New Darkness Upon Us [Import]

New Darkness Upon Us [Import]

Track Listings

1. A New Darkness Upon Us

2. Don't Need A Reason To Hate

3. Behind The Light

4. Killer Of Society

5. Dead From The Neck Up

6. Cage

7. Bear The Scars

8. Betrayal Has A Face

9. Pain Is Weakness (Leaving The Body)

10. Unmarked Grave

11. Ashes To Scatter

12. Mantra Of A Dying World

13. Malfunction (Bonus Track)

Editorial Reviews
Product Description
Second Album from the UK Metallic Hardcore Band. Includes Bonus Track "Malfunction", Originally by Cro-mags.

New Darkness Upon Us,Stampin Ground,Indie,Heavy Metal

Average customer rating:

A powerful display of darkness

Beautiful metal / hardcore

New Darkness Upon Us
Stampin' Ground
Manufacturer: Century Media
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music
General | Rock | Styles | Music
General | Hard Rock & Metal | Styles | Music
Similar Items:

Carved from Empty Words

Stampin' Ground

The Beginning of the End

Tearing Down Your Blue Skies

The Suffering of Man

ASIN: B000159EJ2
Release Date: 2004-01-27

Tracks:

New Darkness Upon Us (Intro)
Don't Need a Reason to Hate
Behind the Light
Killer of Society
Dead from the Neck Up
Cage
Bear the Scars
Betrayal Has a Face
Pain Is Weakness (Leaving the Body)
Unmarked Grave
Ashes to Scatter
Mantra of a Dying World (Outro)

Album Description

''A titanic work of masterful aggression and teeth-shattering intensity.'' - Kerrang! 2004 album on Century Media, produced by Andy Sneap (Killswitch, Arch Enemy, Nevermore, Machine Head), features 12 tracks.

Customer Reviews:

A powerful display of darkness.......2004-05-05

Stampin' Ground come out with another great cd. A brutal display of darkness. Carved from empty words had a lot more double kick and sick beats along with its great vocal. this cd is great, but it didn't have as much intensity as the first cd. Yet it wil still blow your lid when you hear it.

Beautiful metal / hardcore.......2004-04-06

Stampin Ground's "A New Darkness Upon Us" is my early metal favorite of 2004. Heavy and brutal, this CD is great from the start. It falls into the metal / hardcore hybrid category, but I personally think that it will appeal to most metal fans. I guess I would say that they are similar to Hatebreed only better -- metal fans are strongly encouraged to check out this CD. If I see their 1st release I will not hesitate to pick that one up too.

Average customer rating:

Now it's possible to get your Partch all in a row

The Harry Partch Collection, Volume 1

Manufacturer: New World Records
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Classical | Indie Music | Stores | Music
Similar Items:

The Harry Partch Collection, Volume 2
The Harry Partch Collection Volume 3
The Harry Partch Collection, Volume 4
Genesis of a Music: An Account of a Creative Work, Its Roots and Its Fulfillments (Da Capo Paperback)
Harry Partch: Enclosure 7

ASIN: B0002WZTKC
Release Date: 2004-09-28

Tracks:

Eleven Intrusions (1949-50)
Eleven Intrusions (1949-50)
Eleven Intrusions (1949-50)
Eleven Intrusions (1949-50)
Eleven Intrusions (1949-50)
Eleven Intrusions (1949-50)
Eleven Intrusions (1949-50)
Eleven Intrusions (1949-50)
Eleven Intrusions (1949-50)
Eleven Intrusions (1949-50)
Eleven Intrusions (1949-50)
Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Castor & Pollux---A Dance for the Twin Rhythms of Gemini
Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Castor & Pollux---A Dance for the Twin Rhythms of Gemini
Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Ring Around the Moon---A Dance for Here and Now
Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Ring Around the Moon---A Dance for Here and Now
Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Ring Around the Moon---A Dance for Here and Now
Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Ring Around the Moon---A Dance for Here and Now
Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
Plectra and Percussion Dances-Satyr-Play Music for Dance Theatre (1952)- Even Wild Horses---Dance Music for an Absent Drama
Ulysses at the Edge (1955)

Album Description

This newly remastered reissue marks a welcome return to the catalog of the first volume of the classic 4-CD collection that was formerly available on the CRI label. The works recorded on this disc span the first six years of what Harry Partch (1901-1974), slightly tongue-in-cheek, called the "third period" of his creative life. They show him moving away from the obsession with "the intrinsic music of spoken words" that had characterized his earlier output (the vocal works of 1930-33 and 1941-45) and towards an instrumental idiom, predominantly percussive in nature. This path was to take him through the "music-dance drama" King Oedipus (1951)—-the culmination of his "spoken word" manner—to the "dance satire" The Bewitched (1954-55), in which his new percussive idiom manifests itself. The three works on this disc show Partch before, during, and after this period of transition. In their quiet, forlorn way, the Eleven Intrusions are among the most compelling and beautiful of Partch's works. The individual pieces were composed at various times between August 1949 and December 1950, and only later gathered together as a cycle. Nonetheless they form a unified whole, with a nucleus of eight songs framed by two instrumental preludes and an essentially instrumental postlude. Although foreshadowed by the dance sequences of King Oedipus, the Plectra and Percussion Dances (1952) are the first of Partch's major works to be wholly instrumental in conception. They stand in relation to Oedipus as a satyr play in relation to a Greek tragedy—hence the work's subtitle, "Satyr-Play Music for Dance Theater." He felt that after the prolonged period of composition and production of Oedipus it was "almost a necessity to give vent to feelings and ideas, whims and caprices, even nonsense, that seem to have no place in tragedy." The final work on this disc is Ulysses at the Edge, written at Partch's studio at Gate 5 in July 1955. Ulysses, which Partch describes as a "minor adventure in rhythm," is unique among his mature compositions in that, in its original form, it did not call for any of his own instruments. The version recorded here, for alto and baritone saxophones, Diamond Marimba, Boo, Cloud-Chamber Bowls, and speaking voice, is considered the third version of the piece.

Customer Reviews:

Now it's possible to get your Partch all in a row.......2006-02-20

Harry Partch is the quintissential mad genius of music--his image of music that was non-Eurocentric led to him devising his own tonal scale based on ancient Greek and Asian methods and then creating his own instruments. This series release of Partch music lets one organize his Partch tastes and get a real sense of his progress through time. This disc is superb for the Intrusions, ghostly little pieces that were my first introduction to this fine composer. I would also highly recommend volume 3, which has Barstow, one of my favorite Partch pieces.

Be prepared. This is classical music you have not been prepared for. If you're already a fan of Partch, aren't you glad SOMEONE is getting all his amazing stuff together in one tightly knit package?