Strangers In The Night [Live] [Original recording remastered] [Import]

Strangers In The Night [Live] [Original recording remastered] [Import]

Track Listings

1. Hot 'N' Ready

2. Cherry

3. Let It Roll

4. Love to Love

5. Natural Thing

6. Out in the Street

7. Only You Can Rock Me

8. Mother Mary

9. This Kid's

10. Doctor Doctor

11. I'm a Loser

12. Lights Out

13. Rock Bottom

14. Too Hot to Handle

15. Shoot Shoot

Editorial Reviews
Product Description
Japanese Re-Issue. Digitally Remastered. Features Two Bonus Tracks: Hot N Ready, and Cherry.

Tracks:

Hot 'N' Ready
Cherry
Let It Roll
Love To Love
Natural Thing
Out In The Street
Only You Can Rock Me
Mother Mary
This Kids
Doctor Doctor
I'm A Loser
Lights Out
Rock Bottom
Too Hot To Handle
Shoot Shoot

Customer Reviews:

One of the best live albums.......2007-08-02

I saw that no one had reviewed for awhile so.......this is one of the best live albums of all time. UFO rocked live and everything about this record is superb. The guitar solos are unreal, and I have always thought that the solo on "Only You Can Rock Me", was one of the best pressed on vinyl and the live version though varying slightly, is equally as brilliant. If you like melodic live/rock, don't second guess, just buy it.

Is it Schenker or the Hand of the Lord?.......2007-06-06

Schenker's playing on this record is as good as any music anywhere. The four killer tracks are This Kids, Love to Love, Lights Out, and Rock Bottom. Every now and again, Schenker seems to tap into the divine, and when he does, he's untouchable - as here. But also see Walk on Water, Adventures of the Imagination, The Odd Trio, and Endless Jam Continues. He is just as good now as he was then.

Schenker's showcase.......2007-06-02

One of the finest, if not THE finest array of live recordings ever created. If there were ever a live album that pinpoints the pinnacle of a band's career, this is it. After hearing this, it is difficult to imagine UFO without Michael Schenker. The album showcases most of the classic UFO songs well known to fans in extended form, with some additions since the original release in '79. However, the star of the show here is Schenker, whose flying V is on fire with each solo. For example, check out the guitar work on "Rock Bottom". This is intense stuff...not for the faint of heart. Highly recommended.

UFO at their best.......2007-05-06

This CD is worth twice the price just for "Rock Bottom! Michael Schenker must have been temporarily possessed during his lead solo on this song. I have this release on vinyl, can't wait to hear it with the clarity of CD. If you can only fit one UFO album (CD) in your collection, please make it this one. On this release, not only do you hear the songs, but you feel them. That doesn't happen very often. Must have been magic in the air that night (or nights) it was recorded. I would suggest you sweep your floor before you listen to "Rock Bottom" so your jaw doesn't get dirty when it drops.

Holds up perfect after almost 30 years.......2007-03-11

By the ratings most people give here I guess I am NOT the only one who knows how great this album is. I do not think it is THE greatest live album, The Who Live at Leeds is in my opinion the best rock album live or studio. But that takes nothing away from this beautiful masterpeice. The ironic thing is I have never liked this genra of music. I never cared for Kiss, Nugent, AC/DC,Def Leppard,Van Halen, or hair metal, which it seems UFO helped pioneer. But there is something about this album that greatly exceeds expectations. The simple answer would seem to be Micheal Schenker. I am not a fan of his other projects, so it must be the sum of the whole band. The songs themselves stand on their own, but are sizzling in this live disc. It has the best collection of guitar solos that are not pretentious, but melodic, and keep with the song structure. I do feel the crowd noises are juiced up at times, and that can be a slight annoyance. I read it was supposedly done with no overdubs, but in "Only You Can Rock Me" Phil Mogg seems to sing over himself in the final chorus, so that is a dubious claim. I bought the album when it came out in my senior year, and my metal head bro-in-law bought me the CD 10 years later. It is the only one he ever gave me I kept.

