The Mind's I [Import]

The Mind's I [Import]

Track Listings

1. Dreamlore Degenerate

2. Zodijackyl Light

3. Hedon

4. Scythe, Rage And Roses

5. Constant

6. Dissolution Factor Red

7. Insanity's Crescendo

8. Still Moving Sinews

9. Atom Heart 243.5

10. Tidal Tantrum

11. Tongues

12. Mind's Eye

13. Razorfever

14. Shadowlit Facade

15. Archetype

Tracks:

Sweet And Lowdown
Novelette In Fourths
That Certain Feeling
So Am I
Rhapsody In Blue
Swanee
When You Want 'Em, You Can't Get 'Em...
Kickin' The Clouds Away
Idol Dreams
On My Mind The Whole Night Long
Scandal Walk
An American In Paris

Customer Reviews:

Wonderfully American.......2007-05-14

I've had a copy of this CD for years and love it. The power and optimism of the music is really quite remarkable... regardless of who or what is actually playing here. The arrangement of Swanee is light but rich with major chord trains like you just want to go marching around the room. And American In Paris leads you on a swaying, dischordy journey the deeper you go, as the narrative begins to trade delicacy for passion. (and I love renditions where you can hear the MUSIC and the instruments don't get in the way, like four-voice midi versions of Bach which reveal the eloquence).

When I listen to this CD now, and which is most surpring to me, I hear a profound pride in America - back "before." I play it when I have people over and we put burgers on the grill. This CD is the song of sitting in my back yard with the clouds blowing by and for the moment things feel OK.

"Before" - OK, there is no old perfect Amercia; but I'm thinking of the time before we learned to distill petroleum into toxic pollution, before pride meant vanity and thuggery, before hate-filled invective became public amusement, and before presidents went to war because it was good for business.

A Gersh-winner.......2007-01-07

George Gershwin had a long association with the mechanical device known as the player piano. At the age of ten, Gershwin used a neighbor's pianola to teach himself how to play, by very slowly pumping the foot pedal that advanced the hole-punched rolls, and placing his fingers on the depressed keys. His parents were so impressed by his abilities they enrolled the boy in formal piano studies when he turned 13. Thus, an American genius was born.

The existing films of Gershwin (who died of a brain tumor at age 38 in 1937) show him to be a virtuoso at his instrument. His 1924 acoustic recording of Rhapsody In Blue (with the Paul Whiteman orchestra) is further evidence of this. But no film or recording has what is contained within the album GERSHWIN PLAYS GERSHWIN: THE PIANO ROLLS, and that is-- full fidelity range.

The CD comes in a standard jewel case packaged in a heavy paper slipcover. Biographical liner notes are included along with details on the rolls. The earliest performance in this set is from 1916, made when Gershwin was an 18-year-old song plugger. My favorites here are "Swanee," from 1920, and "An American In Paris," from 1933, which is undoubtedly one of the last significant piano rolls ever made.

Gershwin's dynamic performances are not in the least obscured by the few extra notes added to the piano rolls (such practice was standard in those days). Listening to these recordings is like sitting next to this brilliant man, observing his fingers fly over the keys as he plays some of his best work.

TOTAL RUNNING TIME -- 60:36

Interesting... but I think I'd prefer a good Gershwin interpreter.......2006-05-14

Composers are not necessarily the best performers of their own work. A songwriter's songwriter like Jules Shear or Jimmy Webb comes to mind -- surely the best representations of their songs are on other artist's albums.

This album is charming in its own way -- a taste of the music and performance style of a bygone era. Someone complained that these rolls were edited. So what? I'm going to review the final product, now how it was made. Do you eat sausage? Ask not what's in it!

I like to listen to this CD in short bits -- a few songs at a time. For some reason I find it to be fatiguing if I listen for more than 20 minutes or so. I'm not absolutely sure why this is so. Possibly the meter is just a little too metronomic on many of the songs. This lends a "mechanical" quality to the performances.

Additionally, I felt that the dynamic range was restricted. The music does get louder and softer, because of the piano rolls themselves and because of the computer programming used to read the piano rolls -- the dynamics were deliberately adjusted by the record producers in some spots, if I read the liner notes correctly. And yet. And yet. Still these songs do not dynamically "breathe" fully in and out the way they ought to. I find this disappointing, but I think it has something to do with inherent limitations in piano roll recording technique. I'm guessing.

Taken for what it is, it is an interesting concept, and the sound quality is very pleasant. The performances are very good for piano rolls, but fall short of what a good interpreter could do. Take, for example, the Rhapsody in Blue from Woody Allen's Manhattan soundtrack. Listen specifically to the piano part -- the dynamics and variations in rhythm. This is not by any means the best performance of Rhapsody, but it is better than the Gershwin rolls.

Gershwin's playing overated.......2006-04-09

After I heard this cd I bought Gershwin plays Gershwin on the naxos label which arn't piano rolls. Any pianist can tell that many of these rolls are heavily edited and can't be played by a pianists with two hands. On the naxos album that has some of these same songs Gershwin's actual playing doesn't sound very good. Many of Gershwins contempories such as James P. Johnson, Eubie Blake, Luckey Roberts and even Zez Confrey were much better pianists than he was, however they didn't have his melodic gifts as a composer. I would recommend Artis Whodhouse's
transcriptions of Jelly Roll Morton's piano rolls (on the same label) instead because most of those are exactly how he played them and in my opinion Morton was a better musician in every way than Gershwin.

The jazzy Gershwin. What a CD!!!!!!!.......2006-02-23

I got this CD as a gift. I am all for the austrogerman post- romantic music and as imagined Gershwin is not my favourite composer. I know him from his best known works such as the 'Rhapsody", the 'American' and his great songs. This CD is a treasure as mentioned from other reviewers of this site. Gershwin full of passion, his music being jazzy to the very end and that great feeling you get after a great live performance is present all over the length of this 'treasure'. No question about the presence of the music. Not to be missed

Broadway - The American Musical (PBS Series)

Average customer rating:

Fabulous for any Broadway-lover
Top Shelf
TERRIFIC CD'S
Great Collection of Broadways greatest Songs
Great Compilation!

Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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Movie Scores | Soundtracks | Styles | Music

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General | Broadway & Vocalists | Styles | Music

General | Vocal Pop | Pop | Styles | Music
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The Best of Broadway - The American Musical (PBS Series)
Broadway: The American Musical
Broadway: The American Musical
Broadway - The American Musical (PBS Series)
Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Dowland - The Collected Works / The Consort of Musicke, Rooley

Average customer rating:

The greatest songs ever?
A musical treasure-box
a beautiful journey into melancholy

Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Pavanes | Ballets & Dances | Classical | Styles | Music

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Dowland: Complete Lute Works, Vol.1-5
William Byrd: Consort Songs
Bach: The Landowska Recordings
Britten Conducts Britten
Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

First Booke Of Songes: I. Unquiet Thoughts
First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
First Booke Of Songes: IV. If My Complaints Could Passions Move
First Booke Of Songes: V. Can She Excuse My Wrongs
First Booke Of Songes: VI. Now, O Now, I Needs Must Part
First Booke Of Songes: VII. Dear, If You Change
First Booke Of Songes: VIII. Burst Fourth My Tears
First Booke Of Songes: IX. Go Crystal Tears
First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
First Booke Of Songes: XI. Come Away, Come Sweet Love
First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
First Booke Of Songes: XIII. Sleep, Wayward Thoughts
First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
First Booke Of Songes: XVI. Would My Conceit
First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
First Booke Of Songes: XVIII. His Golden Locks
First Booke Of Songes: XIX. Awake, Sweet Love
First Booke Of Songes: XX. Come, Heavy Sleep
First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

Second Booke Of Songs: I. I Saw My Lady Weep
Second Booke Of Songs: II. Flow My Tears
Second Booke Of Songs: III. Sorrow, Stay
Second Booke Of Songs: IV. Die Not Before Thy Day
Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
Second Booke Of Songs: VI. Time's Eldest Son
Second Booke Of Songs: VII. Then Sit Thee Down
Second Booke Of Songs: VIII. When Others Sing Venite
Second Booke Of Songs: IX. Praise Blindness Eyes
Second Booke Of Songs: X. O Sweet Woods
Second Booke Of Songs: XI. If Floods Of Tears
Second Booke Of Songs: XII. Fine Knacks For Ladies
Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
Second Booke Of Songs: XV. White As Lilies Was Her Face
Second Booke Of Songs: XVI. Woeful Heart
Second Booke Of Songs: XVII. A Shepherd In A Shade
Second Booke Of Songs: XVIII. Faction That Ever Dwells
Second Booke Of Songs: XIX. Shall I Sue
Second Booke Of Songs: XX. Toss Not My Soul
Second Booke Of Songs: XXI. Clear Or Cloudy
Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

Third Booke Of Songs 1603: I. Farewell, Too Fair
Third Booke Of Songs 1603: II. Time Stands Still
Third Booke Of Songs 1603: III. Behold A Wonder Here
Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
Third Booke Of Songs 1603: V. Me, Me, And None But Me
Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
Third Booke Of Songs 1603: IX. What If I Never Speed?
Third Booke Of Songs 1603: X. Love Stood Amazed
Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
Third Booke Of Songs 1603: XIII. O What Hath Overwrought
Third Booke Of Songs 1603: XIV. Farewell, Unkind
Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
Third Booke Of Songs 1603: XVI. Fie On This Feigning!
Third Booke Of Songs 1603: XVII. I Must Complain
Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

A Pilgrimes Solace: I. Disdain Me Still
A Pilgrimes Solace: II. Sweet Stay Awhile
A Pilgrimes Solace: III. To Ask For All Thy Love
A Pilgrimes Solace: IV. Love, Those Beams That Breed
A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
A Pilgrimes Solace: VI. Were Every Thought An Eye
A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
A Pilgrimes Solace: VIII. Tell Me, True Love
A Pilgrimes Solace: IX. Go Nightly Cares
A Pilgrimes Solace: X. From Silent Night
A Pilgrimes Solace: XI. Lasso vita mia
A Pilgrimes Solace: XII. In This Trembling Shadow Cast
A Pilgrimes Solace: XIII. If That A Sinner's Sights
A Pilgrimes Solace: XIV. Thou Mighty God
A Pilgrimes Solace: XV. When David's Life
A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

A Pilgrimes Solace: XVII. Where Sin Sore Wounding
A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
A Pilgrimes Solace: XIX. Up Merry Mates
A Pilgrimes Solace: XX. Welcome Black Night
A Pilgrimes Solace: XXI. Cease, Cease These False Sports
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
Mr. Henry Noell Lamentations: II. Domine ne in furore
Mr. Henry Noell Lamentations: III. Miserere mei Deus
Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
Mr. Henry Noell Lamentations: VI. De profundis
Mr. Henry Noell Lamentations: VII. Domine exaudi
Lachrimae: Lachrimae Antiquae
Lachrimae: Lachrimae Antiquae Novae
Lachrimae: Lachrimae Gementes
Lachrimae: Lachrimae Tristes
Lachrimae: Lachrimae Coactae
Lachrimae: Lachrimae Amantis
Lachrimae: Lachrimae Verae
Lachrimae: Mr. John Langton's Pavan
Lachrimae: Mr. Nicholas Gryffith His Galiard
Lachrimae: Sir John Souch His Galiard
Lachrimae: Semper Dowland Semper Dolens
Lachrimae: Mr. Giles Hobies Galiard
Lachrimae: The King Of Denmark's Galiard
Lachrimae: Sir Henry Umpton's Funerall
Lachrimae: Mr. Henry Noell His Galiard
Lachrimae: The Earl Of Essex Galiard
Lachrimae: Mr. Bucton His Galiard
Lachrimae: Mr. George Whitehead His Almand
Lachrimae: Captain Digorie Piper His Galiard
Lachrimae: Mr. Thomas Collier His Galiard
Lachrimae: Mrs. Nichols Almand

Tracks:

Sacred Songs: Sorrow, Come!
Sacred Songs: I Shame At Mine Unworthiness
Sacred Songs: An Heart That's Broken And Contrite
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 38: Put Me Not To Rebuke O Lord
Psalms: Psalm 130: Lord To Thee I Make My Moan
Psalms: Psalm 104: My Soul Praise The Lord
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 134: Behold And Have Regard
A Prayer For The Queen's Most Excellent Majesty
Instrumental Music: Solus cum sola pavan
Instrumental Music: Lachrimae
Instrumental Music: Galliard
Instrumental Music: Pipers Pavan
Instrumental Music: Lachrimae
Instrumental Music: Lady Rich Galliard
Instrumental Music: Earl Of Essex Galliard
Instrumental Music: If My Complaints
Instrumental Music: Lachrimae Doolande
Instrumental Music: Lord Willoughbie's Welcome Home
Instrumental Music: My Lord Chamberlaine His Galliard
Instrumental Music: Comagain
Instrumental Music: Pavan Lachrymae
Instrumental Music: Sorrow Stay

Tracks:

