph and the Amazing Technicolor Dreamcoat

ASIN: B000007UXJ
Release Date: 1994-04-19

Tracks:

Act One: Prologue - Janet Metz
Any Dream Will Do [Single Version] - Bayview Glen Chorus, Northern Explosion, Donny Osmond
Jacob and Sons/Joseph's Coat - Bayview Glen Chorus, Children, Michael Fletcher, Janet Metz, Donny Osmond, Wives
Joseph's Dreams - Rufus Bonds, Jr., Female Ensemble, Janet Metz, Donny Osmond
Poor, Poor Joseph - Rufus Bonds, Jr., Children, Female Ensemble, Janet Metz
One More Angel in Heaven - Michael Fletcher, Lee Lobenhofer, Kim Scarcella, Wives
Potiphar - Children, Michael Fletcher, Karen Holness, Male Ensemble, Janet Metz, Donny Osmond
Close Every Door - Children, , Donny Osmond
Go, Go, Go Joseph - Rufus Bonds, Jr., Children, , Trent Armand Kendall, Janet Metz, Donny Osmond
Act Two: Pharaoh Story - Children, , Janet Metz
Poor, Poor Pharaoh - Rufus Bonds, Jr., , Janet Metz, Donny Osmond, Johnny Seaton
Song of the King (Seven Fat Cows) - Children, , Johnny Seaton
Pharaoh's Dreams Explained - Children, , Donny Osmond
Stone the Crows - Female Ensemble, Janet Metz, Donny Osmond, Johnny Seaton
Those Canaan Days - Jeff Blumenkrantz, , Michael Fletcher
Brothers Come to Egypt/Grovel, Grovel - Children, Female Ensemble, Janet Metz, Donny Osmond
Who's the Thief? - Children, Female Ensemble, Janet Metz, Donny Osmond
Benjamin Calypso - Children, Female Ensemble, Mark Cassius Ferguson
Joseph All the Time - Children, Female Ensemble, Janet Metz, Donny Osmond
Jacob in Eygpt - Children, , Janet Metz
Finale: Any Dream Will Do/Give Me My Colored Coat - Children, , Janet Metz, Donny Osmond
Joseph Megamix - Full Company

Customer Reviews:

Fantastisc!!!!.......2006-05-13

what a great cd! i like osmand's voice the best. Though, i like keli rebke's voice better than janet metz. Still, it's a great cd. And i have a qestion. Does any one has pictures of this show?

Donny Osmondan as Joseph.......2006-01-20

fun Musical- great costuming- I should know I did this musical in Children's Theatre when I was in the sixth grade-Believe me Donny Osmondan has great vocal range- he's excellent as joseph, However when we did it (with my now elederly mother as the stage manger!!) the guy who played Jospeh Adam ( sixteen at the time) well, let's just say at the point I had a huge embrassing cursh on him that I still to this day never told anyone about (except my mom on one ocssain) what A hunk!!

Wonderful.......2005-02-15

This recording is wonderful! The musical's score is beautiful and is also performed beautifully on this recording! A must have for any Webber, Rice, Osmond, or Joseph fan.

Any Dream Will Do!.......2000-01-16

I saw this show 3 times with Donny and recently saw it twice with a different "Joseph"--there is no comparison. Donny brings feeling to the songs that no one else could. Duets with the narrator gave me the chills. His voice is as clear in person as it is on the CD.

My 6 year old and I sing all the songs and my 1 year old dances along. Listen to the words--it's very funny. If you are a dreamer and want a fun, magical musical that everyone can enjoy--this is the CD for you.

Great Music.......1999-10-01

This version of the soundtrack is great. I have heard other versions, and none of them hold up to this one. Donny Osmond brings a certain something to the show, and "Close Every Door" shows off his range. I think anyone would enjoy this cd.