Average customer rating:

Award Winning Movie Themes: The Sixties

Manufacturer: Michelle Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000011JM
Release Date: 1994-11-28

Tracks:

The Magnificent Seven: The Magnificent Seven
A Man And A Woman: A Man And A Woman
Breakfast At Tiffany's: Moon River
Dr. Zhivago: Lara's Theme (Somewhere My Love)
A Summer Place: Theme From A Summer Place
Never On Sunday: Never On Sunday
The Apartment: Theme From The Apartment
The Alamo: The Green Leaves Of Summer
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Average customer rating:

It's still Frankie...
Doo be doo be doo...
Together Sinatra and Riddle: The End of a Golden Age
Thanks to the legendary Bert Kaempfert from Germany........
A Great Appetizer For Beginning Sinatra Fans

Strangers in the Night
Frank Sinatra
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002K9M
Release Date: 1990-10-25

Tracks:

Strangers In The Night
Summer Wind
All Or Nothing At All
Call Me
You're Driving Me Crazy!
On A Clear Day (You Can See Forever)
My Baby Just Cares For Me
Downtown
Yes Sir, That's My Baby
The Most Beautiful Girl In The World

Amazon.com

Although Frank Sinatra had often expressed dislike for the smash title hit on this 1966 album, it is best known for providing some of the last tracks that the singer and his legendary arranger, Nelson Riddle, produced together. Some memorable tracks include "On a Clear Day You Can See Forever," "The Most Beautiful Girl in the World," and "You're Driving Me Crazy." The CD is a straight, no-frills reissue of the original vinyl release. --Stephen M.H. Braitman

Customer Reviews:

It's still Frankie..........2007-01-30

The great thing about this album is that it's Frankie's. The selection of songs is not particularly impressive, but Sinatra's voice and style could make any song sound credible and AMAZING.

Doo be doo be doo..........2006-05-18

"Strangers in the Night" was Frank Sinatra's first big hit single since "Witchcraft", eight years earlier. Some people apparently don't care for the song, but it did win the Grammy for Record of the Year (for what it's worth). Back in the 1960s, when someone had a smash hit single they would usually title the subsequent album after it, which is the case here. The album also includes the follow up single, "Summer Wind", which was also a hit, albeit not as big a one. The rest of the album features a seemingly random mix of songs, some old and some new. Sinatra sings the songs well, but some of the songs don't really suit him, like "Downtown" and "Yes Sir, That's My Baby". Overall, a pretty good album, albeit a short one (27 minutes long).

Together Sinatra and Riddle: The End of a Golden Age .......2005-05-26

Produced by Jimmy Bowen and Sonny Burke with arrangements by Nelson Riddle, we get just a taste of songs sung "honestly" and "purely". Sinatra at 60 (as heard here) is still better than many much younger singers. The songs are meant for adults, not acne faced teenagers who couldn't begin to find their way through the words and notes of these great melodies. There are no electric guitars or big amps. Sinatra and Riddle didn't need them. For Sinatra fans it takes a great deal of "insight" to do justice to "old time songs" like "Yes Sir Thats My Baby" and "The Most Beautiful Girl in the World" but between Sinatra and Riddle, the songs show their strength and longevity. I have the original vinyl LP which has now begun to show wear on the outside but not the inside. If you are interested in a compilation of Sinatra "Hits", this will not be for you. Try one of the double CDs. If you are interested in finishing a collection of songs by Sinatra and Riddle, this is among the last of those recordings. The songs have become "timeless".

Thanks to the legendary Bert Kaempfert from Germany...............2004-11-29

.....who composed "Strangers in the Night" and popularized that music through the distribution of his own phenomenally-selling LP's and audiophile-quality reel-to-reels, not only in the U.S. but worldwide, prior to Sinatra's lyricized release, Frank's plummetting career skyrocketed, so any foolish talk about Frank not liking this tune is ridiculous. What's more, Kaempfert's "The World We Knew (Over and Over)" contributed in a likewise crucial fashion to further Frank's recording career resurrection.

A Great Appetizer For Beginning Sinatra Fans.......2004-06-03

As a huge Frank Sinatra fan, I must say that this album ranks maong the best he's ever done. I can't seem to find my original copy of the cd, so I'm going to buy a new one next time I go to Barnes and Noble. I remeber the recording vividly, and I remeber the very first time I listened to all it all the way through - on a long car ride in Long Island about 7 years ago.

This 1966 album marked a comeback of sorts for Frank Sinatra. He hadn't had a number 1 album since 1960's "Nice And Easy", and hadn't had a big hit single for quite some time. The "Strangers In The Night" album all changed that. The album went to number one and spawned a pair of hit singles: the title track, which knocked "Paperback Writer" by The Beatles off the top of the charts, and "That's Life", which became a number 4 hit in Decmeber, 1967. And though it wasn't a hit, "The Summer Wind" became one of his most popular songs. There are more great songs here, too. He does an expertice cover of Petula Clark's "Downtown", and his reworking of his first hit, "All Or Nothing At All" (recorded when he worked with Harry James),as it is much more uptempo and his older - sounding voice gives the song more of an edge. His version of "The Most Beautiful Girl In The World" ranks as one of his best vocal performances ever. The other songs are good but not worth mentioning.