Lute Music: Preludium
Lute Music: Lachrimae
Lute Music: Can She Excuse
Lute Music: Dr. Case's Pavan
Lute Music: Melancholy Galliard
Lute Music: Sir John Smith, His Almain
Lute Music: Fantasia
Lute Music: A Dream
Lute Music: Almain
Lute Music: The Queen's Galliard
Lute Music: Coranto
Lute Music: Resolution
Lute Music: Mrs. Vaux Galliard
Lute Music: Almain
Lute Music: Mr. Dowland's MIdnight
Lute Music: Fantasia
Lute Music: Loth To Depart
Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
Lute Music: The Earl Of Essex, His Galliard
Lute Music: Pavan
Lute Music: John Dowland's Galliard
Lute Music: Aloe
Lute Music: The Lady Clifton's Spirit
Lute Music: What If A Day
Lute Music: Mr. Giles Hobie's Galliard
Lute Music: Come Away (Song arrangement)
Lute Music: Galliard
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Lachrimae (Basic Version)
Lute Music: Galliard To Lachrimae
Lute Music: [Jig]
Lute Music: Galliard On 'Wasingham'
Lute Music: Complaint (Ballad Setting)
Lute Music: Mignarda (Galliard)
Lute Music: Semper Dowland Semper Dolens (Pavan)
Lute Music: The Frog Galliard
Lute Music: A Fancy (Fantasia)
Lute Music: Fancy (Fantasia)
Lute Music: Piper's Pavan
Lute Music: Captain Digorie Piper's Galliard
Lute Music: Lady Laiton's Almain
Lute Music: Dowland's Galliard
Lute Music: Dowland's First Galliard
Lute Music: Tarleton's Jig
Lute Music: Walsingham (ballad Setting)
Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
Lute Music: Sir Henry Guilforde, His Almain
Lute Music: Pavan (Related To 'Lachrimae')
Lute Music: Mr. Langton's Galliard
Lute Music: Mrs. Clifton's Almain
Lute Music: Galliard
Lute Music: Lady Hunsdon's Puffe (Almain)
Lute Music: Galliard
Lute Music: Go From My Window (Ballad Setting)
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Pavana Johan Douland
Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
Lute Music: La mia Barbara
Lute Music: Sir Henry Umpton's Funeral (Pavan)
Lute Music: Lachrimae
Lute Music: Farewell Fancy (Chromatic Fantasia)
Lute Music: Farewell (On The 'In Nomine' Theme)
Lute Music: The King of Denmark's Galliard
Lute Music: Mrs. Vaux's Jig
Lute Music: Mrs. Nichol's Almain
Lute Music: Galliard
Lute Music: Lord Strang's March
Lute Music: Mrs. Winter's Jump
Lute Music: Can She Excuse (Galliard)
Lute Music: The Shoemaker's Wife, A Toy
Lute Music: Mrs. Norrish's Delight
Lute Music: Galliard
Lute Music: Mrs. White's Thing (Almain)
Lute Music: Mrs. White's Nothing
Lute Music: The Frog Galliard
Lute Music: Solus cum sola
Lute Music: The Lord Viscount Lisle, His Galliard
Lute Music: Orlando Sleepeth (Ballad Setting)
Lute Music: Robin (Ballad Setting)
Lute Music: Galliard (On A Galliard By Daniel Bacheler)
Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

Lute Music: The Lady Russell's Pavan
Lute Music: Fancy (Fantasia)
Lute Music: Sir John Langton's Pavan
Lute Music: Earl Of Derby, His Galliard
Lute Music: A Coy Toy
Lute Music: Fortune My Foe
Lute Music: [Almain]
Lute Music: Mr. Knight's Galliard
Lute Music: Sir John Souch His Galliard
Lute Music: Tarletone's Riserrectione
Lute Music: The Lady Rich, Her Galliard
Consort Music: Lachrimae Pavan
Consort Music: Can She Excuse Galliard
Consort Music: Captain Piper's Pavan And Galliard
Consort Music: The Frog Galliard
Consort Music: Round Battell Galliard
Consort Music: Fortune My Foe
Consort Music: Dowland's First Galliard
Consort Music: Katherine Darcie's Galliard
Consort Music: Tarleton's Jigge
Consort Music: Almain a 2
Consort Music: Mistress Nichols Almain a 2
Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
Opusculum: Mr. John Langton Pavan And Galliard
Opusculum: La mia Barbara Pavan and Galliard
Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

Consort Music: Mistress NIchols Almain
Consort Music: Volta a 4 ('Ioh. Douland')
Consort Music: Were Every Thought an Eye
Consort Music: Lady If You So Spite Me
Consort Music: Pavan a 4
A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
A Musicall Banquet: VIII. Far From Triumphing Court
A Musicall Banquet: IX. Lady, If You So Spite Me
A Musicall Banquet: X. In Darkness Let Me Dwell
A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

The greatest songs ever?.......2007-07-26

I heard 'clear or cloudy', from this recording, on the radio recently and had to purchase it. It is strange but it is the sort of song that makes life prior to listening to it different from life after. I find it sad that so many people haven't heard it. There are also many other wonderful works in this collection. Given you get twelve well recorded CDs with top quality performances, this has to be one of the bargains of the age.

Please buy it.

A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Tracks:

Theme From Mission Impossible - Schifrin
Theme From Gladiator - Zimmer
Hedwig's Theme - Williams
Harry's Wondrous World - Williams
Allegro Moderato - Symphony No. 8 'Unfinished' - Schubert
Suite From Shakespeare In Love - Warbeck
Out Of Africa - Barry
Requiem, Rex Tremendae - Mozart
Prelude In E Minor, Op. 28, No. 4 - Chopin
Suite No. 3 In D, Air On The G String - J.S. Bach
I Will Always Love You - Parton
Symphony No. 40, Molto Allegro - Mozart
Finlandia - Sibelius
My Heart Will Go On - Horner

Tracks:

Theme From Lord Of The Rings - Shore
Overture To All That Jazz - Kander & Ebb
'Trout' Quintet, Theme, Andantino And Variations - Schubert
Prelude No. 15 In D-Flat - Chopin
Windmills Of Your Mind - LeGrand
(Everything I Do) I Do It For You - KAMEN
Theme From Schindler's List - Williams
Also Sprach Zarathustra, Excerpt - Strauss
Symphony No. 3, Lento Cantabile - Semplice - Gorecki
Die Walkure, Ride Of The Valkyries - Wagner
Goldberg Variations, Aria Da Capo - J.S. Bach
Theme From License To Kill - KAMEN
Sonata No. 8, Op. 13, 'Pathetique,' Andante Cantabile - Beethoven
Die Another Day - Arnold
Symphony No. 9, Ode To Joy, Excerpt - Beethoven

Customer Reviews:

Movie Themes CD.......2007-03-10

Very nice CD with beautiful music from past movies. Very relaxing music to listen to.

"three decades of film composers ~ Simply The Best".......2004-03-06

Rhino Movie Music presents "Simply The Best Movie Themes", featuring the Royal Philharmonic Orchestra and other various artists ~ within the realm of the following composers David Arnold, John Barry, Alan Bergman, Marilyn Bergman, Wendy Carlos, Fred Ebb, James Horner, James Newton Howard, Michael Kamen, John Kander, Michel Legrand, Alex North, Basil Poledouris, Howard Shore, Wladyslaw Szpilman, Stephen Warbeck, John Williams and Hans Zimmer ~ each composer has created one or more of the scores in this twenty nine classic line up.

