Rock Me [Import]

Rock Me [Import]

Track Listings

1. Once Bitten Twice Shy

2. Move It

3. Save Your Love

4. Bitches and Other Women: Bitch/It's Only Rock & Roll (But I) [Medley]

5. Rock Me

6. Angel Song

7. Baby's on Fire

8. Gonna Getcha

9. Face the Day

10. On the Edge

11. Lady Red Light

12. Afterglow (Of Your Love)

13. South Bay Cities

14. Rock & Roll

Editorial Reviews
Product Description
Compilation of their Greatest Hits Including Once Bitten Twice Shy, Move It, Save Your Love and Others.

Tracks:

The Best Is Yet To Come
It Had Better Be Tonight (Meglio Stasera)
Me And Mrs. Jones
I'm Your Man
Comin' Home Baby (duet with Boyz II Men)
Lost
Call Me Irresponsible
Wonderful Tonight (duet with Ivan Lins)
Everything
I've Got The World On A String
Always On My Mind
That's Life
Dream

Amazon.com

It's no coincidence that Michael Bublé's new album starts with just his voice and some fingersnaps on "The Best Is Yet to Come," a song made famous by Frank Sinatra. The Canadian smoothie looks longingly towards early-'60s Vegas, an impression quickly reinforced when a boisterous horn section makes its grand entrance, about 20 seconds into the track. That Bublé means business is confirmed by the second cut, a fast-paced take on Henry Mancini's "It Had Better Be Tonight," and of course by the CD's very title, another song identified with Sinatra as his cockiest. There are just a few sidesteps from the retro formula that's served Bublé so well so far: a languid duet with Brazilian star Ivan Lins on the bossa "Wonderful Tonight," a gospel choir on "That's Life." Interestingly, Bublé co-wrote the best of those sidesteps, "Everything," a Norah Jones-esque number that alluringly harks back to sunny '70s pop. It's also the only song on the album produced by Bob Rock (best known for his work with Metallica), sending out a strong signal that Bublé should reach out to unlikely collaborators more often. --Elisabeth Vincentelli

More Music from Michael Bublé

It's Time
Michael Bublé
Caught in the Act

Album Description

Melding the contemporary and the classic in ways only he can, Michael Buble has created his most complete studio effort yet. Ranging from "I've Got The World On a String" to "Me and Mrs. Jones," in addition to two new songs co-written by Michael, Call Me Irresponsible makes this album irresistible.

Customer Reviews:

OK CD, BUT NOWHERE NEAR AS GOOD AS "IT'S TIME"..........2007-08-02

... but it does have its moments, especially with "It Had Better Be Tonight" - that one's a grand slam home run that's guaranteed to be a live performance favourite when MB hits the road on tour.

On the flip side, his remake of "That's Life" is a clunker that could have been a smash if he'd played it closer to Sinatra's original (even David Lee Roth, of all people, did a better version!).

But I've noticed that about Michael Buble; his remakes are either fantastic or outright throw-aways. So far, "It's Time" represents the apex of his career.

Frank Bubbly.......2007-08-01

I kept hearing the name Michael Buble and finally checked him out. Heard "Always on my mind" on his MySpace page and was blown away. Loved his older hit "Home" too. Took a chance on this album when I saw it at Starbucks. Listened to it and....

Please don't try and be a new Frank Sinatra, just be yourself, Mike, you got the chops, as you clearly show on the sublime "Always on my mind". I never tire of listening to that track, but skip alll the others. My ears were bleeding listening to you butcher the Eric Clapton tune "Wonderful tonight".

The production is superb - big points for that: 1 star. 1 star for "Always on my mind".

I wish you would have recorded an entire album of new classic sounding tracks a la "Always on my mind". That would have been a 5 star album.

Wonderful.......2007-07-28

I love this CD. Michael Buble' has such a smooth voice. I can't get enough. It's easy listening, good for dancing, romantic. and I cannot say enough about the music.

Does he have a speech impediment or is it just me?.......2007-07-27

Doesn't anyone notice he has a speech impediment? He slurs some words and has a very pronounced lisp at times. I'm not making fun of the handicapped. If he was someone that I met on the street I wouldn't mention it, but he has chosen a profession that requires clear speech and should be held to higher standards. If he was my dentist, I would be good with it.

The songs where there are fewer instances of "s" or "th" etc. are fantastic, but songs like "World On A String" are reminiscent of William Hung. I really like "Me And Mrs. Jones", but I can still hear a slight lisp here and there. I don't think I remember hearing the slurring and lisping on previous recordings??? I agree with a previous reviewer that asked how the studio could put this CD out.

Buble is still on a roll.......2007-07-23

Michael Buble still fills the musical niche left by Sinatra's passing. The big band is top-notch and Michael, despite his youth, swings big time on these solid standards. Another good addition to your Buble collection.

Average customer rating:

one of the best CDs I own
Simply addictive!
Haunting sounds
The phenom Ms Jones
Glad i bought it ( Part II )...!

Come Away with Me
Norah Jones
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD

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Feels Like Home
Not Too Late
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Corinne Bailey Rae
Continuum

ASIN: B00005YW4H
Release Date: 2002-02-26

Tracks:

Don't Know Why
Seven Years
Cold Cold Heart
Feelin' The Same Way
Come Away With Me
Shoot The Moon
Turn Me On
Lonestar
I've Got To See You Again
Painter Song
One Flight Down
Nightingale
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The Nearness Of You

Amazon.com

It is not just the timbre of Norah Jones's voice that is mature beyond her 22 years. Her assured phrasing and precise time are more often found in older singers as well. She is instantly recognizable, blending shades of Billie Holiday and Nina Simone without sounding like anyone but herself. Any way you slice it, she is a singer to be reckoned with. Her readings of the Hank Williams classic "Cold Cold Heart" and Hoagy Carmichael's "The Nearness of You" alone are worth the price of the CD. Jones's own material, while not bad, pales a bit next to such masterpieces. They might have fared better had she and producer Arif Mardin opted for some livelier arrangements, taking better advantage of brilliant sidemen such as Bill Frisell, Kevin Breit, and Brian Blade; or if the tunes had simply been given less laconic performances. Jones has all the tools; what will come with experience and some careful listening to artists like J.J. Cale and Shirley Horn is the knack of remaining low-key without sounding sleepy--sometimes less is not, in fact, more. --Michael Ross

Amazon.com

Norah Jones Photos (by Danny Clinch)

More from Norah Jones

Not Too Late
Feels Like Home
The Little Willies

Customer Reviews:

one of the best CDs I own.......2007-07-25

Other reviewers have gone into a lot of depth about this CD already, so I'll keep my endorsement short and to the point. The CD is fantastic and is one of the best that I own. You will never get tired of listening to this one.