Tracks:

Jesus Christ Superstar: Overture - Andrew Lloyd Webber
Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
Jesus Christ Superstar: Superstar - Murray Head
Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
Evita: Another Suitcase In Another Hall - Barbara Dickson
Evita: Don't Cry For Me Argentina - Julie Covington
Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
Cats: The Jellicle Ball - Andrew Lloyd Weber
Cats: Memory - Elaine Paige
Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
Cats: Mr Mistoffelees - Paul Nicholas
Song And Dance: Take That Look Off Your Face - Marti Webb
Song And Dance: Tell Me On A Sunday - Marti Webb
Song And Dance: Unexpected Song - Sarah Brightman
Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
Song And Dance: Introduction - Andrew Lloyd Webber
Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

Tracks:

Starlight Express: Starlight Express - El Debarge
Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
Starlight Express: Light At The End Of The Tunnel - The Company
Requiem: Hosanna - Placido Domingo
Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
The Phantom Of The Opera: The Music Of The Night - Michael Crawford
The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
The Phantom Of The Opera: Masquerade - The Company
The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
Aspects Of Love: Love Changes Everything - Michael Ball
Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
Aspects Of Love: Anything But Lonely - Sarah Brightman
Aspects Of Love: Chanson D'Enfance - Sarah Brightman

Tracks:

Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
By Jeeves: Half A Moment - Sarah Brightman
Sunset Boulevard: With One Look - Glenn Close
Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
Sunset Boulevard: Sunser Boulevard - Alan Campbell
Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
Whistle Down The Wind: Cold - Everly Brothers
Whistle Down The Wind: No Matter What - Children/Adult Chorus
Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
The Beautiful Game: Overture - Andrew Lloyd Webber
The Beautiful Game: The Beautiful Game - The Company
The Beautiful Game: Our Kind Of Love - Hannah Waddingham
The Beautiful Game: Dont Like You - Josie Walker/David Shannon
The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

Tracks:

Oh What A Circus - David Essex
Memory - Betty Buckley
The Phantom Of The Opera - Sarah Brightman/Steve Harley
All I Ask Of You - Sarah Brightman/Cliff Richard
Love Changes Everything - Michael Ball
Any Dream Will Do - Donny Osmond
Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
As If We Never Said Goodbye - Barbra Streisand
The Perfect Year - Dina Carroll
With One Look - Petula Clark
You Must Love Me - Madonna
The Heart Is Slow To Learn - Kiri Te Kanawa
A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
Whistle Down The Wind - Tina Arena
No Matter What - Boyzone
The Vaults Of Heaven - Tom Jones
Try Not To Be Afraid - Boy George
Pie Jesu - Charlotte Church

Tracks:

Make Believe Love - Wes Sands
Down Thru' Summer - Ross Hannaman
I'll Give All My Love To Southend - Ross Hannaman
Believe Me I Will - Sacha Distel
Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
Try It And See - Rita Pavone
Come Back Richard Your Country Needs You - Time Rice And The Webber Group
Goodbye Seattle - Paul Raven
John 19:41 - The Andrew Lloyd Webber Orchestra
What A Line To Go Out On - Yvonne Elliman
Disillusion Me - Gary Band
The Ballad Of Robert And Peter - Tim Rice
Christmas Dream - Maynard Williams
It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
Magdalena - Tony Christie
Buenos Aires - The Roja Rockers
Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
I Could Have Given You More - Petula Clark
I've Been In Love Too Long - Marti Webb
Benedicite - The Stephen Hill Singers

Album Description

Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

Customer Reviews:

I waited for this for five years.......2006-06-30

Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.

The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

But the selections on CDs 1-3 don't make sense.

First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

Here are my basic impressions and comments regarding the material on the discs:

* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.

Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

A Must Have for Sir Andrew fans.......2002-05-21

This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!

The Alamo: The Essential Film Music Collection

Average customer rating:

More expensive than the other Essential but worth it.
Excellent compilation of an important composer.
"film composer Dimitri Tiomkin gave his all and then some"

The Alamo: The Essential Film Music Collection
Dimitri Tiomkin
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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Tiomkin: Red River
The Essential Elmer Bernstein Film Music Collection
Way Out West: The Essential Western Film Music Collection, Vol. 2
The Wild West: The Essential Western Film Music Collection
The Alamo (1960)

ASIN: B00022MBNK
Release Date: 2004-07-13

Tracks:

Night Passage
Tension At Table Rock
High Noon
The War Wagon
The Wild Wild West: Main Theme
The Wild Wild West: The Ballad Of Jim West
Gunfight At The O.K. Coral
Rio Bravo
Rawhide
Red River
The Unforgiven: Across The Texas Panhandle
The Unforgiven: The Need For Love
The Unforgiven: Horse Ballet
The Young Land
Duel In The Sun

Tracks:

The Fall Of The Roman Empire: Overture
The Fall Of The Roman Empire: The Fall Of Love
The Fall Of The Roman Empire: Pax Romana
55 Days Peking
Land Of The Pharaohs
Circus World (The Magnificent Showman)
Dial M For Murder
Strangers On A Train
Giant: Main Title
Giant: Love Theme
Giant: The Jett Rink Theme
The High And The Mighty
Wild Is The Wind
The Guns Of Navarone

Tracks:

Cyrano De Bergerac
The Well
Friendly Persuasion
Town Without Pity
It's A Wonderful Life
Tarzan And The Mermaids
The Thing From Another World
The Alamo: Overture/Prologue
The Alamo: Davy Crockett
The Alamo: Tennessee Babe
The Alamo: The Battle Of The Alamo
The Alamo: The Green Leaves Of Summer
The Alamo: Finale

Tracks:

Giant: This Then Is Texas
Rawhide: Rawhide
High Noon: Do Not Forsake Me
Night Passage: Follow The River
Giant: The Ballad Of Jett Rink
Friendly Persuasion: Thee I Love
It's A Wonderful Life
Wild Is The Wind
The High And The Mighty
The War Wagon: The Ballad Of The War Wagon
Rio Braco
The Young Land: Strange Are The Ways Of Love
The Wild Wild West: The Ballad Of Jim West
The Wild Wild West: The Wild Wild West

Amazon.com

Dimitri Tiomkin was one of the most prominent composers of Hollywood's Golden Age and beyond, his career spanning a half-century and some of America's most classic films. This sprawling, four-disc anthology (its title a marketing nod to the modern remake of one of Tiomkin's notable collaborations with John Wayne) features new digital recordings of full-bodied performances by the City of Prague Orchestra and Festival Chorus, the most ambitious and comprehensive tribute to the composer yet attempted. There's something here for film score buffs (rarities like a suite from his sci-fi genre-defining Thing From Another World and the "Main Theme" for the pilot of TV's Wild, Wild West) and novice alike; indeed one could scarcely ask for a more complete overview of Tiomkin's robust orchestral oeuvre. Divided into four chapters, disc one chronicles how the Ukrainian immigrant concocted a rich Western film heritage (including such genre landmarks as Red River, High Noon, Gunfight at the O.K. Corral and Rio Bravo) from largely European traditions, while the next two CD's cover his rousing work for epics and thrillers of every stripe, and collaborations with Hitchcock, Wayne, Capra, Stevens and more. The concluding disc pays homage to Tiomkin the unlikely pop tunesmith, via his hit vocal themes to Rawhide, Wild is the Wind and High Noon's "Do Not Forsake Me." --Jerry McCulley

Customer Reviews:

More expensive than the other Essential but worth it........2007-04-22

This is an excellent set of music of Dimitri Tiomkin's music! The 4th disc is short (at just over 30 minutes), but thats because it is just the vocal versions of tracks which appeared in instrumental form throughout the first 3 discs. Whenever you buy a silva screen compilation, the first thing you ask yourself is 'when were these recordings made' and 'do I have these tracks on other compilations? Thankfully, this set has TONS of new recordings, but there is some recycled stuff and they are as follows:

Dial M For Murder is from the 1993 History of Hitchcock Vol. I, while Strangers on a Train is from 1995's History of Hitchcock Vol. II.

Three tracks originate from 1994's "Music From the Films Of John Wayne". They are "The High and the Mighty", "The Alamo - Overture" and "The Alamo - Green Leaves of Summer".

Red River is from 1996's "How The West Was Won: Classic Western Film Scores Vol. One".

The Thing From Another World suite is from the excelllent 1998 set "Alien Invasion: Space And Beyond II"

Many tracks first appeared on "Way Out West: The Essential Western Film Music Collection Vol. Two". They are: "Duel In The Sun", "The Alamo (Davy Crockett)", "Friendly Persuasion", "Giant (Main Theme)", "Gunfight at the OK Corral", "High Noon", "Rio Bravo", and "The Unforgiven (The Need For Love)".

The rest of the tracks are brand spankin new, and most are not available on other discs, so snag this one up in a hurry!