Film scores covering over three decades with "2001:SPACE ODYSSEY", "A CLOCKWORK ORANGE", "APOCALYPSE NOW", "THE BODYGUARD(I Will Always Love You)", "CHICAGO(Overture to All That Jazz), "DIE ANOTHER DAY", "EYES WIDE SHUT", "FEARLESS", "GLADIATOR(Theme)", "HANNIBAL", "HARRY POTTER AND THE SORCERER'S STONE(Hedwig's Theme)", "HARRY POTTER AND THE SORCERER'S STONE(Harry's Wondrous World)", "THE HUNT FOR RED OCTOBER", "JURASSIC PARK:THE LOST WORLD", "LICENSE TO KILL, "LIVING DAYLIGHTS", "THE LORD OF THE RINGS(Theme)", "MINORITY REPORT", "MISSION IMPOSSIBLE (Theme)", "OUT OF AFRICA", "THE PIANIST", "ROBIN HOOD, PRINCE OF THIEVES", "SCHINDLER'S LIST", "SE7EN", "SHADOWLANDS", "SHAKESPEARE IN LOVE", "THE SIXTH SENSE", "THE THOMAS CROWN AFFAIR"and "TITANIC(My Heart Will Go On)" ~ a mixture of original compositions and classics of the old masters. Loaded with not just themes, but full of orchestral arrangements that are fresh and rewarding ~ sure to bring back those special moments from the film.

The presentation is superb with every cue inclusive with spectacular performances from suspense, romance and adventure all rolled into a two disc package. Rhino must be commended on doing such a great job and doing it well. Most serious "film-score-buffs" will welcome this compilation, has many cues available all under one banner ~ Rhino Records...gotta love it!

Total Time: 2-CD-Set ~ Rhino/Warner Classics 78061 ~ (2/24/2004)

Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
Average customer rating:

The Best Of Gilbert And Sullivan

Pure delight

Delicious G&S samplings abound here.

Fine Intro to G&S

Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
Nicholas Folwell , Arthur Sullivan , Marie McLaughlin , Rebecca Evans , Anthony Rolfe Johnson , John Mark Ainsley , Alwyn Mellor , Anne Howells , Barry Banks , Eric Garrett , Felicity Palmer , Gareth Rhys Davies , Janice Watson , Julie Gossage , Neill Archer , Pamela Helen Stephen , Peter Savidge , Richard Stuart , Richard Suart , Richard Van Allan , Sir Thomas Allen [baritone] , Sir Charles Mackerras , and Welsh National Opera
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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The Gilbert and Sullivan Overtures

ASIN: B000003D1Y
Release Date: 1996-01-23

Tracks:

A Wandering Minstrel I
Behold The Lord High Executioner!
Three Little Maids From School Are We
Braid The Raven Hair
The Flowers That Bloom In The Spring
On A Tree By A River, A Little Tom-tit Sang, 'Willow, Tit-willow'
For He's Gone And Married Yum-Yum
We Sail The Ocean Blue
I'm Called Little Buttercup
My Gallant Crew
When I Was A Lad
Things Are Seldom What They Seem
Never Mind The Why And Wherefore
Climbing Over Rocky Mountain
Poor Wand'ring One
How Beautifully Blue The Sky
I Am The Very Model Of A Modern Major-General
When The Foeman Bares His Steel
Ah, Leave Me Not To Pine
With Cat-Like Tread
Is Life A Boon?
I Have A Song To Sing, O!
Were I Thy Bride
Oh, A Private Buffoon Is A Light-Hearted Loon
When A Wooer Goes A-Wooing
When I, Good Friends, Was Called To The Bar
A Nice Dilemma We Have Here
Oh, Joy Unbounded

Customer Reviews:

The Best Of Gilbert And Sullivan.......2004-03-15

At the end of the 19th century (1870's, 80's and 90's) the compatible duo of librettist and composer Gilbert and Sullivan popularized the pre-Broadway entertainment of Savoy opera. These were light operas or operettas whose content was satire and comedy, full of bouncy melodies and beautiful singing, highly entertaining theatrical works staged at London's Savoy theatre. Gilbert and Sullivan did not always get along and in fact there was a time when they ended their professional relationship because personal conflicts surfaced. But they managed to create the world's most beloved light operas, over 40 of them. Their most famous are what I call the Big Three- The H.M.S. Pinafore, The Pirates Of Penzance and The Mikado. Other works include their first hit Trial By Jury, The Yeomen Of The Guard, Princess Ida, The Gondoliers, Patience and several others. A standard signature of Gilbert and Sullivan was in the colorful cast- a comic actor with a special kind of baritone voice, a canary-like and sweet-voiced coloratura or lyric diva, a mezzo soprano with strong chest register and a lyric tenor as the romantic hero. On this album, English conductor Sir Charles Mackerras, a popular figure in the classical music scene and opera, guides the Chorus and Orchestra Of the Welsh National Opera in generally well-delivered performances of excerpts from the operas The Mikado, The H.M.S. Pinafore, The Pirates Of Penzance, Yeomen Of The Guard and Trial By Jury. Although I feel that the recordings made by the D'Oyly Carte Opera Company, with Isodore Godfrey conducting and starring the best cast of the Gilbert and Sullivan repertoire- the singers of the 60's and 70's- tenor Phillip Potter, soprano Valerie Masterson, baritone John Reed, Donald Adams and mezzo soprano Christine Palmer. Their version of the Pirates Of Penzance and the Mikado far outshine the Welsh National Opera in technical mastery and vibrant tone color.

But these are fine excerpts. Especially appealing is the famous and cheerful "Three Little Maids From School Are We", a trio that imitates Japanese style melody. Most of the Mikado does this, for it was inspired by Japanisme or the new fashion in Victorian England- everything Japanese, from prints to paintings to poetry. Gilbert and Sullivan simply "Japanized" their English operettas. The Finale "For He's Gone To Marry Yum Yum" is an ebullient and pleasant finale. Not featured here is the domineering and powerful Katisha, a figure who stands out in the Mikado.

The H.M.S. Pinafore is Gilbert and Sullivan's most popular work. The sea chanty "We Sail The Ocean Blue" opens the opera with appropriate atmosphere and it seems to fit perfectly with the other scene in which the Captain greets his crew and they sing his praises "My Gallant Crew..I am the Captain Of The Pinafore". A beautiful melody that seems to come out of a romantic Offenbach tune is "I"m Called Little Buttercup". The finale, not featured here, is also very engaging "For He Is An Englishman" which can almost resemble a British national anthem. The Yeomen Of The Guard was Gilbert and Sullivan's "serious opera" eventhough it remains very Savoyard. The plot deals with Tudor England and takes place at the London Tower. "I have a song to sing" makes use of what can be taken for an English ballad of the Renaissance. Trial By Jury, about the eccentric and hilarious activity of a court trial, has a sextet that although different in composition, has the sextet "Che Mi Frena" from Donizetti's Lucia Di Lammermoor in mind. All in all, an excellent recording sure to delight young and old.