Goldilocks (1958 Original Broadway Cast)

Average customer rating:

A beguiling album
Broadway FLOP yields a HIT original cast album
a classic cult musical
Straight from Broadway's Golden Age: It's Goldilocks!
Worth your investment - A real delight!

Goldilocks (1958 Original Broadway Cast)
Joan Ford , Walter Kerr , and Jean Kerr
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Leroy Anderson Collection

ASIN: B0000027WO
Release Date: 1992-05-19

Tracks:

Act I: Overture
Act I: Lazy Moon
Act I: Give The Little Lady
Act I: Save A Kiss
Act I: No One'll Ever Love You
Act I: Who's Been Sitting In My Chair?
Act I: There Never Was A Woman
Act I: The Pussy Foot
Act II: Lady In Waiting
Act II: The Beast In You
Act II: Shall I Take My Heart And Go?
Act II: I Can't Be In Love
Act II: Bad Companions
Act II: I Never Know When
Act II: Two Years In The Making
Act II: Heart Of Stone

Customer Reviews:

A beguiling album.......2004-10-31

Someone had a brilliant notion in getting Leroy Anderson to write a show. (It wasn't the first time; he was hired for "Wonderful Town" but was ditched in favor of Leonard Bernstein.) That it didn't quite work may owe to the fact that he was largely written out, the best of his imperishable vest-pocket tone poems long in the past. Still, this is an utterly captivating score, superbly interpreted. If you want a complete idea how it sounds you might want to get MCA's budget two-disc anthology of Anderson conducting his own music, including several of the show's dance numbers; they almost make you forget how great Arthur Fiedler was with this master of the pops.

Broadway FLOP yields a HIT original cast album.......2004-02-13

This is another splendid original cast recording from Goddard Lieberson and Columbia records. Great score by Leroy Anderson by a fine cast headed by Elaine Stritch who is in great voice here. Don Ameche is her nemesis/love interest and Pat Stanley nearly steals the show with her first act number "The Pussy Foot."

The record is short (45 minutes) and does not include the dance pice "The Town House Maxixe" which can be heard on MCA's Leroy Anderson collection. What is on the CD is quite delightful and Sony has done a first rate job coaxing excellent sound from the early stereo tapes. The booklet gives a good essay on the history of the trobled show and a detailed plot summary.

a classic cult musical.......2002-10-19

GOLDILOCKS is one of my all-time favorite 'lost musicals'. It struggled through three months and 161 performances on Broadway, only to close after scathing reviews and dwindling audiences.

GOLDILOCKS was written by theater critic Walter Kerr as a love-letter to the silent movies that had captivated him as a child. The story concerns sardonic silent-actress Maggie Harris (Elaine Stritch) who has a stormy love-hate relationship with her cocky director (Don Ameche). Complications arise in the form of beautiful Lois Lee (Pat Stanley), who sets out to steal him for herself. Maggie decides to make one more picture under the assumed name of Goldilocks, and makes one last grab at romance...

The reason why the show failed so miserably was the weakness of the book, which was magnified a thousand times over by the greatness of the score; which features "Lazy Moon", "Lady in Waiting", "The Pussy Foot", "Where is the Beast in You?", and my personal favorite "I Never Know When to Say When".

Through its lovely cast album, the musical has a devout cult following and no wonder. Elaine Stritch in her first Broadway leading-role (after years of supporting work in revivals of PAL JOEY and ON YOUR TOES) and the sparkling score of Leroy Anderson is fantastic stuff. Highly recommended.

Sony Music.

Straight from Broadway's Golden Age: It's Goldilocks!.......2001-06-29

I first discovered Goldilocks through the double draw of Leroy Anderson and Elaine Stritch. Elaine Stritch I already knew as Joanne in Company singing "The Ladies Who Lunch", and Leroy Anderson was one of my favorite composers, known for such light programmatic and novelty orchestral pieces as The Syncopated Clock, Belle of the Ball, Bugler's Holiday, The Typewriter and Plink, Plank, Plunk. That combo of names caught my eye as I was flipping through the record bins one day, and as I scanned the album cover I saw the names Don Ameche, Nathaniel Frey and Margaret Hamilton which absolutely clinched the deal. I left the store with the record and went straight home to play it. From the moment I dropped the needle (yes, I've had it that long) I was captivated, and it has since become one of my perennial favorites.