Excellent compilation of an important composer........2004-07-16

This long overdue collection of Tiomkin standards and rarities is a must for any fan of symphonic music; albeit, for film or concert hall. As the liner notes clarify; these recordings are a real labor of love for James Fitzpatrick and the Silva Screen team. Tiomkin is; undoubtedly, one of the most difficult of composers to replicate. This recording comes extremely close to "hitting the nail on the head" particularly with tracks such as: "Across the Texas Panhandle" from the Unforgiven, The Entr'acte from Duel in the Sun, The Guns of Navarone, The War Wagon, and the main title and Jett Rink theme from Giant. This recording is a bargain, particularly for collectors who have sought after many of Tiomkin's composer conducted soundtracks (which are getting harder and harder to obtain). Listeners who enjoy this set should consider seeking out previous cd releases of the soundtracks to "The Guns of Navarone" (SONY, Varese Sarabande), "The Fall of the Roman Empire" (Varese Sarabande, PEG), "55 Days at Peking" (Varese Sarabande), and "The Alamo" :original soundtrack (still available on SONY-Legacy).

"film composer Dimitri Tiomkin gave his all and then some".......2004-07-13

Silva America presents the ultimate in film music during the illustrious career of an icon and legendary composer of film scores ~ "Alamo:Dimitri Tiomkin Essential Film Collection/O.S.T", featuring some long forgotten 53 cues that sent chills and thrills into the pulses of world events ~ selections from a limited collectors edition that would make any "film-score-buff" green with envy.

Tiomkin was born in Ukraine, Russia [1894-1979] attended and graduated from St. Petersburg Academy[studied under the famed composer Glazunov] ~ had a degree in music as well as law ~ came to America in 1925, shown great interest for Native American music early in his film career.

Great fondness for "The Western" ~ "DUEL IN THE SUN" (1946) (Gregory Peck, Jennifer Jones, Joseph Cotton, Lionel Barrymore, Lilian Gish and Charles Bickford - one of biggest and successful epic Westerns ever, score & photography was simply breathtaking), "RED RIVER" (1948) (John Wayne, Monty Cliff and Walter Brennan - the Duke should have won an Oscar for his performance as the aging cantankerous cattle baron)"HIGH NOON" (1952)(classic film with Gary Cooper in his Oscar winning performance of Will Kane), "TENSION AT TABLE ROCK" (1956), "GUNFIGHT AT THE OK CORRAL" (1957)(Burt Lancaster as Wyatt Earp & Kirk Douglas as Doc Holliday pulled this off with the help of the Main Theme), "NIGHT PASSAGE" (1957), "RIO BRAVO" (1959) (top box office leaders John Wayne, Dean Martin, Walter Brennan and Ricky Nelson), "THE YOUNG LAND" (1959) (young Dennis Hopper), "RAWHIDE" (TV Series) (1959-66) (Eric Fleming as trail boss Gil Favor & Clint Eastwood as Rowdy Yates), "THE UNFORGIVEN" (1960) (Burt Lancaster, Audie Murphy and Audrey Hepburn), "THE WILD, WILD WEST" (TV Series) (1965-69)(Tiomkin's music never saw the light of day), "WAR WAGON" (1967) (John Wayne & Kirk Douglas starred) (beautifully melodic) ~ it's easy to see why Tiomkin loved Western lore.

Second disc contains The Epics ~ "LAND OF THE PHARAOHS" (1955) (Jack Hawkins as Pharaoh Cheops and a beautiful Joan Collins as his scheming wife), "55 DAYS AT PEKING" (1963) (Charlton Heston, David Niven and Ava Gardner is the all star cast), "THE FALL OF THE ROMAN EMPIRE" (1964) (featuring Alec Guinness as emperor Marcus Aurelius), "CIRCUS WORLD" (1964) (John Wayne, Claudia Cardinale and Rita Hayworth under the big top) ~ next we Hitchcock Thrillers with "STRANGERS ON A TRAIN" (1951) (a masterpiece film featuring Robert Walker and Farley Granger are both very convincing as we learn, never talked to strangers on a train or anywhere), "DIAL M FOR MURDER" (1954) (tense moments come from Grace Kelly, Ray Milland and Robert Cummings - they don't get any better than this) ~ finally Drama and High Adventure with "HIGH AND MIGHTY" (1954) (another outstanding performance by John Wayne, as the co-pilot of an airline whistling the haunting theme), "GIANT" (1956)(another big epic film with Rock Hudson, Elizabeth Taylor, James Dean and Chill Wills show us what it's like to be a Texan, with oil and money), "WILD IS THE WIND" (1957) (Anthony Quinn, Anna Magnani and Anthony Franciosa), "THE GUNS OF NAVARONE" (1961) (World War II film featuring Gregory Peck, Anthony Quinn, David Niven and Stanley Baker on a small Greek Island trying to outwit the Germans and a very big gun) ~ some of Tiomkin's most inspiring themes rise to the surface.