Simply addictive!.......2007-07-12

This is her best album!
Her voice is unbelievable, the delivery is amazing and the lyrics are stunning!

Haunting sounds.......2007-07-06

For 3 months, my Norah Jones CDs have taken over my car stereo. This woman is very talented!

The phenom Ms Jones.......2007-06-27

This is such an outstanding production, so much better than the later(I think) CD. Miss Jones should be careful which guitar players back her up. She should stick to Bill Frizell or maybe she should try Mark Knoffler, if she can get him away from Emmy Lou.

Glad i bought it ( Part II )...!.......2007-06-20

I knew that Nora Jones was good music but i had no idea just how good...My sister-in-law bought me this CD for Father's Day...i have listened to it 3 times today. The way i would describe her lyrics and delivery is equal to "Musical Rose Petals". So smooth and so inviting is her voice. I really love the Piano work also. Her birth name being "Geethali",Nora Jones along with the likes of Michael Buble have added a nice,new,fresh selection of music to today's currently enemic sound. This album made her only the second artist ever to sweep the "Big Four" being Album,Song,Record,& Artist of the Year at the Grammy Awards in 2003. Standouts for me include: "Come Away With Me","Don't Know Why", and i really like her rendition of Hank Williams SR.'s "Cold,Cold Heart". With her throw back to Billie Holiday/Roberta Flack days voice coupled with a very welcomed piano based style, Nora Jones can take me away anytime! If you've waited to give her a listen ,as did I, do yourself a favor and don't wait any longer.

Average customer rating:

A Heavenly Voice
Beautiful Soul
Happy listening
fantastic voice
CLOSER-JOSH GROBIN

Closer
Josh Groban
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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Josh Groban
Awake
Josh Groban in Concert (with Bonus DVD)
Il Divo
Josh Groban Live at The Greek (CD/DVD)

ASIN: B0000CFW87
Release Date: 2003-11-11

Tracks:

Oceano
My Confession
Il Postino (Mi Mancherai)
Si Volvieras a Mi
When You Say You Love Me
Per Te
All Improvviso Amore
Broken Vow
Caruso
Remember When It Rained
Hymne a l'Amour
You Raise Me Up
Never Let Go

Amazon.com

Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessor's more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase his true dramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet. --Jerry McCulley

Customer Reviews:

A Heavenly Voice.......2007-07-31

I had never heard of Josh Groban until one night I was looking at the
PBS series, "Distant Shores" with Peter Davison and this backgroun music came up. I had to search for the voice and the composer. It took me awhile to find Josh Groban. I am very old(veery!), studied music for years and he has one of the most beautiful voices I have ever heard.
From such a young man it seems unbelievable. He reminds me of beautiful voices of yesteryear- a pleasure to remember.

Beautiful Soul.......2007-07-13

Josh Groban is such a wonderful and soothing artist. If you are in need of meditative 'deliciousness' buy this album!

Happy listening.......2007-06-27

A wonderful music CD with one of the best voices in the world today.The bonus "you raise me up"makes it a must have CD.

fantastic voice.......2007-06-01

Wow. What a voice. This is a great cd. I would definitely buy it again.

CLOSER-JOSH GROBIN.......2007-05-14

THIS YOUNG MAN HAS A VOICE EQUAL TO ANDREA BOCELLI AND IS A GOOD EXAMPLE FOR YOUNG SINGERS TODAY.

Average customer rating:

Manson must be tired
brilliant
Not the Best, Not the Worst
Even the God of !@#$ can bleed.
Good album, ignore the idiots on here

Eat Me, Drink Me
Marilyn Manson
Manufacturer: Nothing
ProductGroup: Music
Binding: Audio CD

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Year Zero
Zeitgeist
Icky Thump
Minutes to Midnight
Carry On

ASIN: B000PDZJ0S
Release Date: 2007-06-05

Tracks:

If I Was Your Vampire
Putting Holes In Happiness
The Red Carpet Grave
They Said That Hell's Not Hot
Just A Car Crash Away
Heart-Shaped Glasses (When The Heart Guides The Hand)
Evidence
Are You The Rabbit?
Mutilation Is The Sincere Form Of Flattery
You And Me And The Devil Makes 3
Eat Me, Drink Me

Album Description

Four years since his last studio album, and following up on his highest charting radio single ever ("Personal Jesus", from Lest We Forget), Marilyn Manson returns with "Eat Me, Drink me". Art openings, soundtrack appearances, and personal circumstance have grabbed headlines for Manson in recent months, setting the stage for the release of Eat Me, Drink Me, which is unquestionably the artist's most personal statement yet. Always the provocateur, in what may be the ultimate subversion of the code of aggro-rock, the songs are immediately catchy - all jagged guitar hooks, anthemic choruses, with an overlying glam-rock sheen. Lyrically Manson has never been more riveting, seemingly having enough to draw from in his own life and from society at large to present a fresh, snarling vision.

Customer Reviews:

Manson must be tired.......2007-08-03

this collection seems slower and darker than usual. After listening, I wondered if Manson was depressed over the recent breakup with his wife, and it was affecting his music's mood.

brilliant.......2007-08-02

i love every song on here. the guitar work is amazing. its lyrically brutal and the man just knows how to write killer songs

Not the Best, Not the Worst.......2007-08-02

I was a little disappointed by this CD. After all the hype from Manson himself proclaiming this was the great gothic vampire album and all, that's what I expected it to be. But it's not terribly gothic (most of his work isn't), and other than "If I Was Your Vampire" it isn't overly vampiric. Manson comes off sounding either bitter or commonly sleazy most of the time. In an untypical Manson move, he's said openly that "Mutilation Is the Most Sincere Form of Flattery" is aimed at My Chemical Romance, which helps make this feel like a personal "F*** You" album.