The score is top notch, particularly in the material for Stritch and the perfectly cast Don Ameche. It does sag a bit in the material for the secondary couple, but I think that's because it's the primary couple who are the comedians while the secondary couple gets stuck with the sappy side of romance. Yes, there are book problems. Walter Kerr later admitted that they kept beefing up the comedy at the expense of the love story, and reading through the book (which through an incredible stroke of good fortune I found at a local Half Price Books) that's a fair criticism. But this weakness doesn't overwhelm the show and make it unworkable. I have to agree with the assessment that with The Music Man already running featuring a slightly more lovable con artist and a sweet rather than brassy leading lady, Goldilocks wasn't able to measure up to the competition. Taken on its own terms though, Goldilocks works wonderfully.

To mention particular favorites of mine in the score, I have to start with Stritch's Act 2 torch song, "I Never Know When To Say When". Why didn't this become a standard? It stacks up with the best Broadway has to offer. You can hear the pain in Stritch's voice as she laments the mess she's made of her relationhips. "Give the Little Lady" near the top of Act 1 doesn't really cover much in the realm of plot, but it's just so much fun, and "The Beast In You" never fails to get me laughing. All of these feature Stritch alone or with the chorus, but her duet with Ameche, "No One'll Ever Love You", is just as good, and Ameche's solo number, "I Can't Be In Love", in which he discovers to his astonishment that he is indeed in love, is priceless. Then on top of that is "Bad Companions" for Don Ameche's shady sidekicks Nathaniel Frey (an excellent comic character actor who appeared in many better known shows such as Damn Yankees and She Loves Me) and Margaret Hamilton (the Wicked Witch of the West sings!) which is a hoot from start to finish. These are the standouts in my book, but the whole score is eminently listenable, pleasant and tuneful. Of course with Leroy Anderson writing the music it couldn't be anything else.

I sometimes wish I had been born 30-40 years earlier so I could have actually seen what I am only able to get the barest hint of from reading the libretto and listening to the cast album. I strongly recommend to anyone who has had enough interest to wind up here reading these reviews to make this show a permanent part of your collection. More people need to know this show!

Worth your investment - A real delight!.......2001-01-14

Having learned about the life of Leroy Anderson through the recent PBS story on his career,I was very interested to hear this famous composer's only Broadway show.

This original cast recording is a gem. The majority of the songs are first rate, the perfomers are all first rate and the recording quality sounds as fine as anything on the market today. What a shame that the show had such serious problems, such as a weak book and opening with such hits as West Side Story and Music Man already running on Broadway.

Tracks:

Clash Of The Titans - Cast In Stone
Life On Trial - Cast In Stone
You Can't Hold Me Back - Cast In Stone
Pool Of Blood - Cast In Stone
Respect Remains - Torn In Two
Crawling Through - Torn In Two
Without Honor - Torn In Two
The Greatets Gift - Torn In Two
Love Perfect - Point Of Recognition
A Letter To A Friend - Point Of Recognition
Death Sentence - Point Of Recognition
Fallen Pride - Point Of Recognition

Customer Reviews:

don't buy this.......2002-10-23

Torn in Two is good, but if you want these cuts, just get "Soli Deo Gloria" & download the rest. If you like Point of Recognition, get "Day of Defeat" -- NOT "Refresh Renew" which is really unintense. I assumed the Cast In Stone on this would be the same as on their mp3 page -- deathmetalish hardcore with barbaric ...-you vocals -- but instead, it is this weak, generic fake-hardcore ...vox. Very bad. Definitely not "tough-guy." On the same note, don't get "Life On Trial." More of the same. If you can get your hands on their new demo, get that & only that.The only really good thing about this is the P.O.R. track feat. Dave Quiggle from xDisciplex A.D., & even on that, the production ...like the rest of old P.O.R.Save your money.