On disc three ~ as we continue with Drama and High Adventures "IT'S A WONDERFUL LIFE" (1946) (James Stewart, Donna Reed, Thomas Mitchell, Lionel Barrymore and Ward Bond with wholesome warm and endearing themes from our favorite composer), "TARZAN AND THE MERMAIDS" (1948) (in his 12th film as Tarzan, Johnny Weissmuller still had what it takes to swim and defeat the man-god Balu - Weissmuller and Tiomkin the perfect combination for this Tarzan adventure), "CYRANO DE BERGERAC" (1950) (Jose Ferrer stars as Edmond Rostand's famous swordsman with a even more famous nose), "THE WELL" (1951) (intense cues give the film musical triumphs in final scenes), "THE THING FROM ANOTHER WORLD" (1951) (exciting Howard Hawks film with a score to match), "FRIENDLY PERSUASION" (1956) (director William Wyler shows the life and times of a Quaker family played by Gary Cooper, Dorothy Mcguire and Anthony Perkins during the American Civil War, very touching), "THE ALAMO" (1960) (big budget epic western with Big John Wayne it's producer, director and star as Davy Crockett with a haunting and never to be forgotten "The Green Leaves of Summer"), "TOWN WITHOUT PITY" (1961) (Kirk Douglas in a post-war Germany story, blends jazz themes with Tiomkin signature arrangements) ~ Tiomkin always made the difference when it came to scoring a film.

The last and final disc four ~ The Tiomkin Vocal Songbook featuring "This Then is Texas" (Giant), "Rawhide" (Rawhide), "Do Not Forsake Me" (High Noon), "Follow the River" (Night Passage), "The Ballad of Jett Rink" (Giant), "Thee I Love" (Friendly Percuasion), "It's A Wonderful Life", "Wild Is The Wind", "The High and the Mighty", The Ballad of the War Wagon" (The War Wagon), "Rio Bravo", "Strange are the Ways of Love" (The Young Land), "The Ballad of Jim West" (The Wild Wild West), "The Wild Wild West" (The Wild Wild West) ~ many were hit makers of the day and in the top ten.

Outstanding performances by The City of Prague Philharmonic Orchestra (Nic Raine, Paul Bateman, Mario Klemens - are the conductors), Crouch End Festival Chorus (David Temple - choir master), featuring vocals by Jason Howard and Keith Ferreira ~ hats off to James Fitzpatrick (producer), Reynold da Silva (executive producer), Olilvia Tiomkin Douglas, John Waxman, Rick Clark and Gareth Williams (associate producers) ~ all film producers and directors welcomed the legendary composer with open arms for their forthcoming projects ~ the "film-score-buff" collectors are ecstatic about this four disc release on the essential film music collection of DIMITRI TIOMKIN, the arrangements and performances are top notch inclusive of HDCD/Dolby Surround.

When listening to the music of a film, you had the feeling of the storyline, characters and convictions of the whole picture, they'll never be another to come this way again ~ Silva America has outdone themselves on this one, it is definitely a five star film score box set...gotta love it!

Tracks:

When I Fall in Love [From Eyes Wide Shut] - Hollywood Star Orchestra
Second Waltz from "Jazz Suite" [From Eyes Wide Shut]
Strangers in the Night [From Eyes Wide Shut] - Hollywood Star Orchestra
2nd Movement from "Symphony No. 9" in D Minor Op. 125 "Choral" [From a
Pomp and Circumstance March Op.39/1 [From a Clockwork Orange] - Radio Symphony Orchestra Ljubljana
Tain't What You Do (It's the Way That Cha Do It) [from Lolita, My Love] - Ella Fitzgerald
Introduction from "Also Sprach Zarathustra" [From 2001: A Space ...]
Adagio from "Gayane" - Ballet Suite [from Lolita, My Love]
Theme from "Spartacus" [From Spartacus] - Hollywood Star Orchestra
Sarabande [From Barry Lyndon]
German Dance No. 1 in C Major [From Barry Lyndon]
Third Movement from "Cello Concerto" in E Minor [From Barry Lyndon] - Musici Di San Marco
Main Title from "The Shining" [From the Shining] - Hollywood Star Orchestra
Chapel of Love [From Full Metal Jacket] - The Dixie Cups
We'll Meet Again [From Dr. Strangelove] - Vera Lynn

Average customer rating:

The Greatest Heavy Metal Album ever recorded
Maybe outdated, certainly charming

Strangers in the Night
UFO
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Lights Out
Force It
Phenomenon
Live and Dangerous
Heaven And Hell

ASIN: B000EHTNU2
Release Date: 1999-08-10

Tracks:

Natural Thing
Out In The Street
Only You Can Rock Me
Doctor Doctor
Mother Mary
This Kids
Love To Love
Lights Out
Rock Bottom
Too Hot To Handle
I'm A Loser
Let It Roll
Shoot Shoot

Album Description

A reissue of this classic Live album, regarded as one of the seminal live rock albums of the 1970s, with extended booklet & sleeve notes. Stranger In The Night was recorded at the International Amphitheatre, Chicago in October 1978, and it captures UFO at their very peak. 13 tracks. EMI Gold. 2006.

Album Details

A Re-issue of this Classic Live Album, Regarded as One of the Seminal Live Rock Albums of the 1970s, with Extended Booklet and Sleeve Notes. "Strangers in the Night" was Recorded at the International Amphitheatre, Chicago in October 1978, and it Captures Ufo at their Very Peak. It is a Definitive Document of Ufo's Most Thrilling Live Outings to Date, Containing Concert Reworkings of all their Best-loved Songs from a Five-year Catalogue. Thirteen Reverberating Examples of How their Extraordinary Ability as Performers Struck a Chord with a Wider Audience.

Customer Reviews:

The Greatest Heavy Metal Album ever recorded.......2007-01-06

If you were from the planet Mars and wanted to know what Heavy Metal music is I would give you this album.

Period.

(But get the version with extra tracks)

Also, thru the years I have heard rumors that Chapman is actually playing on most of this live recording, not Schenker (as well as the rumor that much of the album was studio overdubbed) but in a BBC interview years and years ago both Way & Moog SWORE that every track on Strangers was Schenker (purposely selected so) though they admitted Chapman was on a lot of the tour.

I also have a couple of live releases from the Chapman era (playing Schenker songs) and it's just not the same. The solos in particular seem to be lacking that "Schenker fire", which is readily apparent on Strangers. Another reason I believe it is him.

Maybe outdated, certainly charming.......2006-11-18

Back in the mid 70s in Germany - naturally - you liked to listen to the Scorps (Scorpions). When you were a fan of the Scorps you normally also liked the British UFO. Why? Well, Rudolf Schenker runs the Scorps (he still does as of today), his brother Michael Schenker played in UFO (and later in the Scorpions for a very short time), and both bands' sounds were certainly pretty similar back in the 70s and early 80s. However, for some reason I was never much into UFO because the sound of their studio records and compositions didn't quite touch me the way the German formation did. With "Strangers in the Night" it's different, and UFO got even with the high international standard of the Scorpions. We get a very homogeneous set of 18 tracks, initially from the albums put out between 1971 and 1976. In this live situation UFO celebrated their songs powerful like never before, and this fact makes this live album so joyful. "Strangers in the Night" is a party album, with UFO undoubtedly offering their best at that particular time. I was very pleased by the CD re-release because the sound is crisp and up-to-date. Sure, this kind of music is outdated in a way, but who cares when you heart is beatin' that way?

The contained version of "Doctor Doctor" is the best available and was played on all our parties. On "Rock Bottom" UFO sounded very much like the German equivalent, "Lights Out" comes across charming with the customized line "lights out in Chicago" (and the audiences' reaction). Overall a simple, but solid, good rock album.

Strangers in the Night & Other Famous Songs

Average customer rating:

Strangers in the Night & Other Famous Songs
Bert Kaempfert
Manufacturer: Universal/Polydor
ProductGroup: Music
Binding: Audio CD

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Bye Bye Blues
The Very Best of Bert Kaempfert

ASIN: B00000JR5U
Release Date: 1999-07-05

Tracks:

Strangers In The Night
I'm Beginning To See The
It's Only A Paper Moon
You Turned My World Aroun
You Are There
Stardust
Something
When You're Smiling
Out Of Nowhere
My Way Of Life
Moonlight Serendade
On The Sunny Side Of The
Didn't We
World We Knew
My Blue Heaven
Lover
Good Life
Continental
My Melancholy Baby
My Way

Average customer rating:

Fantastic!!!!!!