On "Are You the Rabbit" and "Eat Me, Drink Me," Manson breaks away somewhat from the air of griping and enters a more exploratory style; it's too bad we don't get to see him continue that exploration through the rest of the album. But even the bad songs stay in your head, especially the loose-stitched "Heart-Shaped Glasses." At least this CD proves that Manson hasn't fallen prey to stagnation; he's still very much in the process of evolving.

Even the God of !@#$ can bleed........2007-08-01

I've been a Manson fan since way back in the Antichrist Superstar days. I really came to appreciate him when he followed up that album with Mechanical Animals. Rather than make Antichrist Superstar 2, he went in a completely different direction. Manson is essentially an artist who plays whatever he wants, and that is why I like him.

People whine that this album is "slow" as if Manson never has made slow depressing songs and was always a thrash metal band. I hear a lot of complaints from people who simply want Manson to be some anti right-wing anti religious for their sole amusement as if he is some monkey who should dance for their change.

Yeah, because rock n' roll is all about conforming to people's standards.

Manson was suicidal, got a divorce, was basically broken and bleeding. To fix his wounds he plugged an amp and a microphone into his scars and made one of the most interesting albums he's ever made. It's raw, it's experimental, it's depressing. Some people will hate this, their loss.

I was pretty disappointed with Golden Age of Grotesque (it was catchy but hollow) so my expectations were lowered. This album for me pretty much kicked my head in. It's the most emotionally haunting album since Mechanical Animals and he sounds even more vindictive and pissed off than he did with Holywood. Kudos to Tim Skold for creating such good guitar work which causes me to involuntarily air-guitar while listening to it.

Is it my favorite album of his? I would put Mechanical Animals and Holywood higher than this, they were a bit more cohesive thematically. This album isn't one where you can just pop it in any old time, but this is the album you can pop in when you are pissed off or depressed and love the hell out of it.

So in the end I am one of the Manson fans who actually gave this album a damn chance and liked it a lot. Manson has come back to school all these radio friendly manufactured-depression emo-screamo bands that whine about how "high school is oh so hard" what real down-and-dirty raw depressed experimental rock n' roll is all about.

Good album, ignore the idiots on here.......2007-08-01

Ok true it's his worst but that's not bad cause all of his other albums are amazing, this one is disappointing yes but still a damn good rock album worth buying. It got better the more I heard it. I wish he would get back with either Twiggy or John 5 but anything Manson will probably always be good, rock on Manson ignore these idiots who whine EVERY time any band changes.

Average customer rating:

Better Than Expected!
notice a pattern here?
What a great new concept album!
No more paralyzers?
It's Awesome

Them VS. You VS. Me
Finger Eleven
Manufacturer: Wind-Up Records
ProductGroup: Music
Binding: Audio CD

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Finger Eleven

ASIN: B000MV8CZW
Release Date: 2007-03-06

Tracks:

Paralyzer
Falling On
I'll Keep Your Memory Vague
Lost My Way
So-So Suicide
Window Song
Sense Of A Spark
Talking To The Walls
Change The World
Gather & Give
Easy Life

From Amazon.ca

Finger Eleven's career shifted suddenly and significantly when their 2003 emo-hit "One Thing" turned the band's career on its axis. At that point, they went from being known as 'the boys from Burlington who used to call themselves the Rainbow Butt Monkeys' to a group whose anthemic slow rock song went Platinum in Canada and Gold in America. So how does a band respond after its widespread fame is the result of just one song? In the case of Them Vs. You Vs. Me, Finger Eleven have consciously stayed away from anything remotely resembling their past and put the focus on the straight-ahead alt-rock formula that they've consistently excelled at. There are certain old-school rock influences that bleed clearly through their music, from Rush-isms in the form of frenetic time changes ("Sense of a Spark") to "Talking to the Walls" and "Lost My Way" which evoke Peter Gabriel-era Genesis. Frontman Scott Anderson's voice is impressive throughout, but when he sings ballads, especially "Window Song" and "Easy Life," something enables him to appeal to a whole different audience than traditional alt-rock fans. There is no 'one thing' on this disc that will allow them to reach the heights of their self-titled CD, just a consistency that will provide longtime fans reason to appreciate the band even more. --Denise Sheppard

Customer Reviews:

Better Than Expected!.......2007-07-13

After seeing lukewarm reviews, I went into this with low expectations and was pleasantly surprised! The songs were not all "One Thing" imitations, but rather the band has gone in a different directly with their music. Two of the songs even have a slight 'twang' to them, and while I despise country music, the 'twang' works well on this CD.
Ironically, Amazon has paired this with Chevelle's latest, and those two CD's are currently my top two.

notice a pattern here?.......2007-07-09

notice how everyone who says this is my first time hearing F11 i love it and they give it 5 stars? yea..cuz its a good album..all you 1 star guys own greyest of blue skies and your wanting a repeat...well f11 dosent do that... thats like watching and loving super troupers then renting their 1st release called puddle cruisers and hating it because you wanted another super troupers out of it....but would you have liked the movie if youd never seen super troupers?..most likely....NEVER judge someone on their other works. and you won't ruin the music for yourself.... if them vs you vs me was released my ohh say...some band called cheetah lol and you heard paralyzer...youd prob like the album...

What a great new concept album!.......2007-07-08

I'm a new fan and picked this one up the day it came out because of Paralyzer. I listened for a couple weeks and liked it a lot, then I put it away so I didn't get burned out on it.

I listened again today driving from Philly to DC and really paid attention. Aside from the myriad classic rock influences that can be heard and the solid musicianship, this disc is quite the concept album. Best one I've heard in a long time and I'm very, very rarely impressed by new musical offerings. I understand that this may not be the same sound as their previous offerings but I really don't care. This is good music.