Average customer rating:

Venom have returned!!!
This is the REAL VENOM
A great comeback!
Good introduction to one of the most influential bands ever
INCREDIBLE!!!!!!

Cast in Stone
Venom
Manufacturer: Cleopatra
ProductGroup: Music
Binding: Audio CD

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Resurrection
Prime Evil
Metal Black
Possessed
Christ Illusion

ASIN: B000006N16
Release Date: 1998-04-21

Tracks:

The Evil One
Raised In Hell
All Devils Eve
Bleeding
Destroyed & Damned
Domus Mundi
Flight Of The Hydra
God's Forsaken
Mortals
Infectious
Kings Of Evil
You're All Gonna Die
Judgement Day
Swarm

Tracks:

Intro
BloodLust
Die Hard
Acid Queen
Burstin' Out
Warhead
LadyLust
Mamtou
Rip Tide
Venom

Customer Reviews:

Venom have returned!!!.......2005-01-30

1997 was a year that will live in infamy. For starters, the original line-up of Venom, (Cronos, Mantas and Abbadon), was back and that's all I really think you need to know. However, I am a huge Venom fan so I will tell you what I think about it anyway. One word, classic. Venom had come back with a vengeance on this album and although it was new at the time, most of the songs are so good that this album would have been a great follow-up to 1985's "Possessed." The album opens up with the song "The Evil One" which is a slow, but good tune and introduces you to a slightly different band. "Raised in Hell" reminds me of songs off of the now legendary "Black Metal" album as does the song "All Devil's Eve". At this point in Venom's long career, a song like "Destroyed and Damned" was a breath of fresh air and "Domus Mundi" really threw me for a loop! The original unholy trinity's songwriting and musicianship had greatly improved and is in evidence throughout "Cast in Stone". Venom tried to do different things, but still retained the reckless abandon that all fans of this band are accustomed to. "Flight of the Hydra" is a track that is one of my favorite tunes because it is classic Venom. After the first 7 songs, the cd loses ground a little. The songs really don't have the best riffs in them. Out of 14 new songs, I would say 9 of them are very, very good. "Swarm", which closes the album is very weird indeed but very good. Again, I must say that Venom is always full of surprises, meaning that keyboards and acoustic guitars appear on this album from time to time, but don't let that scare you. "Cast in Stone" is worth getting, trust me. The 2nd cd is cool. It has 10 songs that were re-recorded. But, seriously folks, this was the first album where the original line-up first got back together and that is reason enough to own this truly majestic record. Old Venom fans would surprise me if they do not dig this album. This is heavy metal.

This is the REAL VENOM.......2004-06-19

It's about time Venom reunited, even if it was for a short time. But at least we got the "Venom '96" ep, "The Second Coming" live video+CD & finally this one right here: "Cast In Stone". This is how Venom should sound. Heavy as Hell. This CD kicks off with "The Evil One", the full length version that is. A shorter, rougher mixed version appeared on "Venom '96" (or "Live '96" on a different release). This song is just incredible. It's one of the heaviest and most devastating tunes Venom ever recorded. Seriously. Play it loud enough and it'll feel like a huge hammer is smashing your head in. And when Cronos growls, "Jesus f**ks you!", look out for a flaming doorway opening below you, cause you're goin' to Hell. Other awesome songs here are "Raised in Hell", a great head-bangin' number; "All Devil's Eve", where Mantas' guitar sounds like a massive freight train comin' at you; "Destroyed & Damned", another extremely powerful song, complete with thunderstorm fx & some surprisingly good singing from Cronos. But it's NOT a ballad, that's for sure. Then there's the ultimate Venom thrasher called "Flight of the Hydra", where Abaddon's arms probably fell off after he completed it. Also check out "God's Forsaken", "Mortals" and "You're All Gonna Die", a song which tells us that, no matter who you are or how important you think you are, you're still gonna take a dirt nap someday. Then when that disc is done, there's another disc full of re-recorded Venom classics like "Bloodlust", "Die Hard", "Ladylust", "Manitou" and others. And a song simply called "Venom". I don't know if this is new or a really old one that they just got around to recording, but it does have the Venom attitude. The songs on disc two are great, but of course, you can't beat the originals, you know? These CDs are how Venom might have possibly sounded if Mantas never left in the first place, but who knows? The songs are good & evil and really, really heavy, so I don't think you'll be disappointed. Reunions are sometimes crappy, but that's not the case with this one. Give your speakers a rest halfway through or they just might explode from a Venom overload. Crank it!!!