Pure delight.......2003-08-02

--Gilbert & Sullivan--
William Gilbert and Arthur Sullivan were a match made in heaven, yet on earth their pairing seems even with hindsight a most unlikely coupling. Both were destined for other things, Gilbert in fact for decidedly non-musical careers. Introduced by a mutual friend, Fred Clay, the fledgling lyricist Gilbert met the military-band-leader's son Sullivan and together continued to conspire to inspire the delights of audiences from high Victorian times down to the present, as their work in musical theatre comedy continues to provide merriment throughout the English-speaking world and beyond.

--The Music--
This collection includes highlights from five of the most popular Gilbert & Sullivan operettas: The Mikado, HMS Pinafore, The Pirates of Penzance, The Yeoman of the Guard, and Trial by Jury. The arrangements and orchestrations are delightfully energetic and clear; the characterisation and vocal qualities of the leads are perfect for their roles. The haughty if misplaced Lord of the Admiralty has the perfect combination of insecurity and pompous officiousness. The Plaintiff and the Defendant in the Trial are perfectly cast. This is a collection of highlights - at least three but no more than seven songs each, but this gives a good flavour of the music. The recordings on this collection come from complete performances by Mackerras and the WNO.

--Sir Charles Mackerras--
Mackerras is one of the geniuses of the twentieth century musical scene. Having a conducting career that includes the Hamburg Opera, the English National Opera (formerly Sadlers Wells Opera), and the Welsh National Opera (the performers for this piece), he has also conducted major orchestras on the continent of Europe and in the United States. The holder of many major awards and honourary doctorates, he has devoted much time and energy to the preservation and performance of eighteenth and nineteenth century music, as well the restoration of historical musical venues, such as the Estates Theatre in Prague, scene of the original production of Don Giovanni (Mackerras conducted the opera there to commemorate the bicentenary of the death of Mozart).

--Welsh National Opera Orchestra and Chorus--
The seeds of the WNO were planted in Cardiff during World War II by music lovers; the first performances occurred a year after the war's end, with Cavalleria rusticana and Pagliacci on the bill, with Faust the next night. Popular appeal was so great that the WNO was established, later adding choruses in both Cardiff and Swansea. The professional chorus was established in 1973, with a strength that matches the orchestra. They continue an ambitious performance schedule for recording and live events; Mackerras remains the Conductor Emeritus, as the WNO continues under the direction of Carlo Rizzi. The list of awards the WNO has won over the years is staggering - they are a world class institution by any measure.

--Other performers--
Notable singers such as Richard Stuart, Rebecca Evans, Felicity Palmer, John Mark Ainsley and Anne Howells lead the chorus with stunning vocals and clever characterisations of the parts they play. Many (such as Stuart and Evans) play the leading roles across several of the pieces of the disc.

--Liner Notes--
The liner notes give a good introduction and biographical information about Gilbert and Sullivan, as well as synopses of the five pieces presented here. It does not, unfortunately, include any information about Mackerras, the WNO Orchestra and Chorus, or the other special performers. It also does not include the lyrics to the songs. Were the quality of the CD not so great, this might cost it a star in rating.

--Overall Impressions--
I play this CD in my car, in my home and in my office frequently. It is a great sing-along work and a great comedic relief from the stresses of the day. The music is bubbly and clear; the recording quality is excellent and crisp. I recommend this to any Gilbert & Sullivan lover, any fan of musical comedy, opera and operettas, and anyone who delights in good music.

Delicious G&S samplings abound here........2003-05-06

The first thing I should be saying is "What an infectuous G&S CD." Indeed this is, with this fine sampling of the peppy and bright Mackerras series. I know I have praised its "Mercedes-Benz quality" elsewhere on these pages, but that doesn't stop me from saying that everyone is in fine voice. This generously filled CD may only focus on five operas, but at least you can savour a reasonable choice sampling of delights from each one. Of particular interest is Richard Suart's patter-baritone parts and the soaring lyric soprano of Rebecca Evans. The selection on this disc is filled with a mixture of familiar favourites and lesser-known gems such as the female choruses in Mikado and Pirates. Mackerras is a true G&S conductor, but one who always springs rhythms crisply, and adopts peppy tempo for the fast bits. The one drawback is that this selection is far too infectuous that you'll want to shell out money to buy the full 5-CD Mackerras cycle - an incredible bargain with most of the operas fitted onto one disc each. But still, this is at least a decent G&S sampling for beginners, capped with Steven Ledbetter's copious liner notes. It will leave you wanting to say "dammit I'm going to play it again."

Fine Intro to G&S.......2000-12-30

This is the perfect CD for those who may not be familiar with G&S, or for the initiated who want a smattering but don't have the mother of all CD changers. The difficulty with any G&S Greatest Hits CD is determining which pieces to leave off; while one could easily point to any number equally good bits, it would be difficult to argue about the quality of the choices included. The only problem, such as it is, is that after listening to it I am usually induced to go back and listen to the whole opera anyway. The Mackerras recordings are uniformly excellent. I have read elsewhere the criticism that they are too 'operatic' for light opera. If by this it is meant that the singers are too good, then I leave it to the discretion of the listener when the singing becomes too good to be enjoyable.

Send in the Clowns: The Ballads of Stephen Sondheim

Average customer rating:

Wonderful songs

Send in the Clowns: The Ballads of Stephen Sondheim

Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

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ASIN: B00006LSQJ
Release Date: 2002-10-22

Tracks:

Send In The Clowns (From 'A Little Night Music') - Cleo Laine
Losing My Mind (From 'Follies') - Barbara Cook
I Remember (From 'Evening Primrose') - David Korman
Liasons (From 'A Little Night Music') - Hermione Gingold
With So Little To Be Sure Of (From 'Anyone Can Whistle') - Jerry Hadley
Not A Day Goes By (From 'Merrily We Roll Along') - Bernadette Peters
Pretty Women (From 'Sweeney Todd') - Michael Rupert
In Buddy's Eyes (From 'Follies') - Barbara Cook
No One Is Alone (From 'Into The Woods') - Cleo Laine
Johanna (From 'Sweeney Todd') - Victor Garber
So Many People (From 'Saturday Night') - Suzanne Henry
Sorry-Grateful (From 'Company') - Stephen Collins
Too Many Mornings (From 'Follies) - Barbara Cook
Finishing The Hat (From 'Sunday In The Park With George') - Mandy Patinkin
Not While I'm Around (From 'Sweeney Todd') - Angela Lansbury
Like It Was (From 'Merrily We Roll Along') - Julie Andrews
Unworthy Of Your Love (From 'Assassins') - Annie Golden
Anyone Can Whistle (From 'Anyone Can Whistle') - Cleo Laine

Customer Reviews:

Wonderful songs.......2003-02-07

If you're a Sondheim ballad fan, this a must-have. While there are a few renditions that aren't great (Not a Day Goes By is way overdone), the selections from Follies sung by Barbara Cook are outstanding. The Cleo Laine version of "Send in the Clowns" is lovely and Stephen Collins does an amazing good job on "Sorry-Grateful" from Company. Still, it's the Follies songs that truly shine!