5 stars!

No more paralyzers?.......2007-07-08

I love Paralyzer.. it has a harder sound to it which I was hoping to hear on the rest of the album. Unfortunately, I only liked the first track and found the rest to be a bit of a disappointment. Seems like "Paralyzer" should have been done by Disturbed. The only reason I gave the album a 2 was because it has one song I can't get enough of. Otherwise, it's a zero. Generic and poor lyrics = radio friendly. Not what I'm looking for.

It's Awesome.......2007-06-02

I got into Finger Eleven for their track 'One Thing'. That was a really good song, excellently composed but it did not make a serious fan out of me. That is until the new album 'Them-Vs-You-Vs-Me'.

I find Soctt Andersons vocals consistent throughout the entire album. Yes it is more alternative rock but don't be put off by being classified as a label when it comes to what you listen to. This is a very enjoyable cd.
The tracks, Paraylzed, Falling On, and Taking To The Walls are outstanding in terms of more of the rocking type tracks.

However, this is only a treat before we get some real amazing vocals on some of the more acoustic type tracks.
Real bonus to the CD are the following:

* I'll Keep Your Memory Vague. 5/5
"This won't break your heart, But I just think it could, coz I haven't tried as hard as I should..to..to seperate you from everything I do...but I would never wanna come between us 2" - This entire line is the best vocal I've heard this year for an intro.

* Window Song 5/5
"All The Windows are playing their game...we won't see outisde again...til I ride all the fog away...I'm putting words in their place...but all of the fog is erased & I write all the words I never said"

* Talking To The Walls
-Excellent Intro & again great lyrics. i.e. "Look at the shape I'm in, talking to the walls again'

They have staying power, for the people that have mocked this album, it's been unfair, bands need to evolve.

I would definitely like to extend my gratitude of thanks to Finger Eleven, they put out an album I can really relate to.

Come tour in Auckland, NZ some time.

Meet Me In Margaritaville: The Ultimate Collection

Average customer rating:

Parrotheads Must Have CD Set
typical island music
mararitaville
Great music!
It's Jimmy Buffett, what else could you ask for?

Meet Me In Margaritaville: The Ultimate Collection
Jimmy Buffett
Manufacturer: Utv Records
ProductGroup: Music
Binding: Audio CD

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Changes in Latitudes Changes in Attitudes
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Boats, Beaches, Bars & Ballads

ASIN: B00008OLX6
Release Date: 2003-04-15

Tracks:

Margaritaville
Migration
Growing Older But Not Up
Holiday (Live/New Recording)
Come Monday
Fruitcakes
We Are The People Our Parents Warned Us About
Cheeseburger In Paradise
Jolly Mon Sing
The Pascagoula Run (Live/New Recording)
Tin Cup Chalice
Pencil Thin Moustache
Grapefruit/Juicy Fruit
Coconut Telegraph
Changes In Latitudes, Changes In Attitudes
Last Mango In Paris
Fins
Why Don't We Get Drunk
Brown Eyed Girl
One Particular Harbour

Tracks:

School Boy Heart
Everybody's Talkin' (New!)
Volcano
Son Of A Son Of A Sailor (New Recording)
Take Another Road
Knees Of My Heart (New Recording)
In The Shelter (New Recording)
Havana Daydreamin'
Desperation Samba (Haloween In Tijuana)(Live/New Recording)
Barefoot Children
Saxophones (New Recording)
Cowboy In The Jungle
He Went To Paris (New Recording)
Creola
Bob Robert's Society Band
A Pirate Looks At Forty (Live/New Recording)
Sail On Sailor (New)
The Captain And The Kid (New Recording)

Amazon.com

Jimmy Buffett may have made his millions, but that doesn't mean that he has eased up on his workload. After releasing 33 albums, mounting grueling annual tours, and fashioning an entire industry and lifestyle out of his signature song "Margaritaville," Buffett trots out this two-CD collection. Yet, Meet Me in Magaritaville, which spans 30 years, isn't merely a retread of his long, storied career. Buffett has written two new songs for the package and re-recorded six alternative versions of fan favorites (including a moving version of "The Captain and the Kid," which he included for his ailing father, who died shortly after the album's release). He's also added two new cover songs--a spicy bossa nova version of Fred Neil's "Everybody's Talking" and the Beach Boys' "Sail on Sailor"--as well four live tracks, which shows the singer at his best, conjuring up his own Yuppie Atlantis, an idyllic place where no one has to wear shoes, the sun is always shining, the bar never closes, and Junior Mints are always available at every cinema. A must-have collection for every Parrothead (or aspiring Parrothead), if only for Buffett's track-by-track descriptions. --Jaan Uhelszki

Customer Reviews:

Parrotheads Must Have CD Set.......2007-07-13

If you are even mildly enamored with Jimmie Buffet and his music, this is a must have. All of his hits and some live performances are on this 2 CD set.

typical island music.......2007-06-27

After visiting south Florida and the Keys on several occasions. I heard some of his music whilst there. Bought the cd hoping that it would take me back there whilst being in rainy cold england. It does! Job done. It takes you to sandy beaches, blue skys and laid back bars. Some tracks are a bit cheesy but typical of the sort of music you hear down there.Turn your heating up, grab a beer, close your eyes, put this album on and your almost there.Almost!!

mararitaville.......2007-05-10

Hey its Jimmy Buffett I live in Key West What else can I say

Great music!.......2007-03-25

Bought this cd for my brother-in-law for Christmas, and he says it is wonderful. All the songs from over the years, he just loves it.

It's Jimmy Buffett, what else could you ask for?.......2007-03-19

This album is a collection of some of the best stuff Jimmy Buffett has recorded. It's a blend of old and new. Many of the songs are like old friends that you always like to spend time with and although some of the songs are newer, they fit right in with your circle of friends.
I highly recommend this album to anyone who enjoys slipping away to Margaritaville for a little while. It's music that crosses the generation gap. I'm in my 40's, my parents are in their mid - 60's and my daughter is a teenager, and we all enjoy Jimmy Buffett. If you purchase this album, you won't be disappointed.