Sweet Seraphic Fire

Manufacturer: New World Records
ProductGroup: Music
Binding: Audio CD

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Early American Choral Music, Vol. 2
Early American Choral Music, Vol. 1

ASIN: B000AA4L8W
Release Date: 2005-08-02

Tracks:

New Canaan (Oliver Holden, 1793)
Maryland (William Billings, 1778)
Bethlehem (William Billings, 1778)
Lynn (Oliver Holden, 1793)
Funeral Hymn (Oliver Holden, 1792)
An Anthem for Easter (William Billings, 1787/1795)
Walpole (Abraham Wood, 1786)
Beauty (Jacob French, 1789)
Happiness (Jacob French, 1793)
Woburn (Jacob Kimball, 1793)
Montague (Timothy Swan, 1801)
Newport (Daniel Read, 1785)
Hatfield (Thomas Baird, 1800)
Attention (Asahel Benham [?], 1790)
Crucifixion (M. Kyes, 1798)
Mechias (James Lyon, 1774)
St. Paul's (Supply Belcher, 1794)
Transition (Supply Belcher, 1794)
Jubilant (Supply Belcher, 1794)
The Lilly (Supply Belcher, 1794)
Buckfield (Abraham Maxim, 1802)
Pennsylvania (Nehemiah Shumway, 1793)
Sounding Joy (J. P. Storm, 1795 )
Redemption (Jeremiah Ingalls, 1805)
Consolation (Lucius Chapin, c. 1812)
Liberty-Hall (Lucius Chapin, 1813)
Babe of Bethlehem (Southern Harmony, 1835)
Convoy (M. L. Swan, 1867)
Hallelujah New (Roland Hutchinson, 1996)
Nativity (Bruce Randall, 1990)
Cortona (M. R. Truelsen, 1996)
Great Divide (Stephen Marini, 1998)
Arinello (Dennis O'Brien, 1997)
Ev'ry String Awake (Glen Wright, 1996)
Ten Thousand Charms (Hal Kunkel, 1996)

Product Description

Sweet Seraphic Fire brings together two unique bodies of American sacred song: choral compositions from the New England singing-school tradition and the most popular Evangelical Protestant hymn texts in historic American use. In the late eighteenth century the New England singing-school movement produced America's first great sacred-music style, employing several genres of unaccompanied four-part choral compositions with the melody in the lead (tenor) part. The enormous popularity of singing-school music also promoted a canon of hymn texts shared across America's competing Evangelical Protestant denominations. This recording contains neglected masterworks from the New England singing school that also helped to create the American hymn canon. Marking a more recent turn in this process, we have also included some new settings of traditional Evangelical lyrics written by leaders in the revival of singing-school music that has blossomed in the Northeast since 1976. ! Selection of pieces for this recording was determined by correlating "The Norumbega Harmony"--our collection of one hundred six historic New England singing-school compositions and thirty contemporary works in traditional style--with a list of the three hundred most frequently printed hymn texts in America from 1737 to 1960. --Stephen Marini

Customer Reviews:

Fantastic!!!!!!.......2006-03-15

This is a REALLY cool album of shape-note singings, I particurlarly like EVERY STRING AWAKE and ANTHEM FOR EASTER.
Some of the songs are kind of dreary, (Hatfield) but all in all this is COOL!!!

Average customer rating:

AKA: Strangers In The Night[Expanded]

Strangers In The Night
UFO
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music

General | Live Albums | Rock | Styles | Music

British Metal | Hard Rock & Metal | Styles | Music

General | Hard Rock & Metal | Styles | Music

Hard Rock | Hard Rock & Metal | Styles | Music

Live Albums | Hard Rock & Metal | Styles | Music

Album-Oriented Rock (AOR) | Classic Rock | Styles | Music

General | Live Albums | Classic Rock | Styles | Music

Hard Rock & Metal | Imports | Stores | Music

Classic Rock | Imports | Stores | Music

Rock | Imports | Stores | Music
ASIN: B00004SAJG
Release Date: 2000-01-26

Tracks:

Hot 'N' Ready [*]
Cherry [*]
Let It Roll
Love to Love
Natural Thing
Out in the Street
Only You Can Rock Me
Mother Mary
This Kids
Doctor Doctor
I'm a Loser
Lights Out
Rock Bottom
Too Hot to Handle
Shoot Shoot

Album Details

Japanese Re-Issue. Digitally Remastered. Features Two Bonus Tracks: Hot N Ready, and Cherry.

Customer Reviews:

AKA: Strangers In The Night[Expanded].......2004-01-21

I suppose this Japanese version of Strangers Expanded is a collectors Item because it is imported. It seems to be identical to the 1999 Capitol reissue of the 1979 midwest concert tour live album, Strangers in the night. Elsewhere on this website you will find the 1999 release, however the track list is way wrong. Use this track list as the correct one. Well worth the price of the CD. It is definitely the prize of my UFO collection.

Music Track:

Music Track

music track

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