Average customer rating:

Michel Legrand
Sunlight on his fingertips
all the stars you've got
Maestro Legrand , at last !
For Jazz piano purest... Only!

Michel Legrand by Michel Legrand

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Summer of 42

ASIN: B00005YW0W
Release Date: 2002-04-16

Tracks:

I Will Wait For You
The Windmills Of Your Mind
The Summer Knows
How Do You Keep The Music Playing?
Watch What Happens
What Are You Doing The Rest Of Your Life?
His Eyes, Her Eyes
The Hands Of Time
Ordinary Man
Summer Me, Winter Me
You Must Believe In Spring
Once Upon A Summertime
L'Amour Fantome
Yentl Medley: Papa Can You Hear Me/The Way He Makes Me Feel/A Piece Of Sky

Amazon.com

If the American pop culture profile of French composer-jazz pianist Michel Legrand doesn't seem what it once was, don't be misled: his European indie film scores continue six decades on, now numbering nearly 200. But Legrand's most beloved work remains the lovely, evocative themes he created in the '60s and '70s, including "I Will Wait for You" from The Umbrellas of Cherbourg, The Thomas Crown Affair's "Windmills of Your Mind," the theme from Summer of '42, and his work on Barbra Streisand's Yentl. This collection marks Legrand's first solo piano recordings, presenting those and other film score highlights in spontaneously improvised performances that offer a glimpse of Legrand's musical soul. If, as in "Windmills," his enthusiasm gets the best of him and he occasionally lapses into flights of melodramatic pianistic self-parody, there are more than enough sublime moments here to compensate, especially on lesser-known songs like Best Friends' "How Do You Keep the Music Playing?," "What Are You Doing the Rest of Your Life?" from The Happy Ending, and Brian's Song's "Hands of Time." --Jerry McCulley

Customer Reviews:

Michel Legrand.......2007-03-12

This is a great CD! Sound is awesome. I highly recommend it.

Sunlight on his fingertips.......2005-08-10

Sunlight on his fingertips

The very bright talent of Michele Legrand you can feel especially when Maestro is playing piano himself.

I heard some orchestra performance of Legrand before, that was good, but I was still thinking about him just like about pop music composer.

Now I think different - he is Genius!

all the stars you've got.......2005-01-29

Bill Evans once said that technique in jazz "is the ability to translate your ideas into sound through your instrument." If that's the case, Legrand possesses technique in spades.

Before commenting on this rewarding disc, a few words about Legrand himself:

Is there a better songwriter or a more versatile all-around musican alive today? I think you have to go back to people like Gershwin and Billy Strayhorn to find a rough parallel to Legrand's multifaceted, genre-crossing genius. A pupil of Nadia Boulanger (who studied with Faure and taught many important American composers, including Aaron Copland and Philip Glass), Legrand is an heir of the great French tradition of music--but one who has chosen to express himself through popular songs, film scores, and jazz. He possesses that rare combination of an absolutely rigorous theoretical knowledge of music and an intuitive, spontaneous instinct for both melody and improvisation. He combines exquisite refinement with a popular touch, a need to communicate directly with all who love music. To me, his work represents the most perfect expression of such typically French traits as lightness, insouciance, wit, melodic charm, and direct emotional expression since Poulenc.

Here you'll find many of Legrand's signature songs--"I Will Wait for You," "The Windmills of Your Mind," "What Are You Doing the Rest of Your Life?," "The Hands of Time," "You Must Believe in Spring," etc.--reharmonized and enriched in stunningly beautiful solo recreations. Those unfamiliar with Legrand's pianistic abilities will probably be surprised by what they hear, for he's no part-time piano tickler. He can easily hold his own in the company of the best modern jazz pianists. He has a wonderfully refined touch that is incapable of making a harsh sound and a profusive sense of fantasy that keeps you constantly guessing as to where the music will go next. Yet you always feel satisfied when you find out, because Legrand possesses a composer's comprehension of harmony and form. And his own style is in no way compromised by an occasional nod here and there toward Bill Evans, Erroll Garner, Rachmaninoff, and so on. (Please: disregard the Amazon reviewer's remark about "flights of melodramatic pianistic self-parody." It's called a stride chorus, and it's just one example of Legrand's surprising way of recasting these songs--and of his encyclopedic command of jazz styles.)

This disc represents the essence of Legrand. It really should have been recorded a long time ago, but the fact that it has captured his undiminished abilities as he enters his twilight years lends it an added poignance--a sense of "just in time!"--that makes it all the sweeter. If you're already a Legrand fan, it should be a self-recommending treasure, and if you're a fan of great piano playing or of sophisticated jazz treatments of great songs, odds are you'll find this a very rewarding disc indeed. For me, the highlight is this version of "What Are You Doing the Rest of Your Life?" in which every note seems inevitable--not at all an easy thing to make happen in an improvisation.

Miles Davis once said of a Duke Ellington recording, "Give that one all the stars you've got." That's the way I feel about this disc, and I thought that phrase "all the stars you've got" was appropriate because it almost sounds like the title of a Legrand song.

Maestro Legrand , at last !.......2004-10-10

Legrand has recorded at last one of his more intimate renditions to himself with his most remarkable themes along his brilliant career .
From a summer of 42 , The windmills of your mind (The Thomas crown afair) , what are you doing the rest of your life or the romantic Umbrellas of Cherbourg ; all those unforgettable themes are played in this album for piano solo in the real intimacy between him and the listener .
Legrand is the golden master of soundtracks in France and one of the top in the world . He owns that inner vision to catch the spirit of every movie he accompains . He composes music as he was a real director movie . The psychological concerns , the romantic efluvies and the precise and lyrical atmosphere , with that touch of class, artistic elegance and sublime eloquency .
Think also in the important recordings with Miles Davis . That issue will give you the size of that artist and anothe point to remark . In 1954 , Legrand made a golden jewel : I lvoe Paris (See my review) that has become through the years in the most famous and the best album of instrumental music ever recorded .
What other background do you need to acquire this gem ?

For Jazz piano purest... Only!.......2002-09-07

I love the music of Michele Legrand! It is a rich mixture of
graceful tones and notes, that create memories of a certain
time and place in each of our own lives.
When accompaned with great orchestration Its wonderful. When done in a jazz piano style, its not as good. Not to take anyting away from the talents of Mr Legrand as a pianist. Its just that like hearing a lusher, grander version of his music. So if you like jazz piano music, and Michele Legrand.
Then this is the cd for you!