Average customer rating:

The Start
Please Please Me
Oh Yeah, this is the good stuff
AND ... THE DREAM STARTED
Let the magical mystery tour commence

Please Please Me
The Beatles
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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With the Beatles
A Hard Day's Night
Beatles for Sale
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Rubber Soul

ASIN: B000002UA9
Release Date: 1990-10-25

Tracks:

I Saw Her Standing There
Misery
Anna (Go To Him)
Chains
Boys
Ask Me Why
Please Please Me
Love Me Do
P.S. I Love You
Baby It's You
Do You Want To Know A Secret
A Taste Of Honey
There's A Place
Twist And Shout

Amazon.com

Their first-ever album, raw and rough and still very rock & roll. Lennon and McCartney begin to flex their writing muscles and had already scored two UK hits when this appeared, but they still relied heavily on the cover material to see them through. Their insecurity about their own abilities seems curious in hindsight since they'd pulled the title song and "I Saw Her Standing There" (with thanks to Little Richard) out of their hats. But they were an unknown quantity, still to launch a million bands and take pop music to places it had never dreamed off. A small step for four men, a giant leap for music. --Chris Nickson

Customer Reviews:

The Start.......2007-07-19

Amazing to think that this is the same group of lads that would give us their swan song Abbey Road a mere 6 years later. However, the youthfulness and exuberance on this album makes it a great beginning. I haven't had this in my collection for a while and listening to it again I marvel at the innocence of this release. Being a huge fan since childhood this isn't one of my top Beatles albums but it sure is a fun listen and definitely a record to purchase.

Please Please Me.......2007-06-13

Good luck on locating these Russian CDs. Exceptional material, sound, and stereo separation.

Oh Yeah, this is the good stuff.......2007-06-12

The Beatles' debut album. Before they got pretentious. Which isn't to say they weren't still great when they got pretentious, just they were great AND pretentious. Here they're just great. People are so awed by the ostentation of the later albums that they underrate this one. But it's got an immediacy none of the other Beatles albums have (well, maybe A HARD DAY'S NIGHT). As everybody else notes, it's practically a live album. I could do without Paul's cover "A Taste of Honey," but otherwise this is perfection. You got "Please Please Me," probably the dirtiest hit song since Little Richard's "Tutti Frutti." You got Ringo singing a cover of "Boys," making it a great little gay camp number. John Lennon does punk before punk with the cover of the Isley Brothers' "Twist and Shout." And "I Saw Here Standing There" is one of the most perfect album openers ever. Given the fact that overblown pretension is so much the order of the day in every corner of the pop music world at the moment (it's like all we're back to the era of those mid-50s standards by Perry Como and Doris Day with all the overdone plush strings and sentimental bombast -- You know, the music rock, rap and soul was supposed to kill), this lean, punchy album is an essential antidote. Play it along with Louis Armstrong 's early Fives and Sevens recordings and The Ramones' first album in order the get the desired effect.

AND ... THE DREAM STARTED.......2007-05-05

Welcome to the birth of Beatlemania!!! this was the first shock that the most popular musical group made to the world! their first example with very powerful and magnificent songs, from the "1,2,3,4" in I SAW HER STANDING THERE (wonderful rock'n'roll song) to the romanticysm of DO YOU WANT TO KNOW A SECRET; this disc has the great hit LOVE ME DO, The very strong rock of TWIST AND SHOUT, many excellent covers like ANNA GO TO HIM and BABY IT'S YOU, the Ringo's debut as a singer in BOYS, the beautiful ballad P.S. I LOVE YOU and their first No.1 hit in UK charts PLEASE PLEASE ME; if you don't have beatles records or you are beginning to meet this group, you have to buy this cd first. ¡Enjoy the birth of the Modern Music!

Let the magical mystery tour commence.......2007-04-08

This, The Beatles debut LP, was released in the UK in the spring of 1963. In my native Toronto it was released as Twist and Shout in February, 1964, two months after With the Beatles! My vinyl release includes From Me to You and She Loves You and omits I Saw Her Standing There and Misery. The liner notes are completely different from the UK and the US LPs.

Has any band launched its album career more auspiciously than The Beatles? Paul shouts "1 2 3 4", George enters the picture with his guitar, and then Paul begins to sing "Well she was just 17. You know what I mean..." Thirty seconds later the first loud "Whooooo!" Ladies and gentlemen, fasten your seat belts for the commencement of a six year musical ride of this or any other lifetime.

There are eight originals and six covers - a pattern continued with their next LP. I have always felt that the covers here are more interesting than on With The Beatles. There is a miss-step (Honey) just as there would be later (Till There Was You). However, John's searing rendition of Twist and Shout more than makes up for that lapse of judgment. They also do a terrific job with the two Shirelles' songs, Boys and Baby it's You, making the songs their own rather than just parroting the original material. The original material is mostly very strong. Has anyone noticed that on the cd the credits for their own compositions are McCartney-Lennon while on the vinyl (my vinyl anyway) there are five where Paul's name comes first and three where John receives the lead credit. It is amazing what one discovers forty-three years and two months after buying the album! On With the Beatles all eight are L-M on both the record and the cd.

The emergence of the Beatles in 1963 was a seminal moment in the history of popular music. From that point forward everything changed. Suddenly, and seemingly from nowhere, rock and roll groups (the word "band" didn't replace "group" for several decades) appeared. They certainly looked different. They played their own instruments and wrote much of their own material. They sang with abandon. They screamed and they whooped and they hollered. They had strange accents. As much as I loved, and still love, the professionally penned hits that seemed to dominate the early sixties ( Goff in-King, Lieber-Stoller, Neil Sedaka and many more) popular music had somehow lost its way after the mid-fifties when rock and roll burst upon the scene. It seemed as if we, the young, had discovered a form of music that we could call our own and then had it appropriated from us. The Beatles grabbed it and gave it back to us. Our parents were once again forced to start shaking their heads in bewilderment. As long as parents continue to do so music is on the right track!