A great comeback!.......2003-12-18

This was my second venom experience and boy I'm glad I bought it. Since Venom was such an inspiration for some of my favorite groups (namely Metallica, Megadeth, and Pantera) I had to try these legends out. Because I wasn't big on their evil image and some of their insepid lyrics on the first album I bought of theirs (that album was Resurrection), I was leery about buying this disc. But to my surprise they're lyrics are a lot tamer on this album, which I personally found as a good thing. This album is just great power thrash all the way through and Cronos's voice is just amazing. He has one of the most disinct voices in the metal world. Fans of Metallica, Slayer, and Megadeth should give this disc a try. You will not doubt find similarities from this disc in all three of those bands. As a bonus you get a free second disc with newly recorded classics. I find that a lot of fans of older Venom do not like these remakes, but I dug them. It really adds a new sound to the songs with the higher production. Overall a very good album with a great bonus disc.

Good introduction to one of the most influential bands ever.......2002-12-29

A previous reviewer stated Venom as a "poor man's Slayer", so obviously he does not know his metal history. One of the most influential bands (Metallica, Slayer, and Pantera's Phil Anselmo have all sited Venom as a major influence) to ever play metal, "Cast in Stone" is a good introduction to new fans of Venom. Both discs are packed with older and newer (and in some cases newly recorded and re-recorded) songs that may take a while getting used to (those used to listening to old Metallica and Slayer may take a bit before really getting into it), but once you do you will fully appreciate the impact that Venom had on the heavy metal music genre. "The Evil One", "Raised in Hell", "Your All Gonna Die", and "Rip Ride" are all great songs and among Venom's best. All in all, those looking to get into Venom should definitely give this a shot. A mini-poster is also included that is a pretty cool extra.

INCREDIBLE!!!!!!.......2002-05-09

This is my first Venom CD and man was I blown away. I had heard some of their songs before but once I put Disc 1 of this CD I was blown away. This was total thrash metal with AWESOME lyrics! Venom came out in 1979 before thrash, death, and black metal existed and I truly believe that Venom influenced all 3 genres. The person that called this "a poor man's slayer" truly doesn't know what he's talking about. This band came out before Slayer, influenced Slayer and Slayer knows and pays tribute to this band all the time. Now, this may not be the most talented band of all time but this is just one of those CDS that when you put it in you are in another world and everything in my life is good. Also, it is 2 discs for only 15 bucks so it is well worth it. Buy today, or continue posing.