Average customer rating:

Excellent
Smart Music
Pleasant Background Music for Work and Study

More Mozart For Your Mind

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Quintets | Chamber Music | Classical | Styles | Music

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Mozart for Your Mind
Mozart for Morning Coffee: Freshly Brewed to Perk Up Your Day
Beethoven for Book Lovers: An Intimate Companion for Reading
Mozart for Meditation
Tchaikovsky At Tea Time: A Refreshing Blend For Body And Spirit

ASIN: B0000041NP
Release Date: 1997-08-12

Tracks:

Sonata in A, K.331: Sonata in A, K.331 - Theme (Andante grazioso) with variations
Sinfonia Concertante in E-Flat for Winds: Sinfonia Concertante in E-Flat for Winds - Andantino with variations
Serenade No. 10 in B-Flat for Winds: Serenade No. 10 in B-Flat for Winds - I. Theme (Andante) with variations
Divertimento No. 11 in D - IV. Menuetto (Theme with variations)
Piano Concerto No. 24 in C Minor - III. Allegretto
Clarinet Quintet in A - Allegretto (with six variations)
Violin Sonata in E-flat - Allegretto with variations
Piano Concerto No. 17 in G - Allegretto

Customer Reviews:

Excellent.......2006-01-25

Contemplative, relaxing, yet mentally stimulating. Back when I used to be a teacher, I would play this quietly while my students were taking a test.

My only complaint is that - particularly on tracks 2 and 3 - the operating of the 'keys' on the oboe and clarinet got picked up by the microphone.. a certain level of this should be expected while recording analog music, however it is way too loud on this recording and is distracting from the beautiful music. (compare to track 6, which has a lot of clarinet, and the aforementioned sounds are barely discernible).

Smart Music.......2004-08-26

The creative process is a mysterious phenomenon. Artists, musicians and writers will tell you an array of different sources of inspiration from physical exercise, viewing a beautiful landscape to falling in love. We all have different sources of inspiration, but what ever it may be, it has the capacity to put our creative energies in motion. Years ago, I remember while studying at school, cramming to write that dreaded mid-term essay, twenty-four hours before the deadline, putting Mozart, Bach or Beethoven on the stereo, and miraculously, the words began to effortlessly flow. The final grade wasn't what was intended, but the paper invariably got finished.

As the CD claims, it is now certain that particular sonatas, serenades or piano concertos by Mozart can have a positive affect on the brain, enhancing abstract and spatial reasoning. Most of us knew back in the seventies that calm, classical music helped our indoor plants to grow and remain happy. Now it is scientific fact that Mozart's music, though not permanently, can raise our intelligence.

As aesthetics and music is a matter of taste and sensibility, certain themes and variations of Mozart's music will affect different people in different ways. The selection of themes and variations in this CD has been carefully chosen to have the desired affect on the listener. My personal favorites are track 5, Piano Concerto No 24 in C minor, performed by the English Chamber Orchestra, and track 8, Piano Concerto No 17 in G. These particular concertos have been known to put me instantly in a good mood, leading to one creative endeavor or another.

Although this short collection of Mozart's music is a wonderful introduction to the maestro, even experts of this genre, might indeed find it surprising, as the individual pieces seem to be carefully chosen and well performed. Excellent listening.

Pleasant Background Music for Work and Study.......1998-09-26

More Mozart for your Mind is a generally pleasant collection of pieces which I find makes a nice backdrop for my work and reading. The works (Sonata in A, Serenade No. 10 in B-flat, Divertimento No. 11) are familiar, relaxing, and enjoyable. St. Martin in the Fields and the English Chamber Orchestra provide good performances, and Phillips quality is present. I did find the Piano Concerto No. 24 in c a bit jarring, and the Sinfonia Concertante in E-flat was very dynamic and could be distracting to a more sensitive listener.

Ultimate Broadway II: The Very Best of Broadway Now

Average customer rating:

redux
Moderate Quality
POOR EXCUSE FOR SOME GOOD THEATER MUSIC

Ultimate Broadway II: The Very Best of Broadway Now
Various Artists
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

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Similar Items:

Ultimate Broadway
Only Broadway CD You'll Ever Need
The Best Of Broadway (Cast Recording Anthology)
Greatest Songs from the Musicals
Very Best Of Broadway Musicals

ASIN: B000092Q7E
Release Date: 2003-05-20

Tracks:

Overture (from Gypsy) - London Cast Recording
Man of La Mancha (I, Don Quixote) - Brian Stokes Mitchell, Ernie Sabella
Run, Freedom, Run! - Hunter Foster
Your Daddy's Son - Ted Sperling, Ragtime Orchestra
Music Of The Night (From The Phantom Of The Opera) - Colm Wilkinson
All That Jazz (from "Chicago") - Bebe Neuwirth
Gimme Gimme - Michael Rafter
La boh; Act I; O soave fanciulla - Placido Domingo, Sherrill Milnes, Montserrat Caball
Next Best Thing To Love - Randy Graff
Cabaret - Natasha Richardson
Springtime For Hitler (From "The Producers") - John Morris, Mel Brooks
Losing My Mind - Barbara Cook
Time Warp - Raparza
Oklahoma!; Oklahoma - Finale: Oh, What a Beautiful Mornin' (Reprise) - Musical Cast Recording
Breeze Off the River - Patrick Wilson
Big Spender - Jane Lanier, Valarie Pettiford, Shannon Lewis, Kim Greene, Kim Morgan, Dana Moore, Rachelle Rak, Elizbeth Parkinson, Dede LaBarre, Mary Ann Lamb, Mary McLeod
Gee Officer Krupke - Cast
Agony - Paul Gemignani
Bring Him Home (from Les Miserables) - Colm Wilkinson, Colm
Lullaby of Broadway (from "42nd Street") - John Lesko, Jerry Orbach

Customer Reviews:

redux.......2007-07-06

Four of the songs on this CD (Oklahoma, Music of the Night, Cabaret, and All That Jazz) were on the earlier Ultimate Broadway. Of all the shows that have been on Broadway over the past 70+ years, including the ones that are currently running, there is no excuse for repeats!

Moderate Quality.......2003-06-20

I believe that the show selection for this CD was excellent. However the song selection and song order were not. Why pick "Your Daddy's Son" from Ragtime when you can have the amazing and fantastic "Prologue" from the same show. Also I believe that a mistake was made by slecting "I Don Quixote" from Man of La Mancha instead of the much more listenable "Impossible Dream." Also the overture from Gypsy is not the proper song to start out a CD. Perhaps the "Overture" from The Phantom of the Opera.

This is however an excellent example of showtunes for inexperienced members of the theatrical world.

POOR EXCUSE FOR SOME GOOD THEATER MUSIC.......2003-05-20

The best of Broadway? Sure, if you consider the best of Broadway only those songs taken only from RCA Victor cast recordings. Expect the expected: Tracks from "Ragtime," "Chicago," "42nd Street" and "Man of La Mancha," sung by the likes of Audra
McDonald, Bebe Neuwirth, Jerry Orbach and Brian Stokes Mitchell. Including a live recording of Barbara Cook warbling "Losing My Mind" from her "Mostly Sondheim" CD isn't exactly kosher. But then again, neither is this gimmick-riddled release. Curtain up?
Half-way, maybe. Light the lights? Dim them, please.