As a record of immense historical importance Please Please Me deserves the highest rating available. It deserves its own category. Had the Beatles never released another recording this would deserve five stars. However, we all know where they went so quickly and what they were capable of. And there is the fact of six covers and A Taste of Honey! If I give this five then what do I give Rubber Soul? Five with and asterisk? Four and a half seems appropriate

Average customer rating:

Sheer Magic
Sweet
superb
Oh my Gosh, Josh!
a true star

Josh Groban
Josh Groban
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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Closer
Awake
Josh Groban in Concert (with Bonus DVD)
Il Divo
Andrea Bocelli - Amore

ASIN: B00005RGNI
Release Date: 2001-11-20

Tracks:

Alla Luce Dal Sole
Gira Con Me
You're Still You
Cinema Paradiso (Se)
To Where You Are
Alejate
Canto Alla Vita - featuring The Corrs
Let Me Fall
Vincent (Starry, Starry Night)
Un Amore Per Sempre
Home To Stay
Jesu, Joy Of Man's Desiring (w/Lili Haydn)
The Prayer - featuring Charlotte Church

Amazon.com

There are worse things in life than making your acting debut on the much ballyhooed season finale of Ally McBeal, though teen operatic baritone Josh Groban doesn't seem destined to encounter them anytime soon. As the awkward high school student-client who asks the typically romance-jinxed Ally to his senior prom, Groban performed this debut album's "You're Still You" (adapted from film-composing legend Ennio Morricone's Academy Award-nominated score for Malèna, with lyrics by Linda Thompson) as a heart-tugging, literal showstopper. The young phenom was just 17 when veteran producer-writer David Foster tapped him to fill in for Andrea Bocelli at rehearsals for the 1999 Grammys, where Groban found himself suddenly dueting with Celine Dion.

Indeed, such were his fortunes that the young Foster protégé was forced to drop out of Carnegie Mellon when professional commitments--including this record--interfered. And if this collection tends to hew sometimes uncomfortably close to Foster's own MOR sonic instincts, the material offers enough challenges to display Groban's talent and the potential of his warm, mature voice: a lyrical take on another Morricone classic, "Cinema Paradiso"; melancholy readings of Don McLean's "Starry, Starry Night" and Albert Hammond's "Alejate"; masterfully dramatic takes of the Neapolitan "Alla Luca Del Sole" and "Canto Alla Vita," the latter featuring the Corrs. Many of Groban's performances here, including a neo prog-rock-opera take on Bach's "Jesu, Joy of Man's Desiring" (with Lili Haydn), seem both bigger and bolder than their precious musical frameworks, a telling hint that Grand Opera can't be far from his grasp. As said earlier, there are worse things in life. --Jerry McCulley

Customer Reviews:

Sheer Magic.......2007-07-29

I can only agree with others who like the style and sound of Josh Groban. I will certainly be looking to obtain more of his CD's.

Sweet.......2007-07-13

Josh Groban and Charolette Church! Yum. This is a very good album and a must buy!

superb.......2007-07-05

What a voice, what an artist, what a man.
Underestimated in Europe. His concert on 21 May 2007 in Amsterdam was superb!

Oh my Gosh, Josh!.......2007-07-03

I love Josh Groban's music! It is romantic, mellow and beautiful :)
This CD has two songs on it that are very unusual. I believe both are from Cirque de Soleil, and draw you into the music--warning-- While driving, do not close your eyes!

a true star.......2007-06-24

First saw and heard Josh on the Tv and was blown away by his talent! it was about a year later that I found out who he was and bought the first album and can honestly say that I have never tired of his work. Every song is magical and he is truely wonderful. Have since purchased all his work and have also had the priviledge of seeing him live in concert in Glasgow/Scotland and was amazed. such a talented young man with a truely magical voice

Average customer rating:

An Unparalleled Modern Masterpiece
Not as good as their other albums
Progressive yet the least focused
Jack may have lost the plot...
Interesting

Get Behind Me Satan
The White Stripes
Manufacturer: V2
ProductGroup: Music
Binding: Audio CD

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Elephant
White Blood Cells
The White Stripes
Guero
You Could Have It So Much Better

ASIN: B00097A5H2
Release Date: 2005-06-07

Tracks:

Blue Orchid
The Nurse
My Doorbell
Forever For Her (Is Over For Me)
Little Ghost
The Denial Twist
White Moon
Instinct Blues
Passive Manipulation
Take, Take, Take
As Ugly As I Seem
Red Rain
I'm Lonely (But I Ain't That Lonely Yet)

Amazon.com

Their fifth album, Get Behind Me Satan is the strangest and least focused effort by these unlikely garage rock superstars to date. It's also their finest, an Exile on Main Street-ish mish-mash where the sum is greater than the parts. In a market increasingly driven by singles and downloads, it's nice to be reminded how exciting an album can be, especially one where you really don't know what to expect next. There are a lot fewer pounding guitars on this album. They've largely been replaced by pounding pianos. Most songs sound like rough mixes at first; almost every song has something exceptionally loud in the mix--the guitar solo in "The Nurse," the drums in "Doorbell," everything in "Blue Orchid." After a few listens, however, it becomes clear that the group is not using the studio as an instrument so much as exposing the nuts and bolts in the process along the way.

There are some duds; the wanky blooze-rawk number "Instinct Blues" goes on way too long and it would be nice if "The Nurse" had a real chorus. Whether "Passive Manipulation" is about the wife-or-sister schtick, if the cover artwork indeed has Jack and Meg calling each other devils, and which scripture is referred to by the album's title (Matthew, Mark or Luke?): none of that matters so much as the fact that this album is strangely sprawling and obliquely ass-kicking at the same time. "Orchid" is a rockdisko sonic smash that shows how to really get rock kids on the dancefloor. Meanwhile, "Doorbell" sounds enough like the Jackson Five to totally rule, and "Forever for Her" is the best ballad Jack's written in years. The fact that some marimbas provide the driving force to "Forever" makes it all the better. --Mike McGonigal

Customer Reviews:

An Unparalleled Modern Masterpiece.......2007-06-27

This album is sheer unadorned brillance on par with the great classics of all time such as The White Album, Exile on Main Street, etc. Nobody makes music this pure anymore. It's so great that I think a lot of people don't know what to make of it due to the fact that when you compare it to everything else being release these days, it's light years ahead of all of it. A truly groundbreaking album that will probably take years for many people to fully appreciate, embrace, and give it's due of unhearalded masterpiece.