Americans In London 1947 - 1951: Original London Cast Recordings From Oklahoma! (1947) / Annie Get Your Gun (1947) / Carousel (1950) / Zip Goes A Million (1951)

Average customer rating:

Review of Americans in London

Americans In London 1947 - 1951: Original London Cast Recordings From Oklahoma! (1947) / Annie Get Your Gun (1947) / Carousel (1950) / Zip Goes A Million (1951)
Oscar Hammerstein II , and Erich Mashwitz
Manufacturer: Encore
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

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General | Vocal Pop | Pop | Styles | Music

Broadway & Vocalists | Indie Music | Stores | Music

Vocal Jazz | Jazz | Indie Music | Stores | Music

Traditional & Vocal Pop | Pop | Indie Music | Stores | Music
ASIN: B000001ZRD
Release Date: 2000-01-01

Tracks:

Oklahoma!: Oh What A Beautiful Mornin'/The Surrey With The Fringe On Top/Out Of My Dreams
Oklahoma!: Kansas City/I Can't Say No/People Will Say We're In Love
Oklahoma!: The Farmer And The Cowman/Pore Jud Is Daid/It's A Scandal, It's An Outrage
Oklahoma!: Many A New Day/All 'Er Nothin'/Oklahoma!
Annie Get Your Gun: The Girl That I Marry/They Say It's Wonderful/There's No Business Like Show...
Annie Get Your Gun: You Can't Get A Man With A Gun/My Defenses Are Down/I Got Lost In His Arms
Annie Get Your Gun: Moonshine Lullaby/They Say It's Wonderful/Doin' What Comes Natur'lly
Annie Get Your Gun: Who Do You Love, I Hope?/Anything You Can Do/I'm A Bad Bad Man/I Got The Sun...
Carousel: June Is Bustin' Out All Over/Mister Snow/When The Children Are Asleep...
Carousel: If Loved You
Carousel: A Real Nice Clambake/Blow High, Blow Low
Carousel: What's The Use Of Wond'rin/My Little Girl/You'll Never Walk Alone
Zip Goes A Million: Saving Up For Sally
Zip Goes A Million: Ordinary People
Zip Goes A Million: Zipe Goes A Million/Running Away To Land/Zip Goes A Million
Zip Goes A Million: It Takes No Time To Fall In Love
Zip Goes A Million: Nothing Breaks But The Heart
Zip Goes A Million: Pleasure Cruise

Customer Reviews:

Review of Americans in London.......2006-03-09

The recording is excellent and replaces my old 78 recordings which I transferred to tape some years ago. But they have that horrible hissing noise which spoils my enjoyment of them.
It is to be observed that although the cast is American, the orchestras and conductors are British (except for Debroy Sommers). I know qite a bot about Deboy Sommers and Lew Stone, but can anyone fill me in about Reginald Burston?
The CD is great. Thank you to Amazon for this.

Average customer rating:

A very nice surprise...

Cast in Stone
Venom
Manufacturer: Castle Us
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Metal Black
Resurrection
At War with Satan

ASIN: B000G1R4LQ
Release Date: 2006-07-18

Tracks:

The Evil One
Raised In Hell
All Devils Eve
Bleeding
Destroyed And Damned
Domus Mundi
Flight Of The Hydra
God's Foresaken
Mortals
Infectious
Kings Of Evil
You're All Gonna Die
Judgement Day
Swarm

Tracks:

Intro
Bloodlust
Die Hard
Acid Queen
Bursting Out
Warhead
Lady Lust
Manitou
Rip Ride
Venom
Gates Of Hell
Welcome To Hell
In Nomine Satanas
Black Metal
The Evil One

Customer Reviews:

A very nice surprise..........2006-11-06

I actually bought this cd already knowing what i was Getting... the Cronos - Mantas - Abbaddon Venom is a guarantee of excelent raw metal music. but when i heard the bonus CD it became my personal automatic favorite. all of the versions are fantastic, and specially the slow/raw/powerful version of "Welcome to Hell", wich became, for my taste, the best version of the song i've heard since the original.it had never sounded so great, even in the live albums..
About the Cast in stone CD, it's really good enough, a little tiring in the middle, but it doesn't dissapoint any venom fan. Evil One is one of my favorite songs of al times too, and i enjoyed both versions.. if you really like Venom, and if you share the old-times-were-better-times feeling, then listening to these new versions of Venom Classics will make your blood boil just like the day you listened to your first venom song..