Average customer rating:

NEGATIVE FIVE stars would be a better rating
No, this is a FIVE star CD
Dummies' best album, a real mood piece.
What are you talking about?!
Popylupyshoopy

I Don't Care That You Don't Mind
Crash Test Dummies
Manufacturer: V2
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Ghosts That Haunt Me
Songs of the Unforgiven
Puss 'n' Boots
Give Yourself a Hand
A Worm's Life

ASIN: B00005AQ0K
Release Date: 2006-04-03

Tracks:

I Don't Care That You Don't Mind
On And On
The Day We Never Met
Let It Feel Like Something Else
Little Secret
Sittin' On A Tree Stump
Buzzin' Flies
Yer Devil Ways
Hangin' Tree
Every Morning
Never Comin' Back
Put Me In A Corner Of Your Mind
Shoot 'Em Up, Shoot 'Em Down
I Never Fall Asleep At Night

Customer Reviews:

NEGATIVE FIVE stars would be a better rating.......2004-02-20

Sadly, Brad Roberts has laid another rotten egg with this boring , uninspired drivel.
The first two Dummies albums were works of genus (Ghosts that Haunt Me and God Shuffled his feet)
Brad has either run out of ideas or motivation as every work since has been a collection of monotonous droning.
He needs to get back to his roots or give it up.

No, this is a FIVE star CD.......2003-10-18

this is a welcome refreshing outing by CTD. I really enjoy the freshness to it. many folks have noted that it sounds like they didn't spend too much time editing these songs.. and I agree. They really sound garage bar like but wonderful none the less.

I think that the fans of CTD will enjoy this recording due to the fact that the bass rattling baratone of Brad Roberts is back, after a hiatus on GYAH.

The songs do have a Chris Issack meets the Eagles type of sound, but not really. All CTD's here.

Have ye fun.
**************************
Update...

I had originally bought this CD a couple weeks ago. I listened to it and reviewed it. I oringally gave it four stars. but after two good solid weeks of listening to this CD, I really think it is outstanding and deserving of a 5 star rating. I have not taken this CD out of my stereo in quite some time... and if I do, it is to play the new Elvis Costello 'North' CD. They rotate. both are great.

Dummies' best album, a real mood piece........2003-08-05

With this album, the latest work from the Crash Test Dummies (barring the rehashed Christmas album Jingle All The Way), megalomaniac (read: Brad owns the band name, but Brad's band is NOT the actual Crash Test Dummies on this album... however, since a few of them appeared on the tour, it was renamed as a CTD album during production) singer Brad Roberts may have constructed the ultimate concept album for one of two situations, the first being hanging out, or driving in, the rain (as contemplated in "On And On"). The second is proposed in "Buzzing Flies": the days when you're sitting on your arse in 100+ degree heat and lamenting your life. Therefore, the whole album has become a soundtrack to my life, as I find myself in both situations frequently. Here are some highlights.

The title track opens, featuring a "we're rolling now" intro. It appears they didn't spend a lot of time on some of these tracks in the mixing and editing process. However, these sort of little studio insights give us a real, dare I say, insight to the album itself, and Brad Roberts' mind as well, if you're bold enough to go there. This title track is traditional Dummies with a new country sound, a very minimalist and low-key sound. Ellen Reid delivers an excellent backup vocal performance, as always.

Track 2 and second single "On And On" is a simple little number with a catchy melody and one of Roberts' more vibrant lyrical/sonic performances on the album. This is about as loud as it's going to get. Third single and only video "The Day We Never Met" has very clever lyrics about actually falling in love with someone who really doesn't exist. It features an extended piece of music from Brad's Band at the end, which balances the lyrics nicely. One of the nicer pieces of music on the album.

"Let It Feel Like Something Else" and "Little Secret" are two countrified tracks that could have come off of Give Yourself A Hand, with their keyboard leads and bassier sound. However, they're still rooted in twang, so don't get your hopes up if you want more GYAH.

"Buzzin' Flies", my personal favorite, features Brad singing over a minimalist guitar line, some drums, and a squeaky old transistor radio. These are some of the best lyrics in the band's catalog IMO. However, it sounds a lot like "On And On" and the next track "Yer Devil Ways", which is again slow and has a rainy-driving feel.

First single "Every Morning" is nearly as catchy as "On And On", but from hearing this song on the radio a lot when the album came out, I don't listen to it very often. Has a verse about masturbation, which is the ultimate topic to prove Brad Roberts' megalomania.

If you like the sixth album, Jingle All The Way, you'll like "Never Comin' Back". Featuring Ellen Reid and a big bright organ front and center, Brad Roberts jumps in with an excellent vocal and content that juxtaposes nicely against the far-too-upbeat organ line. The band has always been famous for pulling such tricks.

"Shoot 'Em Up..." is the climax of the record, and one of my favorites. I recommend that readers go and download this song to get at the essence of the album before you buy it. A typical Brad Roberts number. Nothing like it: "I shot an ol' bottle with my favorite gun just last night/
It shattered and the sound made me feel like the king I am". It doesn't get much better than this. Crack open a beer with Brad, sit back, and watch the stars shine. Get them devil women out of yer town. Drive your car faster than you should through a late afternoon rainshower. Get a hangover the next day and try to take your mind off it by sitting out in the sun.

But you won't be able to exploit any of these moments till you buy the Crash Test Dummies' best album.

What are you talking about?!.......2003-04-03

This is an incredible album - great lyrics, excellent guitar breaks, another new Dummies sound - a melancholy 'Southern feel that works great, and is a sharp contrast to the funky hard rock of Give Yourself A Hand. Ellen Reid's harmonies are as beautiful as ever, and hear me now you - BRAD ROBERTS IS STILL AND HAS ALWAYS BEEN THE CRASH TEST DUMMIES LEAD SINGER. A reviewer 'helpfully pointed out' that CTD had a new lead singer who tried to sound like the old one. Yep, looks like him too. And has the same name! Hey! Wait a second....could it be..? Why not check your cd sleeves before you make absurd claims like that.

Popylupyshoopy.......2002-06-24

This new CTD album, or should I say Brad Roberts album, is decent. Not as bad as the messy and shallow (yet strangely intriguing) Give Yourself a Hand, but nowhere near as rich and emotionally charged as the first 3 CTD albums (all classics, especially A Worm's Life). My problem with the new Dummies image is. . .WHERE ARE ALL THE STORIES??? The earlier albums always contained Brad's quirky tales about household appliances, Biblical figures, garbage, scabs, ducks, pulling teeth, etc. I'm all for groups reinventing themselves, but these songs are just too cynical and commonplace to warrant multiple listenings.

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