Not as good as their other albums.......2007-06-27

The White Stripes always redefine themselves with every album. This one isn't quite as good as their others, but that is not to say it isn't enjoyable. Still worthy of purchase for any fan.

Progressive yet the least focused.......2007-06-21

Many times the first single can be entirely be misleading. Sometimes people will say the single is the worst song on the album while in terrible records it's actually the best and end up fooling buyers thinking the record was awesome. Not so with Get Behind Me Satan, the 5th album from the White Stripes led by duo Jack and Meg White. Now this is not a terrible record by any means, I mean it sure beats anything those pop punk dudes churn out but this isn't a record with huge commercial appeal like Elephant. Probably even less so.

The album starts out promisingly enough with "Blue Orchid" with Jack's octave-affected guitar doing a catchy riff and singing something about orchids and how old someone is. I don't know but it's a great opening track. Next is the totally weird the Nurse which is led by a dulcimer and it's just an odd track, not necessarily bad just...odd. We do have other songs like My Doorbell or the Denial Twist which are big piano-based numbers and while catchy, you kind of miss the guitars for some reason.

The rest are separated into 2 types of songs. First half is the acoustic/piano stuff like Forever For Her (Is Over For Me) and White Moon with the former being one of his better ballads while the latter has a nice piano part yet it suffers from not really having a sense of melody to latch onto outside of the piano. Take, Take, Take which is a more upbeat acoustic song is alright but the chorus is just irritating. Afterwards we get what's probably this album's We're Going to be Friends with a weirdly upbeat As Ugly as I Am which is actually quite fun to play as well as listen to.

The other type is the big blues rock numbers akin to Ball and Biscuit from Elephant. Problem is outside of the main riff, Instinct Blues just feels way too long and is kind of uninteresting to listen. Red Rain is way better which shifts from soft slide guitar to big loud slide chords a la Seven Nation Army. The album ends with the soft piano I Get Lonely (But I Ain't That Lonely Yet). It seems like an appropriate closer given the material on here and it's a nice song to listen to but you probably won't have it on repeat much.

You got to give them credit for at least trying to shake things up a bit. But like one reviewer mentioned once, it feels like they're trying to artificially change their sound rather than letting feel like a natural progression. If on first listen it doesn't appeal, try again. It's an album you can get, not get or get but still thinks it's an underwhelming album anyways.

Jack may have lost the plot..........2007-04-21

Ok, here we go... the first track is fine, but it gives one a false hope for everything that's to follow. What I wanna know is... Who are the people writing these glowing reviews? Nobody I know, that's for sure. This record is nearly unbearable, an obvious case of a capable songwriter over-reaching and expecting his listeners to suspend their disbelief. Jack White does not have a voice that can carry a song by itself, and the sparse arrangements on this record force his voice to attempt the impossible. It's a fun voice, don't get me wrong, but it MUST be accompanied by some equally quirky guitar to be listenable. Unfortunately, "Get Behind Me, Satan" pushes the vocals very high in the mix, and decorates them with some honky-tonk piano here, some acoustic guitar there, and annoyance all over the place.

Myself and many of my friends are fans of the previous White Stripes records. We have been for a very long time. Not one of the people I know mentions this album without an apocryphal tone of voice, and most just out-and-out hate it. The regular conversation is something to the effect of "Yeah, I gave it a chance, I listened to it over and over, thinking 'maybe it'll grow on me', but I just started to really dislike it." If you haven't bought it, just hold out for the next one, 'cause there's no way it'll be worse than this.

(and for all the folks who are "personally offended" by my judgement of this record - Jack doesn't need your defense. He'll be just fine whether I liked it or not.)

Interesting.......2007-03-27

I bought this cd when it was released and was pretty taken back. The music on this cd is different from the whites stripes older cds but it is still interesting to listen to and enjoy. I still listen to this album and most of the songs are pretty cool and fun. I would remcommend this album for those who like the white stripes and those who heard of this band. You'll be in store for something unique!

Average customer rating:

Stunning Debut!
Instantly Memorable
Amazing live, and an amazing album
Absolutely Unforgettable! A Perfect Solo Debut!
yes, i will marry you

Marry Me
St. Vincent
Manufacturer: Beggars Banquet Us
ProductGroup: Music
Binding: Audio CD

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Volta

ASIN: B000RGSOR8
Release Date: 2007-07-10

Tracks:

Now, Now
Jesus Saves, I Spend
Your Lips Are Red
Marry Me
Paris Is Burning
All My Stars Aligned
The Apocalypse Song
We Put A Pearl Into The Ground
Land Mines
Human Racing
What Me Worry?

Album Description

St. Vincent is the moniker of singer/multi-instrumentalist/composer Annie Clark and this is her debut full-length. She's opened for such diverse acts as Television, Jose Gonzalez, and Sufjan Stevens, and she's an inventive and versatile guitarist who has also performed with avant-garde composer Glenn Branca. On this record, she writes cinematic pop epics that feel at times like Paris in the 20s before all the fun ended. Or, conversely, an orchestra of pure modernity - a new American music, informed by jazz, gospel blues, Southern folk music, and classical composition but, in the end, an animal original unto itself. She's been compared to everyone from Bjork to Kate Bush to Jeff Buckley, and her beautiful voice melds perfectly with her intricate guitar work.

Customer Reviews:

Stunning Debut!.......2007-07-30

What a breath of fresh air that St. Vincent is! This album is just flawless, there's not a bad song on this record. As for the comparisons made about her, I think it's a misconception; she's not as original and innovative as bjork or kate bush. She's her own artist, one that should be respected. I hope this album will eventually be recognized for the wonderful gem that it is!

Instantly Memorable.......2007-07-18

This wonderful debut starts off with three songs ("Now Now," "Jesus Saves, I Spend," and "Your Lips Are Red") that one might describe as alternative pop: quirky, sometimes edgy, with lots of instruments (various guitars, some quite distorted, keys, violin, bass, drums) that add texture yet manage to maintain lots of space. These qualities are only accentuated by the songs' live performances, in which St. Vincent, a/k/a Annie Clark, utilizes robotic movements (I saw her in NYC last night). But while this may all sound cold, it is far from that; rather, there is something that is intense and uplifting. As if to make the latter point, the CD moves on to its fourth song, "Marry Me," a jazz/pop, upbeat ballad. The rest of the CD is a mixture of what might be described as Fiona Appleesque, alternative jazz ("Paris Is Burning"), a country-like ballad ("All My Stars Aligned"), more alternative pop ("Apocalypse Song"), a moving instrumental ("We Put A Pearl In The Ground"), jazzy ballads ("Landmines," and "What We Worry"), and upbeat jazz ("Human Racing").

The music is complex and varied, the lyrics intelligent. The songs are instantly memorable -- a pretty rare quality!

Oh, and did I mention Annie's voice -- Saint-like!

Amazing live, and an amazing album.......2007-07-18

I saw her live in new york city last night, I had never listened to her, so I didn't know what to expect, but I was blown away. Afterwards I picked up her album and as I suspected, it is brilliant. Not only is it a great debut, but its a great all around album. Buy it.

Absolutely Unforgettable! A Perfect Solo Debut!.......2007-07-17

Before you sit down and listen to Annie Clark's (here known as St. Vincent) first solo album, "Marry Me," take a moment to look at the cover. Think to yourself, "What kind of music could this woman actually make?" Chances are, every answer that comes into your head is going to be somewhat accurate. "Marry Me" is filled with the kind of quirky pop music that helped Regina Spektor and My Brightest Diamond get noticed. As it turns out, Clark also has the distinction of being a member of The Polyphonic Spree on their most recent album as well as a member of Sufjan Stephens' touring band (much like My Brightest Diamond's Shara Worden). While all these credentials are well and good, it is the music that matters most. Fortunately, "Marry Me" is probably the strongest female solo album to debut in 2007!

The album starts off with the brilliantly composed "Now Now" in which a choir of childish vocals declare "You don't mean that, say you're sorry" just before Annie inserts "I'll make you sorry." Perhaps the most impressive aspect of the song is the mere fact that Clark took care of most of the instrumentation herself, as she does through most of the album. While multi-instrumentalists are a dime a dozen these days, few are able to blend the individual parts together in a way that seems so cohesive.

The humorously titled, "Jesus Saves, I Spend" features Christmas carol-esque "Bum bum bums" in the background, and even a few jingle bells for good measure. Here, Annie sings "While Jesus is saving, I'm spending all my grace on the rosy red power of lights on center stage" nonchalantly, adding to the carefree feel of the song almost as much as the floaty chipmunk vocals do (seriously). "Your Lips Are Red" takes a much more serious turn with a grinding guitar riff, haunting harp plucks and an incredibly eeire, yet undeniably cool string part. Clark's lyricism is once again displayed in full force as she near-growls "Your lips are red. My face is red from needing your red lips." Eventually, the song builds into a much brighter affair where Clark sounds almost identical to Shara Worden.

The title track "Marry Me" is another light pop song, this time sounding curiously like Feist. However, even amongst beat-keeping hand claps, the instrumentation is just as impressive as it has been. "Paris Is Burning" is absolutely amazing track, that finds Annie singing "I'm on your side where nobody is" over an almost waltz-like composition. The guitars here are absolutely brilliant, and the song is arguably one of the album's best. My personal favorite, however is the following track, "All My Stars Aligned." Listening to it, I imagine being completely weightless, blowing about in the clouds. The song is so dreamlike, so perfect, that it's hard to imagine Clark ever topping it. She asks, "What was your question?" before affirming "Love is the answer." Genius.

The second half of the album is just as beautiful as the first. "The Apocalypse Song" is an absolutely gorgeous pop song whose heavy orchestration is only overshadowed by it's WTF-inducing breakdown. But Clark doesn't disappoint, bringing the chorus back for another go before ending the song. Amidst the rest of "Marry Me," "We Put A Pearl In the Ground" seems entirely out of place. At just over a minute long, this simple, yet stunning piano solo doesn't really go with the string orchestration or guitars it follows. At the same time, however, it is undeniably charming, sounding like a heartbreaking lullaby. The song essentially serves as a prelude to "Land Mines," but it completely outshines that song, in my opinion.

The album wraps up with the quirky, yet catchy "Human Racing" and the completely charming "What Me Worry?" In it, Annie asks the question "Do I amuse you dear? Would you think me queer if while standing beside you, I opted instead to disappear?" It seems like no time at all before she does, and the album closes.

Annie Clark has completely blown me away with "Marry Me." This is not only the best female solo album of 2007, but one of the best I've heard in the last decade. At times she can sound like so many different artists (Norah Jones, Feist, My Brightest Diamond, Regina Spektor, etc.), but at the same time she maintains a uniqueness about her that is not only endearing, but entirely brilliant. St. Vincent is a name you'll want to remember, whether it's just a stage name or not. Listening to "Marry Me" is like opening your eyes to a brand new day and realizing that the world is full of possibilities. It is refreshing. It is amazing. It is completely and utterly unforgettable!

Recommended for fans of My Brightest Diamond, Sufjan Stevens, and anyone who is ready to be blown away!

Key Tracks:
1. "Your Lips Are Red"
2. "Paris Is Burning"
3. "All My Stars Aligned"
4. "The Apocalypse Song"
5. "We Put A Pearl In The Ground"

9 out of 10 Stars

yes, i will marry you.......2007-07-12

st. vincent is a breath of fresh air.
i saw her open for john vanderslice in chicago and she almost stole the show (almost, i love you john).
anyway, buy her album and help support a great musician.

Music Track:

Music Track

music track

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